Are you looking for the Les Paul Gold Top Guitar? If so, you’ve come to the right place.
Choosing the Les Paul Gold Top Guitar can be difficult as there are so many considerations, such as Gibson, Ibanez, Martin, Epiphone, Yamaha, ESP, PRS. We have done a lot of research to find the top 20 Les Paul Gold Top Guitar available.
The average cost is $2700.15. Sold comparable range in price from a low of $49.94 to a high of $6899.00.
Based on the research we did, we think Gibson Slash Victoria Les Paul Standard Goldtop Electric Guitar – Gold is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Les Paul Gold Top Guitar (20 Sellers)
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$3199.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Product information
- Specifications
- Body material
$4999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Les paul color
- Double gold top
- 1-ply royalite weight relief
$2799.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Comes with both black plastics and cream plastics, pictures show how dynamic the color of the finish is.
- Listed as very good condition, few scuffs and stamped mod on the headstock.
- Currently set up with cream plastics as shown, but im including the black plastics and tuners if you'd rather go that route.
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Vintage-style solidbody electric guitar with eye-grabbing worn-in finish
- Maple-over-mahogany construction yields a tried-and-true rock ‘n’ roll tone
- Alnico classic pro humbuckers deliver warmth, punch, and midrange complexity
$3499.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- Magical les paul.
- I'm still on the fence about selling it.
- It's all original, has all the case candy, certificate etc.
$4999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- 43.3 mm (1.71 inch) fretboard width at last fret
- 56.7 mm (2.23 inch) neck thickness at 1st fret
- 23.5 mm (0.93 inch) neck thickness at 12th fret
$1070.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- This item is in very good condition, comes with original hard case.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$2799.00
4.9
Reviewers Noted:
Good sound quality . Well made . Durability . Visual appeal . Weight
Features:
- Detailed specifications
- Body material
- Weight relief
$159.00
4.4
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durability
Features:
- Excellent vintage beginner guitar
- Cool design and lightweight
- Available in many colours
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Sattel, eine epiphone locktone tune-o-matic.
- Br cke und ein stop-bar-saitenhalter sowie slashs pers nliche note, darunter ein c-f rmiges halsprofil, epiphone custom probucker.
- Tonabnehmer, farblich abgestimmte hardware-ausstattung, cts.
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Lightweight
Features:
- Vintage 50's les paul guitar in mahogany
- With the world famous "probucker" humbucker system
- Classic warm '50s les paul sound secured with original design and components
$749.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- Physical condition.
- This guitar has only some light wear on the first few frets. plays great!
- Action is low and plays great, but may require a quick tweak to your liking!
$5799.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- The gibson custom 57 les paul all gold light aged gold top is a painstakingly accurate recreation of one of the most iconic guitars of all time. the all-gold finish…
$4699.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Each instrument celebrates gibson's legacy through accuracy, authenticity and attention to detail. the iconic '57 goldtop has been the tool of choice for countless guitar heroes. its elegant gold finish,…
$4599.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- Double-gold vos solid mahogany body
- 24.75"-scale mahogany neck with 22-fret rosewood fingerboard
- Gibson custom p90 "dog-ear" bridge pickup
$2799.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Comfortable weight at 4,2kg.
- Sounds and plays superb.
- There's one small ding at the back (as shown in photo), aside from that it's dead mint.
$1040.00
4.6
Reviewers Noted:
Attractive . Durability . Well made . Good sound quality . Lightweight
Features:
- Like new piece that looks and sounds amazing.
- Slim 60's style neck profile, not a mark on the guitar cosmetic or playwear wise.
- Message with questions.
$6899.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- The gibson custom 1957 les paul goldtop brings back a beauty from the golden age of guitar craft. part of the true historic series, this les paul is specd like…
$1799.00
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- Slab mahogany body
- Mahogany neck with a vintage 50s profile
- Rosewood fingerboard with twenty-two medium jumbo frets
Features:
- Officially licensed gibson 1957 les paul gold top mini guitar model.
- Each axe heaven miniature replica guitar is 1:4 scale and is individually handcrafted from solid wood, with metal tuning keys.
- These ornamental miniature replica guitars make great gifts!
1. Gibson Slash Victoria Les Paul Standard Goldtop Electric Guitar – Gold
Product Details:
Gibson and slash are proud to present the slash collection. it represents influential gibson guitars slash has used during his career, inspiring multiple generations of players around the world. the slash collection of gibson guitars can be seen live on stage with slash today. the slash "victoria" les paul standard goldtop features a maple top, a solid mahogany body with a dark finish on the back, and slash s personal touches, including a c-shape neck profile, gibson custom burstbucker alnico 2 pickups, color-coordinated hardware appointments, hand-wired electronics with orange drop capacitors and a vintage-style hardshell case. exclusive to the slash collection is slash s skully signature drawing on the back of the headstock, slash s signature on the truss rod cover, a blank truss rod cover in the case, slash-approved ernie ball strings, and four slash jim dunlop tortex picks.
