Are you looking for the Gibson Acoustic Bass Guitar? If so, you’ve come to the right place.
Choosing the Gibson Acoustic Bass Guitar can be difficult as there are so many considerations, such as Fender, Gibson, Ibanez, Martin, Epiphone, Taylor, Yamaha. We have done a lot of research to find the top 20 Gibson Acoustic Bass Guitar available.
The average cost is $2737.20. Sold comparable range in price from a low of $399.99 to a high of $5299.00.
Based on the research we did, we think Gibson Acoustic SJ-200 Original – Vintage Sunburst is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Acoustic Bass Guitar (20 Sellers)
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$5299.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Corner music is an authorized gibson dealer and nashville's only gibson 5-star acoustic dealer. all photos are the actual guitar.
- Body style super jumbo.
- Top sitka spruce.
$749.99
4.9
Reviewers Noted:
Good sound quality . Attractive . Durability
Features:
- Product description.
- ✔ height: 6.25 ".
- ✔ width: 29.00 ".
$2299.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Sitka spruce
- Traditional hand scalloped x-bracing
- Multi-ply top, single-ply back
$2849.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from us are in our shibuya store in tokyo…
$999.00
4.4
Reviewers Noted:
Sound quality . Craftsmanship
Features:
- Solid sitka spruce top
- Solid walnut back and sides
- Advanced response profile utile neck
$2399.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Round shoulder dreadnought body
- Solid sitka spruce top
- Rosewood back & sides
$2564.10
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Aa-grade sitka spruce top with pattern grade honduras mahogany back and sides
- Hand-scalloped, radiused top bracing
- Rosewood fingerboard with rolled edges and dot inlays
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The classic acoustic workhorse, primed for live performance.
- Solid sitka spruce top offers great projection and tone.
- Solid mahogany back and sides offer warm, round sound.
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Inspired by the 1950s originals, the classic j-50 acoustic guitar by gibson!
- Sitka spruce top.
- Mahogany back and sides.
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The world-famous workhorse, now in cherry
- Serialized 21041094
- Body material
$4999.00
4.8
Reviewers Noted:
Good sound quality . Durability . Visual appeal
Features:
- Advanced jumbo top
- Thermally aged red spruce back & sides
- Mahogany bracing
$2845.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The j-45 is a truly legendary guitar. the world-famous workhorse is
- Gibson's best-selling acoustic of all time. now it is available in a new
- 12-string version. featuring a mahogany body, sitka spruce top, and
$2399.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Round shoulder dreadnought body
- Solid sitka spruce top
- Rosewood back & sides
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Round shoulder style
- Solid spruce top
- Mahogany body
$399.99
4.6
Reviewers Noted:
Sound quality . Attractive . Well made . Durable . Weight
Features:
- Mahogany neck, back, and sides; spruce top; fishman sonicore pickup and sst preamp.
- Rosewood fretboard and bridge.
- Pearl dot inlays.
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- 2022 original 50's j 45.
- Never registered with gibson.
- K&k pure mini (passive) installation, pickguard and orange label removal done professionally.
$749.99
4.7
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- Quilt maple top & body w/ 6-ply white-black binding
- 34" scale standard "c" shape mahogany neck w/ fretless pau ferro fingerboard
- Fishman presys + bass electronics & fishman sonicore under saddle bridge pickup
$2199.00
4.9
Reviewers Noted:
Weight . Craftsmanship
Features:
- Gibson non-reverse thunderbird bass – sparkling burgundy w/hardshell case.
- You are viewing pictures of the actual guitar being sold!
- Always moving forward.
$5299.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Select sitka spruce antique natural top
- Traditional hand scalloped "x" top bracing
- Two ring multi-stripe soundhole rosette
$4499.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Sitka spruce top adds pluck and projection to your playing
- Rosewood back and sides deliver tonal warmth
- Mahogany neck for endless sustain
1. Gibson Acoustic Sj-200 Original – Vintage Sunburst
Product Details:
Play it loud, play it proud. the gibson sj-200 original is teeming with quality, from its moustache bridge to its finely carved headstock. based on the same models as those gibson first released in 1937, it has a rich heritage and a stunning sound. flame maple back and sides give this beauty a sparkling, bright, punchy tone which sings with vibrance. and a sitka spruce top helps to enrich the resonance and sustain of this super jumbo guitar. plain sailing. there's a two-piece maple neck adorning this guitar, which offers superb smoothness for easy playing. it also adds even more brightness to this guitar's tone, making it truly stand out in any setting. the sublime rosewood fretboard responds to your playing perfectly, producing a touch of warmth and plenty of sustain for a well-balanced overall tone. the four bar moustache bridge is iconic, adding tonnes of character whilst enhancing tuning stability and resonance. from the stunning looks to the world class sound, this guitar will bring you a lifetime of happiness.
Specifications:
| Finish | Antique Natural |
| Year | 2019 – 2020 |
| Made In | United States |
| Back Material | Maple |
| Body Shape | Jumbo |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Material | Maple |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Sides Material | Maple |
| Top Material | Spruce |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
2. Michael Kelly Dragonfly 5 Port Java Ebony Acoustic Electric Bass
Product Details:
The michael kelly dragonfly 5 acoustic bass brings beauty visually and tonally to your professional gig, worship service, or campfire jam. the signature abalone and pearl dragonfly inlay is eye-catching and distinctive you ll reach for it again and again. the quilt maple top and body pair with the 34 scale length and bring warmth and body to each song. the fishman presys + bass electronics mean that you can plug in and play in any situation. the standard c neck profile is comfortable and familiar as soon as you pick it up.
