Fender Fm 212R Guitar Amp For Sale (2024 Update)

Over all it is a good amp. Nice clean tone with reverb available. Distortion is weak by not have a very crunchy sound. You can add pedals and it sounds nice. the clean channel could have more volume. Great amp for a gig and to jam too. 100 amps is nice. just mic the front and pa for the band so you can be heard.shajaime

I purchased the amp for my son. My son says the amp fulfills all his guitar needs and then some. It was a good transaction for a super, well taken care of amp.bobsp4na4

I purchased a lightly used Fender FM-212R "as-is," the "as-is" applying mainly to the dust and pet hair that collected in the back of the cabinet. Overall, the amp is as described: "like new," and is apparently in the "mint" working condition as designed by Fender. That's part of the problem. I did not do my homework and read other reviews of FM-212Rs or Frontman 212-Rs. They are supposed to be identical, but the tendencies on earlier FM-212Rs are a little more irritating: i.e. volume pots that have absolutely NO gradual or in-between decibel output between silence at "1" and blaringly loud at "2;" and horribly thin, shallow, hollow low-end — poor bass response. Is there "bass?" Yes. If you crank up the volume, you'll hear some more bass, but it still lacks solid substance. Drive is OK-to-good (a little tinny); and reverb is OK but lacking compared to other Fenders and other makes. So – I got what I paid for, which — over all is still a pretty good deal. It works, sounds decent, and is definitely a solid workhorse. I'm keeping it and I am enjoying using it, but it definitely will not be my final amp purchase. I hoped it would be, but there's bound to be a better sounding workhorse out there that will be my final "keeper."pmacz62

I bought this amp to have a small, cheap portable amp to play harmonica through. For that, it is decent enough. I use a Shure bullet mic and the amp produces good enough tone and is plenty loud for practice or small gigs. When I plug my tele into it the clean channel is decent and clear, but the overdrive channel is junk and hurts my ears. I would rather run the clean channel and use a fuzz or distortion pedal. So that being said it is decent enough to practice licks on and it is tiny so it tucks away easy. If you look around you can find a bigger amp with more features used for the same price but if you want a new amp, this one is probably worth what they charge for it. I would only buy it if you have a specific purpose for it though.Roy

It's small, and pretty portable. However, the sound quality is trash, given the speaker is tiny, but the overdrive is just horrible. If you buy this, try returning it. If you can't return it, just get a fuzz pedal and leave it on clean. Imo, just buy the mustang lt25-50Hotdog Games

I bought this amp to have a small, cheap portable amp to play harmonica through. For that, it is decent enough. I use a Shure bullet mic and the amp produces good enough tone and is plenty loud for practice or small gigs. When I plug my tele into it the clean channel is decent and clear, but the overdrive channel is junk and hurts my ears. I would rather run the clean channel and use a fuzz or distortion pedal. So that being said it is decent enough to practice licks on and it is tiny so it tucks away easy. If you look around you can find a bigger amp with more features used for the same price but if you want a new amp, this one is probably worth what they charge for it. I would only buy it if you have a specific purpose for it though.Roy

It's small, and pretty portable. However, the sound quality is trash, given the speaker is tiny, but the overdrive is just horrible. If you buy this, try returning it. If you can't return it, just get a fuzz pedal and leave it on clean. Imo, just buy the mustang lt25-50Hotdog Games

This little amp is quite amazing in sound and features. With the Guitar input, Aux In, and headphone jack it nails the features desired for practice. EQ/Gain control and volume can make a huge difference. I read the one critical review below about no bass or treble/AM radio sounding, etc…I don't get that? Probably doesn't understand the gain/vol/ and boost…or his was pre-owned and maybe had issues. Hey, if you're expecting the Fender tube sound of a Princeton or Vibrolux or Deluxe…get real, this is a 10 watt practice amp. For the money, it's a quality Fender product and does everything needed to practice.madillac09

This is doing the job I wanted. It doesn't have fancy effects like reverb, but it produces a nice sound for practice. I don't do public performances, so can't say how well it works in that environment. For the price it's a winner.lndi2007_yrggd7or

Im really disappointed with this amp. I know its not supposed to be super loud because its only 10 W, but I was hoping that the sound quality would be better. The sound reproduction frequencies are all mid range. Sounds like cardboard. Color is grey. Bass and treble tones are all but nonexistent. The eq is useless because speaker cannot reproduce bass and treble frequencies. The sound is very cheap and does not give a representation of the Fender vibe whatsoever. You are better off just playing your guitar with no amplifier at all rather than using this, because it make a good guitar sound bad. I equate the sound to that of an a.m. transistor radio. Its really bad. I actually read some of the favorable reviews on this amplifier before I bought it, and Im seriously starting to think that none of those reviews are actually real. There are better practice amps with better fidelity out there, and I would avoid this one if your ear demands quality sound.mrmarksiii

