Are you looking for the Gibson Les Paul Standard Electric Guitar Gold Top? If so, you’ve come to the right place.
Choosing the Gibson Les Paul Standard Electric Guitar Gold Top can be difficult as there are so many considerations, such as Glarry, Gibson, Epiphone. We have done a lot of research to find the top 20 Gibson Les Paul Standard Electric Guitar Gold Top available.
The average cost is $2539.98. Sold comparable range in price from a low of $444.37 to a high of $8099.99.
Based on the research we did, we think Gibson Les Paul Standard '50s – Gold Top is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Les Paul Standard Electric Guitar Gold Top (20 Sellers)
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$2799.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Comfortable weight at 4,2kg.
- Sounds and plays superb.
- There's one small ding at the back (as shown in photo), aside from that it's dead mint.
$2799.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Comes with both black plastics and cream plastics, pictures show how dynamic the color of the finish is.
- Listed as very good condition, few scuffs and stamped mod on the headstock.
- Currently set up with cream plastics as shown, but im including the black plastics and tuners if you'd rather go that route.
$2799.00
4.9
Reviewers Noted:
Good sound quality . Well made . Durability . Visual appeal . Weight
Features:
- Detailed specifications
- Body material
- Weight relief
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Lightweight
Features:
- Vintage 50's les paul guitar in mahogany
- With the world famous "probucker" humbucker system
- Classic warm '50s les paul sound secured with original design and components
$3999.20
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- From gibson:the new les paul standard returns to the classic design that made it relevant, played, and loved — shaping sound across generations and genres of music. it pays tribute…
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This guitar has a beautiful maple top on mahogany body, the finest gibson craftsmanship, and dual burstbucker pickups, for killer vintage tone. the les paul standard '50s is perfect for…
$444.37
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Heavy
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durability . Well made . Weight
Features:
- Detailed specifications
- Body material
- Aa figured maple
$8099.99
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- Body: maple top on mahogany body, original relic finish.
- Neck: mahogany neck with a medium-round profile, 1 11/16” wide nut, rosewood fretboard, 12” radius, and trapezoid inlays.
- Playability: the strings are low, play nicely, and ring out clearly across the board.
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- The new les paul standard returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. it pays tribute to…
$3199.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Product information
- Specifications
- Body material
$1070.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- This item is in very good condition, comes with original hard case.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$2799.00
4.8
Reviewers Noted:
Durable . Attractive . Well made . Sound quality
Features:
- Actionaction is low and plays great, but may need a quick tweak to your liking!
- Electronicsall electronics are original and work properly.
- Caseoriginal gibson hardshell case included!
$1799.00
4.9
Reviewers Noted:
Good sound quality . Well made . Durability . Visual appeal . Weight
Features:
- Up for your consideration a beautiful gibson and in mint condition gibson les paul deluxe in gold top.
- Made in 2015 comes all stock with the g-force tuners and the zero fret adjustable nut.
- Comes with ohsc as pictured, charger and some case candy.
$1499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Now available with gold hardware, this les paul studio has the looks, tone and playability to hit any stage or studio session! the les paul studio embodies the essential les…
$2200.00
4.9
Reviewers Noted:
Attractive . Well made . Sound quality . Durability
Features:
- A beautiful les paul classic gold top in very good/excellent condition.
- Only a couple of small paint chips from normal use (see photos).
- The guitar has always been extremely well taken care of and stored in its case.
$1699.00
4.5
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- 2020 gibson les paul studio – wine red w/deluxe gig bag (pre-owned).
- In good condition and comes with a gigbag.
$950.00
4.4
Reviewers Noted:
Sound quality . Lacks durability . Visual appeal . Well made . Weight
Features:
- The tail piece was upgraded to the aluminum gibson version and all the cavities have been very nicely shielded.
- The fretboard also received a full level and crown for nice smooth playing, a low action and no fret buzz.
- Plastics were all changed from creme to black, but the originals will be included if you'd like to change them back.
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Electric guitar with maple top, mahogany body, mahogany neck, and rosewood fingerboard. featuring 2 p 90 pickups. includes hard case. listed by weight and serial number…
1. Gibson Les Paul Standard '50s – Gold Top
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. pure tone, prime playability. two classic burstbucker humbuckers adorn this feisty '50s guitar, giving it that vibrant vintage crunch which sails through to the soul. your licks will sing powerfully as you strum and pick your way through songs, with each note shining with crystalline clarity. the beautiful neck and fretboard bring you the ultimate playing satisfaction, feeling chunky and dense whilst offering beautiful resonance. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | Probucker |
| Bridge | Probucker |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
2. Gibson Les Paul Standard '50s P90 – Gold Top
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. tone of the ages. with two powerful p90 pickups loaded into this '50s guitar, it has a bright sound which gives your licks that unmistakable vintage twang. your licks will sing to the stars with a gritty voice as you pluck your way through riffs. the beautiful neck and fretboard are guaranteed to bring a smile to your face with their luxurious feel, offering an entirely pure playing experience. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
3. Gibson Les Paul Deluxe '70s Electric Guitar – Goldtop
Product Details:
The gibson 70s les paul deluxe is more than a blast from the past. it's a shrine to gibson's insanely high standards of craftsmanship and knack for getting the feel and tone of their creations just right. you'll be blown away by the rich, purring tone of the mini humbuckers, which were first introduced in 1969 – they kicked off the sound of the '70s. hum-free, they deliver an ultra-clear sound, with slightly more brightness and punch than their larger counterparts – they'll shine in any genre. feel your riffs like never before. the rounded c mahogany neck gives a glimpse of what the player so the '70s would have felt in their hands. smooth, satisfying, and incredibly easy to play, it'll let you riff all night long. an indian rosewood fretboard provides unbeatable sustain and a powerful response, whilst the tune-o-matic bridge keeps your tuning steady as a rock. the maple top lends itself to a beautiful finish, whilst the cutaway design enables superb upper fret access. this is modern, professional craftsmanship combined with inimitable '70s gibson charm. prepare to be blown away.
