Are you looking for the Gibson Les Paul Guitar For Sale? If so, you’ve come to the right place.
Choosing the Gibson Les Paul Guitar For Sale can be difficult as there are so many considerations. We have done a lot of research to find the top 20 Gibson Les Paul Guitar For Sale available.
The average cost is $2050.65. Sold comparable range in price from a low of $825.00 to a high of $5399.00.
Based on the research we did, we think Gibson Les Paul Special – TV Yellow is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Les Paul Guitar For Sale (20 Sellers)
| Product Image | Product Name | Features | Check Price |
|---|---|---|---|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
||
|
|
|
||
|
|
|
$1799.00
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- Slab mahogany body
- Mahogany neck with a vintage 50s profile
- Rosewood fingerboard with twenty-two medium jumbo frets
$1070.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- This item is in very good condition, comes with original hard case.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$825.00
4.6
Reviewers Noted:
Lightweight . Good sound quality . Attractive . Durability
Features:
- Here is my 2015 gibson les paul cm.
- Excellent guitar with 61 zebra humbucker and g force tuning system.
- Rich gibson tone.
$2379.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Like new 2020 gibson les paul standard in stunning tobacco burst finish, never played.
- Hardshell case and all paper work.
- Out of the box only to test and photos.
$2999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durability . Well made . Weight
Features:
- Detailed specifications
- Body material
- Weight relief
$3199.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Excellent condition and plays like a dream!
- Has some pick marks (see pics) since i did use it for a couple of recording sessions.
- Gibson and slash are proud to present the slash collection gibson les paul standard.
$1699.00
4.5
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- 2020 gibson les paul studio – wine red w/deluxe gig bag (pre-owned).
- In good condition and comes with a gigbag.
$2999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from us are in our shibu…
$1699.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Sweetwater exclusive les paul studio plus: ready to rock. the gibson les paul studio plus is celebrated by live performers and session players alike. this sweetwater exclusive gibson les paul…
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Made in america
- 490r & t pickups
- Mahogany body with maple top
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Electric guitar with maple top, mahogany body, mahogany neck, and rosewood fingerboard. featuring 2 burstbucker 61 humbucking pickups. includes hard case. listed by weight and serial number…
$1299.99
Features:
- This is a great gibson les paul with lots of character. there are a variety of scratches and dings – it's obviously been loved and used a lot by the…
$999.99
Features:
- Gibson electric guitars 6-string…
$999.00
Features:
- 2014 gibson les paul studio in desert burstthis guitar shows signs of use and play. there is wear around the edges of the guitar on both the top and bottom…
$2999.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- A revamped version of the classic les paul, the modern seamlessly combines definitive les paul elements with new innovations to create a modern electric monster. this guitar features a maple…
$5399.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This item is in great condition and is barely used, showing only minor signs of usage from display on our showroom floor. – for over 20 years gibson custom has…
$1199.99
Features:
- Gibson electric guitars 6-string…
$954.99
Features:
- This product comes with a bag. | gibson les paul tribute solid body electric guitar matte black…
$1100.00
Features:
- Gibson les paul futura. a really cool and unique les paul with a p90 in the neck. the volume knobs use a push/push for coil splitting (no pulling to get…
$3295.00
Features:
- Gibson les paul standard gary moore signature 2001 lemon burst…
1. Gibson Les Paul Special – Tv Yellow
Product Details:
The les paul special is a bit of a cult classic and for 2019 gibson have released this absolute beaut! hugely popular with players who love the stripped back, no nonsense approach and monster tone. the gibson 2019 lp special. is just oozing with vintage mojo and cool! with an all mahogany construction and rosewood fingerboard, you get classic special tones, rich, tight and super resonant. the tv yellow finish looks crisp and lets the tonal qualities of the body really sing out. it's a real vintage design. loaded with a pair of p-90s, this guitar really packs a mean punch. sitting perfectly between a single coil and a humbucker it unleashes a great range of tonal possibilities. this is no one trick pony. with a gibson hardcase included, you are ready to hit the stage.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss nitrocellulose |
| Orientation | Right-handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Vintage-style compensated wraparound |
| Tuning machines | Vintage Deluxe white-key |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
2. Gibson 2018 Les Paul Classic Electric Guitar, Gold Top
Product Details:
These 2018 classics are exceptional instruments. non weight relieved, hand wired, orange drop caps and crisp, sweet p90 goodness. aside from the slim neck they have more in common with a 56 reissue than a typical classic. in fact i had both at the same time and sold the r6 because this particular classic was such a great player. these necks are rounder than previous classics which i thought were too flat and uncomfortable to play. it’s set up well, has almost zero noticeable wear and has never been played out. the truss rod cover was changed to a blank one to more closely resemble a reissue. weighs 10 lbs even according to my bathroom scale. rings like a bell, has fantastic resonance, and the grain on the neck, sides and back is gorgeous. comes with original hard case.
