Are you looking for the Left Handed Gibson Guitar? If so, you’ve come to the right place.
Choosing the Left Handed Gibson Guitar can be difficult as there are so many considerations, such as Sawtooth, Fender, Gibson, Martin, Taylor, ESP, Schecter Guitar Research. We have done a lot of research to find the top 20 Left Handed Gibson Guitar available.
The average cost is $1948.08. Sold comparable range in price from a low of $369.99 to a high of $4599.00.
Based on the research we did, we think Gibson Les Paul Standard '60s Electric Guitar, Left-Handed, Bourbon Burst is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Left Handed Gibson Guitar (20 Sellers)
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$2379.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Gibson les paul standard 60's lefthanded.
- Changed pickups for seymour duncan seth lover sh-55n neck pickup and seymour duncan sh-5 custom bridge pickup.
- Made in 2022.
$1399.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Durability . Well made
Features:
- Selling my 2021 gibson sg junior for a custom built project.
- Guitar is in perfect condition, like new.
- All original parts are included as well as case candy and original box.
$999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- Sg standard tribute
- Matched humbucker set delivers real-deal paf tone
- Rounded neck carve and plek'd frets for optimized playability
$1488.46
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- Sg mahogany body
- Mahogany slim taper neck w/ rosewood fingerboard
- 490t bridge & 490r neck pickup
$1299.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- Available in vintage cherry satin, and natural walnut satin, the sg standard tribute boasts a traditional mahogany body and rounded profile maple neck with rosewood fingerboard. it is finished with…
$1799.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- The gibson sg. every guitarist knows one when they see it. and with good reason. this gibson sg standard is a shining example of why these guitars are some of…
$1499.00
4.6
Reviewers Noted:
Good sound quality . Lightweight . Attractive . Lacks durability . Well made
Features:
- For your consideration, garrett park guitars presents this 2020 gibson sg special pelham blue lefty.
- Serial: 200200319.
- Condition: excellent.
$1699.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Weight . Well made . Durability
Features:
- Les paul studio
- The essential les paul
- Detailed specifications
$1599.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Mahogany neck and body
- Single p-90 pickup
- 22 medium jumbo frets
$2399.00
4.3
Reviewers Noted:
Sound quality . Craftsmanship . Visual appeal . Durability
Features:
- A heavy riff machine.
- Detailed specifications.
- Body material.
$1439.20
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- This left-handed gibson sg standard boasts classic looks and a full set of features associated with the desirable late-'60s style sg models. with a rounded-profile mahogany neck; bound, 22-fret rosewood…
$2200.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Gibson usa 2018 les paul standard hp-ii overview by gak:the usa 2018 les paul standard hp-ii takes player's favourite features from the recent evolutions of the hallowed instrument that is…
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- The gibson les paul standard returns to the classic design that made it relevant, played, and loved — shaping sound across generations and genres of music. it pays tribute to…
$1699.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- Mint condition.
- Fresh design.
$499.00
4.8
Reviewers Noted:
Attractive . Well made . Good sound quality . Lightweight . Durable
Features:
- Construction: solid body
- Body material: mahogany
- Colour: cherry red
$3999.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Handedness: right handed
- Finish: vos nitrocellulose lacquer
- Colour: yellow
$4599.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- Double-gold vos solid mahogany body
- 24.75"-scale mahogany neck with 22-fret rosewood fingerboard
- Gibson custom p90 "dog-ear" bridge pickup
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Bringing it home with one of the les paul models that started it all, gibson keeps classic les paul features and finishes with some modernistic perfection. this guitar has a…
$1999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- The classic sg for any generation
- Body styles
- Body material
Reviewers Noted:
Visual appeal . Weight
Features:
- High-output humbucking pickups with ceramic magnets
- Features poplar body and a bolt-on maple speed neck with graphite reinforcement
- Amaranth fingerboard creates the ideal playing surface for fat riffs
1. Gibson Les Paul Standard '60s Electric Guitar, Left-Handed, Bourbon Burst
Product Details:
Fall in love with tone. the gibson les paul standard '60s left handed is your ticket to the iconic sounds of classic les pauls. celebrated all over the world as one of the best guitars of all time, the les paul standard has been used by countless legendary guitarists in a wide range of genres. this guitar provides a truly authentic '60s gibson experience, perfectly encapsulating the look, feel, and most importantly, the sound of a classic '60s les paul standard. perfect playability, pristine tone. when designing this guitar, gibson wanted to recreate the legendary feel and unmistakable sound of les pauls from the 1960s. the 61 burstbucker pickups deliver pure tones that let your sound shine through with ultimate clarity. and with a super-fast, slim-taper mahogany neck, you also get the effortless playing feel to match this guitar's amazing tone. experience something truly special.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | AA Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Left handed |
| Neck shape | '50s rounded |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R |
| Bridge | BurstBucker 61T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
2. Gibson Sg Junior Left Handed Electric Guitar – Vintage Cherry
Product Details:
The newly refreshed sg junior returns with a more accurate 60s classic design that made it relevant, played and loved — shaping sound across generations and genres of music. initially introduced in the early 60's as a student model, the sg junior has been embraced by musicians for almost 60 years. the rich, vintage cherry lacquer finish, early 60's neck joint and sharp vintage body scarfing are hallmarks of this model. its equipped with the powerful single dogear p-90 pickup with handwired controls and an orange drop capacitor. the vintage deluxe style tuners with white buttons and compensated wraparound bridge also contribute to simplicity, function and rock-solid tone. p-90 single coil pickup legendary tone first introduced in the early 1950s, gibson's legendary p90 single coil pickup produced a raw powerful tone that helped define the blues and rock and roll in their formative years. today, the p90's traditional combination of high output and brilliant tone is still considered a favorite among many top musicians. known by such familiar nicknames as the "soapbar" and the "cobalt," the p90 still cuts through any type of music, all while displaying amazing tonal sensitivity for everything from blues and rock to mellow jazz riffs. it's perfect as a vintage replacement, and features vintage, braided two-conductor wiring. it's also fully wax potted to eliminate any chance of unwanted microphonic feedback.
