Fender Guitar Serial Number Look Up For Sale (2024 Update)

This is the first Acoustic/electric that I have owned that I actually love playing. The action is great even with the large gauge acoustic strings on it. Comes with a very nice gig-bag/case. I love the way the neck and back of the guitar looks. I also love the Strat 5-way switch that selects the degree and type of acoustic sound. The only downside with this guitar is the cover that serves as a cover for the electronics and pick guard. It looks cheap, more like a decal than a cover. I think Fender can do better on this detail for the price of the guitar. However, if you can get past that then it is a fine playing and sounding guitar. I have owned several Acoustic and Acoustic/Electric guitars. The action on even high-priced acoustics was so terrible I just ended up selling them. I also do not like the large back ends of most acoustic and acoustic electric guitars, but this guitar is small and easy to play. I would give it an A-.Bill

The research I did on trying to learn more about this instrument via general internet, YouTube, assorted standard Music Company's like Sam Ash; Sweetwater; Guitar Center; Alamo; and other assorted Music Guitar critics provided a good array of opinions and product test results that produced a positive majority with impressive perspectives for the instrument I purchased. The Fender American Acoustasonic Stratocaster Acoustic-Electric Guitar Cocobolo I purchased from Sam Ash was not a disappointment. Aside from the 10 different options of Guitar unique sounds it provides from Acoustic and Electric mixes. The one-of-a-kind Cocobolo wood identifies a further fingerprint in supporting its own private one-of-a-kind signature sound with relationship to the Cocobolo wood unique to it alone. That just blows me away with how special the sound of specialty signature sound it produces with the ten different built in technical sounds the Fender Guitar company developed with this special edition. I feel overwhelmed in learning to continue how to play this guitar. It allows me so many more possibilities with playing soft country to hard rock a really strong guitar enjoyment experience.Guitar Enthusiast

Overall, I am very happy with this guitar. It exudes classic Fender looks and tone. The quality and craftsmanship are decent for the price point. I have a US Tele and, after putting some TLC into this player strat, it feels and plays almost as good as the Tele. I would give it five stars if it were not for fretwork that was needed. Body – The finish and surf pearl color are gorgeous. The wood grain is barely visible (raised) so I would not say the finish is flawless, but the grain is very subtle and adds character in my opinion. The routed cavities for the electronics (top) and the tremolo springs (back) are precisely cut and clean. The electronics cavity was even finished with black paint. Neck – The finish and appearance are great. However, all 22 frets had sprouted; some as much as 1/32". I can't say this is a craftsmanship issue as the frets were probably fine when it was assembled. It must have been a very high humidity environment, though. Nevertheless, after painstakingly filing and redressing all 44 fret ends it feels good. The frets themselves were well seated and leveled. The 3rd and 11th frets were a few thousands of an inch high, but not enough to cause any buzzing issues. The frets were well rounded and polished. Hardware – The tuners are just okay. One of them feels a little rough turning, and they seem to have a low turning ratio making it very touchy to dial in perfect pitch. The 2-point fulcrum tremolo bridge seems like a better design than the traditional (six screw) bridges, but I did not test it. I prefer to block them for more stable tuning, which worked great with this bridge. I have upgraded electronics I had planned to install in this guitar, but the stock pickups aren't bad. They are very quiet and have good tone – there is no rush to replace them. Setup was a breeze. Truss rod adjustment was smooth, nut slots were to spec, and intonation was perfect. The action needed adjustment since I blocked the tremolo, but that was easy.Dave S.

PMT service is fantastic, ordered it on a Sunday had it buy the Wednesday that week. Unpacked it gave it a quick tune and of I went started playing. This is my first fender and what can I say it's a lovely looking guitar, well finished and sounds great . There is a lot of variation you can get from switching between the different pickups which I love.John O.

The guitar came in faster than expected. The service at Sam Ash was excellent, and the salesman was very helpful with putting my order together. After unboxing, I looked the guitar over closely before plugging to my amp. The fit and finish was flawless. The neck relief, string action, and pickup height were spot on. Then I plugged in and cranked up. This guitar comes with Player Strat pickups, and Player Strat neck. And it flat out Rocks. Everyone says the Korean guitars are so good for the money. But these Mexican made Fenders are every bit as good. Personally, I'd rather have a guitar made in the American continent than one made in Asia. Good job Fender. And Kudos to Sam Ash.michael

I just got a grey aerodyne SSH strat. I've never gelled with a fender before. After playing my first gig with this thing I'm so impressed. The neck is amazing. Looks are a amazing. The weight is perfect. That top contouring is so comfortable. The controls… I thought I would want to swap the metal knobs out for traditional plastic knobs because they were smooth, however I had no issues making adjustments to the volume and tone mid song… and they look amazing. The knobs are staying. The pickups. wow. just wow. The traditional strat sounds are here, but they offer more to my ears. More aggression when I needed it. The neck and middle pickups worked perfectly with that bridge humbucker. Switching to the bridge for leads was so satisfying. The sound guy came over after we finished and complimented my tone. He asked me what pedals I was using, and was surprised when I told him I just used delay and reverb. Everything else was the amp and adjusting the controls. These pickups… even when I roll off the tone they somehow still retain clarity. The right kind of clarity. I've played other strats, even American strats (but never custom shop), and these aerodyne pickups are in a league of their own. Bottom line… I've never bought a guitar and wanted to immediately go out and buy another if the same guitar "just in case" something happens to the first one. This guitar is THAT good.Sam

Everything they said about this guitar in the reviews is correct. Quality product and great pick ups. Like the colour, sound and feel.Will M.

