Are you looking for the Gibson Red Electric Guitar? If so, you’ve come to the right place.
Choosing the Gibson Red Electric Guitar can be difficult as there are so many considerations, such as Fender, Gibson, Epiphone. We have done a lot of research to find the top 20 Gibson Red Electric Guitar available.
The average cost is $2006.40. Sold comparable range in price from a low of $99.99 to a high of $6499.00.
Based on the research we did, we think Gibson ES-345 Electric Guitar – Sixties Cherry is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Red Electric Guitar (20 Sellers)
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$3799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Lightweight
Features:
- Specifications
- 3-ply maple/poplar/maple
- Quarter-sawn adirondack spruce
$1444.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from us are in our shibuya store in tokyo …
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Colour: translucent red
- Construction type: solid body with weight reliefs
- Body shape: les paul
$2399.00$2049.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- It has been played about 3 times and comes from a smoke and pet free home. never gigged with.
- Has an excellent setup.
- Asymmetric neck (slim taper that isn't a symmetrical taper).
$2549.00
4.8
Reviewers Noted:
Attractive . Well made . Good sound quality . Weight . Durable
Features:
- Weighing in at a beautifully lightweight 6 lbs. 8 oz. this little beauty is clean!
- He never even took the plastic off of the pickguard!
- There aa couple of tiny, barely noticeable rub marks on the back which is the only reason i'm marking it excellent instead of mint.
$2099.00$1699.00
4.6
Reviewers Noted:
Attractive . Well made . Durability . Sound quality . Weight
Features:
- Humbucker to single coil (bridge volume)
- Humbucker to single coil (neck volume)
- Out of phase switching (tone control)
$1079.99
4.6
Reviewers Noted:
Sound quality
Features:
- Aluminum stop bar with steel post
- Pickups perfectly matched to the spirit of their historic models and classic gibson controls
- Polished 0.55 frets on top of our original 1.695" neck width and original gibson les paul heel
$1699.00
4.5
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- 2020 gibson les paul studio – wine red w/deluxe gig bag (pre-owned).
- In good condition and comes with a gigbag.
$2999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from us are in our shibu…
$99.99
3.9
Reviewers Noted:
Good sound quality . Well made . Durability . Visual appeal . Weight
Features:
- The weight is 6 lbs.. color
- This guitar comes in a sleek red color. maestro by gibson double cutaway (sg style) electric red guitar kit
$415.99$299.99
Features:
- This product comes with a case. | epiphone gibson solid body electric guitar red…
$5799.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Weight: 7lbs, 6oz. neck material mahogany peghead spdc head veneer r0 head veneer dimensions .88"-.94" other other fingerboard material rosewood scale 24.75" dimension 1.687"/2.062" nut nylon inlays celluloid dots fretwire…
$6499.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- At first a commercial failure, it was eventually adopted by some of the world's greatest guitarists jimmy page, duane allman, mike bloomfield, keith richards, eric clapton and billy gibbons, to…
$799.99
Features:
- Gibson electric guitars 6-string…
$729.00
Features:
- Great guitar that provides the sound of a les paul with much greater comfort. it has a slimmer body with a contour on the back. very fun to play. great…
$1899.99
5.0
Features:
- Gibson les paul studio hp.
- Gforce charger is not included.
- Cosmetics: no major noticeable blemishes on the guitar!
$899.99
Features:
- Gibson electric guitars 6-string…
$1199.00
Features:
- 1999 gibson les paul "the paul" cardinal red electric guitar description & specssummaryfinish: cardinal red finishneck material: maplefingerboard material: rosewoodneck thickness (in): 1st fret 0.82 12th fret 0.94nut width: 1.70…
$1199.99
Features:
- Gibson sg 2010 cherry red electric guitar…
$884.99
Features:
- Made in: united states. this product comes with a case. | gibson 2018 les paul studio solid body electric guitar red…
1. Gibson Es-345 Electric Guitar – Sixties Cherry
Product Details:
The gibson es-345 boasts a number of aesthetic enhancements over the flagship es-335. crafted with a thermally engineered maple centerblock, and thermally engineered quarter-sawn adirondack spruce bracing, players will be impressed by the lightweight feel and expanded range of tonal capabilities. the body is wrapped in multi-ply binding and the bound fingerboard is inlayed with split parallelogram inlays exclusive to this model in the es series. the es-345 is equipped with a variety of high-end appointments like our hand-wired control assembly with orange drop capacitors, gibson's new calibrated t-type humbucking pickups, vintage deluxe style tuners and lightweight aluminum abr-1 bridge and stop bar tailpiece anchored with steel thumb-wheels and studs. the es-345 can be finished in either a vintage antiqued gloss, sixties cherry or vintage burst.
