Are you looking for the Guitar Amp Power Attenuators? If so, you’ve come to the right place.
Choosing the Guitar Amp Power Attenuators can be difficult as there are so many considerations, such as Weber, Revv Amplification, Marshall, Fender, VOX, Tech 21, Dr. Z Amplification. We have done a lot of research to find the top 20 Guitar Amp Power Attenuators available.
The average cost is $317.09. Sold comparable range in price from a low of $16.98 to a high of $849.68.
Based on the research we did, we think Bugera PS1 Power Soak Passive 100W Power Attenuator is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Guitar Amp Power Attenuators (20 Sellers)
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Reviewers Noted:
Quality build . Ease of use . Sound quality
Features:
- Description
- Passive 100-watt power attenuator allows you to get the ultimate overdriven tone at any volume
- Multi-impedance input connectors (4, 8 and 16 ohms) to match virtually any amplifier
$107.10
4.6
Reviewers Noted:
Quality build . Ease of use . Sound quality
Features:
- 100w passive power attenuator allows you to achieve the ultimate tone at any volume
- Multi impedance input connectors (4, 8 and 16 ohms) to match virtually any amplifier
- Line output with dedicated level control
Features:
- The perfect way to optimize the input voltage for your tube amp.
- Dramatically improves your amp's performance!
- Optimal input voltage extends the life of your power tubes.
$65.00
4.6
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Amp box
- Measures 3.6 x 1.5 x 1
- 584-608 mhz
$395.00
4.8
Reviewers Noted:
Ease of use . Portability
Features:
- 30w attenuator offers cranked tone and response at whisper volumes.
- Reactive load technology maintains the relationship between amp and speaker.
- Custom-designed, transformer-coupled signal flow.
$49.99
4.6
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Designed to restore weak guitar sound caused by using too many pedals
- Compact design helps to keep your space organized
- Delivers natural tone that sounds like you are plugged straight into your amp
$329.99
4.9
Features:
- Format: 9.5''/ 1 ru
- Adjustable in 6 steps (100%, 70%, 50%, 35%, 25%, 18%)
- Reduces the volume of a guitar speaker at full saturation of the tubes
$529.00
4.0
Reviewers Noted:
Ease of use
Features:
- The new mesa boogie powerhouse attenuator is here!
- This is the 16 ohm version!
$45.10
4.4
Reviewers Noted:
Ease of use . Size
Features:
- In perfette condizioni
- Con scatola originale
- In perfect condition
$749.99
4.7
Reviewers Noted:
Ease of use
Features:
- Reload advanced, in excellent condition.
- You will not do better for a home studio.
- Some many options for recording and attenuating.
$269.99
4.8
Features:
- Meticulously designed to provide high-quality audio for an immersive sound
- Xlr interface provides a reliable connection with compatible devices
- Phantom power of 48 v delivers consistent power supply for efficient performance
$16.98
4.8
Features:
- The 8 ohms impedance helps reduce distortion for a clear and crisp sound
- L-pads help control the volume of connected drivers easily
- Mounting hardware lets you install this attenuator conveniently
$269.99
4.8
Features:
- Rms power of 150w delivers a high-quality audio for an immersive sound
- The xlr jack offers convenient connectivity with compatible devices
- The -20db attenuator lets you attain cranked-amp tone even at low volume
Features:
- 5a input ac voltage attenuat f full-sized tube amplifiers
- 4 selectable output voltages
- 4 selectable input voltages
Features:
- This bundle includes the ps1a passive 100-watt power attenuator with a high quality 6" speaker cable for the most demanding applications
- Ps1 passive 100-watt power attenuator: passive 100w tube guitar amplifier attenuator with emulated outputs, and 4-, 8-, and 16-ohm amplifier inputs
- S12-6 1/4 inch ts to 1/4 inch speaker cable – 6 foot: speaker cable, 1/4" ts male-1/4" ts male, 6' long
Features:
- This switchable in-line attenuator helps in maintaining high-quality signals
- Specially engineered to provide efficient performances at 15, 20 or 25 db
- Female 3-pin xlr input offers hassle-free connectivity with microphones
$699.99
Features:
- Rivera rockcrusher power attenuator…
$299.99
Features:
- Dial's back your amp's output without sacrificing tone
- Crank up into breakup, even at bedroom levels
- Great for tapping into any amp's sweet spot
Features:
- Great for recording, without the need of a cab
- Selling it cause i dont use it anymore since i've entered the axe fx world
- Come with power cable and manual, used once for a gig, then was always in the studio
Features:
- Factory add an inductance transformer and bipolar filter circuit to get the nicer sound for the mkiii.come with a tube cage and vu meters.
- Power output tube: 300b × 2.
- Power transformers: new imported 0.35, stack thickness 60mm (114-60).
1. Bugera Ps1 Power Soak Passive 100w Power Attenuator
Product Details:
Good little attenuator. the nice thing, besides price, about this attenuator is you can select your ohm output from 4, 8, or 16. so if you have multiple amps with different ohm outputs, you can use this for multiple amps. wouldn't actually try a 100 watt amp with it though, it's not robust enough to truly handle 100 watts, no matter what bugera tells you. anything less is fine. there are just a few hours on this as i've upgraded to an ox box. includes a printed manual.
