Are you looking for the Mary Ford Les Paul Guitar? If so, you’ve come to the right place.
Choosing the Mary Ford Les Paul Guitar can be difficult as there are so many considerations, such as Gibson, Epiphone. We have done a lot of research to find the top 20 Mary Ford Les Paul Guitar available.
The average cost is $1693.74. Sold comparable range in price from a low of $9.95 to a high of $6660.00.
Based on the research we did, we think Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst) is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Mary Ford Les Paul Guitar (20 Sellers)
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$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Made in america
- 490r & t pickups
- Mahogany body with maple top
$699.00
4.7
Reviewers Noted:
Attractive . Lightweight . Good sound quality . Well made . Durable
Features:
- Body type: semi-hollow or chambered body
- Body material: solid wood
- Top wood: flame maple
$9.95
4.3
Features:
- U00a39.50nn–u00a39.51
- U00a311.50nn–u00a311.51
- Very best of, the 30 tracks
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Vintage 50's les paul guitar in mahogany
- With the world famous probucker pickup system
- Classic warm '50s les paul sound secured with original design and components
$2799.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Comes with both black plastics and cream plastics, pictures show how dynamic the color of the finish is.
- Listed as very good condition, few scuffs and stamped mod on the headstock.
- Currently set up with cream plastics as shown, but im including the black plastics and tuners if you'd rather go that route.
$3199.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Product information
- Specifications
- Body material
$6499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Weight . Well made . Durability
Features:
- I just got another one of these, and it's also, pristine, basically unplayed.
- It's labeled as a tomato burst, but as you can see from the photos, it's actually a bit of a cross between that and an aged iced tea, brilliant!
- She weighs in at 8 lbs. 13 oz., so comfortable on the shoulder and beautifully balanced.
$899.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- It features a mahogany body, maple top with a aaa maple veneer and comfortable 1959 hand-rolled neck profile with long neck tenon. additional appointments include gibson usa burstbucker 2 and…
$2399.00$2049.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- It has been played about 3 times and comes from a smoke and pet free home. never gigged with.
- Has an excellent setup.
- Asymmetric neck (slim taper that isn't a symmetrical taper).
$3099.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- With all the usual features of a classic gibson les paul, including a mahogany body, bound mahogany neck and a bound flame maple top, this les paul traditional pro v…
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Gibson les paul standard 50s in satin honeyburst with gibson burstbucker pickups…
$17.72
5.0
Features:
- Format: vinyl
- Genre: rock and pop
- Released: 1/1/1980
$17.03
Features:
- U00a39.50nn–u00a39.51
- U00a311.50nn–u00a311.51
- How high the moonnnproduct details:nncategory:nncdsnnean:nn0827139351120nntitle:nnles paul
$400.00
Features:
- Vintage les paul custom copy, very good condition, needs some work with the bridge pickup and missing some tuning pegs ( can provide replacements and replace them). cleaned up, restrung…
$12.11
Features:
- Artist name – les paul & mary ford
- Release country
- Release year
$109.99
Features:
- Td> les paul with his custom les paul this is a signed, quality giclee print produced from the original painting from my portfolio, artist john froehlich. 1200+ commissioned portraits of…
$41.65
Features:
- Orig. press photo les paul mary ford gibson guitar 1953 we are selling a large photograph collection from newspaper archives and hollywood film studios plus other outlets. most of the…
$6660.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This is it. the 1959 les paul standard in all its glory…just better than the original. with insane hand-picked tops and fingerboards, completely historically-accurate vos hardware, carmelita hand-carved necks and…
$2899.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durability . Well made . Weight
Features:
- Les paul standard ’60s: born to rock. from its carved maple top to its stockpile of premium features, the gibson les paul standard ’60s is ready to rock. 60s burstbucker…
Features:
- Few musicians can be classified as a virtuoso, and few technical engineers can be referred to as a genius. it is extremely rare, then, when one human can be called…
1. Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst)
Product Details:
Iconic tone and uncompromising playability strap on gibson’s les paul classic, and you’ll experience iconic tone and uncompromising playability. a time-tested combination of maple and mahogany serves up the tone that’s fueled a million rock anthems, while burstbucker pickups inject your playing with loads of midrange muscle and sizzling overtones. you also get coil tapping, phase reversal, and pure bypass options for an endless variety of tonal textures. as for playing comfort, this les paul feels as amazing as it sounds, thanks to a slimtaper neck and easy-playing rosewood fingerboard. the les paul classic includes a self-lubricating graph tech nut, tune-o-matic bridge, vintage-style grover rotomatic tuners, and gold top hat knobs.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
2. Epiphone Les Paul Standard Florentine Pro Hollowbody Electric Guitar Faded Cherry Sunburst
Product Details:
The les paul standard is one of the most famous and sought-after electric guitars in the world. and now, epiphone has added a twist to this classic rocker by including a gorgeous flame maple top with dual "f" holes, and a partially hollowed-out body that gives the legendary les paul a fresh upscale look with a lighter, more resonant body. it's the perfect combination of les paul sound and epiphone style. plus, the lp standard florentine pro features epiphone acclaimed pro – bucker humbucker pickups, both with coil-tapping for a "standard" in looks and performance. – aaa flame maple top and classic – the epiphone ltd ed les paul standard florentine pro features a mahogany body that is carved out with two traditional f-holes for a new look that combines the les paul profile with epiphone's legendary archtops. the les paul florentine pro features a beautiful aaa flame maple veneer top that delivers the classic lp tone and sustain but with the hint of a semi-hollowbody guitar like a 335 or sheraton. the body also features single-ply cream binding on the top for a beautiful vintage look. – like all epiphone les pauls-and unlike less costly designs-the epiphone lbody – body shape: single cutaway – body type: semi-hollow or chambered body – body material: solid wood – top wood: flame maple – body wood: solid mahogany – body finish: polyurethane – orientation: right handedneckshape: '60s slim – taper dwood: mahogany – joint: set-in – scale length: 24.75"truss rod: standard – finish: polyurethanefretboardmaterial: rosewood – radius: 12"fret size: medium-jumbo – number of frets: 22inlays: trapezoid – nut width: 1.687" (42.8mm)pickups – configuration: hhneck: pro – bucker 2 with coil tapping – middle: not applicable – bridge: pro – bucker 3 with coil tapping – brand: gibson – active or passive: passive – series or parallel: parallel – piezo: not applicable – active eq not applicable – special electronics: not applicablecontrolsepiphone all-metal 3-way pickup selector – neck pickup volume with push/pull coil-tapping – bridge pickup volume with push/pull coil-tapping – neck pickup tone – bridge pickup tonehardwarebridge type: fixed – bridge design: tune-o-matic – tailpiece: stopbar – tuning machines: die-cast – color: chromeothernumber of strings: 6-string – special features: body and neck binding – case: sold separately – accessories: info not available – country of origin: info not available