I picked this up for my son so he could practice around the house. Killer stocking stuffer! When the son is away the dad will now play. I started playing my Mustang Bass through this and it did the job. It's a small amp, not a practice amp. This is perfect for camping trips, rocking at the office or kicking it in the backyard. Oh yeah and you can plug in 1/4 headphones and keep the concert to yourself. It runs on a 9-volt battery or you can plug in a 9-volt adapter.SERGIO

Took a chance on this and purchased it without every playing it. Watched video reviews on it and gave it a shot. Yes, I know that it's small in size, smaller than a kids lunchbox but I hoped it'd produce quality sound and what I got was muddy sounds at increased volumes. It's not clear sounding and my goal to play through an amp is to sound good and I felt if I actually played this in front of people, the muddyness would make me sound amateurish. So, for what you pay for this, yes, you get amplified but it's not real great quality, unless you're a metal player because you don't get a clean sound from this. I rate this 3 stars because it's convenient to have a portable battery operated tiny amp that you can plug into and get sound from, however, the quality almost makes you not even want to play it.Jesse

This ain't no micro cube or vox. This less than 20$ & runs on 1 9v battery or 9v plug in the wall.(transformer not included)& Holy Friggin' Smokes does this baby perform.Monster overdrive tone & super bright, clean tone.Headphone input.Probably exceeds 60 decibels,which is beyond city ords. could get U a fine it's so damn loud. My Strat Squire sounds soooo Fender good out of this lil sucka & my electric/acoustic, sooo crisp.Ultra light to carry around.I've been using the JOYO mini,I love it,plug in,no chord,fun but this Fender mini is a bit more.More tone options and louder.I've yet to find out how quick it eats batteries. The JOYO burns them up fast.Get the rechargeables.Also the JOYO has an MP3 input.This doesn't. I run guitar strap thru the handle so the chord is like non-existent or U can old school it and have a 10 or 20 ft chord.So light it can be pulled over by the chord.These mini amps also pick up radio signals. When I turn them on I can hear radio stations at certain angles. So get 1 for the road.It's all about the fun.annoyingted1

This has to be one of the best stamps I've ever had with the exception of one little hiccup. This is replacing a Fender Blues Deville, which I absolutely loved. I had access to almost every Fender amp when I bought my Blues Deville and it just spoke to me. Well, they don't make Blues Devilles anymore, and I knew the Hot Rod Deville existed, so I went for it. To my ears, it's the same as my previous amp. This is a two channel amp in which each channel is independent of the other with the exception of the tone knobs, which are the same for both channels, which is not a problem for me. When I plugged it in, I couldn't believe how incredible it sounded clean. It absolutely blew my mind. I used both a Stratocaster and a Les Paul. Then, I took the second channel and add a little bit of gain to it, which distorted it. The distortion on this amp is so creamy that I don't even need to use my TS9. It has to be one of the best distortions I have ever heard from an amplifier. I usually use an Orange TH30C for my distortion. My Fender amp was always a clean amplifier. I may be using this one for the distortion and my Orange may get sidelined. The reason I'm giving this amp four stars is because of the following; when you go to switch channels using the included foot switch, there's a loud pop that happens every time you switch channels while you're playing. Apparently, it's inherent to the amplifier. It's the only reason I cannot use this amplifier with clean and dirty at the same time unless I use a TS9 on the clean channel. That really was not a well thought out process from Fender. For the price of this amp, I would think that problem would've been fixed, but it is what it is. I still love the amplifier and I'm still glad I bought it, although I will have to use my Orange when I want a distorted sound.Chuck