The moment I laid eyes on her, I was infatuated. The moment I got my hands around her neck, I was in love. The weight balance is perfect, and the build quality is superb. It sounds great in a wide variety of tones. To top it all off, she is stunningly gorgeous.dameeshka

This guitar has a beautiful lacquer finish and the neck is the smoothest of all my guitars. Has your traditional telecaster sound but with a beautiful light weight body. I love how comfortable it is to play.wetever

I have been waiting for this Tele/JM mashup to hit the market since I first heard Fender was designing it. Everything the reviews say are true. The pickups have everything an electric guitar player could want. They can be warm, or crunchy. The tone is amazing and I am liking the 60s retro C shaped neck. I love the black, block inlays on the fretboard. The body color is perfect. And as a cherry on top; it is the lightest weight Fender I own.rickhal53

I've owned several Strats over the years, including a 1968 (my first real guitar) and a Custom shop with Ibarra pickups. The Eric Johnson is as good or better for me than any of them. I play mainly blues-based classic rock, Hendrix, Clapton, Zeppelin, Beatles, etc. I've had this white-blonde with maple fingerboard for a little over two months at this writing. The larger-than-usual neck is outstanding–much like a Custom shop. Although the 12" radius isn't as comfortable for chording as the standard, rounder 9.5", it provides a more consistent feel for fast playing, runs, etc., imo, because my fingers don't need to adjust to the larger curvature. It's like a classical guitar in that respect. The pickups with their staggered pole pieces sound lovely–almost vintage sounding with loads of classic character. The neck position is honky, midrangy, not smooth like normal Strats, so it cuts. Where I might have preferred the neck position on other Strats, I prefer the 4th position on this one, which has the fat smoothness appropriate for mellower rock rhythm or fills. The middle pickup (without tone control) is louder, and a great go-to for a quick volume and tone change for solos. 2nd position is quacky and biting, great for distorted solos that cut, and the 1st (bridge) position is good for higher gain leads (with the tone rolled back a bit) or for twangy country licks. I've never much liked the bridge pickup on Strats, but this one is less harsh than usual, and with the tone rolled back to 5 or 6 is definitely usable. I'm leaving the tremolo with five springs on, flat to the body for tuning stability; but I do miss being able to whammy in both directions rather than just downward. The staggered tuners undoubtedly help maintain tension, and a bounce on the whammy bar resets intonation pretty well, though not perfectly (this could be due to other factors such as the nut, string gauge, etc.), so I don't use it much. I'm using NYXL9544 (the 9.5 "half-size" gauge).Tanuki

Very nice guitar that is era correct. Has flash coat nitrocellulose finish like original 50's strats that is thinner than other model ej strats. Even has correct '54 patent pending stamped saddles and smoothed headstock corners. These are slightly heavier than alder body EJ strats and doesn't have as deep of contours but is correct for '54 models. Neck is dead on with '54 profile, very slightly larger than previous models. It is listed that it has quarter sawn neck but mine isn't, it is more between flat and rift sawn like original '54. You can tell that fender went through some effort, likely from ej's request, to make these as close as possible to original'54 specs. Only non '54 items are pickups and Bakelite knobs but "Virginia" had these changed out.N. Collins

Beautiful white blonde finish, silky smooth neck finish. The soft V is quite round and is a robust neck, but the V keeps it from being ball bat. If you really like the "Modern C" you may find the neck a little large. It's certainly comfortable to play, and I like it a great deal, even though most of my other guitars are modern C's or similar. So, maybe you won't. I've found that I like larger necks more the longer I play, and the resonance of this neck is just a great feeling. Hard to explain, but it seems more alive than most strats I've played. Some folks have found the neck sticky, but I didn't think that at all. Plays amazing right out of the gate. Intonation was perfect out of the box and setup was just fine, although I may play with it a little for my personal preferences. Tuning stability is good. Came with all of the springs installed on the bridge, so the trem bar was not even usable, but with one spring removed, it allows the trem to be functional while still keeping the bridge hard against the body for better resonance and stability. Pickups are amazing. I have some strats with Texas specials and I've had just about every pickup out there, but these are just perfect. Sounds like a strat should sound, and the "in-between" positions are more usable and pleasing that on any other strat I've ever played. Volume knob reacts perfectly and really changes presence and drive in a predictable fashion. Break up is sweet, and can get quite crunchy on the bidge. Neck is just a perfect blues tone with lots of options to shape character with volume and tone. The treeless headstock is nice…I've had better tuning stability for my plain strings than other strats, and I didn't find the plain strings dead or lacking in any way. This is certainly my new favorite guitar. I don't really know how much having no trem pocket cover on the back of the guitar helps tone, and it kind of looks unfinished without it, but I don't know that I'll bother to add one. Case is great, also.DJ

Sound: The vintage tone noiseless pickups are perfect for what I wanna play on this guitar. All my other are humbuckers, high gain passive and active humbuckers at that, so the vintage tone single coils give me that sound I simply cannot get from my other guitars. Granted, my other guitars have split coil options, but there is a noticeable difference between a split humbucker and a noiseless single coil. Features: The S1 switch serves me no purpose, just turns the tone into mud. Ease of Use: It's not rocket science, but I'm used to 3way pickup selectors, and an all or almost nothing attitude when it comes to my other guitars volume controls, and never touch the tone controls, so for me personally there is a learning curve when it comes to all the tonal possibilities that come with a typical Strat setup.If I could change one thing on the guitar, it would be using 6100 jumbo frets, but generally speaking the guitar is a breeze to play, after a day or so… It's very stiff out of the box.The tremolo has a very nice feel to it, and the pop in arm should be standard on all trems at this point. Quality: The guitar is very well made. This is a professional guitar! Value: This is where my issue is… I just can't see how this guitar is worth $400 more than the Professional series. With everything being made on CNC machines, that little contour on the cutaway and the compound radius fingerboard seem like an unjustified mark up, the only thing on this guitar that should be a logical price mark up are the locking tuners and the pickups, neither of which equate to $400 in parts… But I liked the finishes more, and didn't feel like swapping out tuners and bridge saddles. Manufacturer Support: Never had to deal with Fender customer service. Overall: This guitar is a purists nightmare, but it's a dream to me. Compound radius fingerboard and satin neck finish are up my alley.Rob

