Are you looking for the Line 6 Guitar Pedal? If so, you’ve come to the right place.
Choosing the Line 6 Guitar Pedal can be difficult as there are so many considerations, such as Behringer, BOSS, DigiTech, Electro-Harmonix, JHS Pedals, JOYO, Line 6, TC Electronic. We have done a lot of research to find the top 20 Line 6 Guitar Pedal available.
The average cost is $716.87. Sold comparable range in price from a low of $100.00 to a high of $1699.99.
Based on the research we did, we think Line 6 Helix Guitar Multi Effects Processor is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Line 6 Guitar Pedal (20 Sellers)
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$1699.99
4.8
Reviewers Noted:
Easy to use . Good sound quality . Portable . Size . Visual appeal
Features:
- 8-in/8-out
- 800 x 480 pixel lcd screen
- 6 mics and 70 effects
$100.00
4.6
Reviewers Noted:
Easy to use . Sound quality . Portable . Compact . Weight
Features:
- Rugged steel construction11 channel select and effect on/off footswitches
- Built-in wah/volume/tweak pedal84 pro-quality stompbox and studio effects36 amp models24 cab models4 mic models
- Award-winning technology and sounds from the vetta ii amp128 programmable channels
$184.09
4.7
Reviewers Noted:
Easy to use . Size
Features:
- 2 pighog 10' vintage woven guitar cables.
- 2 sets of ernie ball 2223 (2221 2220 may be available- please ask).
- 1 set of patch cables.
$1699.99
4.8
Reviewers Noted:
Easy to use . Good sound quality . Portable . Size . Visual appeal
Features:
- The unit works as expected aside from this.
- There are some light dings and scratches as the unit is used.
- Original box is included.
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- Utilizes the same hx modeling as helix
- More than 200 effects and models from helix, m-series, and legacy line 6 products
- Up to 6 simultaneous amp, cab, and effect blocks (including a looper and ir loading)
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- Add various effects to your guitar's sound with this multi-effects processor
- Multi-function expression pedal allows you to switch between different effects easily
- Simple plug-and-play interface offers convenient installation
$1699.99
4.8
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- This multi-effects guitar pedal helps provide crystal clear sound quality
- The signal-routing feature lets you use it in a studio and concert conveniently
- Lcd and footswitches with customizable scribble strips offer hassle-free operations
Reviewers Noted:
Easy to use . Sound quality . Portability
Features:
- Limited edition red enclosure
- Best-in-class performance
- Simple interface with large color display
Reviewers Noted:
Easy to use . Compact . Portable . Weight . Sound quality
Features:
- Six led scribble scrips offer convenience in selection and editing
- Hx leverage lets you run up to nine effects at the same time
- Lcd displays allow you to check the real-time status of this guitar processor
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- Simple interface with large color display
- Compact, ultra-portable, lightweight design
- 270+ hx and legacy amp and effects models
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- Excellent condition
- Perfect working order
- Light home studio use only
$699.99
4.8
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- Ultra-compact design makes it convenient to carry while travelling
- 123 db impedance control lets you achieve refined sound quality
- Its powerful controls let you operate and program it conveniently
$190.00
4.5
Reviewers Noted:
Easy to use . Size . Sound quality . Portability . Weight
Features:
- I've had it for around 5 years now.
- But it was only used like 5 times for a gig.
- I'm going back to my country korea, so i'm trying to sell it real quick before leaving.
$121.99
4.6
Reviewers Noted:
Easy to use . Sound quality . Portable . Compact . Weight
Features:
- 5 amp models (plus a synth) and 3 smart control effects, all based on the models found in the lowdown bass amp series
- 3 durable footswitches and wah/volume pedal
- Cd/mp3 jack
$234.35
4.5
Reviewers Noted:
Easy to use . Bulky . Good sound quality
Features:
- Connector for expression pedal (not included)
- 3 memory locations
- 16 presets
$1199.99
4.9
Reviewers Noted:
Easy to use . Portable . Good sound quality . Size . Weight
Features:
- Large color lcd interface
- Award-winning hx modeling
- Color led rings
$299.99
4.8
Reviewers Noted:
Easy to use . Size . Weight
Features:
- Designed with five fx on/off footswitches to let you change the effects easily
- Single color leds offer added convenience to its functionality
- Built-in expression pedal allows you to control the volume
$1599.99
4.8
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- Real tone that feels and sounds like your analog gear
- So intuitive, you'll already know how to use it
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- Simple interface with large color display
- Compact, portable, lightweight design
- Built-in relay wireless and included relay g10t transmitter
Features:
- Compact, ultra-portable, lightweight design
- 270+ hx and legacy amp and effects models
- Third-party ir loading
1. Line 6 Helix Guitar Multi Effects Processor
Product Details:
Helix rack is a new kind of guitar processor: it’s not only a tour-grade rack mounted multi-effect processor that sounds and feels authentic, it’s also one of the most comprehensive master controller for guitar systems ever built. start by recreating the tones in your head with the new hx modeling engine – the new amps, cabs, mics, and effects will feel familiar to anyone who has ever spent time in the studio getting the best guitar sounds from both vintage and modern gear.
Specifications:
| Inputs/Outputs | 8 each |
| Footswitches | 12 |
| Screen Resolution | 800 x 480 |
| Dimensions | 560mm x 301mm x 92 mm |
| Weight | 6.6 kg |
Reviews:
I have been with Line 6 for many years. My very first amp from Line 6 was a Line 6 AXSYS 212. I also have the POD 20, POD XT Live, POD HD 500, the Spider 3-120, the Spider 4-150, and the practice amp 15 watts. While on tour I used the Flextone 3-2×12 amp. THE REVIEW: First and foremost tone and sound are most important to me. The models are definitely rich and pure in tone. The well thought out connectivity and the ability to maneuver the effects chain in any order that I desire is a plus and the ability to have unlimited effects in a chain is superb! I like the touch sensitivity to the switches that allows access to parameters for on the fly editing. Additionally, there is better processing with all of the effects. The headphone volume is a great option that adds to this already exceptional unit. Also, the stomp box mode allows the Helix to be used as a peddle board rig. Thumbs up for the large screen display and the scribble strips. Last but not least, the unit is very sturdy which makes it easy to travel with. There are so many BELLS & WHISTLES included in the Helix unit that it's too much to put into one review. So with that being said, I am COMPLETELY satisfied with my Helix!
Helix is fantastic for all studio musicians. You can construct so many different sounds with it. Since 3.0, the Helix is a complete package as far as guitar processors go: you have all different amps, cabs, effects, acoustic sim, synths, polyphonic transposition, harmonization, oversampling. Lots of in/outs, lots of ways to route it. The workflow is great: you have the computer editor. You can back up/restore your Helix, email the backup to yourself, etc. The Helix can absolutely replace your entire signal chain and be used as the only piece of gear to process your guitar sounds. The same could not be said about the Helix when it was on earlier firmware versions. Now, the Helix itself is very cheaply made. I thought I'd purchase one and never need to use anything ever again– wrong! After about a year of light use, the buttons stopped working reliably, then an LED stopped working. Helix is assembled using cheap Chinese parts that are tiny! For example, the footswitches are not what they appear to be–there are tiny tactile microswitches underneath. The Helix will not withstand nonstop gigging for more than a year, unless it's regularly serviced/cleaned, etc. It's a real shame because it can sound great, but something is always failing, or about to fail.Dimitri
Overall: I just received the Helix Rack yesterday so I only have a few hours in the drivers seat but that's enough to learn how truly awesome this thing is. I've owned a lot of Line 6 products over the last 20 years, in fact I still have a spider V240 and a POD HD Pro X but the Helix is so far out of their league they will probably never get used again in my studio. The design is sleek, easy to navigate, user friendly and just all around beautifully designed. The large full color screen is not only eye catching but makes navigating the menus effortless. Even though I'm modeler savvy, I've had no previous experience with Impulse Responses, in fact, I hadn't even heard of them until I started researching the Helix Rack and quite honestly I didn't think that I would care to use them… Well… I was wrong. It's amazing what these things do for the quality and authenticity of my tones when recording. As I mentioned earlier I only have 2 days under my belt at this point but most of that has been recording scratch tracks just to hear the result of these I.R's. I also love the fact that Line 6 still adds all of the necessary physical knobs and controls to their equipment in the days of everything being digital. The idea that I can play almost uninterrupted while tweaking many different parameters on the unit itself without a pedal is always a selling point for me. Not taking anything away from the foot controller but when I'm seated in front of my rack, using my hands to adjust the unit itself is just somewhat more convenient at times. Next, the user space… I thought that my POD HD Pro X had a lot of space for user presets but It has nothing on the Helix. I will probably never fill all of the user List's or even come close to it but It's always better to have something and not need it than to need something and not have it. Also, let me jump back to the large screen again, I have a laptop on which I keep all of my editing software for my studio equipment. I always plug in my Spider V240 and POD and use the Spider V Remote and POD HD Pro X edit software respectfully because in most cases sitting behind my recording console and tweaking my sound is just much easier to do with the computer apps than the equipment. The Helix is the first and only piece of equipment I've owned where the display is laid out and organized in a way that is very similar to a computer or tablet app and so even though I have the Helix Edit app running on my computer right next to me, making adjustments on the front of the Helix Rack in many cases is actually easier and faster than grabbing a mouse and using the comp app. I could write much more describing my total satisfaction thus far but I will wait 'till I have used it for another month or so and update my review at that time. I will leave you with this thought. While conveying my total happiness to my brother last night regarding the Helix Rack, I went so far as to say that I feel that this could be the last guitar processer I ever buy and if not it's pretty close.Fred
2. Line 6 Pod Xt Live Guitar Multi Effects Pedal
Product Details:
The line 6 pod xt live pedal is the pod xt in footcontroller form. with its rugged steel construction, 11-channel select and effect on/off footswitches, and a built-in wah/volume/tweak pedal, pod xt live puts the power of the pod at your feet for onstage use. included are 84 pro-quality stompbox and studio effects, 36 amp models, plus 24 cab, and 4 mic models–all built from the award-winning technology found in the vetta ii amp and storable to 128 programmable channels. unlike the other members of the pod family, pod xt live guitar pedal also features a variax digital input so you can call up a fully customized guitar, amp, or effects setupall by stepping on a single footswitch. usb digital i/o combined with line 6 edit software allows computer-based tone editing and direct digital recording. – rugged steel construction11 channel select and effect on/off footswitches – built-in wah/volume/tweak pedal84 pro-quality stompbox and studio effects36 amp models24 cab models4 mic models – award-winning technology and sounds from the vetta ii amp128 programmable channels – variax digital input – usb digital i/oline 6 edit software for computer editing and direct digital recording
Reviews:
This is a fine unit that has tremendous functionality and given some time and effort there is almost no tone that cannot be extracted from this unit. Unfortunately Line 6 goes out of their way to make it an unpleasant experience. Unless of course your willing to fork over more money for software that other companies would give you for free, or at least substantially less than Line 6 charges. You shouldn't have to shell out hundreds of dollars for a unit followed by hundreds more for some software to get the most out of it. Line 6 is the worst, but the POD Pro XT is a good unit.recnepsterb
For a nine year old effects floorboard, this is a great value for someone (like me) who wants several effects without spending $100-200 per pedal. Line 6 is generous with this one, Ive only had it two weeks and theres still plenty of sonic discoveries to be had. Cant compare it to Line 6s new units, but this one looks cool, sounds even better. Couldnt care less that it happens to be all modeling, I can plug a bass in, then in the blink of an eye pick up the guitar without unplugging from the bass amp and still get a huge stellar amp tone for ultimate chunder. Get it, for $200-ish its a steal!aig-man
This is a pretty good bag. The quality is excellent and it looks/feels like it will last quite a while. I bought this for my Line 6 Pod hd500x and it works "ok" for it. The bag could be a bit more snug so the Pod does not flop back and forth when you carry it. Length wise there is extra room and a spacer which allows you to carry some extra cables or a power strip, but I am talking about the snugness on the top and bottom. I may try adding an extra foam pad to see if this helps. I know this bag was not specifically made for the Pod so I can't fault it too much for not fitting 100%. It is a great deal for the money!jkelly517
3. Line 6 Pod Hd500
Product Details:
Colorful clean tones that sparkle and sing with dizzying levels of detail. dial back your guitar volume to get sweet-spot breakup from warm, earthy crunch tones. line 6 hd amp models feel, behave and sound like no others. they contain up to 10 times more amplifier dna than our previous modeling for a playing experience that can only be described as hd.