I bought my new Fender Blues Jr v4 about 2 months ago from a guy who decided he was more of a "Marshall Guy After All" so I got a bargain, but that was just the beginning. I wanted to spend some time and several sessions playing with this thing before I rushed into a review, but it turns out my first impressions have been even more reinforced since playing this thing for several hours, and the big word here is WOW. I have been playing for over 62 years (that's right, got my first guitar at 7) and bought my first Strat in high school. I've played and owned a LOT of different amps, and even now I have a few pieces for which I have some sentiment, but now it seems I will have to seriously reconsider. Good thing there is no "Amp Limit Law", but if there was I could finally happily liquidate all the others if I could have just my new Blues Jr. I have read voraciously for years about concepts such as "touch sensitive", "controlling breakup with the guitar volume", "takes pedals well", etc. Turns out these have only been myths to me all this time until now. Everything good and superlative that's been written about this amp is absolutely true. The preamp section is like pure magic in shaping the tone and delivering it to my favorite-EL84 power amp section. I have never been a fan of the usual Fender tube lineup, and when I heard this runs EL84s I was already excited. I am still a Strat guy to this day and love everything about it. But I have never even dreamed it could sound so good. I have an Egnater Rebel 20, a vintage Crate 15 watt blonde with a Dr Z speaker, and my prior favorite-a 5 watt Epiphone Valve Jr into a 12" Eminence Lady Luck. I have some others, but nothing I own or have owned can even come close to this thing. And what has been said about the Celestion speaker choice is again, absolutely right on. The sound from this amp would be as if you had an old Deluxe Reverb, did a cap job, retube, and maybe speaker upgrade. I guess I'm trying to say that it soundsMark, R

Simplicity itself, with great tone and a big sound from a small package. I've a few amps, ranging from heads and cabs to combos, but had a hankering for a small tube combo – one that could do a rehearsal if needed. This has a great sound with a 335 and a Telecaster, and so easy to dial in a fantastic tone – infact hard to get a bad tone. Plenty loud enough, I would happily take this out and gig it. I love the fact you can unplug the internal speaker and plug it into a cab, makes it a great package. No perceivable noise when winding it up, and the stock speaker is great, good tight bass and nice and chimey on top. Seems solidly built, but I guess time will tell on that front. All in all, very pleased with this, and great value.Customer

The amp was badly packaged . Its footswitch , paperwork and amp cover were all loose in the back of the amp and ripped its speaker cords from there solder connections so it was DOA.Had to have them resoldered . Other than that , I love the amp. A Deville with two clean channels and a boost . Very cool .beaushit

Enjoying my new fender hot rod deville 212 ML amp very please with the new designed of the deville amp, The sound is amazing and with my vintage fenders Strat It's a perfect marriage if there's a such thing but musically speaking its a perfect Combination,It's the sound that I've been searching for for quite some time.MICHAEL

I have been using Mesa heads and cabinets for a number of years and really like the sound and build quality. These take up much stage space so I was looking for a Mesa combo when I heard about the Fender Hot Rod DeVille ML. This is a great amp and a great value. It has a big sound and in a small package. I had a 4×10 regular DeVille many years ago and this is a substantial improvement. I like that it has 2 channels that are slightly different rather than a clean and OD. This allows for more variation in sound with the use of pedals.Prof

It is a great amp. Very good sound and options for the price. It is not heavy which is a big deal to someone who has had back surgery. I gave it a 5 in spite of one big complaint. When you turn it off you hear a loud "POP!" Wow, is that loud is what I thought the first time I heard it. I read about it online and there is a simple fix. Find an old set of ear phones or ear buds that you would use on a cassette player or a Sony Walkman. (Yes, these are ancient electronic relics from the past for you younger people. You might ask your parents if they have a cassette player and borrow the ear plugs.) Just plug that earphone jack into the "PHONES" input BEFORE you turn it off. THEN you only hear a little blip when you turn it off. THEN just pull the jack out of the "PHONES" input before you start it next time.chasmigu

This amp is better than I thought. I've had it for over a year. I use it for practice sessions (classic rock mostly), and I haven't gone over '4 1/2' on the volume (it does give good feedback if you want it). I did upgrade the speaker to a 12" 'Celestion' Vintage 30 and am absolutely happy! This could easily be mic'd for larger venues. Lightweight, powerful enough, and the effects are a good assortment. One small glitch…when using the footswitch, there is a short, instantaneous volume boost when the pedal is pressed for distortion. Could possibly be a problem for recording. Besides that, 5 stars for me.Myk

After playing acoustic guitar for 15+ years and rarely plugging in, I finally decided to make the plunge and try out an electric. I was advised by a buddy to not buy too big, that 15W-20W would be plenty to practice with. So, I found this little Champion at Sam Ash, and so far it's been great! I bought the display model and have had no issues at all with it. Great sound, enough presets and effects to play around with, and sounds great clean too. Having a blast and loving it.Nate-O

This little amp is quite amazing in sound and features. With the Guitar input, Aux In, and headphone jack it nails the features desired for practice. EQ/Gain control and volume can make a huge difference. I read the one critical review below about no bass or treble/AM radio sounding, etc…I don't get that? Probably doesn't understand the gain/vol/ and boost…or his was pre-owned and maybe had issues. Hey, if you're expecting the Fender tube sound of a Princeton or Vibrolux or Deluxe…get real, this is a 10 watt practice amp. For the money, it's a quality Fender product and does everything needed to practice.madillac09