First things first, the manager and the guys at Guitar Center in Pensacola were very helpful. About 3 weeks ago I bought the Plus Top Stratocaster and I loved the guitar but wanted to upgrade to the Ultra so I started shopping around for one and found one at a different music store down the street for a significantly lower price than what was advertised at the local Guitar Center. So I figured I would have to return my guitar to the store. When I got there I asked about the price match guarantee that Guitar Center provides and I brought it up to them that I found the Cobra Blue Ultra guitar at a lower price at another store and after a few minutes and the manager doing some research he pretty much told me " if you're are going to buy this guitar, I would rather you buy it from us " I was very surprised. In my mind I thinking that he was going to come up with some sort of excuse to not match the price. That is what customer service is all about!!!! Middle finger to other stores! From here on out I am a lifelong customer of Guitar Center. Oh and this guitar is the best of the best!! It's like being handed the keys to a brand new Corvette ( or a Ford Cobra, whichever you prefer). So, hands down the best guitar and the best customer service you could ask for!! I'm already looking forward to getting an Ultra Tele this year!Steve

This is my third Fender. I previously owned an "standard" Ultra that I traded towards another guitar, and I also currently own a Lincoln Brewster model strat. While those guitars are very good, the Ultra Luxe is next level. The craftsmanship, feel and sound of this guitar truly deserves the "Luxe" name. Before ordering, my biggest concerns were how the stainless steel frets would affect the tone and how the new neck shape would feel. But I have ordered from Musicians Friend off and on since the late 90's and have always had excellent service, so I figured I could return the guitar it I didn't like it. Both concerns were put to rest within moments after plugging in. The tone is definitely that unmistakable Fender strat sound and I had no trouble dialing a nice funk and a very serviceable SRV tone. You can also get a pretty good variety of other tones thanks to the switching. I was kind of expecting a thin neck shape based on reviews/descriptions that I read, but it is pleasantly thick without being too chunky. I can't stand thin Ibanez style necks and thankfully the neck on the Luxe is not like that. It fits the hand nicely. Not a chunky as the Lincoln Brewster model (which I also really like) but feels a little thicker than the neck on the standard Ultra. I believe it has the same bridge found on the standard Ultra model which is the push-in style. So no thread to wear out over time. Overall, I am so happy that I bought this and it has already become my new #1 guitar.Matt

I have wanted an American made Strat for the longest. Not just any American Strat, but The One built to my specs from the looks right down to the pots and of course the feel and sustain. This is it and AMS made it easy and in reach just as they've helped me to make other musical dreams to come true! This guitar feels great, sounds amazing, beyond my hopes & expectations, and even the price tag was a pleasant surprise! Tech has come a long way, but in a lot of ways we've lost craftsmanship. Well, not out of Corona California. Crisp tones, nuanced variation, and that wonderful Fender sustain! I have some other expensive guitars, which I love, but at under their price point the Professional II is going to be a close lifetime friend. If you are looking at these and don't need boutique trimming of the Ultra line or the royal treatment of the Custom Shop, look no further and pay no more. Strat-Halla is right here at a reasonable price point for a heritage worthy instrument. I won't waste time going over the specs. It's all here. Get acquainted with your new best friend!Pete

This is my second American Stratocaster. My first is from 2007 and it has a rosewood fretboard. I wanted a maple neck strat as well. I bought the Miami blue version and love it. To me, Strats are each very unique in the way they play and sound. My other Strat has Dimarzio Area pickups in it (which I love), so I’m having to get used to the stock single coils. I love the bridge, but to my ears the neck pickup it too muddy. The trem system is good, and the overall construction is good. I had to re set it up because I use heavier strings. I may end up changing pickups before it’s all said and done. Only time will tell. I wish Fender would have put Locking tuners on from factory! That’s a must for me.Justin

I purchased this guitar about 3 weeks ago (working with Zach), it has quickly become my favorite guitar I own. The full rosewood neck is incredibly smooth and the the deep C shape is extremely comfortable. I mostly play through a Helix Stomp and have been really happy with the sound and tone variability I can get with it using the various pickup selections especially with the push/push for adding the top pickup to the mix for positions 1 and 2. The pictures in the listing look great, but it looks much better in person. The pictures have a lot of light which makes the blue appear lighter than it would in a normal room. The picture where the guitar is positioned in the case is a great representation of the color in a normally lit room.Kevin

Sound: I can get any sound I want just through the pickup selector, tbx and midrange boost controls, and the master volume takes it over the edge for extra crunch. Playing by myself I preferred the middle pickup, but in a band situation the neck pup cuts through brilliantly with lovely clean treble twang. This is a great guitar for biting blues or rock tones, or dial it back for a nice soft clean tone. I mostly play through a Blackstar TVP 60 or Marshall DSL40, but I keep both mostly clean where it's just starting to break up, which I can control by my attack. Features: The best feature for me is the playability of the neck. The satin finish combined with the low vintage frets is just super smooth. I played about a dozen different Strat models before finding the EC, and once I played it there was no other choice to make. The noiseless vintages pups are a breeze, and the controls do everything Fender claims. Ease of Use: The EC just fell to hand for me immediately, like no other guitar I'd played before or since. 'Nuff said. The pups allow me to keep tight control on feedback only when I want it. Quality: This is a pure quality instrument, and I love everything about it. Having said that, after 2 years there's quite a bit of fret wear from bending, so I'll need to refret with stainless steel wire for longer wear. The volume pot has started to get a bit dirty and noisy, so it needs a clean, even though I've only played in clean environments. Value: Worth it's weight in gold. I have not played another guitar that makes me want to buy it. Manufacturer Support: Haven't need manufacturer support, but in Australia I have Fender-registered luthiers. The Wow Factor: This is EC's guitar, as close as I'll ever get, which is a big selling point. But sheer playability, quality, and value for money, plus pride of ownership, make it simply the best. Overall: Just a fabulous, playable guitar, the best I've ever played.Peter

