Are you looking for the Fender 65 Mustang Reissue Electric Guitar? If so, you’ve come to the right place.
Choosing the Fender 65 Mustang Reissue Electric Guitar can be difficult as there are so many considerations. We have done a lot of research to find the top 20 Fender 65 Mustang Reissue Electric Guitar available.
The average cost is $1248.45. Sold comparable range in price from a low of $179.99 to a high of $5650.00.
Based on the research we did, we think Squier Bullet Mustang HH – Sonic Grey is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Fender 65 Mustang Reissue Electric Guitar (20 Sellers)
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$179.99
4.6
Reviewers Noted:
Sound quality . Lightweight . Attractive . Well made . Durability
Features:
- 100% designed by fender
- Dual humbucking pickups
- Thin and lightweight body
$785.00
4.8
Reviewers Noted:
Attractive . Sound quality . Well made . Durability . Weight
Features:
- Some signs of use but overall very good condition
- Comes with fender hard case (case does not have the keys)
- Sweet guitar
$5650.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durable
Features:
- Weight: 7 lbs 2 oz.
- Electronics: dual hand-wound loaded '51 nocaster pickups. fat '50s tele wiring.
$469.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Weight
Features:
- 100% designed by fender
- Inspired by 1960s-era mustang models
- Fender-designed alnico pickups
Reviewers Noted:
Attractive . Lightweight . Good sound quality . Durability . Well made
Features:
- Fretwearincredibly light wear on the first few frets, but otherwise no other type of fret damage!
- Actionaction is low and plays great, but may need a quick tweak to your liking!
- Electronicsall electronics work properly!
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durable
Features:
- Fiesta red finish
- Alder body
- Humbucker in the bridge, single coil in the neck position
Reviewers Noted:
Attractive . Good sound quality . Weight . Craftsmanship
Features:
- Solidbody electric bass
- 24" scale length
- 9.5" radius
$797.49
4.6
Reviewers Noted:
Sound quality . Attractive . Lightweight . Durable . Craftsmanship
Features:
- Includes gig bag.
- Found sound australia pty ltd.
- 110 albert st.
$805.40
4.6
Reviewers Noted:
Attractive . Sound quality . Lightweight . Durable . Craftsmanship
Features:
- Found sound australia pty ltd.
- 110 albert st.
$590.00
4.6
Reviewers Noted:
Durability . Visual appeal
Features:
- These are getting harder to find in this color.
- All original.
- Works great.
$1099.99
4.6
Reviewers Noted:
Attractive . Sound quality . Lightweight . Durable . Craftsmanship
Features:
- Two ‘60s mustang single-coil pickups
- “’60s c”-shaped maple neck; 7.25”-radius fingerboard with 22 vintage-style frets
- Vintage-style mustang floating tremolo and bridge
$795.00
4.8
Reviewers Noted:
Attractive . Sound quality . Well made . Durability . Weight
Features:
- Neck is in good condition but slightly warped, no problems in usual use.
- Accessories: please confirm the picture.
- Please note!
$2150.00
4.0
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Lightweight
Features:
- Comes with original hard case.
- This item is in very good condition.
- This item has been tested and is 100% functional.
$449.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Weight
Features:
- Maple neck with vintage-tint gloss finish
- Indian laurel fingerboard with 22 medium jumbo frets and parchment dot inlays
- Mustang single-coil pickups with aged covers
$459.99
4.6
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- This guitar produces a recognizable vintage sound courtesy of its dual fender-designed alnico single-coil pickups. small hands will appreciate the trademark mustang 24" short scale length and slim, comfortable "c"-shaped…
$2800.00
5.0
Features:
- Masterbuilt by greg fesslercollector owned.
- Played only at home.
$1899.00
Features:
- Gorgeous 1 owner daphne blue mustang from fender japan. this thing is a case queen and has barely seen any use as i have too many guitars (if there was…
$1394.24
Features:
- Check out all the other cool guitars in our shop! this instrument received a full professional setup with deep body cleaning, body polish, neck deep clean, rosewood fretboard lemon oil…
$999.00
Features:
- 1995 fender made in japan mustang mg66-65 daphne blue electric guitar used in working order and good cosmetic condition . one big ding ( see picture ) , also some…
$1239.42
4.6
Reviewers Noted:
Attractive . Sound quality . Lightweight . Durable . Craftsmanship
Features:
- Theoutletguitarmayhaveminorpaintblemishes/scratches/dings. (butitusuallydoesn'thaveanyflaws.). – justareferenceoftheguitar. thetariffratediffersdependingontheitem. – case: softcase….
1. Squier Bullet Mustang Hh – Sonic Grey
Product Details:
Squier bullet mustang electric guitar sonic greythe original fender mustang, introduced in 1964, was designed as a 'student' guitar. however it soon found favour as a serious instrument with many players from kurt cobain to adrian belew! this bullet incarnation takes the famous offset body shape crafted from basswood and ups the power with a pair of humbuckers and offers rock-solid stability from a modern hardtail bridge. there's a comfy 'c' shape maple neck and 22 medium jumbo frets. the bullet mustang has all the vibe of the original!
Specifications:
Body shape | Double cutaway |
Body type | Solid body |
Body wood | Poplar |
Body finish | Gloss |
Orientation | Right handed |
Neck shape | C |
Neck wood | 1-piece Maple |
Joint | Bolt-on |
Scale length | 24 in. |
Truss rod | Standard |
Neck finish | Satin |
Radius | 12 in. |
Fret size | Medium jumbo |
Number of frets | 22 |
Inlays | Dot |
Nut width | 1.656 in. (42 mm) |
Configuration | HH |
Neck | Standard humbucking |
Bridge | Standard humbucking |
Active or passive pickups | Passive |
Series or parallel | Series |
Piezo | No |
Active EQ | No |
Control layout | Master volume, tone |
Pickup switch | 3-way |
Coil tap or split | No |
Kill switch | No |
Bridge type | Fixed |
Bridge design | 6-saddle |
Tailpiece | String thru body |
Tuning machines | Die-cast sealed |
Number of strings | 6-string |
Reviews:
I picked up the Surf Green Ltd Ed. Bullet Mustang a few days ago off the rack. They had two. One had rusty strings and sharp frets but the one I picked was almost perfect. These Mustangs are great for smaller learners and older guitarists that may enjoy the lighter string tension due to the short scale. I love the sound of both humbuckers. The bridge one gives you a nice grungy Nirvana like tone while the neck is smoother but both love to be driven. I picked up the Imperial Blue Mustang HH a few weeks ago. They both use the same humbuckers, The only difference I believe is the wood type, Basswood vs Poplar. Both guitars are quite light with the Basswood Surf Green one being somewhat lighter.These Mustangs are ideal for modding but for now I've only changed the cheap pickguard on this Surf Green one, putting a Tortoise Shell on it. So far I'm loving both of them and my Fender P90 Mustang is getting quite lonely.Tingman
First of all, this is a ton of value for the price. I got it on sale which made it even a bigger steal. Now, this guitar needs a lot of setup out of the box. You should polish the frets since they are as coarse as beach sand. Otherwise, string bends will be impossible and will most likely damage the cheap supplied strings (which should be changed immediately as with most new guitars). Expect some fret buzz, so be ready to adjust the saddles and the truss rod (I like my action quite low so this was a minor tweak for me). The intonation was actually quite close to perfect, it only needed a bit of tweaking on the A string. The nut and string trees are the ones you typically get on Squiers, which are good enough but won't do wonders for your tuning and should be replaced unless you are patient enough to tune your guitar every so often. Be sure to change these first before changing the tuners/bridge if you have tuning problems, I haven't changed the tuners or bridge on mine and don't plan to – they just work. Finally, the pickups are surprisingly good for the price, not too mellow and you can get some nice tones from the bridge pickup. You might soon outgrow them, though, and might opt for better humbuckers or P90s. For all these reasons, this guitar is not the best as a first guitar or for beginners unless it gets a proper setup first or if you're really planning to learn how to setup or change electronics/other parts in a guitar. However, those are the same reasons (plus the low price and simple design) that make this a really fun modding platform, and if you don't feel like modding it, with the right amount of work it's still amazing. It's light as a feather and the neck is very fast; you can probably muscle through hours of playing with barely any effort at all. The stock tones are reasonable enough, and in my opinion it looks awesome. You can't get a better deal for the money once you're aware of the above.Carlos, M
I like this guitar because of the 24" scale length. Everything else was pretty bad out of the box. The strings were a 1/4" off the fretboard. The fretboard was super dry. There was fret sprout. The frets felt like sandpaper on bends. The E strings are too close to the edge of the fretboard. When you play you're constantly hitting the pickup selector switch. The finish on the neck is supposed to be satin but it looks unfinished to me and there are light and dark areas on the neck which look bad. It is the worst finish on a neck I've ever seen on a guitar and I'm going to have to put some kind of finish on it. Trying to load strings is tricky and not as easy as on most other guitars you have to bend the end of the strings to get them to load. So that is the bad. The good? The tuners are your typical Chinese tuners that come on all cheap guitars these days, and they are fine. The pickups sound good. The 24" scale is great and really fun to play bends on!Steve
2. Fender Offset Series Mustang Faded Mocha Fsr (Cme Exclusive)
Product Details:
Beautiful, rare color faded mocha, in like new condition. no chips, dings, scratches, and basically only the tiniest amount of pick swirls. beautiful body grain. 24" scale the guitar itself is extremely light and finished off with an extremely smooth finish. users find the bridge pickup to be extremely clear and articulate. the sound produced is not too harsh. the fender mustang guitar also has a nice output and character, blending the classic fender sound with more mids and bass. this model features a string thru bridge, rather than the classic tremolo. a string-through-body bridge enhances vibration transfer resulting in increased sustain while the six individual saddles can be adjusted for precise intonation along each string.
Specifications:
Reviews:
My first factory-road worn instrument and I am a convert. It smells lovely and the relicing doesn’t look artificial. It definitely has that played-in feel without the issues of a knackered old bass. Sounds pretty good too! Tried out a few mustangs in the past but this is by far the nicest.Reviewed by Andertons Music Co.