Specifications:
| Top Material | Maple |
| Body Finish | Gloss Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Neck Profile | 50s Vintage |
| Scale Length | 24.75" / 628.65mm |
| Fingerboard Material | Rosewood with Cream binding |
| Fingerboard Radius | 12" |
| Frets | 22 Medium Jumbo |
| String Nut | GraphTech |
| Nut Width | 1.69" / 42.862mm |
| Joint | Glued In |
| Inlays | Acrylic Trapezoid |
| Finish | Nickel |
| Bridge | ABR-1 Tune-O-Matic |
| Tailpiece | Stop Bar |
| Pickguard | Cream (not installed) |
| Control Knobs | Gold Top Hats with pointers |
| Switch Tip | Vintage |
| Switch Washer | Cream |
| Strings | Slash's Ernie Ball Strings.010 -.046 |
| Case/Gig Bag | Vintage style Hardshell |
Reviews:
A few points to mention, the neck is 1.687 wide, the tail piece is aluminum, the pickups are alnicoII @8+ electrical reading, the case is TKL all leather made in Canada, the straps are locking, the neck is less than C but more than D ( perfect for me). no pick guard and no pickup covers, matching hardware those are the differences from the other Standard Models. I have been playing since 14 and I'm now 50+ (OUCH!)I can testify that the playability and feel of the fretboard on this model is the best I have ever played. The quality of the construction is better than a $5000 and up Japanese models LP's. The sound of the pick ups are are extremely pleasing and ADDICTIVE! My ears do not tire. I can honestly tell you that the sound is and upgrade from the LP Classic models for sure! The color of this November Burst model on the GC site picture IS NOT THE COLOR you must check it out in person to see if you like. I do is FREEKING gorgeous! Folks the bottom line is that GIBSON is an American icon and the reason they are expensive is because all things are made outside of the USA if things where made here they would be cheaper and better. The closing of the Memphis Factory is a SHAME to the leaders and citizens of the state of Tennessee they should have not let that happen SUPPORT USA PEOPLE! it ROCKS!John
Overall: About 34 years ago, I saw the coolest guy I'd ever seen play a guitar playing an awesome guitar in the awesomest band I'd ever heard. This is the guy that made me want to play the guitar and the guy I imagined I was when I got my first guitar and posed with it in front of the mirror. I've been a huge fan of both GNR and Slash most of my life and decided it was time to get the guitar that inspired me to start playing.The guitar is gorgeous! The pictures are great but it's so much more beautiful in person! I just sat looking at it in awe for half an hour before I took it out of the case! The tone is right on. I wasn't expecting anything less. The pickups are super hot and responsive.It plays like a dream! Right out of the case it was perfect!The case candy is added bonus! I've never owned a Gibson and they definitely won me over as a future customer with it.So, if you love Slash, love sexy Les Pauls, or just love beautiful works of art, I would recommend this guitar!Michael
A follow up from my previous review. Sorry for the USA rant, but here is more of what I think of this guitar. I'm just a joe blow musician but if you play in stadiums with four 4×12 cabs and two 100w amps running at full blast then the " Burstbuckers" aren't going to cut it, you're going to have to swap the pickups to Seymor Duncan Slash ,those will do the job perfectly and it will be your dream guitar. But if you just do venues and social gigs and practice on your own then this is a fine guitar This model will have the least QC issues. I just wanted a good QC Gibson USA L that spoke to me with standard Gibson LP pickups and no pick guard, this is the one no big deal. I have a gut feeling that Gibson USA will not exist in 5 years from now. Gibson will Take the International Company Parent Epiphone and call It Gibson. Maybe a good thing? time will tell. Enjoy your guitars everyone chao!John
2. Gibson Custom 1957 Les Paul Goldtop Reissue Vos – Double Gold Guitar
Product Details:
Here is a mint condition 2019 wildwood spec 1957 les paul goldtop reissue. the guitar is unplayed. this particular model has the v2 '60s neck profile measuring .86" at the nut and 0.94" at the 12th fret. it is like a slightly slimmed down version of the current '59 neck and not very skinny like '60s necks of years ago. the guitar wieghs only 8.1 lbs and is very resonant and loud acoustically. it has the additional aging spec'd by wildwood including aged plastics and nickel parts. the wood is select high quality pieces specifically for the wildwood run. includes hard case, certificate, papers and hang tags.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | 2-piece plain maple |
| Body wood | Lightweight solid mahogany |
| Body finish | VOS Nitrocellulose lacquer |
| Orientation | Right handed |
| Neck wood | Solid mahogany, long tenon |
| Joint | Set-in, hide glue fit |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | VOS Nitrocellulose lacquer |
| Radius | 12 in. |
| Fret size | Narrow/tall |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width | 1.687 in. (42.8 mm) |
| Configuration | HH |
| Neck | CustomBucker |
| Bridge | CustomBucker |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Kluson single band deluxe |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
3. Gibson Les Paul Standard '50s P90 – Gold Top
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. tone of the ages. with two powerful p90 pickups loaded into this '50s guitar, it has a bright sound which gives your licks that unmistakable vintage twang. your licks will sing to the stars with a gritty voice as you pluck your way through riffs. the beautiful neck and fretboard are guaranteed to bring a smile to your face with their luxurious feel, offering an entirely pure playing experience. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
4. Epiphone Les Paul Classic Worn Electric Guitar (Worn Metallic Gold)
Product Details:
The epiphone les paul classic worn has a solid mahogany body with a plain maple cap cut to the classic profile of a late 50s les paul. all epiphone les pauls feature a 14-degree angled headstock that provides more pressure at the nut for longer sustain and better intonation without the hang-ups caused by "string-tree" gadgets. the mahogany neck has an easy-to-play 60s era slimtaper c-profile with a worn open grain finish that combined with the worn color finish gives the epiphone les paul classic worn an elegant look. the neck has a 24.75” scale length, 22 medium jumbo frets, an indian laurel fingerboard with trapezoid inlays, and a 12” fingerboard radius. the body and fingerboard have cream binding and the abr nut is 1.68”. epiphone’s famous sloped dovewing headstock has a “bell” shaped truss rod cover and les paul’s iconic signature in gold silkprint along with an epiphone 60s-era slanted logo in mother of pearl. the epiphone les paul classic worn is also available in a wonderful variety of new finishes. in order to continually improve the design, quality and performance of our products and instruments and to make use of the best materials at all times, epiphone reserves the right to change specifications without notice.
Specifications:
| Grover Rotomatic tuners have an 18 | 1 gear ratio for precise tuning |
| Body Type | Single Cutaway Solid Body |
| Top wood | Maple |
| Body wood | Mahogany |
| Neck shape | Slim Taper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Radius | 12" |
| Fret size | Jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) Plastic |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-Way |
| Special electronics | Coil-split Phase switch |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Orientation | Right handed |
Reviews:
Overall: I've been a guitarist since the late 80's, but I no longer play professionally, but I do play at home a lot. I've sold off most of my Gibsons (I held on to my '19 Les Paul Traditional) and I'm having a blast with these new Epi models. Everyone is raving about the Standard and the '59 models, and rightfully so. I own both, as well as a new Custom Silverburst and they're all great. This Classic is no exception. It actually arrived needing the least amount of setup work of all the others. The Alnico Classic Pros are brighter and a bit hotter than the Probuckers, but they're not at all harsh. The electronics work as expected, the neck pickup sounds sweet when split and the Phase feature sounds good with some moderate gain. The nut was cut extremely well and the frets don't need really much dressing. The neck is a little slimmer than what I'm used to, but it's easy adapting. The fretboard is a bit dry, but that's normal. Actually, these new Epiphone models all arrived in better condition than most of my Gibsons did in the past. The new Epiphone models are players guitars. Not wall art or collector's (cork sniffers) guitars, I wouldn't hesitate to take any of them to a gig and have fun with them. That's the whole point, right? I just wish they had made import guitars of this quality when I first started playing.Uriah
