Are you looking for the Gibson Guitar Acoustic Electric? If so, you’ve come to the right place.
Choosing the Gibson Guitar Acoustic Electric can be difficult as there are so many considerations, such as Fender, Gibson, Ibanez, Martin, Epiphone, Taylor, Yamaha. We have done a lot of research to find the top 20 Gibson Guitar Acoustic Electric available.
The average cost is $2867.61. Sold comparable range in price from a low of $1350.00 to a high of $5299.00.
Based on the research we did, we think Gibson G-200 EC Acoustic-Electric Guitar Natural is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Guitar Acoustic Electric (20 Sellers)
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$1999.00
5.0
Reviewers Noted:
Weight
Features:
- Finish top: light scratches on pickguard
- Finish sides: minor discoloration on waist of bass side
- Finish back: minor jam in middle of back
$1824.00
4.8
Reviewers Noted:
Good sound quality . Durability . Visual appeal
Features:
- The j-35 evolved from the jumbo in 1936, a time when the great depression was still wreaking havoc on americans.
- The pre-war classic with a beautiful faded finish.
- Body styles.
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- J-45 material
- Mahogany back & sides
- Mahogany top
$1350.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability
Features:
- Original stap button hole has been plugged and moved to bottom of heel. (see pics).
- Has light wear and scratches from being played.
- More information and pictures available on request.
$5299.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Corner music is an authorized gibson dealer and nashville's only gibson 5-star acoustic dealer. all photos are the actual guitar.
- Body style super jumbo.
- Top sitka spruce.
$1599.00
4.7
Reviewers Noted:
Sound quality . Visual appeal . Craftsmanship
Features:
- Gibson generation series g-writer ec acoustic-electric guitar natural
- From dexter music center
- Gibson dealer and service center
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- 2022 original 50's j 45.
- Never registered with gibson.
- K&k pure mini (passive) installation, pickguard and orange label removal done professionally.
$3499.00
5.0
Reviewers Noted:
Sound quality . Visual appeal
Features:
- The gorgeous sj-200 studio is hand built using beautiful sitka spruce and walnut for tone and appearance. utilizing gibson's advanced response neck profile and slim body depth body design this…
$1849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Body shape l-00
- Top sitka spruce
- Back walnut
$3149.00
4.8
Reviewers Noted:
Good sound quality . Well made . Attractive . Weight
Features:
- Gibson songwriter standard rosewood antique natural acoustic guitar.
- A rosewood square shoulder powerhouse.
- Featuring beautiful rosewood back and sides paired with a sitka spruce top.
$2849.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from us are in our shibuya store in tokyo…
$3699.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- The unmistakable gibson hummingbird is followed by the masses as one of the most remarkable acoustic guitars ever built.
- The new hummingbird faded blends vintage appointments and today's modern, high-quality build construction.
- The hummingbird faded is outfitted with gold gotoh keystone tuners, a traditional hummingbird truss rod cover, and a bone nut and saddle.
$2899.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- Solid sitka spruce top
- Mahogany neck with an advanced response profile
- Rosewood fingerboard with twenty standard-sized frets
$4499.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Sitka spruce top adds pluck and projection to your playing
- Rosewood back and sides deliver tonal warmth
- Mahogany neck for endless sustain
$1599.20
5.0
Reviewers Noted:
Weight
Features:
- The gibson generation series g-200 ec acoustic-electric guitar lets you hear every nuance of your playing and enjoy your music like never before. a player port soundhole located on the…
$4999.00
4.8
Reviewers Noted:
Good sound quality . Durability . Visual appeal
Features:
- Advanced jumbo top
- Thermally aged red spruce back & sides
- Mahogany bracing
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Inspired by the 1950s originals, the classic j-50 acoustic guitar by gibson!
- Sitka spruce top.
- Mahogany back and sides.
$2399.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Round shoulder dreadnought body
- Solid sitka spruce top
- Rosewood back & sides
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The classic acoustic workhorse, primed for live performance.
- Solid sitka spruce top offers great projection and tone.
- Solid mahogany back and sides offer warm, round sound.
$2845.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The j-45 is a truly legendary guitar. the world-famous workhorse is
- Gibson's best-selling acoustic of all time. now it is available in a new
- 12-string version. featuring a mahogany body, sitka spruce top, and
1. Gibson G-200 Ec Acoustic-Electric Guitar Natural
Product Details:
Gibson g-200 ec generation collection acoustic guitar – natural the g-200 ec is equipped with a gibson player port. the player port is an original gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. the gibson player port allows you to hear the guitar as you're playing it like you've never heard it beforethe same way your audience hears itmaximizing the sonic impact for an immersive playing and listening experience. the g-200 ec is part of the generation collection. like all models in this collection, it is made in bozeman, mt, by the same highly skilled craftspeople who make all gibson acoustics. it features a beautiful solid sitka spruce top and solid walnut back and sides for tone that sounds crisp and resonant. you'll find that the slightly thinner cutaway jumbo body is more comfortable to play, and provides excellent access to the upper frets. the tusq nut and saddle, along with the grover mini rotomatic tuners deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing advanced response neck profile is so comfortable you won't want to put it down. it also comes equipped with an lr baggs element bronze pickup system, so your g-200 ec will sound as good to your audience as it does to you. a gig bag is also included.
Specifications:
Acoustic Guitar Type | Acoustic-Electric Guitar |
Finish | Natural |
Finish Type | Nitrocellulose |
Body Style | Jumbo |
Cutaway | Yes |
Orientation | Right-Handed |
Number of Frets | 20 |
Scale Length | 25.5" |
Solid Top | Yes |
Top Material | Sitka Spruce |
Neck Material | Utile |
Fingerboard Material | Ebony |
Bridge Material | Ebony |
Nut Material | Tusq |
Nut Width | 1.725" |
Tuner | No |
Electronics | L.R. Baggs Element Bronze Pickup |
Case Included | Gig Bag |
Reviews:
2. Gibson J-35 '30s Faded Acoustic-Electric Guitar Natural
Product Details:
The gibson j-35 is one of the most iconic acoustic guitars of all time. since its release back in 1936, it has developed a reputation as the finest workhorse acoustic around; with its full, rich tone and effortless playability it's easy to understand why. it delivers a full spectrum sound with incredible dynamic range! the gibson 30's j-35 faded features a mahogany body and sitka spruce top for not only a tonally rich but visually stunning guitar. the faded satin nitro lacquer really adds to the guitars vintage vibe. with an organic and beautifully balanced tone, mahogany offers a unique warm and well-rounded sound with great harmonic overtones. it's a real beauty, with a real vintage inspired vibe.the mahogany neck is super comfortable and great for both bold chordal work and subtle fingerstyle playing. the rosewood fingerboard is smooth and feels great underhand.featuring an lr baggs vtc pickup system, this gibson 30's j-35 gives you complete control over your sound. perfect for stage or studio, it's the same incredible workhorse guitar it's always been!