I've been a short scale fan ever since buying a Fender Squire Vintage Modified Jaguar SS bass many years ago. I was impressed with quality of the Squire and after changing the pickups (P J set) found it was the bass I always picked up to play. I had recently been looking at the Mustang but found it hard to justify buying since I already had a short scale bass. Then I saw the JMJ signature… road worn, '66 style with original style custom Seymour Duncan spilt coil pickups and a wider neck then my Jaguar. I bought one and after playing it for a few weeks I have no regrets. What a difference in the quality which I already thought was good in the inexpensive Squire. The neck feels great and the extra time spent on the fret work is obvious. I really love what they've done to create the "road worn" look, which something you can't get unless you're buying a Custom Shop instrument. All that you've heard about the JMJ Mustang is true. Killer tone that really cuts through the mix. This is my first Fender bass and after 30 years of playing I don't know why I waited so long. I guess I just wanted to be different… if you are serious about getting a short scale bass this is a great option you won't be disappointed.Shane
I've had the idea to buy a bass to help improve stagnation in my recording and writing process. I went in and looked at the wall of instruments and was impressed. The thing Sam Ash does right that others do not these days (ahem…GC) is have a variety of price ranges and styles to explore. The store rep came over offered me a cord to try them out and left me to do my thing. The reason why a variety was essential was because I was able to play basses on the lower price point, one that I initially planned to buy, but then a bright light shined on the only bass on the wall with flat wound strings and a relic finish. I plugged it in, let it rip, and it felt/sounded amazing. I put it back on the wall, picked up the cheap bass I wanted and it sounded clanky, put it back and kept picking up this bass on the wall, again and again. This is when the store rep came over to check on me, didn't pressure me, but validated me saying the feel on that one is like no other, then offered to work with me on price if I was interested. After I finally decided, there was some chatter among the other store reps that someone was buying "the relic!" I felt special. In the end, I went in Sam Ash on a budget and left with an instrument I'll keep for life and give to my kids. No bad decisions were made.DYLAN
3. Fender Custom Shop Limited Edition '65 Telecaster Custom Heavy Relic – Aged Black Over 3-Color Sunburst Guitar
Product Details:
Specifications:
Strings | Fender USA, NPS, (.010-.046 Gauges) |
Sorted for lightweight | Yes |
Body Finish | Nitrocellulose Lacquer |
Body Binding | Front & Back |
Neck Material | Rift Sawn Maple ( No Tint ) |
Fingerboard | Quartersawn (Maple Cap) |
Neck Shape | 60's Style Oval "C" |
Scale Length | 25.5" (648 mm) |
Fingerboard Radius | 7,25" – 9,5" Compound |
Number of Frets | 21 |
Nut Material | Bone |
Nut Width | 1.650" (42.mm) |
Neck Plate | 4-Bolt |
Neck Finish | Nitrocellulose Lacquer |
Position Inlays | Micarta Black .250 |
Bridge Pickup | Handwound 64 Tele |
Neck Pickup | Handwound 64 Tele |
Controls | Master Volume, Master Tone |
Pickup Switching | 3-Way Blade |
Wiring | Modern Tele |
Bridge | 64 Tele |
Tuning Machines | Vintage Style |
Pickguard | 3-Ply 60's Tele Relic |
Control Knobs | Knurled Chrome |
Reviews:
For over 10 years, I've been casually searching for just the right Telecaster. I've tested out many over the years (new and used), and with the wide variety of neck styles on different models and series, I just never found the right one. When Fender announced this 70th Anniversary Broadcaster earlier this year, something told me this might finally be the one. So I decided to roll the dice and order one from MF without first playing one and I'm thrilled to report that it not only met but also exceeded all of my expectations. I was most concerned about the U-shaped neck – not being a fan of so-called "baseball bats" of the early 1950s. It's just slightly more chunky than a modern Tele, but it's extremely comfortable and it only took me about a day to get completely comfortable with it. Now I absolutely love it. The action is perfect and there's no buzzing whatsoever up and down the neck. The Custom Shop Blackguard pick-ups sound fantastic. They are super-hot and give that classic Tele tone. Before playing it, I was a little disappointed that Fender decided to include the wiring kit to duplicate the original Broadcaster blending-mode as a user-installed option instead of wiring it this way at the factory, but after hearing these pick-ups the way they are, I won't be re-wiring it anytime soon. I had mixed emotions about the lacquer finish with the see-through wood grain when looking at the photos online, but in person the guitar looks fantastic. My only reservation is that the lacquer makes the back of the neck a little tacky but over time this should work itself out. I've already noticed that after a week of playing it has already improved. One other thing about this guitar that still amazes me is the weight. It is perfect – not too light and also not a boat anchor hanging around your neck. I also love the custom American-made G&G deluxe tweed case. Do yourself a favor and order this guitar while you still can!Lou Z.
I bought this in order to not duplicate what I left behind during a 3000 mile move last month, after doing enough research to learn that an Esquire is significantly different from a Telecaster. Indeed, this guitars sounds quite different, and in my view can stand in for a Gretsch but with better feel. The chunky neck is vintage and not 70's style as some have stated. I have tiny hands so was pleasantly surprised at how comfortable it feels up and down the neck. Not slippery at all either. The natural finish is darker than in the photos, but it's still nice to see pine grain. Heavier shellac than I expected, but it sounds great. Not as much tonal range as other Fenders, but I didn't buy it for that. I'm going to try all-nickel strings when I get it set up, for an even more vintage sound, but it's great with the Fender nickel plated steel strings.mhschmieder
I finally have a Telecaster, and not just any Tele, but possibly the nicest one I've come across. I absolutely LOVE the color scheme (though I wouldn't mind a slightly lighter colored fret board – rosewood or pau ferro)! Everything about this guitar screams quality and attention to detail. It plays well and sounds fantastic! I have a Gibson SG, Epiphone Sheraton, Fender Jazzmaster, and now this Tele Ultra and so far, I think this is the best sounding guitar out of the bunch. It's certainly the best playing and best feeling out of all of them. The Jazzmaster is close, but this Tele simply kills it! Don't sleep on this one, folks.Devin R.
4. Fender Squier Classic Vibe '60s Mustang – Sonic Blue W/ Gig Bag
Product Details:
Everything you need to start playing immediately comes in one box. save yourself the hassle and save some money while you're at it. a gig bag is included so you can keep your instrument safely packed away when you're on the go. an easy-to-use clip-on tuner is included so you can keep your instrument in tune. a strap is included so you can practice or better yet perform while standing up. strings are included so you have extra for later. picks are included so you can start playing right out of the box. an instrument cable is included so you have an extra. an austin bazaar instructional dvd is included so you can pick up some tips while learning your new instrument. br br while small in stature, the classic vibe '60s mustang packs a punch of incredible tone courtesy of the dual fender-designed alnico single-coil pickups. small hands will appreciate the short 24" scale length and slim, comfortable "c"-shaped neck profile with an easy-playing 9.5"-radius fingerboard and narrow-tall frets. this mustang is faithful to the original with a vintage-style tremolo system for expressive string bending effects and floating bridge with barrel saddles for solid string stability. this throwback squier model also features 1960s-inspired headstock markings, rich-looking nickel-plated hardware and a slick vintage-tint gloss neck finish for an old-school vibe. br br product specs /b br br body: poplar br body finish: gloss polyurethane br body shape: mustang br neck material: maple br neck finish: tinted gloss urethane br neck shape: "c" shape br scale length: 24" (610 mm) br fingerboard: indian laurel br fingerboard radius: 9.5" (241 mm) br number of frets: 22 br frets size: narrow tall br string nut: bone br nut width: 1.650" (42 mm) br position inlays: pearloid dots br truss rods: head adjust br bridge pickup: fender designed alnico single-coil br middle pickup: n/a br
Specifications:
Reviews:
I have previously played and owned only long scale basses. Have always wanted to try a short scale. Went to my local GC and tried a few they had in house. The short scale Sterling was a nice looking bass but the fret work was terrible. Based on reading other reviews I took a risk and ordered a Squire CV 60 Mustang. It is a beautiful instrument. Arrived in great condition with absolutely no flaws. Finish is great, Fretwork is great, string action and intonation were nearly perfect. Hard to believe that Squire can make an instrument like this for such a reasonable price.Jim
I have always wanted a short-scale Fender and decided to pull the trigger on the Squire CV version. Being a Gibson player, the 25.5 scale length always threw me off but this Mustang is very easy to play/swap between my Les Paul and 335's. The single-coil tones are great and certainly a contrast to the humbuckers & P90's I usually play. To be 100% honest, you better have some skills in setting up guitars and polishing frets or be prepared to pay a tech to get these guitars to their full potential. I had to completely polish the frets and fiddle for weeks to get the action to my liking. A neck shim is almost essential to get any height on the bridge and provide enough downward pressure to keep things intonated. I have no idea why Fender doesn't do this on all Mustang's, Jazzmasters and Jaguars since this is a very well-known issue. Once dialed in and frets polished up, this Mustang is a little tone monster.Jason F
Sound: It's a classic Mustang sound. Ease of Use: The Mustang bass was originally made for younger players and students, but it has a serious professional following as well. Quality: The only problem initially was rough fret ends which were quickly taken care of. Look for pro advice online as to how to do this. Value: Because I owned one before, I feel this is worth the selling price. Manufacturer Support: No contact with Fender about any concerns. Unless it's something out of my ability I'll handle it myself. The Wow Factor: When I first saw the "Vintage Vibe" Mustang bass, it owned me. Overall: I've owned one before and had to sell it. Incredible instrument. I've always preferred short scale basses because they're so much fun to play. Had to buy this one. I like playing this bass more than my 2001 American Series Precision bass! You won't be disappointed. Perhaps some minor tweaking may be needed, but worth every cent.Ampman
5. Fender Player Mustang – Sonic Blue
Product Details:
Since 1964 the mustang model has been bringing fender sound and style to the stage and the studio in the hands of trend-setting players ranging from nirvana to the 1975. upgraded with performance-oriented features, this new mustang sports classic style with modern electronics in an ultra-comfortable short-scale form that’s easy to play all night long. tonally flexible, the pair of angled single-coil pickups make every note and chord pop with authentic fender tone. these low-output pickups have a balanced voice with bell-like upper harmonics, punchy mids and thick lows for a sound that easily cuts through a mix. topped by a 9.5 inch-radius maple fingerboard with 22 medium jumbo frets, the c-shaped maple neck is comfortable for all playing styles and ideal for players with smaller hands, or those who use extended chord forms. the six-saddle string-through-body hardtail strat bridge increases sustain while the bent steel saddles add a touch of cut to your tone. the 24 inch scale adds a bit of warmth and thickness to the guitar’s inherent tone, while granting a slinkier playing feel, making it easier to perform multi-step bends. the guitar’s smaller body is perfect for energetic stage performances and ideal for those with smaller frames while retaining fender’s famous ergonomic design aesthetic. a cult favorite, the mustang has evolved from a student-oriented model to the underground champion that laid the foundation for grunge and modern alternative rock.
Specifications:
Body Finish | Gloss Polyester |
Body Shape | Mustang |
Neck Material | Maple |
Neck Finish | Satin Urethane |
Neck Shape | "C" Shape |
Scale Length | 24" (610mm) |
Fingerboard | Maple |
Fingerboard Radius | 9.5" (241mm) |
Number of Frets | 22 |
Frets Size | Medium Jumbo |
String Nut | Synthetic Bone |
Nut Width | 1.650" (42mm) |
Position Inlays | Black Dot |
Truss Rods | Standard |
Truss Rod Wrench | 3/16" Hex (Allen) |
Bridge Pickup | Mustang Single-Coil |
Neck Pickup | Mustang Single-Coil |
Controls | Master Volume Master Tone |
Pickup Configuration | SS |
Hardware Finish | Nickel/Chrome |
Tuning Machines | Standard Cast/Sealed |
Pickguard | 3-Ply Mint Green |
Control Knobs | Black Plastic |
Dimensions | 4.5 x 15.2 x 42" (11.43 x 38.61 x 106.68cm) |
Handedness | Right-Handed |
Body Type | Solidbody |
Neck Construction | Bolt-On |
Reviews:
I wasn't sure what to expect from the Mustang as my previous experiences with short scale basses had not been good. But everything about this has been fine. The bridge pickup does sound a little buzzy with the tone fully up, but I really don't care! This is a surprisingly fun instrument.Reviewed by Andertons Music Co.