Out of the box and tuned, this guitar was completely unplayable with the neck so bent that pressing the strings at anywhere beyond the 8th fret fouled the frets higher up the neck, this also meant the action (measured at the 12th fret) was over 6mm. Fortunately I’ve a good understanding of how to set-up a guitar so adjusted the neck to have minimal relief with the truss rod – as a point of interest there was no truss rod allen key in the box, so just as well that I have my own tools. Once the action was set to my preferred settings (and by no means not as low as many like it) I had loads of fret buzz all over the place. So resetting the neck flat and using a ‘fret rocker’ I found 17 of the 22 frets (at various points across the neck) in need of remedial work to get them level. However as the guitar was new I decided initially to just add a bit more neck relief & set the action a shade higher, while I decided if I should just send it back or spending some hours sorting the frets in the near future? There are some positive points! I really liked the ‘worn’ (satin) finish although I feel there should have been a higher discount over the gloss finished versions as this must have saved loads of time during the finishing process. The Alnico Classic PRO pickups sound powerful with loads of variation between the neck and bridge and support coil-splitting. With the coils split option, with push/pull volume pots, there is (as expected) a significant drop in output but they do sound good, verging on P90 territory, rather than Strat/Tele sound ‘alikes’. One of the areas that lower cost guitars usually fail on is the quality of the tuners, here they have fitted Grover Rotomatics with an 18:1 ratio. They are smooth and easy to operate with the large kidney button heads, holding tune very well. The nut, a Graph Tech, was superbly cut, but unfortunately this was completely wasted with the poor quality of fret levelling from the factory as several of the strings would buzz when played open when set at a reasonably low action! The trapezoid neck inlays are very well fitted and although acrylic, do a very good impersonation of mother of pearl. Visually the guitar look stunning with its unusual colour and matt (worn) finish, but I do find the inclusion of gold knobs a bit of a clash with the all Nickel hardware and at the back cream control plate covers just don’t look right and should have been black. But both of these last two issues are a really cheap to resolve at about £12 for both black cover plates and 4 clear knobs. Overall both positives & negatives to consider and if I’d been unable to adjust the guitar myself, there would have been no option but to just send it back for a refund/replacement (hence 3 stars which I think is quite generous) as it is I’ll be keeping this. If I could have bought this locally it would have been great to try before I bought, but my local Epiphone dealer (90 mile round trip) didn’t have any in stock and was unlikely to get one, so I went the mail order route. The guitar is now playing well and will be even better when I get the time to sort out the frets and put a set of 9-42 gauge strings on.Paul
This guitar is absolutely stunning. At about $450 the Epiphone Les Paul Special certainly hits its price point without question. This is the 2nd time I bought this guitar, but I couldn't resist buying this again. I'll start with the cons first, that I noticed applied to both Special's I've owned.. The poly finish is thick. The combination of the "tv yellow" color and the thick polyurethane sort of gives a toy like feeling, or a bit of a cheapness to it.. Speaking of "tv yellow," it's really more of a Dijon mustard/ Carmel color. I don't think that's a bad thing or ugly by any means, but as other reviewers may have stated, the Epiphone isn't quite as accurate to its high end counterpart. The pickup routes and control cavity were also a little bit choppy, but that's just nit picking. If you buy this guitar, you will most likely need a setup. 2nd time around, I knew that going in but both guitars I bought needed set ups. That being said, this guitar is awesome. Surprisingly the laurel fingerboard was really smooth and moist. I do not sense bad or tall frets, but are scratchy at first. The P90 pros are so good. The CTS pots are so dynamic. The volume and tone sweeps combined with these P90 pros are so dynamic and touch sensitive, that they can hang with the best of em. The guitar resonates so well and plays both clean and crunchy top notch. Punchy and warm…Absolute quality electronics. I haven't found a bad tone in any position. If your used to playing your guitars with everything at 10, this guitar with inspire you to play around with all the tonal possibilities by simply rolling in & out your pots. The neck on this is fat, and so nice but not absurd. I highly recommend it. For the price, you can't go wrong and will love the tones, just plan on getting a setup and you will absolutely love this guitar.Zac F
5. Gibson Custom Standard Historic 1957 Les Paul Goldtop Reissue Vos Electric Guitar Antique Gold
Product Details:
By 1957, gibson’s evolving les paul model guitar had already undergone several key modifications that would remain as the foundation of the iconic version known around the world today as the les paul standard. gibson custom 2014 1957 les paul goldtop vos guitar with case features one piece rosewood fingerboards ,hot hide glue neck fit, custom buckers kluson, deluxe machine heads, historic truss rod assembly (no tubing), accurate body and fingerboard binding color goldtop and back color. in addition to its foundation of a solid, light weight mahogany body with carved maple top and a glued in, quarter sawn mahogany neck with long tenon neck joint, the 1957 les paul goldtop reissue benefits from gibson custom’s 20th anniversary specifications. in every other detail the 1957 les paul goldtop reissue remains true to its inspiration, too, including the chunky, rounded 50's neck profile that not only feels great in the hand, but transmits added string vibration from neck to body for enhanced resonance and sustain. at the direction of legendary gibson president ted mccarty, gibson engineer seth lover began working on a pickup with hum cancelling capabilities sometime in 1954, applying for a u.s. design patent hence the name patent applied for, or paf—on june 22, 1955. by early 1957, the standard double coil version of the humbucker pickup had begun to appear on gibson es-175s and es-350ts, and eventually on the les paul model goldtops of the same year. gibson custom’s new custom bucker accurately recreates the original pafs of the late ’50s, using alnico iii magnets and unequal turns of 42 awg wire in each coil for that characteristic paf bite. these pickups clean up beautifully at the guitar’s volume controls, while bumble bee tone caps assist in that warm, singing woman tone when you roll back the tone controls.
Specifications:
| Watchers | 16 |
| Finish | Goldtop |
| Year | 2014 |
| Made In | United States |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Right / Left Handed | Right Handed |
| Number of Strings | 6-String |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Pickup Configuration | HH |
| Number of Frets | 22 |
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
6. Gibson Custom Les Paul 1956 Goldtop Reissue Vos Double Gold
Product Details:
If you bought a les paul back in ’56, you would have gotten your hands of the rare combination of p-90 pickups and an adjustable abr-1 bridge. now, you can obtain that same coveted combo with the gibson custom 1956 les paul goldtop reissue. enjoy the fat snarl of the p-90s, along with the intonation and sustain of the abr-1. and, of course, you get the chunky neck that was standard issue back in ’56. the 1956 les paul goldtop reissue is a unique beast. if you're a les paul aficionado, you’ll want to get your hands of this one. the 1956 les paul goldtop reissue's chunky “c” profile neck is the holy grail for many les paul players who prefer thick necks. if you're in this camp, those '60s slimtaper necks aren't for you — wrapping your fretting hand around a juicy tree trunk of a neck is the real deal. the 1956 les paul goldtop reissue is your kind of axe.
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | 2-piece Maple |
| Body wood | 1-piece Mahogany |
| Body finish | Nitrocellulose Lacquer |
| Neck shape | C |
| Neck wood | 1-piece Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Vintage-style |
| Number of frets | 22 |
| Inlays | Celluloid Trapezoid |
| Nut width/material | 1.687 in. (42.8 mm) Nylon |
| Configuration | HH |
| Neck | Proprietary Single Coil |
| Bridge | Proprietary Single Coil |
| Control layout | Master volume Master tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right Handed |
| Country of Origin | United States |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
7. Gibson 2018 Les Paul Classic Electric Guitar, Gold Top
Product Details:
These 2018 classics are exceptional instruments. non weight relieved, hand wired, orange drop caps and crisp, sweet p90 goodness. aside from the slim neck they have more in common with a 56 reissue than a typical classic. in fact i had both at the same time and sold the r6 because this particular classic was such a great player. these necks are rounder than previous classics which i thought were too flat and uncomfortable to play. it’s set up well, has almost zero noticeable wear and has never been played out. the truss rod cover was changed to a blank one to more closely resemble a reissue. weighs 10 lbs even according to my bathroom scale. rings like a bell, has fantastic resonance, and the grain on the neck, sides and back is gorgeous. comes with original hard case.