Specifications:
| Body Type | Double-Cutaway Solid Body |
| Top wood | Mahogany |
| Body finish | Nitrocellulose Lacquer, Gloss |
| Neck shape | Slim Taper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Nitrocellulose lacquer, Gloss |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Acrylic Dot |
| Nut width/material | 1.69 in. (43 mm), GraphTech |
| Bridge | Proprietary Single Coil |
| Control layout | Master volume Master tone |
| Bridge type | Fixed Bridge |
| Bridge design | Compensated Wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Overall happy with the gibson sg special. You can see on the guitar theres a couple of minor marks from the gibson factory. Nothing major. The string alignment is a little off. But dont mind. The low E string is closer to the top of the neck. I use my thumb alot so works out. If it was the other way around I might of sent it back. The electrics look good under the hood. Musicstore got the guitar very quickly to Ireland. Really good service with great updates. Very happy with the purchase:)
Alright, so the first one of these new SG Specials in Pelham Blue showed up with a giant crack (not finish checking) that wrapped from the input jack to the control panel. I knew I had to return it but tuned it up and noodled a bit and tested pickups to make sure it was worth the exchange. The guitar was so good I almost kept it. My girlfriend convinced me to return it for a new one and it's the best decision I've ever made regarding gear. I've had the new one for a few days and it is just better in every way compared to the damaged but also incredible guitar I originally received. The resonance, sustain, comfort, aesthetic, playability, P90s, even the smell… all perfect. Gibson even learned to cut a nut. The fretboard is darker (better), the setup and finish is better. It just feels and sounds better. There is no neck dive on this one, although the first one did have a neck heavy feel (nothing a leather/suede strap couldn't fix). I say all this to remind everyone that every guitar is different and just hope you get one with mojo. I went to a competitor today and played a new Les Paul Standard that was tagged at $1K higher than this SG. No comparison. I was laughing at how much better the SG was in every single department. I can't wait to take this on the road as my new #1 and I seriously doubt it will ever be topped. New or vintage. Gibson is taking this rebuild seriously, and these Original Collection models are the best step they could have taken.UglyRunnerMusic
I am astonished at how quiet the P90's are in this SG. The hum is negligible — substantially less than the high gains in my Rickenbacker and only barely more the Lace Sensors in my strat (which are 99% silent). I had anticipated ordering some hum-canceling Lindy's to go in there, but that won't be happening. These sound phenomenal. They're just about all I could ever want from a pickup. The guitar came with the neck set almost completely straight. Just a smidge of relief (the perfect amount, really). Fretwork is essentially perfect. No sharp ends, frets are perfectly even and well-polished. The action was set a bit high, but was fairly easy to remedy. So why 4 stars instead of 5? The lower set screw (high E side) on the lightning bar wraparound bridge arrived stuck. Under no tension, it could not be adjusted in or out with the 1/16 hex key on the included Gibson multi-tool. I had to use an extractor plier to get it out out of fear of grinding down the end of the hex. Upon inspection, some of the threads near the cup point on the screw were malformed. There were no issues with the screw on the upper (Low E) side. Tracking down a replacement #5-40 3/8" set screw in small (< 100) quantity was actually kind of difficult. A stuck screw on a bridge is not catastrophic, but it does seem like something that should have been caught in QA. Aside from the one issue, everything else was immaculate. Also, great service from Musicians Friend.Justin
3. Gibson Sg Standard Tribute Left-Handed Satin Cherry
Product Details:
The left handed gibson 2019 sg standard tribute electric guitar embodies the essential sg features and materials which helped make the sg model a legend. it has a higher level of craftsmanship and appointments and materials (satin nitro finish, premium hardwoods). it appeals to those who require an earthy, no-frills sg yet still retains the traditional sg sound, look and feel. the satin finish on the neck is preferred by many for its fast feel. all the essential sg features with 5-ply full face pickguard and satin finish are there to provide an earthy feel and aesthetic as well as a fast-playing guitar.
Specifications:
| Finish | Natural Walnut |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson SG Tribute |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Left Handed |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
4. Gibson Sg Standard 2019 Left-Handed – Ebony Guitar
Product Details:
The gibson 2019 left handed sg standard electric guitar embodies the essential sg features and materials from the late 60's era which helped make the sg model a legend. it has a higher level of craftsmanship and appointments and materials (high gloss nitro finish, premium hardwoods and electronics). it appeals to those who desire the legendary, late 60's style sg model. all the iconic sg features are here, including 5-ply full face pickguard loaded with classic gibson 490 (randt) pickups and high gloss nitro finish.
Specifications:
| Finish | Ebony |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson SG Standard |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Left Handed |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
5. Gibson Sg Tribute Left-Handed Electric Guitar Vintage Cherry Satin
Product Details:
Available in vintage cherry satin, and natural walnut satin, the sg standard tribute boasts a traditional mahogany body and rounded profile maple neck with rosewood fingerboard. it is finished with a black, 5-ply full-face pickguard loaded with double black, open-coil 490r and 490t alnico ii loaded pickups. nickel plated hardware includes vintage deluxe tuners w/ keystone buttons, a nashville tune-o-matic bridge and aluminum stop bar tailpiece.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style Keystone |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall: This is very nice guitar! Last year I ordered a 2019 SG standard that turned out have some QC issues. I sent it back and ended up getting a Gibson TV yellow special that's turned out to be the best guitar I've ever owned (go figure) but I still couldn't get the SG jones out of my system so I decided to order one of these tributes. I have always like the stripped down looks of the faded specials of the past but I never pulled the trigger on one. These new tributes look to be very similar to the old faded specials but I think that they've done some minor cosmetic upgrades to them. I like the lighter walnut stain on these tributes more than the darker worn brown specials. They also added a silk screen Gibby "thistle" to the head stock which really doesn't mean much to me but I guess it makes it look a little more like a standard. The satin or "vintage gloss" finish looks a little different than the old faded specials to me. It looks more like a semi gloss than the matte finish they applied to the faded specials. I may be in the minority but I like the looks of this SG more then the fancy but boring "cherry" or "ebony" of the standards. I like the visible texture of wood grain and the lighter shade of walnut stain they used on these tributes. The wood on mine was very well matched on the front. On the back you can tell that they used two, maybe three, pieces of mahogany for the body but from the front it looks like one solid piece of wood until you get right up on it. The fretboard on mine was dryish and needed a lemon oil treatment but it wasn't as bad as the fretboard on my Special. There were also no tool marks from dressing the neck binding (because there is none) like there was on my special. I feel as though this guitar would look better with nickel pickup covers and reflector knobs so I will probably add those as an upgrade. The "poker chip" was included in the gig bag but not installed on the guitar. I will probably leave it off as it makes the control area look cleaner and allows more of the beautiful wood grain to show through. The frets and dot makers were well done with no sharp ends. The fretboard played great and the frets appear to have been "plekked". Setup was great and ready to rip right out of the box. Tuning stability was good after I changed the strings and stretched them in good. Pots and controls seem sturdy and responsive. The satin maple neck felt nice as far as the texture but it was a little fat and wide for my liking. I was expecting it to be more like the neck profile on my Special which is fatter than a slim taper but it just fills the web of my hand, between my thumb and forefinger, and doesn't impede the "thumb over top" playing style