Reviews:
After reading countless reviews I decided to upgrade from my POD XT Pro. The primary reason was I wanted more natural sounding overdriven tube amp sound and I got it. In combination with the included stomp box distortion models I'm very pleased. If that's the sound you want, this won't disappoint. I can't comment on the additional addon modules as I don't have them at this time, however If you need the heavier, bone crunching distortion this might not work for you. Oh it will give you a good amount of distortion but not that extreme buzz saw thing. I'm using this in a worship team setting and it works great. Expect to spend some time reading and tweaking. I highly recommend downloading a few patches of players you like as a starting point. I started with Lincoln Brewster's patches which was a nice sounding starting point for me.kkrunch
This saved me time in coming up with good patches for my HD500. I found some that I still use as my main patches. Bear in mind you might have to tweak them. I had to add my external expression pedal as a volume pedal to many of the patches. Don't pay attention to who they are supposed to sound like, to me most don't sound like the artist they are supposed to represent. In the HD500 you can add them one by one to a set list and then go through them. Yes it's a time consuming effort, but worth it. Then again, us guitar players are going to endlessly tweak stuff and look for new tones.felixfunk
4. Line 6 Limited Edition Helix Floor Multi-Effects Guitar Pedal
Product Details:
Selling my limited edition gray helix with backpack. great condition although a little dusty from non use because of surgery. comes with helix backpack which has never left my studio, chad boston s full screen protector and a couple of his colored input jacks. i don t have the feet or the original black jack knobs but i m sure you can get them from line 6 if you really want them. helix is on 3.01 and has been factory reset. helix has velcro on the bottom. has original box with goodies as well. see photos and please ask any questions. no trades.
Specifications:
| Finish | Gold |
| Year | 2010s |
| Pedal Format | Floor Unit |
Reviews:
I have been with Line 6 for many years. My very first amp from Line 6 was a Line 6 AXSYS 212. I also have the POD 20, POD XT Live, POD HD 500, the Spider 3-120, the Spider 4-150, and the practice amp 15 watts. While on tour I used the Flextone 3-2×12 amp. THE REVIEW: First and foremost tone and sound are most important to me. The models are definitely rich and pure in tone. The well thought out connectivity and the ability to maneuver the effects chain in any order that I desire is a plus and the ability to have unlimited effects in a chain is superb! I like the touch sensitivity to the switches that allows access to parameters for on the fly editing. Additionally, there is better processing with all of the effects. The headphone volume is a great option that adds to this already exceptional unit. Also, the stomp box mode allows the Helix to be used as a peddle board rig. Thumbs up for the large screen display and the scribble strips. Last but not least, the unit is very sturdy which makes it easy to travel with. There are so many BELLS & WHISTLES included in the Helix unit that it's too much to put into one review. So with that being said, I am COMPLETELY satisfied with my Helix!
Helix is fantastic for all studio musicians. You can construct so many different sounds with it. Since 3.0, the Helix is a complete package as far as guitar processors go: you have all different amps, cabs, effects, acoustic sim, synths, polyphonic transposition, harmonization, oversampling. Lots of in/outs, lots of ways to route it. The workflow is great: you have the computer editor. You can back up/restore your Helix, email the backup to yourself, etc. The Helix can absolutely replace your entire signal chain and be used as the only piece of gear to process your guitar sounds. The same could not be said about the Helix when it was on earlier firmware versions. Now, the Helix itself is very cheaply made. I thought I'd purchase one and never need to use anything ever again– wrong! After about a year of light use, the buttons stopped working reliably, then an LED stopped working. Helix is assembled using cheap Chinese parts that are tiny! For example, the footswitches are not what they appear to be–there are tiny tactile microswitches underneath. The Helix will not withstand nonstop gigging for more than a year, unless it's regularly serviced/cleaned, etc. It's a real shame because it can sound great, but something is always failing, or about to fail.Dimitri
Overall: I just received the Helix Rack yesterday so I only have a few hours in the drivers seat but that's enough to learn how truly awesome this thing is. I've owned a lot of Line 6 products over the last 20 years, in fact I still have a spider V240 and a POD HD Pro X but the Helix is so far out of their league they will probably never get used again in my studio. The design is sleek, easy to navigate, user friendly and just all around beautifully designed. The large full color screen is not only eye catching but makes navigating the menus effortless. Even though I'm modeler savvy, I've had no previous experience with Impulse Responses, in fact, I hadn't even heard of them until I started researching the Helix Rack and quite honestly I didn't think that I would care to use them… Well… I was wrong. It's amazing what these things do for the quality and authenticity of my tones when recording. As I mentioned earlier I only have 2 days under my belt at this point but most of that has been recording scratch tracks just to hear the result of these I.R's. I also love the fact that Line 6 still adds all of the necessary physical knobs and controls to their equipment in the days of everything being digital. The idea that I can play almost uninterrupted while tweaking many different parameters on the unit itself without a pedal is always a selling point for me. Not taking anything away from the foot controller but when I'm seated in front of my rack, using my hands to adjust the unit itself is just somewhat more convenient at times. Next, the user space… I thought that my POD HD Pro X had a lot of space for user presets but It has nothing on the Helix. I will probably never fill all of the user List's or even come close to it but It's always better to have something and not need it than to need something and not have it. Also, let me jump back to the large screen again, I have a laptop on which I keep all of my editing software for my studio equipment. I always plug in my Spider V240 and POD and use the Spider V Remote and POD HD Pro X edit software respectfully because in most cases sitting behind my recording console and tweaking my sound is just much easier to do with the computer apps than the equipment. The Helix is the first and only piece of equipment I've owned where the display is laid out and organized in a way that is very similar to a computer or tablet app and so even though I have the Helix Edit app running on my computer right next to me, making adjustments on the front of the Helix Rack in many cases is actually easier and faster than grabbing a mouse and using the comp app. I could write much more describing my total satisfaction thus far but I will wait 'till I have used it for another month or so and update my review at that time. I will leave you with this thought. While conveying my total happiness to my brother last night regarding the Helix Rack, I went so far as to say that I feel that this could be the last guitar processer I ever buy and if not it's pretty close.Fred
5. Line 6 Hx Stomp Multi-Effects Guitar Pedal, Black
Product Details:
Utilizes the same hx modeling as helix more than 300 effects and models from helix, m-series, and legacy line 6 products up to 6 simultaneous amp, cab, and effect blocks (including a looper and ir loading) 3 capacitive-sensing footswitches with color-coded led rings facilitate fast editing trs dual expression pedal/footswitch input extends creative control capabilities
Specifications:
Reviews:
Upgraded to this unit from a Pod XT Pro rack. This unit not only has amazing and better sounds but more flexible options and a wider array of effects and amps. Pros: -Sound is stunning. I've not done a side-by-side with a real amp mic'ed with a specific mic in a certain position, but it's utterly convincing to my ears. -Blocks can be re-ordered without restriction. For example, want to daisy chain two amps to get that "you really got me" sound? You can do it and it actually works. -Multiple outs and routing -Flexible pedal assignments. You can connect up another two external footswitches (or exp pedals) and assign to any block. OR, you can assign more than one block to a single pedal (so you could activate a tube screamer, digital delay, and anything else with a single press ready for your solo). OR, you can just use a snapshot and change dozens of parameters with a single press. No more "dancing" around the pedal board, hitting the wrong pedals in the process, looking like an utter berk etc. -Preset sounds with flexible ways to work through them. At a gig I don't have time to change an abundance of settings so have a preset for each song. Sound completely changed in half a second. Next song started without hesitation. -All functions of the unit look like they can be configured through the front panel without having to use the Windows or MAC editor. Cons -Terrible, terrible power supply brick. I can't believe Line 6 sell it like this. They even know it's rubbish – the manual says something to the effect of: "we know the power supply is big but it needs to be special to give you enough juice". Big is not the problem – being stuck upwards in the air from your mains socket standing proud like, er, ahem, well something unmentionable is the problem. Plus when you try to unplug it, the power supply comes in half leaving a little bit left in the mains socket. Which will inevitably get left at a gig. Can't wait for that to happen. -limited number of presets. I need a preset for each of 60 songs. I keep a copy of each preset as a master then duplicate them in the order of the night's set list into other presets – so with that I need at least 120 presets, allowing myself one or two to fiddle with. If I recall correctly this has around 126. Best not learn three more songs that need a different sound each. -It's a little difficult to program the thing – the button layout is confusing and unintuitive compared to the Pod XT pro I have just replaced. I can make the trade-off for the sound but this would not work for many I suspect. -Windows or MAC editor – really? Where do I set that up then? Ah yes I just need a $1000 laptop or a chuffing great desktop unit and monitor to hand. I want to spend my money on guitar gear, thanks! Some other vendors have bluetooth and android apps, line 6 for a change is behind the curve. Two final points. 1) If you need something easier to use buy something with more buttons, knobs and pedal switches. 2) If you really like a particular sound, go out and buy the real amp / effect. You just can't beat the real thing. But this gets very, very close, and of course you have several hundred "things" to choose from with no crackles, no mic stand to get kicked, etc etc.