Specifications:
| Weight | 9.19 lb |
Reviews:
Overall: Acoustic Basses are quiet when unplugged and this one is no exception. However, it is loud enough for practice in the living room and maybe with an acoustic guitarist playing softer. The tone unplugged is above average, very woody with some brightness.BUT this thing absolutely shines when plugged in. I was blown away at the crisp tones and ballsy lows I was hearing. I usually play a Fender 5-String American Standard Jazz so I’m used to lots of sizzle and growl. I am beyond happy to add this acoustic bass to my lineup. The Fishman Presys+ is amazing. You have so much control over your time and can almost get anything you want out of it. The notch and phase features are especially useful for maintaining clarity and tone at high volume and eliminating feedback and distortion. The fit and finish of this bass is exceptional at the price point. It’s like a piece of artwork and even more beautiful in person. Definitely gets bonus points for style.I’m giving this bass and bass alone 5 stars but I must also say this. If you get a case with it, pony up the cash for the hard shell. I got the gig bag and the quality is questionable. It arrived with a small tear and some frayed stitching. It will be adequate for protection for now but I may upgrade to the hard shell eventually. Also the stock tuning pegs aren’t the best but they work and have held tune fine so far, just feel cheap.Tyler
I am a worship director and songwriter. I use this bass in tracking things in my home studio and occasionally when gigging. It sounds fantastic, has good intonation, and is an absolute stunner to look at. I couldn't be happier. The box was a little beat up upon arrival, but the bass was packed well and I damaged in shipping.Zoo Station Studios
Overall: I've been playing music for over 50 years and when I first saw this instrument, just by the looks, I knew exactly what I was getting into!When I played this bass, It left me with a"smile that you can't buy"!! When I was able to say something,all I could say was Wow.I recommend this multi-facet , guitar to both pro and starter level musicians.I can guarantee that the new owners of these basses will be completely satisfied and will tell everyone about this wonderful stringed masterpiece.Andrew
3. Gibson Acoustic J-45 Studio Walnut – Antique Natural Guitar
Product Details:
The gibson j-45 is one of the most iconic acoustic guitars of all time. since its release back in 1942, it has developed a reputation as the finest workhorse acoustic around, with its full, rich tone and effortless playability it's easy to understand why. the gibson j-45 studio walnut features a walnut back and sides and fuses it with the tonal quality of sitka spruce. with an organic and beautifully balanced tone, sitka spruce offers plenty of mids and great harmonic overtones.the mahogany advanced response neck is super comfortable and great for both bold chordal work and subtle fingerstyle playing. the walnut fingerboard is smooth and feels great underhand.featuring an active under-saddle piezo pickup system, this gibson j-45 gives you complete control over your sound. perfect for stage or studio, it's the same incredible workhorse guitar it's always been!
Specifications:
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Walnut |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Nut Material | Tusq |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Dots |
| Joint | Compound Dovetail Neck-to-body |
| Body Shape | J-45 |
| Back | Walnut |
| Side | Walnut |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatic with kidney buttons |
| Pickguard | Tear Drop |
| Truss Rod Cover | Studio |
| Bridge Pins | Tusq |
| Under Saddle Pickup | Yes |
| Controls | Volume and Tone Controls |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
After testing, buying and returning about 10 different guitars from Epiphone to Gibson to Martin to Collings to Taylor to Waterloo, I landed on this guitar. I bought on trial guitars from all of the above, but could not stop thinking about the J-45 Studio I tested. I love the Standard but my budget is capped around $1600. I ended up going with a J-45 Studio Walnut burst and have had it for about 5 days now. I have played it nearly on average of 6 hours a day because I cannot put it down. When I first tested and purchased the guitar, it had a very bright tone due to the walnut back and sides, but the more I play it in and listen, the warmer it becomes without losing the punch and clarity of the top end walnut tone. I recorded a track for a country song I was working on with this beauty and through a LDC mic, it sounded like a polished record without processing. This thing was built for the studio but projects for the stage. Can't say enough good things about this guitar.MotownFranz
The j45 studio is a hybrid of the j45 standard and the j15. The top (spruce), body (walnut) and bracing are identical to the j15. The neck (solid mahogany) is identical to the j45 standard and definitely superior to the j15's laminate maple neck. The studio's electronics are better than the j15's, having both tone and volume controls. And yes, the studio's body is a little thinner than that of the standard j15 and j45. The j45 studio sounds fantastic plugged in and unplugged, and the blend of scale and action make this a true Gibson acoustic, a unique blend of bright and dark. Having identical tops and bodies, you would think that the studio's sound and resonance would be more the the j15, but imo the 15's laminate neck takes a lot of depth out of the lows, which truly sets the studio apart and makes it a true j45, even if the studio's slightly smaller walnut body swaps some of the standard j45's warmth for a punchier, crisper sound. By my view, if you are thinking j15 but wouldn't mind throwing a couple hundred more at a guitar with a bit more growl, I recommend the j45 studio. It's also a fair compromise if you find the j45 standard's price tag off-putting. I tried out a number of other Gibsons, Martins, Taylors and Breedloves, but could not turn my back on the j45 studio. I'll get my hummingbird when I make my first million, but I'm very happy either way.Jay
I like the guitar and it sounds great. I would buy it again. My only complaint does not deal with the guitar but the advertising. A picture in the advertising shows the electronics mounted in the sound hole with a volume and tone. This guitar only has a volume control. Imagine my surprise. Exactly what I will do about it Imdon't know.Rodney
4. Gibson Acoustic J-45 Standard – Vintage Sunburst
Product Details:
Excellent condition. a few minor blemishes which have been shown in the photos. gibson j-45 standard vintage sunburst acoustic electric j-45 is gibson's best-selling acoustic of all time. nicknamed "the workhorse" and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. world renowned for its full, balanced expression, warm bass and excellent projection, the j-45 has been refined to carry this legacy to new heights. this 2011 model delivers a sound with incredible dynamic range, warm mids, and a tight punchy bass product specs condition excellent (used) excellent items are almost entirely free from blemishes and other visual defects and have been played or used with the utmost care.
