Bass Guitar And Amp Package For Sale (2024 Update)

Overall: I'd love to give this amp a 5 star ++++ rating. The sounds are amazing. It offers faithful reproductions of all the classic Fender amps from the early 50's to present day, Ampeg SVT presets, Gallien-Krueger KGB-800, SWR Redhead, Tube Preamps, Marshalls, Oranges, and Hi-Watts. All useful. Rock, Metal, Jazz, Country, Motown, Funk, Soul, Latin, Fusion, Reggae…it's all covered. Plus, there's hundreds more online presets available, with 100 empty preset slots available on the amp.The 100 onboard presets include…- 20 Fender Rumble V3- 4 Fender Rumble v2- 9 Fender Bassman 300- 7 Early 50's Fender Bassman TV- 3 1959 Fender Bassman – 7 Fender Dual Showman- 8 Gallien Krueger KGB-800- 8 HiWatt/Marshall/Orange- 4 SWR Redhead- 13 Ampeg- 12 Preamp- 4 "Monster" (bizarro stuff)With all these great sounds, what's the negative? The Bluetooth and WiFi features. I'm keeping my fingers crossed that Fender will correct these issues in a future firmware update.The WiFi literally will not connect to my home network, after at least a dozen tries. Google and YouTube offered very little help.The Bluetooth works, but randomly disconnects, and sometimes takes multiple attempts to connect and reconnect.There are workarounds, I suppose. I believe firmware updates could be done by hooking the amp up (via USB) to your computer. You can run an auxillary cord into the amp from your phone or tablet to play along with drum loops or songs. Even with these issues, the sounds alone are the selling point of this amp. It's pretty amazing.

I purchased my left-handed Glarry Jazz bass back in July of 2020 as a way of keeping occupied during the lockdown, after nearly 2 years I'm still as blown away as the day it first arrived. This bass is a *beast*! It sounds incredible, very little adjustments were needed right out of the box, I lowered the action on one string a little & that's it. The thing that really impresses me in an ongoing way is this bass *insists* on remaining completely in tune almost indefinitely, I have a digital, highly-accurate tuner & this instrument rarely strays from being in tune even after lengthy practice. I find myself wondering how Glarry can possibly make money here. I've also, based on my experience with the bass, purchased a left handed strat copy in a matching finish, & also a Glarry kid's drumset, and am completely happy with my purchases. Thank you Glarry, you guys rock!

After hearing a lot of positives about Glarry basses I decided to take the plunge and order one. Unfortunately, I cannot report that I find it to be an amazing value as some have reported. The main problem is the neck. Out of the box the action was set quite high and the usual setup adjustments reveal that the frets are in serious need of a level and dressing. Besides the unpleasant fret fart outs, I notice a fair amount of odd resonances that seems to be originating from the neck on various notes. I can't tell if a good fret leveling would eliminate them or if it is something related to the truss rod internally. The truss rod does work, but turns WAY more easily than any other bass I've ever owned. (Probably 2 dozen over 40 plus years.) The body is good, finish is nice, and the electronics and hardware are serviceable. For the hundred-ish I spent, I'll keep it as a mod bass and replace the neck. Be forewarned: the original neck is a VERY chunky P-Bass width and nowhere near the normal streamlined Jazz Bass neck found on most Jazz basses and Jazz bass copies. Not sure this would be a good starter bass without taking it in for a good setup and fret leveling. In my neck of the woods that would cost about $150.00. Perhaps a better alternative would be to see what you can get in the $200- $300 range that comes ready to play out of the box. As always, YMMV.