Arrived in great shape. So far, I love this guitar, and despite all the videos I watched and reviews I'd read, I was still amazed at the sheer number of tones you can get out of it. With the mid and treble boosts, you can really go from "typical strat" tones to get incredible sustain and hit the front of the amp quite hard to get good breakup.Pros:- American Strat quality, fit and finish is good, rolled fret board, etc.- The electronics – endless variety of tones. Not great for modern metal or hard rock, but anything else will work.Cons:- This would be a hard guitar to work into a live venue if you play with other guitars as well. It is LOUD, so much louder than my Les Paul or anything else I own that I have to play with the levels and EQ on the amp. In my house, no big deal. At a gig, that may be tough. That said, I don't own other guitars with active electronics, so maybe other active pickups are also this much louder?- Requires you to unscrew the back plate to change the battery. I'm sure this keeps costs down, but on my active basses it's a lot easier to open the battery compartment without screws. Make sure you have a full battery before a gig.- I was surprised at the amount of set-up I had to do to get rid of fret buzz. Given the amount of distance in shipping, time in warehouses, temperature/humidity differences, etc. my guess is that it was probably fine when it left the factory, but it's the first guitar I've bought online that had so many strings/frets buzzing. Luckily a couple turns on the saddle screws fixed it all without appreciably raising action.Neither good nor bad: – The neck profile is unique to the Clapton. It feels like "a more playable vintage profile" to me. It's definitely not a modern profile. You'll either like it or you won't 🙂 I found it really easy to adjust to, and it seems to work great for "thumb over"- The bridge is similarly vintage, and comes blocked. If you really want the newer Fender bridge, you are out of luck. Given my set-up experience (above), I'm not convinced I could just "remove the block" and have it playable without additional set-up.- Tweed case looks amazing, but is not form fitting like the new TSA case that comes with other American Fenders. I wanted a tweed case, and I don't fly with my guitar, so not a big deal to me.Overall I feel like I made the right choice in buying a Strat, and I can't put it down. If your goal is to make Clapton sounds (or any other great Blues/Rock sounds) – this is a fantastic guitar.Metal Head

Love the satin finish and the rosewood fretboard was beautiful once I put enough oil onto it. *really dry. Fretwork was rough at best, my MIMs and Squires were better out of the box. The fret edges caught my hand on both sides plus I could see scratches on the frets 7 – 12, really rough on bends. The action was high, but neck relief was good. I'll change the strings soon and file/roll the fret ends as well as deeply polish the frets. Plays nicely and I can see this becoming one of my top three to pull down from the hanger and play. While the setup was sub-par, the electronics were well done – great pups and pots.Aarron

I have the Honeyburst telecaster, The feel of the set up right out of the box is great!! The neck pickup, nice and warm the bridge is not too hot but hot enough to get the growl when in overdrive. This guitar needs no pickup changes. The middle position still gives the tele sweetness of the twang. The neck feels awesome, It comes with a fender gig bag but I would suggest getting a hSC for the baby shes definitely a keeper. Great guitar!!!spider59504

I've owned several Strats over the years, including a 1968 (my first real guitar) and a Custom shop with Ibarra pickups. The Eric Johnson is as good or better for me than any of them. I play mainly blues-based classic rock, Hendrix, Clapton, Zeppelin, Beatles, etc. I've had this white-blonde with maple fingerboard for a little over two months at this writing. The larger-than-usual neck is outstanding–much like a Custom shop. Although the 12" radius isn't as comfortable for chording as the standard, rounder 9.5", it provides a more consistent feel for fast playing, runs, etc., imo, because my fingers don't need to adjust to the larger curvature. It's like a classical guitar in that respect. The pickups with their staggered pole pieces sound lovely–almost vintage sounding with loads of classic character. The neck position is honky, midrangy, not smooth like normal Strats, so it cuts. Where I might have preferred the neck position on other Strats, I prefer the 4th position on this one, which has the fat smoothness appropriate for mellower rock rhythm or fills. The middle pickup (without tone control) is louder, and a great go-to for a quick volume and tone change for solos. 2nd position is quacky and biting, great for distorted solos that cut, and the 1st (bridge) position is good for higher gain leads (with the tone rolled back a bit) or for twangy country licks. I've never much liked the bridge pickup on Strats, but this one is less harsh than usual, and with the tone rolled back to 5 or 6 is definitely usable. I'm leaving the tremolo with five springs on, flat to the body for tuning stability; but I do miss being able to whammy in both directions rather than just downward. The staggered tuners undoubtedly help maintain tension, and a bounce on the whammy bar resets intonation pretty well, though not perfectly (this could be due to other factors such as the nut, string gauge, etc.), so I don't use it much. I'm using NYXL9544 (the 9.5 "half-size" gauge).Tanuki

Very nice guitar that is era correct. Has flash coat nitrocellulose finish like original 50's strats that is thinner than other model ej strats. Even has correct '54 patent pending stamped saddles and smoothed headstock corners. These are slightly heavier than alder body EJ strats and doesn't have as deep of contours but is correct for '54 models. Neck is dead on with '54 profile, very slightly larger than previous models. It is listed that it has quarter sawn neck but mine isn't, it is more between flat and rift sawn like original '54. You can tell that fender went through some effort, likely from ej's request, to make these as close as possible to original'54 specs. Only non '54 items are pickups and Bakelite knobs but "Virginia" had these changed out.N. Collins

Beautiful white blonde finish, silky smooth neck finish. The soft V is quite round and is a robust neck, but the V keeps it from being ball bat. If you really like the "Modern C" you may find the neck a little large. It's certainly comfortable to play, and I like it a great deal, even though most of my other guitars are modern C's or similar. So, maybe you won't. I've found that I like larger necks more the longer I play, and the resonance of this neck is just a great feeling. Hard to explain, but it seems more alive than most strats I've played. Some folks have found the neck sticky, but I didn't think that at all. Plays amazing right out of the gate. Intonation was perfect out of the box and setup was just fine, although I may play with it a little for my personal preferences. Tuning stability is good. Came with all of the springs installed on the bridge, so the trem bar was not even usable, but with one spring removed, it allows the trem to be functional while still keeping the bridge hard against the body for better resonance and stability. Pickups are amazing. I have some strats with Texas specials and I've had just about every pickup out there, but these are just perfect. Sounds like a strat should sound, and the "in-between" positions are more usable and pleasing that on any other strat I've ever played. Volume knob reacts perfectly and really changes presence and drive in a predictable fashion. Break up is sweet, and can get quite crunchy on the bidge. Neck is just a perfect blues tone with lots of options to shape character with volume and tone. The treeless headstock is nice…I've had better tuning stability for my plain strings than other strats, and I didn't find the plain strings dead or lacking in any way. This is certainly my new favorite guitar. I don't really know how much having no trem pocket cover on the back of the guitar helps tone, and it kind of looks unfinished without it, but I don't know that I'll bother to add one. Case is great, also.DJ