Specifications:
| Finish | Cherry Sunburst |
| Year | 2021 – 2022 |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
| Binding | Cream |
| Neck | Mahogany |
| Nut width | 1.695" / 43.053mm |
| Fingerboard | Indian Rosewood, Cream Binding |
| Scale length | 24.75" / 628.65mm |
| Number of frets | 22 |
| Nut | Graph Tech |
| Inlay | Acrylic Trapezoids |
| Bridge | Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Knobs | Gold Top Hats with Silver Inserts |
| Tuners | Vintage Keystone |
| Plating | Chrome |
| Neck pickup | Mini Humbucker |
| Bridge pickup | Mini Humbucker |
Reviews:
I've wanted a deluxe since I played one in the late 70's. It's beautiful, plays great, and the fit and finish is perfect. Gibson has definitely fixed their past QC issues. The mini humbuckers are clear and crisp, no bucker mud. The neck is perfect to me. Fat but not huge. Frets are perfect. Minor action tweaks out of the box and I gigged it the next day. Highly recommend!
4. Gibson Les Paul Standard '60s – Iced Tea
Product Details:
Fall in love with tone. a gibson les paul standard '60s is your ticket to the iconic sounds of classic les pauls. celebrated all over the world as one of the best guitars of all time, the les paul standard has been used by countless legendary guitarists in a wide range of genres. this guitar provides a truly authentic '60s gibson experience, perfectly encapsulating the look, feel, and most importantly, sound of a classic '60s les paul standard. perfect playability, pristine tone. when designing this guitar, gibson wanted to recreate the legendary feel and unmistakable sound of les pauls from the 1960s. the 61 burstbucker pickups deliver pure tones that let your sound shine through with ultimate clarity. and with a super fast, slim taper mahogany neck, you also get the effortless playing feel to match this guitar's amazing tone. experience something truly special.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | AA figured maple |
| Body wood | Mahogany |
| Body finish | Gloss nitrocellulose |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | HH |
| Neck | Burstbucker 61R |
| Bridge | Burstbucker 61T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6 string |
| Country of origin | United States |
Reviews:
I had a great experience with Musiciansfriend. I called my gear advisor, Scott, and he went the extra mile to answer all of my questions over about a two week period. My guitar weighs just under 10 pounds. The set up was superb with a low action and near perfect intonation. Phenomenal sound. Just amazing. Each string rings out clear and balanced. This is my first Gibson. I am a Fender player ('69 Jaguar, '97 Strat) so I was afraid I wouldn't like the warm tones of the humbuckers (nearly went with P90 because of this), but I can't compliment this guitar enough. It's a legend for a reason. The only bad thing is the case. It's obvious that Gibson doesn't take as much care in quality control for their cases. Pea sized bubble on the exterior and lining already coming unglued. However, musiciansfriend is working to right this for me.Jonathan
Overall: Ordered my 60's Les Paul in Unburst on Thursday February 10th. I paid for overnight shipping cause I couldn't wait & zZounds didn't disappoint. Guitar arrived on Friday the 11th before noon!!! Thank you zZounds. Now onto the review……amazing guitar. The figured top is beautiful. zZounds lets you pick the Les Paul you want by serial number & the top looks even better in person, I couldn't be happier. The fit & finish is excellent. Setup is perfect out of the box, plays like a dream. Sustain for days & the '61 Burstbucker R & T pickups just scream!!! Gibson's quality control is on point now!!! Just a beautiful guitar.James
Wow, does this guitar growl. These pickups are so hot, I was startled when I turned up the amp. On clean, every note in a chord is articulated brilliantly. And the sustain is strikingly long and full. I thought the fit and finish was exceptional, and appreciate the quality considering the price. It makes my other guitars feel like I'm riding a bike with a flat tire. It's just not a fair comparison. I am afraid I will have to upgrade my entire fleet now – it has spoiled me. I am more gratified with the purchase than I anticipated.Howard
5. Epiphone Les Paul Standard '50s Electric Guitar – Metallic Gold
Product Details:
The les paul standard 50s models are part of epiphone's new inspired by gibson collection and recreate the sound of 1950s era les pauls. featuring a classic mahogany body with a maple cap and mahogany neck with long neck tenon. powered by probucker humbuckers with 50s style wiring and cts electronics. epiphone's long friendship with mr. les paul began in 1940 when les built one of the world's first solid body electric guitars while working nights at the original epiphone factory in manhattan. les' first solidbody guitar, nicknamed "the log", would go on to inspire the les paul standard, what many consider the greatest electric guitar ever made.