Specifications:
| Body Type | Double Cutaway Semi-Hollow |
| Top wood | Bound Multi-wood laminate |
| Body wood | Multi-wood laminate |
| Body finish | Gloss Nitrocellulose Lacquer |
| Neck shape | Rounded C |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Split Parallelogram |
| Nut width/material | 1.69 in. (43 mm) Graph Tech |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Overall: I live in a large city and it is still impossible to find a Gibson 335 that plays and sounds great, has no issues or questionable history and comes with a price tag lower than a new one to justify the gamble. As a result, I decided to pull the trigger on a new one and went for the figured, not so much for the flame but for the lower weight and select wood, knowing both my back would thank me and that the guitar would probably be a bit more open and resonant. Block inlays are certainly nice and that may have helped sway my decision too. The 335 arrived with an impeccable setup, right out of the box from the factory. In my 35 years of playing, I’ve never had this happen. I’ve heard of it happening but never to me. I always have to tweak the truss rod to straighten the neck a bit, adjust the bridge action, widen the nut slots and intimate the guitar. Every time. The only adjustment I’ve had to make is lower the pickups a bit for balance, that’s it! Plays like an absolute dream. Here is why you want this guitar rather than a used one—. the neck. None of that weird pencil thin 335 necks from the past or those horrible and slow baseball bat necks… this is perfect. I don’t know what Gibson is doing in Nashville now, but they are making these guitars better than they ever have. Having always been a fan of Classic ‘57 pickups, I read about these T Type pickups being bright. It is true that they are bright, however it works so well in this guitar. Roll back the tone knobs for the mellower and darker sounds, especially when in the neck position for a classic straight-ahead jazz sound, or rolled back in the bridge to fatten up rhythms…but the thing is, roll the tone up for that beautiful bite and thunk in single line solos. I have had bright guitars in the past and there is nothing you can do for them. No matter the pickups or amp, it remains bright and pingy. This is not a bright guitar and has such a beautifully balanced and mellow acoustic voice, the pickups suit it well and I will not replace them. Is it an insane amount of money? Yes. It is. In 10 years when I have blown through $4K many times over and have nothing to show for it, will I still have this 335? Yes. I will. It’s an investment and zZounds makes it possible for someone like me to have something nice. This is an absolutely breathtaking guitar. In playability, sound, and appearance—Gibson is on top of their game these days and I think the future will look back at this era as their new golden age.Michael
Upon opening the case, the case was hard to open, like it didn't fit top cover to bottom cover. The guitar smells of cheap carnauba wax (if you wax your own car you know there are great waxes that smell good) this is not the great smell of the past Gibson guitars I have purchased in the past. There was a light haze to the guitar like the wax was dried but not wiped off completely. The was not common of years pasts Gibson's. Its a very light weight guitar. Nice to hold and even sitting with it to play does not dig into the underarm like a thick acoustic does over time. The ice tea version does look great front to back. I can't tell if it's AAA but its very nice. The head stock look s like it wasn't cut symmetrically compared to the other side or sanded to much. The neck is nice and thick and wider top to bottom which I like for fitting all my fingers on the 1-5 frets for chords. Their is a lot of fret buzz on the G string throughout the range of the neck, It looks like the G string is higher than all the other strings in an attempt to reduce the buzz. I thought these were machine prepped ?? I can most likely (hopefully)make some adjustments for this. The frets feel thinner than my Les Paul's. Not sure if I like this but I can get used to it. The sound on a clean channel is great. I really like the sound. The volume knobs have no volume from 0 – almost 2, they don't change the volume a lot from 3-7, from 8-10 is almost all the volume change. I have never had this experience before. The tone knobs actually lowers the volume from 1-3 which I thought is also strange. I have no experience with a ES model so maybe this is normal. If it is, then I am not sure I would have purchased. I don't regret the purchase but I was expecting perfection for this price.Just Me
I love 335 but played several that I found meh. Preferred the Heritage H-535 I bought to most Gibbies I tried. Until I played that one at my local GC store. Was immediately captivated with the tone. Went back several times, and took the plunge despite the sticker shock. At home, in my amp it sounded even better than in the shop. Absolutely wonderful guitar, that feels and sounds as good and sometimes even better than vintage 60s 335 I tried or owned. I am in love! But what a price tag…Gibson CS is becoming unattainable fast.Stéphane
2. Gibson Les Paul Studio – Wine Red
Product Details:
The gibson les paul studio, finished in wine red, is perfect for the stage and the studio, with all the quintessential les paul components, plus a host of modern upgrades which enhance playability and sonic versatility. a mahogany body with a maple cap, set up the basis for classic les paul tone. ultra-modern weight relief maintains this tone, while reducing the weight of the guitar, thanks to its high-tech design which offsets relief chambers around the body perimeter, and maintains a solid core through the centre. a slim taper mahogany neck, and a rosewood fretboard with 22 medium jumbo frets, provide super fast playability and comfort. a 490r neck, and 498t bridge humbucker pump out tight, crunchy high-output tone, while two push-pull pots and a three-way pickup selector switch add a huge range of sonic versatility.