that I use quite a bit. This SG has a flat area on the back of the neck and thicker shoulders and I fell like it favors more of a thumb behind the neck playing style that jazz players and shredders tend to prefer. It's not a thin "shredder" neck like an Ibanez but the flat spot on the back and thick shoulders made me have to shorten my strap and play the guitar higher up on my torso than I like in order to play some songs but I soon got used to it so it's not that big of a deal. The upper fret access was hindered IMO by the thickness of the shoulders and width of the neck which increases the farther up the neck you get but I use this guitar more for heavy rhythm playing so, again, it's not a big deal to me. If Gibson would improve the neck profile on this guitar I feel as though it would be a much more versatile guitar but then it would compete with higher end SG's so there ya go. The 490s in this guitar are very good pickups IMO. They are slightly hotter than PAF in output with prominent vocal like mids to my ears; great blues-rock p'ups for sure. They are noticeably lower in output than the P90s in my special which is okay because I use pedals to compensate for the differences in tone and output when switching between guitars during a set. They 490t in the bridge is probably my favorite. It can go from a jangly, chordy, rhythm to crunchy power chord riffs using the volume knob on the guitar and it retains clarity and definition when playing heavyish drop D rhythms with more gain. My LP Special is my go to guitar for playing "chordy stuff" (which is about 90% of the time) and soloing but the SG comes out when I need more chunk to my palm muted drop d riffs although the 490s are bright and articulate enough to do do the chordy stuff too. I use this guitar to do a drop D version of "Copperhead road". I play Steve's mandolin riff in the middle position then switch over to the bridge pickup after the "smell the whiskey burning" part and it sounds great never muddy or harsh. It also does the lower gain double drop D Neil Young rhythm stuff very well. The "soft case" that came with this guitar is the same as the ones that you get with the regular Standard. It's very nice as far as "soft cases" go I suppose but, IMHO, it's still not much better t
Absolutely love this guitar. Lighter than a Les Paul,with everything you need to rock! The only thing I don't like is the dot inlays. I am used to the trapezoids on my Les Paul. The tone is sharper and great for what I need it for. I've only had it 2 weeks, but already replaced a Paul part with the SG on my current project. It just got me the sound I was looking for. The body is comfortable and the neck is the slim taper which is perfect for my old fingers. I chose the brown because I think the red needs to be a lacquer finish and not the satin on the Tribute. Although I've only had it a short time, I can tell it has the soul of a beast. I feel more comfortable playing it than almost every other guitar I own. It just feels right. I love the maple neck, however, it does tend to want to neck-dive a little. Speaking of maple, I normally prefer a maple fret-board, but this one could change my mind. I'v been a Fender and Rick man for many years, but this guitar is well made, beautiful, and canplay just about any type of music. The low price does not mean low quality on this instrument. I would HIGHLY recommend the SG Tribute to anyone, novice to pro.A.J. Porter
As a bass player, I just want to have a couple six string electrics that I can mess around with. I am not a lead, though I wouldn't mind becoming more proficient. This axe was good for me because it allowed me to get my hands on proper Gibson SG at a low price. No frills, but it doesn't need them. You buy a guitar for how it plays and how it sounds and this instrument does both really, really well. The 490 pickups are great. Tuning is important to me, so I'll probably modify the tuners on this guitar, but that's it. I am very having this axe in the arsenal.BT
6. Gibson Sg Standard (Left-Handed) Electric Guitar, Ebony
Product Details:
The gibson sg. every guitarist knows one when they see it. and with good reason. this gibson sg standard is a shining example of why these guitars are some of the most revered in the world. the sleek body, comfortable neck, and finely crafted contours make it a modern day king, and its tone is beyond exceptional. two gibson 490 humbuckers in the neck and bridge give it plenty of firepower and crisp, articulate tone for an exceptional sound. with them, you'll be rocking like the legends who used this model throughout the decades. classic design, modern features. this model is the perfect blend of old and new, offering the same playing experience which the sgs of old, but with modern day reliability. you'll feel those vintage vibes coming to your fingers as you make your way across the smooth, supreme fretboard. whether you're into blues or straight up rock 'n' roll, this guitar will satisfy your every desire.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
7. Gibson Sg Special Left-Handed Electric Guitar Faded Pelham Blue
Product Details:
The sg special returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. this early 60's style sg special has the vibe and sound heard on countless classic rock recordings. the comfortable, slim taper mahogany neck and bound rosewood fingerboard is well known for fast, effortless playing. the two p-90 pickups are noted for their fat, snarl when driven and for their smooth, sweetness when played clean. the sg special is equipped with the 3-way toggle switch, handwired controls and orange drop capacitors. p-90 single coil pickup legendary tone first introduced in the early 1950s, gibson's legendary p90 single coil pickup produced a raw powerful tone that helped define the blues and rock and roll in their formative years. today, the p90's traditional combination of high output and brilliant tone is still considered a favorite among many top musicians. known by such familiar nicknames as the "soapbar" and the "cobalt," the p90 still cuts through any type of music, all while displaying amazing tonal sensitivity for everything from blues and rock to mellow jazz riffs. it's perfect as a vintage replacement, and features vintage, braided two-conductor wiring. it's also fully wax potted to eliminate any chance of unwanted microphonic feedback.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Compensated Wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall happy with the gibson sg special. You can see on the guitar theres a couple of minor marks from the gibson factory. Nothing major. The string alignment is a little off. But dont mind. The low E string is closer to the top of the neck. I use my thumb alot so works out. If it was the other way around I might of sent it back. The electrics look good under the hood. Musicstore got the guitar very quickly to Ireland. Really good service with great updates. Very happy with the purchase:)
Alright, so the first one of these new SG Specials in Pelham Blue showed up with a giant crack (not finish checking) that wrapped from the input jack to the control panel. I knew I had to return it but tuned it up and noodled a bit and tested pickups to make sure it was worth the exchange. The guitar was so good I almost kept it. My girlfriend convinced me to return it for a new one and it's the best decision I've ever made regarding gear. I've had the new one for a few days and it is just better in every way compared to the damaged but also incredible guitar I originally received. The resonance, sustain, comfort, aesthetic, playability, P90s, even the smell… all perfect. Gibson even learned to cut a nut. The fretboard is darker (better), the setup and finish is better. It just feels and sounds better. There is no neck dive on this one, although the first one did have a neck heavy feel (nothing a leather/suede strap couldn't fix). I say all this to remind everyone that every guitar is different and just hope you get one with mojo. I went to a competitor today and played a new Les Paul Standard that was tagged at $1K higher than this SG. No comparison. I was laughing at how much better the SG was in every single department. I can't wait to take this on the road as my new #1 and I seriously doubt it will ever be topped. New or vintage. Gibson is taking this rebuild seriously, and these Original Collection models are the best step they could have taken.UglyRunnerMusic
