Are you looking for the Guitar Amp Power Soak? If so, you’ve come to the right place.
Choosing the Guitar Amp Power Soak can be difficult as there are so many considerations, such as Orange Amplifiers, Marshall, Fender, VOX, Pignose, Crate, MESA/Boogie, Dr. Z Amplification. We have done a lot of research to find the top 20 Guitar Amp Power Soak available.
The average cost is $447.13. Sold comparable range in price from a low of $34.99 to a high of $1299.99.
Based on the research we did, we think Bugera PS1 Power Soak Passive 100W Power Attenuator is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Guitar Amp Power Soak (20 Sellers)
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Reviewers Noted:
Quality build . Ease of use . Sound quality
Features:
- Description
- Passive 100-watt power attenuator allows you to get the ultimate overdriven tone at any volume
- Multi-impedance input connectors (4, 8 and 16 ohms) to match virtually any amplifier
$795.00
5.0
Reviewers Noted:
Quality build . Ease of use . Weight
Features:
- Led indicator allows you to monitor the status of the power attenuator
- Impedance range from 8 ohms – 60 ohms offers an immersive listening experience
- The 18 distinct attenuation offers a convenient amount of power to the speakers
$69.99$34.99
4.6
Reviewers Noted:
Attractive . Good sound quality . Quality build . Portable . Weight
Features:
- Vintage look
- Compact size
- Drive control
Reviewers Noted:
Good sound quality . Attractive . Portable . Lightweight . Easy to use
Features:
- Awesome amp!
- This comes with the black canvas cover, which has to be purchased separately from the amp if buying new.
- Awesome sounding thing, just looking to downsize on some gear.
$60.00
4.7
Reviewers Noted:
Good sound quality . Lightweight . Easy to use . Portable . Attractive
Features:
- 8" fender speaker
- Made in mexico
- Dual channel – sparkling fender cleans or gritty overdrive
Reviewers Noted:
Easy to use . Build quality . Sound quality
Features:
- Tube amp attenuation (up to 150w)
- Can be used as a power amp for a modeller
- Add a post-power section effects loop to your tube amp
Reviewers Noted:
Quality build . Ease of use . Sound quality . Visual appeal
Features:
- All tube design (solid-state diodes used only for full-wave rectification)
- 5w output power into 8 ohm
- Vintage channel controls: bass, treble and volume
$329.99
4.9
Features:
- Adjustable in 6 steps (100%, 70%, 50%, 35%, 25%, 18%)
- Reduces the volume of a guitar speaker at full saturation of the tubes
- Made for 8 ohm or 2x 16 ohm loudspeakers
$63.80
4.9
Reviewers Noted:
Compact . Ease of use . Portability . Weight
Features:
- Create high-quality sound effects with this amp pedal
- Speaker cabinets power of 10w offers an improved performance
- Volume knob lets you operate the device conveniently
$395.00
4.8
Reviewers Noted:
Ease of use . Portability
Features:
- 30w attenuator offers cranked tone and response at whisper volumes.
- Reactive load technology maintains the relationship between amp and speaker.
- Custom-designed, transformer-coupled signal flow.
$999.99
4.7
Reviewers Noted:
Good sound quality . Attractive . Quality build . Easy to use . Lightweight
Features:
- Celestion redback speaker, amp combo guitar tube guitar amps
- Guitar combo amps
- Fender hot rod deluxe iv 1 x 12-inch 40-watt tube combo amp
$529.00
4.0
Reviewers Noted:
Ease of use
Features:
- The new mesa boogie powerhouse attenuator is here!
- This is the 16 ohm version!
Reviewers Noted:
Good sound quality . Quality build . Easy to use . Attractive . Weight
Features:
- 5 watt output
- Ecc83 preamp valve
- 12bh7 power amp valve
Reviewers Noted:
Ease of use . Sound quality . Portability
Features:
- Floor-based power for your pedal-based rig
- Convenient size
- Plenty of tone-shaping power
Reviewers Noted:
Sound quality . Power
Features:
- (unit has some scratches on the bottom of the enclosure and a scratch in the finish on the top of the enclosure.)
- Legendary tone – professional features"
- Two strictly analog channels with fully independent controls
$292.01
5.0
Reviewers Noted:
Visual appeal . Build quality
Features:
- 2 channels (clean and overdrive)
- 3 band shared eq (bass, middle, treble)
- 12ax7 preamp and 6l6 power amp tubes
$749.99
4.7
Reviewers Noted:
Ease of use
Features:
- Reload advanced, in excellent condition.
- You will not do better for a home studio.
- Some many options for recording and attenuating.
Features:
- This bundle includes the ps1a passive 100-watt power attenuator with a high quality 6" speaker cable for the most demanding applications
- Ps1 passive 100-watt power attenuator: passive 100w tube guitar amplifier attenuator with emulated outputs, and 4-, 8-, and 16-ohm amplifier inputs
- S12-6 1/4 inch ts to 1/4 inch speaker cable – 6 foot: speaker cable, 1/4" ts male-1/4" ts male, 6' long
Features:
- The perfect way to optimize the input voltage for your tube amp.
- Dramatically improves your amp's performance!
- Optimal input voltage extends the life of your power tubes.
Features:
- Great for recording, without the need of a cab
- Selling it cause i dont use it anymore since i've entered the axe fx world
- Come with power cable and manual, used once for a gig, then was always in the studio
1. Bugera Ps1 Power Soak Passive 100w Power Attenuator
Product Details:
Good little attenuator. the nice thing, besides price, about this attenuator is you can select your ohm output from 4, 8, or 16. so if you have multiple amps with different ohm outputs, you can use this for multiple amps. wouldn't actually try a 100 watt amp with it though, it's not robust enough to truly handle 100 watts, no matter what bugera tells you. anything less is fine. there are just a few hours on this as i've upgraded to an ox box. includes a printed manual.
Specifications:
| Product Type | Passive power attenuator |
| Designed For | Guitar, bass amplifier |
| Total Output Power | 100 Watt |
| Impedance | 4, 8, 16 Ohms |
| Controls | Line, soak |
| Connections | Audio line-out – phone 6.35 mm Speakers output – phone 6.35 mm Emulated mic output – XLR 3 x amplifier input – phone 6.35 mm |
| Warranty | 3 years |
| Width | 5 in |
| Depth | 6.8 in |
| Height | 3.6 in |
| Weight | 2.87 lbs |
Reviews:
Great piece of kit. I am using it along side a 40watt h&k tube. When full powersoak is initiated, basically half the power is coming out the speaker. Incredible to be able to play a fully cooking 40 watt tube and having the output at living room audible level. Outstanding bit of kit for the price. Emulated mic if you are going to mixer, not that great but if you are using it for live play. It is absolutely perfectReviewed by Andertons Music Co.