Specifications:
| Finish | Ebony |
| Year | 2018 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Fretboard Material | Rosewood |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Bridge/Tailpiece Type | Stop-Bar |
| Model Sub-Family | Gibson Les Paul Classic |
| Number of Frets | 22 |
| Pickup Configuration | SS |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
3. Gibson Les Paul Cm 2015 Electric Guitar
Product Details:
Here's a super nice and clean 2015 gibson usa les paul cm finished in satin ebony. the pickup is the original burstbucker 61 lead with zebra bobbins. the wiring has been upgraded to top quality cts / wd music 550 k custom taper potentiometers and with mod .022 f oil-filled capacitor with 50s style wiring. gavitt vintage style braided shield pushback wire and a switchcraft #11 mono output jack were also used.the guitar plays like a dream. the neck is straight and the truss rod functions properly. the frets are in great shape and show virtually zero wear and have been cleaned a polished. the rosewood fretboard and been cleaned and conditioned as well.overall a fantastic playing guitar in fantastic condition – no notable blemishes outside of very light playing wear. comes complete with the original gibson literature, "baby photo", and gig bag. these models were produced for just 2 years and and are essential a thin body carve top les paul junior.
Specifications:
| Finish | Satin Ebony |
| Year | 2015 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Wrap-Around |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul CM |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | H |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
First of all, don't believe everything you read about the 2015 Gibsons. I own about a dozen Gibsons with the oldest being a 1991 Les Paul Studio Lite and the newest being a 2017 SG Standard, the quality of the 2015 Gibsons I own are on par with all of them. Now on to this particular guitar… I really wasn't expecting much for the price. This is definitely a "no frills" model. That being said, it is a lot of fun to play! The thin, contoured body is very comfortable and a nice change from the usual Les Paul. And it is a good bit lighter on the shoulder! The sound from the single humbucker can be anywhere from crystal clear to gritty and crunchy depending on your volume, tone and amp settings. It is a lot more versatile than I was expecting. And I prefer the carved maple top and humbucker to the P90 and flat top of my Les Paul Jr. All in all, a great guitar for the money!JD
Overall, this is a fantastic guitar that does exactly what I hoped it would. The Good: The neck is, by far, the standout feature. Absolutely wonderful & comfortable, with just the right profile that's not too slim, nor too chunky. The slim body is a nice touch, and helps to make the guitar super lightweight. The wraparound bridge is totally adequate; not nearly as imprecise as the internet forums would have you believe. The Bad: there was a short or some issue with my output jack, so I've yet to really hear or form an opinion on the pickup. Now, I planned on putting a new pickup in this guitar before I bought it, so a more thorough re-wiring is not beyond the scope of what I'm prepared to do. I am a little disappointed it came from the factory like this, but it's not a deal breaker; it's just a faulty jack, certainly not worth returning the whole guitar to Sam Ash. The Ugly: The fretwork isn't too great. I did have to file them down a bit so they're flush to the neck, and not poking my hands. But again, I was prepared for this, and expect most guitars (especially ones in this price point) to need some minor fretwork. Finally, a few words on the much maligned G-Force tuners. Out of the box, they didn't work well — at all. Since the strings were installed on the guitar in 2015, I changed them (which is a bit of a process, to be honest) & it worked like a champ. I really like the idea of having multiple tunings available at the press of a few buttons. However, for me: this guitar is supposed to be simple — one pickup, two knobs, & a wraparound bridge. So the "robot" tuners clash with that motif, and I will be swapping them out when I re-wire the guitar. That being said, they're definitely not a reason to avoid this guitar — give 'em a fair chance, and make up your own opinions on them. Overall, I'm quite pleased with this guitar. The wiring issue is disappointing, for sure. But acoustically the guitar sounds great, plays well, & looks awesome!Nate