Specifications:
| Year | 2020 – 2022 |
| Made In | China |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Laurel |
| Fretboard Radius | 12" |
| Model Sub-Family | Epiphone Les Paul Standard '50s |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.69" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Figured Veneer |
| Body Wood | Mahogany |
| Neck Wood | Mahogany |
| Neck Joint | Set |
| Neck Shape | Rounded Chunky C |
| Fingerboard | Rosewood |
| Nut Width/Material | 1.692" |
| Scale | 24.75" |
| Frets | 22 Narrow Tall |
| Neck Depth at 1st Fret | .904" |
| Neck Depth at 12th Fret | 1.045" |
| Radius | 12" |
| Action | 0.060" |
| Strings | 10-46 |
| Pickups | 2 x Epiphone Probucker |
| Controls | 2 x Volume, 2 x Tone |
| Bridge/Tailpiece | Tune-O-Matic/Stoptail |
| Tuners | Epiphone Deluxe Tuners |
| Knobs | Gold Tophat |
Reviews:
My first electric. Got it in a combo kit with amp and bag. Hook it into my computer now and rarely use the amp for anything. That being said, as many people have mentioned the bridge. If this isn't your first guitar, or you are looking for a second guitar – don't get this one. I learned about intonation and action and all that while having this guitar. You can only set the intonation on the outside E's and everything else is just what you get. My the height of my bridge for medium action on the low E is maybe a 1/16 from bottoming out, any lower it will buzz more. To get the same range of action on my high E my bridge is almost a 1/4" in the air. I do not know enough to get into shimming the neck to get it leveled out more, I just know enough to assume a 1/4" rise over 3" space probably isn't a good thing. However! I've learned plenty on it over these last 6 months. I bought this guitar because I did not want to invest a lot of money into it if I wasn't going to stick with it. I bought this in February of 22. The first 5 months I probably played on it maybe 50-60 hours. These last 4 months I've probably played on it 1-3 hours a day. I started using apps to learn and being able to plug it directly into my computer has been amazing. It's served it's purpose, I'm now getting to the level of playing where I'd like a better quality instrument and am looking in the $400-$500 range. For a first guitar, and you're not sure if you're going to stay with it, this was great for me and I will pass it on to someone else to get started with. Other than the bridge intonation and probably not flat fret board, I have had 0 mechanical issues with it.Jay
Been looking for a nice explorer for a while and once I saw this model some time ago, I fell in love with this amazing guitar. I was for a while very, very doubtful due to the complicated and demanding Floyd Rose bridge I never had before. A couple of good tutorials on the system were enough to take this fear away. After a thorough check, the guitar is a dream, works perfectly and love it so far. No scratches nor color changes on the mat neck and back, veneer looks pristine, and mechanics work just fine, lovely Gibson Pup sound with split coils and the fret-board looks great, 12th fret’s spaceship inlay aside which is also a very nice touch there. No challenges with neck profile, just a bit of a welcomed change to a thinner neck from my husky Les Paul ones I have. This is a really nice and balanced guitar! Ok, it's on the slightly heavier side but very manageable still. As mentioned earlier, It’s my first Floyd Rose guitar and surprisingly, I managed to adjust it to perfect balance and tuning on my first try in less than an hour with the help of some wood wedges to block back of the springs with, that I made during that estimated time, and of course a ton of online tutorials the weeks prior. Next step is changing to Paradigm Ernie Ball 11s half a step down and adjusting float again….but this will have to wait a bit and maybe a fourth spring will be in order, we will see. If doubting on Floyd Rose, trust me, I am really not a technical person but this was a piece of cake, once you understand the basics and foremost, make a nice wedge, rest is just a walk in the park. It also comes with a case which is always a plus for getting it home in the best possible condition though I would have preferred a hard case or actual guitar contour shaped foam on the included case, to make it extra safe. and not moving whist transporting For those Brendan small fans out there, it is even more of a desirable item. For those not following his work, still a really nice guitar and a steal for what you get. This guitar will make you happy no matter if you know artist or not Last but not least, there is a shop that actually checks guitars before shipping and that is Music Store….Big, big thanks for making sure I got the guitar I wanted and expected. Big thanks to the entire team!
I'm reviewing the gold top model. I own a lot of guitars but I didn't have a gold top Les Paul and always wanted one. This is an amazing guitar for the price! Fit and finish are perfect. It sounds and plays great. I love it. Note, always put a new set of strings on a guitar that comes with strings on it. It's a simple fix for a lot of problems you thought you had, but don't. Who knows how long they've been on or what brand they are. Now, the details. Frets were perfectly level, no sharp ends. Slight amount of oxidization. I polished the crowns and ends with Micro-Mesh pads. I used 6000>8000>12,000 grit pads. I wasn't taking metal off, just polishing them to a jewelery finish. Really makes bends and vibrato silky and smooth. I do that to all my guitars. I like the Indian laurel fingerboard. It's a good alternative to rosewood. I cleaned it with alcohol, then applied a very light amount of fingerboard oil/conditioner. Let it sit a few minutes then wiped it dry. It has a beautiful look and feel now. As for setup, the only thing that was set correctly was the intonation. So I lowered the bridge to the (low) action I like, and it was pretty clean, a little buzz on the upper frets. The neck was trussed completely flat, so I loosened the truss rod about 1/4 turn and that gave it the right amount of relief. No more buzz. Next, I filed the nut slots slightly wider and deeper. Action was too high off the nut. I use XL strings (9-42) and the slots were even too tight for them! That was the only real glaring problem on this guitar. Tight nut slots cause tuning issues and your average customer isn't going to have the tools or skills to fix that. I have a set of precision nut slotting files and feeler gauges to cut them to the proper depth. Man, that was the magic touch. The action is amazing now, all the way up the neck. No problems with tuning stability. And that's all I needed to do. It plays like a dream. I thought I would need to swap out the pickups but I like these. I'm old and play mostly classic rock, and these sound just right for the Les Pauls of that era. I get that sound that Gary Richrath (REO Speedwagon), early Joe Walsh, Duane Allman, Dicky Betts, Joe Perry, Page, Billy G, had in the late 60's – 70's. I ran it through a Goat distortion simulator and got Tom Scholtz Boston sound perfectly. It was actually better than another LP I have with DiMarzio super distortion pups. Easier to control the overdrive. All in all, Epiphone has really raised their bar. If you have typical electric guitar setup skills, you'll make this a sweet playing guitar. If you don't, it's worth it to find someone who does. Just a few minor adjustments and you'll have a fine axe to play.Rich
6. Gibson Custom 1968 Les Paul Standard Goldtop Reissue Electric Guitar Gold Top 194744737305
Product Details:
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
7. Gibson Les Paul Standard '50s Electric Guitar (Gold Top)
Product Details:
This guitar has a beautiful maple top on mahogany body, the finest gibson craftsmanship, and dual burstbucker pickups, for killer vintage tone. the les paul standard '50s is perfect for the rocker that appreciates an awesome playing guitar with a vintage tilt. beautiful maple top on mahogany bodythe timeless single cutaway design of this les paul is built from mahogany and topped with maple. it's finished in gloss nitrocellulose lacquer for a gleaming shine. the neck is also cut from mahogany into a vintage '50s profile. the 24.75" scale length neck is topped with a 12" rosewood fretboard. the finest gibson craftsmanshipthe les paul standard '50s guitar is built with stylish rock aesthetics and fantastic playability in mind. all the specs go towards that end. the fretboard of this les paul sports 22 medium jumbo frets and acrylic trapezoid inlays. it's got a graph tech nut for smooth string movement. the bridge on this les paul is a classic abr-1 tune-o-matic with a stopbar tailpiece. it even sports the vintage style amber top hat knobs with pointers. burstbucker pickupsfor killer vintage tone, gibson outfitted this awesome lp with dual burstbucker pickups. there's a burstbucker 1 at the neck and a burstbucker 2 at the bridge. these humbuckers give classic, clear sound, and extra trebly output, which articulately handles gain and effects. the circuitry includes 2 volume and 2 tone controls, as well as a three-way toggle switch, and is wired with orange drop capacitors. no matter your musical proclivity, there's nothing the les paul standard '50s can't handle. features: maple top on mahogany body 24.75" scale mahogany neck in vintage '50s profile rosewood fretboard with 22 medium jumbo frets and acrylic trapezoid inlays dual burstbucker humbucker pickups, three-way switch, 2 volume and 2 tone knobs abr-1 tune-o-matic bridge with stop bar tailpiece and amber top hat knobs with pointers includes hardshell case
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
8. Epiphone Les Paul Standard Plain Top Electric Guitar – Gold Top
Product Details:
This plain top epiphone les paul standard is an electric guitar that delivers all the signature sound of a gibson les paul at a fraction of the cost. the mahogany body provides superb resonance while the alnico classic humbucker pickups deliver loads of warmth. the set mahogany neck with slim-tapered profile and rosewood fret board give you the familiar feel and fast action that les paul players love so dearly. neck and body binding and trapezoid inlays produce the classic look seen on stages around the world for decades. the locktone tune-o-matic bridge and stopbar tailpiece provide more sustain and make string changing easier. resonant and warm-sounding mahogany body. tone-building maple veneer over carved top. alnico classic humbuckers for true les paul tone. fully adjustable tune-o-matic bridge. precision grover tuners.