I have a vintage 1978 Marshall 50w JMP half stack that was gathering dust in my studio. We all know that 50 Marshall watts is closer to 75w when dimed. With no master volume or effects loop I was seriously considering selling this rig as it was too loud for home studio use. This Bugera PS1 solved my problem!!!!! The unit is very well made, has three input options 4/8/16 ohms & most importantly a balanced mic emulation XLR & unbalanced line out. I tested these outputs on my Tascam 24 track & it sounds fantastic. I put the line out & xlr out into separate tracks & I got the classic Marshall sound we are looking for. I had my heads volume around 7-8 & used 4 ohm out. I attenuated till I could hear my guitar strings strumming. Even though the PS1 is rated 100w, my 50 w head got the PS1 pretty “toasty” so make sure you have plenty of air around it.marstegreg
I have a Princeton reverb amp that I love the sound of but always have to play it on the quiet channel. The amp sounds great but really springs into life with the volume dialed at 4.5. This is fine on the quiet channel but is still too loud late at night. Also, I'd been watching lots of reviews of the amp on YouTube and seen that it is capable of much more than I was making use of but that it meant cranking the volume. The Bugera PS1 had loads of great reviews so I thought I'd give it a go. Wow! Firstly I noticed that it removed the noise floor of the amp making it pretty much silent when not playing. I can now run my amp in the normal channel with the volume at 10 (though I prefer 4 to 8) and not disturb anyone else in the house (too much ). I've now got several new setting options to use with my amp from gloriouscleans to varying degrees of overdrive. I also found that recording is now easier with the reduced noise when mic'd and the line out works great as well. It's a really solid bit of kit that has breathed new life into what was already a great amplifier.Reviewed by Andertons Music Co.
2. Tone King Ironman Ii Power Attenuator
Product Details:
This is alllllmost new. never gigged. never taken from my house. used twice with my old 100watt head. why am i selling? i sold the head and this thing is too nice to sit around.it is the best attenuator i ve ever tried. it s awesome. not only that but it s nice to have got load switching. it was fun to try my head out with cabinets that i ve never matched with. either way it s yours with the original box abs all the original accessories for a break on the price.
Specifications:
| Number of Settings | 18 |
| Power | 100 W |
| Impedance Range | 8 ohms – 60 ohms |
Reviews:
Overall: This is the first review I have ever written for a piece of gear. All I can say is that this thing is worth every penny, it is excellent. I have owned the Two Notes Torpedo and the Rivera Rock Crusher. While the aforementioned are all good in certain aspects, the Tone King does the job better. It is organic, transparent and built like a tank. While it's not a particularly light piece of gear, it's hefty construction reeks of quality and craftmanship. The Presence control on the front is intuitive and very helpful as I use it on different settings for two separate pieces of gear, a Friedman and an EVH. I also use it with the Mesa Triple Crown, but the Mesa is my stage amp and I just crank that one without much attenuation. The Hi and Lo frequency knobs are the perfect option for when it's REALLY late at night and you just need a little more attenuation without the fuss. Yes, it's pricey, but priced well below UA's and perhaps just as good. It took me a while to pull the trigger as I started my journey with the Bugera, which is absolute garbage then graduated to more expensive attenuators. This is the one.
I have a glorious Fender Pro Brownface that I take to sessions, and love to use at home. But, at home I can't really crank it to the edge of break up for the blossom point that brownfaces are known for. Until know. 40 watts, 8 ohms, and no change to the quality of the tone of my amp. Absolutely thrilled with this attenuator!
3. Rogue V15g 15w 1×6.5 Guitar Combo Amp Vintage Tweed
Product Details:
Specifications:
| Maximum power output | 15W |
| Speaker | 6.5", 8Ohm |
| Dimensions (H x W x D) | 290mm x 340mm x 185mm, 11.4" x 13.3" x 7.3" |
| Power consumption | 19W |
Reviews:
I have 3 of these amps so far and love them. You can't expect a big tube sound because it's not that but rather a smaller very useful sound. I customize them slightly with an 8" speaker that fits in them and do a few other little things. For very little money you can have a killer little tweed looking amp. Works great for rockabilly and roots music with an archtop for me and takes any pedals well. Can't beat these little work horses.Travis
Beautiful cover and vintage tweed appearance. Good for an office. If it got ripped off you would get over it quick. Have to use pedals or limited functionality makes practice boring rather quickly. Clean very good. Gain option is unfortunately toy-like and useless. Just leave it off.Records Reills
Cool little amp. Been spending some time playing with it. Love the tweed look. Wish they hadn't put the Rogue plaque on the front of the grill, and had kept true to the Champ 600 look by putting it on the top of the amp over the speaker. The clean channel is good, wish it had some built in reverb. The distortion channel is good too. I ran my "Bluesdriver" pedal into it and it sounded even better. I will likely change out the stock speaker for the Eminence 6.5 speaker to try and coax a little more sound out of this great little amp.KWB MUSIC
4. Vox Ac10 Tube Guitar Combo Amplifier – 10w
Product Details:
The ac10 was one of the first amplifiers to bear the vox name and has long been adored for it's ability to achieve rich, articulate tube tone at very manageable volumes. for this reason, the ac10 has become a highly coveted piece of vox history since it's discontinuation in 1965. now, nearly 50 years later, vox is proud to introduce the ac10c1, a modern take on this classic design. more portable than the ac15 and more powerful than the ac4, the ac10c1 features the classic top boost tone circuit that provides an array of classic and modern tones. now equipped with reverb and a master volume, the ac10c1 is the perfect companion for the home, studio or stage.
Specifications:
| Weight | 27.12 lb |
Reviews:
When I ordered this amp I expected to change out the tubes for JJs because if recommendations in the reviews I read. The stock tubes in this particular amp didn't produce any rattle and also provided plenty of clarity and bass. I don't sense the need to change out the tubes. This amp has more head room than my 1×10 2013 '65 Princeton Reverb Reissue Amp and I'll say its louder. The Vox Ac10c1 doesn't have a footswitch input installed onto it, if you want to switch from reverb to gain you will have to do it by hand as youre playing. The gain is rich, its a decent factory built in, the gain effect on my 4×10 2003 Fender Concert Reverb Amp doesnt sound nearly this good, if you buy the newer Marshall 20 watt tube amp or their MG solid state series amps their gain effects have a thinner, more static sounding than gritty sound to them. Vox amps have that more lush grit sound, akin to the sound we hear in the songs Ripcord and Vegetable by Radiohead (though Thom Yorke uses a turbo rat pedal) Haven't tried the Ac10c1 with a drummer, setting the Ac10c1 on an amp stand to project the speaker upward or placing this amp on a table should work just fine. The portability and light 27 pound weight are a huge plus if you decide on taking this amp anywhere. With this amp in one hand and a guitar stand and your guitar in a case in the other hand- you will be able to comfortably enter to set up and exit to load up in single trips. I originally expected to change the amp handle out for a leather handle but this vinyl handle is pretty thick. While playing through this amp, you can really feel and hear the nuances of its tube sensitivity while strumming and if you dig in with a pick, you can go from soft to really loud. The touch sensitive dynamics have been well calibrated in this amp. Again, the only downside is the lack of a footswitch input to switch between the amps good sounding gain and so so digital (not analog spring) reverb channel, no one seems to mention this. Everyone has their own effects pedals and loopers and what they already like to use so it almost balances out. I must say I actually like the sound of the gain on this amp. Again Im glad I didnt settle for a solid state Marshall in this price range, or the latest 20 watt tube Marshall which both felt and sounded lesser quality to me. I was looking for a good sounding portable amp. Glad I ordered a Vox Ac10c1
The Ac-10not only looks the business but it has since real depth and warmth to its tone. Clean – it’s bright and has the chime you’d expect. Turn up the gain and your tone breaks up but still retains clarity. Having the gain wide open and master volume down means you can still have the saturated crunch but not disturb others . Perfect for home use but would not be out of place in a small pub gig. Takes pedals will and with a multi-fix like a GT 100, if you disable the amp sim and use like a conventional pedal board, you don’t lose any quality of the AC10’s natural tone. A masterful amp and it even smells nice with those tubes cooking.Mark R.