I am astonished at how quiet the P90's are in this SG. The hum is negligible — substantially less than the high gains in my Rickenbacker and only barely more the Lace Sensors in my strat (which are 99% silent). I had anticipated ordering some hum-canceling Lindy's to go in there, but that won't be happening. These sound phenomenal. They're just about all I could ever want from a pickup. The guitar came with the neck set almost completely straight. Just a smidge of relief (the perfect amount, really). Fretwork is essentially perfect. No sharp ends, frets are perfectly even and well-polished. The action was set a bit high, but was fairly easy to remedy. So why 4 stars instead of 5? The lower set screw (high E side) on the lightning bar wraparound bridge arrived stuck. Under no tension, it could not be adjusted in or out with the 1/16 hex key on the included Gibson multi-tool. I had to use an extractor plier to get it out out of fear of grinding down the end of the hex. Upon inspection, some of the threads near the cup point on the screw were malformed. There were no issues with the screw on the upper (Low E) side. Tracking down a replacement #5-40 3/8" set screw in small (< 100) quantity was actually kind of difficult. A stuck screw on a bridge is not catastrophic, but it does seem like something that should have been caught in QA. Aside from the one issue, everything else was immaculate. Also, great service from Musicians Friend.Justin
8. Gibson Les Paul Studio (Left-Handed) Electric Guitar Ebony
Product Details:
The gibson les paul studio left-handed, finished in ebony, is perfect for the stage and the studio, with all the quintessential les paul components, plus a host of modern upgrades which enhance playability and sonic versatility. a mahogany body with a maple cap, set up the basis for classic les paul tone. ultra-modern weight relief maintains this tone, while reducing the weight of the guitar, thanks to its high-tech design which offsets relief chambers around the body perimeter, and maintains a solid core through the centre. a slim taper mahogany neck, and a rosewood fretboard with 22 medium jumbo frets, provide super fast playability and comfort. a 490r neck, and 498t bridge humbucker pump out tight, crunchy high-output tone, while two push-pull coil-tapping pots and a three-way pickup selector switch add a huge range of sonic versatility.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | 490R |
| Bridge | 498T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push/pull coil taps |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
Not much to say about a GLP – its an amazing guitar as you'd expect and anyone can carry it and comparably price instruments. However, it's the Sweetwater service that makes the difference. Grant is great and super responsive to my questions and issues. You can tell that the people who work here play and love music. I completely trust Sweetwater with my musical instruments. I just purchased my second guitar with them yesterday and the process was fantastic. At this point, I'm only going to buy here. Even if I found an instrument at a cheaper price through one of their competitors, it wouldn't be worth the care and service you get at Sweetwater. 5-Stars guys! Customer 4-Life!
So it arrived today! it came in a very nice branded MusicStore box with a short checklist of things done before packing. This is nice as makes me confident the purchase was made with premium supplier. The standard Gibson outfit package is really cool. There's a branded soft gig bag with nice fluffy interior, a bag strap, a cloth, few marketing leaflets, and, a photo of the guitar that was made in the factory. Very cool. Value wise, its fantastic. The guitar out of the box looks great. it feels and looks premium, although it is a distant and poor relative when standing next to LP's Reissues or some other top-shelf models. Visually, its a different line. The guitar was pretty much setup to play from the box (thanks musicstore team), which was a nice surprise too. Unplugged, there is more than enough sustain, vibe and articulation details. This instrument sounds very much like pricier Les Pauls, even with no power. The neck is nice and fast with medium jumbos, allowing to play pretty much everything you want. Once plugged in to 90s JCM 800 set, it did deliver pretty much everything the more expensive Gibsons' do. There's sustain, articulation, the 'gurl' of Gibson. Studio workhorse, worth every penny. Which was a bit of surprise as the Studios' are slightly lighter in body construction. Some complain about finish quality, but i have not observed anything limiting playability yet. As mentioned before: if you place it next to a top-shelf Les Paul, you WILL see a difference. You will see dozens of differences in finish and quality as these instrumets are different. But, to me, its a great guitar, and I would reccomend that to anyone looking for Gibson sounding instrument for relatively moderate price. LP Studio is probably the cheapest and easiest way to get real Gibson sound for "OK" money. I have one comment to MusicStore team regarding the purchase process: It would be nice to allow customer to change payment option in case of problems with the one initially chosen.
9. Gibson Les Paul Junior Left-Handed – Vintage Tobacco Burst Guitar
Product Details:
The les paul junior returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. it pays tribute to gibson's golden era of innovation and brings authenticity back to life. introduced as an affordable option for students and beginners in 1954, the les paul junior has been embraced by musicians for over 60 years. the single cutaway slab mahogany body, single dogear p-90 pickup, single volume and tone controls all add up to a whole lot of guitar which is greater than the sum of its parts. the fat 50's-style neck profile and wraparound bridge add to the equation for rock solid tone. right-handed model shown.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Left handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Control layout | Master volume, tone |
| Bridge type | Fixed |
| Bridge design | Vintage-style compensated wraparound |
| Tuning machines | Vintage Deluxe white-key |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
P90 purity. An absolutely iconic sound that can spirit you back to the 50s on normal gain – and melt faces through hi gain channel. Set neck sustain and the lower string tension of the Gibson scale make it a dream to play. It also looks amazing, the mirror-like ebony finish is a joy to behold.Richard F.
Sound: Sounds exactly as you’d want a Les Paul Junior to sound. Plenty of bite and cleans up extremely well. Very versatile in sounds with just the 2 knobs. Features: The bridge feels great and looks great, and makes the guitar so resonant and easy to play. Ease of Use: The easiest to use that you could ask for, sounds great with drive or clean. Quality: Very well made, parts seem top quality. Value: This is expensive for a Les Paul Junior compared to their former price points but I would pay it again if I knew the guitar was this good. Manufacturer Support: No The Wow Factor: Very high, I have plenty of guitars and didn’t REALLY need this one but I bought it and I have no regrets at all. Overall: I was scavenging the used market for weeks unable to find a “good deal” on any Juniors when I finally decided to purchase new which I was unsure of at first given how much Juniors are priced at these days but WOW. This guitar couldn’t have been any more perfect in my experience. The feel of this guitar specifically is just incredible, the neck is so comfortable and the frets are perfect and smooth. It feels better than any other guitar I own by a mile, some of which I’ve had professionally setup very recently. The finish looks amazing and feels great on the neck as well. I got the ebony with the tortoise shell pickguard which looks even better than Id hoped as well. The stock pickup in it leaves nothing more to be desired, plenty of growl and punch, sounds absolutely incredible on an open D chord. Nothing like it.
Purchased a 2020 LP Junior in ebony from AMS. Arrived with chipped and bubbling paint at the neck joint. Can't believe any respectable quality control engineer would allow this out of the factory. Having purchased a 2019 Les Paul Special last year through AMS, I thought Gibson had turned the corner! And although AMS has a great return policy, I can't purchase another until the guitar has been inspected and credited to my account. So 5-7 days before I can reorder! Total Disappointment! Looks like my Gibson buying days at AMS are over. Never had a problem with my Fenders!EJ Maynard
10. Gibson Tony Iommi Sg Special Left-Handed – Vintage Cherry Guitar
Product Details:
Tony iommi's iconic riffs, heavy tones, and massively influential albums created the blueprint for heavy metal and many other genres to follow. his career, like the man himself, is universally loved and revered. and while his innovative tuning and playing styles were a major part of his monstrous tones, a heavily-modified 1964 gibson sg was at the center of it all. now gibson usa has made a guitar based on the iconic original that launched countless heavy riffs, with a mahogany body, bound mahogany neck with a rounded profile, indian rosewood fretboard with 22 frets, a graph tech nut, grover rotomatic tuners with contemporary style buttons, and chrome-covered p-90 pickups. a reproduction of tony's "monkey" sticker is included in the case, along with two longer intonation adjustment screws in case you need additional adjustment range. available as a left-handed version.