This is doing the job I wanted. It doesn't have fancy effects like reverb, but it produces a nice sound for practice. I don't do public performances, so can't say how well it works in that environment. For the price it's a winner.lndi2007_yrggd7or

Im really disappointed with this amp. I know its not supposed to be super loud because its only 10 W, but I was hoping that the sound quality would be better. The sound reproduction frequencies are all mid range. Sounds like cardboard. Color is grey. Bass and treble tones are all but nonexistent. The eq is useless because speaker cannot reproduce bass and treble frequencies. The sound is very cheap and does not give a representation of the Fender vibe whatsoever. You are better off just playing your guitar with no amplifier at all rather than using this, because it make a good guitar sound bad. I equate the sound to that of an a.m. transistor radio. Its really bad. I actually read some of the favorable reviews on this amplifier before I bought it, and Im seriously starting to think that none of those reviews are actually real. There are better practice amps with better fidelity out there, and I would avoid this one if your ear demands quality sound.mrmarksiii

I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez

I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth

If you like Fender modelling amp sounds, you'll find this perfect for headphone practice. The selection of Amps is a bit more limited than in a Fender Modelling amp, and the Effects depths similarly limited, but hey, the thing is the size of a matchbox and it allows you to jam along with your online selections, via Bluetooth. Your headphones must be cable, not Bluetooth, however, to avoid latency. But as the headphone cable goes over your shoulder straight into the Mustang Micro, you are not hampered by any connecting cable to your playback device. Until you try this, you may not appreciate how liberating and convenient this is. Its pivoting jack also allows it to go into a Strat recessed socket, many others don't.Geoff

Overall: I'm very pleased with the Micro overall. Read my review below. It really is great. If I were to suggest any changes to the Mustang Micro, it would be this: 1. Include some earbuds with the amp…I mean, why not? You can buy decent earbuds for ten bucks these days…probably cost Fender fifty cents and would mean ready to go out of the box. 2. In the new model, set it up to have a bluetooth output for using wireless headphones. While not a huge deal, I'd really rather not have that wire running from the headset to the guitar. I always end up fumbling with it when taking the guitar off or putting it on. 3. Go ahead and print the basic amp settings on the Micro. The reference card works. But, just having the amp models printed on the amp itself would be handy. There is enough blank space on the Micro to accommodate this.These are just my ideas for improvements. The amp is already a great sounding and super handy device.Ericbstl

I picked this up on a friend's recommendation as a better than average headset amplifier. My Likes: In terms of sound quality it is quite good. It is compact and I do like the USB charging feature a lot. The amp models are better than I expected and sound different with each guitar I use, just like a good amp should. The effects were a nice bonus, simple and effective. I haven't tested bluetooth connectivity yet, but I presume that it will do its job. My concerns, Use while Seated – nearly impossible,as with most headset amplifiers, especially with a side mounted jack . With my Fender Stratocaster, it is more easily used because of the top mount, but with any side mount, it gets caught on my knee and can get pulled out when seated. EQ feature. It does not seem to impact the sound very much in clean or driven settings. I would have preferred paying an extra $20 for a small set of wheels for hi/mid/low Overall it is a B+ for Fender, which could be a quick A with some more mounting options and a small 3 band EQKAS

I was really surprised at how good this amp sounds. Years ago I tried Line 6 and was not at all happy with the tone; but this is another story. It does take me awhile to dial in a specific classic rock tone, but when I do, it sounds better than any other amp that I've tried. I have tried the Marshall Code, Blackstar id Core, Vox Valvetronix, Boss Katana; as well as some all tube amps. The only other amp that is a close 2nd is the Fender Mustang GTX; also a great amp. The Spider V is fairly easy to operate. It offers lots of choices for amp models and cabinets. I like that it has variations of a mic'd cabinet. The parametric eq is a plus. I haven't played around too much with the effects yet, so I can't comment on that. The only negative thing I could say is that when you're editing a preset and want to hear how it sounds before you save it, you only have a short time before it goes back to the Home Screen. This really is a small price to pay for the quality of the amp and all the versatility it has. I like the App too. Musicians Friend got me a great on this as well; and their agent is following up making sure that I'm satisfied. The funny thing is that I came across this by accident. I placed an order for a Peavey amp that was on back order. I called Peavey multiple times, but they never returned my call. I also emailed them, but they didn't respond to that either. As far as I'm concerned, Peavey doesn't have any customer support.crrkr