I feel that this bass is excellent value for money. I was surprised by the high quality of the workmanship and materials. Of course it needs a setup to one's preference but that is really only a matter of a tweak of the truss rod, lowering the action and setting intonation. All of this is detailed carefully in the owners manual to assist the diy player or take it to a local luthier for a basice setup. Lots of variation in tones and really fun to play, I'm really happy with it.Tom
I know that I will start an argument with this comment but I'm gonna say it anyway. Why lug around a full size bass guitar when the short scale bass sounds just as good and weighs a lot less. I tried a full size bass and to tell the truth I would have never been able to play a set with it. It was just too heavy for me. Maybe twenty years ago I may have been able to take the weight but not now. I am a guitar player mostly and the full size bass was too much. This bass is the perfect weight, the perfect look and quality, and sounds like a full size bass. It just does. I see a time where the 34 inch scale will wither away and be replaced with the shorter scale bass. It's inevitable. The full size bass has nothing to offer over the shorter scales than maybe cosmetic options. And that will change as time goes on a people realize the advantages of the shorter scale. As a disclaimer I will say that is my opinion. I am sure that full time bass players may have their own reasons for the full size bass.Danny
6. Fender Kurt Cobain Jag-Stang – Fiesta Red
Product Details:
The fender kurt cobain jag-stang is product of cobain's personal design. the guitar is a combination of both the features and look of both the fender mustang and jaguar, both of which were personal favourites of kurt's. while the instrument wasn't publicly available until after kurt's untimely passing, he did use a prototype whilst touring for third album 'in utero'. it is a difficult task to recreate the tone that captivated a generation, but the jag-stang succeeds. equipped with a custom jag-stang humbucking pickup at the bridge and a single coil pickup at the neck, producing nirvana's iconic, powerful chordal textures and soaring lead lines. a smooth rosewood fretboard provides efficient playability, allowing your hand to glide from power chord to power chord. this is paired with a slim "c" maple neck, which ensures you have a comfortable grip and allows you to accurately position your fingers without any strain. a stunning, unique aesthetic, built directly from kurt cobain's own depictions of his ideal guitar, a symbiotic design is created marrying all the features kurt favoured from his two favourite guitar models, the fender jaguar and mustang. all of this results in a unique guitar built for alternative rock's most iconic figure.
Specifications:
Country Of Origin | MX |
Orientation | Right-Hand |
Fingerboard Material | Rosewood |
Fingerboard Radius | 7.25" (184.1 mm) |
Neck Construction | 4-Bolt Standard |
Neck Finish | Gloss Polyurethane |
Neck Material | Maple |
Neck Shape | Slim "C" |
Number of Frets | 22 |
Nut Material | Synthetic Bone |
Nut Width | 1.575" (40mm) |
Position Inlays | White Pearloid Dot |
Side Dots | White |
String Nut | Synthetic Bone |
Bridge | 6-Saddle Vintage-Style Mustang Tremolo |
Control Knobs | Vintage Style Black Plastic Jazz Bass |
Hardware Finish | Nickel/Chrome |
Neck Plate | 4-Bolt |
Pickguard | 4-Ply Aged White Pearloid |
Pickup Covers | White |
Strap Buttons | Vintage-Style |
Tuning Machines | Vintage-Style |
Body Finish | Gloss Polyester |
Body Shape | Jag-Stang |
Bridge Pickup | Jag-Stang Humbucking |
Controls | Master Volume, Master Tone |
Neck Pickup | Jag-Stang Single-Coil |
Pickup Configuration | HS |
Dimensions | 4.50×15.70×41.90 IN |
Fret Size | Vintage |
Scale Length | 24" (610 mm) |
Reviews:
what a great bass! It's beautiful, light, and sonically versatile. the different pickup modes have 3 radically different tones which makes this bass right for lots of situations. I've seen some reviews that mentioned so issues with some fret roughness but mine showed up in perfect condition. I couldn't be happier with the bass. I also want to mention the customer service. I used the chat feature to confirm whether this bass came with a bag or case. the agent let me know that it does not but pointed me to the bundle that includes the bag and they set me up with a price I could not pass up. once I completed the purchase the item was shipped within 90 minutes. Other music stores I've done business with are not nearly as responsive. CME killed itShaun M.
This is a great short scale bass. It is a quality instrument. The finish is excellent. Playability straight out of the box was very good. Nicely set up.I love the pick-ups and the ability to blend the two with their individual volume controls. Great range of tones available. It looks good too ! Highly recommended. The only gripe is that at this price it should come in a hard case and not a bag !Reviewed by Andertons Music Co.
Really good guitar for nirvana type music. Only issue is that you need to set it up for it to be playable but once it's set up it's a great instrument. Pickups are pretty articulate but not to bright either just perfectly balanced. If you get one I recommend to lock the bridge down to improve its tuning stability and sustain. Note it DOES NOT sound like a kc style mustang, it has its own sort of sound to it. Fretboard is pretty nice same with the low radius which I prefer. Overall it's one of my favorite guitars I've ever bought and I cannot recommend it enough if you play grunge and nirvana music.Preston
7. Fender Player Mustang 90 – Seafoam Green
Product Details:
Perfect for garage rock and other styles that thrive on nonconformity, the mustang 90 offers a distinctive take on a classic model. with upgraded features, unique aesthetics and fat fender sound, this spirited instrument is perfect for players that march to a different beat. tonally flexible, the pair of mustang mp-90 pickups have all the bite and pristine cleans you've come to expect from fender pickups, with a snarly midrange and punchy low end that breathes new life into the traditional mustang sound. topped by a 9.5"-radius maple fingerboard with 22 medium jumbo frets, the "c"-shaped maple neck is comfortable for all playing styles. the six-saddle string-through-body hardtail strat bridge increases sustain while the bent steel saddles add a touch of "cut" to your sound. the 24" scale is ideal for players with smaller hands, while adding a bit of warmth and thickness to the guitar's inherent tone and giving it a slinkier playing feel. this guitar's smaller body easily fits those with smaller frames while maintaining fender's classic stylistic appeal, and is also great for energetic stage performances thanks to its light weight. a gloss polyester finish protects the body while the neck bears a satin polyurethane finish for fast, easy playability. a hot-rodded take on an indie hero, the mustang 90 is the ideal guitar for the new wave of players who desire modern features and classic short-scale style.
Specifications:
Handedness | Right-Handed |
Body Type | Solidbody |
Neck Construction | Bolt-On |
Body Finish | Gloss Polyester |
Body Shape | Mustang |
Neck Material | Maple |
Neck Finish | Satin Urethane |
Neck Shape | "C" Shape |
Scale Length | 24" (610mm) |
Fingerboard | Maple |
Fingerboard Radius | 9.5" (241mm) |
Number of Frets | 22 |
Frets Size | Medium Jumbo |
String Nut | Synthetic Bone |
Nut Width | 1.650" (42mm) |
Position Inlays | Black Dot |
Truss Rods | Standard |
Truss Rod Wrench | 3/16" Hex (Allen) |
Bridge Pickup | Mustang MP-90 |
Neck Pickup | Mustang MP-90 |
Controls | Master Volume Master Tone |
Pickup Configuration | SS |
Hardware Finish | Nickel/Chrome |
Tuning Machines | Standard Cast/Sealed |
Pickguard | 3-Ply Mint Green |
Control Knobs | Vintage Style Black Plastic Jazz Bass |
Dimensions | 4.5 x 15.2 x 42.2" (11.43 x 38.61 x 107.19cm) |
Reviews:
Having a couple guitars I was curious about the short scale. Came across a Mustang P90 in surf green with maple fret in the open box section. Awesome deal , guitar is a joy to play. Sounds great clean or with overdrive. What an fantastic bang for the buck fun. Fun to play blues , metal , punk thrash…etc Cannot say enough good things about this guitar.Michael P
Overall: I can't believe there aren't any reviews of this guitar yet!I have the Burgundy Mist version of this with the pao ferro fretboard which, sadly, zZounds no longer carries. It's pretty, really pretty, and it exudes a seriously vintage vibe. (I saw an antique Burgundy Mist Chevrolet last week and I immediately thought of my feisty little Fender.)The hardware; bridge & tuners, is your standard MiM Fender quality. They're more than up to the task. The Strat-style bridge makes this an easy guitar to keep in tune. (I once had a 1978 Mustang and keeping it in tune was a nightmare that not even Edgar Allen Poe or H.P. Lovecraft could imagine.)The MP-90 pickups are capable of so much that it I could fill a whole page trying to accurately describe them. They are beefy enough to really drive a good tube amp. (My main amps are a Marshall DSL1 and Vox AC4-C112.) On a clean setting the neck pickup on its' own isn't particularly impressive, kinda dark, but the middle and bridge positions are really versatile if you tweak the volume and tone controls.With distortion, in my case a Boss MD-2 Mega Distortion (it's more of a gargantuan fuzz than a distortion pedal), all three positions sings with a tone that would make Leslie West smile broadly.I'm not a big guy (5'9", 150 lbs) so the small offset body and short scale neck are really comfortable.There is only one real drawback to this marvelous axe but it's something that shouldn't for even a second dissuade anyone from adding this guitar to their guitarsenal, and that's the pickup selector switch. It's junk. It cuts out and is rather staticky (is that a word?). It's a cheap piece of junk but it usually works so I can deal with it. (And you can as well.) I'll eventually replace it but there's no need to right now.My particular specimen had a truly beautifully grained pao ferro fretboard, with the frets being smooth and very well dressed. I love a big monstrous tone and this little wonder genuinely delivers.(Fender's prices have gone up since I bought mine but this particular axe is an absolute joy to play and for the price is still a true bargain. It loves, LOVES, full six-string power chords so if you're in a Mountain tribute band then you'll find a lot to like in this guitar.)I am first and foremost a "Telecaster guy" but I love pulling out this little dude and blasting away like Han Solo in a cantina full of Greedos.I've gone on for far too long here but it's only because I really, really like this guitar.[In my 'stars' rating I give this guy five stars in the 'manufacturer support' column because I own a bunch of Fenders and have never had a problem.]Mark
This is a great entry to the Fender lineup and a step up from Squier quality. The craftsmanship is far from perfect however. Nut slots not quite cut deep enough, fret slots cut a little too deep in places and sharp fretboard edges. That's about it as far as shortcomings though. The guitar looks killer in Burgandy Mist and it sounds just a good with the P90 pickups. The Pau Ferro fretboard compliments the looks and mine almost has a tiger's eye 3D effect going on which is an unexpected bonus. The 24' scale, modern C neck profile with satin finish on the back, combined with the medium jumbo frets and a 9.5 inch radius all contribute to an almost effortless playing experience. My one has a slightly heavier body that others I've tried which I'm very glad of as it eliminates any sign of neck dive that can plague these guitars (probably not helped by the oversize headstock). The guitar sounds fantastic clean with the P90s sitting somewhere between a single coil and humbucker and just as good with overdrive. The pickups are also not as noisy as I'd feared so you need not dread the hum. Overall, I'm extremely pleased with this guitar and since I'm happy to file my own nuts, as it were, a little tweaking to ensure perfect playability doesn't worry me in the slightest. It's a keeper for sure.