Specifications:
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Rosewood, Cream Binding |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | White Graph Tech |
| Nut Width | 1.695" |
| Inlays | Acrylic Dots |
| Joint | Glued in |
| Body Shape | SG |
| Finish | Gloss Nitrocellulose Lacquer |
| Hardware Finish | Nickel |
| Tuner Plating | Chrome |
| Bridge | Adjustable Wraparound |
| Tuning Machines | Grover Rotomatic with Contemporary Style Buttons |
| Pickguard | Black multi-ply |
| Truss Rod Cover | Black |
| Control Knobs | Black Witch Hats with Silver Inserts |
| Switch Tip | Black |
| Switchwasher | Blank Black |
| Plastic Parts | Black |
| Control Covers | Black |
| Strap Buttons | 2 – bottom and behind heel |
| Pickup Covers | Chrome |
| Neck Pickup | P-90 |
| Bridge Pickup | P-90 |
| Pickup Selector | 3-way Toggle Switch |
| Output Jack | 1/4" |
| Orientation | Left-Handed |
Reviews:
Overall: I left a fairly nasty review about this guitar when I first got it, and wanted to ammend it to a degree. I have since had my guitar tech do a good setup (the factory one was pretty lazy) and with that this is really an excellent playing guitar. So much so that I've decided to keep it and just change my hand position to make it work with the flat profile I don't like. I've still got to take at least one star off for Gibson lying about the profile which is an absurd thing to do, and I'm not real happy with the return policy, but this is really an excellent guitar despite those things and I'm glad I gave it a chance.
Overall: First off, this is a nice guitar and there's nothing wrong with the workmanship. I grew up on Sabbath and SG's. I was REALLY excited to buy this guitar. I couldn't play the Epiphone Iommi signature because it had the wide flat D shaped neck like a '61 and it doesn't fit my hands. This was advertised as being based on his '65 that had a rounded profile (I own 2 SG's with this profile and LOVE them) so I immediately paid $2400 cash on my easy pay account in good faith and ordered it. Beautiful guitar. Probably sounds great but I never even plugged it in because as soon as I pulled it out of the case I felt that super wide flat '61 neck and knew I'd never play it. Disappointed to say the least my dream guitar turned out to be something it wasn't supposed to be, I immediately called to see about sending it back. I was told I'd have to pay shipping (which I would have done since the misleading advertising was on Gibson's part and not theirs) and they wouldn't refund my cash and reinstate my account the way it was, basically just giving me store credit instead. I looked it up and that technically follows their policy. I suppose I can't fault that, I own a lot of gear now I wouldn't have otherwise if it weren't for that plan. It's just disappointing to say the least, especially right on the heels of the disappointment of the guitar. Anyway, if you like the '61 Special you'll probably love this guitar; it's clearly a fine instrument. If you think you're gonna get a '65 rounded neck profile you'll wind up like me choosing between having a $2400 painting hanging on your wall or the hassle of selling it on Reverb. My low rating is not for the quality of the guitar but because it isn't as advertised which means a lot more in these times when you can't go to a store and try before you buy on a lot of gear. You just have to roll the dice. Who knows, maybe mine was an aberration and they accidentally stuck the wrong neck on it and you'll have better luck. Just be careful.
The guitar plays and sounds amazing. Set up & intonation were spot on. However I noticed issues with the craftsmanship of the guitar. The neck binding is uneven, there is glue residue on the corner of the fret board, and various light scratches on the front and back. The Gibson box was not sealed as well.Andrew K
11. Gibson Sg Standard Left-Handed Electric Guitar Ebony 194744737336
Product Details:
This left-handed gibson sg standard boasts classic looks and a full set of features associated with the desirable late-'60s style sg models. with a rounded-profile mahogany neck; bound, 22-fret rosewood fingerboard; stable, long-tenon, 19th-fret neck joint and a solid mahogany body, it delivers that iconic rock tone with singing sustain. the 490r and 490t alnico ii pickups provide the power to drive your amp to new heights, and a black, 5-ply, full-face pickguard put this versatile classic in a category all its own. – this left-handed gibson sg standard comes with a premium softcase. – note: this is a left-handed version – nitro-finished solid mahogany body24.75"-scale mahogany neck22-fret rosewood fingerboard – dual gibson 490 61 humbuckers3-way switch – nashville tune-o-matic bridge – stopbar tailpiece – grover rotomatic tuners
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
12. Gibson Les Paul Standard Hp-Ii Left-Handed Hertiage Cherry Fade 2018
Product Details:
Gibson usa 2018 les paul standard hp-ii overview by gak:the usa 2018 les paul standard hp-ii takes player's favourite features from the recent evolutions of the hallowed instrument that is the lp! so the core ingredients are the same as they always have been- starting with a mahogany body and beautiful flame maple top. this body has ultra-modern weight relief giving added resonance and also a belly scarf to stop the back edge digging in your ribs- this all helps make it eminiently comfortable for extended playing sessions.the soloist-width mahogany neck has an extremely comfortable asymmetrical slim taper neck profile on the back whilst the compound radius richlite fingerboard and low profile cryogenically treated frets mean your fingers will be flying! and up the top end of the neck there's a fast-access heel whilst there's a titanium adjustable zero-fret nut and manual locking kidney machineheads keeping tuning in check.one of the most toneful yet versatile les pauls ever, the standard hp-ii features custom lead pro+ bridge and rhythm pro neck pickups. allied to an aircraft grade 3-way switch and 4 push-pull pots with dip switch you can get over 150 reversible instant rewiring options!
Specifications:
| Finish | Hertiage Cherry Fade |
| Year | 2018 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Left Handed |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
13. Gibson Les Paul Standard '50s Left-Handed Electric Guitar Heritage
Product Details:
The gibson les paul standard returns to the classic design that made it relevant, played, and loved — shaping sound across generations and genres of music. it pays tribute to gibson's golden era of innovation and brings authenticity back to life. the les paul standard 50's has a solid mahogany body with a maple top, a rounded 50's-style mahogany neck with a rosewood fingerboard and trapezoid inlays.