I liked the affordable price and the look of the blue sunburst jazz bass. My plan was to completely modify it which I did. I sanded and stained the neck a darker color, applied several coats of polyurethane and a final coat of paste wax. The electronics were upgraded to alpha pots, braided wires and alnico5 pickups, a new wilkinson brass saddle bridge, black machine tuners, bone nut, black jazz bass volume/tone knobs, flat wound strings and a tortoise shell pickguard. While this instrument is completely fine for a beginner, I am more of a seasoned player and was up to the challenge of a fun project. Could I suggest maybe selling only bare body and neck without parts at a lower price which people could build their own instrument to their personal taste? Also, the internet is a wonderful place for information if someone knows where to look, but a beginner might not understand how or even if they need to adjust their truss rod or bridge saddles. Perhaps an included instruction booklet might also be useful as these instruments are catering towards beginners. I also modified a Glarry white P bass in a similar way but less extensive as the jazz. I had a lot of fun with these projects.

I purchased my left-handed Glarry Jazz bass back in July of 2020 as a way of keeping occupied during the lockdown, after nearly 2 years I'm still as blown away as the day it first arrived. This bass is a *beast*! It sounds incredible, very little adjustments were needed right out of the box, I lowered the action on one string a little & that's it. The thing that really impresses me in an ongoing way is this bass *insists* on remaining completely in tune almost indefinitely, I have a digital, highly-accurate tuner & this instrument rarely strays from being in tune even after lengthy practice. I find myself wondering how Glarry can possibly make money here. I've also, based on my experience with the bass, purchased a left handed strat copy in a matching finish, & also a Glarry kid's drumset, and am completely happy with my purchases. Thank you Glarry, you guys rock!

After hearing a lot of positives about Glarry basses I decided to take the plunge and order one. Unfortunately, I cannot report that I find it to be an amazing value as some have reported. The main problem is the neck. Out of the box the action was set quite high and the usual setup adjustments reveal that the frets are in serious need of a level and dressing. Besides the unpleasant fret fart outs, I notice a fair amount of odd resonances that seems to be originating from the neck on various notes. I can't tell if a good fret leveling would eliminate them or if it is something related to the truss rod internally. The truss rod does work, but turns WAY more easily than any other bass I've ever owned. (Probably 2 dozen over 40 plus years.) The body is good, finish is nice, and the electronics and hardware are serviceable. For the hundred-ish I spent, I'll keep it as a mod bass and replace the neck. Be forewarned: the original neck is a VERY chunky P-Bass width and nowhere near the normal streamlined Jazz Bass neck found on most Jazz basses and Jazz bass copies. Not sure this would be a good starter bass without taking it in for a good setup and fret leveling. In my neck of the woods that would cost about $150.00. Perhaps a better alternative would be to see what you can get in the $200- $300 range that comes ready to play out of the box. As always, YMMV.

I liked the affordable price and the look of the blue sunburst jazz bass. My plan was to completely modify it which I did. I sanded and stained the neck a darker color, applied several coats of polyurethane and a final coat of paste wax. The electronics were upgraded to alpha pots, braided wires and alnico5 pickups, a new wilkinson brass saddle bridge, black machine tuners, bone nut, black jazz bass volume/tone knobs, flat wound strings and a tortoise shell pickguard. While this instrument is completely fine for a beginner, I am more of a seasoned player and was up to the challenge of a fun project. Could I suggest maybe selling only bare body and neck without parts at a lower price which people could build their own instrument to their personal taste? Also, the internet is a wonderful place for information if someone knows where to look, but a beginner might not understand how or even if they need to adjust their truss rod or bridge saddles. Perhaps an included instruction booklet might also be useful as these instruments are catering towards beginners. I also modified a Glarry white P bass in a similar way but less extensive as the jazz. I had a lot of fun with these projects.

Bought this head for 162 ChF and combined with the Vox BC108 (85,-) it is a fantastic value. I should say, it is my first all-valve amp so I can't make many comparisons, but here is my general review. The amp reacts very nicely to changes in my guitar's output. Turning down the guitar volume or playing very softly gives me a clean sound even with lots of gain. The distortion is generally very harmonic and fuzzy. You can absolutely get a metal tone from this with a set of (higher output) humbuckers. You will need the "Phat" switch for anything high-gain, which will bypass the EQ, but to me it sounds great. The reverb sounds quite good and is very useful. The build quality and looks seem top-notch. There are three minor drawbacks. Firstly, even at 0,1 Watt it's fairly loud. Absolutely fine for lower gain tones, but late night metal in an apartment will be tough. Secondly, with headphones plugged in, the attenuator (wattage setting) is bypassed, so depending on the headphones high gain tones might deafen you. Thirdly (and this is a very minor nitpick), the Bass and Treble knobs don't have as much range as I'm used to. TLDR: Overall if you're looking for a simple old-school head with a fantastic value, this surely has to be it. All of my (admittedly nitpicky) issues with it can be fixed with an overdrive pedal.