Specifications:
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | Slim Taper |
| Neck Material | Mahogany |
| Depth at 1st (in) | .866 |
| Depth at 12th (in) | 1.179 |
| Nut Width (in) | 1.727 |
| Nut Material | Graph Tech |
| Scale | 24.75 In |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 20 |
| Finish Type | Gloss Nitro |
| Tuners | Grover |
| Bridge | Acoustic – Traditional Belly Up |
| Strings | .012, .016, .024, .032, .042, .053 |
| Weight (lbs) | 4.35 |
| Finish | Cherry |
| Made In | United States |
| Back Material | Mahogany |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Offset Body | No |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Rosewood |
| Top Material | Spruce |
| Wood Top Style | Plain |
Reviews:
Gibson started making these in 1934. I bought one 20 years ago and it is still my go to guitar. The first time I played it, I thought it was the best sounding guitar I'd ever heard. Something about the Sitka Spruce / Mahogany combination makes for a warm, full sound that nothing else can quite match. The slightly wider neck makes the guitar easy to flat pick, and finger pick. From the factory mine came ready to play. Haven't had to fool with the action yet. Also, the older I get, the more I appreciate how light weight it is, compared to a rosewood guitar, or an electric. It's kinder and gentler to my aging back. If you're looking for a guitar, play one of these 45s. You'll be glad you did!guitar49
Seriously, best guitars ever made. To many people, especially those under the spell of loud booming bluegrass machines, the j45 doesn't stand out. You may find them dull in loud busy guitar shops or next to a canon like a hd28.
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
I purchased a 2018 model through Guitar Center last week, from what I can only assume was New Old Stock. It was a savings of around $400. It arrived today! With the exception of some minor finish issues from someone else handling the guitar (scuffs, mild scratching) it is f*&ing incredible. I have barely been able to set it down. It plays like a dream and sounds even better. It's very consistent up and down the neck and the tonalities between flat-picking and fingerpicking are super noticeable which is EXACTLY the way it should be, in my opinion. Fingerpicking gives the player deeper lows and snaps while flat-picking tends to be more on the side of treble and crispness. It's a dream instrument for me and I know it will be for you as well.Justin
5. Gibson G-00 Acoustic Guitar – Natural
Product Details:
The perfect personal parlour guitar. the g-00 is equipped with a gibson player port. the player port is an original gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. the gibson player port allows you to hear the guitar as you're playing it as you've never heard it before—the same way your audience hears it—maximising the sonic impact for an immersive playing and listening experience. the g-00 is part of the generation collection. like all models in this collection, it is made in bozeman, mt, by the same highly skilled craftspeople who make all gibson acoustics. it features a beautiful solid sitka spruce top and solid walnut back and sides for tone that sounds crisp and resonant. you'll find that the slightly thinner parlour-sized body is exceptionally comfortable to hold and play. the tusq nut and saddle, along with the grover mini rotomatic tuners deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing advanced response neck profile is so comfortable you won't want to put it down. a gig bag is included.
Specifications:
| Body Shape | L-00 |
| Back | Walnut |
| Side | Walnut |
| Bracing | Traditional Scalloped X-bracing |
| Finish | Satin Nitrocellulose |
| Neck Material | Utile |
| Scale Length | 24.75" |
| Fingerboard Material | Striped Ebony |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | TUSQ |
| Nut Width | 1.725" |
| Inlays | Acrylic Dots |
| Hardware Finish | Chrome |
| Tuner Plating | Chrome |
| Bridge | Rectangular, Closed Slot, Striped Ebony |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Mini Rotomatic |
| Pickguard | Black |
| Truss Rod | Adjustable |
| Truss Rod Cover | Walnut Laminate |
| Bridge Pins | Black |
| Strap Buttons | 2 |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
Nice volume, comfortable neck, playing blues/folk and doing some fingerpicking/pickless strumming works especially well on this guy. The "player port" might freak people out, but as a singer-songwriter, I love how my voice and the sound coming out of that port interact. It's quite unique in that way.JB
I play all types of music on Guitar. I have a number of guitars and this Gibson GOO is now my favorite finger style guitar. Responsive and so easy to play. Well done, Gibson! You know, you don't buy a guitar for the Gig Bag but the one that came with my GOO is a luxury item. So Cool.Dan
6. Gibson J-45 Studio Rosewood Antique Natural
Product Details:
Featuring a comfortable round shoulder dreadnought body, this streamlined version of the legendary j-45 is hand built using rosewood back & sides and a solid sitka spruce top. ready for performance, the j-45 studio boats a soundhole mounted under-saddle piezo pickup for direct connection to front of house/amp or your favorite audio interface for studio work. features round shoulder dreadnought body solid sitka spruce top rosewood back & sides rosewood fingerboard features under-saddle piezo pickup tusq nut and traditional belly up bridge grover rotomatic tuners includes hardshell case
Specifications:
| Finish | Antique Natural |
| Year | 2020 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Dreadnought |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson J-45 Studio |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Rosewood |
| Top Material | Spruce |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
7. Gibson J-45 Standard – Vintage Sunburst
Product Details:
Gibson j-45 standard features a true classic! since its first appearance in 1942, the j-45 has been gibson's best selling acoustic and is now something of icon amongst dreadnought guitars. nicknamed the workhorse, the gibson j-45 is has become a high prized and sought-after instrument characterised by its full, balanced tone with a warm low end and impressive projection. there's no doubt that most of this tone can be attributed to the high quality woods used in the manufacture process.