I've owned several Strats over the years, including a 1968 (my first real guitar) and a Custom shop with Ibarra pickups. The Eric Johnson is as good or better for me than any of them. I play mainly blues-based classic rock, Hendrix, Clapton, Zeppelin, Beatles, etc. I've had this white-blonde with maple fingerboard for a little over two months at this writing. The larger-than-usual neck is outstanding–much like a Custom shop. Although the 12" radius isn't as comfortable for chording as the standard, rounder 9.5", it provides a more consistent feel for fast playing, runs, etc., imo, because my fingers don't need to adjust to the larger curvature. It's like a classical guitar in that respect. The pickups with their staggered pole pieces sound lovely–almost vintage sounding with loads of classic character. The neck position is honky, midrangy, not smooth like normal Strats, so it cuts. Where I might have preferred the neck position on other Strats, I prefer the 4th position on this one, which has the fat smoothness appropriate for mellower rock rhythm or fills. The middle pickup (without tone control) is louder, and a great go-to for a quick volume and tone change for solos. 2nd position is quacky and biting, great for distorted solos that cut, and the 1st (bridge) position is good for higher gain leads (with the tone rolled back a bit) or for twangy country licks. I've never much liked the bridge pickup on Strats, but this one is less harsh than usual, and with the tone rolled back to 5 or 6 is definitely usable. I'm leaving the tremolo with five springs on, flat to the body for tuning stability; but I do miss being able to whammy in both directions rather than just downward. The staggered tuners undoubtedly help maintain tension, and a bounce on the whammy bar resets intonation pretty well, though not perfectly (this could be due to other factors such as the nut, string gauge, etc.), so I don't use it much. I'm using NYXL9544 (the 9.5 "half-size" gauge).Tanuki

Very nice guitar that is era correct. Has flash coat nitrocellulose finish like original 50's strats that is thinner than other model ej strats. Even has correct '54 patent pending stamped saddles and smoothed headstock corners. These are slightly heavier than alder body EJ strats and doesn't have as deep of contours but is correct for '54 models. Neck is dead on with '54 profile, very slightly larger than previous models. It is listed that it has quarter sawn neck but mine isn't, it is more between flat and rift sawn like original '54. You can tell that fender went through some effort, likely from ej's request, to make these as close as possible to original'54 specs. Only non '54 items are pickups and Bakelite knobs but "Virginia" had these changed out.N. Collins

Beautiful white blonde finish, silky smooth neck finish. The soft V is quite round and is a robust neck, but the V keeps it from being ball bat. If you really like the "Modern C" you may find the neck a little large. It's certainly comfortable to play, and I like it a great deal, even though most of my other guitars are modern C's or similar. So, maybe you won't. I've found that I like larger necks more the longer I play, and the resonance of this neck is just a great feeling. Hard to explain, but it seems more alive than most strats I've played. Some folks have found the neck sticky, but I didn't think that at all. Plays amazing right out of the gate. Intonation was perfect out of the box and setup was just fine, although I may play with it a little for my personal preferences. Tuning stability is good. Came with all of the springs installed on the bridge, so the trem bar was not even usable, but with one spring removed, it allows the trem to be functional while still keeping the bridge hard against the body for better resonance and stability. Pickups are amazing. I have some strats with Texas specials and I've had just about every pickup out there, but these are just perfect. Sounds like a strat should sound, and the "in-between" positions are more usable and pleasing that on any other strat I've ever played. Volume knob reacts perfectly and really changes presence and drive in a predictable fashion. Break up is sweet, and can get quite crunchy on the bidge. Neck is just a perfect blues tone with lots of options to shape character with volume and tone. The treeless headstock is nice…I've had better tuning stability for my plain strings than other strats, and I didn't find the plain strings dead or lacking in any way. This is certainly my new favorite guitar. I don't really know how much having no trem pocket cover on the back of the guitar helps tone, and it kind of looks unfinished without it, but I don't know that I'll bother to add one. Case is great, also.DJ

Sound: The vintage tone noiseless pickups are perfect for what I wanna play on this guitar. All my other are humbuckers, high gain passive and active humbuckers at that, so the vintage tone single coils give me that sound I simply cannot get from my other guitars. Granted, my other guitars have split coil options, but there is a noticeable difference between a split humbucker and a noiseless single coil. Features: The S1 switch serves me no purpose, just turns the tone into mud. Ease of Use: It's not rocket science, but I'm used to 3way pickup selectors, and an all or almost nothing attitude when it comes to my other guitars volume controls, and never touch the tone controls, so for me personally there is a learning curve when it comes to all the tonal possibilities that come with a typical Strat setup.If I could change one thing on the guitar, it would be using 6100 jumbo frets, but generally speaking the guitar is a breeze to play, after a day or so… It's very stiff out of the box.The tremolo has a very nice feel to it, and the pop in arm should be standard on all trems at this point. Quality: The guitar is very well made. This is a professional guitar! Value: This is where my issue is… I just can't see how this guitar is worth $400 more than the Professional series. With everything being made on CNC machines, that little contour on the cutaway and the compound radius fingerboard seem like an unjustified mark up, the only thing on this guitar that should be a logical price mark up are the locking tuners and the pickups, neither of which equate to $400 in parts… But I liked the finishes more, and didn't feel like swapping out tuners and bridge saddles. Manufacturer Support: Never had to deal with Fender customer service. Overall: This guitar is a purists nightmare, but it's a dream to me. Compound radius fingerboard and satin neck finish are up my alley.Rob