Specifications:
| Product Type | Passive power attenuator |
| Designed For | Guitar, bass amplifier |
| Total Output Power | 100 Watt |
| Impedance | 4, 8, 16 Ohms |
| Controls | Line, soak |
| Connections | Audio line-out – phone 6.35 mm Speakers output – phone 6.35 mm Emulated mic output – XLR 3 x amplifier input – phone 6.35 mm |
| Warranty | 3 years |
| Width | 5 in |
| Depth | 6.8 in |
| Height | 3.6 in |
| Weight | 2.87 lbs |
Reviews:
Great piece of kit. I am using it along side a 40watt h&k tube. When full powersoak is initiated, basically half the power is coming out the speaker. Incredible to be able to play a fully cooking 40 watt tube and having the output at living room audible level. Outstanding bit of kit for the price. Emulated mic if you are going to mixer, not that great but if you are using it for live play. It is absolutely perfectReviewed by Andertons Music Co.
I have a vintage 1978 Marshall 50w JMP half stack that was gathering dust in my studio. We all know that 50 Marshall watts is closer to 75w when dimed. With no master volume or effects loop I was seriously considering selling this rig as it was too loud for home studio use. This Bugera PS1 solved my problem!!!!! The unit is very well made, has three input options 4/8/16 ohms & most importantly a balanced mic emulation XLR & unbalanced line out. I tested these outputs on my Tascam 24 track & it sounds fantastic. I put the line out & xlr out into separate tracks & I got the classic Marshall sound we are looking for. I had my heads volume around 7-8 & used 4 ohm out. I attenuated till I could hear my guitar strings strumming. Even though the PS1 is rated 100w, my 50 w head got the PS1 pretty “toasty” so make sure you have plenty of air around it.marstegreg
I have a Princeton reverb amp that I love the sound of but always have to play it on the quiet channel. The amp sounds great but really springs into life with the volume dialed at 4.5. This is fine on the quiet channel but is still too loud late at night. Also, I'd been watching lots of reviews of the amp on YouTube and seen that it is capable of much more than I was making use of but that it meant cranking the volume. The Bugera PS1 had loads of great reviews so I thought I'd give it a go. Wow! Firstly I noticed that it removed the noise floor of the amp making it pretty much silent when not playing. I can now run my amp in the normal channel with the volume at 10 (though I prefer 4 to 8) and not disturb anyone else in the house (too much ). I've now got several new setting options to use with my amp from gloriouscleans to varying degrees of overdrive. I also found that recording is now easier with the reduced noise when mic'd and the line out works great as well. It's a really solid bit of kit that has breathed new life into what was already a great amplifier.Reviewed by Andertons Music Co.
2. Bugera – Ps1 Power Attenuator
Product Details:
The bugera passive 100-watt power attenuator is the perfect choice for guitarists and bassists seeking an authentic, hot, tube-saturated tone at any level. the bugera ps1 is capable turning power into heat, making it perfect for solos and main riffs. multi-impedance input connectors are also included ranging from 4, 8 and 16 ohms, and will accommodate any amplifier. designed and manufactured in germany, this high-quality power attenuator is also equipped with an emulated mic output, which mimics a microphone in front of a speaker cab and delivers an excellent tone.
Specifications:
| Impedance | 4, 8, 16 |
| Noise Supression | No |
| DI Interface | Yes |
| Speaker Simulation | Yes |
Reviews:
Great piece of kit. I am using it along side a 40watt h&k tube. When full powersoak is initiated, basically half the power is coming out the speaker. Incredible to be able to play a fully cooking 40 watt tube and having the output at living room audible level. Outstanding bit of kit for the price. Emulated mic if you are going to mixer, not that great but if you are using it for live play. It is absolutely perfectReviewed by Andertons Music Co.
I have a vintage 1978 Marshall 50w JMP half stack that was gathering dust in my studio. We all know that 50 Marshall watts is closer to 75w when dimed. With no master volume or effects loop I was seriously considering selling this rig as it was too loud for home studio use. This Bugera PS1 solved my problem!!!!! The unit is very well made, has three input options 4/8/16 ohms & most importantly a balanced mic emulation XLR & unbalanced line out. I tested these outputs on my Tascam 24 track & it sounds fantastic. I put the line out & xlr out into separate tracks & I got the classic Marshall sound we are looking for. I had my heads volume around 7-8 & used 4 ohm out. I attenuated till I could hear my guitar strings strumming. Even though the PS1 is rated 100w, my 50 w head got the PS1 pretty “toasty” so make sure you have plenty of air around it.marstegreg
I have a Princeton reverb amp that I love the sound of but always have to play it on the quiet channel. The amp sounds great but really springs into life with the volume dialed at 4.5. This is fine on the quiet channel but is still too loud late at night. Also, I'd been watching lots of reviews of the amp on YouTube and seen that it is capable of much more than I was making use of but that it meant cranking the volume. The Bugera PS1 had loads of great reviews so I thought I'd give it a go. Wow! Firstly I noticed that it removed the noise floor of the amp making it pretty much silent when not playing. I can now run my amp in the normal channel with the volume at 10 (though I prefer 4 to 8) and not disturb anyone else in the house (too much ). I've now got several new setting options to use with my amp from gloriouscleans to varying degrees of overdrive. I also found that recording is now easier with the reduced noise when mic'd and the line out works great as well. It's a really solid bit of kit that has breathed new life into what was already a great amplifier.Reviewed by Andertons Music Co.