Specifications:
| Finish | Faded Cherry Burst |
| Year | 2014 |
| Made In | Indonesia |
| Body Shape | Single Cutaway |
| Body Type | Semi-hollow Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Epiphone Les Paul ES |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
This thing is SWEET! Like reeaalllyy sweet. I have a solid body LP in my arsenal but the shoulder-wear gets to be a bit of an issue especially for practicing, this little guy? Play all day. The build quality is tremendous, the finish is gorgeous, the hardware is enough chrome to make late 90's rappers jealous. The only part I swapped out from stock was the bridge. I went with a TonePros locking tune-o-matic and instantly this thing went from good sustain to like, walk away and drink a coffee, come back and the guitar is still singing sustain. I bought mine as an open box level 1. The only flaw worth mentioning is a small finish crack on the fret binding at the 4th fret, not sure if this happened in the factory, with the previous "owner" or during shipping, to be honest it doesn't bother me in the slightest, if anything it makes me want to actually PLAY the thing and not just stare at it longingly as it sits in a case because i'm afraid I might make it imperfect in some way. Bottom line; you should own one of these.Daybone
IMHO there are two major considerations when grading a guitar.(1. Quality (2. Cost If I grade a guitar with five stars, (I do this one) it doesn't mean that I think it's the best in the world or even the best I've played. It does mean that at this price, this is way up top. 1. finish. I found no faults at all and it is beautiful. 2. Mechanical: Nothing broken, Nothing Bent, Nothing loose (so far). The frets are a little sharp on the ends but at this price range about as good as it gets. As mentioned by others, the tuning slips just a little, but I personally think this will take care of itself. If it doesn't and I find it to be really an issue with me, the guitar is worth new tuners. 3. Playability: It's like the guy in Indonesia new exactly what I wanted in a guitar. String height is perfect. Intonation is within a couple of hertz on every string and I mean this literally (my ear would never know the difference). For my ears the pickups are adjusted exactly where I want them. The volume of the Lows and Highs are very balanced. 4. Tone: Tone is something I've always struggled with. I'm not a great player and I have hearing difficulty so tone is something I'm working on constantly. I have a 1982 ES 335 that I believe is the best sounding guitar around; it will sound any way your talents will take it. I wanted this to sound like my 335: it doesn't and I don't believe it ever will but the tone that it does have is very pleasing and very versatile for just about any type of music. The coil splits are more fun for me than useful but I think for a professional they would really be useful. A Diehard Les Paul solid body lover may scoff at this new innovation.,,,,,,but just until they play it. You may get the idea that I like this Florentine and that would be a fact but keep in mind that all reviews are subjective and each guitar has it's own individual sound just as each player has their own likes and skill level. I'm not a good player and I need an easy playing. This is my guitar and I would buy it again.oge
I have had an older version of this same guitar for ten years and is my go-to secret weapon. I can't say enough about mine. Like all Epiphones you have to find a good one. By that I mean play several and pick the one that feels the best. There's always a remarkable difference between them – more than any other guitar. I won't list all my other guitars, but a lot of people can't believe this is my favorite model. The only thing that greatly improved mine was switching out the pickups for Duncan 59s. This thing now sounds so hot that you can't put it down. I'm not kidding, this thing is a steal if you get a good one. Your $5000 guitars may come and go – if you are ever lucky enough to have them – but this one stays where you can grab it when that riff comes to you at all hours of the day. You can't go wrong quite simply if you follow my advice; most importantly to swap the first one for a second if it's not right. You'll know when you hit the jackpot like I did. BTW, that swapping them out goes for all Epiphone guitars. If you were to line up ten, one will be much better than the others. I know stuff after many years and lots of guitars. Good luck and practice, then practice some more.Mikestrat
3. Les Paul / Mary Ford – Very Best Of Les Paul [Emi Australia]
Product Details:
Specifications:
Reviews:
I decided to buy it cause i used to like there singing. I thought they were great. I wanted to here all there songs. I did not realize that this disc was just music and no vocal or i would not have purchased it. I am sorry to express it this way"but i do not enjoy just music. s coderre40scoderre40
A collection of tunes from several of the early 1950's recordings. Only 40% of the tunes have Mary Ford singing. The other 60% are zippy instrumentals with all the funny Les Paul tricks. My one tiny complaint is that the fidelity of the CD is not robust. I don't think that any EQ modernization went into pressing this disc. The tunes sound a little tinny and thin. But if you are a neophyte Les Paul fan with no recordings, this is a good place to start to hear the early 1950's pop tunes that made him world known star.sonoma-valley-tom
This this is a great cd for all of us from the 50s & 60s Craigcraig340
4. Epiphone Les Paul Standard '50s Electric Guitar – Vintage Sunburst
Product Details:
The les paul standard 50s models are part of epiphone's new inspired by gibson collection and recreate the sound of 1950s era les pauls. featuring a classic mahogany body with a maple cap and mahogany neck with long neck tenon. powered by probucker humbuckers with 50s style wiring and cts electronics. epiphone's long friendship with mr. les paul began in 1940 when les built one of the world's first solid body electric guitars while working nights at the original epiphone factory in manhattan. les' first solidbody guitar, nicknamed "the log", would go on to inspire the les paul standard, what many consider the greatest electric guitar ever made.