Specifications:
| Neck Profile | Slim Taper |
| Neck Material | Mahogany |
| Depth at 1st (in) | .817 |
| Depth at 12th (in) | .923 |
| Nut Width (in) | 1.691 |
| Nut Material | Graph Tech |
| Scale | 24.75 In |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Gloss Nitro |
| Tuners | Grovers |
| Bridge | Nashville TOM |
| Neck Pickup | Burstbucker 61R |
| Bridge Pickup | Burstbucker 61T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
| Strings | .010, .013, .017, .026, .036, .046 |
| Finish | BBQ Burst |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.69" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
I bought my first Les Paul in 1974. I was a little concerened about the new "lightend and improved" version but it turned out to be great. Pickups are better. Feels great, plays great and all around great guitar at a good price. Required minimal set up to play really good. I liked it so much, I bought another one 3 weeks later. I love my Strats but right out of the box, they require a lot of work to make them play and stay in tune. Got my first Strat in 72. If I was a kid (I'm in my 60's), I would choose this Les Paul Studio first. Because it is easier to set up and play right out of the box. I love my Strats, but this is a really good guitar.Stephen C
Still a novice player, but decided that I had stuck with it long enough to justify spending a bit more than I had spent on my used Squier Strat. After reading a ton of reviews and watching a bunch of YouTube videos, I chose the LP Studio in Smokehouse Burst. Wow! What an incredible difference. I find it easier to play with a wider fretboard and the sound is just amazing. I'm not sure if I just got a good one or if Gibson has stepped up their QA game as mine does not display the defects described by other reviews here. I have not found any cosmetic or fit/finish flaws. The color also closely resembles the photos with just a slightly darker shade on the burst. It is an absolutely gorgeous instrument and I couldn't be more satisfied with it. I know that Gibson switched over to the soft case rather than the hard one to save costs, but quite frankly, I don't see that they could have saved too much. The soft case is very high quality and with the exception of shipping or air travel, I feel that my guitar is well protected when put away. Although, I doubt that I'll ever be traveling to perform in this lifetime. Thanks Gibson. Great job on a beautiful instrument.ArmchairAstro
3. Gibson Les Paul Classic Electric Guitar (Translucent Cherry)
Product Details:
A traditional look and build techniques combine with some modern touches, resulting in a go-to axe for any stage or studio session! as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. taking its functionality to another level, the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching and pure bypassing for great versatility.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
4. Gibson Les Paul Traditional Pro V Satin Electric Guitar Satin Wine Red
Product Details:
This guitar plays and sounds great! it has some general playwear, but is overall good condition with pretty much no noticeable fret wear, and it is set up with low action. it has a little belt rash on the bottom of the body. it includes the original case, and original case candy seen in the photos. it is hard to see in the photos, but the satin finish really compliments the wood grain nicely, and it is very pretty. the neck plays very nicely with the finish as well! what a bang for the buck! check all photos to get an understanding of the condition.
Specifications:
| Body Type | Single Cutaway Other |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Satin |
| Neck shape | Asymmetric |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | Compound |
| Number of frets | 22 |
| Inlays | Custom |
| Nut width/material | 1.687" (42.8 mm) |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Special electronics | Coil-split, Coil-tap, Phase switch |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Locking Vintage-style |
| Number of strings | 6 String |
| Orientation | Right Handed |
| Country of Origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
5. Gibson Es-339 Electric Guitar – Cherry
Product Details:
The gibson es-339 figured guitar truly stands out as a masterpiece of modern design. mhs ii humbuckers provide all the juicy, articulate tones which make for them most exceptional music. your riffs, chords, and solos will leap out in impeccable style, with superb definition and am perfectly balanced voicing. your dream guitar. a quarter sawn mahogany neck makes for perfect playing. made to a rounded 'c' profile, it offers unrivalled comfort, allowing you to master the fretboard in no time. the dark rosewood fretboard not only looks stunning, but also sounds exceptional, adding a touch of warmth and plenty of sustain to this instrument. and premium hardware ensures that it always plays exceptionally well, and can easily withstand the rigours of professional touring. the es-339 is sure to ignite your guitar playing passion like nothing else.