3. Amprx Brownbox Amplifier Voltage Attenuator
Product Details:
If you want to get the best possible sound from your tube amp, you need a brownbox. standard 120v ac wall current is typically too high for vintage tube amps. the amprx brownbox lets you bring that current down to an optimal level. results in significantly improved amp performance and increased tube life. whether you're a professional recording engineer or a tone purist, if you want to get the best possible sound from your tube amp, you need a brownbox all tube amps (especially vintage amps) are designed to run at an optimal voltage, and standard 120v/ac wall current is typically too high for vintage tube amps, as well as some modern designs. with its proprietary 5-amp transformer and flexible attenuation options, the amprx brownbox lets you bring that current down to an optimal level, resulting in significantly improved amp performance and increased tube life.
Specifications:
| Product Dimensions | 13 x 10 x 8 inches |
| Is Discontinued By Manufacturer | No |
| Color Name | Brown |
| Power Source | AC |
Reviews:
Works perfect, built like a Tank. No hum like the variac I had. Use this with a '68 AB763 silver face drip edge blackline Super Reverb. My line voltage was consistently 125. I drop the voltage to 117 or below. Now I can crank the amp without blowing the 2amp fuse. Would recommend this for all vintage amps. Smooths out my Mark V as well.Ken
4. Little Black Amp Box,jhs
Product Details:
Taming a screaming-loud tube amp doesn't always require bulky and expensive load boxes and attenuators. if your amp has a series effects loop, the jhs pedals little black amp box takes care of the job while being able to fit into the palm of your hand. simply run it through your amp's effects loop and control the amount of signal you send to your amplifier's power section. you'll love the way the little black amp box lets you really push the front end of your amp for the natural feel and tone that you can't get any other way. and your bandmates, sound engineer, parents, neighbors, significant other, and pets will love the way it can keep your volume down to bedroom levels. cranked amp tone at whisper volumeif your amp has a series effects loop, you should stop reading this and go buy a jhs pedals little black amp box. all the roaring amp tones you need come with none of the ear-bleeding levels. convenient low-profile designa device such as the little black amp box is content to be a workhorse piece of gear that quietly does its job in the background. that's why jhs designed this little guy to be compact, sturdy, and simple to integrate into your rig. features:- run it in your effects loop to turn down a turned-up amp – retain the response and tone of your amp's sweet spot at lower levels – high-grade components keep your tone clear and pure – passive design doesn't require any power – small size is ideal for saving pedalboard space or even setting on top of your amp – can easily be mounted underneath your board – built rugged – black powder coating keeps the buffer hidden in the background
Specifications:
| Type | Passive Amp Attenuator |
| Inputs | 1 x 1/4" instrument input |
| Outputs | One 1 x 1/4" instrument output |
Reviews:
I've been looking for this for years and I didn't even know it. Putting this in your effects loop let's you heat up the preamp tubes without shaking the walls. Being in a band with three guitarists, it's really helped my tone cut through the mix, hitting that natural break up by running my hot rod at about 2 o'clock, the sweet spot in my opinion. There's lots of options out there, or you can make a single pot volume box, but I love JHS' stuff and it's inexpensive. Buy it.Chris
Overall: I could have built a passive effects loop attenuator for about $20 less, however, this would be with an unpainted, low-quality enclosure. The box is flawless, the potentiometer is very smooth, etc. Based on how cranked my amp's volume and gain are the first 20% of the pot is the max i can go on full settings. If the volume/gain are at noon for example, the JHS Little Black Amp Box is about as exact ast you can get for volume increase/decrease (1/4 is about 1/4 volume, 1/2 is 1/2, etc all the way up to 100% / 100%). Overall, knowing what I could build for the cost, it was only a few dollars more for a top-quality unit and it's well worth it. The painted enclosure has a very nice feel and finish to it with no "bubbling" like you see on some budget units. This was my first JHS "pedal" but if they put this kind of care into all their pedals I will be seeking a few more from them.
This box is perfect for managing your stage volume on any amp with an effects loop. I use several different guitars during a gig. These guitars do not have the same output, but I manage my volume with the box … it also allows me to make overall volume changes without having to make adjustments to my amp. The manual says not to use with other pedals in the loop; however, I put it at the end of my effects chain and have had no problems at all.Curtis
5. Tone King Ironman Ii Mini Power Attenuator
Product Details:
This tone king ironman ii attenuator is in great shape and working condition. the tone king ironman ii mini tames the wall-shaking volume, from your mid-powered tube amp, with a few more tricks up its sleeve. this 30-watt, 8 ohm power attenuator lets you push tubes to their limits at bedroom volume levels. thanks to its reactive load technology, the ironman ii mini keeps the tone and feel of your rig completely intact. the ironman ii mini features a line-level di output, ideal for quieter stages and home recording. factor in the attenuator’s pedal format and footswitchable 3db/6db solo function, and you have a transparent tube amp volume solution unlike anything out there.