Specifications:
| Body Styles | Les Paul |
| Body Finish | Gloss |
| Fingerboard Material | Indian Laurel |
| Fingerboard Radius | 304.8 mm / 12 in |
| Fret Count | 22 |
| Finish | Vintage Sunburst |
| Year | 2022 |
| Fretboard Radius | 12" |
| Model Sub-Family | Epiphone Les Paul Standard '50s |
| Neck Construction | Set-Neck |
| Right / Left Handed | Right Handed |
| Wood Top Style | Figured Veneer |
| Number of Strings | 6-String |
| Body Shape | Single Cutaway |
| Neck Material | Mahogany |
| Offset Body | No |
| Finish Style | Gloss |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Pickup Configuration | HH |
| Nut Width | 1.69" |
| Fretboard Material | Laurel |
| Scale Length | 24.75" |
| Top Material | Maple |
| Number of Frets | 22 |
Reviews:
This Epi is the best out of my 4 Epiphones and right next to my Gibson Les Paul. I weighed this at about 7.8lbs. I had to leave the pickguard off. Fret ends are smooth and the neck is between a slim-tapered and chunky. I love the Probucker pups, which, to me, are similar to the Gibson 490R and 498T pups that I have on my SG. This axe presents a lot of 'firsts' for me-my first modern relief axe, my first access Les Paul so it's nice to have the extra room at the higher frets, my first set of locking tuners which makes changing strings so much easier and these Grovers hold well. The pot tapering is superb and the out-of-phase switch has a nice sound, too…Overall, this is the perfect axe for beginners and the perfect axe for professionals. You deserve to play one for yourself. Play it plugged AND unplugged…Feel the resonance.John564
I brought the Caribbean Fade, and it's amazing looking. Great sound, really has that Gibson sound. Finish is really really nice, very well put together, perfect weight, great guitar all around for the money. I am a huge fan of both Gibson's, and Fender's, I may lean alittle more towards the Fender side though. I will say for the money I bought after playing them both back to back that the new Fender Player series Mexican Stratocasters sound almost as good as the Fender American's nowadays, and for the money if you are split between a Epiphone (trying to get the Gibson sound on a budget), and the Fender Player Mexican (looking for the Fender American sound) these guitars are both about the same price, I would get the Fender, maybe not as pretty as the Gibson, but the Fender is the most versatile guitar there has ever been and the Player series is alot of guitar for only $700+ dollars, and is very close sounding to the American. But if you want a Gibson and can't afford their outrageous and I know they are amazing, but I just don't see or hear $2,800 worth of guitar there. But I do hear an amazing Epiphone Les Paul for under $800, I guess my point is, you could buy an Epiphone Les Paul Modern, and a Fender Player Mexican Stratocaster, and still have a $1,000 to spend on an Amp for the price of the Gibson alone, and I feel the same way about the Fender American model, although I think the Fender American at only $1,700 is a superior guitar to the $2,800 Gibson, you just get alot more guitar for $1,100 less then the Gibson. Save your money, this Epiphone Modern is a great guitar that sounds amazing and looks amazing. One thing I didn't realize, and this is another reason to go with the Fender Player series, is your going to have to pay a professional to put your pick guard on your Epiphone, as it does not come attached. I'm sure that will be another $100, as I'm not scewing anything into my guitar without the insurance a store would have to replace it if something went wrong haha. Personally I don't beat on my guitars enough, and with how pretty the Caribbean Fade looks, and with the Epiphone having more clearance from strings to tje body, then the Fender, I'm leaving it off. Hope this helps, if you are dead set on wanting the Gibson sound at a budget the Epiphone Les Paul Modern is a great guitar. One other thing you will most likely also have to buy a specific case as it doesn't fit in the basic hardcase I bought when I bought my Fender. Gibsons body Shape is more unique then alot of guitars, and I wouldn't risk using anything other then specifically designed Gibson/Epiphone cases, wear as a PRS, Ibanez, and a great majority of guitars fit in the standard hard case. I spent the extra $130 for a Epiphone case. As it was resting on the tip of the guitar in my standard hard case and that's a big no no. Enjoy!!!J
Sound: Pickups sound great with several different voicing available with the coil taps and phase switch. Features: Just feels like a top shelf instrument. Ease of Use: Playability was great out of the box , it is outstanding with a truss rod and bridge tweak. Quality: Fells extremely well made. Value: I think it is comparable to other guitars in this price range Manufacturer Support: No The Wow Factor: It is absolutely beautiful – the prettiest guitar I’ve owned and I’ve owned over 70 guitars! Overall: First of all, I have extremely high expectations when an import guitar cost $700, so this review is written from a critical viewpoint. I ordered Thursday night and it was in my hands Saturday morning at 11! Great job. Epiphone box packaged inside of a bigger box albeit with no packing material between the two. Guitar arrived unscathed. Epiphone decals and warranty info but no truss rod tool. I was so happy that the pickguard wasn’t installed nor are there holes drilled in this beautiful finish, but it was included in the box. The fret ends are as smooth as silk! I was worried about this as my 2020 Epiphone Explorer felt like a cheese grater. Action was a little high with zero neck relief from the factory. Frets are actually pretty level. I gave it the slightest amount of relief and dropped it to 2/64 on both the low E and high Es. Predictably, it had some buzz up past the 12th fret. I raised it to my standard 4/64 and 3 /64 and there is zero fret buzz. Way to go a Epiphone factory! The Grover locking tuners are great but whoever put the strings on at then factory doesn’t know how to use them properly as they still wrapped them around the post. The electronics all function as they should and have a quality feel to them. They have a full range of motion and not just on/off like some cheaper guitars tend to have. The fit and finish is near perfect. I found just a very slight over spray on the binding on the treble side and a finish imperfect on the side of the nut. Other then those two things, nothing- it’s perfect! The Caribbean Fade is the prettiest did sg I’ve ever seen in person – the wow factor is huge on this guitar.Arnie