Specifications:
| Body Body Shape | 339 |
| Back | 3-ply Maple/Poplar/Maple |
| Bracing | Spruce |
| Centerblock | Maple |
| Binding | Single-ply Cream |
| Finish | Gloss Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.695" |
| End of Board Width | 2.26" |
| Inlays | Acrylic Dots |
| Hardware Finish | Nickel |
| Bridge | ABR-1 Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Tuning Machines | Grover Rotomatics w/ Kidney Buttons |
| Pickguard | Black 5-ply |
| Control Knobs | Black Top Hats with Silver Reflector |
| Switch Tip | Cream |
| Electronics Neck Pickup | 57 Classic |
| Bridge Pickup | 57 Classic + |
| Controls | 2 Volumes, 2 Tones & Toggle Switch |
| Miscellaneous Strings | .010, .013, .017, .026, .036, .046 |
Reviews:
Overall: I am very very happy with this guitar. It is not a perfect instrument, but for the price, you can't really get a better semi hollow, and with the 339 body, its almost impossible to find a sub $500 model. Was really happy with the specs that Epiphone has upgraded to, the grover tuners and graphtech nut really help sell the package, (i hate switching out sub-par parts). The paint job on the F holes was a little lacking but I was able to touch up with a paint marker and the plywood top was sanded a little to much in some places, revealing the ply, but I really can't complain. the stock pickups sound great and while setting the instrument up, I was very impressed at how solidly put together it is and how well it plays. Great fret work, usually the frets are lacking on a guitar in this price range. It would be great to see a deluxe model for the 339 with some more cosmetic upgrades and pickups but this instrument is a steal, get it now!
I have always wanted a 335, but did not like the larger size. I saw this 339 and stepped up and bought it home. Had to wait 6 weeks, but was it ever worth it. This is the best guitar I have ever played or been around. Cannot make my mind up if it plays better than it looks, or if it looks better then it sounds. It came set up really well, intonation and all. All I had to do was tune it and go. Cannot find one flaw in the paint, assembly or anything wrong at all. It rings so true, holds a note and there is a major difference when selecting either pickup or both, and the tone and volume controls lets you have an infinite setting control on tone and volume. Set the bridge to really ring out and the neck one a little muddy and together it is killer, but can flip the switch and brighten a solo up good. An absolute joy to play. Just strike your favorite chord and let it ring…beautiful fun. I was worried about the neck thickness, but it is a non issue. Easy to chord, simple to fret in any way you please. I cannot express just how happy I am with this guitar. Michael at musicians friend was a great help in every way getting it here.Keith
Very comfortable to hold and play, with a slightly chunky neck which is my preference. Combines the best aspects of 335s and Les Pauls. It's also heavier than I thought it would be (again for me a good thing, I don't like feather-light guitars) I was expecting SG weights and annoying neck dive. As suggested already it seems to sound somewhere between a full-sized 335 type and a solid body, which again isn't much of a surprise. Seems to have more twang than my LP which is good for my taste, which is more soul and funk. The finish is also perfect, though slightly different to the one advertised at the time of purchase. The neck fades into a natural varnish rather than the all-black paint. Also the sides are solid natural varnish rather than the fading between black and natural effect.Reviewed by Andertons Music Co.
6. Gibson Les Paul Traditional Pro V Satin Mahogany Top Satin Wine Red
Product Details:
If you re looking for that full bodied les paul feel with a stunning finish and the versatility of coil tapping and reversing polarity then look no further! this les paul has got it all! weighing in at about 10.2 pounds she is balanced and feels like solid mahogany promising a full and round sound. lows are incredibly warm but articulate and the highs are cutting but not piercing. action is low and fast and there is absolutely no fret wear. all electronics are smooth and operate as they should. she seems to have very little play time on her.she s got a few blemishes pictured but is very near mint! comes with original gibson hard case with all the candy! buy with confidence! you can see this actual guitar in even more stunning detail in the video attached.