8. Fender Made In Japan Traditional 60's Mustang With Rosewood Fretboard Daphne Blue 2021
Product Details:
This traditional 60s fender mustang is an awesome axe in excellent condition. yet another high-quality mij build, the neck is straight, the electronics are functioning and the action is quick n comfy! cosmetically the guitar is in excellent condition. small dings, scuffs and patina may be detected but overall super clean! super cool in daphne blue with pearly guard. included is trem arm and soft case. peace ta da! local pick up at ptd vintage in chicago s wicker park neighborhood available and encouraged!
Specifications:
Finish | 3-Color Sunburst |
Year | 2018 – 2021 |
Made In | Japan |
Body Shape | Double Cutaway |
Body Type | Solid Body |
Bridge/Tailpiece Type | Tremolo Tailpiece |
Finish Style | Gloss |
Fretboard Material | Rosewood |
Fretboard Radius | 7.25" |
Neck Construction | Bolt-On |
Neck Material | Maple |
Number of Frets | 22 |
Number of Strings | 6-String |
Offset Body | Yes |
Pickup Configuration | SS |
Right / Left Handed | Right Handed |
Scale Length | 24" |
Reviews:
First impression is that this is a quality instrument, it feels very solid and well-crafted. No sharp fret ends or any other flaws (except for a fair amount of debris under the pickguard). It's hard to beat the classic combination of Alder, Maple and Rosewood for a sound that rings out loudly unplugged. I debated between the Vintera, Squier CV and the Performer models because these are the current vibrato-equipped Mustangs – in the end, the new and improved vibrato sold me on the Performer. I bought the Vintage White (butter-colored) and it weighs 7.7 lbs – I've seen this model as low in weight as 7.1 lbs. If the Sonic blue had competition stripes, that would have been my favorite. Out of the box, the setup was perfect (though I did put in a Stew Mac .25 neck shim to raise the bridge some – action-wise, it didn't need the shim, but helps with the trem action), and the urethane off-gassing potent. The Mustang, being on back-order for so long (I waited 3 months from order date), was probably just assembled when I received it on 12/7/21 (August and October '21 production dates are seen in the photo of neck pocket and neck heel). Besides being the only US production-run Mustang, it has the aforementioned revised vibrato – which is super smooth and stays in tune very well. [I did put on a set of locking tuners I had on hand, but I'm sure the stock ones are fine, too.] The obvious welcome revision is the nylon arm sleeve that replaces the screw-in type; it holds the arm in place at any angle. As well, the Performer body has a new rectangular rout, and larger spring routing, under under the tremolo (so, not interchangeable with a vintage unit or guitar without modification) – accommodating a metal plate that reinforces the fulcrum point of the two spring-tethered vibrato posts. This plate is attached with 3 larger screws on the face of the vibrato, giving it a slightly different look from the vintage Mustang vibrato/tremolo.The Fender script is also gone, maybe giving the initial appearance of a plain, cheaper import trem unit? Once removed from the body, the new vibrato feels heavy and substantial. The electronics are interesting – the spirit of the Mustang tone-control quirkiness lives on in the new Performer series Mustang. As a pickup set, they're well-matched and mine register 8k ohms for the neck pickup and 8.5k ohms for the bridge. Unlike a typical tone control that makes the guitar sound increasingly bassy as you roll off the treble, the Greasebucket circuit makes the pickups sound fuller as you roll the tone back – you're not losing the top-end until the very end of the tone range, like on 2. On 10, with the treble all the way up, the sound is very thin (maybe a substitute for the out-of-phase position found on a traditional Mustang?), and can be harsh if the volume knob is also all the way up – rolling the volume back to 8 will clean up the pick-ups. String attack is pronounced with the Yosemite set. The guitar sounds best with the tone rolled back 3/4's of the way, especially the bridge, imo – that's unusual and it gives the pickups a unique character and full sound, or not, depending how you set the tone circuit – from thinner to fuller is really the tonal range of the control set. Therefore, you might not get the immediate sonic versatility of a Strat or Tele (or, vintage-wired Mustang), but you do get cool sound-shaping controls that function differently compared to a normally wired guitar. As well, the Mustang has a more compact and intimate playing area, and with the very responsive vibrato that stays in tune, it's a lot of fun to play. The modern neck with its c-shape, 9.5" radius, medium jumbo frets and satin finish – will be easy to play for lots of different styles of music. String tension is pretty elastic, but still I'm fine with the 9's it comes with (it's what I normally use) as they work well with the spring setting of the trem – mine is set for the least amount of spring tension from the factory. I would imagine as you go up in string gauge you would want to take off the vibrato unit and move the spring position up 1 or 2 spots on the post. **I appreciate the included – made in Vietnam, embroidered Fender logo – light-duty – deluxe gig bag. There aren't a lot of short-scale case options out there and it fits this guitar perfectly, though not a super lot of protection. In the end, Fender has reimagined many aspects of the Mustang: upgraded vibrato; new electronics; medium-jumbo frets; satin finish neck. And, as an American made instrument it retains the traditional Rosewood fretboard, another plus (mine was dry and needed conditioning – to be expected from the fret install process and clean-up). I'm very pleased with this US produced guitar and the way it sounds, plays, feels – and looks!Jon
I was looking for an American-made Mustang and came across the American Performer series. I purchased the antique white version. It's more of a buttercream yellow than white. I was really surprised by the quality because I'd only previously played MIM models that weren't always great. The tremolo tail piece is different than the Strat and Jazzmaster systems. It's very sensitive and has incredible range. I see why some like to block it up because it bends at the slightest touch, but it works very well and stays in tune for the most part. Sound is great, both clean and crunch – it's very versatile. It's also very light and manageable. It's becoming one of my favorite guitars and I have an American Pro Jazzmaster, a MIM Tele, MIK Esquire, and a Gibson 335. My only quality gripe is the frets are a bit rough on the edges. I like the jumbos, but seems like they need a bit more smoothing over. Other than that the setup was great out of the box, tuners are great, and I like the greasebucket tone.Rojo
instrument looks and feels great. Neck, frets and body are gorgeous. However the finish elsewhere is not so good. Some tailpiece screws were only halfway in! The springs on the vibrato keep falling off the posts necessitating constant complete removal of the unit to re-attach them. This means loosening all the strings which are now knackered after about the fifth attempt to make it all work. The action is diabolical with frets buzzing on E A and D strings below the 12th fret. Adjusting the bridge means once again loosening strings and messing with the vibrato, which then drops it’s springs… The frustration level is very, very high. Looks lovely but couldn’t really recommend one unless you can afford a professional setup on top of the asking price.Reviewed by Andertons Music Co.
9. Fender Electric Guitar Made In Japan Traditional 60s Mustang, Rose
Product Details:
Crafted by fender japan, the fender mij traditional 60s mustang rw, in olympic white, is a faithful nod to one of the most renowned eras of the mustang. a basswood body, combined with a duo of vintage-style single-coil mustang pickups provides classic 60's-era tone, perfect for clean and driven tones. a "u"-shaped maple neck, and 9.5"-radius rosewood fretboard with 21 vintage frets offer hours of comfortable playability. the olympic white finish, combined with red tortoiseshell pickguard, and chrome hardware, give the traditional 60s mustang a head-turning vintage aesthetic.
Specifications:
Reviews:
First impression is that this is a quality instrument, it feels very solid and well-crafted. No sharp fret ends or any other flaws (except for a fair amount of debris under the pickguard). It's hard to beat the classic combination of Alder, Maple and Rosewood for a sound that rings out loudly unplugged. I debated between the Vintera, Squier CV and the Performer models because these are the current vibrato-equipped Mustangs – in the end, the new and improved vibrato sold me on the Performer. I bought the Vintage White (butter-colored) and it weighs 7.7 lbs – I've seen this model as low in weight as 7.1 lbs. If the Sonic blue had competition stripes, that would have been my favorite. Out of the box, the setup was perfect (though I did put in a Stew Mac .25 neck shim to raise the bridge some – action-wise, it didn't need the shim, but helps with the trem action), and the urethane off-gassing potent. The Mustang, being on back-order for so long (I waited 3 months from order date), was probably just assembled when I received it on 12/7/21 (August and October '21 production dates are seen in the photo of neck pocket and neck heel). Besides being the only US production-run Mustang, it has the aforementioned revised vibrato – which is super smooth and stays in tune very well. [I did put on a set of locking tuners I had on hand, but I'm sure the stock ones are fine, too.] The obvious welcome revision is the nylon arm sleeve that replaces the screw-in type; it holds the arm in place at any angle. As well, the Performer body has a new rectangular rout, and larger spring routing, under under the tremolo (so, not interchangeable with a vintage unit or guitar without modification) – accommodating a metal plate that reinforces the fulcrum point of the two spring-tethered vibrato posts. This plate is attached with 3 larger screws on the face of the vibrato, giving it a slightly different look from the vintage Mustang vibrato/tremolo.The Fender script is also gone, maybe giving the initial appearance of a plain, cheaper import trem unit? Once removed from the body, the new vibrato feels heavy and substantial. The electronics are interesting – the spirit of the Mustang tone-control quirkiness lives on in the new Performer series Mustang. As a pickup set, they're well-matched and mine register 8k ohms for the neck pickup and 8.5k ohms for the bridge. Unlike a typical tone control that makes the guitar sound increasingly bassy as you roll off the treble, the Greasebucket circuit makes the pickups sound fuller as you roll the tone back – you're not losing the top-end until the very end of the tone range, like on 2. On 10, with the treble all the way up, the sound is very thin (maybe a substitute for the out-of-phase position found on a traditional Mustang?), and can be harsh if the volume knob is also all the way up – rolling the volume back to 8 will clean up the pick-ups. String attack is pronounced with the Yosemite set. The guitar sounds best with the tone rolled back 3/4's of the way, especially the bridge, imo – that's unusual and it gives the pickups a unique character and full sound, or not, depending how you set the tone circuit – from thinner to fuller is really the tonal range of the control set. Therefore, you might not get the immediate sonic versatility of a Strat or Tele (or, vintage-wired Mustang), but you do get cool sound-shaping controls that function differently compared to a normally wired guitar. As well, the Mustang has a more compact and intimate playing area, and with the very responsive vibrato that stays in tune, it's a lot of fun to play. The modern neck with its c-shape, 9.5" radius, medium jumbo frets and satin finish – will be easy to play for lots of different styles of music. String tension is pretty elastic, but still I'm fine with the 9's it comes with (it's what I normally use) as they work well with the spring setting of the trem – mine is set for the least amount of spring tension from the factory. I would imagine as you go up in string gauge you would want to take off the vibrato unit and move the spring position up 1 or 2 spots on the post. **I appreciate the included – made in Vietnam, embroidered Fender logo – light-duty – deluxe gig bag. There aren't a lot of short-scale case options out there and it fits this guitar perfectly, though not a super lot of protection. In the end, Fender has reimagined many aspects of the Mustang: upgraded vibrato; new electronics; medium-jumbo frets; satin finish neck. And, as an American made instrument it retains the traditional Rosewood fretboard, another plus (mine was dry and needed conditioning – to be expected from the fret install process and clean-up). I'm very pleased with this US produced guitar and the way it sounds, plays, feels – and looks!Jon
I was looking for an American-made Mustang and came across the American Performer series. I purchased the antique white version. It's more of a buttercream yellow than white. I was really surprised by the quality because I'd only previously played MIM models that weren't always great. The tremolo tail piece is different than the Strat and Jazzmaster systems. It's very sensitive and has incredible range. I see why some like to block it up because it bends at the slightest touch, but it works very well and stays in tune for the most part. Sound is great, both clean and crunch – it's very versatile. It's also very light and manageable. It's becoming one of my favorite guitars and I have an American Pro Jazzmaster, a MIM Tele, MIK Esquire, and a Gibson 335. My only quality gripe is the frets are a bit rough on the edges. I like the jumbos, but seems like they need a bit more smoothing over. Other than that the setup was great out of the box, tuners are great, and I like the greasebucket tone.Rojo
instrument looks and feels great. Neck, frets and body are gorgeous. However the finish elsewhere is not so good. Some tailpiece screws were only halfway in! The springs on the vibrato keep falling off the posts necessitating constant complete removal of the unit to re-attach them. This means loosening all the strings which are now knackered after about the fifth attempt to make it all work. The action is diabolical with frets buzzing on E A and D strings below the 12th fret. Adjusting the bridge means once again loosening strings and messing with the vibrato, which then drops it’s springs… The frustration level is very, very high. Looks lovely but couldn’t really recommend one unless you can afford a professional setup on top of the asking price.Reviewed by Andertons Music Co.