Purchased as a desktop amp to replace a Kemper head and footswitch, primarily for desktop and recording purposes. The unit is very solidly made and takes up next to no space. Although there are limited knobs on the unit itself, the Windows HX Edit software is excellent and makes it super easy to configure presets. Whilst the HX Stomp's effects blocks are very limited compared with the full size Helix, if you typically use a straightforward setup with, say 3-4 pedals, an amp, a cab/IR I don't see why this tiny device couldn't replace an entire rig. One minus point is that the external PSU has poorly designed plastic adapters for different plug types (UK/Euro etc) which disconnect from the PSU far too easily. First time I took mine out the house I unplugged it and didn't realise the adapter had remained in the socket. I had to buy a US to UK adapter. Something to be aware of if you plan on taking this on the road. Also bear in mind that at the time of writing it's not possible to share presets between Stomp and the larger Helix units.
Where do I begin? What a fantastic unit. I've played it both through a tube, stereo 4×12 rig and an FRFR and it sounds incredible through both. The delays, the mods, the tube amps, the pedals the IR options. The most exciting thing about this is the sound! The Helix class software lets me play like me and sound like me. However, another fantastic feature is the edit-ability, and that you get Helix Native for 99 bucks that loads in full Helix profiles with tons of presets. I love loading the profiles into Native and scaling them down for Stomp XL. Another is the portability. I can tote this thing around everywhere and not even feel the pain of dragging around heavy processing gear. I haven't had it long and am just digging in, but i can tell you, it gets more and more exciting what the Helix class software/ HX Stomp can do the further I go. Seamless computer to unit edits and updates are easy. Get it…get it now. You wont regret it. Five stars in every category.Bobby O'Dell
6. Line 6 Pod Go Guitar Multi Effects Processor
Product Details:
The pod go guitar multi-effects processor from line 6 is a pedalboard that models amplifiers, cabinets, and provides a mutitude of effects. it is designed for use both live and in the studio. all of the effects hail from line 6's venerated hx series of modeling processors. you'll find dynamics tools, distortions, pitch/modulators, filters, eqs, delays, wah/volume, and reverbs. in total, you'll find over 70 guitar and bass amps, 37 cab models, 16 mic emulations, and over 200 effects. thanks to the pod go edit app, you can edit and backup your favorite presets remotely. a big expression pedal on the box itself gives you variable control over multiple, assignable functions. the pod go has a guitar input, a reamp output, two 1/4" main outputs, a headphone out, a stereo fx loop, and more. you can connect the pod go to the front of your amp or directly to a pa mixer, allowing you to play shows without bringing your amplifier. its usb port allows you to connect directly to your favorite daw for recording use.
Specifications:
| Pedal Material | Cast-aluminum |
| Display Type | LCD |
| Interface | Plug-and-play |
| Number of Footswitches | 8 |
| Number of Push Encoders | 5 |
Reviews:
Overall: I've been playing through a Headrush gigboard and needed something different that was just as easy to use, had plenty of tones that were inspiring, that didn't cost as much. I've owned a few Line 6 products over the 30 years of playing music and decided to buy the Pod Go. So worth it! The tones were better than expected, and if you can't afford the Helix series, this is the best choice for a floor unit under $500. The built in expression pedal with toe switch is perfect. You can switch between volume and wah wah or other parameters just by pressing the toe switch in the expression pedal. Basically you don't have to have another expression pedal. The built in pedal can do what you need. I am not tech savvy, I bought the Headrush gigboard last year because of how easy it is to use. I didn't think a floor unit could be. Then comes the Pod Go. It's actually much easier to use than the Headrush. Granted the two have different features but I found making your own sounds easier with the Pod Go. It seems I make them in a shorter time. The color display along with color footswitches make organizing sounds easier than making coffee. If you need a floor unit under 500 the Pod Go is the best choice on the market. If you're a metal head or a traditional Jazz player or love the complexity of Fusion, the Pod Go has your sound.
I was looking at purchasing a Helix LT and upon researching I came across the Pod Go Wireless. It does everything I required from the Helix but at less than half the price, size and weight. You can dial in some great tones, I use it through an 80w Marshall combi straight into the FX return (turning off the cab sim on the Pod) and it sounds very impressive. The amount of effects to choose from is incredible and you can tweak so many variables to get that perfect tone. The wah treadle is very good but it’s not so great when used as a volume pedal as it doesn’t seem to gradually increase/decrease the volume, it’s almost on/off. The wireless feature is very good, I’ve not had any connection issues and don’t have to worry about treading on my cable, which I’m very prone to. Overall, for what I need in a jamming/garage band capacity it is perfect and I’m very, very pleased with the purchase. PMT delivered the next day, it was very well packaged and was the best price I found on the internet.Martin M.
Overall: I wish I could say something positive about this unit. Although it does have some great sounds and features, the fact that it is constantly having to be rebooted because it freezes up or shuts down on its own make it pretty much worthless (Yes I’ve done all the updates and other futile suggestions from the support folks at line 6). Add to that a power supply that is a complete piece of crap. It’s cheap, fragile and generally a bad design. It is almost impossible to find a replacement because line 6 wanted it that way. Simply using a Standard, generic replacement (9v 2500 mA) Is tricky and not guaranteed to work. My review for this product: Look for something else better from a company who is not obsessed with nickel and diming their customers to death over some ridiculous accessory.
7. Line 6 Helix Limited-Edition Multi-Effects Guitar Pedal Lightning Blue
Product Details:
This distinctive helix floor guitar processor features a limited-edition lightning blue enclosure. the line 6 helix floor guitar and effects processor delivers immense power, flexibility, and control. award-winning hx modeling leverages powerful dual-dsp performance to deliver the authentic sound and feel of vintage and modern amps, cabinets, microphones, and effects. a large color lcd and capacitive-touch footswitches with customizable scribble strips make the user experience faster and more efficient. extensive i/o and signal-routing capabilities provide unprecedented flexibility for both studio and stage, and helix floor can even serve as a comprehensive master controller for your entire studio or live rig by enabling you to easily integrate effects pedals and other hardware into a hybrid setup. presets are also compatible with the entire helix family of guitar processors, including the helix native guitar/effects processor plug-in, enabling guitarists to take their tones from the studio to the stageand back again. authentic hx modeling with hx modeling, each stage of an amps circuitry is measured and matched back to the original, so that every model reacts and interacts with the player in a genuine and realistic manner. hx modeling also accurately recreates the behavior of even the most idiosyncratic vintage effects by modeling their individual components. for example, the transtronic process emulates the behavior of virtually any germanium or silicon transistor or diode, making it possible to authentically recreate fuzz, distortion, and other pedals once considered too persnickety to convincingly model; and the throbber is a virtual lightbulb that mimics the decidedly nonlinear behavior of the small incandescent bulb and four photocells inside the original shin-ei uni-vibe pedals that are essential to their unique sound and vibe. helix floor also lets you load third-party speaker cabinet impulse responses (irs) to persona
Specifications:
| Display Type | LCD |
| Resolution | 800 x 480 p |
| Color | Blue |
| Touchscreen | Yes |
Reviews:
Upgraded to this unit from a Pod XT Pro rack. This unit not only has amazing and better sounds but more flexible options and a wider array of effects and amps. Pros: -Sound is stunning. I've not done a side-by-side with a real amp mic'ed with a specific mic in a certain position, but it's utterly convincing to my ears. -Blocks can be re-ordered without restriction. For example, want to daisy chain two amps to get that "you really got me" sound? You can do it and it actually works. -Multiple outs and routing -Flexible pedal assignments. You can connect up another two external footswitches (or exp pedals) and assign to any block. OR, you can assign more than one block to a single pedal (so you could activate a tube screamer, digital delay, and anything else with a single press ready for your solo). OR, you can just use a snapshot and change dozens of parameters with a single press. No more "dancing" around the pedal board, hitting the wrong pedals in the process, looking like an utter berk etc. -Preset sounds with flexible ways to work through them. At a gig I don't have time to change an abundance of settings so have a preset for each song. Sound completely changed in half a second. Next song started without hesitation. -All functions of the unit look like they can be configured through the front panel without having to use the Windows or MAC editor. Cons -Terrible, terrible power supply brick. I can't believe Line 6 sell it like this. They even know it's rubbish – the manual says something to the effect of: "we know the power supply is big but it needs to be special to give you enough juice". Big is not the problem – being stuck upwards in the air from your mains socket standing proud like, er, ahem, well something unmentionable is the problem. Plus when you try to unplug it, the power supply comes in half leaving a little bit left in the mains socket. Which will inevitably get left at a gig. Can't wait for that to happen. -limited number of presets. I need a preset for each of 60 songs. I keep a copy of each preset as a master then duplicate them in the order of the night's set list into other presets – so with that I need at least 120 presets, allowing myself one or two to fiddle with. If I recall correctly this has around 126. Best not learn three more songs that need a different sound each. -It's a little difficult to program the thing – the button layout is confusing and unintuitive compared to the Pod XT pro I have just replaced. I can make the trade-off for the sound but this would not work for many I suspect. -Windows or MAC editor – really? Where do I set that up then? Ah yes I just need a $1000 laptop or a chuffing great desktop unit and monitor to hand. I want to spend my money on guitar gear, thanks! Some other vendors have bluetooth and android apps, line 6 for a change is behind the curve. Two final points. 1) If you need something easier to use buy something with more buttons, knobs and pedal switches. 2) If you really like a particular sound, go out and buy the real amp / effect. You just can't beat the real thing. But this gets very, very close, and of course you have several hundred "things" to choose from with no crackles, no mic stand to get kicked, etc etc.
