Les Paul Guitar Dimensions For Sale (2024 Update)

Overall: A couple of weeks ago, I was looking at buying the Gibson les Paul Standard 60's Bourbon Burst for $2,499.00, as I was doing my research checking out reviews when I came across a side by side review of the Gibson verses the Epiphone les Paul standard 60s. The similarities in quality and sound were eye opening, still skeptical I thought to myself, I owe to myself to at lest checkout the Epiphone les Paul standard 60s what's the worst that could happen, if I don't like it ill send it back and order the Gibson. Well I'm here to say I don't JUST like it, I ABSOLUTLY LOVE IT. Right out of the box I was super impressed with the look and feel of this guitar with the flamed maple top to the deep rich cherry back and sides, I sat down tuned it up plugged it into my amp. I went from being impressed to ka-ching I hit the jack pot. You know after I bought this guitar and before it arrived I had that feeling of buyers remorse, thinking that I somehow compromised and I should have bought the Gibson. Well the first few licks on this guitar and all that washed away instantly. This guitar has it all, value, quality, sound, playability and the flamed maple top…. just wow…!!!!! thank you zZounds and Epiphone for this fantastic les Paul.

I just received this guitar a few days ago. It's already my favorite. Love the slim taper neck, and the probucker pickups are great. The pickups are fine on clean tones, but where they really shine is when the gain is cranked up. Build quality is very good, and it's a beautiful instrument. I prefer a rosewood fretboard, but find the Indian laurel to be completely acceptable. Only 2 negatives: 1. No coil splitting option, 2. it's a heavy guitar. This doesn't matter much to me because as a hobbyist, I typically play sitting down. But I can see that if you play standing, this could get tiring after a while. But these are minor quibbles – overall I'm very pleased with my purchase. Finally,kudos to Dave Hoffman, who held my hand during the 3 month period it took to get a new shipment in.

I've had the guitar for almost a month now & decided to do the review after I had it for a while. Quality control on this guitar was not very good. There was a chip by the 22nd fret near the upper horn that was overlooked because it has the final coating sprayed over it. There is also a scratch on the headstock at the G string tuner, it looks like someone overtightened the nut & scrated the headstock with a nut driver. Plus there is some black paint that ran into the binding on the top part of the headstock. Also there is a nick/scratch on the pickguard right below the neck pickup. The guitar plays well, and it looks good except for the imperfections I expalined earlier. I took pictures of what I complained in case someone at AMS would like to see them. I'm not sure of the return policy for guitars or if this could be returned for another guitar of the same kind I have. In the end the playability has met expectations but the quality control was far below expectations. If a representative has any questions about my review or if they want to see the pics I took, please let me know.

Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.

When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !

Not much to say about a GLP – its an amazing guitar as you'd expect and anyone can carry it and comparably price instruments. However, it's the Sweetwater service that makes the difference. Grant is great and super responsive to my questions and issues. You can tell that the people who work here play and love music. I completely trust Sweetwater with my musical instruments. I just purchased my second guitar with them yesterday and the process was fantastic. At this point, I'm only going to buy here. Even if I found an instrument at a cheaper price through one of their competitors, it wouldn't be worth the care and service you get at Sweetwater. 5-Stars guys! Customer 4-Life!

So it arrived today! it came in a very nice branded MusicStore box with a short checklist of things done before packing. This is nice as makes me confident the purchase was made with premium supplier. The standard Gibson outfit package is really cool. There's a branded soft gig bag with nice fluffy interior, a bag strap, a cloth, few marketing leaflets, and, a photo of the guitar that was made in the factory. Very cool. Value wise, its fantastic. The guitar out of the box looks great. it feels and looks premium, although it is a distant and poor relative when standing next to LP's Reissues or some other top-shelf models. Visually, its a different line. The guitar was pretty much setup to play from the box (thanks musicstore team), which was a nice surprise too. Unplugged, there is more than enough sustain, vibe and articulation details. This instrument sounds very much like pricier Les Pauls, even with no power. The neck is nice and fast with medium jumbos, allowing to play pretty much everything you want. Once plugged in to 90s JCM 800 set, it did deliver pretty much everything the more expensive Gibsons' do. There's sustain, articulation, the 'gurl' of Gibson. Studio workhorse, worth every penny. Which was a bit of surprise as the Studios' are slightly lighter in body construction. Some complain about finish quality, but i have not observed anything limiting playability yet. As mentioned before: if you place it next to a top-shelf Les Paul, you WILL see a difference. You will see dozens of differences in finish and quality as these instrumets are different. But, to me, its a great guitar, and I would reccomend that to anyone looking for Gibson sounding instrument for relatively moderate price. LP Studio is probably the cheapest and easiest way to get real Gibson sound for "OK" money. I have one comment to MusicStore team regarding the purchase process: It would be nice to allow customer to change payment option in case of problems with the one initially chosen.