Specifications:
| Body shape | Single cutaway |
| Body type | Solidbody |
| Top wood | Mahogany |
| Body wood | Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Asymmetrical |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | Compound radius |
| Fret size | Modern |
| Number of frets | 22 |
| Inlays | Trap |
| Nut width | 1.69" |
| Configuration | HH |
| Active or passive | Passive |
| Special electronics | Split |
| Control layout | Volume 1, volume 2, tone 1, tone 2, Push/pull |
| Pickup switch | 3 way Toggle |
| Coil tap or split | Split with coil selector |
| Bridge type | Nashville |
| Tailpiece | Aluminum |
| Tuning machines | Locking Grover |
| Number of strings | 6 |
| Country of origin | United States |
Reviews:
I am over the moon with this guitar. I would never have guessed I would purchase an all mahogany Les Paul in a million years, But after trying every other one on hanging on their wall, this one just kept drawing me in, like some magnetic force. It's very true the guitar picks the player. I could'nt believe How amazing this neck feels in my hand. I've owned a couple Les Pauls over the years, but never really bonded with them. But this one, out of the 30 guitars I've owned over my life time, this neck is my favorite from a big manufacturer. Crazy thing is, it's pretty much exact spec on my favorite Warmoth neck I had ordered, only difference is it's just .04 inches wider. Just can't beat a compound radius fret board and the asymmetrical neck design just Fits my smallish hands like a glove, Finally found a Les Paul that I bond with. And man oh man do these pickups sound sweet! Nice Clarity and crunch, And flicking to the bridge pickup and just voiced perfectly to cut through the mix for a solo. I've never been a split/tap coil guy, but finding myself using that on this one. I really love the out of phase option, And I've had this guitar for a week and playing non stop, doing all kinds of bends and pull offs and has stayed rock solid in tune, even the pesky G string. It's quickly becoming my number one. Build quality is just about flawless, fretboard/fret work is immaculate. There is some scraping marks around the binding if you stare at it long enough, but doesn't bother me whatsoever. I looked it over with a magnifying glass and a fine pick comb to get to the bottom of the "bad Gibson Q.C." You all too often read about on the Internet the last few years (its popular to hate on Gibson) but I don't see it. I love this thing!!!! And it looks nothing like the online picture.Snoopzilla
I have been playing about two years and this is my first Gibson. Guitar Center has been great to work with as I have progressed. My first electric guitar was a Stratocaster and it plays very well, but nothing like this Gibson. The Gibson Les Paul Trad Pro V has an action that is low and smooth. There was a little buzz on the E string at the 1st and 2nd fret when I first played it in the store so the tech fixed it with a small tweak to the truss rod. The bottom line on the aspects of this guitar is that it has the asymmetrical neck of a very expensive modern model and the 9 hole weight relieved body of a classic. The electronics are a little overwhelming for me right now with the coil tap or splits. I would have given it a five stars, but I noticed the body and binding do not match up perfectly in the cutaway area. They don't have another one in the store and I like the way this one plays so much I would not trade it due to a minor imperfection. Great value as you are basically getting a modern model with the with the weight of a classic.Mike
Have played guitar 50+ years, all brands, makes, models. I love Telecasters but decided I need another Les Paul. I played a Heritage LP for years, sold it long ago and always regretted that decision. So, along comes this gorgeous guitar. I say gorgeous just from the photos. After reading tech info and several other reviews I decided to jump on it and so happy I did. It arrived perfect condition, perfectly set up only had to raise the bridge at top E string about a turn. the neck is set perfectly flat. I've always preferred just a little relief but as I recalled my Heritage LP it was always set flat and played so well. The tonal choices with coil tap pickups is great. I have not had time to fully explore, but using amp and head phones I swear I found a little area that has a Gretsch kind of tone (the one with no distortion). All in all, this is a keeper forever, so very glad to have this. And I will say, in person the satin finish is artwork, so beautiful. I chose the satin vintage cherry — best looking guitar I've seen. Add the fact that it has a pro Gibson case and you can't go wrong. Get it before it's gone.Brian O.
7. Gibson 2017 Les Paul Studio T Electric Guitar With Case, Wine Red
Product Details:
Beautiful yet simple, the les paul studio offers everything you demand from a true les paul and then some. lighter than ever, the 2017 les paul studio t benefits from gibson's new ultra-modern weight relief that offers endless sustain and hours of comfortable playing, while its slim-taper neck profile is ideal for fast yet comfortable playing. a combination of 490r and 498t humbuckers provides genuine gibson tones with a hint of modernity and aggression, wired to comprehensive controls and coil tapping for outstanding sonic versatility. this versatile performer is delivered in a classic gibson brown hardshell case, along with a premium leather strap, a gibson multi-tool and a polishing cloth. body shape:les paul. body type:solid body. body material:mahogany. top wood:grade a plain maple. body wood: mahogany. body finish: select finish. orientation:right handed. neck shape: slim taper. neck wood: mahogany. joint: set neck. scale length: 24.75". truss rod:single action. neck finish: select finish. fretboard material: rosewood. radius:12". fret size: medium. number of frets: 22. inlays: trapezoid. nut width:1.695" pickups – configuration: dual humbuckers. neck:490r. middle: n/a. bridge: 498t. brand: gibson.