Purchased as a desktop amp to replace a Kemper head and footswitch, primarily for desktop and recording purposes. The unit is very solidly made and takes up next to no space. Although there are limited knobs on the unit itself, the Windows HX Edit software is excellent and makes it super easy to configure presets. Whilst the HX Stomp's effects blocks are very limited compared with the full size Helix, if you typically use a straightforward setup with, say 3-4 pedals, an amp, a cab/IR I don't see why this tiny device couldn't replace an entire rig. One minus point is that the external PSU has poorly designed plastic adapters for different plug types (UK/Euro etc) which disconnect from the PSU far too easily. First time I took mine out the house I unplugged it and didn't realise the adapter had remained in the socket. I had to buy a US to UK adapter. Something to be aware of if you plan on taking this on the road. Also bear in mind that at the time of writing it's not possible to share presets between Stomp and the larger Helix units.
Where do I begin? What a fantastic unit. I've played it both through a tube, stereo 4×12 rig and an FRFR and it sounds incredible through both. The delays, the mods, the tube amps, the pedals the IR options. The most exciting thing about this is the sound! The Helix class software lets me play like me and sound like me. However, another fantastic feature is the edit-ability, and that you get Helix Native for 99 bucks that loads in full Helix profiles with tons of presets. I love loading the profiles into Native and scaling them down for Stomp XL. Another is the portability. I can tote this thing around everywhere and not even feel the pain of dragging around heavy processing gear. I haven't had it long and am just digging in, but i can tell you, it gets more and more exciting what the Helix class software/ HX Stomp can do the further I go. Seamless computer to unit edits and updates are easy. Get it…get it now. You wont regret it. Five stars in every category.Bobby O'Dell
8. Line 6 Pod Go – Limited Edition Red
Product Details:
The pod go limited edition red amp and effects processor gets you headed for extreme tone through its lightweight and super convenient plan, fitting and-play point of interaction, and supportive of level amp, taxi, and impact models drawn from the acclaimed hx group of amp and impacts processors. alongside its rough multi-capability cast-aluminum articulation pedal, unit go restricted version red incorporates progressed highlights like outsider ir stacking; an implicit 4×4 sound point of interaction for recording and re-amping; and a sound system impacts circle for fixing in your own pedals or interfacing with an amp through 4-link technique.
Specifications:
Reviews:
Sound: The sound on the Pod Go is pretty much whatever you need it to be. It uses Amp, and cabinet models that the helix series uses as well as a wide variety of effects. The presets mind you for the most part are not a representation at all of what this unit can do. For the most of your preset tones you are going to do some adjusting to the gain, and the frequencies. I found most factory presetss to be lacking in mids, too much bass, or just a bit too much grit. Again with some minor tweaks it is solved in a few clicks. The biggest plus on sound is that in the preset menu there are two sets of sounds factory, and user. I am happy to say the User blocks are completely empty with 4 blocks within each. The only parameters you can not remove from your sound chain are the cab, amp, volume, and wah however I do not mind this as you can bypass any of these when forging a tone. Keep in mind you will be technically limited to choosing 4 pedals maximum. The Cab models are very well done, and with the huge variety as well as IR loader you can always get the amp sound you have in your head. When this unit is dialed in it is just right. Did I mention it is easy to dial in? Features: This unit has everything you need for re-amping guitars, recording and playing gigs. It does not have classic midi connections, and instead utilizes USB over midi if you are looking for that. It has everything a guitarist could use, but with the stereo outputs I could see keyboard players using it as well. My one gripe is the location as well as style of power switch. It is located in the back panel of the unit along the routing path for I/O's. I am being rather picky on that though however I feel that it should have been on the top left corner of the chassis to allow it to be turned on with the tip of the foot. Other then my own nitpick it has everything. Third Part IR loading, 4 blocks or "snapshots of your parameters, tap tempo/tuner, amp out,balanced/unbalanced l and r outputs, USB over midi for firmware updates as well as editing and daw integration. The expression pedal is a volume pedal with gain control, pan control, and stereo width. The wah pedal is just a wah and so far as I can tell there is no whammy effect on this.The expression also has a short throw, and is firm out of box, but an Allen wrench is provided to adjust it.Lots and lots of features, but these are what I really liked. This is definitely a stripped down helix thru and thru. Ease of Use: This is where you must be the judge. I spent about ten minutes total to figure out how to use this unit. The manual is well written (PDF only) and there is a cheat sheet provided in the box. While I found it to be intuitive to use I do not think beginners will have such a fair go. You have to have knowledge of routing the right cables, you would need to learn what re-amping is ( explained in manual, but may cause further confusion for the laymen) and you would need to understand what all the parameters and modes do as well. If your looking to learn that stuff however do not let it intimidate you. Again the manual is extremely well written , and does provide tips as well as breaking down what the different functions entail I.E Decay does X, a Yes cable is this. Good for the studious chap, a disaster for the timid beginner. Quality: This product is very solid. The first thing I noticed is the heft. It is very portable, but I feel Pod Go is definitely the wrong name. It's got a plastic/metal mixed housing that feels solid as a rock; (Definitely do not give your significant other a reason to throw it at you). The expression pedal is adjustable which is nice because it came a bit tight for me. The toggles are extremely firm having the most satisfying click I have ever heard on a board. I can see this lasting me twenty years easy. Value: The Pod Go is an absolute steal at this point in time. It costs less then a wide array of other multiunits out there, and has more versatility then some of the other units in it's ballpark. I bought this with intentions to use it for five years, but the initial first impression and gut reaction tells me this will be a lifetime investment. If you have the money get the Helix, but if your thrifty buy this it is a brick house. Manufacturer Support: Have not needed help, but there site is very active with a huge community thanks to the abundance of Helix and Hd series users. I am sure the Pod Go community will explode as well as this unit is basically A baby Helix. The Wow Factor: I am absolutely blown away. I had a falling out with the line 6 name after purchasing the Spider 4 150 he or whatever, but I am very happy I took a chance on line 6. Yamaha seems to be doing an excellent job as the owner of line 6. Overall: So I have just got done with a four hour sit down as of posting, and all I can say is; holy crap line 6 this is amazing.Jacob
Overall: I've been playing through a Headrush gigboard and needed something different that was just as easy to use, had plenty of tones that were inspiring, that didn't cost as much. I've owned a few Line 6 products over the 30 years of playing music and decided to buy the Pod Go. So worth it! The tones were better than expected, and if you can't afford the Helix series, this is the best choice for a floor unit under $500. The built in expression pedal with toe switch is perfect. You can switch between volume and wah wah or other parameters just by pressing the toe switch in the expression pedal. Basically you don't have to have another expression pedal. The built in pedal can do what you need. I am not tech savvy, I bought the Headrush gigboard last year because of how easy it is to use. I didn't think a floor unit could be. Then comes the Pod Go. It's actually much easier to use than the Headrush. Granted the two have different features but I found making your own sounds easier with the Pod Go. It seems I make them in a shorter time. The color display along with color footswitches make organizing sounds easier than making coffee. If you need a floor unit under 500 the Pod Go is the best choice on the market. If you're a metal head or a traditional Jazz player or love the complexity of Fusion, the Pod Go has your sound.
Overall: I wish I could say something positive about this unit. Although it does have some great sounds and features, the fact that it is constantly having to be rebooted because it freezes up or shuts down on its own make it pretty much worthless (Yes I’ve done all the updates and other futile suggestions from the support folks at line 6). Add to that a power supply that is a complete piece of crap. It’s cheap, fragile and generally a bad design. It is almost impossible to find a replacement because line 6 wanted it that way. Simply using a Standard, generic replacement (9v 2500 mA) Is tricky and not guaranteed to work. My review for this product: Look for something else better from a company who is not obsessed with nickel and diming their customers to death over some ridiculous accessory.
9. Line 6 Hx Effects Multi-Effects Processor
Product Details:
Line 6 hx effects guitar multi-effects floor processor hx effects was created for guitarists and bassists who want our flagship helix effects for traditional amp and pedalboard setups. powered by the same audio engine as helix processors, hx effects includes the full array of helix effects plus legacy effects from the m-series and stompbox modeler pedals. all in a compact pedal that fits easily on your pedalboard. featuring the same hx audio engine as helix processors, hx effects leverages powerful dsp to run up to nine effects simultaneously. hx modeling delivers effects with unprecedented authenticity, and accurately recreates the behavior of vintage effects by emulating their specific circuits and components. hx effects features more than 100 of the same effects featured in our helix guitar processors, including distortions, delays, reverbs, modulations, pitch/synth/filters, compressors/limiters, eqs, wahs, and an on-board looper. hx effects also lets you load custom impulse responses (irs), allowing you to customize your sound even further. hx effects features an industry-leading 123db of dynamic range for tremendous depth and ultra-low noise. each effect is delivered with pristine sound quality to ensure an authentic and responsive playing experience. hx effects features selectable analog bypass switching to ensure your tone isn't compromised when the pedal is bypassed. eight capacitive-sensing footswitches with color-coded led rings, and six led scribble scrips enable intuitive effect selection and editing. simply touch a footswitch with your finger to instantly jump to any effect and quickly adjust its parameters. touch two switches to swap them. and touch and hold a switch to display all parameters across the lcds to see everything at once. eight capacitive-sensing footswitches with color-coded led rings, and six led scribble scrips enable intuitive effect selection and editing. simply touch a footswitch with your finger to instantly jump to any effect and quickly adjust its parameters. touch two switches to swap them. and touch and hold a switch to display all parameters across the lcds to see everything at once. like helix multi-effects processors, hx effects can act as the command center for your entire rig. communicate with other pedals or your daw software via midi din or usb midi, and control your amps from up to four amp switching outputs-all from hx effects.