First impression: On unboxing, the T5 did not make a great first impression. I thought it was B stock! It was literally covered in fingerprints! That greasy fingerprint look just doesn’t go well on black and chrome. It also had what looked like a tape glue mark near the logo. I got a good clean with a dry cloth. What a beautiful looking piece of gear this is, a vintage look that is to die for. The Bugera T5 Infinium Tube Amplifier is well built. It is heavy, certainly but well supported by a sturdy leather vintage style handle that makes it super portable. Tall rubber feet gave the T5 plenty of clearance to avoid cab handles. The front panel: The front panel sports a standard input jack socket, 5 Knobs, a “Phat” switch, a jeweled power light and a power switch. There is no “standby” switch. A matching chrome and black Bugera logo fronts the chrome cage. The controls: The Gain control increasingly pushes the amp into saturation as it is rotated clockwise producing a very usable overdrive. The treble and bass controls work as one expects – nothing unexpected there. The reverb was something of a surprise. Sounding rather “springy”, especially when added tastefully. A super reverberant wash is available beyond the 12 O’clock position. The Volume knob, perversely, does not seem to add volume. There is hardly and noticeable difference at all between the 11 o’clock position and when fully clockwise. Where the REAL volume push lies, is with the Phat switch. The Phat switch boosts the volume while bypassing the EQ. It certainly does make a huge difference – when engaged, one never wants to switch it off! The Back Panel: Power is via 3 pin IEC “kettle” plug. Also here are two quarter inch jacks. The first is for a 4 ohm speaker, although this is labeled as a minimum load, you can use 8 or 16 ohm cabs. The second jack is for headphones. Extra points to Bugera for not using a mini jack here! Bugera eliminate bias issues using what they call their “infinium” system. LED indicators show when a tube needs replacing. The T5’s is next to the phones jack socket. Inside: Under the hood things also look great but you will only really get to see this if you are curious or wish to swop out or replace tubes. Removing the cage reveals the transformers, tubes and a screen printed Bugera logo – it’s like an art piece! The tubes are very secure and it takes some determination to remove them – a good thing as secure is better. The inside of a T5 chassis reveals considerable digital circuitry – probably the reverb. Performance: For 5 Watts the T5 is certainly much louder than one expects. If your personal history is primarily solid state amps, this amplifier will be a wake up call as to why guitarists everywhere have refused to abandon tubes for so long. Blues tones from the T5 are beautiful – everything from almost clean to great crunch – everything a blues player looks for. Let down: I REALLY wanted this amp but it was let down by one thing. The amp I was using had an unpleasant "fuzzyness" when trying to get the cleanest possible sound out of it. This "fuzzyness" hung in the dying tail of a note and sounded exactly like a crossover problem in a push pull amp – but this is a Class A amp so how could that be?! When playing power chords it sounded like intermodulation – something didn’t sound right to me. Ironically, "digital noise" in my digital practice amp is WHY I wanted a tube amp in the first place! This was a different type of noise but just as distracting. I had no EL84’s so couldn't test that – but I did have a lower gain 12AU7 tube so was able to swop that with the 12AX7 hoping like crazy that it was a tube issue and that the problem would vanish (because I really DID like this amp) but it did not help. In the end, I reluctantly packed up the T5 and returned it. If you do get a chance, try one, I recommend this simply because if I just got a dud or damaged B stoc

Love mine guitar. Ibinez makes a great guitar for ur dollar. Give it 10 stars out of 5. My go to guitar from this day forward