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
14. Gibson Les Paul Studio Left-Handed Electric Guitar (Wine Red)
Product Details:
The gibson les paul studio left-handed, finished in wine red, is perfect for the stage and the studio, with all the quintessential les paul components, plus a host of modern upgrades which enhance playability and sonic versatility. a mahogany body with a maple cap, set up the basis for classic les paul tone. ultra-modern weight relief maintains this tone, while reducing the weight of the guitar, thanks to its high-tech design which offsets relief chambers around the body perimeter, and maintains a solid core through the centre. a slim taper mahogany neck, and a rosewood fretboard with 22 medium jumbo frets, provide super fast playability and comfort. a 490r neck, and 498t bridge humbucker pump out tight, crunchy high-output tone, while two push-pull coil-tapping pots and a three-way pickup selector switch add a huge range of sonic versatility.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | 490R |
| Bridge | 498T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push/pull coil taps |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
When I first opened the box what I saw was a work of art, I only hoped it was as great as it looked. I pushed the power button on the G-Foece Tuners and the G string light up red, I picked the G and all ways in tune. I checked it with my Petersen Strobe Tuner, and yes it was spot on. I plugged into a Vox AC30 HW, the notes that came out of the speakers seem to bloom with harmonics I've never heard before. The fit and finish looked like someone went through the Les Paul with a fine tooth comb, I figured the Les Paul being a 2016 would need a set of fresh strings. The instruction for the G-Force Tuners states to do one string at a time, so the G-Force would not need to be recalibrate. So I set up the windup wind down menu on the G-Force unwound the low E. The rewind confused me a bit, usually i cut the string about 1 1/2 past the next tuner, not so with the G-Force only cut the string to the next tuner inline, too much string will cause the G-Force to lock up due to too many winds on the post. When you get to the G-B-E Strings 1 1/2 will work better so the Strings don't slip on the post and cause tuning issues. The 490R & 498T pickups really surprised me. The 490R is very articulate not muddy in any way, if fact I use it more that I've ever used a neck pickup…the middle position is great for Lead or Rhythm, I've heard Jimmy Page uses this position a lot now I understand why. The 498T is very hot 13.7 ohms as opposed to the 7.6 ohms neck. Even though the ohms are far apart they work well together. I set my Neck volume about 6 for a nice clean rhythm sound and the bridge I set at 8-9 so when I want that little more bark it's there. So to sum it all up this Les Paul is all I need to get the tones I need. This is my Desert island Guitar.Huncy Sound Studio
I just bought a nice Candy Apple Deluxe Fender Strat a while back to upgrade to a REAL guitar, so a Les Paul was next on my list of guitars to get…someday down the road. Went to GC and traded in my bass to upgrade to a new one. On the wall I saw this deep cobalt blue Les Paul for under 2K. After 2 weeks I could not resist, said YOLO and ordered it online for store pickup. A wonderful instrument and offers a much different sound in contrast with the Strat, no regrets. I often just stare at it because it is a work of art, looks so nice next to my new strat and bass 🙂Anthony
While I still feel that the lower-end Epiphone Les Paul's (I had a Special II as my first electric) are great for the money, I decided to move up to my first actual Gibson Les Paul. The weight relief is what immediately caught my attention and I find this guitar a lot more comfortable to play. I'm also blown away by how much sustain it has over my previous Epiphone not to mention the overall finish and the ability to split the humbuckers. I went for the Cherry Burst but it wasn't easy to choose as the Midnight in Manhattan (blue) looked just as beautiful.Lloyd
15. Vintage Lvs6 Lefty Reissued Series Cherry Red 2017
Product Details:
Vintage lvs6 guitar, left handed – cherry red – built using solid mahogany bodies and with top quality hardware and pickups, the vintage v6 delivers everything from soft jazz to warm blues and heavy rock. the v6 includes the revered wilkinson wvc vibrato, allowing for total return to pitch accuracy in the string bend. with the volume and tone controls, and a 5-way toggle switch, it's a guitar that's configured for maximum versatility.
Specifications:
| Finish | Cherry Red |
| Year | 2010s |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Left Handed |
| Scale Length | 24.75" |
| Wood Top Style | Plain |
Reviews:
Having previously purchased a lemon drop second hand I was impressed with the vintage brand. I've previously owned custom shop guitars by Fender and Gibson so have perspective on how "good ones" should sound. The v6 was ordered from Richard as I enjoyed his YouTube videos and liked the thought of the guitar being essentially hand picked and set up prior to delivery. Richards pricing is not the cheapest but it does ensure that the guitar you receive plays as well as it possibly can. The guitar itself arrived in tune, set up to my specifications with a blocked trem and 10 gauge strings. The finish was flawless and the fact vintage spec the correct woods for these guitars (alder and maple) really sold me. It has a full size tremblock, bent steel saddles and sounds like a good strat should. The Wilkinson pickups in the lemon drop where excellent paf approximations and the single coils are no exception. Plus the bridge is wired to the second tone pot which is something I always do as I tend to roll off the treble when soloing. The guitar is also very light and can be played comfortably for hours. Packing was top notch. Double boxed. Comms excellent and I would wholeheartedly recommend purchasing from Richard again. In fact I have Gas for a Eastman Les Paul in 2020😊Matt S.
If you've ever put a guitar together from after market parts, even 2nd hand, its doesn't take long to rack up an expense. For Richard to offer this guitar for £287 with a full setup is quite extraordinarily extraordinary. The QC on this one is exceptional from Vintage and despite thorough inspection I cannot find any flaws at all. It is a very lightweight guitar, slightly neck heavy, so I'd recommend purchasing a good quality leather strap to prevent slippage. The highlight of the VS6 would be the neck which is a wide C profile and very enjoyable to play. The setup from Richard again is exceptional and you really have to applaud the effort invested making these very affordable guitars so playable. On that note, I would also recommend that these are perfect guitars to learn some basic setup skills on; though very well setup I have made small adjustments as can be expected as you break a guitar in. All in all, a great value guitar which Richard and his team have helped punch well above its weight.Jordan T.
I can't speak highly enough of my experience with Richards Guitars. The guitar itself is great value for money. Highly playable and light-weight. Lovely finish, and great to look at, which is saying something, as I've never been into 'road-worn' finish, generally speaking… The instrument feels great in the hand, and it's been played every day since I got it 🙂 The setup on the guitar was spot-on too, so I couldn't be happier. Richard (and team) agreed to have the guitar ready and delivered in a pretty tight time-window too, and it was right on time, which was greatly appreciated. Last but not least, I needed the exact dimensions of the guitar in a pinch. Richard answered the phone and got the measurement for me while I waited. Quality 🙂Tim C.