10. Fender Mustang Electric Guitar, Shell Pink, Pau Ferro
Product Details:
Classic style, modern features since 1964 the mustang model has been bringing fender sound and style to the stage and the studio in the hands of trend-setting players ranging from nirvana to the 1975. upgraded with performance-oriented features, this new mustang sports classic style with modern electronics in an ultra-comfortable short-scale form that's easy to play all night long.@@ 24" scale length; "c"-shaped maple neck@@ two mustang single-coil pickups@@ 9.5"-radius pau ferro fingerboard with 22 medium jumbo frets@@ six-saddle string-through-body hardtail strat bridge with bent steel saddles@@ master volume and tone controls; three-way pickup switch 24" scale length this classic shorter scale was originally offered during the 1960s on fender classics such as the jaguar and mustang guitars. the 24" scale remains an authentic fender design element still offered today. mustang single-coil pickups thanks to their vintage-spec low output, mustang single-coil pickups can deliver clean and pristine to earthy growl. pure fender tone shines through with enhanced mid and upper harmonics that easily cut through a mix. modern "c"-shaped neck this instrument features a modern neck designed for comfort and performance, with a contemporary "c"-shaped profile (the shape of the neck in cross section), 9.5" fingerboard radius and medium jumbo frets. three-way pickup switch this mustang features a three-way toggle pickup switch, giving you either the bridge or neck pickup alone or both. six-saddle string-through-body hardtail bridge this model features a hardtail six-saddle bridge for solid tuning stability, precise intonation and increased sustain. the string-through-body design enhances string-to-body vibration transfer for added sustain. engraved neck plate this mustang model features a special neck plate engraved with a fender "f" logo-a classic design element for fender instruments.
Specifications:
Reviews:
Fender guitars have been a good buy over the last decade or so. The factories in USA, Japan and Mexico all maintain quite a decent level of quality. This one is one of about 5 Mexican-made Mustang Fenders that I had a chance to hold in my hands. And this time I was not disappointed at all. The guitar does have some "imperfections", but given the price, these are all absolutely tolerable. Much higher priced US-built Gibson guitars tend to have a lot more of such imperfections. I'm particularly impressed with the quality of fretwork. Again, it is not perfect, but better than one could expect. I checked the frets with a fret rocker took and did not find a single bumpy fret. The fret ends are surprisingly good too. My only regret is that, unlike a few years ago, now these Mustangs are supplied even without a gigbag. But it's okay. I could definitely recommend this purchase.
24inch.scale very easy to play, lightweight fun to play , top quality instrument fit and finish 100%karensis410
Overall: I just finished giving my new Olympic White Fender Mustang 90 a test drive.Wow… Awesome guitar.I'm sorta small framed (5'9" & 140 lbs) so the short scale neck and smallish body are a perfect fit for me.This is my third Mustang but first hardtail w/P-90's and it is definitely a stand-out model.I tested it using a vintage Marshall Valvestate VS-15R with an aftermarket Celestion Eight 15 speaker. (This amp has two pregain knobs so it can dial in a seriously saturated fuzz tone. I dimed both pregains and was rewarded with a massive tone that was very pleasing to this huge fan of the Beck & Page era Yardbirds.)The clean tones are nice as well but aggressive playing will cause the notes to break up. These pickups are really potent.This guitar can play old 40's Les Paul style jazz. Just switch to the neck pickup, roll back the tone and pick softly.The pau ferro fretboard is smooth and the medium jumbo frets allow for easy bending and for a smooth finger vibrato technique. The hardtail Strat style bridge is sturdy and nicely suited for palm muting.The tuners appear to be top quality – I was pounding away and executing some wild bends for a good 45 minutes and the strings didn't slip one bit.The volume and tone pots are smooth and allow for gradual adjustments unlike some pots where most of the changes occur in the last third of the pot's range.The finish is flawless and the overall construction of this Mexican Fender appears to be top notch.My only complaint is with the fret edges. They are pretty sharp. My Indonesian Squier VM Mustang has better dressed frets. ("C'mon Fender, you can do better, can't you?!")I would recommend HIGHLY this guitar. That it isn't too expensive only makes it more attractive.I LOVE THIS GUITAR.Mark
11. Fender Vintera '60s Mustang Pau Ferro, Sea Foam Green
Product Details:
Can you feel the vintage vibes? the fender vintera 60s mustang pf is guaranteed to take your breath away. built for performers, it will take you on a supersonic ride to the '60s, offering a tone and feel like the guitars of old. with two single coil pickups, which have been tweaked for a more vintage tone, you'll be able to play your riffs in style. everything will jump out with a groovy sounding twang and warm, bell-like voice. you'll love playing it. the smooth maple neck combined with a slick pau ferro fretboard helps to open up a world of possibilities when it comes to writing and playing music. you'll find each movement feels natural and free, allowing your improvising to blossom. from the classic mustang body shape to the expert design and craftsmanship, this guitar is sure to bring you heaps of musical happiness.
Specifications:
Body shape | Double cutaway Offset |
Body type | Solid body |
Body wood | Alder |
Body finish | Gloss |
Orientation | Right handed |
Neck shape | '60s C |
Neck wood | Maple |
Joint | Bolt-on |
Scale length | 24 in. |
Truss rod | Standard |
Neck finish | Gloss |
Radius | 7.25 in. |
Fret size | Vintage-style |
Number of frets | 22 |
Inlays | Dot |
Configuration | SS |
Neck | Vintage-style Mustang |
Bridge | Vintage-style Mustang |
Control layout | Master volume, tone |
Pickup switch | Slide switches for pickup activation |
Bridge type | Tremolo/Vibrato |
Bridge design | Adjustable |
Tailpiece | Vintage Style Tremolo |
Tuning machines | Vintage-style |
Number of strings | 6-string |
Country of origin | Mexico |
Reviews:
First impression is that this is a quality instrument, it feels very solid and well-crafted. No sharp fret ends or any other flaws (except for a fair amount of debris under the pickguard). It's hard to beat the classic combination of Alder, Maple and Rosewood for a sound that rings out loudly unplugged. I debated between the Vintera, Squier CV and the Performer models because these are the current vibrato-equipped Mustangs – in the end, the new and improved vibrato sold me on the Performer. I bought the Vintage White (butter-colored) and it weighs 7.7 lbs – I've seen this model as low in weight as 7.1 lbs. If the Sonic blue had competition stripes, that would have been my favorite. Out of the box, the setup was perfect (though I did put in a Stew Mac .25 neck shim to raise the bridge some – action-wise, it didn't need the shim, but helps with the trem action), and the urethane off-gassing potent. The Mustang, being on back-order for so long (I waited 3 months from order date), was probably just assembled when I received it on 12/7/21 (August and October '21 production dates are seen in the photo of neck pocket and neck heel). Besides being the only US production-run Mustang, it has the aforementioned revised vibrato – which is super smooth and stays in tune very well. [I did put on a set of locking tuners I had on hand, but I'm sure the stock ones are fine, too.] The obvious welcome revision is the nylon arm sleeve that replaces the screw-in type; it holds the arm in place at any angle. As well, the Performer body has a new rectangular rout, and larger spring routing, under under the tremolo (so, not interchangeable with a vintage unit or guitar without modification) – accommodating a metal plate that reinforces the fulcrum point of the two spring-tethered vibrato posts. This plate is attached with 3 larger screws on the face of the vibrato, giving it a slightly different look from the vintage Mustang vibrato/tremolo.The Fender script is also gone, maybe giving the initial appearance of a plain, cheaper import trem unit? Once removed from the body, the new vibrato feels heavy and substantial. The electronics are interesting – the spirit of the Mustang tone-control quirkiness lives on in the new Performer series Mustang. As a pickup set, they're well-matched and mine register 8k ohms for the neck pickup and 8.5k ohms for the bridge. Unlike a typical tone control that makes the guitar sound increasingly bassy as you roll off the treble, the Greasebucket circuit makes the pickups sound fuller as you roll the tone back – you're not losing the top-end until the very end of the tone range, like on 2. On 10, with the treble all the way up, the sound is very thin (maybe a substitute for the out-of-phase position found on a traditional Mustang?), and can be harsh if the volume knob is also all the way up – rolling the volume back to 8 will clean up the pick-ups. String attack is pronounced with the Yosemite set. The guitar sounds best with the tone rolled back 3/4's of the way, especially the bridge, imo – that's unusual and it gives the pickups a unique character and full sound, or not, depending how you set the tone circuit – from thinner to fuller is really the tonal range of the control set. Therefore, you might not get the immediate sonic versatility of a Strat or Tele (or, vintage-wired Mustang), but you do get cool sound-shaping controls that function differently compared to a normally wired guitar. As well, the Mustang has a more compact and intimate playing area, and with the very responsive vibrato that stays in tune, it's a lot of fun to play. The modern neck with its c-shape, 9.5" radius, medium jumbo frets and satin finish – will be easy to play for lots of different styles of music. String tension is pretty elastic, but still I'm fine with the 9's it comes with (it's what I normally use) as they work well with the spring setting of the trem – mine is set for the least amount of spring tension from the factory. I would imagine as you go up in string gauge you would want to take off the vibrato unit and move the spring position up 1 or 2 spots on the post. **I appreciate the included – made in Vietnam, embroidered Fender logo – light-duty – deluxe gig bag. There aren't a lot of short-scale case options out there and it fits this guitar perfectly, though not a super lot of protection. In the end, Fender has reimagined many aspects of the Mustang: upgraded vibrato; new electronics; medium-jumbo frets; satin finish neck. And, as an American made instrument it retains the traditional Rosewood fretboard, another plus (mine was dry and needed conditioning – to be expected from the fret install process and clean-up). I'm very pleased with this US produced guitar and the way it sounds, plays, feels – and looks!Jon
I was looking for an American-made Mustang and came across the American Performer series. I purchased the antique white version. It's more of a buttercream yellow than white. I was really surprised by the quality because I'd only previously played MIM models that weren't always great. The tremolo tail piece is different than the Strat and Jazzmaster systems. It's very sensitive and has incredible range. I see why some like to block it up because it bends at the slightest touch, but it works very well and stays in tune for the most part. Sound is great, both clean and crunch – it's very versatile. It's also very light and manageable. It's becoming one of my favorite guitars and I have an American Pro Jazzmaster, a MIM Tele, MIK Esquire, and a Gibson 335. My only quality gripe is the frets are a bit rough on the edges. I like the jumbos, but seems like they need a bit more smoothing over. Other than that the setup was great out of the box, tuners are great, and I like the greasebucket tone.Rojo
instrument looks and feels great. Neck, frets and body are gorgeous. However the finish elsewhere is not so good. Some tailpiece screws were only halfway in! The springs on the vibrato keep falling off the posts necessitating constant complete removal of the unit to re-attach them. This means loosening all the strings which are now knackered after about the fifth attempt to make it all work. The action is diabolical with frets buzzing on E A and D strings below the 12th fret. Adjusting the bridge means once again loosening strings and messing with the vibrato, which then drops it’s springs… The frustration level is very, very high. Looks lovely but couldn’t really recommend one unless you can afford a professional setup on top of the asking price.Reviewed by Andertons Music Co.