Ive been playing 35 years and this is probably the best all around practice amp ive ever heard. Pros- looks great, sounds very good, cleans thump and chime, distortion can wail. Its loud for its size. Seems built well. Have had no bad issues. Cons- clean isnt near as loud as w the gain cranked up. No reverb. In short if this amp was 50-100W and had reverb and an external speaker jack id never play another amp. Good job VOX.jjsrvfan
5. Fender Frontman 15g 15 Watt Amplifier
Product Details:
Powerful practice amp. the fender frontman series offers great value in powerful little practice amps, in a variety of configurations. the frontman 15g is a small but powerful amp with both normal and drive channels, plus an auxiliary input for practice with cds or tapes. you can even hook up your drum machine and rock out. 15 watts, an 8" speaker and classic styling make this a great amp by any measure. incredible solid state practice amp. 15 watts into 8 ohms. 8" fender special design speaker. dual selectable channels (normal and drive). 3-band eqheadphone jack. auxiliary input for cd, tape or drum machine.
Specifications:
| Finish | Black |
| Year | 1997 – 2002 |
| Made In | Mexico |
| Electronics | Solid State |
| Speaker Configuration | 1×8" |
Reviews:
I bought this amp because my gig amp died a cyber twin 2-12s 100 watts that was about 16 years old. I have had many Fender amps they were great. I do country and 50s and 60s rock and roll. I figured 100 watts would put it out there and it does. At performing volume, the distortion is a pure heavy metal on the clean channel. Mine is not much good for high volume for my type of music. I have an old champion 110 75 watt that I will be using It has worked for me when the others were down. Not sure what to do.stev_majo
Great starter/practice amp. It gives a great tone for a great price. Gives some really great crunchy distorted tones for metal and rock. Also gives a great clean tone. Has plenty of built-in effects too. It gets pretty loud when you need it to, and has a 3.5mm headphone jack for convenience and quiet practicing. I love this amp! If you're just starting out and looking for your first amp, look no further. Or if you're an experienced guitarist looking for a good practice amp, this is a great choice.danielk2852
It is a great amp. Very good sound and options for the price. It is not heavy which is a big deal to someone who has had back surgery. I gave it a 5 in spite of one big complaint. When you turn it off you hear a loud "POP!" Wow, is that loud is what I thought the first time I heard it. I read about it online and there is a simple fix. Find an old set of ear phones or ear buds that you would use on a cassette player or a Sony Walkman. (Yes, these are ancient electronic relics from the past for you younger people. You might ask your parents if they have a cassette player and borrow the ear plugs.) Just plug that earphone jack into the "PHONES" input BEFORE you turn it off. THEN you only hear a little blip when you turn it off. THEN just pull the jack out of the "PHONES" input before you start it next time.chasmigu
6. Boss Waza Tube Amp Expander
Product Details:
The boss waza tube amp expander is a comprehensive tube amp command center designed to function as a variable reactive load box, active analog power stage, miked cab emulator, ir loader, and recording interface, letting you change the volume of your tube amplifier without affecting its tone, dynamic response, or distortion character. it features resonance-z and presence-z panel controls, which optimize the impedance interaction with your amp's output transformer. selecting from sixteen different settings, you can make your amp behave and respond as if it were connected to a speaker cab. the expander supports any tube guitar amp up to 150w. ten different rig setups can be stored in the unit, and each includes your custom effects and eq settings, cab/ir selections, effects loop on/off, midi program change (for controlling external midi effects), and amplifier control status. rigs can be recalled with a panel knob, and additional controls are provided for reverb and other functions. onboard 32-bit / 96 khz dsp ensures top-of-the-line effects processing without leaving the unit. the waza tube amp expander features two parallel speaker outputs, three balanced xlr outputs (left, right, and mono), and a 1/4" headphone output. a usb type-b port is provided for direct recording to a mac/windows computer and convenient communication with the editor software. in addition to the midi 5-pin i/o, three 1/4" jacks are presented, allowing you to hook up multiple controllers.