Specifications:
| Body type | Dreadnought |
| Top wood | Sitka spruce |
| Bracing pattern | Traditional Hand-Scalloped X |
| Body finish | Gloss Natural |
| Orientation | Right-handed |
| Neck shape | SlimTaper |
| Scale length | 24.75" |
| Number of frets | 20 |
| Neck finish | Gloss |
| Pickup/preamp | Yes |
| Configuration | Undersaddle transducer |
| Preamp EQ | 1-band |
| Number of strings | 6 |
| Country of origin | United States |
| Style | Dreadnought |
| Nut Width | 1 23/32" |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
8. Gibson '50s J-45 Original Vintage Sunburst
Product Details:
A decade of iconic silky blues and era-defining rock 'n' roll can't possibly be resonated in just one instrument. can it? the gibson j-45 original 50s could be the answer. equipped with the traditional materials of a sitka spruce top and mahogany body that produce such a rich and recognisable tone – this guitar is an absolute legend to play. the look and feel of the 50s are in the palm of your hand. subtly antiqued, the top and back binding give the sense of a seasoned gibson acoustic. a classic instrument that has been modified to upgrade the way vintage music is heard. feed this tradition to the masses. the lr baggs vtc pickup produces a beautifully natural and earthy tone when you need to amplify to a larger crowd. embrace a golden era of music.
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75 inches |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 inches |
| Frets | 20 Standard |
| Nut Material | Bone |
| Nut Width | 1.725 inches |
| Inlays | Mother-of-Pearl dots |
| Joint | Compound Dovetail Neck-to-body |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Traditional Belly Up |
| Saddle Material | Bone |
| Tuning Machines | Grover Strap Cream Button |
| Pickguard | 50's, Tortoise |
| Truss Rod Cover | Black |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone Controls |
| Style | Dreadnought |
| Electronics | Yes |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
9. Gibson 50s J-50 Original Acoustic- Antique Natural
Product Details:
Iconic silky blues. era-defining rock 'n' roll. bring 50s music to the modern stage with the gibson j-50 original 50s. this vintage offering comes equipped with the traditional materials of a sitka spruce top and mahogany body. this means that you can achieve a rich and recognisable tone that your audience will lap up. a simple and natural aesthetic reinforces what the 50s was all about – the music. there are no effects or tricks needed to deliver authentically legendary music, so strip back and just enjoy the sound. the way vintage music should be heard. feed tradition to the masses. the lr baggs vtc pickup produces a beautifully natural and earthy tone when you need to amplify to a larger crowd. embrace a golden era of music.
Specifications:
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Bone |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl dots |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up |
| Saddle Material | Bone |
| Tuning Machines | Grover Strap Cream Button |
| Pickguard | 50's, Tortoise |
| Truss Rod Cover | Black |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone controls |
| Manufacturer Part Number (MPN) | GIB OCRS5050 AN |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
10. Gibson J-45 Standard Acoustic Guitar – Cherry
Product Details:
A true icon in the world of acoustic instruments, the gibson acoustic j-45 quickly earned the title of "the workhorse" shortly after it was introduced in 1942. this round-shoulder, dreadnought impressed musicians with its full and balanced expression, warm bass, and excellent projection — much of which came through subtle changes to the bracing of its forefather, the j-35. the j-45 standard features a solid sitka spruce top and mahogany back and sides for a mind-blowing blend of punchy treble, midrange heft, and low-end lushness — a truly unique sonic signature that countless performers have fallen in love with! and when you plug in, the active lr baggs vtc pickup system delivers amazing pure acoustic tone. whether you're strumming on the porch or onstage, the j-45 standard is a stunning addition to your guitar collection.