Specifications:
Finish | Natural |
Year | 2022 |
Made In | United States |
Back Material | Mahogany |
Body Shape | Dreadnought |
Finish Style | Satin |
Fretboard Material | Rosewood |
Fretboard Radius | 12" |
Neck Material | Mahogany |
Number of Frets | 19 |
Number of Strings | 6-String |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Scale Length | 24.75" |
Sides Material | Mahogany |
Top Material | Spruce |
Wood Top Style | Plain |
Reviews:
I love this guitar, but I got mine for a killer price, so… I probably like it 5x better than had I paid full price. I'm marking it not a good value because the new prices are ridiculous. But I am extremely happy with the price I got it for. Plays great, sounds great, looks great. It's got that awesome vintage vibe but has excellent playability all the way up and down the neck. Great for strumming and fingerstyle, and least for anything I want to do with it. The mic on the LR Baggs Anthem blender doesn't get much use because it feeds back. Run it through a Fishman Aura Spectrum DI, and you will love it.martin_gibson
Overall: Ordering an acoustic without being able to play and hear it first is pretty scary. After watching numerous comparison videos, I landed on the Southern Jumbo. I am thrilled to say I am absolutely blown away by this guitar. The fit and finish is flawless, and is drop dead gorgeous in person. Most importantly though is that it’s easily the best sounding acoustic I’ve ever had the pleasure of playing. The sound is lush, rich and complex, with dynamic range for days. The neck feels pretty similar to a slim taper on a 60s Les Paul. It’s got enough girth to grip, but is still easy to move around. I can’t recommend this guitar enough.
This is a unique Gibson. With the Rosewood sides and back and long scale it sounds a bit like my Martin HD-28. This guitar though, with the Rosewood bridge seems to have a little more clarity and punch. Unlike short scale Gibsons this guitar has a nice tight sound. Fit and finish is really good. I am very pleased to add this Gibson to my growing guitar collection.Victory Pete
3. Gibson J-45 '50s Faded Acoustic-Electric Guitar Vintage Sunburst
Product Details:
The world-famous workhorse with a beautiful faded finishthe j-45 is gibson’s best-selling acoustic of all time. nicknamed “the workhorse” and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. world-renowned for its full, balanced expression, warm bass, and excellent projection, the j-45 has been refined to carry this legacy to new heights. the gibson j-45 faded 50s delivers full-spectrum sound with incredible dynamic range; warm mids; and tight, punchy bass. now available with a faded satin nitrocellulose lacquer finish that accentuates the guitar’s vintage vibe, and equipped with a modern lr baggs pickup and electronics package for studio and stage use. a hard shell case is also included.
Specifications:
Finish | Faded Sunburst |
Year | 2022 |
Made In | United States |
Back Material | Mahogany |
Body Shape | Dreadnought |
Finish Style | Satin |
Fretboard Material | Rosewood |
Fretboard Radius | 12" |
Neck Material | Mahogany |
Number of Frets | 20 |
Number of Strings | 6-String |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Scale Length | 24.75" |
Sides Material | Mahogany |
Top Material | Spruce |
Wood Top Style | Plain |
Shape | J-45 |
Binding | Multi-ply Top, Single-ply Back |
Neck | Mahogany |
Nut width | 1.75"/43.815mm |
Fingerboard | Rosewood |
Scale length | 24.75"/628.65mm |
Number of frets | 20 |
Nut | Bone |
Inlay | Mother of Pearl Dots |
Bridge | Traditional Belly Up, Rosewood |
Tuners | Gotoh White Button |
Under Saddle pickup | LR Baggs VTC |
Controls | Soundhole Mounted Volume and Tone |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
4. Gibson J-15 Acoustic Electric Guitar
Product Details:
The j-15 features the same round-shoulder body shape of gibson's j-45, aka "the workhorse", an incredibly popular acoustic that has been one of gibson's best-selling guitars since it's introduction in 1942. with it's electronics and high-quality body construction, the j-15 can easily become your new workhorse as it can handle the demands of both intimate settings and larger venues. – handcrafted exclusively at gibson's bozeman, montana facility, the j-15 is all about north american solid tonewoods, with a sitka spruce top which provides you with ample velocity, and sustainable american walnut back and sides which possesses some of the warmth of rosewood while adding a dash of mahogany's presence, all without the extra weight. this 24.75" scale acoustic-electric also features a neck-to-body dovetail joint secured with hide glue to ensure the resonance transfer from strings to body stays at a premium level throughout the life of the guitar. the j-15's radiused body with scalloped x-bracing provides the kind of projection and clarity that you expect in a more expensive model. the hand-sprayed nitrocellulose lacquer finish not only lets the tone of the j-15 to mature with age,body style: j-45 round-shoulder – wood: sitka spruce top, walnut back & sides – binding: mutli-ply top, single-ply back, abalone rosette – finish: antique natural cure textured high-gloss – neck: maple, 1.725" tusq nut – neck-to-body: compound dovetail secured with hide glue at the 14th fret – bracing: gibson standard xfingerboard: 12" radius walnut with 1/4" mother-of-pearl dot inlay – scale: 24-3/4"bridge: rectangular walnut – pickguard: teardrop tortoise – tuning machines: mini grovers 14:1strings: gibson light gauge .012 – .053electronics: l.r. baggs element100% american-made, handcrafted in bozeman, montana – includes case
Specifications:
Finish | Antique Natural |
Year | 2014 – 2019 |
Made In | United States |
Back Material | Walnut |
Body Shape | Dreadnought |
Fretboard Material | Walnut |
Neck Material | Maple |
Number of Frets | 20 |
Number of Strings | 6-String |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Sides Material | Walnut |
Top Material | Spruce |
Reviews:
I've been playing guitar for about 16 years now, and I have owned several great guitars. I generally prefer Martin guitars (an HD-28 vintage series is my current "favorite" guitar), but I also have plenty of experience with Taylor, Takamine, Larrivee… guitars. I was recently in the market for a good guitar that wasn't too terribly expensive so that when I left it on stage, or allowed others to borrow it on stage I wouldn't worry about it like I do with my Martin. I've always wanted a Gibson, but in the past I've always found their sound lacking, and because of that I always purchased different guitars (often Martin or Taylor). Long story short, after playing a lot of Gibson, Martin and Taylor guitars at my local music store, this is the one I came home with and I couldn't be happier. This guitar is incredibly versatile! I play primarily country, southern gospel, contemporary christian, and a little bluegrass, but no matter what I use this guitar for it never disappoints me. Compared to my HD-28 I would say the J15 is more balanced, but it still provides plenty of bass for rhythm, and a very warm sound overall. The J15 is not as responsive as my HD-28, but every guitar is different, and this one definitely has its place. My only complaint is with tuning. When I initially bought this guitar it was VERY hard to get tuned, and it wouldn't stay in tune well at all. After a few months of playing this guitar, it now stays in tune very well once you get it dialed in, but I still find it harder to tune than other quality guitars that I have owned in the past. I may change out the tuners down the road, but they do work which is why I didn't deduct for this… It just takes a little more time to tune than normal which is a bit annoying when you are on stage. Nonetheless this is a GREAT guitar! This guitar has become my go-to, and I don't see that changing anytime soon. If you are looking for a great guitar under $2500… this is it! Well done Gibson.Slim Jim