Specifications:
| Input Impedance | 4/8/16 ohms (selectable) |
| Safety Load (power off) | 16 ohms |
| Load Impedance | 4-16 ohms |
| FX LOOP Nominal Output Level | -10/+4 dBu (selectable) |
| SPEAKER OUT jacks (OUT A, OUT B) | 1/4-inch phone type |
| LINE OUT L/R connectors | XLR type |
| LINE OUT MONO (FOH) connector | XLR type |
| PHONES jack | Stereo 1/4-inch phone type |
| SEND jack | 1/4-inch phone type |
| FX LOOP jack | 1/4-inch phone type |
| GA-FC jack | 1/4-inch TRS phone type |
| AMP CTL jack | 1/4-inch phone type |
| USB COMPUTER port | USB B type |
| Power Consumption | 100 W |
| Dimensions | 15" x 11" x 4" |
| Input Maximum Input Power | 150 W |
| OutputRated Power Output | 100 W (8 ohms) |
| FROM TUBE AMP jack | 1/4-inch phone type |
| OUR PART | WAZA-TAE |
Reviews:
I use this primarily as an attenuator. I’ve tried most of the products on this market which all have various shortcomings. The TAE allows you to actually use your tube amp without blowing out your ear drums. It’s the closest thing I’ve found to going straight into an amp. Very transparent. I had another reamper that was tube based and about half the cost that was very dark and colored the sound. Also significantly impacted the reverb/vibrato in my HW deluxe reverb. No issues like that with the TAE and also does well with pedals. Highly recommend. Very pricey, but gives you lots of flexibility. The onboard effects are very “digital” sounding to my ear, so I just turn them off.Joel Gilmore
I've had this device for two weeks now and am selling my PS2 in favor of it (although the PS2's attenutation is just as good). I've used many attenuators over the years and this one is probably among the best. The variable loads help with the feel and reactance of your amp – there's nothing else with this option on the market. The attenuator works great, as well and has a smooth taper for volume. Unlike the OX or other attenuators, doesn't effect your sound as you reduce volume other than removing some speaker drive characteristics. The onboard effects have Boss standard serviceability in their sound and having a boost EQ is very useful. For live use they would do the trick but in the studio I'd opt for some plugins. I expected the IRs to be lackluster, but actually compare very favorably to other 3rd party IRs on the market and are pleasantly satisfying through headphones. If you're looking for a good tube amplifier silent recording solution with effects, routing options, and attenuation for live use… this is the best one on the market IMO. In fact, if you've got an older lower wattage amp, this can bring it up to band volume through a higher power speaker cab. Pricey, but with all those options – worth it!Temple12
Unit itself: After watching all the YouTube videos and reading forum sites I was convinced for a bit that I was just doing something wrong. It seem to add some gain to every amp I had. The only way it sounded close to was to turn the volume of the amp itself down. The reactive load section didn't help at all and it wasn't real clear on exactly I was changing when switching them. The "suggested" settings in the manual did nothing for me. The only way I was able to get a sound even close to what I had without it was to crank the unit which defeated the purpose… For low volume playing at home I could have just turned the amp itself down and used an OD to get the drive… Other guitar player in my band mentioned the Bugera PS1 sounded better! This unit basically made my amps digital. If you're a fan of digital products you will be fine. If not, I'd look elsewhere. Effects/Rigs/Software: I like the effects that was in the unit and giving some tweaking I could see using them. If I could have gotten the tone worked out I could have easily set up rigs with just those effects and done away with half of my board…. Rigs work just fine, you save presets that are switchable with the unit for the controller. Some people complain but that lack of "on the fly" edits and that they can only be made within the software, it never bothered me. The software itself worked fine for me but I could see where someone with more experience using software to control music equipment might have an issue with it. At the time of this writing it can't be used with a updated iMac. Loading IR's takes forever so I used software instead. If there was no other option on the market it would be great, there's tons though, and Youtube isn't the best way to judge a product. Glad I tried it so at least I know but I'm very grateful for Guitar Center's 45 day return policy!Chris K
7. Kit-Mod 102 Diy Guitar Amplifier
Product Details:
Mod 102 guitar amp kit features: all tube design (solid-state diodes used only for full-wave rectification). 5w output power into 8 ohm. 1 channel vintage channel. controls: bass, treble and volume. vintage pilot lamp and screw-on jewel cover for power-on indication output impedance: 8 ohm tubes included: one 12ax7 (preamp), one el84 (jj electronic brand) hammond mfg 269ex power transformer and p-t31 single ended output transformer cathode biased class a power tube operation (no bias adjustment needed). point to point hand wiring using terminal strips. carbon film resistors metalized polyester coupling caps pre-punched steel chassis. assembled kit weight: 4.25 lbs. assembled kit dimensions: 10" width x 6" depth x 5-&frac 18;" height mod 102 instructional features: detailed, easy to follow instructions include high resolution computer drawings for parts list and every step of assembly.
Specifications:
| Vintage channel controls | bass, treble and volume |
| Output Impedance | 8 Ohm |
| Tubes included | one 12AX7 (preamp), one EL84 (JJ Electronic brand) |
| Assembled Kit Weight | 4.25 lbs. |
| Assembled Kit Dimensions | 10" Width x 6" Depth x 5-⅛" Height |
Reviews:
I just completed my Mod 102 kit. An excellent experience! I was delighted with the quality of components, clarity of instructions, and, perhaps most importantly, the sound of the amp. It is very loud – currently running into my Fender Twin Reverb cab (2×12) and very sweet! I will be running it into a new 1×12 cab with a new Celestion G12 M Heritage 'Greenback' when I get a case for the speaker (on order). My only criticism (and something to look out for) is that the chassis is very nicely painted in gray gunmetal paint. Even following the directions to file all the holes, it is very hard to get a good ground connection at every point a terminal strip connects. I worried about this, and about 1/3rd of the way through the build, took an ohm meter to check all the connections, and as I had suspected, some of the connections were not great (9-10 ohms or so!) So I removed the terminal strips (with the components I had already soldered still attached) and scraped away the paint under the tabs of the strips to ensure a good connection. Re-testing showed virtually zero resistance. I'd strongly recommend scraping the paint away at all holes under the chassis before getting started on the build. Even better, suggest that Amplified Parts leave the inside chassis unpainted (at least around the important holes). Aside that one criticism, I am delighted with the kit and with Amplified Parts. Everything was delivered promptly and they are a class outift. I'll probably try some of their other kits soon.vpmerlyn
I spent three evenings building the MOD102. The instructions are very easy to understand and the amp has a great Fender sound. I had one grounding issue that was easily fixed with a little help from tech support, which was excellent. If you're good at following step by step instructions and can solder well this is a fun little amp to build. Only small issue is the labels. They could stand an improvement.Brandon
I just finished this amp build and it sounds fantastic! I also just finished a Marshall 18 Watt clone and I have to say that the Mod102+ holds its own very nicely alongside the Marshall. In fact, I will probably use the Mod102+ for recording because it sounds amazing at lower volumes (the Marshall is loud AF). Honestly, if I were only going to build one of them today, it would be the Mod. I'm blown away by the tone! Great kit with excellent instructions. Great bang for the buck. The parts all seem to be top quality. I love the old style cloth solid core wire, too. I find it much easier to work with than modern stranded wire. The labels are a bit lame but I covered them with packing tape as suggested before cutting them out and they look fine. If you're thinking about building an amp, build this one.danjbeckett
8. Palmer Pdi06l08 Power Attenuator
Product Details:
Palmer power attenuator 8 ohms (pdi06l08) palmer power attenuator – control the volume of your guitar amp the pdi06 is a power attenuator for live applications. the device is connected between the amplifier output and the speaker cabinet. it makes it possible to use the popular power stage distortion of tube amplifiers while reducing the associated high volume level. this permits practical volume reduction in five increments from 100% to 18% for stage and practice room situations. an additional level makes the speaker completely mute; the pdi06 then functions as a load box and absorbs the entire output power of the amplifier. this mode of operation is useful, for example, when connecting an amplifier equipped with a speaker cabinet emulation directly to the mixing desk using an existing line-out and loud volume levels in the recording booth are undesirable. the unit has an input for the speaker signal from the amplifier and two outputs for connecting speaker cabinets. the total impedance of the speakers must equal the value shown on the pdi06. example: the outputs of a pdi06, that is specified for 8 ohms, can be connected to one 8 ohm cabinet or two 16 ohm cabinets (the 8ohm version has only one output). the output of the (tube) amplifier is also set to 8 ohms.