Specifications:
| Finish | Ebony |
| Year | 2018 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Fretboard Material | Rosewood |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Bridge/Tailpiece Type | Stop-Bar |
| Model Sub-Family | Gibson Les Paul Classic |
| Number of Frets | 22 |
| Pickup Configuration | SS |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
8. Gibson Les Paul Deluxe '70s Electric Guitar – Goldtop
Product Details:
The gibson 70s les paul deluxe is more than a blast from the past. it's a shrine to gibson's insanely high standards of craftsmanship and knack for getting the feel and tone of their creations just right. you'll be blown away by the rich, purring tone of the mini humbuckers, which were first introduced in 1969 – they kicked off the sound of the '70s. hum-free, they deliver an ultra-clear sound, with slightly more brightness and punch than their larger counterparts – they'll shine in any genre. feel your riffs like never before. the rounded c mahogany neck gives a glimpse of what the player so the '70s would have felt in their hands. smooth, satisfying, and incredibly easy to play, it'll let you riff all night long. an indian rosewood fretboard provides unbeatable sustain and a powerful response, whilst the tune-o-matic bridge keeps your tuning steady as a rock. the maple top lends itself to a beautiful finish, whilst the cutaway design enables superb upper fret access. this is modern, professional craftsmanship combined with inimitable '70s gibson charm. prepare to be blown away.
Specifications:
| Finish | Cherry Sunburst |
| Year | 2021 – 2022 |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
| Binding | Cream |
| Neck | Mahogany |
| Nut width | 1.695" / 43.053mm |
| Fingerboard | Indian Rosewood, Cream Binding |
| Scale length | 24.75" / 628.65mm |
| Number of frets | 22 |
| Nut | Graph Tech |
| Inlay | Acrylic Trapezoids |
| Bridge | Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Knobs | Gold Top Hats with Silver Inserts |
| Tuners | Vintage Keystone |
| Plating | Chrome |
| Neck pickup | Mini Humbucker |
| Bridge pickup | Mini Humbucker |
Reviews:
I've wanted a deluxe since I played one in the late 70's. It's beautiful, plays great, and the fit and finish is perfect. Gibson has definitely fixed their past QC issues. The mini humbuckers are clear and crisp, no bucker mud. The neck is perfect to me. Fat but not huge. Frets are perfect. Minor action tweaks out of the box and I gigged it the next day. Highly recommend!
9. Epiphone Les Paul Sl Electric Guitar, Yellow
Product Details:
Had just long enough to upgrade before coming by another one.tv yellow body with black matte neck purchased new from dealer.no wear of any kind. no nicks or scratches except a pin head sized impression near the bridge( photo 5 ) and a small impression near the strings too small to photograph. new wilkinson tuners are vastly superior to the stock tuners provided by the factory. new epiphone heavier wrap around bridge purchased from dealer. aged fender knobs and switch tip. body cavities shielded with military grade shielding paint. c shaped neck is great. set for low action.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Poplar |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | '60s slimTaper D |
| Neck wood | Mahogany |
| Joint | Bolt-on |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium |
| Number of frets | 20 |
| Inlays | Dot |
| Nut width | 1.68 in. (42.67 mm) |
| Configuration | SS |
| Neck | 650SCR Ceramic single-coil |
| Bridge | 700SCT Ceramic single-coil |
| Active or passive pickups | Passive |
| Series or parallel | Series |
| Piezo | No |
| Active EQ | No |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Die-cast |
| Number of strings | 6-string |
| Country of origin | China |
Reviews:
I've been dabbling with learning how to play the guitar for several years, I've even took a guitar class at the local community college but have gotten frustrated easily to where I quit. I'll say that I have had a "on again, off again" relationship with guitars for the last 15 years. I am not an expert in guitars and am steadily learning the process – how they are built, the electronic parts, etc. I decided to give it a go again with this inexpensive guitar that is a great little learning tool for the novice player like myself. One thing I did do when I got this is change the strings. I watched several review videos on this model and one the the first things people recommended was to change the strings. So I bought a box of Ernie Ball Regular Slinky's (10-46) and re-strung the guitar immediately after I got it out of the box. I am pleased with my progress so far. Could be the fact that I found a great website that gives excellent beginner lessons and helps me to understand the fundamentals of guitar playing. Things that the college instructor didn't teach very well. Of course, it helps that I can play the videos over and over! I'm upgrading to a Fender Mustang LT 25 amp, which will give me a huge range of different tones that I can get out of this guitar. As my skills develop and I get better (hopefully), I will look at upgrading to a higher price point guitar. I would love to get an SG! If you are looking to get started in the guitar community, I would recommend this model to get started. I've watched many videos of experienced guitar players jam some pretty cool riff's with this thing!Jason
Bought for my 15 year old daughter who has been learning on an acoustic guitar and wants to step up to an electric guitar. She did some research and settled on the Epiphone Les Paul SL Vintage Sunburst. DV247.com had the best price and also stock this in other finishes. The guitar arrived in perfect condition and looks great. My daughter played a few chords she has been learning and it sounds good. I'm no expert so can't comment more than that.
This is an incredible guitar for the money. Only thing that needed serious help was the action at the nut. Using the stock nut and a set of nut files, I set it up to my preferred specs of 1/64th of an inch a two the first fret. This ensured comfortable playing as well as tuning stability. After cutting the nut slots to the right height, looks like the file made sure the strings wouldn't catch and now the guitar stays in tune much much better. I would replace the pickups with p90s if I could. Some modification to the pickguard might make this a possibility. Sometimes, I forget I'm playing an Epiphone. With the nut corrected it really is possible to get it feeling pretty good. Here are my personal specs: .005" neck relief measured at the 8th fret. 1/64ths action at the first fret across all strings. 1/16ths of an inch action at the 15th fret. It does not play as well as my Gibsons do: the explorer feels much lower and faster with the same specs and my les Paul traditional does reel in some "big time" tone. In spite of this, the Epiphone SL really does hit the mark. It's capable of all the same specs after adjusting the nut, making for a very playable guitar. I also don't believe the tuning issues are due to the economy tuners since after I adjusted the nut the guitar stays in tune much better. I bought a replacement black tusq nut but have not installed it. I wonder if there's even really a need to do so. This action at the nut is very low but the guitar pulls it off very well. I'm sure that with better pots (remember this is an economy guitar) andLeón
10. Epiphone Slash Victoria Les Paul Standard – Goldtop
Product Details:
The epiphone slash les paul is a modern recreation of slash's beloved goldtop 1957 lp reissue. this guitar was used extensively on the appetite for destruction tour, before going missing sometime in the late '90s. this epiphone homage is therefore about as close as you can get now to the genuine article. custom probuckers will then fire out each and every note with sharp clarity and the searing-hot tone that slash is renowned for so you can obtain slash's sound and style. crafted with a mahogany body, maple cap, and adorned with gleaming nickel hardware, the slash les paul is dazzling to look at. and it's even more exhilarating to play. fly across the indian laurel fretboard seamlessly whilst delivering your notes like sparks from the strings. you'll have your audience entranced. a graph tech nut, locktone tune-o-matic bridge, and stop bar tailpiece will then ensure immaculate intonation and reliable tuning stability never goes amiss.