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | Multi-ply Top, Single ply Back |
| Finish | Gloss Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | TUSQ |
| Nut Width | 1.725" |
| Inlays | Mother of Pearl Dots |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Reverse Belly, Rosewood |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Rotomatic |
| Pickguard | Tortoise Teardrop |
| Truss Rod | Adjustable |
| Truss Rod Cover | Bell Shaped, 2-ply Black and White |
| Bridge Pins | TUSQ |
| Strap Buttons | 2 |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Soundhole Mounted Volume and Tone |
| Output Jack | 1/4" Endpin Jack |
| Preamp | LR Baggs VTC |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
11. Gibson 1939 J-55 Acoustic Guitar – Faded Vintage Sunburst
Product Details:
The big brotherin 1936, gibson scored a runaway hit with the j-35. because it was so affordable (only thirty-five bucks compared to a cool c-note for a d-28!), it allowed depression-era musicians the opportunity to experience the magic of a gibson without breaking the bank. it was so successful that they decided to expand their line in 1939 to include an upgraded version that came with some high-end appointments without raising the price too much. thus, the j-35's big brother–the j-55–was born. the j-55 cost fifty-five dollars, and that extra twenty bucks got you some cool upgrades, including an ebony "mustache" bridge, an ebony fingerboard, and a bound neck. though it only remained in production for four years, it earned a sterling reputation with vintage guitar enthusiasts because of its rarity, huge sound, and elegant good looks.
Specifications:
| Body Shape | Advanced Jumbo |
| Back | Mahogany |
| Side | Mahogany |
| Binding | Single-ply top, single-ply back |
| Finish | Thin Finish Nitrocellulose, VOS |
| Neck Material | Mahogany |
| Scale Length | 25.5" |
| Fingerboard Material | Ebony |
| Fingerboard Radius | 12" |
| Number Of Frets | 19 |
| Frets | Legend Wire |
| Nut Material | Bone |
| Nut Width | 1.77" |
| Inlays | Mother-of-pearl Dots |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Nickel |
| Bridge | Moustache, no inlay |
| Saddle Material | Bone |
| Tuning Machines | Open Back cream button |
| Pickguard | Stair Step |
| Truss Rod Cover | Black |
| Bridge Pins | Bone |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I love this guitar, but I got mine for a killer price, so… I probably like it 5x better than had I paid full price. I'm marking it not a good value because the new prices are ridiculous. But I am extremely happy with the price I got it for. Plays great, sounds great, looks great. It's got that awesome vintage vibe but has excellent playability all the way up and down the neck. Great for strumming and fingerstyle, and least for anything I want to do with it. The mic on the LR Baggs Anthem blender doesn't get much use because it feeds back. Run it through a Fishman Aura Spectrum DI, and you will love it.martin_gibson
Overall: Ordering an acoustic without being able to play and hear it first is pretty scary. After watching numerous comparison videos, I landed on the Southern Jumbo. I am thrilled to say I am absolutely blown away by this guitar. The fit and finish is flawless, and is drop dead gorgeous in person. Most importantly though is that it’s easily the best sounding acoustic I’ve ever had the pleasure of playing. The sound is lush, rich and complex, with dynamic range for days. The neck feels pretty similar to a slim taper on a 60s Les Paul. It’s got enough girth to grip, but is still easy to move around. I can’t recommend this guitar enough.
This is a unique Gibson. With the Rosewood sides and back and long scale it sounds a bit like my Martin HD-28. This guitar though, with the Rosewood bridge seems to have a little more clarity and punch. Unlike short scale Gibsons this guitar has a nice tight sound. Fit and finish is really good. I am very pleased to add this Gibson to my growing guitar collection.Victory Pete
12. Gibson J-45 Standard 12 String Vintage Sunburst
Product Details:
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | Multi-ply Top, Single ply Back |
| Finish | Gloss Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Bone |
| Nut Width | 1.875" |
| Inlays | Mother of Pearl Dots |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Reverse Belly, Rosewood |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Mini Rotomatic |
| Pickguard | Tortoise Teardrop |
| Truss Rod | Adjustable |
| Truss Rod Cover | Bell Shaped, 2-ply Black and White |
| Bridge Pins | TUSQ |
| Strap Buttons | 2 |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Soundhole Mounted Volume and Tone |
| Output Jack | 1/4" Endpin Jack |
| Preamp | LR Baggs VTC |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
13. Gibson J-45 Studio Acoustic Electric Guitar Rosewood Burst
Product Details:
Featuring a comfortable round shoulder dreadnought body, this streamlined version of the legendary j-45 is hand built using rosewood back & sides and a solid sitka spruce top. ready for performance, the j-45 studio boats a soundhole mounted under-saddle piezo pickup for direct connection to front of house/amp or your favorite audio interface for studio work. features round shoulder dreadnought body solid sitka spruce top rosewood back & sides rosewood fingerboard features under-saddle piezo pickup tusq nut and traditional belly up bridge grover rotomatic tuners includes hardshell case
Specifications:
| Acoustic Guitar Type | Acoustic-Electric Guitar |
| Finish | Rosewood |
| Finish Type | Nitrocellulose |
| Body Style | Dreadnought |
| Cutaway | No |
| Orientation | Right-Handed |
| Number of Frets | 20 |
| Scale Length | 24.75" |
| Solid Top | Yes |
| Top Material | Sitka Spruce |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Material | Rosewood |
| Nut Material | Tusq |
| Nut Width | 1.724" |
| Tuner | No |
| Electronics | Active Under-saddle Piezo Pickup |
| Case Included | Hard Case |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
14. Gibson J-45 Standard Vintage Sunburst
Product Details:
The j-45 is gibson's best-selling acoustic of all time. nicknamed "the workhorse" and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. world renowned for its full, balanced expression, warm bass and excellent projection, the j-45 has been refined to carry this legacy to new heights. this 2019 model delivers a sound with incredible dynamic range, warm mids, and a tight punchy bass.