First things first, the manager and the guys at Guitar Center in Pensacola were very helpful. About 3 weeks ago I bought the Plus Top Stratocaster and I loved the guitar but wanted to upgrade to the Ultra so I started shopping around for one and found one at a different music store down the street for a significantly lower price than what was advertised at the local Guitar Center. So I figured I would have to return my guitar to the store. When I got there I asked about the price match guarantee that Guitar Center provides and I brought it up to them that I found the Cobra Blue Ultra guitar at a lower price at another store and after a few minutes and the manager doing some research he pretty much told me " if you're are going to buy this guitar, I would rather you buy it from us " I was very surprised. In my mind I thinking that he was going to come up with some sort of excuse to not match the price. That is what customer service is all about!!!! Middle finger to other stores! From here on out I am a lifelong customer of Guitar Center. Oh and this guitar is the best of the best!! It's like being handed the keys to a brand new Corvette ( or a Ford Cobra, whichever you prefer). So, hands down the best guitar and the best customer service you could ask for!! I'm already looking forward to getting an Ultra Tele this year!Steve

This is my third Fender. I previously owned an "standard" Ultra that I traded towards another guitar, and I also currently own a Lincoln Brewster model strat. While those guitars are very good, the Ultra Luxe is next level. The craftsmanship, feel and sound of this guitar truly deserves the "Luxe" name. Before ordering, my biggest concerns were how the stainless steel frets would affect the tone and how the new neck shape would feel. But I have ordered from Musicians Friend off and on since the late 90's and have always had excellent service, so I figured I could return the guitar it I didn't like it. Both concerns were put to rest within moments after plugging in. The tone is definitely that unmistakable Fender strat sound and I had no trouble dialing a nice funk and a very serviceable SRV tone. You can also get a pretty good variety of other tones thanks to the switching. I was kind of expecting a thin neck shape based on reviews/descriptions that I read, but it is pleasantly thick without being too chunky. I can't stand thin Ibanez style necks and thankfully the neck on the Luxe is not like that. It fits the hand nicely. Not a chunky as the Lincoln Brewster model (which I also really like) but feels a little thicker than the neck on the standard Ultra. I believe it has the same bridge found on the standard Ultra model which is the push-in style. So no thread to wear out over time. Overall, I am so happy that I bought this and it has already become my new #1 guitar.Matt

I have twenty Fenders, including seven telecasters, and this is better than all of them. The neck feels like its been played for years, and the shape is perfect. Heavy rolled edges make it a pleasure to play with my thumb over the neck. First guitar I have bought that I had to raise the action slightly on the top two strings. Set up for fast playing or chords straight out of the case. The colour is sparkly brownish, but looks black in most light. Very well made guitar. The pickups are noiseless and are silent even with pedals. They sound like standard pickups, no loss of signal because of the extra windings for the noise cancellation. Sound fine. I must say, the pro 1 series pickups sound better. All in all a lovely instrument, well worth the extra few quid.STEVEN T.

Overall: I have an Ultra Strat in Cobra Blue, an Ultra Jazz Bass in Texas Tea, a Les Paul Standard Gold Top and other guitars. This has the most beautiful finish (Sunburst). Way better than the picture or videos. The tone is amazing. Light weight at 6.2 pounds. Officially my favorite guitar. Add to that they shipped it to me in 25 hours after promising 5 days. Ordered Monday noon and here it is. They had it in a warehouse near Reno and I got it next day. zZounds you ROCK.William

The Fender Ultra Telecaster Texas Tea is an amazing guitar, at first I noticed the D-Shape neck and quickly adapted to it. The neck feels silky smooth, hand glides over frets and is easy to play. The sound from pickups are brutally brilliant, and wit the S1 switch built into the tone knob, sends a slightly different signal, bit more gain with full richness depending on the selector position of course. I went initially seeking for the Jimmy Page Dragon Guitar and walk out of the shop with this Ultra instead, and for the few hundred dollars more, this guitar is totally worth it. The look of it is killer, and so classy – if there is an ultra guitar series in your guitar shop locally, don't hesitate to pick it up and test it out. This guitar is HOT! It's difficult to see in these photos but the colour under certain light angles are different and has small sparkling metallic substances mixed in with the colour. It's a black oily dark grey/brown. The neck has a vintage tone colour and the rosewood neck and skunk stripe just makes this guitar special.Jim T.

Although the antique olive was not necessarily my first color choice, it looks amazing in person. The finish is much thinner than the finish on my MIM Standard telecaster or strat – I can very faintly see the join lines and grain through the finish, and the instrument itself is very resonant unplugged. Out of the box, the action was basically perfect – I set intonation and tuning and have not had to adjust saddles or tweak the truss rod at all. The neck profile is very comfortable for me – far more than either the 2002 "American Fat Strat Texas Special" or 2012 American Standard I had previously – hand-filling and substantial without sacrificing easy chording and bending. In terms of tones – it really nails all of the bell-like tones strats have become famous for. I am definitely more a fan of the three pickups individually than the 'in-between' settings, but it also has the 'quack' you want if you are an aficionado of those tones as well. The vibrato is light and easy – I don't do a lot of dive-bombing, but it's perfect for adding a bit of shimmer here and there. I know I'm still in the 'honeymoon' period, but I believe it's going to be a long and happy marriage!Robert

I'm a Gibson player usually – I have a Les Paul Standard Faded from 2005, which has been rewired with a '59 harness, Alnico 2 PU mags and PIO caps (it's an absolute tone monster), and is the yardstick by which I judge all other guitars. 99.9% of the time, nothing comes close. I've never really found a Stratocaster that I felt completely at ease with, or that sounded right to my Gibbo ears. But the American Pro is different. I don't know what they've done with the pickups, but there's loads of soul in them, with tons of dynamics on offer. I never thought I'd say this, but the Strat is fast becoming my favourite guitar. This guitar just sings in all PU positions. It's got a cool '60s vibe to it, but with with higher output – not too high that it loses it's classic tones, but high enough to cut through lots of high gain (if that's your thing). The neck is the new tapered C shape, which is very similar in feel to my '60s LP neck (my hands are too small for the '50s necks), so I felt right at home with it. This guitar will be a lifer for me. I need look no further.Reviewed by Andertons Music Co.