I've spent about 13 years buying relatively cheap guitars, as I just record music at home as a hobby. I never considered a Les Paul because they're so expensive. When I saw the CM 2015's price tag, I thought "this is probably not that great", but after a lot of research and watching videos, I decided to take a risk. I was not disappointed. This guitar feels great in the hands, it stays in tune, and it's really beautiful. But, most importantly, it sounds great. I'm producing music that sounds levels ahead of anything I've made in the past. So much, that I've been going back to older stuff and re-recording it. This is worth the price.Shane
4. Gibson Les Paul Standard '50s Electric Guitar (Tobacco Burst)
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. pure tone, prime playability. two classic burstbucker humbuckers adorn this feisty '50s guitar, giving it that vibrant vintage crunch which sails through to the soul. your licks will sing powerfully as you strum and pick your way through songs, with each note shining with crystalline clarity. the beautiful neck and fretboard bring you the ultimate playing satisfaction, feeling chunky and dense whilst offering beautiful resonance. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | Probucker |
| Bridge | Probucker |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
5. Gibson – Adam Jones Les Paul Standard – Electric Guitar – Silverburst
Product Details:
This guitar in mint condition. just play couple times. clean and nice sound.gibson usa is proud to introduce a new artist model in collaboration with adam jones, one of rock s most talented and sonically innovative guitarists, from the multi-platinum selling and multiple grammy award winning band, tool. his new les paul standard is finished in antique silverburst and has an ebony fretboard with mother of pearl trapezoid inlays and grover rotomatic tuners with contemporary style buttons. it comes equipped with a chrome-covered burstbucker 1 in the neck position and an uncovered dc high-gain humbucker in the bridge position. the controls are hand-wired with orange drop capacitors. it also features adam s signature on the truss rod cover and custom adam jones artwork on the back of the headstock and comes with a modern hardshell case.
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Silver Burst |
| Finish Type | Nitrocellulose |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Ebony |
| Bridge Type | Fixed |
| Nut Material | Graph Tech |
| Nut Width | 1.695" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | DC High-Gain Humbucker |
| Neck Pickup | Burstbucker 1 |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Chrome |
| Case Included | Hard Case |
Reviews:
Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhkkkkk The new Standard 60s that I received was was being waited for like a scene in a movie when parents are waiting for a stork to bless them with a bundle of joy. Well the stork for me was gruff lookin FedEx driver that was delivering my new Gibson Les Paul Standard 60s. After it was delivered I placed it gently before me and began to unwrap the newest member of the family. So, you know those movies when you expect to see elation on the face of the actor after they open something up but instead it turns to the face of horror, well, that was me. As I opened up the the lid of the case I saw bits of gold flakes and plastic. It was the volume