Specifications:
| Body Style | J-45 |
| Back | Mahogany |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | Multi-Ply Top, Single-Ply Back |
| Neck | Mahogany |
| Neck Profile | Slim Taper |
| Nut Width | 1.725" |
| Neckjoint | Compound Dovetail Neck-To-Body Joint |
| Fingerboard | Rosewood |
| Scale length | 24.75" |
| Number of Frets | 20 |
| Nut | Black |
| Inlay | Mother-Of-Pearl Dots |
| Bridge | Traditional Belly Up, Rosewood |
| Tuners | Grover Rotomatics with Kidney Buttons |
| Plating | Nickel |
| Pickup | LR Baggs VTC |
| Controls | 1 Volume, 1 Tone |
| Finish | Vintage Sunburst |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
15. Ibanez Aeb10e Acoustic Electric Bass Guitar Dark Violin Sunburst
Product Details:
The ibanez aeb10e delivers real, punchy low end, amplified or not. as an unplugged acoustic bass, the mahogany body/spruce top aeb10e has the quality wood and construction to create a warm sounding bottom that can be felt as well as heard. when amplified, the aeb10e utilizes fishman sonicore pickups and ibanez aeq-sst shape shifter preamps to pump the tones up and offer the thump you need at whatever volume. the addition of an ibanez aeb10e in any musical situation adds a layer of warm, low-end resonance that makes songs come alive and arrangements sound more fleshed out. the ibanez aeb10e, available in black high gloss, natural high gloss and dark violin sunburst finishes, delivers full sounding, round low end, acoustic or plugged in.
Specifications:
| Handedness | Right-Handed |
| Body Shape | AEB body |
| Bracing | X Bracing |
| Neck | Mahogany |
| Fretboard | Purpleheart |
| Bridge | Purpleheart |
| Body Binding | Ivory |
| Back Strip Inlay | Multi |
| Soundhole Rosette | Abalone rosette |
| Tuning Machine | chrome Die-cast tuners |
| Number of Frets | 22 |
| Saddle Material | Plastic saddle |
| Bridge Pins | Black with white dot |
| Pickup | Fishman Sonicore pickup |
| Preamp | Ibanez AEQ-SP2 preamp w/Onboard tuner |
| Output jack | Balanced XLR & 1/4" outputs |
| Battery | 9V Battery |
| Finish Top | Gloss |
| Finish Back and Sides | Gloss |
| Finish Neck Back | Gloss |
| Battery Info | Optional, Not included |
| Battery Quantity | 0 |
| Battery Type | 9V |
| Neck Scale | 32" (812.8mm) |
| Neck Width at Nut | 43mm |
| Neck Width at 14th Fret | 58mm |
| Neck Thickness at 1st | 23.5mm |
| Neck Thickness at 7th | 25.5mm |
| Radius | 400mmr |
Reviews:
After reading so many glowing reviews, I was very excited to buy my own Ibanez AEB10E. The violin finish is beautiful and the fit was outstanding, for the most part. My only complaint was the frets and how sharp they were/are…Since string height is subjective, I will only say that I liked the way mine was setup-high enough that there were no fret buzzes. I like the organic tone and wish it were louder acoustically but when amped through my Fender Rumble 25 or 200, the sound still maintains the acoustic qualities I wanted it for. I'm still in the 45 day window to decide but right now, it's a keeper!Hoss
Overall: About 30 years ago, I placed an order for a custom bass. It looked absolutely beautiful but it didn't play well at all. So I sent it back for two adjustments that I knew they wouldn't be able to correct and I ended up getting my money back. I say all this to point out I vowed to never take a chance ordering instruments via mail. So I'm cautious because I've wanted an acoustic bass for quite some time and when I saw the Ibanez AEB10E and it low price, I decided to break my VOW and order that damn bass…lol. So now I'm hopeful because their were a lot of people who wrote great reviews, which nudged me to make the purchase. Now that I've had it for more than two weeks, I'm pleasantly surprised because this plays extremely well, I have a little fret buzz but I can tell that it's not going to take much effort to adjust the truss rod!!!!Joseph
I bought this bass a little over a year ago when I found a great deal on it online. I have an electric bass, but wanted something to sit on the couch with and play along with something I could potentially use to record some cool bass licks to use for some of the music I produce. I have to say, given that I didn't play the bass beforehand and just ordered it online, I got extremely lucky and landed on the exact bass I was looking for. The first thing I noticed is how easy it is to play. I feel like even though I'm not a very experience bass player it's not too much of a challenge to play the licks I'm trying to play. Just the way it is setup by default makes it easy for me and my big hands to hit the notes I want without accidentally striking or muting a string next to what I'm going for. The second thing I noticed is how great it sounds. I'm sure it would depend on the venue and type of ensemble, but I feel like this bass produces enough volume to be viable for playing unplugged next to a nice guitar that also has a good bit of volume. The tone is pretty well balanced too, I think the spruce top gives it a little more upper harmonics than you might expect, which is nice since it seems to have a little more presence as a result. I'm sure you probably don't need to hear this but the whole bass screams quality. It's gorgeous, and yes, the wood is lighter than it looks in the pic, but that's not a bad thing. There's no real imperfections anywhere in mine, every part of it looks and feels great. There are much better acoustic basses out there of course, but if you're just looking for one that plays well, looks great and is great quality, you can't go wrong with this one.Dr. Technology Man 504
16. Gibson '50s J-45 Original Acoustic Guitar – Ebony
Product Details:
A decade of iconic silky blues and era-defining rock 'n' roll can't possibly be resonated in just one instrument. can it? the gibson j-45 original 50s could be the answer. equipped with the traditional materials of a sitka spruce top and mahogany body that produce such a rich and recognisable tone – this guitar is an absolute legend to play. the look and feel of the 50s are in the palm of your hand. subtly antiqued, the top and back binding give the sense of a seasoned gibson acoustic. a classic instrument that has been modified to upgrade the way vintage music is heard. feed this tradition to the masses. the lr baggs vtc pickup produces a beautifully natural and earthy tone when you need to amplify to a larger crowd. embrace a golden era of music.