Specifications:
| Channels | 1 |
| Input type | unbalanced |
| Inputs | 1 |
| Input connectors | 6.3 mm jack |
| Output type | unbalanced |
| Outputs | 2 |
| Output connectors | 6.3 mm jack |
| Controls | bypass, rotary attenuation switch |
| Dummy load | Yes |
| Dummy load impedance | 8 Ohm(s) |
| Max. load | 120 W |
| Voicing filter | no |
| Power attenuator | Yes |
| Transformer isolated outputs | no |
| Cabinet material | sheet steel/aluminium |
| Cabinet surface | powder coated/anodized |
Reviews:
Ottimo prodotto ! Fa esattamente quello che cercavo, visto che in casa non posso suonare con gli ampli a volumi normali. Questo articolo è ottimo perchè riduce, di un fattore a scelta, il volume, fino a zero e ad un massimo del 70%. Si può ovviamente bypassare la riduzione con l'apposito pulsante e ascoltare a volume normale. Lo raccomando !
Have used this a handful of times since buying – very simple to use and works as described. It basically sits between the amplifier and speaker to absorb some of the amplifier power output and reduce the volume of the speaker. This is great for getting power tube break-up at more reasonable volume levels. The unit is very well built, simple to use and seems to be pretty transparent (I can't detect any noticeable difference in tone when using the attenuator at 70% or 50% of original signal strength). Really useful for me – enables me to get tube break up at sensible gig volumes and get the best out of my tube amplifier. Personally, I wouldn't use this for bedroom practice levels but a great option for taking a little volume off for gigs or recording sessions while still running master amp volumes into that "sweet spot".Reviewed by Andertons Music Co.
Le 5 stelle le meritate tutte.Super veloci con la consegna e il prodotto e'perfetto per le mie esigenze.
9. Electro-Harmonix 5mm Guitar Power Amp
Product Details:
The ehx 5mm guitar power amplifier is a pocket-sized power amp thats a great alternative to a traditional guitar amplifier. its super portable and perfect in playing situations where a high-powered amp is not required like when youre micd on stage, in the studio or as a backup. it produces 2.5 watts so one of the cool things about it is that it doesnt take much to start getting some nice drive and saturation. plus, it can be connected directly to any 8 16 speaker cabinet. the 5mm is complete simplicity. it features a volume control and a bright switch which, when engaged, adds presence to the signal. since it is a power amp, a preamp, overdrive pedal and, or an eq in front of it will really let you dial in your tone, but it can be used by itself. the 5mm power amplifier also comes equipped with its own power supply.
Specifications:
| Amplifier Power | 2.5 W |
| Speaker Cabinets Power | 10 W |
| Load Impedance | 8 Ω – 16 Ω |
| Size | 5mm |
Reviews:
I'm impressed for only being 2.5 watts this little guy sounds good and loud. For my home studio and office. This guy fits for late night playing at low wattage where even my dsl 20 is too loud. I've hooked up a couple of dirt pedals and overdrives/boosts and it gets the job done. I plan on hooking my EQ pedal to give it more flexibility in tone shaping. Love this micro pedal amp.Gary A
I recently obtained this because I have a Randall Diavlo 5W amp head that does not have a working power section, and so I wanted some kind of power amp to route its preamp into that was also not terribly loud since I only require it for at home practice. I run this set-up into two 1x12s with a Celestion Greenback and a Celestion G12-65 Heritage. The sound is actually pretty great! It certainly feels tube-y and even at 2.5 watts, it can get loud (maybe not as loud as you want it with a live drummer, but loud enough for jamming against a backing track coming out of your studio monitors for instance). I will say that if you like to jam clean, this power amp may not be for you. At 2.5 watts, it gets nice break up pretty early (at about 9 o clock). So I think it is better suited for dirty tones and metal. If you want more headroom it will make more sense to get the EHX Howitzer or the Magnum 44 (though i think the Magnum is too loud for home use). About the only con I can see with this pedal is the power supply it comes with is slightly large (though not gruesomely large as say the Line 6 HX Stomp). Also, it requires 500mA to operate, so make sure your pedal power supply can supply that or else you will have to deal with the included power supply. Thank you EHX! This power amp has certainly made my life easier for home jams.The Guitar DudeMan
10. Tone King Ironman Ii Mini Power Attenuator
Product Details:
This tone king ironman ii attenuator is in great shape and working condition. the tone king ironman ii mini tames the wall-shaking volume, from your mid-powered tube amp, with a few more tricks up its sleeve. this 30-watt, 8 ohm power attenuator lets you push tubes to their limits at bedroom volume levels. thanks to its reactive load technology, the ironman ii mini keeps the tone and feel of your rig completely intact. the ironman ii mini features a line-level di output, ideal for quieter stages and home recording. factor in the attenuator’s pedal format and footswitchable 3db/6db solo function, and you have a transparent tube amp volume solution unlike anything out there.
Specifications:
| Input Impedance | Fixed Impedance; 8 Ohms only |
| Speaker Impedance | Fixed Impedance; 8 Ohms only |
| Attenuation Dials | Selects between 6 different attenuation steps |
| LED Indicator | Indicates status of SOLO function |
| Dimensions | 7" Wide x 8" Deep x 1 5/8" Tall |
Reviews:
Man. I got a Marshall SV20H that was just too loud for any normal house use. I've gone through like four attenuators and every single one muffled the sound to no end. This one PERFECTLY attenuates the amp without compromising any noticeable tone whatsoever, and the 18 different attenuation levels is insane. Get this NOW!Matthew
I am using it with a Mark V 25 Head + 1×12 slant cab. I was very much on the fence about buying an attenuator but after doing some research, i decided to go for the TK Ironman ii mini because: – The Mark V 25 does NOT have a single master, but a per channel one, which needs to be set between 10-11 for the amp to shine (otherwise it sounds bleak and thin). By using this thing, I have a single master, the amp is in "set and forget mode" – Sits on top of the head. It is light and relatively portable. – It is PASSIVE (no power adapter needed) – It is very granular. I personally do not use the "solo" function because it sits on the amp, but that gives another layer of versatility. Only downside is the small rubber feet which I replace for bigger ones to sit properly on the head. That's not a problem, just an observation in case you are wondering. Great bang for the buck.Nando
After reading tons of reviews decided on this guy. What a great piece. Simple to use, built well, and has a boost. There is zero done loss running this between my Plexi and my 4/12 cab. Even at bedroom volume it's just perfect. All metal construction. USA assembly and attention to detail. Would recommend this to anyone. Would definitely use this company again.Jared
11. Fender Hot Rod Deluxe Iv Black
Product Details:
An updated version of the legendary amplifier that has been the heart of many guitarists rigs, the hot rod deluxe iv features modified preamp circuitry, smoother-sounding spring reverb and updated aesthetics that any player is sure to appreciate. a supercharged amp decked out with player-requested features, this scorching 40-watt 1×12 combo is ideal for guitarists who need hot-rodded power with performance to spare. this special edition features a celestion redback speaker. the redback has a tight well controlled low end, detailed midrange and more relaxed treble that can still deliver balance responsiveness and superb playability.