knob that had been smashed. I then looked at the case and the bottom of the case appeared to be damaged. After pulling picking up the pieces and placing them in a bag i played the LP and it was amazing but had obviously been knocked around too much for me to keep. It was tough though, the low end on this guitar was hypnotizing and the highs were like blissful chimes that rang clean yet without shrillness. The weight is amazing and the thus the sustain is like the Energizer Bunny. Anyway, I called AMS, they offered a replacement but I wouldn't be able to choose the serial number for the replacement, so I would have no idea what it looked like; I want to choose what guitar I am buying. So now I have a prepaid return shipping label in my email and a trip to the "stork" in my future. It's very unfortunate that this guitar was not packaged better because it is an amazing sounding guitar. I am buying another one.Mike
Overall: I've had 4 other gibsons and this one is the prettiest of them all. The color, how it fades from a dark red, to bright red then amber. The flame is just right on both sides. It has nearly every different kind of flame in certain spots but consistently has horizontal flame from top to bottom. It's a killer top. It's set up well but the action does need to be lowered and some relief put on the neck but overall not bad. The slim 60s neck is very nice. Its not chunky but not thin either, its right in the sweet spot. It sounds amazing, alnico Vs are hotter than a firecracker. Now the cons- It had about a 4 inch surface scratch on the top where your right arm rests when I inspected it after opening the case. The Grover tuners are nice and keep it in tune but I wish this exact guitar was offered with Kluson deluxe tuners. I prefer the green tulip look. Then there's the graph tech nut. I wish it had a bone nut but ill take care of that later. All in all it's a keeper, for life. Thank yoy zZoundsRyan
I've had the guitar for a couple weeks now and it's been the main guitar I've played during that time and it's incredibly hard to put down. The neck is thin but not too thin. It's a good medium profile. This is also one of the lightest Les Pauls I've ever played. The guitar is extremely resonate and loud acoustically. This could just be luck of the draw finding this specific Les Paul, because I've played a few 60's standards and not all of them were like this one. This one was definitely the best one I tried of this model. I have yet to gig with it yet, but I can't wait to. I've tried it in Standard, Eb Standard, Drop D, and Drop C# and it sounded and reacted great in all four tunings with little need for adjustments. The only con I've found is occasionally the higher strings seem to choke out slightly, but that should be easily remedied with some minor adjustments, and they don't choke out enough to really hurt playability.Eric
6. Gibson Slash Les Paul Standard – November Burst Guitar
Product Details:
Your child may be sweet. but this'll be your new favourite member of the family. the gibson slash les paul is one ultra-special guitar, boasting all the premium features you'd expect from the signature of a true legend. belonging to gibson's slash collection series, its sublime sound comes from custom burstbucker alnico ii pickups, which emanate pure rock'n'roll groove. the aaa flamed maple top oozes professional style and class, whilst adding brightness to the resonance of the expertly carved mahogany body. it's no wonder slash is so good. this guitar is incredibly easy to play, with a sleek, c-shaped mahogany neck and pristine rosewood fingerboard for superbly smooth fret transitions. you can really dig in for solos, and keep your rhythm playing super tight on this pristine rock machine. an abr1 tune-o-matic bridge keeps your tuning in check and stable, whilst the included hardshell case will let you take this guitar on tour without so much as a scratch. take a trip to paradise city with the guitar of your dreams.