Specifications:
| Body Shape | Les Paul |
| Binding | 1-ply Cream, Top and Fretboard |
| Finish | Gloss |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Laurel |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.693" |
| Inlays | Pearloid Parallelogram |
| Joint | Glued in, Set Neck |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | LockTone Tune-O-Matic |
| Tailpiece | LockTone Stop Bar |
| Tuning Machines | Epiphone Vintage Deluxe |
| Truss Rod | Dual Action |
| Truss Rod Cover | 2-ply, Slash Autograph in White |
| Control Knobs | Black Top Hat knobs with Dial Pointers |
| Switch Tip | Black |
| Switchwasher | Black; Rhythm/Treble in Gold Hot Stamp |
| Jack Plate Cover | Black Plastic Square Plate |
| Control Covers | Black |
| Mounting Rings | Black |
| Neck Pickup | Custom ProBucker |
| Bridge Pickup | Custom ProBucker |
| Pickup Selector | 3-way Toggle |
| Output Jack | 1/4" |
| Strings Gauge | .010, .013, .017, .026, .036, .046 |
Reviews:
My first electric. Got it in a combo kit with amp and bag. Hook it into my computer now and rarely use the amp for anything. That being said, as many people have mentioned the bridge. If this isn't your first guitar, or you are looking for a second guitar – don't get this one. I learned about intonation and action and all that while having this guitar. You can only set the intonation on the outside E's and everything else is just what you get. My the height of my bridge for medium action on the low E is maybe a 1/16 from bottoming out, any lower it will buzz more. To get the same range of action on my high E my bridge is almost a 1/4" in the air. I do not know enough to get into shimming the neck to get it leveled out more, I just know enough to assume a 1/4" rise over 3" space probably isn't a good thing. However! I've learned plenty on it over these last 6 months. I bought this guitar because I did not want to invest a lot of money into it if I wasn't going to stick with it. I bought this in February of 22. The first 5 months I probably played on it maybe 50-60 hours. These last 4 months I've probably played on it 1-3 hours a day. I started using apps to learn and being able to plug it directly into my computer has been amazing. It's served it's purpose, I'm now getting to the level of playing where I'd like a better quality instrument and am looking in the $400-$500 range. For a first guitar, and you're not sure if you're going to stay with it, this was great for me and I will pass it on to someone else to get started with. Other than the bridge intonation and probably not flat fret board, I have had 0 mechanical issues with it.Jay
Been looking for a nice explorer for a while and once I saw this model some time ago, I fell in love with this amazing guitar. I was for a while very, very doubtful due to the complicated and demanding Floyd Rose bridge I never had before. A couple of good tutorials on the system were enough to take this fear away. After a thorough check, the guitar is a dream, works perfectly and love it so far. No scratches nor color changes on the mat neck and back, veneer looks pristine, and mechanics work just fine, lovely Gibson Pup sound with split coils and the fret-board looks great, 12th fret’s spaceship inlay aside which is also a very nice touch there. No challenges with neck profile, just a bit of a welcomed change to a thinner neck from my husky Les Paul ones I have. This is a really nice and balanced guitar! Ok, it's on the slightly heavier side but very manageable still. As mentioned earlier, It’s my first Floyd Rose guitar and surprisingly, I managed to adjust it to perfect balance and tuning on my first try in less than an hour with the help of some wood wedges to block back of the springs with, that I made during that estimated time, and of course a ton of online tutorials the weeks prior. Next step is changing to Paradigm Ernie Ball 11s half a step down and adjusting float again….but this will have to wait a bit and maybe a fourth spring will be in order, we will see. If doubting on Floyd Rose, trust me, I am really not a technical person but this was a piece of cake, once you understand the basics and foremost, make a nice wedge, rest is just a walk in the park. It also comes with a case which is always a plus for getting it home in the best possible condition though I would have preferred a hard case or actual guitar contour shaped foam on the included case, to make it extra safe. and not moving whist transporting For those Brendan small fans out there, it is even more of a desirable item. For those not following his work, still a really nice guitar and a steal for what you get. This guitar will make you happy no matter if you know artist or not Last but not least, there is a shop that actually checks guitars before shipping and that is Music Store….Big, big thanks for making sure I got the guitar I wanted and expected. Big thanks to the entire team!
I'm reviewing the gold top model. I own a lot of guitars but I didn't have a gold top Les Paul and always wanted one. This is an amazing guitar for the price! Fit and finish are perfect. It sounds and plays great. I love it. Note, always put a new set of strings on a guitar that comes with strings on it. It's a simple fix for a lot of problems you thought you had, but don't. Who knows how long they've been on or what brand they are. Now, the details. Frets were perfectly level, no sharp ends. Slight amount of oxidization. I polished the crowns and ends with Micro-Mesh pads. I used 6000>8000>12,000 grit pads. I wasn't taking metal off, just polishing them to a jewelery finish. Really makes bends and vibrato silky and smooth. I do that to all my guitars. I like the Indian laurel fingerboard. It's a good alternative to rosewood. I cleaned it with alcohol, then applied a very light amount of fingerboard oil/conditioner. Let it sit a few minutes then wiped it dry. It has a beautiful look and feel now. As for setup, the only thing that was set correctly was the intonation. So I lowered the bridge to the (low) action I like, and it was pretty clean, a little buzz on the upper frets. The neck was trussed completely flat, so I loosened the truss rod about 1/4 turn and that gave it the right amount of relief. No more buzz. Next, I filed the nut slots slightly wider and deeper. Action was too high off the nut. I use XL strings (9-42) and the slots were even too tight for them! That was the only real glaring problem on this guitar. Tight nut slots cause tuning issues and your average customer isn't going to have the tools or skills to fix that. I have a set of precision nut slotting files and feeler gauges to cut them to the proper depth. Man, that was the magic touch. The action is amazing now, all the way up the neck. No problems with tuning stability. And that's all I needed to do. It plays like a dream. I thought I would need to swap out the pickups but I like these. I'm old and play mostly classic rock, and these sound just right for the Les Pauls of that era. I get that sound that Gary Richrath (REO Speedwagon), early Joe Walsh, Duane Allman, Dicky Betts, Joe Perry, Page, Billy G, had in the late 60's – 70's. I ran it through a Goat distortion simulator and got Tom Scholtz Boston sound perfectly. It was actually better than another LP I have with DiMarzio super distortion pups. Easier to control the overdrive. All in all, Epiphone has really raised their bar. If you have typical electric guitar setup skills, you'll make this a sweet playing guitar. If you don't, it's worth it to find someone who does. Just a few minor adjustments and you'll have a fine axe to play.Rich
11. Epiphone Les Paul Standard '50s Electric Guitar – Metallic Gold
Product Details:
The les paul standard 50s models are part of epiphone's new inspired by gibson collection and recreate the sound of 1950s era les pauls. featuring a classic mahogany body with a maple cap and mahogany neck with long neck tenon. powered by probucker humbuckers with 50s style wiring and cts electronics. epiphone's long friendship with mr. les paul began in 1940 when les built one of the world's first solid body electric guitars while working nights at the original epiphone factory in manhattan. les' first solidbody guitar, nicknamed "the log", would go on to inspire the les paul standard, what many consider the greatest electric guitar ever made.