Bought mine in October '14, play her every day. I had about $1500 to spend on a new acoustic, and the J15 was by far the most guitar at this price point. Plus, I wanted a short scale with a wider and fatter fingerboard/neck. Plusses: Plays like a dream, intonation spot on, booming bass, beautiful woods and finish. Love the round shoulder body. Minuses: Sounded tinny at first, especially compared to a comparable Martin. However, in 2 1/2 years and lots of playing, the woods have mellowed and the tone is rich and balanced, not to mention LOUD! I replaced the cheapo plastic bridge pins with Tusq pins and noticed a difference in tone right away. I don't like piezo pickups in general, and the Baggs Element pu had lower output from both the E strings. Replaced it with a Baggs Lyric mic pu. The mini Grovers work fine, but I had a set of full size 18:1 Rotomatics, so I put them on.blargo49
Have owned this guitar for over 9 months. Extremely pleased with this guitar! Mine had no cosmetic issues. In fact it's beautiful. As far as the smell of the wood and lacquer, love it. I played this guitar before I purchased it so no surprises. I have average sized hands with thick fingers. The neck is very smooth and easy to play. The sound is full and articulate. I have played this guitar live every week since I have purchased it. Nothing but compliments on the sound and tone of this guitar. Highly recommend. Great guitar for the money. Pick guards and etched truss rod covers make absolutely no difference to me. How it plays and sounds does. Good job Gibson.Brad
5. Gibson Acoustic Sj-200 Original – Vintage Sunburst
Product Details:
Play it loud, play it proud. the gibson sj-200 original is teeming with quality, from its moustache bridge to its finely carved headstock. based on the same models as those gibson first released in 1937, it has a rich heritage and a stunning sound. flame maple back and sides give this beauty a sparkling, bright, punchy tone which sings with vibrance. and a sitka spruce top helps to enrich the resonance and sustain of this super jumbo guitar. plain sailing. there's a two-piece maple neck adorning this guitar, which offers superb smoothness for easy playing. it also adds even more brightness to this guitar's tone, making it truly stand out in any setting. the sublime rosewood fretboard responds to your playing perfectly, producing a touch of warmth and plenty of sustain for a well-balanced overall tone. the four bar moustache bridge is iconic, adding tonnes of character whilst enhancing tuning stability and resonance. from the stunning looks to the world class sound, this guitar will bring you a lifetime of happiness.
Specifications:
Finish | Antique Natural |
Year | 2019 – 2020 |
Made In | United States |
Back Material | Maple |
Body Shape | Jumbo |
Finish Style | Gloss |
Fretboard Material | Rosewood |
Fretboard Radius | 12" |
Neck Material | Maple |
Number of Frets | 20 |
Number of Strings | 6-String |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Scale Length | 25.5" |
Sides Material | Maple |
Top Material | Spruce |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
6. Gibson Generation G-Writer Ec Acoustic-Electric Guitar, Natural
Product Details:
Gibson g-writer generation collection acoustic-electric guitar – natural the g-writer ec is equipped with a gibson player port. the player port is an original gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. the gibson player port allows you to hear the guitar as you're playing it like you've never heard it beforethe same way your audience hears itmaximizing the sonic impact for an immersive playing and listening experience. the g-writer ec is part of the generation collection. like all models in this collection, it is made in bozeman, mt, by the same highly skilled craftspeople who make all gibson acoustics. it features a solid sitka spruce top and beautiful solid walnut back and sides for tone that sounds crisp and resonant. you'll find that the slightly thinner cutaway body is more comfortable to play, and provides effortless access to the upper frets. the tusq nut and saddle, along with the grover mini rotomatic tuners deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing advanced response neck profile is so comfortable you won't want to put it down. it also comes equipped with an lr baggs element bronze pickup system, so your g-writer ec will sound as good to your audience as it does to you. a gig bag is also included.
Specifications:
Body Shape | Songwriter |
Back | Walnut |
Side | Walnut |
Bracing | Traditional Scalloped X-bracing |
Finish | Satin Nitrocellulose Lacquer |
Neck Material | Utile |
Scale Length | 25.5" |
Fingerboard Material | Striped Ebony |
Fingerboard Radius | 16" |
Number Of Frets | 20 |
Frets | Standard |
Nut Material | TUSQ |
Nut Width | 1.725" |
Inlays | G-Collection Single Bar |
Hardware Finish | Chrome |
Tuner Plating | Chrome |
Bridge | Belly Down, Closed Slot, Striped Ebony |
Saddle Material | TUSQ |
Tuning Machines | Grover Mini Rotomatic |
Pickguard | Black |
Truss Rod | Adjustable |
Truss Rod Cover | Walnut Laminate |
Bridge Pins | Black |
Strap Buttons | 2 |
Under Saddle Pickup | LR Baggs Element Bronze |
Controls | Soundhole Mounted Volume |
Output Jack | 1/4" Endpin Jack |
Preamp | LR Baggs Element Bronze |
Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
I have several acoustic guitars. Yamahas, Taylor's, Gretch, Fender and others. I played this in the show room and it not only sounded great!, But, it asked me to take it home! I love this guitar. Sounds great, has great electronics on board and bonded with instantly. Yes, I took it home!Matt T.
7. Gibson '50s J-45 Original Acoustic Guitar – Ebony
Product Details:
A decade of iconic silky blues and era-defining rock 'n' roll can't possibly be resonated in just one instrument. can it? the gibson j-45 original 50s could be the answer. equipped with the traditional materials of a sitka spruce top and mahogany body that produce such a rich and recognisable tone – this guitar is an absolute legend to play. the look and feel of the 50s are in the palm of your hand. subtly antiqued, the top and back binding give the sense of a seasoned gibson acoustic. a classic instrument that has been modified to upgrade the way vintage music is heard. feed this tradition to the masses. the lr baggs vtc pickup produces a beautifully natural and earthy tone when you need to amplify to a larger crowd. embrace a golden era of music.
Specifications:
Body Shape | J-45 |
Back | Mahogany |
Side | Mahogany |
Bracing | Traditional hand-scalloped X-bracing |
Binding | Multi-ply top, single-ply back |
Finish | Nitrocellulose |
Neck Material | Mahogany |
Scale Length | 24.75" |
Fingerboard Material | Rosewood |
Fingerboard Radius | 12" |
Number Of Frets | 20 |
Frets | Standard |
Nut Material | Bone |
Nut Width | 1.725" |
Inlays | Mother-of-Pearl dots |
Joint | Compound Dovetail Neck-to-body |
Hardware Finish | Nickel |
Tuner Plating | Nickel |
Bridge | Traditional Belly Up |
Saddle Material | Bone |
Tuning Machines | Grover Strap Cream Button |
Pickguard | 50's, Tortoise |
Truss Rod Cover | Black |
Bridge Pins | Tusq |
Under Saddle Pickup | LR Baggs VTC |
Controls | Volume and Tone Controls |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
8. Gibson Sj200 Studio Walnut Jumbo Acoustic Electric Guitar With Case Walnut Burst
Product Details:
The gorgeous sj-200 studio is hand built using beautiful sitka spruce and walnut for tone and appearance. utilizing gibson's advanced response neck profile and slim body depth body design this is the most comfortable super jumbo we've ever built, without any sacrifice in tone. outfitted with a fishman sonitone pickup for easy plug and play anywhere you perform.