Specifications:
| Input Impedance | Fixed Impedance; 8 Ohms only |
| Speaker Impedance | Fixed Impedance; 8 Ohms only |
| Attenuation Dials | Selects between 6 different attenuation steps |
| LED Indicator | Indicates status of SOLO function |
| Dimensions | 7" Wide x 8" Deep x 1 5/8" Tall |
Reviews:
Man. I got a Marshall SV20H that was just too loud for any normal house use. I've gone through like four attenuators and every single one muffled the sound to no end. This one PERFECTLY attenuates the amp without compromising any noticeable tone whatsoever, and the 18 different attenuation levels is insane. Get this NOW!Matthew
I am using it with a Mark V 25 Head + 1×12 slant cab. I was very much on the fence about buying an attenuator but after doing some research, i decided to go for the TK Ironman ii mini because: – The Mark V 25 does NOT have a single master, but a per channel one, which needs to be set between 10-11 for the amp to shine (otherwise it sounds bleak and thin). By using this thing, I have a single master, the amp is in "set and forget mode" – Sits on top of the head. It is light and relatively portable. – It is PASSIVE (no power adapter needed) – It is very granular. I personally do not use the "solo" function because it sits on the amp, but that gives another layer of versatility. Only downside is the small rubber feet which I replace for bigger ones to sit properly on the head. That's not a problem, just an observation in case you are wondering. Great bang for the buck.Nando
After reading tons of reviews decided on this guy. What a great piece. Simple to use, built well, and has a boost. There is zero done loss running this between my Plexi and my 4/12 cab. Even at bedroom volume it's just perfect. All metal construction. USA assembly and attention to detail. Would recommend this to anyone. Would definitely use this company again.Jared
6. Jhs Pedals Little Black Amp Box Passive Attenuator
Product Details:
If your amp has a send/return effects loop simply connect the input to your send and the output to your return. you can use the little black amp box to saturate your preamp section and get some cranked tube tone at bedroom levels! connect the input to your send and the output to your return to saturate your preamp section this pedal does not require power measures 3.6 x 1.5 x 1 in.
Specifications:
| Product Category | Electronics |
| Product Type | Pedal |
| Length | 3.6" |
| Width | 1.5" |
| Height | 1" |
Reviews:
I've been looking for this for years and I didn't even know it. Putting this in your effects loop let's you heat up the preamp tubes without shaking the walls. Being in a band with three guitarists, it's really helped my tone cut through the mix, hitting that natural break up by running my hot rod at about 2 o'clock, the sweet spot in my opinion. There's lots of options out there, or you can make a single pot volume box, but I love JHS' stuff and it's inexpensive. Buy it.Chris
Overall: I could have built a passive effects loop attenuator for about $20 less, however, this would be with an unpainted, low-quality enclosure. The box is flawless, the potentiometer is very smooth, etc. Based on how cranked my amp's volume and gain are the first 20% of the pot is the max i can go on full settings. If the volume/gain are at noon for example, the JHS Little Black Amp Box is about as exact ast you can get for volume increase/decrease (1/4 is about 1/4 volume, 1/2 is 1/2, etc all the way up to 100% / 100%). Overall, knowing what I could build for the cost, it was only a few dollars more for a top-quality unit and it's well worth it. The painted enclosure has a very nice feel and finish to it with no "bubbling" like you see on some budget units. This was my first JHS "pedal" but if they put this kind of care into all their pedals I will be seeking a few more from them.
This box is perfect for managing your stage volume on any amp with an effects loop. I use several different guitars during a gig. These guitars do not have the same output, but I manage my volume with the box … it also allows me to make overall volume changes without having to make adjustments to my amp. The manual says not to use with other pedals in the loop; however, I put it at the end of my effects chain and have had no problems at all.Curtis
7. Palmer Pdi 06 – Power Attenuator 16 Ohms Pdi06l16
Product Details:
The pdi06 is a power attenuator for live applications. the device is connected between the amplifier output and the speaker cabinet. it makes it possible to use the popular power stage distortion of tube amplifiers while reducing the associated high volume level. this permits practical volume reduction in six increments from 100% to 18% for stage and practice room situations. an additional setting mutes the speaker completely; the pdi06 then functions as a load box and absorbs the entire output power of the amplifier. this mode of operation is useful, for example, when connecting an amplifier equipped with a speaker cabinet emulation directly to the mixing desk using an existing line-out and loud volume levels in the recording booth are undesirable. the unit has an input for the speaker signal from the amplifier and an outputs for connecting a speaker cabinet. the total impedance of the speakers must equal the value shown on the pdi06. for example: the outputs of a pdi06 that is specified for 8 ohms can be connected to one 8 ohm cabinet or two 16 ohm cabinets (the 16 ohm version has only one output). the output of the (tube) amplifier is also set to 8 ohms.
Specifications:
| Weight | 5.29 lb |
Reviews:
Solidily built. Retains good tone quality right down to the 18% attenuation level.Reviewed by Andertons Music Co.
Works well to reduce volume and allows amp to work as intended.Reviewed by Andertons Music Co.
8. Mesa Boogie Powerhouse Reactive Amp Load Attenuator 16 Ohm
Product Details:
Every experienced player knows there’s nothing like a great tube amp running in the power band for tone, feel and excitement. be it a 30-watt combo running 6v6 or el84s, or a full-blown 100-watt head cranking with 6l6 or el34s, nothing compares to the dynamics, expressiveness, fullness and dimensionality of a tube power amp operating in “the zone”. however these days, venue volumes are down and neighbors everywhere aren’t as tolerant as they once were.