Specifications:
| Finish | Candy Apple Red |
| Year | 1990s |
| Made In | China |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Epiphone Les Paul Standard |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.6875" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Wood Top Style | Plain |
Reviews:
Its not the les paul Baseball bat neck and not the Slim Taper. Its somewhere in between. Ebony Fretboard and EMG Passive pickups. The pickps have a pretty good punch and the guitar plays well the factory Floyd is a nice touch and thousands saved with the Epiphone as opposed to the Gibson Logo on the headstock. I have 2 of them and have no intention of changing the pickups at this point. for under 500 bucks its a great guitar. I did change the saddle in the Floyd to Floyd Originals for about 80 bucks parts cost. also routed out the inside a little for the big pull bake on my big block floyd upgrade… its an awesome guitar if you are a floyd guy and a les paul guy this guitar is a winnerjampatgal2012
Epiphone's Standard Left-handed Les Paul, while not perfect, is well-worth your money. If you're looking at a Gibson, but don't want to fork over the cash, it wouldn't be a bad idea to consider this instead. I agree with the previous reviews I've read that describe the guitar needing some setup work and attention to the action. But I also agree that it's a solid product, overall and well-worth your money. I purchased my guitar over 10 years ago, and noticed about 4 years back that it started having intermittent problems with the neck pickup. Sometimes it would work, sometimes not. It might be a good idea to invest in a soldering kit and a pickup selector switch for later on down the road. Do not let someone try to sell you a replacement pickup without first replacing the switch. It's a quick fix and much cheaper than a brand new humbucker, so long as you're not afraid to bust out that soldering iron. All in all, some setup work might be needed as well as some future-maintenance to the electronics, but it's worth it. This is a great sounding guitar with solid craftsmanship and it's a lot of fun to play.JT
GREAT LOOK AND FEEL! THIS IS A BEAUTIFUL GUITAR AND IS A QUALITY INSTURMENT. I PURCHASED THE EPIPHONE LES PAUL STANDARD ELECTRIC GUITAR AFTER DOING MY HOMEWORK AND HAVING SOME 40+ YEARS OF PLAYING AND I SING AND PLAY IN MY HARDCORE ROCK N ROLL BAND! DONT HESITATE THIS IS A BEAUTIFUL GUITAR AND IT PLAYS AND SINGS LIKE AN ANGEL. IM IN NO HURRY TO REPLACE THE PUPS YET. THIS IS A PROFESIONAL TOOL. I RECOMMEND THIS GUITAR FOR WORK AND GARAGE OR YOUR BEDROOM. I EVEN SOUND LIKE I KNOW WHAT IM PLAYING LOL! THE REASON I PURCHASED THIS LMT.ED.2014 RED ROYALE RED PEARL GLOSS FINISH WASBECAUSE IT WAS THE DEAL OF THE DAY WHEN I WENT TO ORDER A EBONY BLACK STANDARD EPIPHONE LES PAUL AND INSTEAD I SNAGGED THIS BRAND NEW EPI FANCY GLOSSY GUITAR FOR 299.99💰DEAL OF THE DAY. WAY NICE AND I AM VERY HAPPY AND SATISFIED WHAT A DEAL! BEST MONEY EVER SPENT. BESIDES THE BEAUTIFUL SHINEY HIGH GLOSS FINISH, THE ELECTRONICS AND HARDWARE ALONG WITH THE D TAPERED NECK AND NICE FRET BOARD IS OUT OF THIS WORLD. VERY NICE AND COMPAREABLE TO MY GIBSON LES PAUL STANDARD 👍. I AM NOT CHANGING A THING ON THIS GUITAR BUT TO HAVE A PROFESIONAL TUNE,TWEEK, AND SET IT UP FOR ME. NOT TO KEEP SOUNDING LIKE A EPIPHONE SALES PERSON BUT IT REALLY DID COME OUT OF THE BOX BASICALLY ALLREADY SET UP AND TUNED.REALLY! IM GOING TO STILL BUY ANOTNER EPI STANDARD LES PAUL NEXT MONTH. I AM GOING TO GET THE REGULAR EPIPHONE EBONY BLACK COLOR LES PAUL STANDARD OR….A EPIPHONE EBONY "BLACK BEAUTY"- THE HIGH GLOSS BLACK FINISH WITH THREE PRO BUCKERS! REMINDS ME OF SEEING ACE PLAY HIS VINTAGE GIBSON WITH THREE PICKUPS BACK IN 1976 IN PORTLAND OREGON @ THE VETERANS MEMORIAL COLLISIUM.JOEY VOMIT
9. Gibson Les Paul Standard '60s – Bourbon Burst
Product Details:
Sorry to see it go but needing the money. plays and sounds great! has been kept in a smoke free environment. i only see one scratch (which only looks deep because of the lighting) and that is pictured. the les paul standard returns to the classic design that made it relevant. played and loved – shaping sound across generations and genres of music. it pays tribute to gibsons golden era of innovation and brings authenticity back to life. the les paul standard 60's-style mahogany neck with rosewood fingerboard and trapezoid inlays. its equipped with a classic style tune-o-matic bridge, aluminum stop bar tailpiece, grover rotomatic 'kidney" tuners and gold top hat knobs with silver reflectors. the burstbucker (neck) burstbucker (bridge) pickups are loaded with alnico v magnets, audio taper potentiometers and orange drop capacitors.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | AA figured maple |
| Body wood | Mahogany |
| Body finish | Gloss nitrocellulose |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | HH |
| Neck | Burstbucker 61R |
| Bridge | Burstbucker 61T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6 string |
| Country of origin | United States |
Reviews:
Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhkkkkk The new Standard 60s that I received was was being waited for like a scene in a movie when parents are waiting for a stork to bless them with a bundle of joy. Well the stork for me was gruff lookin FedEx driver that was delivering my new Gibson Les Paul Standard 60s. After it was delivered I placed it gently before me and began to unwrap the newest member of the family. So, you know those movies when you expect to see elation on the face of the actor after they open something up but instead it turns to the face of horror, well, that was me. As I opened up the the lid of the case I saw bits of gold flakes and plastic. It was the volume knob that had been smashed. I then looked at the case and the bottom of the case appeared to be damaged. After pulling picking up the pieces and placing them in a bag i played the LP and it was amazing but had obviously been knocked around too much for me to keep. It was tough though, the low end on this guitar was hypnotizing and the highs were like blissful chimes that rang clean yet without shrillness. The weight is amazing and the thus the sustain is like the Energizer Bunny. Anyway, I called AMS, they offered a replacement but I wouldn't be able to choose the serial number for the replacement, so I would have no idea what it looked like; I want to choose what guitar I am buying. So now I have a prepaid return shipping label in my email and a trip to the "stork" in my future. It's very unfortunate that this guitar was not packaged better because it is an amazing sounding guitar. I am buying another one.Mike
Overall: I've had 4 other gibsons and this one is the prettiest of them all. The color, how it fades from a dark red, to bright red then amber. The flame is just right on both sides. It has nearly every different kind of flame in certain spots but consistently has horizontal flame from top to bottom. It's a killer top. It's set up well but the action does need to be lowered and some relief put on the neck but overall not bad. The slim 60s neck is very nice. Its not chunky but not thin either, its right in the sweet spot. It sounds amazing, alnico Vs are hotter than a firecracker. Now the cons- It had about a 4 inch surface scratch on the top where your right arm rests when I inspected it after opening the case. The Grover tuners are nice and keep it in tune but I wish this exact guitar was offered with Kluson deluxe tuners. I prefer the green tulip look. Then there's the graph tech nut. I wish it had a bone nut but ill take care of that later. All in all it's a keeper, for life. Thank yoy zZoundsRyan
I've had the guitar for a couple weeks now and it's been the main guitar I've played during that time and it's incredibly hard to put down. The neck is thin but not too thin. It's a good medium profile. This is also one of the lightest Les Pauls I've ever played. The guitar is extremely resonate and loud acoustically. This could just be luck of the draw finding this specific Les Paul, because I've played a few 60's standards and not all of them were like this one. This one was definitely the best one I tried of this model. I have yet to gig with it yet, but I can't wait to. I've tried it in Standard, Eb Standard, Drop D, and Drop C# and it sounded and reacted great in all four tunings with little need for adjustments. The only con I've found is occasionally the higher strings seem to choke out slightly, but that should be easily remedied with some minor adjustments, and they don't choke out enough to really hurt playability.Eric
10. Gibson Custom Collector's Choice Goldtop Les Paul Electric Guitar, Gold
Product Details:
The gibson custom collectors choice 12 1957 les paul gold top has been crafted based on unrestricted hands on analysis of the original guitar, and with the full cooperation of its current owner (well, his office is just down the hall). the guitars two custom bucker s pickups have been recreated to the exact specs and materials of the original pafs in mr. juszkiewiczs guitar, and exhibit a slightly lighter wind than average, resulting in outstanding definition and clarity, yet plenty of thickness and body. its archetypal goldtop finish has that characteristic slight greening caste within its bronze and subtle darkening in the lacquer checks and wear patterns, with hand aging by gibson custom to precisely match the look of #7-3939 as it stands today. collectors choice 12 is offered in a run of up to 300 guitars, with the availability of qualifying materials determining the ultimate number. body – body shape: single cutaway. body type: solid body. body material: solid wood. top wood: maple. body wood: mahogany. body finish: gloss nitrocellulose. orientation: right handed. neck – neck shape: early '50s rounded. neck wood: mahogany with maple spline. joint: set-in. scale length: 24.75". truss rod: reissue. neck finish: gloss. fretboard material: rosewood. radius: 12". fret size: medium. number of frets: 22. inlays: trapezoid. nut width: 1.687" (42.8mm). pickups configuration: hh. neck: custom. bucker middle: not applicable bridge: custom. bucker brand: gibson. active or passive: passive. series or parallel: series. piezo: no. active eq: no. special electronics: bumblebee capacitors.