Specifications:
| Effects Type | Distortion, reverb, delay, modulation |
| Range | 123 dB |
| Interface | USB, MIDI |
| Number of Amp Switching Outputs | 4 |
| Number of Scribble Strip LCDs | 6 |
Reviews:
Fantastic! If you already have an amp you love, the HX Effects is a great companion. I upgraded from a Line 6 M9 to the HX Effects, and was able to get rid of some of my auxiliary pedals in the process. My pedalboard now consists of the HX Effects, an expression pedal, and the channel switch footpedal for my amp (Hughes & Kettner Tubemeister 36). I'm running it into the amp via the four cable method, and it sounds great. The vast majority of the effects sound very natural and analog-ish, even the drive effects. There's no amp/cabinet modeling, but Line 6 offers other options with amp modeling if that's where your interests lie. Most of the built-in scenes aren't particularly useful – they mostly serve to illustrate what the HX Effects is capable of. But it's easy to start from scratch and quickly get to some nice workable tones. Then you can tweak to your heart's content. The HX Edit software is very useful – while you can edit your patches on the device itself, being able to do so on your computer and have them updated on the device in real time is convenient. The only area that might be a bit lacking is the reverb patches. Most are carryovers from the M9 – which are fine – but if this is an area that's important to you, you'll probably want to stick with a separate reverb unit. Overall though, it's a whole lot of options in an attractive package that sounds great.Lane Denson
I have a Helix that I've been using for a couple years now, but I don't think that the amp models feel "tubey" enough to my hands on the guitar (though they sound just fine, and my audiences say they love the sound of them), so to make myself happy, I had the Helix configured in 4 cable method, with some Helix effects, thru 2 Mesa preamps in one of the FX Loops, then stereo effects (delay, etc) then out to a Mesa 2:90 power amp and speakers. Realizing that I'm not using the amp models, I bought two HX Effects units, one for before the preamps and one for after, saved myself some weight, and gained 4 effects stomp buttons and one more expression pedal jack! (and, if HX Effects had been available when I bought the Helix early on, I could have saved hundreds of dollars to boot) One of my biggest peeves with the Helix was that you can put maybe 30 effects into your signal chain, but then you only have 8 stomp buttons (configurable to 10 if you don't need bank up/down) to access them without constantly switching presets or snapshots. with two HX effects, you get 12 buttons and 4 expression pedal jacks. AND the expression pedals don't need switches (heel position automatically switches them off) which is something I really love. I'm not aware of the Helix doing this, but I'll look into it. I use an outboard switchless Morley wah pedal (thru another FX loop) because I prefer switchless wah for what I do with it, then I have a couple expression pedals for Helix volume and pitch-shift (whammy pedal). Last weekend, I did a festival gig debuting the HX Effects pair vs the whole Helix, and my 10+ year old faithful Morley wah failed on me during soundcheck! Well, with a few easy button presses, I simply changed the whammy pedal into a Crybaby Wah and the gig was saved! Technically, I could have just as easily done the exact same thing with the Helix, but in either case, a life saver. Who brings a backup wah to a gig? Downside of the HX Effects vs Helix is # of slotsRad
“Did he Just Say what I think he did” is probably the question you’re asking yourself right now! Let’s be real, acquiring gear is part of the fun of being a mucisian! I love the thrill of finding a new overdrive, or swimming in a new reverb pedal, I love gear just as much as the next guy, and don’t get me started about the rush you get when you discover a new piece a gear that no else has! But let also be a honest, gear is EXPENSIVE, and if you are anything like me you may have a spouse who doesn’t look kindly upon the purchase of a new Pedal, plus I have run out of excuses as to why I need a new pedal! So in order to acquire new require me to sell old gear, which means usually I get less then what I paid so technically I’m losing money! The HX Effects has solved that issue for me, with so many different effects, that run mon and stereo, and to add, they sound phenomenal! In no time you can create a gigable rig with this one piece of gear! The learning curve is quick, you don’t need a a loop controller, or midi controller, it’s already built in! This is arguably one of the best gear buys I have ever made, no more losing money, no more unhappy wife, and with every update Line 6 makes, it’s like getting a basket full of new pedals! Do yourself a favor and save your marriage and buy one! Pros- •portable •gigable •sounds great •easy learning curve •usable pre-sets out of the box • Mono & Stereo capable Cons- •what cons?!
10. Line 6 Pod Go Black
Product Details:
Simple interface with large color display compact, ultra-portable, lightweight design 270+ hx and legacy amp and effects models third-party ir loading stereo effects loop and expression pedal/ footswitch input pod go enables a simple and intuitive workflow. choose, edit, and control sounds using the large color lcd screen, five push encoders, eight rugged footswitches, and cast-aluminum multi-function expression pedal and add two external footswitches or a second expression pedal for even more real-time control. all the essential audio connections are at your fingertips, too, including balanced stereo outputs, a duplicate amp out that can be tapped before the cab/ir, a stereo effects loop, a headphone jack, and even a usb port for accessing the 4-in/4-out audio interface with re-amping. pod go boasts an arsenal of professional-quality amp, cab, and effect models drawn from the acclaimed hx family of effects processors including classic amps like the blackface, plexi lead, and treadplate as well as supporting third-party ir loading. what is more, sophisticated features such as snapshots enable you to easily access all the tones you'll need to cover every section of every song. with pod go, you won't just take the stage you'll own it.
Specifications:
| Stereo/Mono | Stereo |
| Input | 1/4" |
| True Bypass | Yes |
| Output | 1/4" |
Reviews:
Overall: I've been playing through a Headrush gigboard and needed something different that was just as easy to use, had plenty of tones that were inspiring, that didn't cost as much. I've owned a few Line 6 products over the 30 years of playing music and decided to buy the Pod Go. So worth it! The tones were better than expected, and if you can't afford the Helix series, this is the best choice for a floor unit under $500. The built in expression pedal with toe switch is perfect. You can switch between volume and wah wah or other parameters just by pressing the toe switch in the expression pedal. Basically you don't have to have another expression pedal. The built in pedal can do what you need. I am not tech savvy, I bought the Headrush gigboard last year because of how easy it is to use. I didn't think a floor unit could be. Then comes the Pod Go. It's actually much easier to use than the Headrush. Granted the two have different features but I found making your own sounds easier with the Pod Go. It seems I make them in a shorter time. The color display along with color footswitches make organizing sounds easier than making coffee. If you need a floor unit under 500 the Pod Go is the best choice on the market. If you're a metal head or a traditional Jazz player or love the complexity of Fusion, the Pod Go has your sound.
I was looking at purchasing a Helix LT and upon researching I came across the Pod Go Wireless. It does everything I required from the Helix but at less than half the price, size and weight. You can dial in some great tones, I use it through an 80w Marshall combi straight into the FX return (turning off the cab sim on the Pod) and it sounds very impressive. The amount of effects to choose from is incredible and you can tweak so many variables to get that perfect tone. The wah treadle is very good but it’s not so great when used as a volume pedal as it doesn’t seem to gradually increase/decrease the volume, it’s almost on/off. The wireless feature is very good, I’ve not had any connection issues and don’t have to worry about treading on my cable, which I’m very prone to. Overall, for what I need in a jamming/garage band capacity it is perfect and I’m very, very pleased with the purchase. PMT delivered the next day, it was very well packaged and was the best price I found on the internet.Martin M.
Overall: I wish I could say something positive about this unit. Although it does have some great sounds and features, the fact that it is constantly having to be rebooted because it freezes up or shuts down on its own make it pretty much worthless (Yes I’ve done all the updates and other futile suggestions from the support folks at line 6). Add to that a power supply that is a complete piece of crap. It’s cheap, fragile and generally a bad design. It is almost impossible to find a replacement because line 6 wanted it that way. Simply using a Standard, generic replacement (9v 2500 mA) Is tricky and not guaranteed to work. My review for this product: Look for something else better from a company who is not obsessed with nickel and diming their customers to death over some ridiculous accessory.
11. Line 6 Hx Stomp Xl Multi Effects Processor
Product Details:
Mint condition hx stomp xl. barely used, never gigged, only had limited home use! complete with power supply, uk and us plug adapters, box and paperwork. the firmware has been updated to the latest (3.5 released in nov 22) and it's been factory reset with the latest stock patches. will also throw in the mooer knob toppers pictured, as well as an m-audio expression pedal. i have a separate listing for a midi controller for the hx stomp too. will definitely consider selling these together as a package. the possibilities are endless with this thing, so i am sad to see this go but unfortunately i don't have time to play with the endless options at the moment. any questions please feel free to ask!
Specifications:
| Weight | 3.3 lb |
Reviews:
Upgraded to this unit from a Pod XT Pro rack. This unit not only has amazing and better sounds but more flexible options and a wider array of effects and amps. Pros: -Sound is stunning. I've not done a side-by-side with a real amp mic'ed with a specific mic in a certain position, but it's utterly convincing to my ears. -Blocks can be re-ordered without restriction. For example, want to daisy chain two amps to get that "you really got me" sound? You can do it and it actually works. -Multiple outs and routing -Flexible pedal assignments. You can connect up another two external footswitches (or exp pedals) and assign to any block. OR, you can assign more than one block to a single pedal (so you could activate a tube screamer, digital delay, and anything else with a single press ready for your solo). OR, you can just use a snapshot and change dozens of parameters with a single press. No more "dancing" around the pedal board, hitting the wrong pedals in the process, looking like an utter berk etc. -Preset sounds with flexible ways to work through them. At a gig I don't have time to change an abundance of settings so have a preset for each song. Sound completely changed in half a second. Next song started without hesitation. -All functions of the unit look like they can be configured through the front panel without having to use the Windows or MAC editor. Cons -Terrible, terrible power supply brick. I can't believe Line 6 sell it like this. They even know it's rubbish – the manual says something to the effect of: "we know the power supply is big but it needs to be special to give you enough juice". Big is not the problem – being stuck upwards in the air from your mains socket standing proud like, er, ahem, well something unmentionable is the problem. Plus when you try to unplug it, the power supply comes in half leaving a little bit left in the mains socket. Which will inevitably get left at a gig. Can't wait for that to happen. -limited number of presets. I need a preset for each of 60 songs. I keep a copy of each preset as a master then duplicate them in the order of the night's set list into other presets – so with that I need at least 120 presets, allowing myself one or two to fiddle with. If I recall correctly this has around 126. Best not learn three more songs that need a different sound each. -It's a little difficult to program the thing – the button layout is confusing and unintuitive compared to the Pod XT pro I have just replaced. I can make the trade-off for the sound but this would not work for many I suspect. -Windows or MAC editor – really? Where do I set that up then? Ah yes I just need a $1000 laptop or a chuffing great desktop unit and monitor to hand. I want to spend my money on guitar gear, thanks! Some other vendors have bluetooth and android apps, line 6 for a change is behind the curve. Two final points. 1) If you need something easier to use buy something with more buttons, knobs and pedal switches. 2) If you really like a particular sound, go out and buy the real amp / effect. You just can't beat the real thing. But this gets very, very close, and of course you have several hundred "things" to choose from with no crackles, no mic stand to get kicked, etc etc.
Purchased as a desktop amp to replace a Kemper head and footswitch, primarily for desktop and recording purposes. The unit is very solidly made and takes up next to no space. Although there are limited knobs on the unit itself, the Windows HX Edit software is excellent and makes it super easy to configure presets. Whilst the HX Stomp's effects blocks are very limited compared with the full size Helix, if you typically use a straightforward setup with, say 3-4 pedals, an amp, a cab/IR I don't see why this tiny device couldn't replace an entire rig. One minus point is that the external PSU has poorly designed plastic adapters for different plug types (UK/Euro etc) which disconnect from the PSU far too easily. First time I took mine out the house I unplugged it and didn't realise the adapter had remained in the socket. I had to buy a US to UK adapter. Something to be aware of if you plan on taking this on the road. Also bear in mind that at the time of writing it's not possible to share presets between Stomp and the larger Helix units.