Specifications:
| Finish | Black |
| Year | 2020 – 2022 |
| Made In | United States |
Reviews:
Super simple to use and set up!Ryan
Does a great job reducing volume but at the cost of tone. Even on the lowest attenuation setting it compresses the sound of the amp a lot. My amp sounds much better at low volumes without the attenuator. I ended up returning it. If your amp has a master volume skip this product.Josh
9. Electro Harmonix Signal Pad Passive Attenuator Pedal
Product Details:
The signal pad from electro-harmonix is a passive attenuator pedal that allows you to reduce the signal level of your instrument with a single control knob. the unit allows you to set up an alternate volume for controlling your amplifier. if your amplifier is set for a high gain distortion, you can run it through the signal pad to lower your signal level. as you step on the footswitch, your amplifier will back down and give you a cleaner tone with the same clarity and characteristics. you can also use the signal pad to set up alternate volumes to drive other pedals and pedal boards. in front of an envelope follower pedal, such as the q-tron, the signal pad will allow you to change the qtron's sensitivity. the signal path through the signal pad is completely passive; the unit does not require power to work. the signal pad's power connection is only for lighting the led. it requires a 9v battery or an external us96dc-200bi power supply (sold separately).
Specifications:
| Weight | 0.65 lb |
Reviews:
If you own an amplifier that only has one channel, this pedal can be very useful. I've had three main uses for the Signal Pad: 1) Put in the FX loop and use as in a low-volume application. Great for home practice, or killing the signal if needed. 2) In a good, responsive/dynamic amp, switch between dirty and clean (tube amps fall mainly in this category). Great for old-style Marshall users, Orange users (the Terror line, for example), etc. 3) Peeling back the gain a bit for a rhythm/lead split. Solid-state amps tend to do this more than cut back to clean, but there are exceptions. If I had a complaint, it would be that the volume cut is too wide – I often never roll lower than 12:00. A more expressive range could be a helpful upgrade. All in all, this thing is great – no battery required, unless you want to power the LED. Throw some time-based effects in the loop of your JCM 800, put this thing straight in, and enjoy.Maiden-Canada
The Signal Pad simply turns your signal down by an amount set by the volume knob. I use it to turn down my guitar when not soloing, but you can also use it to clean up high output pickups, or any use where your guitar signal is too strong. The electronics are completely passive, so you only need to power the pedal, either with a 9V batter or 9V negative center 2.1mm power supply, if you want to see the LED lit when engaged. It's true bypass when not engaged. It works well, and I didn't notice any obvious change in the sound. However, I have noticed a bit more 60Hz hum when the pedal is engaged with my guitar and pedal board. It's possible that you won't experience any hum with your set up.Lawrence
10. Two Notes Audio Engineering Torpedo Reload Advanced Attenuator
Product Details:
Two notes audio engineering, creator of the world’s best speaker cabinet simulation, has bridged a new technological gap with the torpedo reload, your new high-end device for silent playing and reamplification. the reload is the ideal combination of the devices you must have in a modern studio for the recording of electric guitars and basses: a power attenuator, a multi-impedance loadbox, a di and re-amping box – it does it all and does it perfectly too. the two notes philosophy stands in one word, transparency. the tone must come from your guitar, your amp and cabinet – not from the electronics that we put between parts of your regular setup.
Reviews:
Two Notes Torpedo reload!!! It actually works!!!!! Awesome piece of kit!!Reviewed by Andertons Music Co.
We all know that the valves have to be set to "stun" to get a great tone, and being someone who mainly does a lot of home recording, trying to get the amp to where it needed to be would shake the foundations of the house (along with the wife's temper!!). The Torpedo re-load puts all of that to bed. Along with a multitude of other uses (re-amping, DI'ing etc) I can't fault it. I'm chuffed to bits with it!!Reviewed by Andertons Music Co.
11. Two Notes Torpedo Captor Loadbox Attenuator Di 4 Ohm
Product Details:
The torpedo captor is the little brother of the award-winning torpedo reload. the torpedo captor is an easy to use reactive loadbox perfect for unleashing your favorite tube amp in a variety of modern applications and venues. if you just require attenuation from your amp to your cab, captor has you covered. and if you want an easy and modern way to record your tube amp, captor is simply “load” and record.
Specifications:
| Speaker Type | Analog |
| Input Impedance Type | Adjustable |
| Admissible Power | 100 W |
| Output Interface | XLR |
| Attenuation | -20 dB |
Reviews:
I bought this for the attenuation to be able to run my amp all out without upsetting the neighbors. This unit does that well and so much more. Wall of Sound is amazing and has been my go to for direct recording since I first tried it. The DI feature is going to be great for live performances too— I demoed it with my PA and it sounds great— beats micing. The price is right too. I recommend this highly.
This is the most affordable loadbox I could find that had good reviews. I've been using it every day since I received it and it does a great job. I have all my tones from my tube amps while recording and playing silently. Complementary Wall Of Sound IRs sound great and this completely solves my problems with recording at home. I highly recommend it.Reviewed by Andertons Music Co.