First off, let me say that I wrote a review on this instrument when I first got it a couple of years ago, but I'm writing another review because now I what I'm talking talking about, unlike I did back then. That being said, this guitar is amazing! I own a Squier Stratocaster Standard and a Yamaha APX500II acoustic (I like cheaper guitars. They play better to me for some reason.) My Strat has a thinner and smoother neck, so I use it for the better feel. But for tone, this LP has got it in the bag! I told a friend I got a cheap Les Paul, and he asked "un-covered or covered pickups?" I said they were un-covered, and he was so happy. Granted, covered pickups look much better, but for tone, un-covered is the way to go. And humbuckers, no less! If I could choose between my Strat and this Les Paul, I would probably choose this Les Paul, as the tone and sound is unsurpassed by even the finest Gibsons. As for looks and feel, this not too bad. It has a thinner body than other Pauls, and a bolt-on neck makes it a little different, but it's fantastic. Also, the pictures on Musicians Friend hardly do it justice, as the guitar looks so much more beautiful in person (I have the heritage cherry sunburst.) I strung this bad boy up with a set of Ernie Ball Cobalt Series .10's, and it is unsurpassed by anything! A lot of people complain that the strap buttons are bad. Well… they are. But I had strap locks on this thing for a bit, and they were great, because they completley sovled the problem. I gave the locks to my church's bass player as a gift, and I bought a DiMarzio ClipLock strap earlier this year, and with the combination of this strap and the lighter weight of the guitar itself, this thing is very comfortable to play standing up. My only con; it has dot fret markers, not the block ones. But who really cares? It's the best Les Paul you can get for this price range, and it's even better than most in the $1,000's range. I would guarantee if you buy this, you will not be sorry!

Overall: A couple of weeks ago, I was looking at buying the Gibson les Paul Standard 60's Bourbon Burst for $2,499.00, as I was doing my research checking out reviews when I came across a side by side review of the Gibson verses the Epiphone les Paul standard 60s. The similarities in quality and sound were eye opening, still skeptical I thought to myself, I owe to myself to at lest checkout the Epiphone les Paul standard 60s what's the worst that could happen, if I don't like it ill send it back and order the Gibson. Well I'm here to say I don't JUST like it, I ABSOLUTLY LOVE IT. Right out of the box I was super impressed with the look and feel of this guitar with the flamed maple top to the deep rich cherry back and sides, I sat down tuned it up plugged it into my amp. I went from being impressed to ka-ching I hit the jack pot. You know after I bought this guitar and before it arrived I had that feeling of buyers remorse, thinking that I somehow compromised and I should have bought the Gibson. Well the first few licks on this guitar and all that washed away instantly. This guitar has it all, value, quality, sound, playability and the flamed maple top…. just wow…!!!!! thank you zZounds and Epiphone for this fantastic les Paul.