5. Gibson Les Paul Standard '50s P90 – Gold Top
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. tone of the ages. with two powerful p90 pickups loaded into this '50s guitar, it has a bright sound which gives your licks that unmistakable vintage twang. your licks will sing to the stars with a gritty voice as you pluck your way through riffs. the beautiful neck and fretboard are guaranteed to bring a smile to your face with their luxurious feel, offering an entirely pure playing experience. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
6. Gibson Slash Victoria Les Paul Standard Goldtop Electric Guitar – Gold
Product Details:
Gibson and slash are proud to present the slash collection. it represents influential gibson guitars slash has used during his career, inspiring multiple generations of players around the world. the slash collection of gibson guitars can be seen live on stage with slash today. the slash "victoria" les paul standard goldtop features a maple top, a solid mahogany body with a dark finish on the back, and slash s personal touches, including a c-shape neck profile, gibson custom burstbucker alnico 2 pickups, color-coordinated hardware appointments, hand-wired electronics with orange drop capacitors and a vintage-style hardshell case. exclusive to the slash collection is slash s skully signature drawing on the back of the headstock, slash s signature on the truss rod cover, a blank truss rod cover in the case, slash-approved ernie ball strings, and four slash jim dunlop tortex picks.
Specifications:
| Top Material | Maple |
| Body Finish | Gloss Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Neck Profile | 50s Vintage |
| Scale Length | 24.75" / 628.65mm |
| Fingerboard Material | Rosewood with Cream binding |
| Fingerboard Radius | 12" |
| Frets | 22 Medium Jumbo |
| String Nut | GraphTech |
| Nut Width | 1.69" / 42.862mm |
| Joint | Glued In |
| Inlays | Acrylic Trapezoid |
| Finish | Nickel |
| Bridge | ABR-1 Tune-O-Matic |
| Tailpiece | Stop Bar |
| Pickguard | Cream (not installed) |
| Control Knobs | Gold Top Hats with pointers |
| Switch Tip | Vintage |
| Switch Washer | Cream |
| Strings | Slash's Ernie Ball Strings.010 -.046 |
| Case/Gig Bag | Vintage style Hardshell |
Reviews:
A few points to mention, the neck is 1.687 wide, the tail piece is aluminum, the pickups are alnicoII @8+ electrical reading, the case is TKL all leather made in Canada, the straps are locking, the neck is less than C but more than D ( perfect for me). no pick guard and no pickup covers, matching hardware those are the differences from the other Standard Models. I have been playing since 14 and I'm now 50+ (OUCH!)I can testify that the playability and feel of the fretboard on this model is the best I have ever played. The quality of the construction is better than a $5000 and up Japanese models LP's. The sound of the pick ups are are extremely pleasing and ADDICTIVE! My ears do not tire. I can honestly tell you that the sound is and upgrade from the LP Classic models for sure! The color of this November Burst model on the GC site picture IS NOT THE COLOR you must check it out in person to see if you like. I do is FREEKING gorgeous! Folks the bottom line is that GIBSON is an American icon and the reason they are expensive is because all things are made outside of the USA if things where made here they would be cheaper and better. The closing of the Memphis Factory is a SHAME to the leaders and citizens of the state of Tennessee they should have not let that happen SUPPORT USA PEOPLE! it ROCKS!John
Overall: About 34 years ago, I saw the coolest guy I'd ever seen play a guitar playing an awesome guitar in the awesomest band I'd ever heard. This is the guy that made me want to play the guitar and the guy I imagined I was when I got my first guitar and posed with it in front of the mirror. I've been a huge fan of both GNR and Slash most of my life and decided it was time to get the guitar that inspired me to start playing.The guitar is gorgeous! The pictures are great but it's so much more beautiful in person! I just sat looking at it in awe for half an hour before I took it out of the case! The tone is right on. I wasn't expecting anything less. The pickups are super hot and responsive.It plays like a dream! Right out of the case it was perfect!The case candy is added bonus! I've never owned a Gibson and they definitely won me over as a future customer with it.So, if you love Slash, love sexy Les Pauls, or just love beautiful works of art, I would recommend this guitar!Michael
A follow up from my previous review. Sorry for the USA rant, but here is more of what I think of this guitar. I'm just a joe blow musician but if you play in stadiums with four 4×12 cabs and two 100w amps running at full blast then the " Burstbuckers" aren't going to cut it, you're going to have to swap the pickups to Seymor Duncan Slash ,those will do the job perfectly and it will be your dream guitar. But if you just do venues and social gigs and practice on your own then this is a fine guitar This model will have the least QC issues. I just wanted a good QC Gibson USA L that spoke to me with standard Gibson LP pickups and no pick guard, this is the one no big deal. I have a gut feeling that Gibson USA will not exist in 5 years from now. Gibson will Take the International Company Parent Epiphone and call It Gibson. Maybe a good thing? time will tell. Enjoy your guitars everyone chao!John
7. Gibson Custom 60th Anniversary 1960 Les Paul Standard V2 Tomato Soup Burst
Product Details:
I am re-listing this guitar (as going to keep it but have decided to let it go). never gigged and well taken care of. the v2 neck truly sits perfectly in-between a '59 les paul and my '61 es-335 and is, therefore, not too chunky nor too thin. pickups sound amazing! gibson really hit the ball out of the park with these alnico iii pickups. keep in mind that with this being an anniversary model it is limited to 2020. finish is a great tomato soup, and as you can see from the images has lots of flame and figuring in the wood. please note this is gibson's vos finish so it's made to look aged (not quite murphy lab aged) and it is used so there are going to be signs of use (pick marks, etc., though there are no missing paint, dents, or dings). action is set low with no buzz.