Specifications:
| Amplifier Type | Tube |
| Output | 40 Watts |
| Inputs | Two – (1/4”, Input 2 operates at -6dB) |
| Channels | Three – Selectable (Normal, Drive and More Drive) |
| Effects | Reverb |
| Tubes | 3 X 12AX7, 2 X 6L6 |
| Speaker | One – 12” Celestion Redback |
| Covering | Black Textured Vinyl |
| Grille Cloth | Lightly-Aged Silver |
| Handle | Molded Plastic Strap with Nickel-Plated Caps |
| Number of Channels | 3 |
| Speaker Size | 1 x 12" |
| Total Power | 40 Watts |
| Reverb | Yes |
| Preamp Tubes | 3 x 12AX7 |
| Power Tubes | 2 x 6L6 |
| Rectifier Tubes | Solid State |
Reviews:
This has to be one of the best stamps I've ever had with the exception of one little hiccup. This is replacing a Fender Blues Deville, which I absolutely loved. I had access to almost every Fender amp when I bought my Blues Deville and it just spoke to me. Well, they don't make Blues Devilles anymore, and I knew the Hot Rod Deville existed, so I went for it. To my ears, it's the same as my previous amp. This is a two channel amp in which each channel is independent of the other with the exception of the tone knobs, which are the same for both channels, which is not a problem for me. When I plugged it in, I couldn't believe how incredible it sounded clean. It absolutely blew my mind. I used both a Stratocaster and a Les Paul. Then, I took the second channel and add a little bit of gain to it, which distorted it. The distortion on this amp is so creamy that I don't even need to use my TS9. It has to be one of the best distortions I have ever heard from an amplifier. I usually use an Orange TH30C for my distortion. My Fender amp was always a clean amplifier. I may be using this one for the distortion and my Orange may get sidelined. The reason I'm giving this amp four stars is because of the following; when you go to switch channels using the included foot switch, there's a loud pop that happens every time you switch channels while you're playing. Apparently, it's inherent to the amplifier. It's the only reason I cannot use this amplifier with clean and dirty at the same time unless I use a TS9 on the clean channel. That really was not a well thought out process from Fender. For the price of this amp, I would think that problem would've been fixed, but it is what it is. I still love the amplifier and I'm still glad I bought it, although I will have to use my Orange when I want a distorted sound.Chuck
I bought my new Fender Blues Jr v4 about 2 months ago from a guy who decided he was more of a "Marshall Guy After All" so I got a bargain, but that was just the beginning. I wanted to spend some time and several sessions playing with this thing before I rushed into a review, but it turns out my first impressions have been even more reinforced since playing this thing for several hours, and the big word here is WOW. I have been playing for over 62 years (that's right, got my first guitar at 7) and bought my first Strat in high school. I've played and owned a LOT of different amps, and even now I have a few pieces for which I have some sentiment, but now it seems I will have to seriously reconsider. Good thing there is no "Amp Limit Law", but if there was I could finally happily liquidate all the others if I could have just my new Blues Jr. I have read voraciously for years about concepts such as "touch sensitive", "controlling breakup with the guitar volume", "takes pedals well", etc. Turns out these have only been myths to me all this time until now. Everything good and superlative that's been written about this amp is absolutely true. The preamp section is like pure magic in shaping the tone and delivering it to my favorite-EL84 power amp section. I have never been a fan of the usual Fender tube lineup, and when I heard this runs EL84s I was already excited. I am still a Strat guy to this day and love everything about it. But I have never even dreamed it could sound so good. I have an Egnater Rebel 20, a vintage Crate 15 watt blonde with a Dr Z speaker, and my prior favorite-a 5 watt Epiphone Valve Jr into a 12" Eminence Lady Luck. I have some others, but nothing I own or have owned can even come close to this thing. And what has been said about the Celestion speaker choice is again, absolutely right on. The sound from this amp would be as if you had an old Deluxe Reverb, did a cap job, retube, and maybe speaker upgrade. I guess I'm trying to say that it soundsMark, R
Simplicity itself, with great tone and a big sound from a small package. I've a few amps, ranging from heads and cabs to combos, but had a hankering for a small tube combo – one that could do a rehearsal if needed. This has a great sound with a 335 and a Telecaster, and so easy to dial in a fantastic tone – infact hard to get a bad tone. Plenty loud enough, I would happily take this out and gig it. I love the fact you can unplug the internal speaker and plug it into a cab, makes it a great package. No perceivable noise when winding it up, and the stock speaker is great, good tight bass and nice and chimey on top. Seems solidly built, but I guess time will tell on that front. All in all, very pleased with this, and great value.Customer
12. Mesa Boogie Powerhouse Reactive Amp Load Attenuator 16 Ohm
Product Details:
Every experienced player knows there’s nothing like a great tube amp running in the power band for tone, feel and excitement. be it a 30-watt combo running 6v6 or el84s, or a full-blown 100-watt head cranking with 6l6 or el34s, nothing compares to the dynamics, expressiveness, fullness and dimensionality of a tube power amp operating in “the zone”. however these days, venue volumes are down and neighbors everywhere aren’t as tolerant as they once were.
Specifications:
| Finish | Black |
| Year | 2020 – 2022 |
| Made In | United States |
Reviews:
Super simple to use and set up!Ryan
Does a great job reducing volume but at the cost of tone. Even on the lowest attenuation setting it compresses the sound of the amp a lot. My amp sounds much better at low volumes without the attenuator. I ended up returning it. If your amp has a master volume skip this product.Josh
13. Blackstar Ht-5r Mkii Tube Combo Amp With Reverb
Product Details:
Designed for electric guitar players, the blackstar 5w tube guitar combo amplifier is capable of powering 5w into its single 12" speaker. it provides two channels, one for clean and another for overdrive. an included footswitch allows you to easily switch between the channels. the overdrive channel offers a three-knob tone stack and blackstar's proprietary isf tonal filter, while the clean section gives you a simple tone control. reverb is also on hand for adding space to the signal. the amp's size and features make it ideal for recording, practice, jamming, performance, and more. using a 12bh7 tube for rich harmonics and compression, the amplifier's power section produces the crunch and break-up characteristics of a traditional 100w output stage, but at a much lower volume. you secure an even lower level by pressing the output-power reduction switch, which gives you 0.5w operation. an ecc83 tube is used to drive the preamp section. this combo amp includes a 1/4" line output and an xlr di out. both of these respond to a voicing switch that allows you to change the tonal characteristics of the emulated signal. choose between a 4×12" closed-back or a 1×12" open-back cabinet sound. this enables you to use the amp with guitar-level effects such as stompboxes or rackmount gear. you'll find 1/4" 16- and 8-ohm speaker outputs, as well as a stereo mp3/line input and a usb port.