Been playing about a year, so my review is from the perspective of a complete newbie. The things I like- Lots of presets, mobile app functions, computer interface, and loads of user created effects available. Nice and loud, but no real basis of comparison to say if clarity is better or worse than other comparable amps. Don't likes- The micro-usb interface. I had to get an adapter and it's just not as good a connection as nearly anything else would be. IMHO, micro-usb is far too flimsy. Connecting to PC is far more problematic than just using the spider mobile app. It's probably a little more complicated than it should be for a beginner, but it's feature rich for the money.Nic T

I had a Line 6 120w amp for years that I regrettably sold a while ago and was looking for another amp. I looked at all the amp reviews I could find and decided that the new Katana was the way to go. I got the Katana home and absolutely loved it but the second day I had it it started a really loud buzzing that I couldn't stop. It probably was an easy fix but the fact is the amp was way too powerful for my purposes and their software wasn't compatible with the new Catalina OS. I returned and started looking again. I saw the 60w Spider V and the price was excellent so I made an on the spot decision to buy another Line 6 and I'm really glad I did. The tones this amp can get are incredible. There are so many amp models and cabs that you can dial in pretty much any tone you want from a crispy snapback country clean to the most vicious heavy metal and everything in between. You can use the presets as they are or you can use them as a baseline and tweak to your own liking or you can start from scratch and build your own rig from the ground up. The controls are intuitive and easy to use but there are some features where you'd have to be a professional to really know how to use or even care to use. The software and the mobile app are so easy to use and give you all the options at your fingertips. The amp comes with a lot of presets that I find are completely useless but there are a lot that are excellent as I already talked about. There are only four empty slots for your own custom presets and I wish there were more but if you use the mobile app you can have your own tone library on there. I bought the FBV3 foot controller so that gives me a lot of flexibility to have various effects. One of the limitations is the lack of good effects though. There's enough that if you work at it you can get a decent sound but there could be some better ones. Overall I would recommend the amp. Don't listen to the naysayers or the amp snobs, it's a quality amp and extremely versatile.Just Plain Joe

Going back and forth between the LT25 and LT40s to compare identifical presets, both sounded good and similar even with the differences in cabinet and speaker size. A subjective impression is that the LT25 sounded a bit more distant or maybe dispersed. The LT40s sounded a bit more focused. It was a tough call as the LT25 is less expensive but I walked out of there with the LT40S. For desktop placement and low volume practice, the LT40s sounds great and with plenty of low end. I don't need loud volume but this amp can fill a 16'x24' loft with sound. The USB connection to my laptop was initially a no go. After deleting and then reinstalling the application, it has sinced worked great!Wally

I wanted an amp for practicing that gave me a massive range of options for a reasonable amount of money. I have to say that I am very impressed with the 30 included presets and I've not even branched out into the additional ones you can add. The quality of the LT25 is fantastic, not super heavy and all the switches feel robust. I've found the sound can vary depending on the preset you choose though that is to be expected with those that have high gain. I mostly play clean and blues and this amp is fantastic for both of those. If you want a more classic rock sound there is a preset for this which I think needs a bit of tweaking. All in all very impressed and as this is my first Fender amp, I will definitely be getting another in the future.Alex G.

I bought this amp to have a small, cheap portable amp to play harmonica through. For that, it is decent enough. I use a Shure bullet mic and the amp produces good enough tone and is plenty loud for practice or small gigs. When I plug my tele into it the clean channel is decent and clear, but the overdrive channel is junk and hurts my ears. I would rather run the clean channel and use a fuzz or distortion pedal. So that being said it is decent enough to practice licks on and it is tiny so it tucks away easy. If you look around you can find a bigger amp with more features used for the same price but if you want a new amp, this one is probably worth what they charge for it. I would only buy it if you have a specific purpose for it though.Roy

It's small, and pretty portable. However, the sound quality is trash, given the speaker is tiny, but the overdrive is just horrible. If you buy this, try returning it. If you can't return it, just get a fuzz pedal and leave it on clean. Imo, just buy the mustang lt25-50Hotdog Games