Overall: A bit o background: this is my 15th LP since 1980, and 12th Epi since 2006. Never had a bad or defective one, and the runs just seem to get better and better. Epiphone makes a quality & very tuneful Les Paul guitar. This ‘59 is unlike any previous LP I’ve had. The custom shop influence is very apparent, both in the components, spec & build. Neck is definitely a chunker, feeling more like a ‘58 than ‘59. Slightly more pronounced than my 2019 Gibson original series 50s GoldTop. My long-neck tenon guitars (2019 Gibson 50s, 2018 Epi Slash Anaconda burst, Epiphone “Inspired By” 50s), coupled with thicker necks are noticeably more solid in the tone department – HUGE proponent of the long tenon guitars! Wouldn’t label the Southern Fade finish as “matte”, but a slick satin – finish is consistent throughout the entire guitar, and the neck feel is ideal, as opposed to gloss. The flame is not overly apparent, but has a sweet warm glow. Has a look of some of our 70’s classic rock heroes (Mick Ralphs, Jimmy Page). I always expect to send each guitar to my setup guy for one reason or another – except for this one: it checked off all the boxes (neck relief, action, string tension) – all dead on perfect, which I can only assume by pure accident, or maybe good attentive custom shop QC??? The very good, classic looking case is the welcome bonus that makes this series a spectacular deal. The icing on this cake!

Overall: Had glowing things (like nearly all reviewers) to say about my ‘59 – *it is a great guitar*. I’ve never had cause to give “manufacturers (Epiphone/Gibson) support” a negative rating. I’ve had at least 15 Les Paul’s of both brands without any issues at all…until the ‘59. After my first “amplified” play – come to find out BOTH volume pots are defective; one locks up @ 50% rotation, with no audible volume to that point, the other provides no audible volume until after 75%. It’s been over three weeks since filing my initial warranty case w/Epi-Gibson, with follow up inquiries- with*ZERO* action taken as of today. Needless to say – extremely disappointed at the customer service performance so far. I love the guitar – I got a helluva good chunk of wood with this one, and don’t want to lose it.

Overall: My 13th Epiphone L.P. since 2006, and second of the new "Inspired by Gibson" series (first was the Standard 50's). I am blown away by these next-level Epi LPs – my 50s was astonishingly similar sitting next to my Gibson Original series 50s goldtop, both asthetically, AND sonically speaking, with only slight pickup characteristic differences. This is also my first SlimTaper neck. Thankfully it wasn't an earth shattering change – we'll adapt just fine. My new tuxedo custom came in at a perfect 8lb 13oz – my ideal weight range for a Paul – especially considering these guitars are coming in with about 1.5# weight swings. Got lucky there. Absolutely no build or quality issues, looks incredible, and is appointed well. It is leaps ahead of the very disappointing Frampton signature Epi I bought last year – my only truly lousy Epiphone. NEVER AGAIN will I buy a chambered Les Paul, in ANY form – all the tone gets totally sucked out! Guitar also came in with a perfect setup, which is rare (even though my setup guy always does a once-over on all my guitars). Some fret polishing couldn't hurt, though. Only concern with this purchase was with the final shipment packaging from zZounds – no packing material in the final carton, just loose box in a box. I think that's a first.

First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.

Overall: The Good: took a chance to save some money on a "blemished" deal. Have had good luck with these in the past with zZounds, and as before, could not find any blemishes in regard to the finish. The setup, however, was abyssal. Once setup, the guitar is fantastic. Lighter weight than my other Epi, and.my.Gibson. The Probuckers are amazing. Great clarity and I see or hear no reason to replace them. Liking them better than my 57+ classics. Black guitars and me don't get along, as I have always sold them off. The graphite black and plain back on this guitar is gorgeous. Most likely a keeper. Neck feel is perfect. Coil split and tone controls really make a difference. Many sounds can be had. May soon become my #1 guitar. Plays effortlessly. The Bad: guitar setup was non existent. Tuners were crooked, nut slots too high, pickup height too low, pick guard installed incorrectly, uneven frets, action set for limbo, and scratchy pots. After cutting deeper nut slots, leveling and crowning the frets, lowering the action, adjusting truss rod, readjusting tuning pegs and pick guard, spraying the pots, and installing quality knobs, the guitar is now fantastic. I can understand why it was returned as it took a lot of work to get it playable. Luckily, I do that all myself so no extra $. Sadly, although great luck with zZounds in the past, this will be my last order until either:1) zZounds offers shipping options other than FedEx. Or2) Fedex gets their s**t together and figures out how to deliver packages to the correct address, with accurate tracking, and without damage.