Reviews:
Great sounding clean tones for playing at home, which is why i bought it – my beloved Mustang 1.1 started having issues and I MUST have a great clean tone to relax. Wanted a tube amp and did my research. Decided on the Blackstar. I must say I'm extremely happy with it. The reverb is KILLER to my ear and does a great job at adding shimmer without destroying the tone. No external effects are needed to get a gorgeous clean tone – I use my Zoom G3Xn into the front end to get univibe and compression. The effects loop is very functional. The amp can be very bass heavy, depending on your instrument, but if you run a 10 band EQ (go with MXR) in the loop you amp can achieve any tonal result you want. My best sound comes with everything at 12, with some of the bass rolled off with the MXR EQ – but its just a matter of taste i guess. This amp moves a lot of air when you use the drive channel, and if your not pleased with the amps distortion it does respond really well to distortion pedals. I'm mostly in the clean blues zone but must brag on the amps darker side: it can get very loud and stay rich. I haven't tried any of the direct recording features. The 2 selectable characters of clean that the amp offers thrill me and ,again, the reverb is classy and a bit different from other amps ( I read that is a room reverb). Highly recommended.Tim H.
This amp out of the box sounds fantastic. Crystal clear clean tones and a snarly gain channel that lets you choose between a more American gain tone and a British gain tone. I would say ‘cater for everyone’. But, I received my first amp and within an hour of playing I’d noticed a loud ‘POP’ when changing channels. This pop occurred if a note was being played at the same time as the channel change. (Footswitch and Amp buttons) So, of course I returned the Amp to PMT. they arranged DPD next working day collection for me, completely hassle free. I awaited my next amp, as a direct replacement. A few days later the next Blackstar HT-5R mkii arrived, box fresh like the last. I plugged the amp in, let the tubes warm and away I went. Within minutes of found a great tone again, but the loud ‘POP’ I heard from the first unit was there again on this amp. I tried 4 sockets in the house in case there was any kind of interference/static, but to no avail. Absolutely gutted, I called PMT again. The amp was returned for the second time. Apparently this hasn’t happened to anyone else, I may just be unlucky or the amp may not get along with the electrics in my home. Just check this out as soon as you buy one. I’ve tried two other valve amps on my house since, including a Blackstar Artist 10 AE and an Orange terror with cab, and there’s absolutely zero noise with these. Very important to note here, this is not a slam of PMT, they’ve been absolutely brilliant throughout this whole thing. Customer service is second to none and they are very easy to contact. Used these for a very long time and I will be returning once stores open to try out a new amp.Jack H.
Overall: So, I have been playing guitar for 40 years, always used Marshall's, So I did a bit of research, And found that 2 guys from the research and development team at Marshall for almost 20 years were trying to make some changes on some Marshall amps, Well Marshall said, "No", and these 2 guys decided to leave and start their own Co. Well just let me say, This 50 Watt head, Loaded with British sound and quality, could not be better! So many different features, and options of tone is incredible! Anyone looking to buy a Marshall head for over 2k, buy one of these!! you will not be disappointed! My god it sounds incredible! For under a grand at that!!, I do use a Marshall 1960 A slant cab with it, But this Blackstar is no slouch! zZounds was amazing as always! out of the Box, perfect condition! Thank you zZounds once again!!
14. Seymour Duncan Powerstage 200 Pedal Amp
Product Details:
Floor-based power for your pedal-based rig seymour duncan's powerstage 200 is a miniature power amplifier that is engineered to attain the best tone and performance from your pedal-based electric guitar rig. small enough to fit right on your pedalboard, the powerstage 200 still pumps out an astounding 200 watts — more than enough to power any combination of guitar cabinets. and the onboard 3-band eq makes it extremely versatile, no matter what pedals you are using for your front end. complete with built-in speaker cabinet emulation so you can record directly into your daw, the seymour duncan powerstage 200 is a powerful solution both on stage and in the studio. convenient size unlike the heavy and large solid-state power amplifiers of the past, the seymour duncan powerstage 200 electric guitar amp is housed in a compact and attractive enclosure that will nestle right in with your other pedals. not only that, but the powerstage 200 is a featherweight. when you're done pummeling your audience's ears at the gig, simply pack up your pedalboard, and your amp is taken care of too. plenty of tone-shaping power the seymour duncan powerstage 200 electric guitar amplifier is engineered to get the very most from your pedalboard. and thanks to a powerful 3-band eq, it sounds great as its own clean channel as well. the onboard 3-band eq works with the power stage to match up to any cabinet. no matter what you're running on the floor, the powerstage 200 will handle it flawlessly.
Reviews:
I got it with my Friedman OD pedal and sounds clearer than my evh head. Giant thanks again.
15. Hughes & Kettner Ampman/classic
Product Details:
Hughes & kettner s all-analog spirit tone generator is now available in a compact pedal format. ampman classic s two distinctive channels each embody an entire era of legendary guitar tones, served up by the built-in 50-watt power amp or the integrated red box ae+. with connoisseur tone-shaping capabilities, impressive power and a comprehensive set of professional features in a handsome little box, ampman is the go-to solution on stage, at home and in the studio.
Reviews:
Après quelques temps pour dompter le set up on a accès à un ampli de bonne qualité et super polyvalent. Personnellement, je préfère le brancher dans mon 2×12 mais la red box fait un travail très correct. C’est puissant et on peut accéder a pas mal de sonorités différentes. Il ne manque qu’une réverbération mais c’est facilement insérable dans la boucle d’effet.
Ich habe den Ampman aufgrund der vielen guten Bewertungen im Netz gekauft und bin sehr zufrieden. Ich nutze ihn auf einem Pedalboard mit einem vorgeschalteten Elektron Analog Drive und im Effektloop einem Line 6 M5 und uraltem Ibanez Stereo Chorus. Der Sound des Ampman alleine gefällt mir schon sehr gut und es gibt einen Haufen Einstellmöglichkeiten. In Verbindung mit dem Analog Drive lässt sich das gefühlt endlos erweitern. Wer nicht gerade so ein Riesending wie den Analog Drive auf sein Board packen möchte, kommt sicher auch mit einem einfachen Zerrer gut aus. Wie gesagt, die Möglichkeiten sind gefühlt unendlich. Die Bauqualität ist auch super. Die schlechte Ablesbarkeit der weißen Schrift kann ich bestätigen. Stört mich aber in der Praxis überhaupt nicht. Die Redbox AE über Kopfhörer finde ich Klasse. Sound gefällt mir auch da sehr gut.
16. Pulse Guitar Tube Amplifier Head – 15w 2 Channel Effects Loop
Product Details:
The pulse pm30h guitar tube amplifier head features everything you need for practicing in the bedroom or playing your next gig. 2 separate channels allow you to switch between clean and overdriven tones. lead switch adds additional gain for blistering solos. the 12ax7 preamp and 6l6 power tubes provide pure tube tone for sparkling cleans, overdriven crunch, or high gain fury. also features built-in reverb, effects loop, and footswitch inputs for optional channel switching footswitch and effect on/off footswitch (both sold separately).
Reviews:
17. Two Notes Audio Engineering Torpedo Reload Advanced Attenuator
Product Details:
Two notes audio engineering, creator of the world’s best speaker cabinet simulation, has bridged a new technological gap with the torpedo reload, your new high-end device for silent playing and reamplification. the reload is the ideal combination of the devices you must have in a modern studio for the recording of electric guitars and basses: a power attenuator, a multi-impedance loadbox, a di and re-amping box – it does it all and does it perfectly too. the two notes philosophy stands in one word, transparency. the tone must come from your guitar, your amp and cabinet – not from the electronics that we put between parts of your regular setup.