Specifications:
| Year | 2020 – 2022 |
| Made In | China |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Laurel |
| Fretboard Radius | 12" |
| Model Sub-Family | Epiphone Les Paul Standard '50s |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.69" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Figured Veneer |
| Body Wood | Mahogany |
| Neck Wood | Mahogany |
| Neck Joint | Set |
| Neck Shape | Rounded Chunky C |
| Fingerboard | Rosewood |
| Nut Width/Material | 1.692" |
| Scale | 24.75" |
| Frets | 22 Narrow Tall |
| Neck Depth at 1st Fret | .904" |
| Neck Depth at 12th Fret | 1.045" |
| Radius | 12" |
| Action | 0.060" |
| Strings | 10-46 |
| Pickups | 2 x Epiphone Probucker |
| Controls | 2 x Volume, 2 x Tone |
| Bridge/Tailpiece | Tune-O-Matic/Stoptail |
| Tuners | Epiphone Deluxe Tuners |
| Knobs | Gold Tophat |
Reviews:
My first electric. Got it in a combo kit with amp and bag. Hook it into my computer now and rarely use the amp for anything. That being said, as many people have mentioned the bridge. If this isn't your first guitar, or you are looking for a second guitar – don't get this one. I learned about intonation and action and all that while having this guitar. You can only set the intonation on the outside E's and everything else is just what you get. My the height of my bridge for medium action on the low E is maybe a 1/16 from bottoming out, any lower it will buzz more. To get the same range of action on my high E my bridge is almost a 1/4" in the air. I do not know enough to get into shimming the neck to get it leveled out more, I just know enough to assume a 1/4" rise over 3" space probably isn't a good thing. However! I've learned plenty on it over these last 6 months. I bought this guitar because I did not want to invest a lot of money into it if I wasn't going to stick with it. I bought this in February of 22. The first 5 months I probably played on it maybe 50-60 hours. These last 4 months I've probably played on it 1-3 hours a day. I started using apps to learn and being able to plug it directly into my computer has been amazing. It's served it's purpose, I'm now getting to the level of playing where I'd like a better quality instrument and am looking in the $400-$500 range. For a first guitar, and you're not sure if you're going to stay with it, this was great for me and I will pass it on to someone else to get started with. Other than the bridge intonation and probably not flat fret board, I have had 0 mechanical issues with it.Jay
Been looking for a nice explorer for a while and once I saw this model some time ago, I fell in love with this amazing guitar. I was for a while very, very doubtful due to the complicated and demanding Floyd Rose bridge I never had before. A couple of good tutorials on the system were enough to take this fear away. After a thorough check, the guitar is a dream, works perfectly and love it so far. No scratches nor color changes on the mat neck and back, veneer looks pristine, and mechanics work just fine, lovely Gibson Pup sound with split coils and the fret-board looks great, 12th fret’s spaceship inlay aside which is also a very nice touch there. No challenges with neck profile, just a bit of a welcomed change to a thinner neck from my husky Les Paul ones I have. This is a really nice and balanced guitar! Ok, it's on the slightly heavier side but very manageable still. As mentioned earlier, It’s my first Floyd Rose guitar and surprisingly, I managed to adjust it to perfect balance and tuning on my first try in less than an hour with the help of some wood wedges to block back of the springs with, that I made during that estimated time, and of course a ton of online tutorials the weeks prior. Next step is changing to Paradigm Ernie Ball 11s half a step down and adjusting float again….but this will have to wait a bit and maybe a fourth spring will be in order, we will see. If doubting on Floyd Rose, trust me, I am really not a technical person but this was a piece of cake, once you understand the basics and foremost, make a nice wedge, rest is just a walk in the park. It also comes with a case which is always a plus for getting it home in the best possible condition though I would have preferred a hard case or actual guitar contour shaped foam on the included case, to make it extra safe. and not moving whist transporting For those Brendan small fans out there, it is even more of a desirable item. For those not following his work, still a really nice guitar and a steal for what you get. This guitar will make you happy no matter if you know artist or not Last but not least, there is a shop that actually checks guitars before shipping and that is Music Store….Big, big thanks for making sure I got the guitar I wanted and expected. Big thanks to the entire team!
I'm reviewing the gold top model. I own a lot of guitars but I didn't have a gold top Les Paul and always wanted one. This is an amazing guitar for the price! Fit and finish are perfect. It sounds and plays great. I love it. Note, always put a new set of strings on a guitar that comes with strings on it. It's a simple fix for a lot of problems you thought you had, but don't. Who knows how long they've been on or what brand they are. Now, the details. Frets were perfectly level, no sharp ends. Slight amount of oxidization. I polished the crowns and ends with Micro-Mesh pads. I used 6000>8000>12,000 grit pads. I wasn't taking metal off, just polishing them to a jewelery finish. Really makes bends and vibrato silky and smooth. I do that to all my guitars. I like the Indian laurel fingerboard. It's a good alternative to rosewood. I cleaned it with alcohol, then applied a very light amount of fingerboard oil/conditioner. Let it sit a few minutes then wiped it dry. It has a beautiful look and feel now. As for setup, the only thing that was set correctly was the intonation. So I lowered the bridge to the (low) action I like, and it was pretty clean, a little buzz on the upper frets. The neck was trussed completely flat, so I loosened the truss rod about 1/4 turn and that gave it the right amount of relief. No more buzz. Next, I filed the nut slots slightly wider and deeper. Action was too high off the nut. I use XL strings (9-42) and the slots were even too tight for them! That was the only real glaring problem on this guitar. Tight nut slots cause tuning issues and your average customer isn't going to have the tools or skills to fix that. I have a set of precision nut slotting files and feeler gauges to cut them to the proper depth. Man, that was the magic touch. The action is amazing now, all the way up the neck. No problems with tuning stability. And that's all I needed to do. It plays like a dream. I thought I would need to swap out the pickups but I like these. I'm old and play mostly classic rock, and these sound just right for the Les Pauls of that era. I get that sound that Gary Richrath (REO Speedwagon), early Joe Walsh, Duane Allman, Dicky Betts, Joe Perry, Page, Billy G, had in the late 60's – 70's. I ran it through a Goat distortion simulator and got Tom Scholtz Boston sound perfectly. It was actually better than another LP I have with DiMarzio super distortion pups. Easier to control the overdrive. All in all, Epiphone has really raised their bar. If you have typical electric guitar setup skills, you'll make this a sweet playing guitar. If you don't, it's worth it to find someone who does. Just a few minor adjustments and you'll have a fine axe to play.Rich
12. Epiphone Jared James Nichols Gold Glory Les Paul Custom Guitar
Product Details:
This limited epiphone is modelled after the 1955 gibson les paul custom with a double gold aged finish and powered by a seymour duncan dogear p-90. rip up and down the ebony fingerboard with traditional block inlays on a mahogany neck and body, and tune it with grover rotomatics. comes with an epilite case.