Reviews:
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
9. Gibson L-00 Studio Walnut Acoustic-Electric Guitar Walnut Burst
Product Details:
The gibson l-00 studio walnut has a big sound. defying everything you think you know about small guitars, a surprisingly powerful sound bursts from this acoustic with a versatile tone. a sitka spruce top combined with a walnut body produces a well balanced and weighty mid-range tone for a dynamic sound that also blossoms at the top end. and performing is effortless. sitting comfortably close to your body, the l-00 increases the precision of your playing and improves playability. plug in and perform anywhere. the fishman sonitone pickup gives you a studio-quality sound whenever and wherever you play. with this professional sound comes an elegant style. it's perfect for the musicians who like their music to be supported by a great look, not defined by it.
Specifications:
Neck Material | Mahogany |
Scale Length | 24.75" |
Fingerboard Material | Walnut |
Fingerboard Radius | 16" |
Number Of Frets | 19 |
Frets | Standard |
Nut Material | Tusq |
Nut Width | 1.725" |
Inlays | Mother-of-pearl dots |
Joint | Compound Dovetail Neck-to-body |
Body Shape | L-00 |
Back | Walnut |
Side | Walnut |
Bracing | Traditional hand scalloped X-bracing |
Binding | Multi-ply top, single-ply back |
Finish | Nitrocellulose |
Tuner Plating | Nickel |
Bridge | Rectangle |
Saddle Material | Tusq |
Tuning Machines | Mini Grover Rotomatic |
Pickguard | L-00 |
Truss Rod Cover | Studio |
Bridge Pins | Tusq |
Under Saddle Pickup | LR Baggs Element Bronze |
Controls | Volume and Tone Controls |
Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Manufacturer Part Number (MPN) | MCSBLSWLWB |
Reviews:
Build quality looks good. Substantial top bracing. Neck feels really good but is difficult to play because of neck curvature which creates high tension on strings – probably been sitting around the Perth shop for an extended period – no one bothered to check before sending. Will have to get it set up (more expense). Could not play with the Gibson strings provided – heavily oxidized – again old strings from a guitar that has been idle in the shop for too long – no one checked this either. Have had to buy low tension strings to play it until set up. Fretboard as dry as a …., but feels better now I have conditioned it a couple of times. Also, there are problems with the inner case lining (lifting) – again blind dispatcher – and the brass finish on the outer case clasps on arrival looking dull) have turned to a burnished silver only after opening the case for a fortnight. Really pretty poor form Manny's not checking the guitar out before shipping 🙁Lindsay A.
Hopefully, this will be a favorite acoustic guitar. The small 00 body size is very comfortable and casual. The neck shape is a described as a soft-V, fits comfortably in hand with a nice wide, flatter fret board that suits my large hands and fingers well. It's a handful where the neck meets the body. Lots of nice construction points on the guitar. The internal bracing is beautifully done. The hand scalloping is obvious, the bracing wood is tight grained and finished smooth. Compliments to Gibson builders on this one. The neck is unbound, the fret ends are polished and fit perfectly. The body finish is consistent and the polishing is perfect. The sound hole rosettes are clean as is the binding on the entire body. The rosewood grain is tight and consistent on the whole body. The Sitka Spruce top is clean, without any wood imperfections or distortions in the grain. Very slight color variations that give a pleasing appearance. The string height along the entire fretboard is consistent. No buzzing. No action adjustment has been needed. What a joy! Pull it out of the case, tune to pitch, play. Amazing. Plays as one would expect from an instrument at this price point. Don't really notice any next tapering, very subtle. How about saying it has a 'lush' midrange. Extremely full sounding. Nice thumping bass, not shrill anywhere. Have not used the electronics but with a complimentary acoustic amp this guitar should fill any recording or live performance roles. Total amateur here. A pro musician will be able to get more out of this instrument for a long, long time. Excellent build quality, great tonal breadth and depth. This is a great Gibson guitar.Kev
Guitar Heaven: it don't get much better then this. I purchased my L-00 over the reviews I read. When it arrived the setup looked good and the neck was perfectly straight. I tuned it and started playing: yuck! The sound sucked and it buzzed!! However, it had never been played!! So, I started playing it: putting quality sound into the body. My L-00 stopped buzzing and started sounding!! I've had it for two days now and every time I pick it up it sounds better and better!! Wow!! Looking forward to spending a lot of quality time with it for the rest of my life!! Dreams do come true!! 5 STARS!!Harold
10. Gibson Acoustic Songwriter – Antique Natural
Product Details:
Distinctive. iconic. and ready for professionals. the gibson songwriter 2019 is a stunning electro acoustic guitar that'll delight professional performers, troubadours, and gibson collectors everywhere. it's loaded with all of gibson's renowned tonal brilliance. rosewood, sitka spruce, and mahogany tonewoods combine to create excellent sonic range, giving you full, all-encompassing sound.this is a guitar that's destined to drive you to greatness. because it's tailor-made for the stage, too. lr baggs electronics provide superb clarity to your live playing, allowing you to play at high volumes without sacrificing sound quality. a comfortable rounded neck profile will let you play on for hours, so you can dedicate as much time as you like to composing your next classic. discover unparalleled excellence.