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Bone |
| Nut Width | 1.725" |
| Inlays | Mother-of-Pearl dots |
| Joint | Compound Dovetail Neck-to-body |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Traditional Belly Up |
| Saddle Material | Bone |
| Tuning Machines | Grover Strap Cream Button |
| Pickguard | 50's, Tortoise |
| Truss Rod Cover | Black |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone Controls |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
17. Michael Kelly Dragonfly Fretless 5-String Acoustic Electric Bass
Product Details:
The michael kelly dragonfly 5 acoustic bass brings beauty visually and tonally to your professional gig, worship service, or campfire jam. the signature abalone and pearl dragonfly inlay is eye-catching and distinctive you ll reach for it again and again. the java ebony top and body pair with the 34 scale length and bring warmth and body to each song. the fishman presys + bass electronics mean that you can plug in and play in any situation. the standard c neck profile is comfortable and familiar as soon as you pick it up.
Specifications:
| Binding | 6-ply white – black |
| Construction | Dovetail |
| Neck | Mahogany |
| Fretboard | Pau Ferro |
| Fretboard Radius | 12" |
| Inlays | Abalone & Pearl Dragonfly Inlay |
| Headstock | Traditional MK Acoustic |
| Scale Length | 34 in / 863.6 mm |
| Truss Rod Type | Dual Action |
| Neck Profile | Standard C |
| Nut Material | Bone |
| Nut Type | Standard |
| Nut Width | 45 mm |
| Electronics | Fishman Presys + Bass |
| Bridge Pickup | Fishman Sonicore Under Saddle transducer |
| Hardware Finish | Chrome |
| Tuning Keys | MK Diecast Bass Tuners |
| Bridge Type | Rosewood MK Acoustic Bass |
Reviews:
Simply put, this bass is a lot of bang for your buck. Whether your plugging it in or just noodling around with friends the clarity of each note fills the area around you. The upgraded presys plus system is incredibly versatile and extremely user friendly when trying to dial in any tone. Right our of the box between the looks and how rich and full it sounded, it blew me away. I would recommend this to anyone who is looking for a good, playable acoustic bass that plays as good as it looks.Nick
Great looking 5 string acoustic bass. Setup was playable out of the box, no truss rod adjustment needed. Only thing that I feel is definitely needed is upgraded tuning keys as there is too much play in the stock ones. I replaced with Gotoh GB707 which are much sturdier and 20:1 ratio which is much improved. Stock holes need a tiny sanding out to accommodate these tuners but only takes a couple minutes and then an easy drop-in replacement. Since I am playing primarily through an amp, I inserted one of those rubber feedback eliminator discs in the soundhole and changed strings to La Bella white tape wound to eliminated lots of finger noise when amplified. Now plays great, maintains tune and sounds wonderful. With a little tweaking this bass is a welcome addition to my gear.JL
I am so happy with my new Michael Kelly 5 String Fretless bass. Grandon your Luther at our local Sam Ash store here in Indy, did an amazing job. Grandon replaced the strings and completed the set up on this bass and now it is my favorite bass. Grandon has this guitar sounding amazing, with no string buzz. Thank you Grandon! and Thank you Sam Ash.KEN
18. Gibson Non-Reverse Thunderbird Bass Sparkling Burgundy
Product Details:
One of the coolest bass designs returns in the incredible gibson non-reverse thunderbird! ever since it was first released back in 1965, the non-reverse thunderbird has been the choice for forward-looking bassists who want to make their own path and steadfastly refuse to follow the crowd. the non-reverse thunderbird's distinctive styling and huge, thunderous tone make it a standout on stage and in the studio. now you have the opportunity to make one of these relatively rare 'birds your own with the release of the new gibson usa non-reverse thunderbird. equipped with a non-reverse mahogany body and mahogany neck with a rosewood fretboard and 20 medium jumbo frets, each of the two thunderbird pickups has a volume control, allowing you to use them separately, or to blend them in any amount you prefer. a master tone control rounds out the simple yet highly effective control layout. the three-ply white pickguard features the iconic thunderbird graphic. the non-reverse thunderbird is equipped with a graph tech nut. a 3-point adjustable bridge provides a full range of adjustment for action and intonation, while hipshot ultralite tuning machines hold down the strings at the other end and deliver accurate and stable tuning while keeping headstock weight low to improve balance.