Specifications:
| Body Shape | Les Paul |
| Binding | 7-Ply Top, 5-Ply Back |
| Finish | Aged |
| Neck Material | Mahogany |
| Scale Length | 24.724" |
| Fingerboard Material | Ebony, Single-ply White Binding |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech NuBone |
| Nut Width | 1.693" |
| Inlays | Pearloid Blocks |
| Joint | Glued in, Set Neck |
| Hardware Finish | Brushed Nickel |
| Tuner Plating | Brushed Nickel |
| Bridge | Wrap Around "Lightning" Bar |
| Tuning Machines | Grover Rotomatic |
| Truss Rod | Dual Action |
| Truss Rod Cover | 3-ply Bell Shaped with "Blues Power" |
| Control Knobs | Black "Top Hats" with Metal Inserts |
| Jack Plate Cover | Black Plastic Square Plate |
| Control Covers | Black; PVC |
| Strap Buttons | 2 – Bottom and Shoulder |
| Pickup Covers | Black Dogear |
| Controls | 1 Volume, 1 Tone – CTS Potentiometers |
| Output Jack | 1/4" |
| Strings Gauge | .010, .013, .017, .026, .036, .046 |
Reviews:
Great guitar as described. There are some finishing flaws around the binding and the action was a little high but easily corrected. The sustain and sweetness of the P90 is a dream! The pots actually respond and make a real difference at all settings not just the extremes. Satin feel chunky neck as expected, you can feel the resonance and added volume when unplugged.Reviewed by Andertons Music Co.
Overall: Ordered Tuesday night, arrived mid Thursday. Packing was good and no damage to guitar. The finish is matte and more of a Vegas Gold instead of a more yellow-gold as some epiphones can be. P 90 sounds good as we all know but I will probably install cream plastics as CaseyOverdriven did since the black doesn't fit this gold top. Tailpiece feels stable, no problems with frets so far.
Ever since seeing Jared James shred blues licks with ease on his signature Epiphone, I was intrigued by it. And as soon as I unzipped the case it does not disappoint. The craftsmanship is amazing, the finish & setup is spot on & it’s sounds great too. The single Seymour Duncan P90 sounds gorgeous. Really balanced & has a lovely open tone. Great when cranked. It looks so nice too. Giving off that simple single pickup feel. The other features, like the Grover tuners, gt nut & a lovely ebony fingerboard, just make this such value for money. On top of that, it coming in the epilite case, just tops it off. I want to get hold of one of the black ones now!Jonathan E.
13. Gibson Custom 57 Les Paul All Gold Light Aged Electric Guitar Gold Top
Product Details:
The gibson custom 57 les paul all gold light aged gold top is a painstakingly accurate recreation of one of the most iconic guitars of all time. the all-gold finish has been lightly aged, reflecting an instrument that has been played and cherished. classic solid mahogany/maple construction and versatile humbucking pickups will make you wonder, what else could i possibly need in a guitar? the answer? nothing. this is it. thousands of hours of research went into this les pauleven the chemical composition of the parts was scientifically examined and re-engineered. if youve ever dreamed of going back to 57 to pull a les paul off the wall of your local mom and pop, this instrument will make you believe that time travel is real. gibson used hot hide glue construction throughout the guitar. the mahogany neck has a period-accurate medium-chunky profile. trapezoid inlays line the rosewood fretboard. narrow-tall frets bring the playability closer to the character of a vintage original. dual custom – buckers provide holy grail gibson tones and pack plenty of paf punch. the gibson custom 57 all gold les paul gold top comes with a hardshell case and a certificate of authenticity. maple top on lightweight mahogany body with lightly aged nitrocellulose lacquer24.75"-scale mahogany neck, 22-fret hide glue-fit rosewood fingerboard – dual custom – bucker pickups, 3-way switch – abr-1 tune-o-matic bridge, stopbar tailpiece, kluson deluxe tuners | gibson custom 57 les paul all gold light aged electric guitar gold top
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Lightweight Mahogany |
| Body finish | Lightly aged nitrocellulose lacquer |
| Orientation | Right handed |
| Neck shape | Medium chunky |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Vintage-style |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.687" (42.8 mm), Nylon |
| Configuration | HH |
| Neck | CustomBucker |
| Bridge | CustomBucker |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 Tune-o-Matic |
| Tailpiece | Stopbar |
| Tuning machines | Kluson Deluxe |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
14. Gibson Custom 1957 Les Paul Goldtop Reissue Electric Guitar (Double
Product Details:
Each instrument celebrates gibson's legacy through accuracy, authenticity and attention to detail. the iconic '57 goldtop has been the tool of choice for countless guitar heroes. its elegant gold finish, classic solid mahogany/maple construction and versatile humbucking pickups represent everything one could possibly need in a les paul model. this authentic recreation exemplifies gibson custom shop's tireless quest for accuracy to the original year of production, from the woods to the construction to the parts and precise contours throughout.
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Double Gold |
| Finish Type | Nitrocellulose |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Type | Fixed |
| Nut Material | Nylon |
| Nut Width | 1.687" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | Custombucker Alnico III (Unpotted) |
| Neck Pickup | Custombucker Alnico III (Unpotted) |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Nickel |
| Case Included | Hard Case |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
15. Gibson Custom 1957 Les Paul Jr Sc Vos Electric Guitar Gold
Product Details:
This gibson custom '57 les paul jr. single-cutaway bears both the vos (vintage original spec) and hle (historic limited edition) nomenclature, making it something very special indeed. includes hardshell case. double-gold vos solid mahogany body 24.75"-scale mahogany neck with 22-fret rosewood fingerboard gibson custom p90 "dog-ear" bridge pickup vintage-style wraparound bridge/tailpiece and tuners
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | VOS Nitrocellulose |
| Orientation | Right handed |
| Neck shape | 1957 Les Paul |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | VOS Nitrocellulose |
| Radius | 10 in. |
| Fret size | Reissue |
| Number of frets | 22 |
| Inlays | Dot |
| Bridge | P-90 Dog-eared |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Master volume, tone |
| Bridge type | Fixed |
| Bridge design | Vintage-style wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
16. Gibson Les Paul Standard '50s – Gold Top
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. pure tone, prime playability. two classic burstbucker humbuckers adorn this feisty '50s guitar, giving it that vibrant vintage crunch which sails through to the soul. your licks will sing powerfully as you strum and pick your way through songs, with each note shining with crystalline clarity. the beautiful neck and fretboard bring you the ultimate playing satisfaction, feeling chunky and dense whilst offering beautiful resonance. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | Probucker |
| Bridge | Probucker |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
17. Gibson Les Paul Tribute 2018 – Satin Gold Guitar
Product Details:
This guitar has barely been played. has all factory papers to go with it and heavily padded gibson soft case. the les paul tribute captures the historic character of the legendary les paul guitar. historic gibson tonewoods, carved top, cream pickguard, vintage-style tuners, trapezoid inlays, and boosted paf-inspired pickups give this impressive guitar classic looks and sound with an elegant, vintage touch. no weight relief for those players who like to feel the authenticity of history in their hands.