Specifications:
Body Shape | Square Shoulder |
Back and Side Wood | Rosewood |
Bracing | Traditional hand-scalloped Advanced X-bracing |
Binding | Multi-ply top, single-ply back |
Finish | Nitrocellulose |
Neck Material | Mahogany |
Neck Profile | Round |
Scale Length | 25.5'' |
Fingerboard Material | Rosewood |
Fingerboard Radius | 12'' |
Number of Frets | 20 |
Frets | Standard |
Nut Material | Tusq |
Nut Width | 1.725'' |
Inlays | Mother-of-pearl Parallelogram |
Neckjoint | Compound dovetail neck-to-body joint |
Tuner Plating | Gold |
Bridge | Custom Line |
Saddle Material | Tusq |
Tuning Machines | Grover Rotomatic w/ Kidney Buttons |
Pickguard | Custom Line |
Truss Rod Cover | B/W |
Bridge Pins | Tusq |
Controls | Volume and Tone controls in soundhole |
Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
Pictures just do not capture the beauty of this guitar. When I opened the case, I swear there was an aura surrounding this beauty. I was almost afraid of touching it! So after mustering up the courage to take it for a test drive….. Holy Smokes!, this guitar is on another level! It feels so solid compared to my other dreadnaught acoustics. Its like an Acoustic Les Paul Custom. The neck is great, plays like a dream and the pickup really does sound much better than those active p/u's I've played on other guitars. All in all, I couldn't be more happy with this instrument….. Truly an awesome spectacle
I played a Gibson J-45 previously. I was looking for a smaller body size to make it easier to play and write at the same time. l laso wanted a cut away body for higher fret action. The G-Force tuner was an interesting plus. the tuner works nice for studio and stage tuning in standard tuning. Using the G-Force to tune other than standard tuning is really to complex in terms of the multiple buttons you have to press in specific sequence to make the use impractical. The G-Force tuner also requires some very specific steps to restring the guitar. I really, really like the sound. You might think with shallow body depth and body cut away that the sound may be less than a full dreadnought sound. This sound is better than the J-45 I have played for years. The appearance and workmanship is impeccable. There is a special insert included to store the guitar in a standard dreadnought case. This is a nice feature by Gibson, as the guitar shallow body would make it bounce around in a standard dreadnought case. I grew up in Kalamazoo Michigan, the home of Gibson guitars. A number of my family members worked at the Gibson plant. I played Epiphone and Gibson guitars from the Kalamzoo Parson Street factory since I was a kid. This is the best Gibson I have ever played.Lorenzo
I have been playing for 30 years. I own several J45s, none of them rosewood.. Interesting that the Songwriter comes in a J45 case. I have truly enjoyed the tonal quality of this guitar. It has a nice clarity and truly excels when played in the finger picking style The Fishman electronics give this guitar some additional range to dial in the tone you want. It sounds great plugged as well. I wish I had bought one of these 10 years ago.Philip S
11. Gibson Acoustic J-45 Standard – Vintage Sunburst
Product Details:
Excellent condition. a few minor blemishes which have been shown in the photos. gibson j-45 standard vintage sunburst acoustic electric j-45 is gibson's best-selling acoustic of all time. nicknamed "the workhorse" and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. world renowned for its full, balanced expression, warm bass and excellent projection, the j-45 has been refined to carry this legacy to new heights. this 2011 model delivers a sound with incredible dynamic range, warm mids, and a tight punchy bass product specs condition excellent (used) excellent items are almost entirely free from blemishes and other visual defects and have been played or used with the utmost care.
Specifications:
Modifications | Back of headstock stamped "DEMO" |
Neck Profile | Slim Taper |
Neck Material | Mahogany |
Depth at 1st (in) | .866 |
Depth at 12th (in) | 1.179 |
Nut Width (in) | 1.727 |
Nut Material | Graph Tech |
Scale | 24.75 In |
Fingerboard Material | Rosewood |
Fingerboard Radius | 12 |
Fret Count | 20 |
Finish Type | Gloss Nitro |
Tuners | Grover |
Bridge | Acoustic – Traditional Belly Up |
Strings | .012, .016, .024, .032, .042, .053 |
Weight (lbs) | 4.35 |
Finish | Cherry |
Made In | United States |
Back Material | Mahogany |
Finish Style | Gloss |
Fretboard Material | Rosewood |
Fretboard Radius | 12" |
Number of Frets | 20 |
Number of Strings | 6-String |
Offset Body | No |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Scale Length | 24.75" |
Sides Material | Rosewood |
Top Material | Spruce |
Wood Top Style | Plain |
Reviews:
Gibson started making these in 1934. I bought one 20 years ago and it is still my go to guitar. The first time I played it, I thought it was the best sounding guitar I'd ever heard. Something about the Sitka Spruce / Mahogany combination makes for a warm, full sound that nothing else can quite match. The slightly wider neck makes the guitar easy to flat pick, and finger pick. From the factory mine came ready to play. Haven't had to fool with the action yet. Also, the older I get, the more I appreciate how light weight it is, compared to a rosewood guitar, or an electric. It's kinder and gentler to my aging back. If you're looking for a guitar, play one of these 45s. You'll be glad you did!guitar49
Seriously, best guitars ever made. To many people, especially those under the spell of loud booming bluegrass machines, the j45 doesn't stand out. You may find them dull in loud busy guitar shops or next to a canon like a hd28.
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
I purchased a 2018 model through Guitar Center last week, from what I can only assume was New Old Stock. It was a savings of around $400. It arrived today! With the exception of some minor finish issues from someone else handling the guitar (scuffs, mild scratching) it is f*&ing incredible. I have barely been able to set it down. It plays like a dream and sounds even better. It's very consistent up and down the neck and the tonalities between flat-picking and fingerpicking are super noticeable which is EXACTLY the way it should be, in my opinion. Fingerpicking gives the player deeper lows and snaps while flat-picking tends to be more on the side of treble and crispness. It's a dream instrument for me and I know it will be for you as well.Justin
12. Gibson Hummingbird Faded Acoustic-Electric Guitar Natural
Product Details:
The unmistakable gibson hummingbird is followed by the masses as one of the most remarkable acoustic guitars ever built. the hummingbird faded blends vintage appointments and today's modern, high-quality build construction. the hummingbird faded is outfitted with gold gotoh keystone tuners, a traditional hummingbird truss rod cover, and a bone nut and saddle. the built-in lr baggs vtc electronics make this guitar stage and studio-ready, right out of the included hardshell case.