Specifications:
| Scale Length | 24.75" |
| Fingerboard Material | Indian Rosewood, Hide Glue Fit |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Authentic Medium-Jumbo |
| Nut Material | Nylon |
| Nut Width | 1.687" |
| End of Board Width | 2.24" |
| Inlays | Aged Cellulose Nitrate Trapezoid |
| Joint | Long Tenon, Hide Glue Fit |
| Body Shape | Les Paul |
| Back | 1-Piece Solid Lightweight Mahogany |
| Finish | Nitrocellulose Lacquer VOS (Vintage Patina) |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | No-Wire ABR-1 |
| Saddle Material | Nickel-plated Brass |
| Tailpiece | Lightweight Aluminum Stop Bar |
| Tuning Machines | Kluson Single Line, Double Ring |
| Pickguard | Laminated Cellulose Acetate Butyrate |
| Truss Rod Cover | Authentic Stepped 2-Ply |
| Control Knobs | Amber Butyrate Top Hats w/ Silver Inserts |
| Switch Tip | Amber Catalin |
| Switchwasher | Replica Cellulose Acetate Butyrate |
| Jack Plate Cover | Laminated Cellulose Acetate Butyrate |
| Control Covers | Black Royalite |
| Strap Buttons | Aluminum |
| Mounting Rings | M69 Cellulose Acetate Butyrate |
| Pickup Covers | Authentic Profile Nickel Silver |
| Neck Pickup | Custombucker Alnico III (Unpotted) |
| Bridge Pickup | Custombucker Alnico III (Unpotted) |
| Pickup Selector | 3-Way Switchcraft |
| Output Jack | Switchcraft |
| Strings | .010, .013, .017, .026, .036, .046 |
| Manufacturer Part Number (MPN) | LPR60VOTSBNH1 |
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
I bought my first Les Paul in 1974. I was a little concerened about the new "lightend and improved" version but it turned out to be great. Pickups are better. Feels great, plays great and all around great guitar at a good price. Required minimal set up to play really good. I liked it so much, I bought another one 3 weeks later. I love my Strats but right out of the box, they require a lot of work to make them play and stay in tune. Got my first Strat in 72. If I was a kid (I'm in my 60's), I would choose this Les Paul Studio first. Because it is easier to set up and play right out of the box. I love my Strats, but this is a really good guitar.Stephen C
Still a novice player, but decided that I had stuck with it long enough to justify spending a bit more than I had spent on my used Squier Strat. After reading a ton of reviews and watching a bunch of YouTube videos, I chose the LP Studio in Smokehouse Burst. Wow! What an incredible difference. I find it easier to play with a wider fretboard and the sound is just amazing. I'm not sure if I just got a good one or if Gibson has stepped up their QA game as mine does not display the defects described by other reviews here. I have not found any cosmetic or fit/finish flaws. The color also closely resembles the photos with just a slightly darker shade on the burst. It is an absolutely gorgeous instrument and I couldn't be more satisfied with it. I know that Gibson switched over to the soft case rather than the hard one to save costs, but quite frankly, I don't see that they could have saved too much. The soft case is very high quality and with the exception of shipping or air travel, I feel that my guitar is well protected when put away. Although, I doubt that I'll ever be traveling to perform in this lifetime. Thanks Gibson. Great job on a beautiful instrument.ArmchairAstro
8. Epiphone 1959 Les Paul Standard Outfit Limited-Edition Electric Guitar Lemon Burst
Product Details:
It features a mahogany body, maple top with a aaa maple veneer and comfortable 1959 hand-rolled neck profile with long neck tenon. additional appointments include gibson usa burstbucker 2 and 3 humbucking pickups, a switchcraft selector switch and output jack, cts pots, '50s-era wiring, mallory capacitors, a non-beveled pickguard and epiphone deluxe vintage tuners. – this limited-edition 1959 les paul standard comes in a lemon burst finish and includes a vintage-style brown hardcase for portable protection. – mahogany body with aaa maple veneer top with lemon burst finish – rounded c-shaped profile mahogany neck, indian laurel fretboard – gibson burstbucker 2 & 3 pickups, 3-way switch – tune-o-matic bridge, stopbar tailpiece
Specifications:
| Body type | Single-cutaway solid body |
| Top wood | Maple |
| Body wood | Mahogany |
| Neck shape | Rounded C |
| Neck wood | Mahogany |
| Scale length | 24.7" |
| Truss rod | Standard |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69"/GraphTech |
| Configuration | HH |
| Neck | Proprietary humbucker |
| Bridge | Proprietary humbucker |
| Control layout | Volume 1, Volume 2, Tone 1, Tone 2 |
| Bridge type | Fixed bridge |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 string |
| Orientation | Right-handed |
| Country of Origin | China |
Reviews:
Overall: A bit o background: this is my 15th LP since 1980, and 12th Epi since 2006. Never had a bad or defective one, and the runs just seem to get better and better. Epiphone makes a quality & very tuneful Les Paul guitar. This ‘59 is unlike any previous LP I’ve had. The custom shop influence is very apparent, both in the components, spec & build. Neck is definitely a chunker, feeling more like a ‘58 than ‘59. Slightly more pronounced than my 2019 Gibson original series 50s GoldTop. My long-neck tenon guitars (2019 Gibson 50s, 2018 Epi Slash Anaconda burst, Epiphone “Inspired By” 50s), coupled with thicker necks are noticeably more solid in the tone department – HUGE proponent of the long tenon guitars! Wouldn’t label the Southern Fade finish as “matte”, but a slick satin – finish is consistent throughout the entire guitar, and the neck feel is ideal, as opposed to gloss. The flame is not overly apparent, but has a sweet warm glow. Has a look of some of our 70’s classic rock heroes (Mick Ralphs, Jimmy Page). I always expect to send each guitar to my setup guy for one reason or another – except for this one: it checked off all the boxes (neck relief, action, string tension) – all dead on perfect, which I can only assume by pure accident, or maybe good attentive custom shop QC??? The very good, classic looking case is the welcome bonus that makes this series a spectacular deal. The icing on this cake!