I'm a Fender fan to the core. I love their electric guitars and amps but their Amps aren't even affordable anymore. They've completely out priced themselves and either you are going to pay for a severely overpriced bare bones amp or a severely overpriced amp with far more electronics than a lot of us care to deal with. This is a great sized combo amp that's easy to use and has a great sound and plenty of power and all at a great price!!! There is no reason Fender couldn't do more of this…combo's that aren't easy to use with plenty of effects and a fair price for blue collar musicians. I used a Fender Princeton Chorus combo this same size mic'd through a sound system for over two decades and it started having issues. This was the closest amp I could get (and afford). The 100 has everything you need in a combo amp and at a fraction of the price of everything else Fender makes. Buy it! You won't be disappointed!Josh

I bought this amp because my gig amp died a cyber twin 2-12s 100 watts that was about 16 years old. I have had many Fender amps they were great. I do country and 50s and 60s rock and roll. I figured 100 watts would put it out there and it does. At performing volume, the distortion is a pure heavy metal on the clean channel. Mine is not much good for high volume for my type of music. I have an old champion 110 75 watt that I will be using It has worked for me when the others were down. Not sure what to do.stev_majo

Sound: With the second channel .First it had the twin reverb and super sonic voicing with a chain loop for pedals I was set on that alone. When it got to the house and realized I didn't need my pedal chain and it sounds amazing even though ill still use my pedals here and there. The bassman, tweeds , Princeton all clean or dirty are amazing to play . again to get those sounds with out the tubes and speakers is amazing.. You get volumes that punch against you that are clear without any nasty whitenoise or unwanted sounds. the dirty settings added with the compression build in make all that possible. Outta all my guitars I enjoy to plug into this amp .My 63 firebird , g400 s.g. and my jaguar Ease of Use: Its real easy for me to get the sounds I need .I'm well aware of all the amps they used for the voicing.For new players it might take a little to understand but with no time you'll understand how to dial it in and add the right effects to the amp models to get those amazing fender amps . Quality: Only had it for a week but as for holding it up and down 3 flights of stairs at the studio in Philadelphia id say the strap is well build . Speakers have not blown but I have not had to dial all the way up amps loud as it is half way . Value: yes it is im surprised its not another $100 more.Wish more companies would do this. Manufacturer Support: No problems yet . But in the past fender has always been amazing to me. Overall: (DON'T LET THE $399 TRICK YOU)When dialed up there are so many different fender amps you have here. First off the blackface style clean channel is just amazing. id say that its a twin or deluxe especially when you dial in the spring reverb only thing missing to call it that are the speakers/tubes but fender has made it very clear they can accumulate that sound with out the tubes . I know the tubes will make a difference but not much to this amp unless you have the trained ear for tubes you can't tell.The 2nd channel with all the voice modeling Id say every setting is 99.7 spot on with the models . I love this amp .After watching a few videos online of the 100 I decided to go with it .My friend has the champion 50 so I have already played through this style of amp. When I saw the 2×12 combo version with a double channel pedal it was set in stone . I love combos more than any kind of amp . I came on zZounds looking for an amp to hit the road to the higher states of the new England area of the states in November and December and a long ride from New Jersey to Chicago and Milwaukee in January . the amazing price for a well build and sounding amp there was no way i wasn't gonna leave the website with out another toy.So after adding to the card I headed over to guitars and ordered the squier 70s classic vibe jaguar .One of my favorite things about this amp is I don't have to change out the speakers to get that sound I want. its easy for me to use because I know how to dial in the right sounds to get the sound of the amps in amp unit.Mike

It seems that Fender makes an amp for every use, want and need, and this one satisfies on numerous levels. I'm setting up a studio in my one car garage/mancave, I've already warned my neighbors, who so far seem amenable, and I have placed a Marshal MG15 series DFX (a gift from a friend) and now this Fender Acoustasonic 40 which can get quite loud for the space involved. The Fender is, so far, strictly for practice and the fact that I can add a mic is both impressive and very handy in such a small and handy amp. I brought it home only last week and have explored several tonal settings and, having just scratched the surface, I can't wait to see what else it can do. And it is, so far, obviously perfect for small venues. So, as it happens, it seems I'm more than a bit of a Fender fan. In 2006 I bought a Fender Sunburst Stratocaster (a primary must have guitar.) and a Blues Jr. amp; and then a few years later, I added a Butterscotch Blond Telecaster (a longtime dream realized) and eventually, a Fender 200, 200W acoustic amp to complement my Taylor 614ce for in house use [all bought through Guitar Center with the help of Nick], (Neither of which have made it to the man cave. Yet.) So, do your due diligence, read the reviews, go to Guitar center and ask to try one out, and if they don't have one on site, I'm sure that, if they have a manager as good as Nick Giordano at the store in Murrieta, Ca., they will order one for your trial pleasure and you won't be sorry.Dave