Specifications:
Finish | Natural |
Year | 2022 |
Made In | United States |
Back Material | Mahogany |
Body Shape | Dreadnought |
Finish Style | Satin |
Fretboard Material | Rosewood |
Fretboard Radius | 12" |
Neck Material | Mahogany |
Number of Frets | 20 |
Number of Strings | 6-String |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Scale Length | 24.75" |
Sides Material | Mahogany |
Top Material | Spruce |
Wood Top Style | Plain |
Reviews:
I received this today. I got home as the UPS driver was leaving it at my door. I quickly unboxed this and just looked at it. The case is considerably heavy, and the guitar is very light relatively speaking. The smell of the natural wood is present and pleasant. The rich sound is amazing. I love it. I immediately tuned it and played a few bits of songs I know. It is a wonderful guitar that is pleasing to the eye and even more delightful to the ear. This is making me long to learn more music and master my STP favorites. Very happy with my purchase.Michael
I've been looking for a pro instrument, something I would keep for a lifetime, to replace my entry-level Takamine acoustic. Maybe 20+ years ago I had played a Gibson Hummingbird in a store and I fell in love. But I couldn't afford it at the time. Still, I was open to other brands when shopping, and I tried a lot of them. But the Hummingbird Studio Walnut wound up being exactly I was looking for. Above all, an acoustic has to sound right for you. The "right" sound can be different for everyone, and it can also depend on what style of music you play. If you are a singer, some guitars might compliment your voice better than others. This Hummingbird Studio has a very balanced sound across the entire range. It has a confident low end, but not "boomy". The high strings are never spikey – they are smooth, clear, and blend sweetly within chords. The Walnut back and sides seem to contribute to this "smooth and even" sound. There's a Rosewood version too, which sounded a bit brighter and stiffer to me. The Walnut responds very well to light or heavy playing, with plenty of overtones while still maintaining note definition. The body of this Studio version is slightly less deep than a traditional Hummingbird (by about 0.75 of an inch). While I'm sure that equates to a difference in sound on some level, I prefer to simply evaluate this guitar based on how it sounds on its own – which to me is wonderfully smooth and rich. It seems much easier for me to get a good recorded sound out of this compared to my cheaper acoustic. I'm using a microphone in my home studio (Rode NT1). I haven't even tried the built-in electronics, so I can't comment on that. The feel of a guitar is just as important as sound to me. I do admit that I'm a Gibson fan in general, also owning a Les Paul Studio. The neck on the Hummingbird Studio just fits me perfectly, and it makes me want to pick it up and play it every time I walk past it hanging on the wall in my home. Another thing I really like about the Studio series is the lack of binding on the neck. That's just a personal preference, but I like to see the bare neck and fretboard wood instead of plastic binding. To each their own. I compared this to a few Taylors – all great guitars, but the Taylors have a brighter, more modern sound that didn't quite suit me. The other contender was a nice Martin D-16E which sounded great, but just didn't quite feel right in my hands. In the end, the Hummingbird Studio just said "welcome home" every time I picked it up. And that's worth waiting for.Brock
This is a beautiful guitar and I loved everything about it until I started having problems with the output jack. I don't know if the construction issues were just related to my guitar or if anyone else has had the same issues. Nonetheless I had to bring it back to GC to have it repaired. One week later, I had the same issue, loose output jack with just normal use. I contacted Gibson directly and shipped my guitar to them to be repaired and they completely replaced the jack with a new and different one. So no more issues with loose jack after that, BUT something with the wiring must have been damaged in the process. When It was plugged in the sound would come and go or I would get a crackly sound. I changed batteries and tried multiple different cables thinking maybe it was the cable. No, it wasn't. At this point, with the price of this guitar and the expectation that Gibson would put out a quality product, I was frustrated and just opted to either exchange or return it. I will say my local GC was very supportive and helpful and allowed me to exchange for a different guitar. I went with another brand and am very pleased with my new guitar! I'm really sad that it didn't work out with this. Hopefully it was just my specific guitar, and that others who have purchased this or plans to purchase this does not have the same issues.Vanessa
13. Gibson Hummingbird Studio Rosewood Antique Natural
Product Details:
Specifications:
Body Shape | Hummingbird |
Back | Rosewood |
Side | Rosewood |
Bracing | Traditional hand scalloped X-bracing |
Binding | Muti-ply top, single-ply back |
Finish | Nitrocellulose |
Neck Material | Mahogany |
Scale Length | 24.75 inches |
Fingerboard Material | Rosewood |
Fingerboard Radius | 16 inches |
Number Of Frets | 20 |
Nut Material | Tusq |
Nut Width | 1.725 inches |
Inlays | Mother-of-pearl Parallelograms |
Joint | Compound Dovetail Neck-to-body |
Tuner Plating | Nickel |
Bridge | Traditional belly up |
Saddle Material | Tusq |
Tuning Machines | Grover Rotomatic w/ Kidney Buttons |
Pickguard | Hummingbird shape |
Truss Rod Cover | Studio |
Bridge Pins | Tusq |
Electronics Under Saddle Pickup | Yes active |
Controls | Volume and Tone controls |
Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I received this today. I got home as the UPS driver was leaving it at my door. I quickly unboxed this and just looked at it. The case is considerably heavy, and the guitar is very light relatively speaking. The smell of the natural wood is present and pleasant. The rich sound is amazing. I love it. I immediately tuned it and played a few bits of songs I know. It is a wonderful guitar that is pleasing to the eye and even more delightful to the ear. This is making me long to learn more music and master my STP favorites. Very happy with my purchase.Michael
I've been looking for a pro instrument, something I would keep for a lifetime, to replace my entry-level Takamine acoustic. Maybe 20+ years ago I had played a Gibson Hummingbird in a store and I fell in love. But I couldn't afford it at the time. Still, I was open to other brands when shopping, and I tried a lot of them. But the Hummingbird Studio Walnut wound up being exactly I was looking for. Above all, an acoustic has to sound right for you. The "right" sound can be different for everyone, and it can also depend on what style of music you play. If you are a singer, some guitars might compliment your voice better than others. This Hummingbird Studio has a very balanced sound across the entire range. It has a confident low end, but not "boomy". The high strings are never spikey – they are smooth, clear, and blend sweetly within chords. The Walnut back and sides seem to contribute to this "smooth and even" sound. There's a Rosewood version too, which sounded a bit brighter and stiffer to me. The Walnut responds very well to light or heavy playing, with plenty of overtones while still maintaining note definition. The body of this Studio version is slightly less deep than a traditional Hummingbird (by about 0.75 of an inch). While I'm sure that equates to a difference in sound on some level, I prefer to simply evaluate this guitar based on how it sounds on its own – which to me is wonderfully smooth and rich. It seems much easier for me to get a good recorded sound out of this compared to my cheaper acoustic. I'm using a microphone in my home studio (Rode NT1). I haven't even tried the built-in electronics, so I can't comment on that. The feel of a guitar is just as important as sound to me. I do admit that I'm a Gibson fan in general, also owning a Les Paul Studio. The neck on the Hummingbird Studio just fits me perfectly, and it makes me want to pick it up and play it every time I walk past it hanging on the wall in my home. Another thing I really like about the Studio series is the lack of binding on the neck. That's just a personal preference, but I like to see the bare neck and fretboard wood instead of plastic binding. To each their own. I compared this to a few Taylors – all great guitars, but the Taylors have a brighter, more modern sound that didn't quite suit me. The other contender was a nice Martin D-16E which sounded great, but just didn't quite feel right in my hands. In the end, the Hummingbird Studio just said "welcome home" every time I picked it up. And that's worth waiting for.Brock
This is a beautiful guitar and I loved everything about it until I started having problems with the output jack. I don't know if the construction issues were just related to my guitar or if anyone else has had the same issues. Nonetheless I had to bring it back to GC to have it repaired. One week later, I had the same issue, loose output jack with just normal use. I contacted Gibson directly and shipped my guitar to them to be repaired and they completely replaced the jack with a new and different one. So no more issues with loose jack after that, BUT something with the wiring must have been damaged in the process. When It was plugged in the sound would come and go or I would get a crackly sound. I changed batteries and tried multiple different cables thinking maybe it was the cable. No, it wasn't. At this point, with the price of this guitar and the expectation that Gibson would put out a quality product, I was frustrated and just opted to either exchange or return it. I will say my local GC was very supportive and helpful and allowed me to exchange for a different guitar. I went with another brand and am very pleased with my new guitar! I'm really sad that it didn't work out with this. Hopefully it was just my specific guitar, and that others who have purchased this or plans to purchase this does not have the same issues.Vanessa
14. Gibson Acoustic J-45 Deluxe – Rosewood Burst Guitar
Product Details:
Gibson j45 deluxe rosewood in rosewood burst finish built upon the famous j-45 platform this j-45 deluxe offers custom features throughout. beautiful multi-ply top trim with added multi-colored rope binding, rosewood back and sides, mother-of-pearl split diamond inlay, hand sprayed rosewood burst finish, and bound peghead. now hand built with a beautiful ebony fingerboard and bridge. finished with an lr baggs vtc pickup.