Where do I begin? What a fantastic unit. I've played it both through a tube, stereo 4×12 rig and an FRFR and it sounds incredible through both. The delays, the mods, the tube amps, the pedals the IR options. The most exciting thing about this is the sound! The Helix class software lets me play like me and sound like me. However, another fantastic feature is the edit-ability, and that you get Helix Native for 99 bucks that loads in full Helix profiles with tons of presets. I love loading the profiles into Native and scaling them down for Stomp XL. Another is the portability. I can tote this thing around everywhere and not even feel the pain of dragging around heavy processing gear. I haven't had it long and am just digging in, but i can tell you, it gets more and more exciting what the Helix class software/ HX Stomp can do the further I go. Seamless computer to unit edits and updates are easy. Get it…get it now. You wont regret it. Five stars in every category.Bobby O'Dell
12. Line 6 Hx Stomp Limited-Edition Multi-Effects Pedal Lightning Blue
Product Details:
I love this stomp so much that i sold all my pedals as it took over my board. it beat out all other pedals, and so then finally i upgraded to a helix. i took many pictures, it looks "mint" to me but i'll say "excellent" to be safe. includes power supply, data cable, original box etc as shown. comes loaded with fremen stomp package presets purchased from the line6 website including clean and driven amp models and the blues presets. also is loaded with over 100 irs from the top 3 companies including about 30 bass irs.
Specifications:
| Technology | HX Modeling |
| Frequency | 96 khz |
| Impedance | 123 dB |
| Connectivity | USB |
| Display Type | LCD |
Reviews:
Upgraded to this unit from a Pod XT Pro rack. This unit not only has amazing and better sounds but more flexible options and a wider array of effects and amps. Pros: -Sound is stunning. I've not done a side-by-side with a real amp mic'ed with a specific mic in a certain position, but it's utterly convincing to my ears. -Blocks can be re-ordered without restriction. For example, want to daisy chain two amps to get that "you really got me" sound? You can do it and it actually works. -Multiple outs and routing -Flexible pedal assignments. You can connect up another two external footswitches (or exp pedals) and assign to any block. OR, you can assign more than one block to a single pedal (so you could activate a tube screamer, digital delay, and anything else with a single press ready for your solo). OR, you can just use a snapshot and change dozens of parameters with a single press. No more "dancing" around the pedal board, hitting the wrong pedals in the process, looking like an utter berk etc. -Preset sounds with flexible ways to work through them. At a gig I don't have time to change an abundance of settings so have a preset for each song. Sound completely changed in half a second. Next song started without hesitation. -All functions of the unit look like they can be configured through the front panel without having to use the Windows or MAC editor. Cons -Terrible, terrible power supply brick. I can't believe Line 6 sell it like this. They even know it's rubbish – the manual says something to the effect of: "we know the power supply is big but it needs to be special to give you enough juice". Big is not the problem – being stuck upwards in the air from your mains socket standing proud like, er, ahem, well something unmentionable is the problem. Plus when you try to unplug it, the power supply comes in half leaving a little bit left in the mains socket. Which will inevitably get left at a gig. Can't wait for that to happen. -limited number of presets. I need a preset for each of 60 songs. I keep a copy of each preset as a master then duplicate them in the order of the night's set list into other presets – so with that I need at least 120 presets, allowing myself one or two to fiddle with. If I recall correctly this has around 126. Best not learn three more songs that need a different sound each. -It's a little difficult to program the thing – the button layout is confusing and unintuitive compared to the Pod XT pro I have just replaced. I can make the trade-off for the sound but this would not work for many I suspect. -Windows or MAC editor – really? Where do I set that up then? Ah yes I just need a $1000 laptop or a chuffing great desktop unit and monitor to hand. I want to spend my money on guitar gear, thanks! Some other vendors have bluetooth and android apps, line 6 for a change is behind the curve. Two final points. 1) If you need something easier to use buy something with more buttons, knobs and pedal switches. 2) If you really like a particular sound, go out and buy the real amp / effect. You just can't beat the real thing. But this gets very, very close, and of course you have several hundred "things" to choose from with no crackles, no mic stand to get kicked, etc etc.
Purchased as a desktop amp to replace a Kemper head and footswitch, primarily for desktop and recording purposes. The unit is very solidly made and takes up next to no space. Although there are limited knobs on the unit itself, the Windows HX Edit software is excellent and makes it super easy to configure presets. Whilst the HX Stomp's effects blocks are very limited compared with the full size Helix, if you typically use a straightforward setup with, say 3-4 pedals, an amp, a cab/IR I don't see why this tiny device couldn't replace an entire rig. One minus point is that the external PSU has poorly designed plastic adapters for different plug types (UK/Euro etc) which disconnect from the PSU far too easily. First time I took mine out the house I unplugged it and didn't realise the adapter had remained in the socket. I had to buy a US to UK adapter. Something to be aware of if you plan on taking this on the road. Also bear in mind that at the time of writing it's not possible to share presets between Stomp and the larger Helix units.
Where do I begin? What a fantastic unit. I've played it both through a tube, stereo 4×12 rig and an FRFR and it sounds incredible through both. The delays, the mods, the tube amps, the pedals the IR options. The most exciting thing about this is the sound! The Helix class software lets me play like me and sound like me. However, another fantastic feature is the edit-ability, and that you get Helix Native for 99 bucks that loads in full Helix profiles with tons of presets. I love loading the profiles into Native and scaling them down for Stomp XL. Another is the portability. I can tote this thing around everywhere and not even feel the pain of dragging around heavy processing gear. I haven't had it long and am just digging in, but i can tell you, it gets more and more exciting what the Helix class software/ HX Stomp can do the further I go. Seamless computer to unit edits and updates are easy. Get it…get it now. You wont regret it. Five stars in every category.Bobby O'Dell
13. Line 6 Pod Hd500 Multi-Effect And Amp Modeler
Product Details:
Selling my pod hd 500. this guy has served me well over the years in the studio, but i upgraded to the helix and no longer have a need for this. it is in excellent condition and comes with an amazing hard case and power supply. the case is designed for the hd 500 and fits perfectly with room for additional pedals, such as wireless systems or outboard fx units.
Specifications:
| Finish | Black |
| Year | 2010s |
| Pedal Format | Floor Unit |
Reviews:
Bought this as a upgrade from the pod xt. With an effects loop, balanced line in and ability to run two amps at a time is what attracted me to it. I really like the dr z, fender and Mesa models and when it worked recorded well. Works in the front of amps and also 4 cable method. Decent passable tone if you want that. Issue is the line 6 monkey and updates. These include firmware patches that will lock the footboard and delete your stored custom patches. There is a way to do a factory reset and I did 6 times over two months. Now my board can't reset and is stuck on one channel. Line 6 has terrible online support and a number of listed service centers that either went out of business or non longer service line 6 products. I have went back to my pod xt while not as good sounding will still work with my daw.503roofdesign
After much consideration I chose the Boss GT-100 over the HD500. The HD500 dominates the Boss counterpart in the direct in/recording… the I/O on the HD500 is far better than the GT-100. However, i rely on amplitube for preliminary recording and reamping for the real thing. I needed to find a floor unit that could run good sounding amp models out of a tube amplifier. I ran a GT-10 into the return section of my 6505+ for a couple of years. For those who don't know this literally bypasses the amplifiers preamp section and is now fully controlled by the GT-100. This is where the GT-100 shines, my live sound unparalleled, most guys with ENGL and mesa mark series amps are asking where I got my 6505+ modded. I don't bother with the four cable method, but regardless the GT is miles past the HD500 when you add a tube amp to the mix. I almost thought about getting one of the new HD PODS anyway, just to have for when i visit other studios and lay down tracks that I do not have the time to sit there fidgeting with my tone, because it really is that good for direct recording. But now that Fractal Audio has released the AX-8 I think I will do a little more saving.Ricktalyf
Pod HD 500x is an upgrade for me of pod XT live. Id had that for ten years and maybe I had the focus to learn learn learnt. Right now I have teens and life is busy, however tho I haven't out the time in with pod hd500x you can make stereo rigs (one amp on ear panned ear/side of the stage thru PA or two amps) and if you put some slight milliseconds of delay on one side of that it widens the sounds completely. It is loaded with amps, like pod XT was, and effects and more effects in the case of 500x AND it has greater sound quality throughout as well as a looper – a short looper and useful extra, tho definately not a replacement for a real looper AND when you learn how, using the stereo amp setup you can set up two guitars (one needs to be a variax and one a quarter inch input, or an xl mic and guitar, or a variax and guitar AND they can have DIFFERENT rigs each, that is, different amps or preamp plus effects for each instrument. Therefore POD HD 500x is like having 2 pod XT lives AND a looper AND better sound quality and diverse output options. However, if you don't want to read manuals OR tweak much, watch videos on how to make patches and read the manual to see if you want something so complicated and deep. In my opinion it's worth the work, though I am only starting to realise what I can do, but I don't think you need to understand everything in this tool box to get value. This was cheaper new with all the extras and plus shipping than a pod XT was 12 years ago or whenever I bought it. Consider well. Amazing tool. Great value.aidanpoulter
14. Line 6 Bass Floor Pod Multi-Effect And Amp Modeler
Product Details:
This is a line 6 bass floor pod. it is a multi-effects pedal for bass guitar. it is used, and is being sold on consignment. however, it has been tested and found to be in working order. it has a few scratches, but nothing in the performance is impeded. it comes with a power cable as well. available online or in-store!