Specifications:
| Body Shape | Non-Reverse Thunderbird |
| Finish | Gloss Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Scale Length | 34" |
| Fingerboard Material | Indian Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.6" |
| Inlays | Acrylic Dot |
| Joint | Glued In |
| Hardware Finish | Chrome |
| Tuner Plating | Chrome |
| Bridge | 3-Point Adjustable |
| Tuning Machines | Hipshot Ultralite |
| Pickguard | White 3-ply with Thunderbird Graphic |
| Truss Rod | Adjustable |
| Truss Rod Cover | Black |
| Control Knobs | Black Top Hat with Silver inserts |
| Control Covers | Black |
| Strap Buttons | 2 – Bottom and Shoulder |
| Mounting Rings | Trim Ring (Lead Pickup Only) |
| Pickup Covers | Chrome |
| Neck Pickup | Thunderbird Rhythm |
| Bridge Pickup | Thunderbird Lead |
| Controls | 2 Volume, 1 Master Tone |
| Output Jack | 1/4" |
| Strings Gauge | .045, .065, .085, .105 |
Reviews:
This bass is incredible. It growls and it feels awesome to play. It's seamless to move your hands up and down the neck and, despite Gibson stereotypes, it is not neck heavy and I have not felt it dive at all. I will note that I still see that there seem to still be some QC issues–I tried one a local store and the fretboard was beat up and the adhesion of the nut was sloppy. I ordered one online and the strap button was pulling out of the wood. The folks at CME helped me find one that was in stellar shape and shipped it over. I can't say thank you enough to the team at CME for making sure I got a flawless instrument. If you're thinking of getting one of these, you should do it–just make sure you get it here at CME where it is inspected and you can exchange/return if it isn't pristine out of the box.
J'attendais depuis des années une réédition digne de ce nom de la fameuse Thunderbird non reverse des années 60 de Gibson. J'avoue ne pas avoir été déçu. C'est une merveille ! Tant sur l'esthétique que sur la palette de sons, cette basse est merveilleuse. J'ai eu beaucoup de basses Gibson entre les mains, mais celle-ci est ce que j'ai eu de mieux.
19. Gibson Acoustic Sj-200 Original – Antique Natural
Product Details:
Play it loud, play it proud. the gibson sj-200 original is teeming with quality, from its moustache bridge to its finely carved headstock. based on the same models as those gibson first released in 1937, it has a rich heritage and a stunning sound. flame maple back and sides give this beauty a sparkling, bright, punchy tone which sings with vibrance. and a sitka spruce top helps to enrich the resonance and sustain of this super jumbo guitar. plain sailing. there's a two-piece maple neck adorning this guitar, which offers superb smoothness for easy playing. it also adds even more brightness to this guitar's tone, making it truly stand out in any setting. the sublime rosewood fretboard responds to your playing perfectly, producing a touch of warmth and plenty of sustain for a well-balanced overall tone. the four bar moustache bridge is iconic, adding tonnes of character whilst enhancing tuning stability and resonance. from the stunning looks to the world class sound, this guitar will bring you a lifetime of happiness.
Specifications:
| Finish | Antique Natural |
| Year | 2019 – 2020 |
| Made In | United States |
| Back Material | Maple |
| Body Shape | Jumbo |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Material | Maple |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Sides Material | Maple |
| Top Material | Spruce |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
20. Gibson Acoustic J-45 Deluxe – Rosewood Burst Guitar
Product Details:
Gibson j45 deluxe rosewood in rosewood burst finish built upon the famous j-45 platform this j-45 deluxe offers custom features throughout. beautiful multi-ply top trim with added multi-colored rope binding, rosewood back and sides, mother-of-pearl split diamond inlay, hand sprayed rosewood burst finish, and bound peghead. now hand built with a beautiful ebony fingerboard and bridge. finished with an lr baggs vtc pickup.
Specifications:
| Finish | Rosewood Burst |
| Year | 2019 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Dreadnought |
| Fretboard Material | Composite |
| Model Sub-Family | Gibson J-45 Deluxe |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Sides Material | Rosewood |
| Top Material | Spruce |
Reviews:
Gibson started making these in 1934. I bought one 20 years ago and it is still my go to guitar. The first time I played it, I thought it was the best sounding guitar I'd ever heard. Something about the Sitka Spruce / Mahogany combination makes for a warm, full sound that nothing else can quite match. The slightly wider neck makes the guitar easy to flat pick, and finger pick. From the factory mine came ready to play. Haven't had to fool with the action yet. Also, the older I get, the more I appreciate how light weight it is, compared to a rosewood guitar, or an electric. It's kinder and gentler to my aging back. If you're looking for a guitar, play one of these 45s. You'll be glad you did!guitar49
Seriously, best guitars ever made. To many people, especially those under the spell of loud booming bluegrass machines, the j45 doesn't stand out. You may find them dull in loud busy guitar shops or next to a canon like a hd28.
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
I purchased a 2018 model through Guitar Center last week, from what I can only assume was New Old Stock. It was a savings of around $400. It arrived today! With the exception of some minor finish issues from someone else handling the guitar (scuffs, mild scratching) it is f*&ing incredible. I have barely been able to set it down. It plays like a dream and sounds even better. It's very consistent up and down the neck and the tonalities between flat-picking and fingerpicking are super noticeable which is EXACTLY the way it should be, in my opinion. Fingerpicking gives the player deeper lows and snaps while flat-picking tends to be more on the side of treble and crispness. It's a dream instrument for me and I know it will be for you as well.Justin
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