Specifications:
| Finish | Aged Goldtop |
| Year | 2010s |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Features | Relic |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
11. Gibson Les Paul Standard 50s Left-Handed Electric Guitar (Gold Top)
Product Details:
The new les paul standard returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. it pays tribute to gibson's golden era of innovation and brings authenticity back to life. the les paul standard 50's has a solid mahogany body with a maple top, a rounded 50's-style mahogany neck with a rosewood fingerboard and trapezoid inlays. it's equipped with an abr-1, the classic-style tune-o-matic bridge, aluminum stop bar tailpiece, vintage deluxe tuners with keystone buttons, and aged gold tophat knobs. the calibrated burstbucker 1 (neck) and burstbucker 2 (bridge) pickups are loaded with alnico ii magnets, audio taper potentiometers and orange drop capacitors. features: burstbucker 1 neck pickup burstbucker 2 bridge pickup mahogany body maple top mahogany neck rosewood fingerboard hard case
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Gold Top |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Left-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Type | Fixed |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | Burstbucker |
| Neck Pickup | Burstbucker |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Case Included | Hard Case |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
12. Gibson Slash Victoria Les Paul Standard Goldtop Electric Guitar – Gold
Product Details:
Gibson and slash are proud to present the slash collection. it represents influential gibson guitars slash has used during his career, inspiring multiple generations of players around the world. the slash collection of gibson guitars can be seen live on stage with slash today. the slash "victoria" les paul standard goldtop features a maple top, a solid mahogany body with a dark finish on the back, and slash s personal touches, including a c-shape neck profile, gibson custom burstbucker alnico 2 pickups, color-coordinated hardware appointments, hand-wired electronics with orange drop capacitors and a vintage-style hardshell case. exclusive to the slash collection is slash s skully signature drawing on the back of the headstock, slash s signature on the truss rod cover, a blank truss rod cover in the case, slash-approved ernie ball strings, and four slash jim dunlop tortex picks.
Specifications:
| Top Material | Maple |
| Body Finish | Gloss Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Neck Profile | 50s Vintage |
| Scale Length | 24.75" / 628.65mm |
| Fingerboard Material | Rosewood with Cream binding |
| Fingerboard Radius | 12" |
| Frets | 22 Medium Jumbo |
| String Nut | GraphTech |
| Nut Width | 1.69" / 42.862mm |
| Joint | Glued In |
| Inlays | Acrylic Trapezoid |
| Finish | Nickel |
| Bridge | ABR-1 Tune-O-Matic |
| Tailpiece | Stop Bar |
| Pickguard | Cream (not installed) |
| Control Knobs | Gold Top Hats with pointers |
| Switch Tip | Vintage |
| Switch Washer | Cream |
| Strings | Slash's Ernie Ball Strings.010 -.046 |
| Case/Gig Bag | Vintage style Hardshell |
Reviews:
A few points to mention, the neck is 1.687 wide, the tail piece is aluminum, the pickups are alnicoII @8+ electrical reading, the case is TKL all leather made in Canada, the straps are locking, the neck is less than C but more than D ( perfect for me). no pick guard and no pickup covers, matching hardware those are the differences from the other Standard Models. I have been playing since 14 and I'm now 50+ (OUCH!)I can testify that the playability and feel of the fretboard on this model is the best I have ever played. The quality of the construction is better than a $5000 and up Japanese models LP's. The sound of the pick ups are are extremely pleasing and ADDICTIVE! My ears do not tire. I can honestly tell you that the sound is and upgrade from the LP Classic models for sure! The color of this November Burst model on the GC site picture IS NOT THE COLOR you must check it out in person to see if you like. I do is FREEKING gorgeous! Folks the bottom line is that GIBSON is an American icon and the reason they are expensive is because all things are made outside of the USA if things where made here they would be cheaper and better. The closing of the Memphis Factory is a SHAME to the leaders and citizens of the state of Tennessee they should have not let that happen SUPPORT USA PEOPLE! it ROCKS!John
Overall: About 34 years ago, I saw the coolest guy I'd ever seen play a guitar playing an awesome guitar in the awesomest band I'd ever heard. This is the guy that made me want to play the guitar and the guy I imagined I was when I got my first guitar and posed with it in front of the mirror. I've been a huge fan of both GNR and Slash most of my life and decided it was time to get the guitar that inspired me to start playing.The guitar is gorgeous! The pictures are great but it's so much more beautiful in person! I just sat looking at it in awe for half an hour before I took it out of the case! The tone is right on. I wasn't expecting anything less. The pickups are super hot and responsive.It plays like a dream! Right out of the case it was perfect!The case candy is added bonus! I've never owned a Gibson and they definitely won me over as a future customer with it.So, if you love Slash, love sexy Les Pauls, or just love beautiful works of art, I would recommend this guitar!Michael
A follow up from my previous review. Sorry for the USA rant, but here is more of what I think of this guitar. I'm just a joe blow musician but if you play in stadiums with four 4×12 cabs and two 100w amps running at full blast then the " Burstbuckers" aren't going to cut it, you're going to have to swap the pickups to Seymor Duncan Slash ,those will do the job perfectly and it will be your dream guitar. But if you just do venues and social gigs and practice on your own then this is a fine guitar This model will have the least QC issues. I just wanted a good QC Gibson USA L that spoke to me with standard Gibson LP pickups and no pick guard, this is the one no big deal. I have a gut feeling that Gibson USA will not exist in 5 years from now. Gibson will Take the International Company Parent Epiphone and call It Gibson. Maybe a good thing? time will tell. Enjoy your guitars everyone chao!John
13. Gibson 2018 Les Paul Classic Electric Guitar, Gold Top
Product Details:
These 2018 classics are exceptional instruments. non weight relieved, hand wired, orange drop caps and crisp, sweet p90 goodness. aside from the slim neck they have more in common with a 56 reissue than a typical classic. in fact i had both at the same time and sold the r6 because this particular classic was such a great player. these necks are rounder than previous classics which i thought were too flat and uncomfortable to play. it’s set up well, has almost zero noticeable wear and has never been played out. the truss rod cover was changed to a blank one to more closely resemble a reissue. weighs 10 lbs even according to my bathroom scale. rings like a bell, has fantastic resonance, and the grain on the neck, sides and back is gorgeous. comes with original hard case.
Specifications:
| Finish | Ebony |
| Year | 2018 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Fretboard Material | Rosewood |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Bridge/Tailpiece Type | Stop-Bar |
| Model Sub-Family | Gibson Les Paul Classic |
| Number of Frets | 22 |
| Pickup Configuration | SS |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
14. Gibson Les Paul Standard '60s – Triburst
Product Details:
I'm selling a 2020 les paul standard 60s in tri burst that i received in trade. it has a few small marks on it, but none of them are terrible and none through the paint. i've tried to capture these marks in the pics. i'd give it excellent condition. it plays extremely well and all electronics perform flawlessly. it came to me without any case candy, but gibson did confirm it as authentic. i'm happy to send that email correspondence to anyone interested. it weighs 9lbs, 7oz on my postal scale and the neck is .81 – .92, 1st to 12th. i've included pics with overhead lighting as well as natural lighting. please let me know what other questions you have! thanks!