Specifications:
| Finish | Anaconda Burst |
| Year | 2020 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Standard |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.687" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
A few points to mention, the neck is 1.687 wide, the tail piece is aluminum, the pickups are alnicoII @8+ electrical reading, the case is TKL all leather made in Canada, the straps are locking, the neck is less than C but more than D ( perfect for me). no pick guard and no pickup covers, matching hardware those are the differences from the other Standard Models. I have been playing since 14 and I'm now 50+ (OUCH!)I can testify that the playability and feel of the fretboard on this model is the best I have ever played. The quality of the construction is better than a $5000 and up Japanese models LP's. The sound of the pick ups are are extremely pleasing and ADDICTIVE! My ears do not tire. I can honestly tell you that the sound is and upgrade from the LP Classic models for sure! The color of this November Burst model on the GC site picture IS NOT THE COLOR you must check it out in person to see if you like. I do is FREEKING gorgeous! Folks the bottom line is that GIBSON is an American icon and the reason they are expensive is because all things are made outside of the USA if things where made here they would be cheaper and better. The closing of the Memphis Factory is a SHAME to the leaders and citizens of the state of Tennessee they should have not let that happen SUPPORT USA PEOPLE! it ROCKS!John
Overall: About 34 years ago, I saw the coolest guy I'd ever seen play a guitar playing an awesome guitar in the awesomest band I'd ever heard. This is the guy that made me want to play the guitar and the guy I imagined I was when I got my first guitar and posed with it in front of the mirror. I've been a huge fan of both GNR and Slash most of my life and decided it was time to get the guitar that inspired me to start playing.The guitar is gorgeous! The pictures are great but it's so much more beautiful in person! I just sat looking at it in awe for half an hour before I took it out of the case! The tone is right on. I wasn't expecting anything less. The pickups are super hot and responsive.It plays like a dream! Right out of the case it was perfect!The case candy is added bonus! I've never owned a Gibson and they definitely won me over as a future customer with it.So, if you love Slash, love sexy Les Pauls, or just love beautiful works of art, I would recommend this guitar!Michael
A follow up from my previous review. Sorry for the USA rant, but here is more of what I think of this guitar. I'm just a joe blow musician but if you play in stadiums with four 4×12 cabs and two 100w amps running at full blast then the " Burstbuckers" aren't going to cut it, you're going to have to swap the pickups to Seymor Duncan Slash ,those will do the job perfectly and it will be your dream guitar. But if you just do venues and social gigs and practice on your own then this is a fine guitar This model will have the least QC issues. I just wanted a good QC Gibson USA L that spoke to me with standard Gibson LP pickups and no pick guard, this is the one no big deal. I have a gut feeling that Gibson USA will not exist in 5 years from now. Gibson will Take the International Company Parent Epiphone and call It Gibson. Maybe a good thing? time will tell. Enjoy your guitars everyone chao!John
7. Gibson Les Paul Studio W/gold Hardware – Wine Red
Product Details:
Now available with gold hardware, this les paul studio has the looks, tone and playability to hit any stage or studio session! the les paul studio embodies the essential les paul features with enhancements for playability and tonal versatility. the rosewood fingerboard and slim taper mahogany neck provide effortless playability and comfort. the 490r and 498t pickups provide tight, high-output humbucking performance and the two push-pull pots offer additional coil-tapping options.
Specifications:
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 inches |
| Number of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| End of Board Width | 2.26 inches |
| Inlays | Acrylic Trapezoids |
| Bridge | Gold Nashville Tune-O-Matic |
| Tailpiece | Gold Stopbar |
| Pickguard | Black |
| Control Knobs | Black Speed Knobs |
| Switch Tip | Black |
| Switchwasher | Black (Not Mounted) |
| Jack Plate Cover | Gold |
| Neck Pickup | 490R |
| Bridge Pickup | 498T |
| Strings | .010, .013, .017, .026, .036, .046 |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
8. Gibson Les Paul Modern – Sparkling Burgundy
Product Details:
Shining with class. meet the gibson les paul modern, a gibson guitar for the 21st century. outshining the guitars of old, it contains a wealth of updated features which are designed to bring your playing to divine heights. your tone will soar above the treetops as you pick and strum your way through riffs, smiling all the way. two legendary burstbucker pickups provide the foundations of this guitar's supreme sound, offering waves of tonal options for you to play with. with their dynamism, you can take on any genre. classic and modern. whilst the design may seem familiar, it has modern tweaks which make it excel. your hand will shoot along the mahogany neck like a turbojet, with upper frets incredibly easy to access. the slender profile and ebony fretboard offer a playing experience sharper than a knife edge, allowing you to bring your best every time you play. a modern guitar for the modern musician.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper Asymmetric |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | Compound |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker Pro |