Specifications:
| Finish | Black |
| Year | 2000s |
| Pedal Format | Floor Unit |
Reviews:
This is a fine unit that has tremendous functionality and given some time and effort there is almost no tone that cannot be extracted from this unit. Unfortunately Line 6 goes out of their way to make it an unpleasant experience. Unless of course your willing to fork over more money for software that other companies would give you for free, or at least substantially less than Line 6 charges. You shouldn't have to shell out hundreds of dollars for a unit followed by hundreds more for some software to get the most out of it. Line 6 is the worst, but the POD Pro XT is a good unit.recnepsterb
For a nine year old effects floorboard, this is a great value for someone (like me) who wants several effects without spending $100-200 per pedal. Line 6 is generous with this one, Ive only had it two weeks and theres still plenty of sonic discoveries to be had. Cant compare it to Line 6s new units, but this one looks cool, sounds even better. Couldnt care less that it happens to be all modeling, I can plug a bass in, then in the blink of an eye pick up the guitar without unplugging from the bass amp and still get a huge stellar amp tone for ultimate chunder. Get it, for $200-ish its a steal!aig-man
This is a pretty good bag. The quality is excellent and it looks/feels like it will last quite a while. I bought this for my Line 6 Pod hd500x and it works "ok" for it. The bag could be a bit more snug so the Pod does not flop back and forth when you carry it. Length wise there is extra room and a spacer which allows you to carry some extra cables or a power strip, but I am talking about the snugness on the top and bottom. I may try adding an extra foam pad to see if this helps. I know this bag was not specifically made for the Pod so I can't fault it too much for not fitting 100%. It is a great deal for the money!jkelly517
15. Line 6 Dl4 Delay Pedal
Product Details:
The line 6 dl4 delay stompbox modeler is the first stompbox to give you digitally modeled effects. includes 16 vintage delay and echo effects including tube echoplex, space echo, deluxe memory man, analog delay, reverse, and many more. it also provides for 3 programmable presets and an onboard tap tempo control, 14 seconds of sample-loop memory, true bypass switching, an expression-pedal input for realtime control of all effects settings, and stereo inputs and outputs. runs for up to 30 hours on four "c" batteries or with the optional px-2g power adaptor.
Specifications:
| Manufacturer's Warranty – Labor | 1 year |
| Number of Batteries Required | 0 |
| Product Width | 6.25 inches |
| Number Of Effects | 34 |
| Product Weight | 3.6 pounds |
| Product Name | DL4 Delay Stompbox Modeler Guitar Pedal |
| Effect Type(s) | Other |
| Brand | Line 6 |
| Input(s) | Stereo |
| Color | Green |
| Output(s) | Stereo |
| Product Length | 13 inches |
Reviews:
you can get a nux delay force for 50 bux shipped here on ebay that does pretty much everything this does at an off the hook 250. even USED these are overpriced. the stock unit is nothing particularly special. the fun factor comes with modification, at which point it becomes both useful AND kinda cool…. provided you can obtain one cheap enough to be worth modifying. i know this is sacrilege, but for the money a line 6 costs, you can find a plethora of other pedals with the same or better features for significantly less. these are cool i guess, but not THAT cool for what they ask for them. seriously, the dang nux is a better deal. more models, better sampler with more time etc… do your homework and research. line 6 stuff sounds like line 6. you'll love it or hate it. stock, my vote is "meh". modded so you can access the looper via footswitch, and so you can access both heel down and toe down of the 3 presets and it becomes a bit more palatable. me? i'd buy something else. seriously. don't fall for internet hype written by 12 year olds with daddy's credit card. i've been playing electronic guitar for 48 years. i have played almost every piece of gear out there. this one is good, but not as great as you usually hear.phatjbp
The worst piece of equipment I've ever paid for. Worked for a just a few weeks (sitting on my floor untouched, no gigs) then dropped dead for no reason. Pulled the "chip" out of it, reinserted it, and it worked again for a while (shouldn't have to do that with a brand new piece of equipment anyway). Then it died again, this time for good. Chucked it in the trash where it belongs. This thing is more stress than it's worth. Will NEVER buy another Line6 product again.zjpaul
16. Line 6 Helix Lt Guitar Processor
Product Details:
The line 6 helix lt guitar processor is equipped with the same advanced hx modeling technology found in the helix floor and helix rack processors. the hx modeling engine leverages powerful dual-dsp performance to capture and recreate amps, cabs, mics, and effects with authenticity and responsiveness. – a large color lcd interface provides an easier user experience that allows faster tone creation and interaction. edit an effect block simply and quickly by using the same touch-sensitive footswitches as helix floor and helix control. color led rings enable you to know what is assigned to each footswitch at a glance. – helix lt provides advanced flexibility for studio and stage applications for easy integration to live performance rig or studio setups. l6 link connectivity enables smooth digital integration with compatible line 6 products, including stage – source speakers for an optimized experience when playing live. exclusive variax guitar integration provides even more control and creative inspiration, with instant model and tuning recall, effects control and power for variax guitars. – helix edit software for mac and pc allows easy manipulation of amps, cabs, and effects for building and organizing complex signal chains. – line 6 helix lt features:offers the same award-winning hx modeling as helix floor, helix rack and helix native – uncompromised helix sound quality with 123 d – b of dynamic range – greater dsp power than any other multi-effects processor in its class – robust i/o complement for easy integration and advanced flexibility – preset compatibility with existing helix products – user-friendly mac/pc editor enables remote editing and ir management line 6 helix lt footswitch guitar multi-fx floor processor.
Specifications:
| Screen | Color LCD |
| Lighting Effects | Color LED rings |
| Dynamic Range | 123 d – B |
| Integrations | Variax guitar integration |
Reviews:
I had a Pod Go and didn't see the point of upgrading as I am a home user only. The LT has advantages but for me it wasnt worth the upgrade. That's changed now with the new update making the cabs sound great. I was running out of DSP on the Pod Go more and more as well and it has the old cab sounds. I was running out of space on Pod Go for patches, well the Lt has way more room for those. It can double and treble up amps and cabs as well. More footswitches, bigger better screen and more options in general and the price I got ti for was bettet han anywhere else thanks to PMT Online. I had to go for it with all the pluses and the price being a no brainer and I am so glad I did. Its just better than the Pod go in every way. I am actually suprised how heavy and well built it is for a supposed Light version of the Helix and the space between footswitces and wah etc is just more comfortable to get around than the Pod Go. I wish I had bought this and not the Pod Go but then again when I got the Pod Go the LT was probably 240 quid more than I got it for, so goos things come to those who wait I guess. Sure you could find other effects units that maybe be slightly better for amps and others for affects but the Helix range is the all rounder, it does everythign I want and it has a built in wah wah. So there's that! that all the other don't have as far as I can see.R O.
This pedal does everything I expected it to do. Especially valuable to me is that it has models for both guitar and bass. I plugged in my Rickenbacker 4001, set it on the SVT model and thought I was back in 1974 playing my original Rick through my 8-10 SVT rig. Amazing sound. When I plugged my Pro II Tele and set it on Plexi I was similarly impressed. What a rig! Since then I've used my Spector 5, my Hofner and my Fender Jazz all with great results. I've even gotten past those original models. What has been most positive for me is I can hook it up to headphones and not drive my wife nuts anymore. Thanks for the great deal and the quick service.
Helix LT replaces my very well used POD HD 500, which I used for live performance (4 cable FX hookup usually, and modeled amp/cab through PA occasionally), developing and recording backing tracks (modeled signal direct to DAW), and recording stem tracks for other artists (modeled and dry signal direct to DAW). Helix functionality is similar to POD, but Helix is an entirely different class. Helix amp/cab/FX models are dramatically more realistic than POD and are actually close to the real deal in terms of touch sensitivity. The Helix is also incredibly transparent with virtually no coloration or signal degradation, unlike some of the POD models and FX. I/O on the Helix is versatile allowing a multitude of outputs and path creation including straightforward digital output of the dry signal for later DAW processing. User interface is well thought out, with visual signal path representation on a large screen, and blocks and signal paths that can be easily dragged around into different configurations. The hardware is significantly upgraded as well. Case construction and switching seem to be much more robust than the POD (whose buttons and switches were failure prone) and color coded led rings around each foot switch give visual cues as to switch function. I was able to set up my basic live performance (4 cable) presets and within a couple of days, feel comfortable enough with the Helix to use it in performance (except everything is on covid lockdown now!!) But I've had the advantage of using POD extensively for almost 10 years. If you are new to this type of pedal board, plan to take some time to learn how to work Helix. Its also pretty expensive, but the results are worth the time and effort.Ricardo
17. Line 6 Fbv 3
Product Details:
Line 6 foot controller set up to run the modeling and effects that are already on the line 6 spider v 60. presets for rock, country and blues as well as amp type modeling of fender, vox, marshall and others. there are several other presets or you can create your own. each preset is layed out on the floor controller with 4 choices for amp tones on the bottom row and 4 choices of effects on top row of 4. some of the effects will automatically be turned on when selecting presets. all of this can be adjusted via the amp as well. there is a push and hold foot switch for tuner next to the expression pedal. the function switch on top can be used to loop your chord progressions as well as overdub more than once. the expression, or volume pedal as it were can be pressed down when it is fully depressed and it will change to a waah pedal similar to the cry baby pedal used yet today.
Specifications:
| Width | 12.25" |
| Length | 23.25" |
| Number of Amps | 6 |
| Number of Footswitches | 9 |
| Display Type | LED |
Reviews:
I've paired this with a Spider V 60 Mk2. Really easy to set up, simply connect one RJ45 cable to the amp. Allows easy control of the "Presets" and "Effects" in the amp, and easier access to the Spider looper and tuner. Instruction manual is not very good, but the important thing to remember is that this is a foot pedal for controlling the features built into the amplifier, so you still need to set up your sounds via the amp or the app, and then you can access them via the foot pedal.Reviewed by Andertons Music Co.
I recently bought and returned a Line 6 Pod HD500x pedalboard. The reason for returning was because you either had complete control over your patch assignments or your effects… You didn't have control over both at the same time. YET….. with this pedalboard controller for the spider v series you have control over both effects and patch/bank assignments all at the same time which is what I was really looking for. Also, instead of using my existing amp that I was going to use with the Pod, I now have a new Line 6 spider v mk2 240 watt amp which has numerous patches to use that are twweakable and you can assign them to a bank of your choice for easy access. I'm totally happy with both the pedalboard and my new spider v amp. Broke them both in at a gig last night. cut right through the mix and the amp also had an xlr out to go right into the PA system. great. I would def recommend this to any gigging musician.The Madman
This makes using my Spider V120 so much easier! I can clock through my presets, change effects, record and launch loops and alter the volume or do some wah-ing – all without a break from playing. Caution – if you try this out sitting down first time you might feel you can switch between volume and wah – it just needs a firm push, probably from a standing position. Which is good because it means you won't accidentally switch between the two from enthusiastic wah-ing.Duncan H.