Specifications:
Reviews:
Ok I felt the need to jump in here after reading some just off reviews about this guitar after purchasing mine. 1. Go to literally any guitar shop and play 5 of the same guitar and each one will play and sound slightly different with various levels of quality control which comes with any manufacturing environment. If you purchased one of these blind and did not play and examine it in store and got a lemon that's on you. Also the one dude that said these are repainted are simply false. Check out Trogly's show you Youtube where he does a full review of both Raven's. 2. Since it's release I'm lucky to have a few GC in my geographic area that I check out when I can. I played LP Studio's, Tribute's, SGs, and tone wise this one won all. These ceramic pickups are a step up from anything in the 1-2k price range in the Gibson line if you like to play overdriven and loud. Cleaned up they sound good but make no mistake this thing is built to roar. 3. STOP hating on Richlite. I simply don't get it. If you apply this same principle on materials guitar nerds are saying man that plane in 1930 flew beautiful so the materials used then are the ONLY materials we can use to build planes today. Pretty silly huh? Technology should advance to build better, more sustainable instruments. The fretboard feels great and the fret word is very good. But read I played many many over the past few months before I finally pulled the trigger. 4. One thing that gets an at mention but I think deserves some additional props is the fact that it's a mahogany body AND neck and it's a true solid body with no weight relief. It definitely adds extra ompf. 5. To wrap up, it's an awesome guitar and mine is well finished, set up, and assembled (including wiring). Do your homework, play a lot of rigs, and know what to look for in quality control and finish.Ryan
If I could give 0 stars, I would. I received this guitar new and it is, without a doubt, the worst $1100+ guitar available anywhere on the market. There is NO WAY this should have ever left the factory and ended up as my problem, but I'm not surprised considering Gibson's so called QC and "customer service". And don't expect them to care about your "cheap" guitar (quote from Gibson "customer service".) Just look at the pics- paint missing so you can see the bare wood underneath (not red underneath like the other reviewer said, just brown), scratches and scuffs and grey paint all over the neck and headstock, a bunch of the greying out over the dots was sanded off down to white, scuffs and what looks like grey paint all over the tuners, bridge pickup was a mess (the edge looked all chewed up and the tape was higher than the top edge of the pickup, it was also as low as it could possibly go), even the "baby pic" of the guitar that was included was a joke (washed out, borders on 2 sides, a dirty rag prominently displayed). I could go on, but you get the point. Gibson and Guitar Center should be ashamed of selling garbage like this, but of course, they are not.Eric
I have always enjoyed the tones of the 496R/500T pickup combination but they are hard to come by these days. My LP Traditional has a Duncan Distortion in the bridge but sounds nothing like this one. I already have an LP Special with the 490's in them and I'll grant that they are better for clean stuff, but these pickups have that gnarly, saturated gain tone that some us cherish. She plays like a dream as well. This guitar also comes with an excellent soft case (unlike the chintzy gig bag of my other Special) and a stop bar tail piece, rather than the wraparound bridge. I have had the Richlite fingerboard on higher-end Gibsons and have no complaints with that either. It looks a bit like ebony, but perhaps a bit warmer sounding. Oh, and please enough about the finish wearing quickly. ALL of the tributes do that. Some call them battle scars as it happens on high gloss nitro as well if played long enough. First they get shiny as your playing rubs on the top coat and then they can wear through. Would you rather have a polyester finish that feels like a plastic hard coat and muffles the tone? So… here is an American-made Gibson with a nice case for about a grand? Grab one while you can!Franco
18. Gibson Custom 57 Les Paul All Gold Light Aged With Bigsby Electric Guitar Gold Top
Product Details:
The gibson custom 1957 les paul goldtop brings back a beauty from the golden age of guitar craft. part of the true historic series, this les paul is specd like a vintage original, but adds a bigbsy b7 for organic sounding vibrato. it features a mahogany body with a two-piece maple top. the double gold finish has been lightly aged to perfection with a vintage original spec patina. dual alnico iii custombuckers supply warm and versatile sounds while playing clean. turn up the gain, though, and its all about the growl and bite. this goldtop pairs kluson tuners with an abr-1 bridge, locking in the tone for blues, rock, country and jazz jams all night long. the gibson custom 57 les paul goldtop comes with a certificate of authenticity and an aged hardshell case. maple top and mahogany bodymahogany neck with custom c profilerosewood fingerboard | gibson custom 57 les paul all gold light aged with bigsby electric guitar gold top
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | 2-piece Maple |
| Body wood | 1-piece Mahogany |
| Body finish | Aged Nitrocellulose Lacquer |
| Neck shape | Custom C |
| Neck wood | 1-piece Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Vintage |
| Neck finish | Aged Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Narrow-Tall |
| Number of frets | 22 |
| Inlays | Celluloid Custom |
| Nut width | 1.69" |
| Configuration | HH |
| Neck | Boutique Alnico Humbucker |
| Bridge | Boutique Alnico Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Individual saddle |
| Tailpiece | Vibrato |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right-Handed |
| Country of Origin | United States |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
19. Gibson Les Paul Special – Tv Yellow
Product Details:
The les paul special is a bit of a cult classic and for 2019 gibson have released this absolute beaut! hugely popular with players who love the stripped back, no nonsense approach and monster tone. the gibson 2019 lp special. is just oozing with vintage mojo and cool! with an all mahogany construction and rosewood fingerboard, you get classic special tones, rich, tight and super resonant. the tv yellow finish looks crisp and lets the tonal qualities of the body really sing out. it's a real vintage design. loaded with a pair of p-90s, this guitar really packs a mean punch. sitting perfectly between a single coil and a humbucker it unleashes a great range of tonal possibilities. this is no one trick pony. with a gibson hardcase included, you are ready to hit the stage.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss nitrocellulose |
| Orientation | Right-handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Vintage-style compensated wraparound |
| Tuning machines | Vintage Deluxe white-key |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
20. Gibson 1957 Les Paul Gold Top Mini Guitar
Product Details:
Guitar lovers unite! this officially licensed axe heaven gibson 1957 les paul standard gold top mini guitar collectible is the perfect gift for any guitar fan. each mini guitar model is 1:4 scale and is approximately 10" long. included with your mini guitar collectible is one miniature adjustable a-frame stand, one guitar case gift box stamped with a gold foil gibson logo, and a real gibson guitar pick product tag to prove full authenticity of your collectible. although these collectible mini guitars are awesome, they are not playable.
Specifications:
| Package Dimensions | 11.57 x 4.49 x 1.14 inches |
| Color Name | Gold, Brown, White |
| Number of Strings | 6 |
Reviews:
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