Overall: Had glowing things (like nearly all reviewers) to say about my ‘59 – *it is a great guitar*. I’ve never had cause to give “manufacturers (Epiphone/Gibson) support” a negative rating. I’ve had at least 15 Les Paul’s of both brands without any issues at all…until the ‘59. After my first “amplified” play – come to find out BOTH volume pots are defective; one locks up @ 50% rotation, with no audible volume to that point, the other provides no audible volume until after 75%. It’s been over three weeks since filing my initial warranty case w/Epi-Gibson, with follow up inquiries- with*ZERO* action taken as of today. Needless to say – extremely disappointed at the customer service performance so far. I love the guitar – I got a helluva good chunk of wood with this one, and don’t want to lose it.
The vast majority of us will never even touch an original '59 Les Paul, probably the most valued electric guitar model of all time. So when Gibson decided to have Epiphone build and deliver a faithful re-release of the OG, it was immediately something to check out. Watching reviews, I found that it comes with '50 style wiring, top-notch electronics and Gibson USA Burstbucker pickup, I decided I had to check it out. I of course checked with AMS and found one in the Southern Fade and pulled the trigger. Two days later, my new guitar was delivered (per usual with AMS!). I opened the box to find that the case looked just like the vintage tan Gibson case complete with pink interior. Then I saw it — beautifully finished in what I would call a semi-gloss finish, fit and finish to die for, looking GREAT. I took it out and played for a while wihout plugging it in and was blown away by the tone and sustain for days. So I plugged it in to check out those Gibson USA pickups – Wow, so many tones with the '50 wiring and great quality pots and switch. I didn't want to put it down. Since then I find new tonal surprises every time I play this great instrument. I know that if you love or even like Les Pauls — you will love this one. My advice — GET YOU ONE OF THESE!BigBuzz
9. Gibson Les Paul Traditional Pro V Satin Electric Guitar Satin Wine Red
Product Details:
This guitar plays and sounds great! it has some general playwear, but is overall good condition with pretty much no noticeable fret wear, and it is set up with low action. it has a little belt rash on the bottom of the body. it includes the original case, and original case candy seen in the photos. it is hard to see in the photos, but the satin finish really compliments the wood grain nicely, and it is very pretty. the neck plays very nicely with the finish as well! what a bang for the buck! check all photos to get an understanding of the condition.
Specifications:
| Body Type | Single Cutaway Other |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Satin |
| Neck shape | Asymmetric |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | Compound |
| Number of frets | 22 |
| Inlays | Custom |
| Nut width/material | 1.687" (42.8 mm) |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Special electronics | Coil-split, Coil-tap, Phase switch |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Locking Vintage-style |
| Number of strings | 6 String |
| Orientation | Right Handed |
| Country of Origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
10. Gibson Les Paul Traditional Pro V Flame Top Electric Guitar Transparent Ebony Burst
Product Details:
With all the usual features of a classic gibson les paul, including a mahogany body, bound mahogany neck and a bound flame maple top, this les paul traditional pro v flame top electric guitar has some unique features that really make it a true players guitar. locking grover tuners are standard, with a very easy-to-play asymmetrical shape neck. it comes with a set of tradbucker pickups that are underwound at the neck and overwound at the bridge. the truly great thing about this guitar is the electronics. it has push/pull volume controls that either split the humbucker to single coil or tap the humbucker pickup. its your choice via a dip switch in control cavity. the rhythm tone control is a push/pull phase switch. and the treble tone control in single-coil mode toggles between the inner and outer coils. thats a lot of variety. this les paul traditional pro v flame top electric guitar includes a hardshell case. gloss-finished, weight-relieved mahogany body with flame maple top24.75"-scale mahogany neck with 22-fret, compound-radius rosewood fingerboarddual gibson tradbucker pickups with coil split, coil tap and phasenashville bridge, aluminum tailpiece and locking grover tuners | gibson les paul traditional pro v flame top electric guitar transparent ebony burst
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Flame maple |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | Asymmetrical |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | Compound radius |
| Fret size | Modern |
| Number of frets | 22 |
| Inlays | Trap |
| Nut width | 1.69" |
| Configuration | HH |
| Active or passive | Passive |
| Special electronics | Split |
| Rhythm tone control | Push/pull phase switch |
| Bridge type | Nashville |
| Tailpiece | Aluminum |
| Tuning machines | Locking Grover |
| Number of strings | 6 |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
11. Gibson Les Paul Standard 50s Faded Electric Guitar (Satin Honeyburst)