Specifications:
Finish | Rosewood Burst |
Year | 2019 – 2022 |
Made In | United States |
Back Material | Rosewood |
Body Shape | Dreadnought |
Fretboard Material | Composite |
Model Sub-Family | Gibson J-45 Deluxe |
Neck Material | Mahogany |
Number of Frets | 20 |
Number of Strings | 6-String |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Sides Material | Rosewood |
Top Material | Spruce |
Reviews:
Gibson started making these in 1934. I bought one 20 years ago and it is still my go to guitar. The first time I played it, I thought it was the best sounding guitar I'd ever heard. Something about the Sitka Spruce / Mahogany combination makes for a warm, full sound that nothing else can quite match. The slightly wider neck makes the guitar easy to flat pick, and finger pick. From the factory mine came ready to play. Haven't had to fool with the action yet. Also, the older I get, the more I appreciate how light weight it is, compared to a rosewood guitar, or an electric. It's kinder and gentler to my aging back. If you're looking for a guitar, play one of these 45s. You'll be glad you did!guitar49
Seriously, best guitars ever made. To many people, especially those under the spell of loud booming bluegrass machines, the j45 doesn't stand out. You may find them dull in loud busy guitar shops or next to a canon like a hd28.
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
I purchased a 2018 model through Guitar Center last week, from what I can only assume was New Old Stock. It was a savings of around $400. It arrived today! With the exception of some minor finish issues from someone else handling the guitar (scuffs, mild scratching) it is f*&ing incredible. I have barely been able to set it down. It plays like a dream and sounds even better. It's very consistent up and down the neck and the tonalities between flat-picking and fingerpicking are super noticeable which is EXACTLY the way it should be, in my opinion. Fingerpicking gives the player deeper lows and snaps while flat-picking tends to be more on the side of treble and crispness. It's a dream instrument for me and I know it will be for you as well.Justin
15. Gibson Generation Collection G-200 Ec Acoustic-Electric Guitar Natural 194744752124
Product Details:
The gibson generation series g-200 ec acoustic-electric guitar lets you hear every nuance of your playing and enjoy your music like never before. a player port soundhole located on the side of the guitar allows you to hear your tone exactly as your audience does with warmth and clarity. the balance of this tone is due in large part to the newly developed l.r. baggs element bronze pickup system. this brings an even higher level of fidelity to the authentic acoustic tone of the gibson g-200. built with a mahogany neck, solid sitka spruce top and walnut back and sides, this slightly thinner jumbo-sized cutaway acoustic delivers resonance, volume and comfortable playability. along with meticulous construction, updated electronics and design tweaks that will change the way you hear yourself, the gibson generation g-200 also includes a gig bag for convenient protection between rehearsal and performance. – get immersed in your playing – the generation series g-200 acoustic allows you to surround yourself in your tone and get lost in the sound of your playing. a gibson player port soundhole is added to the side of the guitar which projects sound directly towards you, giving you a full representation of what your audience hears. – innovative pickup system – the l.r. baggs element bronze pickup system provides the gibson generation series g-200 with rich, balanced tone that you can rely on. each one of these pickups is tested for balance and output to ensure you always get the full benefit of l.r. baggs quality. – tonewoods selected for balance and comfort – the generation g-200 guitar is made with a solid sitka spruce top, walnut body and a striped ebony fingerboard and bridge. youll instantly notice the warm resonance of this gibson acoustic, but what youll soon come to realize is that it sounds just as good playing virtually any genre. additionally, the mahogany neck features an advanced response profile for optimal playing comfort, allowing you to explore for hours without fatigue. – portable protective case – take your g-200 acoustic-electric anywhere with the included modern soft case. whether its the rehearsal space, recording studio or performance venue, your gibson generation series guitar will be safe and ready to roll anytime you are. – jumbo-sized player port acoustic designed for maximum sonic impact – along with incredibly well-balanced sound and supremely comfortable playability, the generation series g-200 ec acoustic-electric guitar is designed for a robust, immersive listening experience. youll love exploring guitar tone in a whole different way, especially with the newly designed l.r. baggs pickup. the g-200 ec also features a tusq nut and saddle and grover mini rotomatic tuners for solid tuning stability. – player port – l.r. baggs element pickup system – resonant tonewoods with balanced tone – gig bag included
Specifications:
Body type | Super Jumbo Single Cutaway |
Top wood | Spruce |
Neck shape | Advanced Response |
Nut width | 1.725" |
Fingerboard | Ebony |
Neck wood | Utile |
Scale length | 25.5" |
Number of frets | 20 |
Bridge | Ebony |
Pickup/preamp | LR Baggs |
Tuning machines | Grover Mini Rotomatic |
Orientation | Right-handed |
Number of strings | 6-string |
Country of origin | United States |
Reviews:
16. Gibson 1939 J-55 Acoustic Guitar – Faded Vintage Sunburst
Product Details:
The big brotherin 1936, gibson scored a runaway hit with the j-35. because it was so affordable (only thirty-five bucks compared to a cool c-note for a d-28!), it allowed depression-era musicians the opportunity to experience the magic of a gibson without breaking the bank. it was so successful that they decided to expand their line in 1939 to include an upgraded version that came with some high-end appointments without raising the price too much. thus, the j-35's big brother–the j-55–was born. the j-55 cost fifty-five dollars, and that extra twenty bucks got you some cool upgrades, including an ebony "mustache" bridge, an ebony fingerboard, and a bound neck. though it only remained in production for four years, it earned a sterling reputation with vintage guitar enthusiasts because of its rarity, huge sound, and elegant good looks.
Specifications:
Body Shape | Advanced Jumbo |
Back | Mahogany |
Side | Mahogany |
Binding | Single-ply top, single-ply back |
Finish | Thin Finish Nitrocellulose, VOS |
Neck Material | Mahogany |
Scale Length | 25.5" |
Fingerboard Material | Ebony |
Fingerboard Radius | 12" |
Number Of Frets | 19 |
Frets | Legend Wire |
Nut Material | Bone |
Nut Width | 1.77" |
Inlays | Mother-of-pearl Dots |
Joint | Compound Dovetail Neck-to-body |
Tuner Plating | Nickel |
Bridge | Moustache, no inlay |
Saddle Material | Bone |
Tuning Machines | Open Back cream button |
Pickguard | Stair Step |
Truss Rod Cover | Black |
Bridge Pins | Bone |
Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I love this guitar, but I got mine for a killer price, so… I probably like it 5x better than had I paid full price. I'm marking it not a good value because the new prices are ridiculous. But I am extremely happy with the price I got it for. Plays great, sounds great, looks great. It's got that awesome vintage vibe but has excellent playability all the way up and down the neck. Great for strumming and fingerstyle, and least for anything I want to do with it. The mic on the LR Baggs Anthem blender doesn't get much use because it feeds back. Run it through a Fishman Aura Spectrum DI, and you will love it.martin_gibson
Overall: Ordering an acoustic without being able to play and hear it first is pretty scary. After watching numerous comparison videos, I landed on the Southern Jumbo. I am thrilled to say I am absolutely blown away by this guitar. The fit and finish is flawless, and is drop dead gorgeous in person. Most importantly though is that it’s easily the best sounding acoustic I’ve ever had the pleasure of playing. The sound is lush, rich and complex, with dynamic range for days. The neck feels pretty similar to a slim taper on a 60s Les Paul. It’s got enough girth to grip, but is still easy to move around. I can’t recommend this guitar enough.