Love this little amp! I got this amp a couple of weeks ago at my local Guitar Center in Memphis. I went in looking for this amp and actually got it for half the price that they had on it. Nice little amp that really sounds great using my Gibson Hummingbird thru it.Sean

The Fender Acoustasonic 40 40W 2×6.5 Acoustic Guitar Amplifier is a wonderfully portable and good sounding acoustic amp. I tested the Fender Acoustasonic 15 15W 1×6 and I thought it had a good sound but I didn't want the Chorus effect I wanted the Reverb effect and the 40 had reverb. It cost more to get the 40 over the 15 but I got the reverb, more power, and a nice tone for the price. Except for the reverb the 40 s a bare bones no frills amp and that's what I wanted. By the way It is just as portable as the 15. The quality of the amp is realized as soon as you open the box. It is well-built and quite attractive. It has a big sound for such a small package. I plugged my Taylor 714 Nylon into it and set the Amp EQ knobs flat. I adjusted the volume on the amp. The EQ knobs on the Taylor were flat with half volume. I played a bit then adjusted the EQ on the guitar. When that sounded good I flavored that tone with a bit of reverb and that was good enough to get me through the afternoon. I have other settings for different songs or environments but this was a good place to start. I plugged a microphone in and that is a separate channel that requires its own EQ. There is no balance control except your ear. It also works well when you plug in other devices for backing tracks, etc. Overall, a great amp for a reasonable price.Bart

Just can't say enough good things about this amp. From the moment I plugged it in I was in tone heaven. Simply strummed a chord and just found myself listening amazed at what a good amp can do to bring out the tone of a guitar. Everything about the amp is just right. Great tone without having to shatter my eardrums. Simple tone controls that I honestly haven't had to really touch at all. Stellar reverb and very nice tremolo. I have used tremolo pedals and reverb pedals and there is no comparison to the real deal that this amp produces. Both channels are very useful, the custom channel takes pedals better for sure while the vintage channel just gives you a warm fuzzy feeling. I for sure plan to hook up an a/b switch so I can use both. Fit and finish were perfect and it came with a really nice dust cover. Only negatives I have found are that turning it off creates a loud pop. I researched and apparently it is normal and many say to turn the volume down and then power it off from the power switch rather than turning the standby off first which does make a difference. My understanding is that the standby is for turning the amp on to warm up for a minute or two, then turn the standby on and standby isn't for turning off. Also standby isn't for taking breaks though that is the urban legend. Only other negative is that I would prefer a pedal that either has lights on it to know if trem and reverb are on or some sort of light on the amp but since I pretty much always have reverb on and can clearly tell when the trem is on not a show stopper but would have been usefulmelodyguy

I brought into the hype and got the 68 deluxe. Not a bad amp, but not worth the money. Besides the noise issues and lack of a mid EQ you can't switch channels without an AB box. It's a nice sounding amp, but the Hot rod deluxe has more channels and headroom and the Blues deluxe is also a better sounding and useful amp. I would suggest doing a side by side comparison before buying.Mike Hickey

Purchased this at the recommendation of a sales associate when I was looking at the Fender Champ 50xl. The GTX50 had great mod settings, I appreciated the on board tuning and the app customization but had a fatal flaw. The bluetooth and wireless function intermittently. While you can still use any programmed setting you will have to dial through possibly 100 settings to find it. Also the save feature in the menu would not allow me to save a new bluetooth name. I am highly capable with electronics and computers and this in my impression was either a firmware or hardware issue. I found that I am not the only one that came across this connectivity problem and there is no 100% fix as of yet that I could find online nor with Fender. Sound was good overall and i had fun when it worked but it was a hassle to connect. Exchanged for the Fender Champ 50xl which I now love, sounds great and the functions all work. Fender has a great product on their hands in the GTX50 if they correct the connectivity issues. I just dont want to wait and hope.Matt