16. Gibson Custom 1957 Les Paul Junior Single Cut Reissue Vos – Tv Yellow
Product Details:
Here s one for all you fat neck fans. featuring a single black dog-ear p90, this guitar is all about business, and it sounds killer. the d-shape mahogany neck features a very figured indian rosewood fretboard that measures 1.71 at the nut, 1.04 first fret depth, and 1.12 at the twelfth fret. the guitar weighs in at 6 lbs. 8.6 ounces. the condition of this guitar is pretty excellent, with little to no play wear. the only sign of wear is light pick marks on the pickguard. the original hardshell case does have a broken hinge but the case still functions properly. this guitar comes with all of its original case candy, coa, and lifton style case.
Specifications:
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | Chunky C-Shape |
| Neck Material | Mahogany |
| Depth at 1st (in) | .909 |
| Depth at 12th (in) | 1.027 |
| Nut Width (in) | 1.69" |
| Nut Material | Nylon |
| Scale | 24.75 In |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Fret Count | 22 |
| Finish Type | Nitrocellulose VOS |
| Tuners | Kluson |
| Bridge | Wraparound |
| Bridge Pickup | P-90 |
| Controls | 1 Volume, 1 Tone |
| Weight (lbs) | 6.95 |
| Finish | TV Yellow VOS |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Wrap-Around |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Junior |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
Reviews:
Sound: Sounds exactly as you’d want a Les Paul Junior to sound. Plenty of bite and cleans up extremely well. Very versatile in sounds with just the 2 knobs. Features: The bridge feels great and looks great, and makes the guitar so resonant and easy to play. Ease of Use: The easiest to use that you could ask for, sounds great with drive or clean. Quality: Very well made, parts seem top quality. Value: This is expensive for a Les Paul Junior compared to their former price points but I would pay it again if I knew the guitar was this good. Manufacturer Support: No The Wow Factor: Very high, I have plenty of guitars and didn’t REALLY need this one but I bought it and I have no regrets at all. Overall: I was scavenging the used market for weeks unable to find a “good deal” on any Juniors when I finally decided to purchase new which I was unsure of at first given how much Juniors are priced at these days but WOW. This guitar couldn’t have been any more perfect in my experience. The feel of this guitar specifically is just incredible, the neck is so comfortable and the frets are perfect and smooth. It feels better than any other guitar I own by a mile, some of which I’ve had professionally setup very recently. The finish looks amazing and feels great on the neck as well. I got the ebony with the tortoise shell pickguard which looks even better than Id hoped as well. The stock pickup in it leaves nothing more to be desired, plenty of growl and punch, sounds absolutely incredible on an open D chord. Nothing like it.
Purchased a 2020 LP Junior in ebony from AMS. Arrived with chipped and bubbling paint at the neck joint. Can't believe any respectable quality control engineer would allow this out of the factory. Having purchased a 2019 Les Paul Special last year through AMS, I thought Gibson had turned the corner! And although AMS has a great return policy, I can't purchase another until the guitar has been inspected and credited to my account. So 5-7 days before I can reorder! Total Disappointment! Looks like my Gibson buying days at AMS are over. Never had a problem with my Fenders!EJ Maynard
Very nice little guitar. The quality of the instrument is awesome. The case it came with is super nice. It was set up excellently at the factory. It even came with a picture of the guitar taken at the factory while it was being set up. The also included a nice little multi tool and polishing cloth. Really good attention to detail. The sound of the guitar is great. It's exactly what I was looking for when I bought it. I play in a few different cover bands and play a lot of different music. This guitar gave me the different sound I needed and couldn't get from my Telecaster, ESP, or Schecter guitars.Frank
17. Gibson Custom 1957 Les Paul Jr Sc Vos Electric Guitar Gold
Product Details:
This gibson custom '57 les paul jr. single-cutaway bears both the vos (vintage original spec) and hle (historic limited edition) nomenclature, making it something very special indeed. includes hardshell case. double-gold vos solid mahogany body 24.75"-scale mahogany neck with 22-fret rosewood fingerboard gibson custom p90 "dog-ear" bridge pickup vintage-style wraparound bridge/tailpiece and tuners
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | VOS Nitrocellulose |
| Orientation | Right handed |
| Neck shape | 1957 Les Paul |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | VOS Nitrocellulose |
| Radius | 10 in. |
| Fret size | Reissue |
| Number of frets | 22 |
| Inlays | Dot |
| Bridge | P-90 Dog-eared |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Master volume, tone |
| Bridge type | Fixed |
| Bridge design | Vintage-style wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
18. Gibson Les Paul Standard '60s Left-Handed Electric Guitar Iced
Product Details:
Bringing it home with one of the les paul models that started it all, gibson keeps classic les paul features and finishes with some modernistic perfection. this guitar has a beautiful aa figured maple top on mahogany body, the finest gibson craftsmanship, and dual burstbucker 61 pickups, for killer vintage tone. the les paul standard '60s is perfect for the rocker that appreciates an awesome playing guitar with a vintage tilt. beautiful aa figured maple top on mahogany body the timeless single cutaway design of this les paul is built from mahogany and topped with aa figured maple. it's finished in gloss nitrocellulose lacquer for a gleaming shine. the neck is also cut from mahogany into a slim taper profile. the 24.75 inch scale length neck is topped with a 12 inch rosewood fretboard. the finest gibson craftsmanship the les paul standard '60s guitar is built with stylish rock aesthetics and fantastic playability in mind. all the specs go towards that end. the fretboard of this les paul sports 22 medium jumbo frets and acrylic trapezoid inlays. it's got a graph tech nut for smooth string movement. the bridge on this les paul is a classic abr-1 tune-o-matic with a stop bar tailpiece. the tuners are grover rotomatics with kidney buttons. burstbucker 61 pickups for killer vintage tone, gibson outfitted this awesome lp with dual burstbucker 61 pickups. these humbuckers give classic, clear sound, and extra trebly output, which articulately handles gain and effects. the circuitry includes 2 volume and 2 tone controls, as well as a three-way toggle switch, and is wired with orange drop capacitors. no matter your musical proclivity, there's nothing the les paul standard '60s can't handle. features: aa figured maple top on mahogany body 24.75 inch scale length mahogany neck rosewood fretboard with 22 medium jumbo frets and acrylic trapezoid inlays dual burstbucker 61 humbucker pickups, three-way switch, 2 volume and 2 tone knobs abr-1 tune-o-matic bridge with stop bar tailpiece, grover rotomatic tuners includes hardshell case
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Iced Tea |
| Finish Type | Nitrocellulose |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Left-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Nut Width | 1.695" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | Burstbucker 61T |
| Neck Pickup | Burstbucker 61R |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Nickel |
| Case Included | Hard Case |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
19. Gibson Sg Standard '61 Left-Handed – Vintage Cherry Guitar
Product Details:
The sg standard 61 returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. in 1961, the les paul model was put on hiatus and an all new design evolved into what is today known as the sg or 'solid guitar'. the gibson sg standard '61 retains the styling of the original featuring a slim taper mahogany neck and a bound rosewood fingerboard. the mahogany body features deeply sculpted body scarfing, a 5-ply teardrop pickguard and a 22nd-fret neck joint. the nickel plated hardware includes a classic-style tune-o-matic bridge and keystone tuners. the pickups are 61r and 61t humbuckers for a classic voice with added power and top end. controls feature audio taper potentiometers and orange drop capacitors.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Left handed |
| Neck shape | Rounded |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
20. Jackson Js Series Rhoads Js32 Left-Handed Electric Guitar Satin Gray
Product Details:
Swift, deadly and affordable, jackson js series guitars take an epic leap forward, making it easier than ever to get classic jackson tone, looks and playability without breaking the bank. built for the lefty, the rhoads js32 lh has a poplar body and a bolt-on maple speed neck with graphite reinforcement and scarf joint for rock-solid stability. hosting 24 jumbo frets and pearloid sharkifn inlays, the 12”-16” compound radius fully bound amaranth fingerboard creates the ideal playing surface for fat riffs and easy chording near the nut while gradually flattening in the upper registers for lightning-quick solos and wide bends without fear of fretting out. other great features include dual jackson high-output humbucking pickups with ceramic magnets, single volume and tone controls, three-way toggle switch, a jackson-branded floyd rose double-locking tremolo bridge and sealed die-cast tuners. this angular left-handed axe is available in satin gray with a black pickguard and all-black hardware.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Poplar |
| Body finish | Satin |
| Orientation | Left handed |
| Neck shape | Speed neck |
| Neck wood | 1-piece Maple |
| Joint | Bolt-on |
| Scale length | 25.5 in. |
| Truss rod | Graphite reinforced |
| Neck finish | Satin |
| Radius | Compound 12–16" |
| Fret size | Jumbo |
| Number of frets | 24 |
| Inlays | Sharkfin |
| Configuration | HH |
| Neck | High output humbucker Ceramic |
| Bridge | High output humbucker Ceramic |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Floyd Rose Licensed Jackson |
| Tuning machines | Die-cast sealed |
| Number of strings | 6-string |
| Country of origin | China |
Reviews:
Overall: Seriously……..I'm baffled, and highly impressed with this limited run that Fender/Jackson is offering, and the quality that is immediately obvious with these guitars. As well, do not be deceived by the price…rather, consider this to be an opportunity. So literally, just a few weeks ago, I purchased the stop tailpiece Fender Special Run variant (which I am upgrading w/EMG 57/66, brushed gold, Tonepros bridge, gold, Earvana compensated nut, Gotoh Magnum SG381 locking tuner, gold, EMG Satin Gold knobs) of this guitar, so therefore, as I am thoroughly impressed, I was compelled to await the arrival of this version (tremolo) through zZounds, yet it became available via Amazon, and I made my purchase just 10 days ago. Okay, so in no particular order, I'm going to start with the Amaranth (of the Purpleheart family/species……yes, that beautiful purple wood seen on many high end guitars)….these are the first two guitars that I now own with this species of wood utilized for the fretboards, and I absolutely love it. At first glance, your eye tends to see it as Ebony, as the wood has quite the dark appearance, which I totally dig (and quite fitting as the guitar is in nat mahogany finish), and it sounds bright, snappy, percussive, and present. As well, I dig the feel, as it has a nice, tight grain pattern.The fretwire- …..ummm, well, ….all level, and comfortable frets. I've not found any dead/high spots, and if so, it's so minimal that it's within a tolerance that allows you to keep low, low action, if you prefer (and the fretwire is just the right jumbo size to allow for the feel of the wire, along with the wood).The tuning machines- ….as I normally upgrade all of my tuning machines to Gotoh SG 381 Magnum locking, I must say, I like these tuners so much, that I'm torn and considering not upgrading, as they are visually stunning, and work quite well. The body of the tuners (where the mechanisms/gears are located) are not thin, and are actually quite robust in size, which provides confidence they'll maintain.The graphite reinforced neck- 5 stars +. Period. You immediately feel it, as soon as you grasp the neck..but also when playing, you can sense a bit more resonance and volume from the notes.The natural mahogany finish- Just…beautiful. Period. (and the feel is quite satisfying, indeed).The Jackson-branded Floyd- …..okay, ……I'm impressed…once again. This is a genuine Floyd Rose licensed unit, as the tremolo block is a genuine Floyd Rose 32mm/nickel-plated block. Look, the gold Fender/Jackson has chosen for these units, is absolutely beautiful….it's a dense, kinda lustrous gold that has a bit more depth than, for instance, an Original Floyd….it's really beautiful (as the colors match via the tuners, locking nut, and tremolo unit). Key feature…..the matching/gold-colored fine tuners via the baseplate. however, my only complaint w/this/these units, is that the very bottoms of the fine tuning screws do not have a flat surface (at the bottom/point of contact) for the string lock screws to make contact with/move smoothly up and down when tuning…rather, it causes the string lock screws/tuning to "skip", and kinda clank, as you feel the bottom of the fine tuning screws jumping/skipping as you fine tune….so you may jump a half-step during turning due to this. It's not a difficult fix, however, as the bottoms of the tuning screws simply need filed/sanded a bit….no biggie (however, if one prefers not to do so, the Original Floyd brass fine tuning screws are an optimal substitute, as they are easy to remove/change. The action of the tremolo is smooth, no noise, and the bar fits snug without those weird unpredictable …"hmmm, i wonder if the bar that comes with the unit will actually fit as it should?" kinda anomalies/moments. (key note- the locking nut is an actual Floyd Rose Special R3, and the neck nut shelf is filed/seated at the proper height…therefore preventing an unplayable kinda high string-to-fret height when fretting….once again, the attention to detail will have you asking…."really?, just $400??"…..it's that good.)The pickups- …not bad. ..not bad at all. I dig 'em. Although, I'm full-on EMG, and I'm goin' with the Het Set, or 57/66 in brushed gold (or, possibly the 81X, 85X in brushed gold). As I am hearing the characteristics of these wood combinations on this guitar, my immediate choices are any of the 3 EMG options listed above, but the Jackson pickups sound great…they really do. Well-balanced and fitting.The 3-way switch- ….nice, solid, and "tight" feeling. The gold-mirrored pickguard- ……..just …sick. The knobs- Very, very nice (and, once again, all the gold selected for this instrument….are an exact match across all components……..impressive).Overall- As I tend to often make purchases based off of my instincts, and relying on them, I'm so pleased I own both the stop tail and tremolo versions of this guitar. Do not hesitate, as you will, once a
Looks and feels great, sounds nice out of the box but the stock pickups are not stellar. However, they will do everything upto 85% of high end pickups. These are actually pretty good. Unless you're very finicky, I don't recommend changing them. Can't say anything bad about it. I modified mine because my cover shield was cracked out of the box and I have not heard anything back about a replacement. I got some unique Lace Humbucker and slapped them on with some mad wiring that splits and parallels the hums. It sounds a lot better than stock. I also added a chrome cover shield.arcticwynd
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