I've owned a couple of Stratocaster's over the years and they've never really just felt like me. They're nice enough, just not my thing. I decided to give Fender another shot as I've heard good things about the new ranges and the specs on the American Professional sounded like they were right up my alley. But I was trying to justify that vs the new Mexico made Player series which, on paper, was close enough for several hundred dollars less. Then I stumbled on this deal and my decision was made. Once I got it in hand, the differences were very apparent, the neck feel being the biggest. I love the satin finished back with the gloss finger board. And the new carve is wonderful, not too thick, fits the hand very well…comfort city! The new Tim Shaw designed V Mod pickups sound great, every position is useable from my perspective and Lake Placid blue is spectacular. I never knew I wanted a guitar in Lake Placid blue! It's quickly becoming my favorite behind my Gibson ES-339.Patrick

While I don’t play line a legend, this guitar could be played by one. I have always enjoyed the sound achieved by players while they were utilizing a Tele. I usually play on an old classical guitar. I have grown used to that neck shape so I usually find the shape of the standard Tele neck to feel unfamiliar to my hand. The neck on this guitar feels wider and flatter so more like a classical to me. I’m not saying it is a classical style neck just wider and flatter feeling to me. I was not sure about buying it because I’ve played other Tele’s and was not sold on how the neck felt to me, they sound great but didn’t feel right. I got this one well because “Jimmy Page “ so even if I didn’t like the neck who cares again “Jimmy Page “ so whatever. Then I played this guitar and I was like .”this guitar is magical!!”. I had never played a Tele that felt like it just wanted to be played like this one does. I cannot recommend this guitar enough. It is expensive but worth every penny. Take advantage of the no interest payment plan I did and am glad I did.WillieBWillie

Just started using this in rehearsals and recorded some new songs with it. Killer tone and everything you'd expect from a Jimmy Page model. Fun to play under the lights with the reflective materials, and strikingly great to look at. I only took off one star in the rating for some improvements I made in the action, and replace the bridge with Graph Tech bridge to allow for less friction and more steady tuning. Love it.Gregmedia123

Loving this guitar, already used it tracking on two of my new songs. If you want that authentic early Zep or Ybirds tone, plug this in and crank it up. If you're a snappy picker Americana kind of player, it works for that too. The only thing I can say wrong is that the guitar wasn't strung properly went I got it, it's a through the body setup and the strings were just put through the bridge plate. Restrung it properly and away we went. Maybe American Musical should send me a free set of strings!Gregmedia123

I've only played the guitar a few hours thus far. I think this is a very high quality, well constructed, finished guitar – as good or better than any other guitar I've ever owned (including many other top USA-made guitars). "Out of the Box" the guitar was set up, in tune and played great – l liked it right away. Of course, the new strings quickly went out of tune (stretching), so I re-tuned and reset the Floyd Rose tremolo and it's remained fully in tune. While the pickups probably lack some of the vintage single coil spank, they still possess a wide range vintage and hard rock tones with zero noise. It's not just an Iron Maiden shredder's guitar – it's far more versatile. Personally, I'm not a fan of locking tremolo systems, but could not find a guitar that put together this package of tone / pickups, playability, and price with a non-locking system. That's a personal preference thing I suppose – not a complaint. What I do have a complaint about is that Fender did not include a hard case with this guitar. This is a 'hard case' caliber guitar, even if it's not 'USA Made'. If you're like me and will want to have case, plan on that additional expenditure (Yes, it has a lightly padded gig bag). It also does not have Schaller strap lock compatible strap buttons, like most of the Fenders I have owned in the past. Overall – a great instrument. If you're looking for a Superstrat or even a Stratocaster with fuller humbucking tonal capability, this is a great option that covers a lot of ground – vintage / classic / hard rock.Ron

This guitar has really impressed me, price to performance is amazing. Handling from the logistics company worried me when I saw a whole in the side of the box when it arrived but the box the guitar was in was undamaged and the guitar arrived in perfect condition. The guitar has a very high build quality, better than other Mexican strats I 've seen and played.and the guitar itself plays amazingly. Negative, the flloyd was set to a floating position which is not how it's meant to be set on this guitar, it should be resting on the body like Dave has it. After fixing that though the guitar tuning stability was perfect! Positives: for anyone who loves maiden this guitar won't disappoint, the sounds this guitar makes from cleans to overdrive are spot on and the playability is fantastic, I own a few guitars in various price and tone catagories and this one is the most versatile and is is to play. And as a big fan of Dave and iron maiden this guitar will never leave my collection. EnjoyRichard

Overall: First off I'd like to start by saying I've owned a few $1000 strats over the years,sadly they all had to be sold ! To be honest I had kinda stopped playing for a few years and only owned an acoustic, but was really getting the itch for another electric! I'm not a huge fan of the single coil tone so I was sold on the Dave Murray strat because of the stacked mini humbuckers! I had installed the JB in another strat years ago and lived it! I recieved the guitar in great condition gave it a tuning and started to play it! I was happy with the set of 10's that came installed and knew the Floyd rose would take some time so I didn't change the strings until 40 days after I recieved the guitar! When I did i noticed that instead of the normal 6 screw holes to hold the back plate down there was 12! 6 in use and 6 abandoned and not filled,just ignored! The abandoned holes were the original holes drilled. 1 of those holes was way to close to the edge of the cavity and it blew out into the cavity! Noticing this the installer repositioned the back plate,drilled 6 new holes and installed the screws in the 6 new holes! Quality control should have picked up on this error regardless of anything! After all this is a $1000 strat! I contacted zZounds and they had me return the guitar and quickly refunded the purchase total! I just wish quality inspectors could be trusted! Overall it was a beast of a guitar! I was enjoying it very much,but for the cost it should have been perfect!David