This amp has all the great Fender amp models and while I have never owned or had time with the originals, I am extremely happy with the sound that comes from of all the Fender models. With the guitar plugged in, the tones are very pleasing, from the crispy clean tones of the Twin Reverb to the warm tones of the Deluxe to the crunchy tones of Champ. Very little dialing in required to get a great tone. The non-Fender models did not sound as good to me. I probably use the M/B Mark IIC the most rather than any other model. However, with a GFX unit plugged in, you have to be careful not to overdrive the input or the tones become brittle with an unpleasant buzz and harmonic. I expect this is true for any digital amp modeller, but is more noticeable in this one due to the great tones this amp already gives without any FX units in front. Without the right input signal and tweaking of the FX unit, the tone will only get worse. Functionally, things are not as great. I encountered some issues such as 1. Bluetooth connection to phone app will not discover the amp and requires me to switch on the amp twice for some reason. It always seems to find the amp after the second time. 2. The Master volume knob is digital. Thus, it increases the volume in increments rather than a smooth ramp. This is a problem if you are trying to get very low volumes. It jumps from a level of too quiet to just a bit louder than you need as you tweak the knob. 3. Bluetooth can interfere with a digital wireless system. Either the mobile app wont work or the wireless system wont work. None of these are deal breakers. And for the Fender amp tone modelling it does provide, I am happy with it. If they provided the digital brains of this amp as a GFX foot unit or even a rack unit, I'd sell all my other gear to buy it. I do wish they would continue with more updates, but it seems there is no further development being done on this. The last firmware update was in May 5th 2020.Arjun

I played a solid state boutique amp for years. It was a 100 watt Pearce amp, with a 2-12'' cabinet. As the great Amos Garrett once said, "The older you get, the smaller your amps get." I decided to go tube and purchased the '60s Fender Princeton and Delux Reverb re-makes. The '65 Delux Reverb remake is simply the best sounding amp I've ever played. I play classic rock, jazz, blues and some world music. It excels, and I mean excels, in every context. Warm, articulate and clean, and the break-up is just so silky. If you're on the fence, take the jump.Zeke

I had a '68 Super Reverb ($400 new back then!) which I sold back in the 1970's. Loved it! Big mistake parting with it (look what their selling for now!). I recently tried a Fender Champion 40. The Champ was a good amp, but just didn't match the tone and warmth of a tube amp. My '65 Deluxe Reverb is ear candy! Although it lacks the "horsepower" of the Super (my gig days are behind me now so I don't need it), it still has enough muscle to rattle your teeth and fill the room. More importantly it was instant smiles and fond memories the minute I fired it up! My Strat, '61 SG and Fender Acoustic (all from AMS!) lit it up! I couldn't be more pleased and impressed. Highly recommend the amp and AMS! Ordered Friday, arrived Sunday, and their payment plans make getting my gear from them simple, easy, affordable and a "no-brainer". My next purchase is already in my cart! High fives to AMS for excellent product lines and outstanding customer service! While it's nice to see and touch something before you buy it, AMS has been very dependable and reliable. Well worth waiting 2-3 days to avail yourself of the value and service(s) they provide!G2

Just a classic Fender tone. The clarify of the clean tone is outstanding. Can get a great crunch tone as well when you get the volume above about 4. I play a lot of styles and have a lot of amps. I think I still prefer my Marshall JVM for very saturated distorted tones, but have been having a ball trying different overdrive pedals with the amp–which it takes very well. If you are ok using pedals to craft different tones, this can be a very versatile amp for all styles.Robb

Unbelievable. This is NOT my Vox AC30, and nor is it my 100W Katana. However, for a package that is powered by batteries and can, quite literally, fit into the palm of your hand, the Katana Mini is simply fantastic. The amp models are brilliant and the delay (reverb) function is an excellent feature. On "clean" settings the volume of the amp is perfectly adequate and will fill a room with no issues, and on the "crunch" and "brown" settings, the amp was more than loud enough to fill a large room at 2/3 volume. Whilst I personally think that this is not quite enough for an advanced/intermediate players sole amplifier, I would completely agree that for a beginner, they would need no more than this. Having tried options from Yamaha and other brands, this is firmly my favourite battery powered micro amplifier for any level of guitarist and equipment, the tone is simply that good! The best way I can describe it is this – when I first plugged my PRS McCarty 594 into it, I was vaguely aware that I wasn't playing through my Vox. However, after five minutes or so, I had completely forgotten this wasn't a "real" amp, and had to keep looking down at the tiny box on the floor to believe it! Well done, Boss!Mr I. F.

I use it primarily as a practice amp at lower levels, but I'd feel confident doing coffee house gigs with it, and maybe smaller clubs too. It sounds warm and rich at low volumes, and the EQ is effective. All three voices are useful and I'm not left wanting. I have to make special mention of the delay. I adore reverb (including and especially spring reverb and gritty, trashy reverb of all kinds) but a simple delay circuit is way more useful in this amp. Doubling, slapback, echoes. The treble roll-off and fixed feedback are well-tuned. If you're using this for busking or other guerilla performance, you will suddenly realize that a single delay is worth more than a thousand reflections, because those reflections sound godawful* against naturally-occurring surfaces. *maybe awesome in a sound design way thoughChesterfleet