Product Details:
Specifications:
| Coil Tapping | No |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
12. Les Paul & Mary Ford [Vinyl] Les Paul & Mary Ford
Product Details:
Falling in love with love / on the sunny side of the street / just one of those things / twelfth street rag / lies / turista / swing low, sweet chariot / nuevo laredo / moritat – theme from three penny opera / the best things in life are free / some of these days / tico, tico / baby, won't you please come home / dangerous curves / i'm movie' on / farewell (just for awhile)
Specifications:
| Weight | 1.2 lb |
Reviews:
une réédition utile. Les Paul est un génie.philippe
13. Les Paul / Mary Ford – How High The Moon: Essential Collection
Product Details:
Les paul and mary ford were a duo that became one of the biggest recording artists of the 1940s and 50s, charting an impressive 16 top 10 hits. their sound was characterized by virtuoso guitar playing, angelic vocals, and cutting edge recording and engineering techniques. this 3 cd set contains 67 of their most iconic recordings. includes: how high the moon, vaya con dios, mockin' bird hill
Specifications:
14. Mij Les Paul Custom Chrome & Ebony 1970 S
Product Details:
15. Les Paul & Mary Ford – A Touch Of Class – Best
Product Details:
Receive 15% off when buying 2 or more used books receive 20% off when buying 10 or more used books receive 30% off when buying 20 or more used books receive a whopping 50% off when buying 40 or more used books you must add the items to the basket to receive this discount. offer applies on selected items only. offers are subject to change at anytime, while supplies last. they must be in gbp sterling and be made out to goldstone books. please refer to our business seller information below this listing for our details. our grading our experienced team of sorting staff endeavour to conservatively grade each item so that the customer is pleasantly surprised with the condition. like new – mint, fine, good enough to give as a present very good – plays perfectly. the jewel case might show limited signs of wear, as might the inlay notes and inclusions. good – the disc plays perfectly but has clear signs of wear. this jewel case is undamaged, and original liner notes are in good, unmarked condition.. acceptable – the disc plays perfectly, but is otherwise the worse for wear. the jewel case might be damaged and the inlay notes might be marked (but remain complete and legible), or one or more of these items might be missing. goldstone books ltd 2017
Specifications:
| Release Date | 12/22/1998 |
16. Les Paul Print Poster Gibson Guitar Wizardry Cd Mary Ford 20th Century
Product Details:
Td> les paul with his custom les paul this is a signed, quality giclee print produced from the original painting from my portfolio, artist john froehlich. 1200+ commissioned portraits of famous musicians and celebrities have been sold on ebay! my artwork has been collected internationally, shown in galleries worldwide, and has been featured on numerous book, dvd and cd covers! ready to frame print on quality gloss archival paper. print measures 18×24". professionally packed & shipped in a sturdy mailing tube. all art will be insured by seller. u.s. buyers-$15 flat rate for usps priority mail shipping and handling. outside u.s-please use shipping calculator or contact me for the shipping cost. international buyers, please understand this…. we are "not" responsble for delays in shipping, by the u.s. post office or a foreign post office. we do ship quickly, but remember your package can take time to pass through customs! your country's import duties, taxes & customs charges are not included in the item pric
17. Orig. Press Photo Les Paul Mary Ford Gibson Guitar Music 1953 Capitol
Product Details:
Orig. press photo les paul mary ford gibson guitar 1953 we are selling a large photograph collection from newspaper archives and hollywood film studios plus other outlets. most of the photographs are black & white and some are in color. they have been handled by news men and women many times over the last 100 years for research purposes of all types. they may have edge wear, outer & inner creases, imperfections of bombs & dents, dings, cuts, tears, pinholes, corners missing & sometimes complete folds. some may have boarders and some not and some may have crops, some have minor wear and some have major wear. size of each photo varies. they all will be sent in plastic sleeves and hard photo mailers for safe mail. most have credits on the reverse , some not. please look ( close ) at the pictures as they are part of the description. there are no returns accepted ! size is 7 3/16 x 9 1/2". please look ( close ) at the pictures as they are part of the description. shipping will be $5.99 in the lower 48 states. alas
18. Gibson Custom Shop 1959 Les Paul Standard Cme Spec Royal Tea Burst Gloss W/59 Carmelita Neck
Product Details:
This is it. the 1959 les paul standard in all its glory…just better than the original. with insane hand-picked tops and fingerboards, completely historically-accurate vos hardware, carmelita hand-carved necks and custom bucker pickups, the '59 les paul has never looked or sounded better than it does in one of our exclusive burst finishes. our models seem to come straight out of a custom order form from 1959, and will look great and sound even better for decades to come.