18. Line 6 Helix Rack Guitar Processor
Product Details:
Helix rack is the rack-mountable version of the flagship amp and effects processor from line 6. the helix rack processor leverages dual-sharc processing and hxtm modeling to deliver the authentic sound and feel of vintage and modern amps, cabinets, microphones, and effects. meanwhile, that same processing power lets you create countless tones that simply don't exist in the analog world.the helix rack amp and effects processor also boasts a full-color lcd screen and ergonomically arranged controls, four independent internal signal paths, extensive analog and digital i/o including l6 linktm and vdi variax connectors, a c/v output, and a bnc wordclock input for synching to studio gear. you can also load third-party speaker cabinet impulse responses (irs) to personalize your sound. plus, helix rack presets are compatible with all other helix family devices including the helix native plugin.authentic modelinghxtm modeling digitally mirrors the circuitry of analog amps and effects, compon…
Specifications:
| Finish | Black |
| Year | 2016 – 2022 |
| Pedal Format | Rackmount |
Reviews:
Upgraded to this unit from a Pod XT Pro rack. This unit not only has amazing and better sounds but more flexible options and a wider array of effects and amps. Pros: -Sound is stunning. I've not done a side-by-side with a real amp mic'ed with a specific mic in a certain position, but it's utterly convincing to my ears. -Blocks can be re-ordered without restriction. For example, want to daisy chain two amps to get that "you really got me" sound? You can do it and it actually works. -Multiple outs and routing -Flexible pedal assignments. You can connect up another two external footswitches (or exp pedals) and assign to any block. OR, you can assign more than one block to a single pedal (so you could activate a tube screamer, digital delay, and anything else with a single press ready for your solo). OR, you can just use a snapshot and change dozens of parameters with a single press. No more "dancing" around the pedal board, hitting the wrong pedals in the process, looking like an utter berk etc. -Preset sounds with flexible ways to work through them. At a gig I don't have time to change an abundance of settings so have a preset for each song. Sound completely changed in half a second. Next song started without hesitation. -All functions of the unit look like they can be configured through the front panel without having to use the Windows or MAC editor. Cons -Terrible, terrible power supply brick. I can't believe Line 6 sell it like this. They even know it's rubbish – the manual says something to the effect of: "we know the power supply is big but it needs to be special to give you enough juice". Big is not the problem – being stuck upwards in the air from your mains socket standing proud like, er, ahem, well something unmentionable is the problem. Plus when you try to unplug it, the power supply comes in half leaving a little bit left in the mains socket. Which will inevitably get left at a gig. Can't wait for that to happen. -limited number of presets. I need a preset for each of 60 songs. I keep a copy of each preset as a master then duplicate them in the order of the night's set list into other presets – so with that I need at least 120 presets, allowing myself one or two to fiddle with. If I recall correctly this has around 126. Best not learn three more songs that need a different sound each. -It's a little difficult to program the thing – the button layout is confusing and unintuitive compared to the Pod XT pro I have just replaced. I can make the trade-off for the sound but this would not work for many I suspect. -Windows or MAC editor – really? Where do I set that up then? Ah yes I just need a $1000 laptop or a chuffing great desktop unit and monitor to hand. I want to spend my money on guitar gear, thanks! Some other vendors have bluetooth and android apps, line 6 for a change is behind the curve. Two final points. 1) If you need something easier to use buy something with more buttons, knobs and pedal switches. 2) If you really like a particular sound, go out and buy the real amp / effect. You just can't beat the real thing. But this gets very, very close, and of course you have several hundred "things" to choose from with no crackles, no mic stand to get kicked, etc etc.
Purchased as a desktop amp to replace a Kemper head and footswitch, primarily for desktop and recording purposes. The unit is very solidly made and takes up next to no space. Although there are limited knobs on the unit itself, the Windows HX Edit software is excellent and makes it super easy to configure presets. Whilst the HX Stomp's effects blocks are very limited compared with the full size Helix, if you typically use a straightforward setup with, say 3-4 pedals, an amp, a cab/IR I don't see why this tiny device couldn't replace an entire rig. One minus point is that the external PSU has poorly designed plastic adapters for different plug types (UK/Euro etc) which disconnect from the PSU far too easily. First time I took mine out the house I unplugged it and didn't realise the adapter had remained in the socket. I had to buy a US to UK adapter. Something to be aware of if you plan on taking this on the road. Also bear in mind that at the time of writing it's not possible to share presets between Stomp and the larger Helix units.
Where do I begin? What a fantastic unit. I've played it both through a tube, stereo 4×12 rig and an FRFR and it sounds incredible through both. The delays, the mods, the tube amps, the pedals the IR options. The most exciting thing about this is the sound! The Helix class software lets me play like me and sound like me. However, another fantastic feature is the edit-ability, and that you get Helix Native for 99 bucks that loads in full Helix profiles with tons of presets. I love loading the profiles into Native and scaling them down for Stomp XL. Another is the portability. I can tote this thing around everywhere and not even feel the pain of dragging around heavy processing gear. I haven't had it long and am just digging in, but i can tell you, it gets more and more exciting what the Helix class software/ HX Stomp can do the further I go. Seamless computer to unit edits and updates are easy. Get it…get it now. You wont regret it. Five stars in every category.Bobby O'Dell
19. Line 6 Pod Go Wireless Guitar Processor
Product Details:
Pod go and pod go wireless amp and effects processors get you on the road to ultimate tone via their ultra-portable and lightweight design, simple plug-and-play interface, and best-in-class tones. professional-quality amp, cab, and effect models drawn from the celebrated hx family of effects processors ensure best-in-class tone. third-party speaker cab impulse responses (irs) can also be loaded, providing nearly unlimited additional options when crafting tones. a streamlined plug-and-play interface and simple and intuitive workflow make pod go exceptionally easy to use. choose, edit, and control sounds using the large color lcd screen, five push encoders, eight footswitches, and a multi-function expression pedal—plus add a second expression pedal or two external footswitches for even more real-time control. remarkably light, compact, and portable, the pod go guitar processor easily fits into any backpack, making it the perfect companion for short tours, fly dates, and rehearsals. audio connections include balanced stereo outputs, a duplicate amp out that can be tapped before the cab/ir block, a stereo effects loop, a headphone jack, and even a usb port for accessing the 4-in/4-out audio interface. a professional-quality onboard 4×4 24bit/96khz usb audio interface makes it easy to record directly to your computer. re-amping tracks is also a breeze, enhanced by the ability to load third-party speaker cabinet irs. third-party speaker cabinet impulse responses (irs) may be loaded and incorporated into the signal chain of any preset, providing nearly unlimited additional options when crafting tones. pod go wireless features a built-in relay wireless receiver and comes with a relay g10tii transmitter. move without restrictions and play where the vibe is right.
Reviews:
Overall: I've been playing through a Headrush gigboard and needed something different that was just as easy to use, had plenty of tones that were inspiring, that didn't cost as much. I've owned a few Line 6 products over the 30 years of playing music and decided to buy the Pod Go. So worth it! The tones were better than expected, and if you can't afford the Helix series, this is the best choice for a floor unit under $500. The built in expression pedal with toe switch is perfect. You can switch between volume and wah wah or other parameters just by pressing the toe switch in the expression pedal. Basically you don't have to have another expression pedal. The built in pedal can do what you need. I am not tech savvy, I bought the Headrush gigboard last year because of how easy it is to use. I didn't think a floor unit could be. Then comes the Pod Go. It's actually much easier to use than the Headrush. Granted the two have different features but I found making your own sounds easier with the Pod Go. It seems I make them in a shorter time. The color display along with color footswitches make organizing sounds easier than making coffee. If you need a floor unit under 500 the Pod Go is the best choice on the market. If you're a metal head or a traditional Jazz player or love the complexity of Fusion, the Pod Go has your sound.
I was looking at purchasing a Helix LT and upon researching I came across the Pod Go Wireless. It does everything I required from the Helix but at less than half the price, size and weight. You can dial in some great tones, I use it through an 80w Marshall combi straight into the FX return (turning off the cab sim on the Pod) and it sounds very impressive. The amount of effects to choose from is incredible and you can tweak so many variables to get that perfect tone. The wah treadle is very good but it’s not so great when used as a volume pedal as it doesn’t seem to gradually increase/decrease the volume, it’s almost on/off. The wireless feature is very good, I’ve not had any connection issues and don’t have to worry about treading on my cable, which I’m very prone to. Overall, for what I need in a jamming/garage band capacity it is perfect and I’m very, very pleased with the purchase. PMT delivered the next day, it was very well packaged and was the best price I found on the internet.Martin M.
Overall: I wish I could say something positive about this unit. Although it does have some great sounds and features, the fact that it is constantly having to be rebooted because it freezes up or shuts down on its own make it pretty much worthless (Yes I’ve done all the updates and other futile suggestions from the support folks at line 6). Add to that a power supply that is a complete piece of crap. It’s cheap, fragile and generally a bad design. It is almost impossible to find a replacement because line 6 wanted it that way. Simply using a Standard, generic replacement (9v 2500 mA) Is tricky and not guaranteed to work. My review for this product: Look for something else better from a company who is not obsessed with nickel and diming their customers to death over some ridiculous accessory.
20. Line 6 Pod Go Guitar Multi-Effects Floor Processor With 2 X 10-Ft Guitar Cables, Clip On Electric Tuner, And Polishing Cloth
Product Details:
Compact, ultra-portable, lightweight design 270+ hx and legacy amp and effects models third-party ir loading stereo effects loop and expression pedal/ footswitch input this great bundle includes: 1 line 6 pod go guitar multi-effects floor processor, 2 x 10-ft guitar cables, 1 clip on electric tuner, and 1 polishing cloth. the line 6 pod go guitar multi-effects floor processor is a pedalboard that models amplifiers, cabinets, and provides a mutitude of effects. it is designed for use both live and in the studio. all of the effects hail from line 6's venerated hx series of modeling processors. you'll find dynamics tools, distortions, pitch/modulators, filters, eqs, delays, wah/volume, and reverbs. in total, you'll find over 70 guitar and bass amps, 37 cab models, 16 mic emulations, and over 200 effects. thanks to the pod go edit app, you can edit and backup your favorite presets remotely. a big expression pedal on the box itself gives you variable control over multiple, assignable functions. the pod go has a guitar input, a reamp output, two 1/4" main outputs, a headphone out, a stereo fx loop, and more. you can connect the pod go to the front of your amp or directly to a pa mixer, allowing you to play shows without bringing your amplifier. its usb port allows you to connect directly to your favorite daw for recording use.
Specifications:
| Color Name | Black |
| Signal Format | Analog |
| Power Source | Electric |
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