12. Fender Mustang Electric Guitar With Maple Fingerboard – Black
Product Details:
Since 1964 the mustang model has been bringing fender sound and style to the stage and the studio in the hands of trend-setting players ranging from nirvana to the 1975. upgraded with performance-oriented features, this new mustang sports classic style with modern electronics in an ultra-comfortable short-scale form that's easy to play all night long.tonally flexible, the pair of angled single-coil pickups make every note and chord pop with authentic fender tone. these low-output pickups have a balanced voice with bell-like upper harmonics, punchy mids and thick lows for a sound that easily cuts through a mix. master volume and tone controls, along with a three-way pickup switch craft your sound. topped by a 9.5"-radius maple fingerboard with 22 medium jumbo frets, the "c"-shaped maple neck is comfortable for all playing styles and ideal for players with smaller hands, or those who use extended chord forms. the six-saddle string-through-body hardtail strat bridge increases sustain while the bent steel saddles add a touch of "cut" to your tone, and are adjustable for spot-on intonation. the 24" scale adds a bit of warmth and thickness to the guitar's inherent tone, while granting a slinkier playing feel, making it easier to perform multi-step bends.the guitar's smaller body is perfect for energetic stage performances and ideal for those with smaller frames while retaining fender's famous ergonomic design aesthetic. a gloss polyester finish protects the body while the neck bears a satin polyurethane finish for fast, easy playability. the aesthetic appointments add a touch of classic fender style to this modernized design for dazzling style under the spotlights. a cult favorite, the mustang has evolved from a student-oriented model to the underground champion that laid the foundation for grunge and modern alternative rock.
Specifications:
Body Finish | Gloss Polyester |
Body Shape | Mustang |
Neck Material | Maple |
Neck Finish | Satin Urethane |
Neck Shape | "C" Shape |
Scale Length | 24" (610 mm) |
Fingerboard Material | Maple |
Fingerboard Radius | 9.5" (241 mm) |
Number of Frets | 22 |
Fret Size | Medium Jumbo |
Nut Material | Synthetic Bone |
Nut Width | 1.650" (42 mm) |
Position Inlays | Black Dots |
Truss Rod | Standard |
Bridge Pickup | Mustang Single-Coil |
Neck Pickup | Mustang Single-Coil |
Controls | Master Volume, Master Tone |
Configuration | SS |
Hardware Finish | Nickel/Chrome |
Tuning Machines | Standard Cast/Sealed |
Pickguard | 4-Ply Aged White Pearloid |
Control Knobs | Vintage Style Black Plastic Jazz Bass |
Switch Tip | Black |
Neck Plate | 4-Bolt |
Strings | Fender USA, NPS, (.010-.046 Gauges) |
Case/Gig Bag | Optional Gig Bag (P/N 099-1513-106) |
Dimensions (WxHxD) | No |
Reviews:
My first factory-road worn instrument and I am a convert. It smells lovely and the relicing doesn’t look artificial. It definitely has that played-in feel without the issues of a knackered old bass. Sounds pretty good too! Tried out a few mustangs in the past but this is by far the nicest.Reviewed by Andertons Music Co.
I've been a short scale fan ever since buying a Fender Squire Vintage Modified Jaguar SS bass many years ago. I was impressed with quality of the Squire and after changing the pickups (P J set) found it was the bass I always picked up to play. I had recently been looking at the Mustang but found it hard to justify buying since I already had a short scale bass. Then I saw the JMJ signature… road worn, '66 style with original style custom Seymour Duncan spilt coil pickups and a wider neck then my Jaguar. I bought one and after playing it for a few weeks I have no regrets. What a difference in the quality which I already thought was good in the inexpensive Squire. The neck feels great and the extra time spent on the fret work is obvious. I really love what they've done to create the "road worn" look, which something you can't get unless you're buying a Custom Shop instrument. All that you've heard about the JMJ Mustang is true. Killer tone that really cuts through the mix. This is my first Fender bass and after 30 years of playing I don't know why I waited so long. I guess I just wanted to be different… if you are serious about getting a short scale bass this is a great option you won't be disappointed.Shane
I've had the idea to buy a bass to help improve stagnation in my recording and writing process. I went in and looked at the wall of instruments and was impressed. The thing Sam Ash does right that others do not these days (ahem…GC) is have a variety of price ranges and styles to explore. The store rep came over offered me a cord to try them out and left me to do my thing. The reason why a variety was essential was because I was able to play basses on the lower price point, one that I initially planned to buy, but then a bright light shined on the only bass on the wall with flat wound strings and a relic finish. I plugged it in, let it rip, and it felt/sounded amazing. I put it back on the wall, picked up the cheap bass I wanted and it sounded clanky, put it back and kept picking up this bass on the wall, again and again. This is when the store rep came over to check on me, didn't pressure me, but validated me saying the feel on that one is like no other, then offered to work with me on price if I was interested. After I finally decided, there was some chatter among the other store reps that someone was buying "the relic!" I felt special. In the end, I went in Sam Ash on a budget and left with an instrument I'll keep for life and give to my kids. No bad decisions were made.DYLAN
13. Fender American Vintage '65 Jaguar Electric Guitar 3-Color Sunburst
Product Details:
The fender american vintage '65 jaguar electric guitar marks a key chapter in jaguar history. that is, after surf and before punk, when the sole '60s member of fender's big four guitars staked its own gradually growing claim in the hearts and hands of a select group of alternative-minded guitarists who appreciated its distinctive design and offbeat status. the classic jaguar shorter scale, dual-circuit layout and sleekly chromed-out design are here, along with a bound round-laminated fingerboard and larger pearl dot inlays-elegant touches the jaguar acquired in 1965, merely three years after its introduction. – the american vintage series has long presented some of fender's best selling guitars (their early-'80s introduction, in fact, was one of the first signs that fender was "back" as the cbs era ended). today, fender has boldly cleared the slate to make way for a fresh american vintage series with new features, new specs and the most meticulous level of vintage accuracy yet. rather than just replacing the previous models with different ones, they've completely and comprehensively re-imagined the entire vintage-reissue concept-restoring original tooling dies, voicing new – an authentic recreation of the classic model – lighweight alder body – mid '60s c-shaped neck profile with shorter scale – bound round-laminated rosewood fingerboard – vintage accurate pickups wound to period-correct specs and sound – classic dual-circuit wiring and controls – vintage-style floating tremolo with lock button – incudes case
Specifications:
Finish | 3-Color Sunburst |
Year | 2013 – 2017 |
Made In | United States |
Body Type | Solid Body |
Bridge/Tailpiece Type | Tremolo Tailpiece |
Finish Features | Matching Headstock |
Finish Style | Gloss |
Fretboard Material | Rosewood |
Neck Construction | Bolt-On |
Neck Material | Maple |
Number of Frets | 22 |
Number of Strings | 6-String |
Offset Body | Yes |
Pickup Configuration | SS |
Right / Left Handed | Right Handed |
Scale Length | 24" |
Wood Top Style | Opaque |
Reviews:
Sound: Today's guitars are all made on cnc's unless you get something like a US made G&L, those are cut out with bandsaws and routers, like fenders in the 50s up to the 70s. The neck pocket in mine is very clean and neat, the body routing is very clean, the frets were nice out of the box, no misaligned screws or parts, no blemishes in the finish or anything. Features: The least useful feature for a majority of people will be the rhythm circuit, it has its own volume and tone pots and is neck pickup only, with a much darker tone than the neck pickup on the lead circuit, leave the switch in the down position, and you never have to worry about it unless you want an old school jazz guitar tone. Then push that switch up. (It does old jazz guitar really well) Ease of Use: The jazzmaster has quite a bright bridge pickup, makes it well suited for surf, or spaghetti western guitar, but it also means distortion on the bridge pickup will cut through rather well. the neck pickup is strat like, but bigger and thicker. Like a strat neck pickup on steroids. Both pickups together results in a sweet soft sort of quack tone, due to the pickups being so far apart, it's not the same as a strat quack tone, but its very nice sounding. Then of course there's the neck only rhythm circuit which is very much like an old jazz tone (hence the name Jazzmaster)The pickups are generally higher output than most other fender pickups, and work well with distortion. A lot of people still think jazzmaster pickups are p90s. Nope, real jazzmaster pickups are roughly the same size, but thats where the similarities end. They don't even sound similar. This confusion is furthered by the old mexican player jazzmasters, the j mascius, and others that have P90's. Quality: Fender mexico didn't skimp on the electronic parts, the pickups are very much like a mid 60s jazzmaster in sound, even down to the gray bobbins and enamel coated coil wire. Pots are CTS, both switches and the jack are switchcraft, just like they are supposed to be. They should last forever. The trem is built well, but not exactly the same as the old ones, the trem arm is screw in, it really should be a push in arm, like all the old ones. Also, I think the hole of the trem arm in the top plate is way way too big, it only needs to be slightly bigger than the trem arm collet.The tuners are kluson like split shaft, loke fender used from the very earliest days until 68, they're not made by kluson but it doesn't matter the design is too simple to screw up. The frets are vintage, they're always described as tall and thin. They're not tall, but they are thin, it is a 60s styled guitar after all. But I think a lot of people used to 9.5 and flatter radiuses will have problems, it's a 7.25" radius fretboard, requires a bit higher action but a half hour or so of playing, you get used to it. It also has a truss rod nut at the heel of the neck, its a correct feature for all fender's prior to 1971, but man was that a bad design choice on leo fender's part. You either have to loosen the neck a lot or take it completely off to adjust neck relief, and hope you got it right.Now when I got my guitar I took it completely apart (I always do). What I found on the inside could be improved. First was an excessive amount of wire. There is a lot of wire in a jazzmaster, but they didn't even bother cutting the pickup leads to length. Both pickups had about a foot of unnecessary lead wire, so I fixed that.The other issue was a bad conductive paint job in the cavities. The jazzmaster is an electrically noisy guitar, they need all the shielding they can get. The conductive paint was one thin coat, and didn't even go up the sides of the cavities, it wasn't doing anything. From 1958 to the end of the original run around 1980 each jazzmaster had brass tubs in all the cavities, all soldered together and grounded. I don't expect that in a new jazzmaster, but they knew then that it needed shielding. The pickguard in 58 was also gold anodized aluminum, which was excellent for shielding. But the anodizing wasn't good, and the gold wore off after a few months so and looked awful. In 59 fender switched to plastic tort pickguards, with a thin pickguard sized aluminum shield underneath. Anyway I properly shielded the cavities. Also the pickguard only had aluminum tape for the toggle switch to the jack, and another piece for piece for rhythm circuit switch and pots. That ain't going to do it. I added more shielding, put it all back together and it was a major improvement. Recently I decided to see what a proper gold anodized aluminum pickguard would look like on ice blue metallic, and its VERY cool, looks like a 1960s california speed shop modded my guitar, might put some tele knobs on it sometime.I also made another modification, I had a 65 reissue trem and bridge laying around, so I put them on it. In the old days, the lock button, trem
To start with this review I would like to point out in two different sections. The buying experience with the shop and the guitar set up. 1-The buying experience was great, fast shipping, very well package, tracking feedback. No complaints at all. The guitar, as I said before, came really well package, in two cardboards and bubble plastic. 2-The guitar set up: Out of the box, the guitar set up is horrible, and let me tell you again, horrible. The worst guitar set up I have ever received. My guitar which was "inspected" by a music technician before being shipping to me. I do not know what type of inspection was that but sincerely I think the guitar was not by any means checked. It arrived with crazy fret buzzing through all the neck, gritty frets (almost impossible to do bendings), Sharpen fret edges that felt like knives cutting my fingers, super dry fretboard( I can understand this because of the Indian Laure fretboard), no neck relieve at all ( Truss rod adjustment is needed if you want to play any music with this guitar), the tremolo bridge was rattling like crazy, all strings out of intonation, not to confuse with out of tune. All these things made the playing experience awful. Now I understand why there are so many B-Stocks of this guitar. I thought that being a Chicago Music Exclusive (FSR) product will be take care much better. Do not get me wrong, this is a heck of guitar for the money but be prepared to spend an extra 150 bucks to make this guitar useable. IJ D.