This is a unique Gibson. With the Rosewood sides and back and long scale it sounds a bit like my Martin HD-28. This guitar though, with the Rosewood bridge seems to have a little more clarity and punch. Unlike short scale Gibsons this guitar has a nice tight sound. Fit and finish is really good. I am very pleased to add this Gibson to my growing guitar collection.Victory Pete
17. Gibson 50s J-50 Original Acoustic- Antique Natural
Product Details:
Iconic silky blues. era-defining rock 'n' roll. bring 50s music to the modern stage with the gibson j-50 original 50s. this vintage offering comes equipped with the traditional materials of a sitka spruce top and mahogany body. this means that you can achieve a rich and recognisable tone that your audience will lap up. a simple and natural aesthetic reinforces what the 50s was all about – the music. there are no effects or tricks needed to deliver authentically legendary music, so strip back and just enjoy the sound. the way vintage music should be heard. feed tradition to the masses. the lr baggs vtc pickup produces a beautifully natural and earthy tone when you need to amplify to a larger crowd. embrace a golden era of music.
Specifications:
Back | Mahogany |
Side | Mahogany |
Bracing | Traditional hand scalloped X-bracing |
Binding | Multi-ply top, single-ply back |
Finish | Nitrocellulose |
Neck Material | Mahogany |
Scale Length | 24.75" |
Fingerboard Material | Rosewood |
Fingerboard Radius | 12" |
Number Of Frets | 20 |
Frets | Standard |
Nut Material | Bone |
Nut Width | 1.725" |
Inlays | Mother-of-pearl dots |
Joint | Compound Dovetail Neck-to-body |
Tuner Plating | Nickel |
Bridge | Traditional belly up |
Saddle Material | Bone |
Tuning Machines | Grover Strap Cream Button |
Pickguard | 50's, Tortoise |
Truss Rod Cover | Black |
Bridge Pins | Tusq |
Under Saddle Pickup | LR Baggs VTC |
Controls | Volume and Tone controls |
Manufacturer Part Number (MPN) | GIB OCRS5050 AN |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
18. Gibson J-45 Studio Acoustic Electric Guitar Rosewood Burst
Product Details:
Featuring a comfortable round shoulder dreadnought body, this streamlined version of the legendary j-45 is hand built using rosewood back & sides and a solid sitka spruce top. ready for performance, the j-45 studio boats a soundhole mounted under-saddle piezo pickup for direct connection to front of house/amp or your favorite audio interface for studio work. feautres round shoulder dreadnought body solid sitka spruce top rosewood back & sides rosewood fingerboard features under-saddle piezo pickup tusq nut and traditional belly up bridge grover rotomatic tuners includes hardshell case
Specifications:
Acoustic Guitar Type | Acoustic-Electric Guitar |
Finish | Rosewood |
Finish Type | Nitrocellulose |
Body Style | Dreadnought |
Cutaway | No |
Orientation | Right-Handed |
Number of Frets | 20 |
Scale Length | 24.75" |
Solid Top | Yes |
Top Material | Sitka Spruce |
Neck Material | Mahogany |
Fingerboard Material | Rosewood |
Bridge Material | Rosewood |
Nut Material | Tusq |
Nut Width | 1.724" |
Tuner | No |
Electronics | Active Under-saddle Piezo Pickup |
Case Included | Hard Case |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
19. Gibson '50s J-45 Original Vintage Sunburst
Product Details:
A decade of iconic silky blues and era-defining rock 'n' roll can't possibly be resonated in just one instrument. can it? the gibson j-45 original 50s could be the answer. equipped with the traditional materials of a sitka spruce top and mahogany body that produce such a rich and recognisable tone – this guitar is an absolute legend to play. the look and feel of the 50s are in the palm of your hand. subtly antiqued, the top and back binding give the sense of a seasoned gibson acoustic. a classic instrument that has been modified to upgrade the way vintage music is heard. feed this tradition to the masses. the lr baggs vtc pickup produces a beautifully natural and earthy tone when you need to amplify to a larger crowd. embrace a golden era of music.
Specifications:
Body Shape | J-45 |
Back | Mahogany |
Side | Mahogany |
Bracing | Traditional hand-scalloped X-bracing |
Binding | Multi-ply top, single-ply back |
Finish | Nitrocellulose |
Neck Material | Mahogany |
Scale Length | 24.75 inches |
Fingerboard Material | Rosewood |
Fingerboard Radius | 12 inches |
Frets | 20 Standard |
Nut Material | Bone |
Nut Width | 1.725 inches |
Inlays | Mother-of-Pearl dots |
Joint | Compound Dovetail Neck-to-body |
Hardware Finish | Nickel |
Tuner Plating | Nickel |
Bridge | Traditional Belly Up |
Saddle Material | Bone |
Tuning Machines | Grover Strap Cream Button |
Pickguard | 50's, Tortoise |
Truss Rod Cover | Black |
Bridge Pins | Tusq |
Under Saddle Pickup | LR Baggs VTC |
Controls | Volume and Tone Controls |
Style | Dreadnought |
Electronics | Yes |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
20. Gibson J-45 Standard 12 String Vintage Sunburst
Product Details:
Specifications:
Body Shape | J-45 |
Back | Mahogany |
Side | Mahogany |
Bracing | Traditional Hand-Scalloped X-Bracing |
Binding | Multi-ply Top, Single ply Back |
Finish | Gloss Nitrocellulose |
Neck Material | Mahogany |
Scale Length | 24.75" |
Fingerboard Material | Indian Rosewood |
Fingerboard Radius | 12" |
Number Of Frets | 20 |
Frets | Standard |
Nut Material | Bone |
Nut Width | 1.875" |
Inlays | Mother of Pearl Dots |
Hardware Finish | Nickel |
Tuner Plating | Nickel |
Bridge | Reverse Belly, Rosewood |
Saddle Material | TUSQ |
Tuning Machines | Grover Mini Rotomatic |
Pickguard | Tortoise Teardrop |
Truss Rod | Adjustable |
Truss Rod Cover | Bell Shaped, 2-ply Black and White |
Bridge Pins | TUSQ |
Strap Buttons | 2 |
Under Saddle Pickup | LR Baggs VTC |
Controls | Soundhole Mounted Volume and Tone |
Output Jack | 1/4" Endpin Jack |
Preamp | LR Baggs VTC |
Strings Gauge | .012, .016, .024, .032, .042, .053 |
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