Dead easy to use, speaker in goes to the thru (0 attenuation)or -20 DB out. Juice the output of your amp and keep the DB down. Works great with speaker or without. Comes w/Wall of Sound download thats a great gateway to IR and silent recording. Must have to not annoy family or neighbors. Or both. Highly recommendGearJunkie35
12. Parts Express Speaker L-Pad Attenuator 100w Mono 1" Shaft 8 Ohm
Product Details:
Constant input load level controls. used in stereo enclosures for variable attenuation of tweeters and midrange or in a background music system to control volume on individual speakers. sold complete with black plastic knob, mounting plate and hardware. shaft size 1" threaded x 3/8" long. the lp-100l is an 8 ohm, 100 watt, mono l-pad. does not fit within single gang light switch boxes.
Specifications:
| Impedance | 8 ohms |
| Shaft Length | 1" |
| Weight | 0.4158 lbs |
| Diameter | 2.5" |
| Depth | 1" |
Reviews:
I opted to place a pair of these between each one of my Definitive Studio Monitor 450's that have a 1" aluminum dome tweeter that's just too bright with almost all CD audio disks and for movie playback. I chose these after doing quite a bit of research as I didn't want to damage my expensive and nicely built Def Tech 450's.These are simple to mount right on the back binding post and cross-over plate that all Def Tech speakers have.I decided to use the 100 watt 1" which could have easily been the 3/8th instead. I thought I needed to go threw the 3/4" wood but the very thin plastic back plate ended up being the perfect mounting place, which means using the 3/8" are more than sufficient but the 1" will work just as well as the rear mounting plate is rather thin plastic.Don't hesitate to buy these for any Def Tech speakers that are too bright! Most complaints about these studio monitor 350 and 450 models is the extra brightness the well built 1" pure aluminum dome tweeters will produce.Great, well built speakers with expensive drivers and cross-over assemblies and speaker binding posts. These are easily mounted right above the cross-over and speaker binding posts and after soldering the copper wires you can get them in place nice and tight with the lock nut and washer. I also used hot glue to seal the L-Pad to avoid possible vibration.I recommend using hot glue around the two piece L-Pad and between its back plane and the plastic back plate for perfect alignment.They work perfectly and allow me to keep my vinyl sounding perfect and CDs tones back to avoid that excess brightness that anyone with good hearing has to admit is there.Great, well built speakers at 20 solid LBs but a L-Pad was really needed and should have been in the 350/450s' original design.So don't be afraid to drill a hole in the speakers plastic back plate right above the cross-over and get the fantastic option of controlling your peak high end back down where you feel it needs to be. Well built product that seems to be spot on and only attenuates the tweeter as needed with your source.These Definitive Studio Monitor 350/450 speakers are great well built speakers but the 1" aluminum dome is just too bright for most sources except when using a solid preamp, with a very good M.M or M.C. phono stage for vinyl.My Carver C-1 preamp that's been updated to top some of the best of the new breed of preamp sounds great and now I don't need to use the tone controls at all which is what all audiophiles expect from a quality preamp/amp and speaker system.Shipping cost is a bit on the high side but worth it for hard to find audio equipment like L-Pads and 3 to 12 DB inline attenuators that do not affect the quality of the sound output.Running a Carver C-1 preamp with a Hafler DH-500 255+ watts per channel amp 6 DB line attenuators are needed to get the best possible dynamic range as per the Carver C-1s manual written by genius, Mr. Bob Carver himself!Levman0549
The sensitivity of my new woofer and new horn did not quite match with the horn being slightly more efficient. This made the horn sounded harsh and overwhelming. I connected the L-pad between the crossover and the horn which allowed me to attenuate the horn so that the woofer and horn are balanced. Very happy.Darrell
13. Two Notes Torpedo Captor Loadbox Attenuator Di 8 Ohm
Product Details:
Note only been in my home studio. works great. scratch on top. white paint easily comes off so be careful. attenuate your amp, record direct with speaker emulation, and moreplay your tube amplifier at neighbor-friendly volume levels, or play without a speaker cabinet at all, with the two notes torpedo captor reactive load box, direct box, attenuator and speaker simulator. based on the acclaimed torpedo reload, the torpedo captor is your solution for attenuating your amp's volume as well as sending your tone direct to a pa or recording system. suitable for amps up to 100 watts, the torpedo captor's -20db attenuator allows for cranked-amp tones at lower volume levels. and built-in speaker simulation allows you to record the full sonic intensity of your amplifier direct to your daw, without miking up a speaker cabinet.
Specifications:
| Power Output | 150W RMS |
| Connector Size | 1/4" |
| Connector Type | XLR |
| Input Impedance | 4, 8, 16 ohms |
| Minimum Bandwidth | -20 dB |
Reviews:
I bought this for the attenuation to be able to run my amp all out without upsetting the neighbors. This unit does that well and so much more. Wall of Sound is amazing and has been my go to for direct recording since I first tried it. The DI feature is going to be great for live performances too— I demoed it with my PA and it sounds great— beats micing. The price is right too. I recommend this highly.
This is the most affordable loadbox I could find that had good reviews. I've been using it every day since I received it and it does a great job. I have all my tones from my tube amps while recording and playing silently. Complementary Wall Of Sound IRs sound great and this completely solves my problems with recording at home. I highly recommend it.Reviewed by Andertons Music Co.