My wife got me this guitar for Christmas and it has more than exceeded my expectations. I had a Fender Jaguar MIJ candy apple red back in the early 90s and it ended up missing. I’ve been waiting for a guitar like that again as it was my absolute favorite guitar to play. I saw this one online and told her this is the one I’d like to have to replace my other Jaguar. I LOVE the tone on these as they give so much depth to the mid and high ranges. The notes just ring so much depth. I must say it sounds even better than I remembered. The matching headstock is another positive for me and sold the look of the guitar. While the tremolo is a little different than I remember (tremolo bar screws in vs push into place) it is probably a better thing that it is that way now. American Musical has always shipped our orders in a few days and didn’t disappoint my wife when it showed up just a few days after ordering and was ready to play directly out of the box. I would recommend this guitar to anyone who wants that perfect surf punk sound.A. Smith
14. Fender Squier Classic Vibe '60s Mustang – Vintage White W/ Gig Bag
Product Details:
Fender squier classic vibe '60s mustang – vintage white bundle with gig bag, instrument cable, tuner, strap, strings, picks, and austin bazaar instructional dvdaustin bazaar is an authorized squier dealer. everything you need to start playing immediately comes in one box. save yourself the hassle and save some money while you're at it. a gig bag is included so you can keep your instrument safely packed away when you're on the go. an easy-to-use clip-on tuner is included so you can keep your instrument in tune. a strap is included so you can practice or better yet perform while standing up. strings are included so you have extra for later. picks are included so you can start playing right out of the box. an instrument cable is included so you have an extra. an austin bazaar instructional dvd is included so you can pick up some tips while learning your new instrument. 100% designed by fender – inspired by 1960s-era mustang models – fender-designed alnico pickups – vintage-tint gloss neck finish – nickel-plated hardware – while small in stature, the classic vibe '60s mustang packs a punch of incredible tone courtesy of the dual fender-designed alnico single-coil pickups. small hands will appreciate the short 24" scale length and slim, comfortable "c"-shaped neck profile with an easy-playing 9.5"-radius fingerboard and narrow-tall frets. this mustang is faithful to the original with a vintage-style tremolo system for expressive string bending effects and floating bridge with barrel saddles for solid string stability. this throwback squier model also features 1960s-inspired headstock markings, rich-looking nickel-plated hardware and a slick vintage-tint gloss neck finish for an old-school vibe.
Reviews:
I have previously played and owned only long scale basses. Have always wanted to try a short scale. Went to my local GC and tried a few they had in house. The short scale Sterling was a nice looking bass but the fret work was terrible. Based on reading other reviews I took a risk and ordered a Squire CV 60 Mustang. It is a beautiful instrument. Arrived in great condition with absolutely no flaws. Finish is great, Fretwork is great, string action and intonation were nearly perfect. Hard to believe that Squire can make an instrument like this for such a reasonable price.Jim
I have always wanted a short-scale Fender and decided to pull the trigger on the Squire CV version. Being a Gibson player, the 25.5 scale length always threw me off but this Mustang is very easy to play/swap between my Les Paul and 335's. The single-coil tones are great and certainly a contrast to the humbuckers & P90's I usually play. To be 100% honest, you better have some skills in setting up guitars and polishing frets or be prepared to pay a tech to get these guitars to their full potential. I had to completely polish the frets and fiddle for weeks to get the action to my liking. A neck shim is almost essential to get any height on the bridge and provide enough downward pressure to keep things intonated. I have no idea why Fender doesn't do this on all Mustang's, Jazzmasters and Jaguars since this is a very well-known issue. Once dialed in and frets polished up, this Mustang is a little tone monster.Jason F
Sound: It's a classic Mustang sound. Ease of Use: The Mustang bass was originally made for younger players and students, but it has a serious professional following as well. Quality: The only problem initially was rough fret ends which were quickly taken care of. Look for pro advice online as to how to do this. Value: Because I owned one before, I feel this is worth the selling price. Manufacturer Support: No contact with Fender about any concerns. Unless it's something out of my ability I'll handle it myself. The Wow Factor: When I first saw the "Vintage Vibe" Mustang bass, it owned me. Overall: I've owned one before and had to sell it. Incredible instrument. I've always preferred short scale basses because they're so much fun to play. Had to buy this one. I like playing this bass more than my 2001 American Series Precision bass! You won't be disappointed. Perhaps some minor tweaking may be needed, but worth every cent.Ampman
15. Squier Classic Vibe '60s Mustang Limited Edition Electric Guitar Olympic White
Product Details:
This guitar produces a recognizable vintage sound courtesy of its dual fender-designed alnico single-coil pickups. small hands will appreciate the trademark mustang 24" short scale length and slim, comfortable "c"-shaped neck profile, while the indian laurel fingerboard is a breeze to play with its tall, narrow frets and 9.5" radius. staying faithful to the original, this mustang offers a vintage-style tremolo system for expressive string bending effects and a floating bridge with individual barrel saddles. the headstock features 1970s-inspired markings, the hardware is nickel-plated and the neck has a slick, tinted gloss finish for an old-school aesthetic vibe. choose between three limited-edition throwback finishes: olympic white, lake placid blue, and candy apple red. case sold separately. – vintage-style tremolo bridge enables classic bending effects compact 24" mustang scale length offers extra reachability – fender-designed proprietary single-coil alnico pickups – indian laurel fingerboard with tall, narrow frets for increased precision – nickel plating gives hardware a recognizable vintage look
Specifications:
Body shape | Double Cutaway |
Body type | Solid Body |
Neck shape | C |
Neck wood | Maple |
Joint | Bolt-on |
Scale length | 24" |
Truss rod | Standard |
Neck finish | Gloss |
Radius | 9.5" |
Fret size | Vintage-style |
Number of frets | 22 |
Inlays | Dot |
Nut width/material | 1.65 in. (42 mm) |
Configuration | SS |
Neck | Proprietary Alnico Single Coil |
Bridge | Proprietary Alnico Single Coil |
Control layout | Master volume, Master tone |
Bridge type | Tremolo/Vibrato |
Bridge design | Individual saddle |
Tailpiece | Floating Vibrato |
Tuning machines | Vintage-style |
Number of strings | 6-string |
Performance Level | Beginner |
Orientation | Right handed |
Reviews:
Overall, this is a good guitar. I'm having a good time with it, the neck is comfortable, the pickups sound really good and handle high-ish gain surprisingly well, and the color (I got the Daphne blue) looks incredible. Taken as a whole, if you're in the market for a Jazzmaster with all the classic JM features but don't have a ton of money to spend, I'd recommend it for sure. If you're going to buy it though, just be aware of a few things… 1.) It'll need a setup. Out of the box, the tuning stability was fine but once I used the vibrato a little bit, it went way out. The action wasn't bad but could be better and the neck may need a half degree shim. I'm probably going to end up putting a Fender AVRI vibrato on it eventually but a decent setup should make the stock one perfectly usable. 2.) It needs a good cleaning. This could very well just be the specific one that I got but the neck and headstock had a lot of dust and a slightly cloudy residue on them, the fretboard was very dry, and the frets were scratchy. None of these were anything that a little lemon oil, fretboard conditioner, a microfiber cloth, and some 0000 steel wool couldn't take care of but it's still something to be aware of. Note though that, while the frets were scratchy, their weren't any sharp fret ends. 3.) It probably isn't a great first guitar. I've seen this said a few times in other reviews and I completely agree. That's not to say that it isn't a good guitar because it is. More that it's not the most user-friendly instrument right away and could be off-putting to a beginner. A pro setup will do it a world of good and make it much easier to play but if you're in the market for a first guitar, look elsewhere. Am I glad I bought it? Yes. I mean, it's a Daphne blue Jazzmaster with a comfortable neck and awesome pickups! I don't mind working on my guitars a bit though, so none of the problems I talked about above bother me in particular. However, if you're looking for a plug-in-and-play guitar right out of the box, this one might not be for you.Jackson
I waiting on this on backordered for a few months (shell pink) and started to worry after looking at a bunch of YouTube reviews. Action, fret ends and leveling were great out of the box (which I really am not up for fixing; esp on a bound fingerboard). Frets could prob use a polish, but that's a lesser concern to me. No shim needed with 09s so far. I feel like recent shipments corrected some of the common complaints of this line… YMMV. I think the the nut is pinching a bit and the trem pivot is jumping a bit so I might go in and see if I can smooth it out. Pickups are microphonic under gains and comp… and I'm not sure if they are RWRP yet. One of the reason I went with MF is that if I wasn't satisfied I could go right into GC and trade towards and CV Jazzmaster. But overall pretty satisfied and think this will be a good first offset and short scale add to the collection.David
I want to love this guitar. Unfortunately however, I will have to be taking this one to a luthier to be set-up due to the neck. Everything for the most part is beautiful, it's a Jazzmaster. Fantastic dark, spanky jazzmaster tones, beautiful tortoise-shell guard, and the very eye-catching very elusive shell pink finish. Switches all seem to be in working order, though due to the position of the neck pickup to the strings right out of the box, the rhythm circuit will be noticeably quieter. Easy fix. I am unsure about the stability of the bridge, which is a Mustang bridge- a HUGE improvement, as I've seen in other reviews that the screwposts loosen by vibration. Vibrato does not return to tune. There is a very strange, unclean grime of some sort on the metal plate of the vibrato piece. I was unfortunate enough to receive a poorly conditioned neck, with glue residue left behind surrounding the tuning pegs on the face of the headstock. The lacquer finish is beautiful and is fine to play on. The fretboard is noticeably dry as well as the frets are unfinished, both feeling scratchy, and the frets being too rough to perform clean bends on. Not sure if it's the neck, the frets, or the bridge piece, or any of the three in combination that is causing the strings to be unable to bend even a half note without losing vibration, or being pinched off. Fret markers are a dark, cheap pearl. Overall, the fretboard itself just feels like Squier Affinity line quality. My impression is that most of the cost of this guitar- to keep it in line with the technologically cheaper instruments (telecaster the same price as a jazz, etc)- went into the body finish, and electronics. However, in the end I still love this thing and cannot wait to hear it sing once I get it set-up.Tyler
16. Fender Custom Shop '65 Reissue Stratocaster Nos
Product Details:
It has a good playing neck with good frets. it's all original with the exception of the added 5-way switch, but the original 3-way switch is included. it's also 100% complete along with its original hardshell case and certificate of authenticity. it's in excellent condition with only very minor surface wear. everything remains structurally sound with no cracks, breaks or repairs.