Specifications:
| Finish | Black Cherry Burst |
| Year | 2017 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Studio |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Ich habe mir dieses Gibson Model bei Kirstein gekauft, weil neben dem Koffer ein Gurt, ein Einstellwerkzeug und ein Reinigungstuch dabei waren. Am Anfang wollte ich mir eine günstige Gitarre kaufen, da aber in den Foren manche Musiker nicht mit den Pickups zufrieden waren, entschied ich mich für eine Gibson. Die Tonabnehmer zu wechseln lohnt sich nicht wirklich, besonders wenn man den Wiederverkaufswert berücksichtigt. Bei einem Preis von 1100€ bekommt man eine Gitarre die klanglich mit den weitaus teureren Modellen mithalten kann. An der Gitarre selber konnte ich keine Mängel feststellen. Einziger Punkt war das ich die Oktavreinheit ein- stellen musste. Vom Klang her bekommt das was man erwartet eine Gibson Les Paul.Karl-Heinz
Sehr fein gearbeitete Gitarre mit sehr schönem und breitem Soundspektrum, auch den Response mag ich sehr. Entäuscht bin ich von der Stimmstabilität, nach ein paar Minuten bespielen ist schnell einmal eine Neustimmung notwendig. Da sind meine Gitarren mit Tremoloblock selbst bei intensiver Verwendung stabiler, hier würde ich von der Preislage her und dem prestigeträchtigen Namen mehr erwarten deswegen gibt es nur 3 von 5 …Sigurd
A really nice guitar. It looks good with its translucent red finish and it plays well too. The first thing I did was change the supplied Gibson .010 strings for a set of .009 Ernie Ball super slinkies and this bid cause a bit of a buzz on the bottom E, but a minor adjustment to the bridge cured that. This has resulted in the easiest guitar to play that I have ever used. There is plenty of tonal variation available and the coil taps double your options.davladd-9
8. Gibson Les Paul Studio W/gold Hardware – Wine Red
Product Details:
Now available with gold hardware, this les paul studio has the looks, tone and playability to hit any stage or studio session! the les paul studio embodies the essential les paul features with enhancements for playability and tonal versatility. the rosewood fingerboard and slim taper mahogany neck provide effortless playability and comfort. the 490r and 498t pickups provide tight, high-output humbucking performance and the two push-pull pots offer additional coil-tapping options.
Specifications:
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 inches |
| Number of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| End of Board Width | 2.26 inches |
| Inlays | Acrylic Trapezoids |
| Bridge | Gold Nashville Tune-O-Matic |
| Tailpiece | Gold Stopbar |
| Pickguard | Black |
| Control Knobs | Black Speed Knobs |
| Switch Tip | Black |
| Switchwasher | Black (Not Mounted) |
| Jack Plate Cover | Gold |
| Neck Pickup | 490R |
| Bridge Pickup | 498T |
| Strings | .010, .013, .017, .026, .036, .046 |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
9. Gibson Les Paul Modern – Sparkling Burgundy
Product Details:
Shining with class. meet the gibson les paul modern, a gibson guitar for the 21st century. outshining the guitars of old, it contains a wealth of updated features which are designed to bring your playing to divine heights. your tone will soar above the treetops as you pick and strum your way through riffs, smiling all the way. two legendary burstbucker pickups provide the foundations of this guitar's supreme sound, offering waves of tonal options for you to play with. with their dynamism, you can take on any genre. classic and modern. whilst the design may seem familiar, it has modern tweaks which make it excel. your hand will shoot along the mahogany neck like a turbojet, with upper frets incredibly easy to access. the slender profile and ebony fretboard offer a playing experience sharper than a knife edge, allowing you to bring your best every time you play. a modern guitar for the modern musician.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper Asymmetric |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | Compound |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker Pro |
| Bridge | BurstBucker Pro + |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover locking |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
The look, feel and tone of this guitar are absolutely amazing. Can't stop playing. I even love how it smells (never imagined the scent of fresh lacquer could be so pleasant). After playing guitar for 20 years I found myself in a plateau both technically and creatively. This is the best purchase I have ever made. This beautiful piece of equipment exceeded all my expectations. I've been practicing so much my technique has improved dramatically and I'm buzzing with creative energy. Love it.Jose in Brooklyn
I gig over 100 times a year. I play Les Paul's. My current number one has burstbucker pro pickups. This modern has them as well with the asymmetrical neck. it sounds and plays amazing, and will likely replace my standard has my number one. I checked it out for quality issues. This is a very well-made guitar. Only one small thing it arrived with a broken tone knob cap. I called Gibson and I got one in the mail two days later very quick.Bill