Dead easy to use, speaker in goes to the thru (0 attenuation)or -20 DB out. Juice the output of your amp and keep the DB down. Works great with speaker or without. Comes w/Wall of Sound download thats a great gateway to IR and silent recording. Must have to not annoy family or neighbors. Or both. Highly recommendGearJunkie35
14. Amp Rx Brownbox Ii Tube Amplifier Input Voltage Attenuator Brown
Product Details:
The brownbox is a voltage optimizer that was designed to offer a safe range of voltage reduction levels made specifically for the same, era-correct voltages that vintage tube amps were designed around. it lowers the line voltage from your wall to what the designers intended. the change in sound goes from slight to significant, depending on what you are using. an important side effect of the lower or browned out voltage is longer life for tubes, caps and all internal components. the brownbox cleverly meters the line voltage from the wall, and then can be selectively lowered to the desired amount.
Specifications:
| Watchers | 12 |
| Finish | Brown |
15. Bugera Ps1 Passive 100-Watt Power Attenuator Bundle With S12-6 Ts-Ts Speaker Cable – 6 Foot
Product Details:
This bundle includes the ps1a passive 100-watt power attenuator with a high quality 6" speaker cable for the most demanding applications ps1 passive 100-watt power attenuator: passive 100w tube guitar amplifier attenuator with emulated outputs, and 4-, 8-, and 16-ohm amplifier inputs the attenuator's emulated mic output simulates the feel and sound of a great speaker cab and sends that tone direct to the console — perfect for recording or live performance without a mic s12-6 1/4 inch ts to 1/4 inch speaker cable – 6 foot: speaker cable, 1/4" ts male-1/4" ts male, 6' long these excellines speaker cables are built with high-quality 12 awg and have durable, flexible jackets and rugged neutrik plugs bugera's ps1 is a 100-watt tube amplifier attenuator that helps you achieve thick cranked-amp tone at much more manageable volumes. by placing it between your tube amp's speaker output and your speaker, you can turn your amp to its max, while bringing the volume down via the ps1. the attenuator's emulated mic output simulates the feel and sound of a great speaker cab and sends that tone direct to the console — perfect for recording or live performance without a mic.
Specifications:
| Speaker Amplification Type | Passive |
| Power Source | Corded Electric |
16. Shure A15as Switchable Attenuator (15, 20, 25 Db), Passes Phantom Power
Product Details:
In-line attenuator reduces the level of any balanced microphone or line-level signal by 15, 20, or 25 db specially suited to reducing the level of a high-output microphone to prevent it from overloading the microphone input of a mixer or recorder in applications with high sound pressure levels. a15as may be used to reduce the level of a line-level mixer output to prevent overloading the aux-level input of a recorder. the shure a15as switchable in-line attenuator reduces the level of any balanced microphone or line-level signal by 15, 20, or 25 db. it is specially suited to reducing the level of a high-output microphone to prevent it from overloading the microphone input of a mixer or recorder in applications with high sound pressure levels. in addition, the a15as may be used to reduce the level of a line-level mixer output to prevent overloading the aux-level input of a recorder.
Specifications:
| Input Connector Type | Female 3-pin XLR |
| Output Connector Type | Male 3-pin XLR |
| Size | One size |
Reviews:
17. Rivera Rockcrusher Power Attenuator
18. Dr. Z Z-Air Brake 100-Watt Attenuator Guitar Amp – Used
Product Details:
Guitar amps – wake up your amp — not your neighbors! big amps need room to breathe. if you're tired of practicing, performing, and recording with choked-off tone just to appease your neighbors and bandmates, awaken your amp with the dr. the z-air brake is sonically neutral and gives you five levels of attenuation, with the "bedroom" (softest) stage being continuously variable. this means you can crank up into breakup and beyond while still enjoying modest listening levels. this makes the z-air brake a welcomed addition to any home recording setup, allowing you to tap into any amp's sweet spot — head or combo — without rupturing your eardrums. take it from sweetwater: whether you're playing clubs or kicking back at home, when sound levels become an issue, you'll be glad you invested in the dr. dial's back your amp's output without sacrificing tone. crank up into breakup, even at bedroom levels. great for tapping into any amp's sweet spot. fit for practice, performance, or recording. 5 levels of attenuation, with bedroom (softest) being continuously variable . compatible with any tube amp up to 100 watts. accepts 4-, 8-, or 16-ohm loads. attenuators & simulators
Specifications:
| Power Handling | Up to 100W max |
| Impedance | 4/8/16 ohms |
| Inputs | 1 x 1/4" (powered signal in) |
| Outputs | 1 x 1/4" (to speaker) |
| Power Source | Passive |
19. Two Notes Torpedo Captor X Reactive Loadbox Di And Attenuator – 8 Ohm
Product Details:
Torpedo captor x is a compact reactive load box, tube amp attenuator, miked cab simulator, ir loader and stereo expander for home, live and studio use. play your tube amp at its sweet spot and adjust your volume with the captor x's attenuator. this is perfect for practicing with your true tone without driving the neighbors crazy. you can even enjoy your 100w rig in silence with an immersive headphone experience! tired of lifting your heavy cabinet? ditch it, and go directly into a live mixing console, portable pa, or audio interface. torpedo captor x is also packed with creative bells and whistles that expand its functionality. shape your tone in real time right from your laptop, mobile device, midi controller or the usb torpedo remote. tap into torpedo captor x’s vast collection of virtual cabinets, mic combinations, and rooms for endless creative possibilities. on top of that, the torpedo captor x includes a selection of signal processors to get your guitar tone just right.