Specifications:
Reviews:
50 years on jimi still buzzing or is it fuzzing.Reviewed by Andertons Music Co.
If you like beefy straight maple necks, bright sounding ash bodies, and hardware that stays in tune for days – you should consider this guitar. This is a no-nonsense replica of a 50's strat that is not distressed to look old. It's exactly as you would have purchased it in 1956. Sometimes a design reaches its peak early on and later modifications only detract from the original. The boat neck carve pushes into my big hand but doesn't inhibit speed or thumbing the low e string. That translates into comfort and easy string bending. The six screw bridge looks funky but contributes to the fact this guitar just won't go out of tune. The stock electronics are the only thing I'd consider changing. It has a three-way switch (although a five-way is provided), and the pickups, although excellent, are low output. If I put in some vintage hot style pickups and a five-way switch, I think it will rival my master-built strat. This is a great bang for the buck axe.fstann1014
Beautiful sound. Closer to Hendrix Strat sound, Better than Hendrix Start 1997.chanchai_kd
17. 2012 Fender Classic Series '65 Mustang, Daphne Blue Electric Guitar
Product Details:
Gorgeous 1 owner daphne blue mustang from fender japan. this thing is a case queen and has barely seen any use as i have too many guitars (if there was such a thing). lightweight and resonant poplar body and a maple c-shape neck with a 7.25" rosewood fingerboard that is extremely comfortable to play. the pickup selectors give it a wide range of tones, including in / out of phase. for a full list of specs go to https://serialnumberlookup.fender.com/ and enter the serial number, which is jd12015024 perfect, like-new condition without a scratch on it. you'd likely find more signs of use on a brand new display model from guitar center. comes with original fender hardshell case, adjustment tools, case keys, and hang tag. feel free to contact me with questions. no trades please. thanks!
18. Fender Mustang 65 Vintage Reissue Daphne Blue 2006
Product Details:
Check out all the other cool guitars in our shop! this instrument received a full professional setup with deep body cleaning, body polish, neck deep clean, rosewood fretboard lemon oil treatment, full electronics check, truss-rod and action and intonation adjustment. restringed with d'addario 10-46 nickel-plated steel strings.please note that although we put our heart and soul and also all our knowledge into every single guitar we sell, a setup is a personal preference and we cannot give any guarantees. however, we try to get the best playability out of every guitar and set them up so you can play both rhythm and lead. we also pull them all apart to clean and check every single component and replace all unreliable parts with new ones, from dodgy pots to the whole wiring, tuners, string trees, nuts and etc. all the work done is described in detail in the listing.we make sure that every guitar we sell is problem-free and take full responsibility for the accuracy of our listing …
19. 1995 Fender Made In Japan Mustang Mg66-65 Daphne Blue Electric Guitar
Product Details:
1995 fender made in japan mustang mg66-65 daphne blue electric guitar used in working order and good cosmetic condition . one big ding ( see picture ) , also some small nicks and scratches . some of the tuner knobs have cracks ( see pic ) . comes as shown on pictures in black hard case . shipping cost shown is only to the lower 48 states , others please inquire before bidding .
20. Fender: Char Mustang Olympic White Electric Guitar
Product Details:
Reviews:
First impression is that this is a quality instrument, it feels very solid and well-crafted. No sharp fret ends or any other flaws (except for a fair amount of debris under the pickguard). It's hard to beat the classic combination of Alder, Maple and Rosewood for a sound that rings out loudly unplugged. I debated between the Vintera, Squier CV and the Performer models because these are the current vibrato-equipped Mustangs – in the end, the new and improved vibrato sold me on the Performer. I bought the Vintage White (butter-colored) and it weighs 7.7 lbs – I've seen this model as low in weight as 7.1 lbs. If the Sonic blue had competition stripes, that would have been my favorite. Out of the box, the setup was perfect (though I did put in a Stew Mac .25 neck shim to raise the bridge some – action-wise, it didn't need the shim, but helps with the trem action), and the urethane off-gassing potent. The Mustang, being on back-order for so long (I waited 3 months from order date), was probably just assembled when I received it on 12/7/21 (August and October '21 production dates are seen in the photo of neck pocket and neck heel). Besides being the only US production-run Mustang, it has the aforementioned revised vibrato – which is super smooth and stays in tune very well. [I did put on a set of locking tuners I had on hand, but I'm sure the stock ones are fine, too.] The obvious welcome revision is the nylon arm sleeve that replaces the screw-in type; it holds the arm in place at any angle. As well, the Performer body has a new rectangular rout, and larger spring routing, under under the tremolo (so, not interchangeable with a vintage unit or guitar without modification) – accommodating a metal plate that reinforces the fulcrum point of the two spring-tethered vibrato posts. This plate is attached with 3 larger screws on the face of the vibrato, giving it a slightly different look from the vintage Mustang vibrato/tremolo.The Fender script is also gone, maybe giving the initial appearance of a plain, cheaper import trem unit? Once removed from the body, the new vibrato feels heavy and substantial. The electronics are interesting – the spirit of the Mustang tone-control quirkiness lives on in the new Performer series Mustang. As a pickup set, they're well-matched and mine register 8k ohms for the neck pickup and 8.5k ohms for the bridge. Unlike a typical tone control that makes the guitar sound increasingly bassy as you roll off the treble, the Greasebucket circuit makes the pickups sound fuller as you roll the tone back – you're not losing the top-end until the very end of the tone range, like on 2. On 10, with the treble all the way up, the sound is very thin (maybe a substitute for the out-of-phase position found on a traditional Mustang?), and can be harsh if the volume knob is also all the way up – rolling the volume back to 8 will clean up the pick-ups. String attack is pronounced with the Yosemite set. The guitar sounds best with the tone rolled back 3/4's of the way, especially the bridge, imo – that's unusual and it gives the pickups a unique character and full sound, or not, depending how you set the tone circuit – from thinner to fuller is really the tonal range of the control set. Therefore, you might not get the immediate sonic versatility of a Strat or Tele (or, vintage-wired Mustang), but you do get cool sound-shaping controls that function differently compared to a normally wired guitar. As well, the Mustang has a more compact and intimate playing area, and with the very responsive vibrato that stays in tune, it's a lot of fun to play. The modern neck with its c-shape, 9.5" radius, medium jumbo frets and satin finish – will be easy to play for lots of different styles of music. String tension is pretty elastic, but still I'm fine with the 9's it comes with (it's what I normally use) as they work well with the spring setting of the trem – mine is set for the least amount of spring tension from the factory. I would imagine as you go up in string gauge you would want to take off the vibrato unit and move the spring position up 1 or 2 spots on the post. **I appreciate the included – made in Vietnam, embroidered Fender logo – light-duty – deluxe gig bag. There aren't a lot of short-scale case options out there and it fits this guitar perfectly, though not a super lot of protection. In the end, Fender has reimagined many aspects of the Mustang: upgraded vibrato; new electronics; medium-jumbo frets; satin finish neck. And, as an American made instrument it retains the traditional Rosewood fretboard, another plus (mine was dry and needed conditioning – to be expected from the fret install process and clean-up). I'm very pleased with this US produced guitar and the way it sounds, plays, feels – and looks!Jon
I was looking for an American-made Mustang and came across the American Performer series. I purchased the antique white version. It's more of a buttercream yellow than white. I was really surprised by the quality because I'd only previously played MIM models that weren't always great. The tremolo tail piece is different than the Strat and Jazzmaster systems. It's very sensitive and has incredible range. I see why some like to block it up because it bends at the slightest touch, but it works very well and stays in tune for the most part. Sound is great, both clean and crunch – it's very versatile. It's also very light and manageable. It's becoming one of my favorite guitars and I have an American Pro Jazzmaster, a MIM Tele, MIK Esquire, and a Gibson 335. My only quality gripe is the frets are a bit rough on the edges. I like the jumbos, but seems like they need a bit more smoothing over. Other than that the setup was great out of the box, tuners are great, and I like the greasebucket tone.Rojo
instrument looks and feels great. Neck, frets and body are gorgeous. However the finish elsewhere is not so good. Some tailpiece screws were only halfway in! The springs on the vibrato keep falling off the posts necessitating constant complete removal of the unit to re-attach them. This means loosening all the strings which are now knackered after about the fifth attempt to make it all work. The action is diabolical with frets buzzing on E A and D strings below the 12th fret. Adjusting the bridge means once again loosening strings and messing with the vibrato, which then drops it’s springs… The frustration level is very, very high. Looks lovely but couldn’t really recommend one unless you can afford a professional setup on top of the asking price.Reviewed by Andertons Music Co.
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