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose Lacquer |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Vintage |
| Neck finish | Gloss Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) Compensated |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-Way |
| Special electronics | Hand wired Orange Drop caps |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style High-ratio |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
I am a home hobbyist. I have played guitar for about 40 years and have had dozens of guitars over that time. I've owned several Les Paul's over the years including another Standard. This guitar had a great setup right from the factory. Very low action with no fret buzz. The neck feels great in my hand, the pickups sound great, and the finish (triburst) is amazing. The only negative thing I would mention is that it appears that Gibson is using a different color rosewood on their fingerboards these days. It's more of a gray color than the traditional reddish that I prefer. The fingerboard itself feels great but I like a darker red color than gray.Mark
I've been eyeballing this guitar for quit sometime in the GC website. Unfortunately, the local GC never had it in stock in their store. I asked the local GC store manger if he can check the other GC stores if they have one available. Fortunately he found a GC store that just received one. So, I drove 2 hours to the GC that had one. Arrived at the GC, walked in and long and behold, there it was on the very top display rack. I asked one of the GC sales rep if I can try it out, he replied that the store just received the guitar and that I'd be the first one to play it. Played it for 30mins, I love the feel of the 60's slim tapered neck and the sound of the Burstbucker pick-ups. I end up taking her home!Art
I am not going to say anything all the other reviewers did not. My only gripe is the solder joints were broken on both pickup covers causing some pretty bad Microphonics. Big deal. I swapped in a SD JB/Jazz set an now it even sounds better! I did not know about the busted solder until I realized that's what they do to keep the covers on. I will not get rid of the pickups and will fix them and drop them in another Paul I have. But the guitar plays so good. Also, with the TRI-burst limited we are just a little cooler than everyone else! Thank you Elvis at Clackamas GC!Ivan
15. Gibson Les Paul Deluxe 2015 Electric Guitar Gold Top With Case
Product Details:
The sound of the new mini humbuckers designed by jim de cola and jeff ‘skunk’ baxter give the 2015 les paul deluxe that distinct punchy tone. push/pull coil split on each volume pot and orange drop capacitors with a 15db boost for leads makes it ultra versatile. gibson usa fits the guitar with a mahogany asymmetrical rounded c neck for superb playing comfort. standard on most 2015 models, gibson g force provides the best and simplest experience yet in an automatic tuning system. gibson les paul deluxe 2015 electric guitar features maple top with traditional rout. mahogany body. asymmetrical rounded c mahogany neck with rosewood fingerboard. nickel hardware glass lacquer finish. new mini humbucker pickups push/pull coil split on each volume pot and orange drop capacitors. hardshell case included.
Specifications:
| Finish | Goldtop |
| Year | 2015 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Deluxe |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
Reviews:
I've wanted a deluxe since I played one in the late 70's. It's beautiful, plays great, and the fit and finish is perfect. Gibson has definitely fixed their past QC issues. The mini humbuckers are clear and crisp, no bucker mud. The neck is perfect to me. Fat but not huge. Frets are perfect. Minor action tweaks out of the box and I gigged it the next day. Highly recommend!
16. Gibson Les Paul Studio W/gold Hardware – Ebony
Product Details:
Now available with gold hardware, this les paul studio has the looks, tone and playability to hit any stage or studio session! the les paul studio embodies the essential les paul features with enhancements for playability and tonal versatility. the rosewood fingerboard and slim taper mahogany neck provide effortless playability and comfort. the 490r and 498t pickups provide tight, high-output humbucking performance and the two push-pull pots offer additional coil-tapping options.
Specifications:
| Finish | BBQ Burst |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Studio |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.69" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
I'm not a rich guy but I don't want garbage guitar's. This review is more about American Musical supply than this single guitar. In the past 5 year's I have purchased 15 guitar's from American and every one of them have been really great guitar's. I could never afford to buy these guitar's outright being a disabled Veteran I don't make enough money, so American is for ME a life saver. I no longer think about how bad my life is when I pick up one of these beautiful guitar's and play my worries away.Randy
I have played guitar and bass for 20 years, and I have always had average guitars. I just received this Les Paul in wine red. This is my first high end instrument, and it is flawless. The fretwork, finish, and intonation are immaculate. The gold hardware adds luxury to an already classy instrument. I make it a point to play every guitar I own unplugged to hear it's inherit acoustic properties. The tone is rich and snappy. Plugged into my Blackstar HT 60 2×12, this LP gives me epic tone and sustain. I feel the need to learn every riff off of Elegant Gypsy by Al Di Meola to so this guitar justice. I now know why he, and so many of the greats used Les Paul's. Thanks AMS for helping me afford such a beautiful sounding work of art.El Doctor Boca-Dientes
Love the gold hardware on black. Looks sharp.This guitar is very versatile. Lots of sustain and resonance. The pickups have a very clear and transparent tone. Playability is excellent. Had to adjust the action and truss rod. I also dressed the fretboard to make it darker. To me the darker rosewood fretboard looks more attractive. My only complaint is a little bit of dark paint overspray on the fretboard. Hence I darkened the fretboard. Quality is not as good as my American made PRS but the Gibsons have more vibe and mojo to me.A.Santos
17. Gibson 2017 Les Paul Classic T Electric Guitar – Gold Top
Product Details:
The les paul classic 2017 t riffs on the beloved guitars of the '60s and '70s while adding modern upgrades for tone and playability, yielding a true classic with contemporary twists. a grade-a plain maple top on a mahogany back with 9-hole weight relief combine for subtle beauty with enhanced resonance and superb playing comfort. the solid-mahogany neck has a fast slim-taper profile, a thicker rosewood fingerboard with 22 super-smooth polished frets for easy bends, and a genuine nylon nut.