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
19. Gibson Les Paul Standard '60s Aaa Top Electric Guitar – Lemonburst, Sweetwater Exclusive
Product Details:
Les paul standard ’60s: born to rock. from its carved maple top to its stockpile of premium features, the gibson les paul standard ’60s is ready to rock. 60s burstbucker pickups and handwired electronics deliver a massive tone arsenal. and you’ll enjoy effortless playability courtesy of a fast slim – taper-profile neck and silky-smooth rosewood fingerboard with plek’d frets. if you’ve been wanting a modern les paul with a slinky ’60s feel and premium appointments, sweetwater has your axe. the gibson les paul standard ’60s is the guitar you’ve been waiting for. – burstbucker pickups deliver vintage paf tone. when it comes to capturing vintage patent applied for (paf) humbucker tone, nothing beats the sound of this les paul standard’s 60s burstbucker pickups. these magnets — along with period-correct unmatched windings on the bobbins — capture the subtle historical variations in true humbucker tone. plug into your favorite amp, and experience smooth low-end response, complex midrange crunch, and sweet-sounding highs. these pickups sound great clean or they can be used to push your amp into overdrive for the legendary fat, snarling tone you can only get with a humbucker. under the hood, the control assembly is handwired with matched potentiometers and orange drop capacitors, ensuring that you’ll hear the mellifluous voice of your les paul standard ’60s in all its glory, even when you back down your volume.slimtaper neck and plek’d frets for optimized playability. comfort and playability were two of gibson’s primary concerns when they were designing the les paul standard ’60s. you’ll be delighted by how this guitar’s slim – taper neck profile comfortably fits your hand in just the right way. for your playing pleasure, the rosewood fingerboard is buffed to silky smoothness and bound with rolled edges so that no fret ends impede your dexterity. the frets are dressed to perfection using a plek pro machine for optimized playability. typically reserved for top-dollar custom guitars, this process levels the frets with pinpoint precision, providing you with the most playable fretboard you’re likely to own. – nitro finish for the look and feel of a classic. gibson gave the les paul standard ’60s a gorgeous nitrocellulose lacquer finish. nitro finishes — standard back in the day — are significantly thinner than today’s polyurethane finishes, allowing the guitar to “breathe.” nitro finishes not only look amazing, but they also enhance the instrument’s tonal qualities. the les paul standard ’60s has the look and feel of a lovingly cared-for classic — one that will only improve with age. – gibson les paul standard ’60s solidbody electric guitar features:. mahogany body, aaa figured maple top; gloss nitrocellulose lacquer finish. mahogany neck, slim – taper profile, gloss nitro finish. rosewood fingerboard, 12" radius, acrylic trapezoid inlays. plek pro fret treatment for optimized playability. 24.75" scale length; 22 medium jumbo frets. 60s burstbucker humbuckers. handwired electronics with orange drop capacitors. 3-way pickup selector; per-pickup volume and tone controls. abr-1 tune-o-matic bridge; stopbar tailpiece. 1.695" graph tech nut (proprietary gibson formula). grover rotomatic tuning machines. single-action truss rod.
Reviews:
Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhkkkkk The new Standard 60s that I received was was being waited for like a scene in a movie when parents are waiting for a stork to bless them with a bundle of joy. Well the stork for me was gruff lookin FedEx driver that was delivering my new Gibson Les Paul Standard 60s. After it was delivered I placed it gently before me and began to unwrap the newest member of the family. So, you know those movies when you expect to see elation on the face of the actor after they open something up but instead it turns to the face of horror, well, that was me. As I opened up the the lid of the case I saw bits of gold flakes and plastic. It was the volume knob that had been smashed. I then looked at the case and the bottom of the case appeared to be damaged. After pulling picking up the pieces and placing them in a bag i played the LP and it was amazing but had obviously been knocked around too much for me to keep. It was tough though, the low end on this guitar was hypnotizing and the highs were like blissful chimes that rang clean yet without shrillness. The weight is amazing and the thus the sustain is like the Energizer Bunny. Anyway, I called AMS, they offered a replacement but I wouldn't be able to choose the serial number for the replacement, so I would have no idea what it looked like; I want to choose what guitar I am buying. So now I have a prepaid return shipping label in my email and a trip to the "stork" in my future. It's very unfortunate that this guitar was not packaged better because it is an amazing sounding guitar. I am buying another one.Mike
Overall: I've had 4 other gibsons and this one is the prettiest of them all. The color, how it fades from a dark red, to bright red then amber. The flame is just right on both sides. It has nearly every different kind of flame in certain spots but consistently has horizontal flame from top to bottom. It's a killer top. It's set up well but the action does need to be lowered and some relief put on the neck but overall not bad. The slim 60s neck is very nice. Its not chunky but not thin either, its right in the sweet spot. It sounds amazing, alnico Vs are hotter than a firecracker. Now the cons- It had about a 4 inch surface scratch on the top where your right arm rests when I inspected it after opening the case. The Grover tuners are nice and keep it in tune but I wish this exact guitar was offered with Kluson deluxe tuners. I prefer the green tulip look. Then there's the graph tech nut. I wish it had a bone nut but ill take care of that later. All in all it's a keeper, for life. Thank yoy zZoundsRyan
I've had the guitar for a couple weeks now and it's been the main guitar I've played during that time and it's incredibly hard to put down. The neck is thin but not too thin. It's a good medium profile. This is also one of the lightest Les Pauls I've ever played. The guitar is extremely resonate and loud acoustically. This could just be luck of the draw finding this specific Les Paul, because I've played a few 60's standards and not all of them were like this one. This one was definitely the best one I tried of this model. I have yet to gig with it yet, but I can't wait to. I've tried it in Standard, Eb Standard, Drop D, and Drop C# and it sounded and reacted great in all four tunings with little need for adjustments. The only con I've found is occasionally the higher strings seem to choke out slightly, but that should be easily remedied with some minor adjustments, and they don't choke out enough to really hurt playability.Eric
20. Les / Ford Paul – Very Best Of Les Paul & Mary Ford
Product Details:
Few musicians can be classified as a virtuoso, and few technical engineers can be referred to as a genius. it is extremely rare, then, when one human can be called both. add to that list the titles of inventor, hit songwriter, television star, rock star, and you have the once-in-a-lifetime human anomaly that is les paul the electric solid-body guitar he developed, the gibson les paul, has been seen in the hands of every major rock guitarist for over 60 years. he pioneered multi-track recording techniques that are still used in recording studios today.nn les paul is the only person to be included in both the rock and roll hall of fame and the national inventors hall of fame. les paul, along with his wife mary ford, created a legacy of hit records that combined fresh, beautifully nuanced vocals with technically groundbreaking production and blistering guitar wizardry.nn besides including all their biggest hits, this release is the first ever album inclusion.
Specifications:
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