Reviews:
Two Notes Torpedo reload!!! It actually works!!!!! Awesome piece of kit!!Reviewed by Andertons Music Co.
We all know that the valves have to be set to "stun" to get a great tone, and being someone who mainly does a lot of home recording, trying to get the amp to where it needed to be would shake the foundations of the house (along with the wife's temper!!). The Torpedo re-load puts all of that to bed. Along with a multitude of other uses (re-amping, DI'ing etc) I can't fault it. I'm chuffed to bits with it!!Reviewed by Andertons Music Co.
18. Bugera Ps1 Passive 100-Watt Power Attenuator Bundle With S12-6 Ts-Ts Speaker Cable – 6 Foot
Product Details:
This bundle includes the ps1a passive 100-watt power attenuator with a high quality 6" speaker cable for the most demanding applications ps1 passive 100-watt power attenuator: passive 100w tube guitar amplifier attenuator with emulated outputs, and 4-, 8-, and 16-ohm amplifier inputs the attenuator's emulated mic output simulates the feel and sound of a great speaker cab and sends that tone direct to the console — perfect for recording or live performance without a mic s12-6 1/4 inch ts to 1/4 inch speaker cable – 6 foot: speaker cable, 1/4" ts male-1/4" ts male, 6' long these excellines speaker cables are built with high-quality 12 awg and have durable, flexible jackets and rugged neutrik plugs bugera's ps1 is a 100-watt tube amplifier attenuator that helps you achieve thick cranked-amp tone at much more manageable volumes. by placing it between your tube amp's speaker output and your speaker, you can turn your amp to its max, while bringing the volume down via the ps1. the attenuator's emulated mic output simulates the feel and sound of a great speaker cab and sends that tone direct to the console — perfect for recording or live performance without a mic.
Specifications:
| Speaker Amplification Type | Passive |
| Power Source | Corded Electric |
19. Amprx Brownbox Amplifier Voltage Attenuator
Product Details:
If you want to get the best possible sound from your tube amp, you need a brownbox. standard 120v ac wall current is typically too high for vintage tube amps. the amprx brownbox lets you bring that current down to an optimal level. results in significantly improved amp performance and increased tube life. whether you're a professional recording engineer or a tone purist, if you want to get the best possible sound from your tube amp, you need a brownbox all tube amps (especially vintage amps) are designed to run at an optimal voltage, and standard 120v/ac wall current is typically too high for vintage tube amps, as well as some modern designs. with its proprietary 5-amp transformer and flexible attenuation options, the amprx brownbox lets you bring that current down to an optimal level, resulting in significantly improved amp performance and increased tube life.
Specifications:
| Product Dimensions | 13 x 10 x 8 inches |
| Is Discontinued By Manufacturer | No |
| Color Name | Brown |
| Power Source | AC |
Reviews:
Works perfect, built like a Tank. No hum like the variac I had. Use this with a '68 AB763 silver face drip edge blackline Super Reverb. My line voltage was consistently 125. I drop the voltage to 117 or below. Now I can crank the amp without blowing the 2amp fuse. Would recommend this for all vintage amps. Smooths out my Mark V as well.Ken
20. Two Notes Torpedo Captor X Reactive Loadbox Di And Attenuator – 8 Ohm
Product Details:
Torpedo captor x is a compact reactive load box, tube amp attenuator, miked cab simulator, ir loader and stereo expander for home, live and studio use. play your tube amp at its sweet spot and adjust your volume with the captor x's attenuator. this is perfect for practicing with your true tone without driving the neighbors crazy. you can even enjoy your 100w rig in silence with an immersive headphone experience! tired of lifting your heavy cabinet? ditch it, and go directly into a live mixing console, portable pa, or audio interface. torpedo captor x is also packed with creative bells and whistles that expand its functionality. shape your tone in real time right from your laptop, mobile device, midi controller or the usb torpedo remote. tap into torpedo captor x’s vast collection of virtual cabinets, mic combinations, and rooms for endless creative possibilities. on top of that, the torpedo captor x includes a selection of signal processors to get your guitar tone just right.
Reviews:
Blown away by it. No-one needs actual cabs anymore. Or mics. Tube amp cranked into headphones in the middle of the night? no problem. The cabinet models sound fantastic and there are extra little sound tweaks available like body & thickness that can really lift your tone. It also comes with a plugin that can do the cab emulation in software, with all the benefits that brings – such as not "printing" the sound at the time of recording. Unless you're playing live (and even if you are, tbh), don't buy a cab, just get one of these. It's so good I wanna keep it a secret. Dang too late.Robert G.
All the features stand out! The attenuator feature is nice as you can use this to crank the amp and have bedroom or slightly louder volumes for that cranked amp sound. The stereo headphones is very nice for quiet night time playing. The cabs sims are great with software for PC/MAC and Bluetooth versions for IOS and android. The IR loader is great as you can load your favorite IR into the device. The on board reverb and all the mic, EQ and room adjustments. I have been able to get greats sounds from this device in all aspects, as an attenuator for my amp, and a excellent cab simulator. The 'feel" is great. For the price, nothing else comes close, and if this was more expensive, it still would be better than what's is currently out there. My exceptions were exceeded as all the features were really good, not just one or two.Dave
I’ve never believed in amp sims. They can make do for parts buried in a mix but never stand up on their own. With the Captor X your amp will sound like… your amp. The interface is easy to use and versatile enough to make your amp sound like you want. It’s not like playing your guitar in the room (unless you have a real speaker connected as well). It’s like a recorded playback of your guitar in a room. It reacts properly because it’s your amp reacting. Stock cab sims seem fine but I decided to get some Celestion Greenback IRs since that’s what I use in the world. Happy to say that they sound like Greenbacks. I was worried about unrealistic sound and input lag but no complaints about either. I was worried about using fuzz and distortion pedals but they sound as they should. You can certainly make it sound bad, but you can do that with expensive microphones and boutique amps just the same. I don’t think you can get better without paying more than twice the price. I don’t think it’s better than miking up a real cabinet but I will be recording a lot more guitar without having to hire a studio or traumatise my neighbours. It does take some tweaking but it’s all down to your own preferences and the point is that those tweaks can get you where you want to go. I’d suggest looking up the Andy Demo on YouTube to hear some guitar in isolation. Search for “captor x with fuzz pedal” and you should find a video called “doom pedalboard 2.0…” from Dirty Demos to see what high gain distortion pedals do. These will demonstrate some actual normal playing rather than directionless noodling. If you don’t like the sound then this is not for you, and that’s fine. If you’re trying to record tube amps and you don’t have a nice big space with understanding neighbours then this could be what you’re looking for. It’s definitely what I hoped it would be. And it does bass as well.Guy Incognito
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