| Bridge | BurstBucker Pro + |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover locking |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
The look, feel and tone of this guitar are absolutely amazing. Can't stop playing. I even love how it smells (never imagined the scent of fresh lacquer could be so pleasant). After playing guitar for 20 years I found myself in a plateau both technically and creatively. This is the best purchase I have ever made. This beautiful piece of equipment exceeded all my expectations. I've been practicing so much my technique has improved dramatically and I'm buzzing with creative energy. Love it.Jose in Brooklyn
I gig over 100 times a year. I play Les Paul's. My current number one has burstbucker pro pickups. This modern has them as well with the asymmetrical neck. it sounds and plays amazing, and will likely replace my standard has my number one. I checked it out for quality issues. This is a very well-made guitar. Only one small thing it arrived with a broken tone knob cap. I called Gibson and I got one in the mail two days later very quick.Bill
I've been a long time Gibson fan and have owned several over the years. I've held on to the good ones and have gotten rid of the rest. Gibson has been known to have their quality control issues for quite a while now and being that I'm an online buyer I was reluctant to pull the trigger on this one. But…I heard that Gibson was under new management and I'm also a sucker for an ebony fretboard, MOP inlays and locking tuners…so I pulled the trigger! Let me say that this one is an absolute keeper! The fit and finish is perfect except for a dull spot on the finish under the pickguard nut/pad (this is from putting the guard on when the finish hasn't cured all the way), the binding is flush with the side of the of the body around the entire guitar (a common problem from routing the binding channel too deep), and the frets edges are finished smooth even in the higher register. I love everything about this guitar, the sparkle finish of the Graphite color top (it's shows but is not over done), the pickups sound great and have the switching capabilities for any style of music, the bypass switch is super cool as it takes you from whatever pickup/coil tap combination you're in at the time right back to a straight bridge pickup, and the neck feels good and natural at any place along the fretboard. If I had to say something negative about the guitar, I would say that they didn't do a great job on their intention of the "new modern contoured heel" because it still has a blocky corner at the neck joint, but as a Gibson owner I am accustomed to blocky heels so I really doesn't bother me. First time buying a guitar from Sam Ash and it was set up perfectly and was immediately playable. The tech that set this up knew what he was doing! You have a repeat customer here!!Dave C.
9. Gibson Les Paul Studio Plus – Bourbon Burst, Sweetwater Exclusive Guitar
Product Details:
Sweetwater exclusive les paul studio plus: ready to rock. the gibson les paul studio plus is celebrated by live performers and session players alike. this sweetwater exclusive gibson les paul studio plus covers even wider sonic territory with its coil-splitting 490r/498t humbucking pickups. this combination unlocks plenty of creative textures to flesh out musical ideas, from classic cleans and modern crunch to single-coil spank. spec’d with a stunning aa maple top and eye-popping custom nitro finish, this studio plus also benefits from an ultra-modern weight-relieved body; this reduction of more than a pound in weight provides extra comfort for extended sessions and performances. dependable grover rotomatic tuners keep this axe pitch-perfect and ready to rock. classic mahogany/maple body is weight relieved for comfort. you can’t deny two fundamental guitar truths: that early les pauls were glorious, and they were also heavy. that’s the tradeoff of strapping a solid slab of mahogany and maple to your body. but gibson has done something special with the modern les paul studio plus’s ultra-modern weight-relieved body, which retains classic les paul resonance and sustain, while scoring a big reduction in weight. this just means you can enjoy yourself onstage for longer, and drag yourself out of bed more easily the next day.slimtaper mahogany neck plays fast and smooth. the neck on this les paul studio plus is a breath of fresh air. its slimtaper profile conforms naturally to the hand for smooth leads up top and fast licks and comfortable chording down low. you're gonna love it.plek’d frets for precision playability. this les paul studio plus feels fast and precise thanks in large part to its plek fret treatment. typically reserved for top-dollar custom guitars, this process levels the frets with pinpoint precision, providing you with the most playable fretboard you’re likely to own. each note rings loud and clear, and the fret edges feel smooth as silk.gibson les paul studio plus solidbody electric guitar features:. sweetwater exclusive with custom finish and aa maple top. ultra-modern weight-relieved body allows for longer sets and sessions. mahogany slimtaper neck plays like a ’60s favorite. rosewood fingerboard with classic trapezoid inlays. plek pro fret treatment for optimized playability. 490r and 498t humbucking pickups with coil-splitting for powerful tonal versatility. bridge and neck volume controls (push/pull for coil-splitting). bridge and neck tone controls. lightweight nashville tune-o-matic bridge. grover rotomatic tuners are studio-stable.