Specifications:
| Finish | Ebony |
| Year | 2017 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Classic |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
An amazing, extremely well built, truely musical sounding instrument. 57/57 plus pickups, locking tuners, Gloss nitro, and American made pride. Traditional weight relief vs modern weight relief…..she's a big girl when she sits in my lap but the pound or pound and a half is worth it for the sustain and tone.Lenny the Doosh
Was soll ich sagen… es ist meine erste Les Paul…. Tolle Gitarre, schöner Klang….. für mich war es ein Schnäppchengianluca
Okay, first of all I need to express how pleased I am with this guitar. I was really skeptical about making the purchase because of the slim taper neck. I have a '68 Les and the neck is so wide you could land a plane on it. But I love a fat neck. I couldn't bring myself to buy the gold top. Two days later, I see the green ocean burst. I'm in love!!! However, I think the slim taper neck could be a deal breaker. So, with a little coaxing from the wife, I buy the green ocean burst. That was Christmas, this review is June. I still love my '68 black beauty, but she is in her case resting. I play my new Les all day long! The neck is quite a bit smaller than I was used to. That just forced me to work on my precision and to get out of my "comfort zone". I play cleaner and those fret stretches are a bit easier. This guitar will growl like a demon or sing like an angel! It will do anything else in between! I play all different styles of music, and I can do it all with this Les Paul! If you are thinking of buying it…Just Do It!!!! You will not regret it!Zen
18. Gibson Les Paul Studio W/gold Hardware – Wine Red
Product Details:
Now available with gold hardware, this les paul studio has the looks, tone and playability to hit any stage or studio session! the les paul studio embodies the essential les paul features with enhancements for playability and tonal versatility. the rosewood fingerboard and slim taper mahogany neck provide effortless playability and comfort. the 490r and 498t pickups provide tight, high-output humbucking performance and the two push-pull pots offer additional coil-tapping options.
Specifications:
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 inches |
| Number of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| End of Board Width | 2.26 inches |
| Inlays | Acrylic Trapezoids |
| Bridge | Gold Nashville Tune-O-Matic |
| Tailpiece | Gold Stopbar |
| Pickguard | Black |
| Control Knobs | Black Speed Knobs |
| Switch Tip | Black |
| Switchwasher | Black (Not Mounted) |
| Jack Plate Cover | Gold |
| Neck Pickup | 490R |
| Bridge Pickup | 498T |
| Strings | .010, .013, .017, .026, .036, .046 |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
19. Gibson Les Paul Studio 50s Tribute 2016 T Guitar With Gig Bag, Gold Top
Product Details:
Following in the footsteps of the incredibly popular 2010 les paul studio 50's tribute, which was released with a set of p-90 pickups… comes the new 50's tribute les paul loaded with paf-style humbuckers. keeping the look and feel of the original run of guitars with the goldtop finish and rounded 50's neck profile, this model offers slightly more modern rock and roll tone with the uncovered 490r and 498t humbuckers. a fantastic les paul at a price that the everyday musician can afford.
Specifications:
Reviews:
I've owned a few Epiphone Les Pauls and a couple Gibsons and this is absolutely my favorite. The action was rather high but all new guitars should be set up when you get them anyway. After I lowered the action it's been a dream to play. The pickups are very responsive and deliver a great tone as well. I haven't had any issues with it staying in tune. I stretched the strings a bit and tuned it up and it hasn't lost its tuning yet. The satin good top is just beautiful. It has a slight copper color to it in some light but it still looks amazing. The satin finish still lets it shine through. The only flaw I could find was under the pick guard, but any Les Paul with a pick guard will have that mark. The fretboard is pretty nice. There are a couple of spots that look like they were gouged slightly but not where it causes any problems. For me the neck is comfortable and fast. Not too much stiction going on at all. And those knobs! I love reflector knobs. Against the gold top they just make the whole thing pop. I've always been a fan of binding on a guitar but this one doesn't need it. The guitar just stands out so well that it wouldn't even be noticed. Out of all of the more affordable Les Pauls this one really leads the crowd. Such a good guitar that not only sounds great, but looks beautiful as well. Now for my single complaint. Ship these with a case!!! The gig bag is nice, but it really needs a classic looking brown case to round it all out.StephenM
When I first opened the box what I saw was a work of art, I only hoped it was as great as it looked. I pushed the power button on the G-Foece Tuners and the G string light up red, I picked the G and all ways in tune. I checked it with my Petersen Strobe Tuner, and yes it was spot on. I plugged into a Vox AC30 HW, the notes that came out of the speakers seem to bloom with harmonics I've never heard before. The fit and finish looked like someone went through the Les Paul with a fine tooth comb, I figured the Les Paul being a 2016 would need a set of fresh strings. The instruction for the G-Force Tuners states to do one string at a time, so the G-Force would not need to be recalibrate. So I set up the windup wind down menu on the G-Force unwound the low E. The rewind confused me a bit, usually i cut the string about 1 1/2 past the next tuner, not so with the G-Force only cut the string to the next tuner inline, too much string will cause the G-Force to lock up due to too many winds on the post. When you get to the G-B-E Strings 1 1/2 will work better so the Strings don't slip on the post and cause tuning issues. The 490R & 498T pickups really surprised me. The 490R is very articulate not muddy in any way, if fact I use it more that I've ever used a neck pickup…the middle position is great for Lead or Rhythm, I've heard Jimmy Page uses this position a lot now I understand why. The 498T is very hot 13.7 ohms as opposed to the 7.6 ohms neck. Even though the ohms are far apart they work well together. I set my Neck volume about 6 for a nice clean rhythm sound and the bridge I set at 8-9 so when I want that little more bark it's there. So to sum it all up this Les Paul is all I need to get the tones I need. This is my Desert island Guitar.Huncy Sound Studio
After playing for over 40 years, I must admit I am really blown away by the tonality, feel, and general quality of this guitar. The cleans are vibrant yet warm, and the crunchy over driven tones will compete with just about anything when pushed through a classic tube amp. It really is a step way up from any $400 guitar I've recently played; and would highly recommend spending the extra bread. You don't need to get a $2500 Les Paul to crab that classic Gibson tone and vibe. This is really a quality instrument at a good price!twiggypine
20. Gibson Les Paul Standard '50s P90 Electric Guitar Gold Top
Product Details:
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
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