Reviews:
Blown away by it. No-one needs actual cabs anymore. Or mics. Tube amp cranked into headphones in the middle of the night? no problem. The cabinet models sound fantastic and there are extra little sound tweaks available like body & thickness that can really lift your tone. It also comes with a plugin that can do the cab emulation in software, with all the benefits that brings – such as not "printing" the sound at the time of recording. Unless you're playing live (and even if you are, tbh), don't buy a cab, just get one of these. It's so good I wanna keep it a secret. Dang too late.Robert G.
All the features stand out! The attenuator feature is nice as you can use this to crank the amp and have bedroom or slightly louder volumes for that cranked amp sound. The stereo headphones is very nice for quiet night time playing. The cabs sims are great with software for PC/MAC and Bluetooth versions for IOS and android. The IR loader is great as you can load your favorite IR into the device. The on board reverb and all the mic, EQ and room adjustments. I have been able to get greats sounds from this device in all aspects, as an attenuator for my amp, and a excellent cab simulator. The 'feel" is great. For the price, nothing else comes close, and if this was more expensive, it still would be better than what's is currently out there. My exceptions were exceeded as all the features were really good, not just one or two.Dave
I’ve never believed in amp sims. They can make do for parts buried in a mix but never stand up on their own. With the Captor X your amp will sound like… your amp. The interface is easy to use and versatile enough to make your amp sound like you want. It’s not like playing your guitar in the room (unless you have a real speaker connected as well). It’s like a recorded playback of your guitar in a room. It reacts properly because it’s your amp reacting. Stock cab sims seem fine but I decided to get some Celestion Greenback IRs since that’s what I use in the world. Happy to say that they sound like Greenbacks. I was worried about unrealistic sound and input lag but no complaints about either. I was worried about using fuzz and distortion pedals but they sound as they should. You can certainly make it sound bad, but you can do that with expensive microphones and boutique amps just the same. I don’t think you can get better without paying more than twice the price. I don’t think it’s better than miking up a real cabinet but I will be recording a lot more guitar without having to hire a studio or traumatise my neighbours. It does take some tweaking but it’s all down to your own preferences and the point is that those tweaks can get you where you want to go. I’d suggest looking up the Andy Demo on YouTube to hear some guitar in isolation. Search for “captor x with fuzz pedal” and you should find a video called “doom pedalboard 2.0…” from Dirty Demos to see what high gain distortion pedals do. These will demonstrate some actual normal playing rather than directionless noodling. If you don’t like the sound then this is not for you, and that’s fine. If you’re trying to record tube amps and you don’t have a nice big space with understanding neighbours then this could be what you’re looking for. It’s definitely what I hoped it would be. And it does bass as well.Guy Incognito
20. Boyuurange A50 Mkiii 300b Hifi Intergrated Tube Amplifier Single-End Class A Valve Amp With Tube Cage
Product Details:
Factory add an inductance transformer and bipolar filter circuit to get the nicer sound for the mkiii.come with a tube cage and vu meters. power output tube: 300b × 2 power transformers: new imported 0.35, stack thickness 60mm (114-60). output amplifier core: core 0.35 new imported thick high silicon (86-50). some of senior audiophile optimization the electric circuit,it is better at arom,intermediate frequency and bass. br about the hum (ground noise), the vacuum tube amplifier has very high requirements for the power supply. br and it is very susceptible to interference from other electrical appliances around, especially wifi routers. br if you have humming or other noises on both channels, you can try to turn off or remove the electrical appliances near the tube amplifer that may affect it. br features: /b br if you listen the boyuurange a50 mkiii amplifier, you will know 300b is good at bass too. br imported 0.35 core output amplifier audio dedicated core, core stack thickness 86-50, a20 flux of 13,000. br output transformer potting techniques, ensure that the output of the amplifier stability and reliability br double chassis design. u-shaped steel chassis thickness up to 2.4 mm thick br output amplifier with a new imported 0.35 core manufacturing, high-purity copper wire package enameled br imported 0.35 thick core manufacturing power amplifiers br output amplifier with high-grade stretch amplifier housing cover. br power transformers: new imported 0.35, stack thickness 60mm (114-60). br output amplifier core: core 0.35 new imported thick high silicon (86-50). br japanese production of alps potentiometer. br chassis: imported mirror stainless steel chassis. br aluminum panel: high-grade aluminum cnc machining, anodic surface treatment. br br specification: br ac110v- ac120v(60hz/50hz) br voltage amplification and promotion tubes: 6n8p (6sn7)x 2 br power output tube: 300bx2 (brand psvane) br rectifier: 5z3patx1 br output power: 7.6w x 2 (class a) (no feedback technology) br frequency response: 30hz-42khz br output impedance: 4ω, 8ω ̧ br total harmonic distortion: 1% (1khz) br input sensitivity: 750mv br input impedance: 100kω ̧ (3 groups of input jacks) br volume: 375 w x 290 d x 180 h mm br packing volume: 500 w x 450 d x 290 h mm br signal to noise ratio: 89db br net weight: 18 kg br gross weight: 21 kg
Specifications:
| Product Dimensions | 14.76 x 11.42 x 7.09 inches |
| Country of Origin | China |
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