Reviews:
I'm not a rich guy but I don't want garbage guitar's. This review is more about American Musical supply than this single guitar. In the past 5 year's I have purchased 15 guitar's from American and every one of them have been really great guitar's. I could never afford to buy these guitar's outright being a disabled Veteran I don't make enough money, so American is for ME a life saver. I no longer think about how bad my life is when I pick up one of these beautiful guitar's and play my worries away.Randy
I have played guitar and bass for 20 years, and I have always had average guitars. I just received this Les Paul in wine red. This is my first high end instrument, and it is flawless. The fretwork, finish, and intonation are immaculate. The gold hardware adds luxury to an already classy instrument. I make it a point to play every guitar I own unplugged to hear it's inherit acoustic properties. The tone is rich and snappy. Plugged into my Blackstar HT 60 2×12, this LP gives me epic tone and sustain. I feel the need to learn every riff off of Elegant Gypsy by Al Di Meola to so this guitar justice. I now know why he, and so many of the greats used Les Paul's. Thanks AMS for helping me afford such a beautiful sounding work of art.El Doctor Boca-Dientes
Love the gold hardware on black. Looks sharp.This guitar is very versatile. Lots of sustain and resonance. The pickups have a very clear and transparent tone. Playability is excellent. Had to adjust the action and truss rod. I also dressed the fretboard to make it darker. To me the darker rosewood fretboard looks more attractive. My only complaint is a little bit of dark paint overspray on the fretboard. Hence I darkened the fretboard. Quality is not as good as my American made PRS but the Gibsons have more vibe and mojo to me.A.Santos
10. Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst)
Product Details:
Iconic tone and uncompromising playability strap on gibson’s les paul classic, and you’ll experience iconic tone and uncompromising playability. a time-tested combination of maple and mahogany serves up the tone that’s fueled a million rock anthems, while burstbucker pickups inject your playing with loads of midrange muscle and sizzling overtones. you also get coil tapping, phase reversal, and pure bypass options for an endless variety of tonal textures. as for playing comfort, this les paul feels as amazing as it sounds, thanks to a slimtaper neck and easy-playing rosewood fingerboard. the les paul classic includes a self-lubricating graph tech nut, tune-o-matic bridge, vintage-style grover rotomatic tuners, and gold top hat knobs.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
11. Gibson Les Paul Standard '60s Electric Guitar Iced Tea
Product Details:
Specifications:
| Finish | Bourbon Burst |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Standard '60s |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
12. Gibson Les Paul Wine Red Transparent
Product Details:
This is a great gibson les paul with lots of character. there are a variety of scratches and dings – it's obviously been loved and used a lot by the previous owner. however almost all the cosmetic wear and tear is on the back of the guitar. from the front it looks almost good as newi overall, it is in fantastic playing shape especially considering the age. the neck finish is worn down on the back but still feels like it's smooth: see photos. the action is low and the sound is great. it feels really good to play on this neck. pickup on the neck is original , the bridge pickup is replaced with a carvin pickup. original hard shell case also has some signs of wear on the outside.featuresgold hardwareebony fretboard with trapezoid inlaysfingerboard radius:12"neck thickness: .82" (1st fret), .97" (12th fret)volume and tone controls for each pickupweight:
13. Used 2017 Gibson Les Paul Faded Hp Electric Guitar
14. Gibson Les Paul Studio Desert Burst 2014
Product Details:
2014 gibson les paul studio in desert burstthis guitar shows signs of use and play. there is wear around the edges of the guitar on both the top and bottom bouts, as well as a small finish chip on the back of the neck. all wear has been captured in the photos. the guitar is all original and plays nicely. it will ship with its original gig bag. the gig bag does show signs of wear and two of the straps have worn out and broken. a small section of the zipper also shows wear, but the bag functions as it should.if you have additional questions or would like other photos please send a message. product details:brand: gibsonseries: les paul studio 2014model number: lpst14d5ch1color: desert burst vintage glossnumber of strings: 6body type: les paulleft/right-handed: right-handedbody material: mahogany, modern weight relieftop material: maplebody finish: nitrocelluloseneck material: mapleneck shape: 60s slimscale length: 24.75 inchfingerboard material: rosewoodfingerboard inlay: trap…
15. Gibson Les Paul Modern Electric Guitar Faded Pelham Blue Top
Product Details:
A revamped version of the classic les paul, the modern seamlessly combines definitive les paul elements with new innovations to create a modern electric monster. this guitar features a maple on mahogany les paul body, exceedingly playable specs, and dual burstbuckers with coil-tapping capability, pure bypass, and phase switching. the les paul modern is made for the player who loves the les paul and wants to take advantage of all the progressive design features that have come forth since its inception.maple on mahogany les paul bodythis les paul modern has a mahogany body with maple top, showcasing a beautiful wood grain and giving it excellent sonic qualities. the body is made with ultra-modern weight relief, making it comfortable for anyone. even more resonance and sustain is afforded by the…
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
16. Gibson 1958 Les Paul Standard Plain Top Cherry Tea Burst
Product Details:
This item is in great condition and is barely used, showing only minor signs of usage from display on our showroom floor. – for over 20 years gibson custom has been carrying on their legacy of american craftsmanship and human ingenuity. they firmly believe that there remains a place in the world for the best of the best, and the value of their achievement extends well beyond the glossy sheen and gratifying weight of a well crafted les paul guitar. – gibson custom takes pride in knowing they bring the most discerning players and collectors in the world some of the most refined historic reissue, archtop and custom guitars available today. their achievements reflect decades of a passionate commitment to their position as the world s finest guitar maker. – model number: lpr58psl16761serial number: cme01147finish package: vosconstruction: all hide-glue construction – weight: 8lbs 11.2oz – neck material: mahogany (cme hand-selected)peghead: 2019 gibson reissue les paul – head veneer: holly 2019dimensions: …
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
17. Used Gibson Les Paul Tribute Electric Guitar In Tobacco Sunburst With Gig Bag
18. Gibson Les Paul Tribute Solid Body Electric Guitar Matte Black
Product Details:
19. Gibson Les Paul Futura Brilliant Red 2014
Product Details:
Gibson les paul futura. a really cool and unique les paul with a p90 in the neck. the volume knobs use a push/push for coil splitting (no pulling to get that single coil chime)the tone knob for bridge pickup has a push/push for a 9v powered boost. great for solos or pushing your tube amp a little harder.burst bucker 3 in the bridge and sidewinder in the neckcame with grover tuners instead of the robo-tunershard shell gator case and strap lock.there are also wiring harness kits if you want to throw a different pickup in it.some minor wear from being played. not a case queen.i really love this guitar but i need to fund some recording gear.
20. Gibson Les Paul Standard Gary Moore Signature 2001 Lemon Burst
Related posts:
- First Gibson Electric Guitar For Sale (2023 Update)
- Gibson Les Paul Hollow Body Guitar For Sale (2023 Update)
- Gibson Les Paul Special Guitar For Sale (2023 Update)
- Gibson Les Paul Standard Guitar For Sale (2023 Update)
- Gibson Les Paul Classic Electric Guitar For Sale (2023 Update)
- Gibson Les Paul Classic Electric Guitar Heritage Cherry Sunburst For Sale (2023 Update)
- Gibson Les Paul Custom Guitar For Sale (2023 Update)
- Gibson Les Paul Deluxe Electric Guitar For Sale (2023 Update)
- Gibson Les Paul Double Cutaway Electric Guitar Ebony For Sale (2023 Update)
- Gibson Les Paul Goldtop Electric Guitar For Sale (2023 Update)