I've been a long time Gibson fan and have owned several over the years. I've held on to the good ones and have gotten rid of the rest. Gibson has been known to have their quality control issues for quite a while now and being that I'm an online buyer I was reluctant to pull the trigger on this one. But…I heard that Gibson was under new management and I'm also a sucker for an ebony fretboard, MOP inlays and locking tuners…so I pulled the trigger! Let me say that this one is an absolute keeper! The fit and finish is perfect except for a dull spot on the finish under the pickguard nut/pad (this is from putting the guard on when the finish hasn't cured all the way), the binding is flush with the side of the of the body around the entire guitar (a common problem from routing the binding channel too deep), and the frets edges are finished smooth even in the higher register. I love everything about this guitar, the sparkle finish of the Graphite color top (it's shows but is not over done), the pickups sound great and have the switching capabilities for any style of music, the bypass switch is super cool as it takes you from whatever pickup/coil tap combination you're in at the time right back to a straight bridge pickup, and the neck feels good and natural at any place along the fretboard. If I had to say something negative about the guitar, I would say that they didn't do a great job on their intention of the "new modern contoured heel" because it still has a blocky corner at the neck joint, but as a Gibson owner I am accustomed to blocky heels so I really doesn't bother me. First time buying a guitar from Sam Ash and it was set up perfectly and was immediately playable. The tech that set this up knew what he was doing! You have a repeat customer here!!Dave C.
10. Gibson Maestro Double Cutaway Electric Guitar Pack, Red
Product Details:
Start learning your favorite tunes right out of the box with a maestro by gibson electric guitar pack. maestro by gibson single cutaway electric guitar pack features: solid wood body, maple neck and rosewood fingerboard. humbucking pickup and diecast tuners. full size guitar with steel strings and double cutaway. includes 5 watt amp, cord, strap, strings, picks lesson, and dvd.
Specifications:
| Musical Instrument Case | Not Included |
Reviews:
I have been playing for 50 years, and have played many electric guitars, some very expensive. This guitar is an amazing value,and plays better than some of the More expensive. The pickup is adequate, and with better strings it frets well. Blow the speaker out on that little amp, after all it's basically free. plug in to a good amp and you can make it sound surprisingly good For 80 bucks, just do it!Dano
Basically, it's a good guitar. I recommend to newbies and intermediate player. The head, neck and body are good. The finish is smooth just like mirror. The amp is good working as well as pick-up. Only one thing that i had been noticed are those fret-wires sharp-edge or burrs (top & bottom). I used small pile with lightly stokes to create chamfer at the edge, it takes me a couple of minutes to do that. It's fun to play this guitar.cyriescoba-0
It's no wonder Gibson is having financial difficulties, this guitar is a prime example of why. Purchased and delivered for around $75? Are you kidding me? Delivered? Gibson's main line guitars are priced beyond value these days. The other line they own, Epiphone, now makes some higher end guitars considered Gibson's near equal, while they are practically paying me to buy this. Subtract the costs of final delivery to my door, shipping from China to US, the extras like the flimsy gig bag, strings, DVD and the adorable amp(with KICKSTAND), they probably have about $30 in this guitar as it leaves the factory. Considering that, there is no better guitar made anywhere than this beautiful but awful guitar. Beautiful finish, solid feel and… well it is pretty. After a couple hours of filing away at frets that were sharp enough to cut skin on the edges and as level as a gently rolling MOUNTAIN RANGE, a restring with better strings, setting the action, tightening tuners and bridges and trying with almost no success to intonate it, I have a guitar that plays way outside it's price range. I'd say it plays more like a $100 guitar than the $30 guitar that Gibson sent. Sadly some may stumble upon this guitar kit as a starter, a way to learn guitar. In that respect, I hope it doesn'tstymie and stifle young potential talent who may not realize that the guitar can be improved upon, as the way it came out of the box would likely do. It sounded horrible, with good reason. Loose tuning pegs and bridges not being snugged along with crappy strings and a downright dangerous fretboard will do that. On the other hand, now it looks pretty AND sounds pretty… well OK, prettier. It's not a Gibson, it's not even an Epiphone, it's a Maestro. If you want to learn how to become a luthier, this starter set rocks.vc_computing
11. Epiphone Gibson Solid Body Electric Guitar Red
Product Details:
12. Gibson Les Paul Special Double Cut Red Sparkle
Product Details:
Weight: 7lbs, 6oz. neck material mahogany peghead spdc head veneer r0 head veneer dimensions .88"-.94" other other fingerboard material rosewood scale 24.75" dimension 1.687"/2.062" nut nylon inlays celluloid dots fretwire dunlop 6100 side dots tortoise shell body material mahogany routing les paul special double cut drilling les paul special double cut dimension les paul special double cut top back mahogany rim 5/16" roundover on edges other binding body top none body back f holes fingerboard .040" cream head veneer other hardware / parts hdwre material aged nickel machine head 3 on side-white buttons-kluson bridge tailpiece wraparound-short studs vibrola jackplate oreo end pin aluminum truss cover reissue (non th) pickguard historic spsc-5 ply bw knobs black top hats mounting rings switch t…
Specifications:
| Finish | Red Sparkle |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
13. Gibson Custom '59 Les Paul Standard Figured Top Botb Electric Guitar Cherry Red
Product Details:
At first a commercial failure, it was eventually adopted by some of the world's greatest guitarists jimmy page, duane allman, mike bloomfield, keith richards, eric clapton and billy gibbons, to name a few. the rarity and celebrity association has pushed the values of original examples into the stratosphere. this gibson custom true historic guitar is far beyond being a "copy." thousands of hours of research went into this les paul standardeven the chemical composition of the parts was scientifically examined and re-engineered. if you've ever dreamed of going back to '59 to pull a les paul off the wall of your local mom and pop, this instrument will make you believe that time travel is real. the figured maple top even features a recreation of a classic finish from the famed book the beauty of the 'burst. it includes a hardshell case and certificate of authenticity. – lightweight mahogany body, figured maple top with beauty of the burst finish – mahogany neck with vintage medium c-shape profile, rosewood fretboard – dual gibson custom buckers, 3-way switch – abr-1 tune-o-matic bridge, stopbar tailpiece, kluson deluxe tuners
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | Figured Maple |
| Body wood | 1-piece Mahogany |
| Body finish | Gloss Nitrocellulose Lacquer |
| Neck shape | Vintage C |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Vintage-style |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.687 in. (42.8 mm) Nylon |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right Handed |
| Country of Origin | United States |
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
14. Used Gibson Sgj Electric Guitars Red
15. Gibson The Paul Ii Trans Red 1997
Product Details:
Great guitar that provides the sound of a les paul with much greater comfort. it has a slimmer body with a contour on the back. very fun to play. great 90s usa-made quality from gibson. this is a one-owner instrument, but it has quite a bit of wear. no abuse or damage or repairs. just honest playwear. take a close look at pics. includes original gibson usa tkl gigbag. zipper pull has popped off, but it still zips up well with the slide of a finger. for some reason the gibson folk want to overpay for bolt-ons like the invader and challenger when these beauties blow them out of the water. i expect people to eventually get wise, but until they do you should grab this paul ii, which is currently at the lowest price on reverb.
16. Gibson 2017 Les Paul Studio Hp Electric Guitar Wine Red
Product Details:
Les paul studio 2017 hp the one guitar that does it all. the les paul studio has always been a truly versatile guitar to take to a recording session, gig, or anywhere else you need top performance in a no-nonsense gibson. this year's les paul studio 2017 hp takes the concept to a whole new level, both in looks and performance. with a high gloss intro finish coaxes luscious looks from a grade-a flamed maple top complemented by pearl trapezoid inlays and chrome-plated hardware.
Specifications:
| Finish | Black Cherry Burst |
| Year | 2017 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Studio |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
Reviews:
Very well packaged and exactly as described. Fantastic Guitar!ehannigan
17. Used Gibson Les Paul Studio Faded/worn 2011 Electric Guitars Red
18. Gibson Les Paul "the Paul" Cardinal Red Electric Guitar
Product Details:
1999 gibson les paul "the paul" cardinal red electric guitar description & specssummaryfinish: cardinal red finishneck material: maplefingerboard material: rosewoodneck thickness (in): 1st fret 0.82 12th fret 0.94nut width: 1.70 incheselectronics: original hardware: one replaced tuner (still gibson branded)weight: 8lbs 4ozmodifications / repairs: one tuner has been changed (still a gibson branded tuner but the color is slightly different)cosmetic condition: light scratches near the neck and pickups. lots of life on the frets given its age. for more detailed photos: postimg.cc/gallery/cn1z4sgdomestic shippingwe ship anywhere in the united state. we pack our packages very well and ship with full insurance and signature confirmation so there is no risk for you the buyer. if an issue arises, please contact us and we will be glad to help. we do not ship guitars to po boxes (too expensive to ship with usps unfortunately! and fedex and ups do not deliver to po boxes, therefore w…
19. Used Gibson Sg 2010 Cherry Red Electric Guitar
20. Gibson 2018 Les Paul Studio Solid Body Electric Guitar Red
Product Details:
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