1 month review with guitar being setup professionally: Great pickups and tone and overall good sounding guitar after a proper setup, gorgeous nitro finish and paintjob. Relic effects are beautiful. The nitro finish feels thin enough for you to eventually make your own marks from repeated playing – a perfect way to tell a story and give the guitar character. Worn in neck feels amazing to play and not sticky to touch. Worth noting that the Pure Vintage 59 pickups on these don't have a reverse-wound middle pick, so there will be hum including positions 2 and 4. If you are easily annoyed with single coil hum, these pickups might not be for you. Also worth noting that these pickups do sound a bit warmer than a stock Fender Player pickups. These respond so MUCH better to high gain type of playing, all while still sounding amazing on low-gain and clean playing. Despite the pros, there are still some areas are lacking and needs improvement. The guitar had razor sharp frets along the binding that could easily cut you, meanwhile I have a $700 MIM fender player didn't have this problem straight out of the box. It's crazy to think that $700 guitar went through better QA than a $1200 guitar, but whatever, the frets are bound to be polished and worked on anyway with your initial setup regardless. CME's shipping page policies say "Every guitar gets a full inspection, as well as basic setup." Guitar came with an inspection card that had overall playability specs checked but some of it was questionable. The guitar was not playable at all out of the box despite letting it acclimate for over a day before opening BUT that is a given considering it spent time in a delivery truck trunk in freezing winter. However, it was a bit bogus how they even checked off volume output when the pickups were NOWEHERE near the appropriate height out of the box and there was BARELY any audible output on the treble side of the guitar. I highly doubt weather and temperature fluctuation will make the pickup screws spin by themselves to the degree at which the pickups came out of the box. Secondly, the tremolo springs at the back also weren't ******* in the appropriate depth for a either a floating or flushed trem setup – it was just sort of in the middle of the cavity. Weather fluctuation from their shop and may have affected string tension, but I also don't think it would make the claw springs in the back unscrew themselves to the degree the guitar came. Makes me wonder how thorough the inspection was. These might not matter as much to some especially those who will get their new guitars setup anyway, but it's good to note that you may still need to budget for a setup if you aren't doing it yourself. Although there could've been improvements on Fender and CME's part that I don't think could be blamed on external factors such as weather and climate fluctuations, overall, I would still 100% recommend this guitar, and it's a gem. The guitar played well after a proper setup, so I'm happy with it now. The price may be too expensive for some considering it's not made in USA, but it must be considered that this is the cheapest proper nitro-finish guitar you will currently find. The next best thing are Fender custom shop, so this guitar is perfect for those looking to enjoy vintage style paint/nitro body finish, and vintage specs without paying custom shop prices. The appearances are just a plus, since they sound and play amazing after a proper set up.Carlos T.

I've been playing for a little while, I rehearse with my band once/twice a week so my guitars definitely get played quite a bit, I've preferred Stratocasters from an early age. The shape is legendary and the tone is versatile. I own Chinese, Japanese, U.S. and Mexican Strats. This one is very comparable to my American Professional Stratocaster, the neck profile, the weight and intonation. Electronics are great, single coils produce a sweet twangy clean tone and the humbucker roars really nice with the right amount of gain/distortion. Makes it a very comfortable instrument that plays as easy as mantequilla on a hot tortilla. Only issue, (hence the 'almost comparable to MIA strats comment in the headline) are the frets… They are a little bit on the sharp side, I'm guessing it comes down to a player's preference? A competent luthier can dress the fret ends and make this one a real player/main axe. Other than the sharp frets, everything else is pretty solid and straight, the vatos down in Ensenada MX do great work producing these!Benjamin

So my story goes like this, I flew into Portland Oregon for work and immediately drove from the airport to Guitar Center. Upon walking in, someone was shredding on a guitar and it went on for a good 10 minutes. The guitar he was playing was the Candy Red Burst Fender Stratocaster Player Series. After he was done, I grabbed it and saw why he played it so long. It felt just solid in the hands. The strings, fret board and neck were silky smooth; Super easy to glide up and down with no fret buzz. The pickups are all Fender Player Stratocaster series which I have had no issue with and perform great out of the box. Also, just holding the guitar is a treat in the hands. It's a beautiful guitar. The Candy Red Burst has a very high functioning coat that gives a deep black fade anyway you turn it. It also fit my bill for something to remember Oregon by since the guitar is a deep Rose Red and Portland is know as the City of Roses.The Pau Ferro fingerboard is also eye candy as it has black veins that run through the grain matching the black hardware of the guitar. Other then that, I have had this guitar for 5 months as of this review and absolutely love it. The guitar holds its tune very well I enjoy playing it every time. Wait, you still reading this? Go get one already!Allan

My teacher set this up at practice and declared it one of the best Strats he has ever played and he owns 4. He loved the neck, pickups, tone. From a distance it looks OK but up close the finish appears to have been heated and put in a freezer. The finish fracture is worse up close with thousand of spider web, broken glass specs which could not be photographed. Sounds amazing but I prefer NOS.William

All right… First, I have to thank Brad at Musicians Friend for seeing this purchase thru, for me obtaining a true Time Machine. In 1958, I would have been 9 years old, but I was already listening to Rock and Roll music on the AM radio, here in the San Francisco Bay Area(KEWB). If my parents would have given me this guitar, I know I would still have it, and now I do. I'm not a big lead player, so, I'm content to be the rhythm guy in the band. Not a problem. This guitar is Aztec Gold, but the Custom Shop aged it to Perfection. When I hold it, and play thru my Bassman Re-Issue, my mind goes now where no other guitar in my Collection can take me. I've noticed that there aren't too many reviews on these high-end axes because maybe their minds are blown by how good they feel, or they're too busy jammin' to write a review. I don't know. But this I do know, these Relics, from 50-odd years ago, will get you thinkin' about what your life would have been like IF you had one in Grade School, and how your life would have changed. Just a note: Leo Fender started making the Esquire when I was born, so maybe I feel like I'm in a parallel universe with the solid body guitar in California. So, if you think you can afford one of these Relics, pick a year, and get one that you like from the looks, and I think you'll be on your way to a totally different place when you plug in…..Hope this helps.John out by the Golden Gate Brid

Guitar arrived quickly and double boxed as a guitar off this level should be. As I tuned it up I noticed that the bridge was pulling way up, like it was never tightened to where it should be for a playable set up. So I looked down the neck and saw that the low E side appears to have more relief than the high e side, such a let down.. The nut was cut just enough to hold strings. Due to that poorly cut nut, strings.were really far from first fret So even though I already wasn't going to keep it, I plugged it in and WoW! This strat has just enough glass in the highs and still has grunt with a little drive. I'm not sure how it does both, but despite how poorly it played, it sounds incredible! If the neck wasn't twisted and it had even a decent set up, I would keep this guitar forever.D