Buy Fender Mustang Guitar For Sale (2024 Update)

I picked up the Surf Green Ltd Ed. Bullet Mustang a few days ago off the rack. They had two. One had rusty strings and sharp frets but the one I picked was almost perfect. These Mustangs are great for smaller learners and older guitarists that may enjoy the lighter string tension due to the short scale. I love the sound of both humbuckers. The bridge one gives you a nice grungy Nirvana like tone while the neck is smoother but both love to be driven. I picked up the Imperial Blue Mustang HH a few weeks ago. They both use the same humbuckers, The only difference I believe is the wood type, Basswood vs Poplar. Both guitars are quite light with the Basswood Surf Green one being somewhat lighter.These Mustangs are ideal for modding but for now I've only changed the cheap pickguard on this Surf Green one, putting a Tortoise Shell on it. So far I'm loving both of them and my Fender P90 Mustang is getting quite lonely.Tingman

First of all, this is a ton of value for the price. I got it on sale which made it even a bigger steal. Now, this guitar needs a lot of setup out of the box. You should polish the frets since they are as coarse as beach sand. Otherwise, string bends will be impossible and will most likely damage the cheap supplied strings (which should be changed immediately as with most new guitars). Expect some fret buzz, so be ready to adjust the saddles and the truss rod (I like my action quite low so this was a minor tweak for me). The intonation was actually quite close to perfect, it only needed a bit of tweaking on the A string. The nut and string trees are the ones you typically get on Squiers, which are good enough but won't do wonders for your tuning and should be replaced unless you are patient enough to tune your guitar every so often. Be sure to change these first before changing the tuners/bridge if you have tuning problems, I haven't changed the tuners or bridge on mine and don't plan to – they just work. Finally, the pickups are surprisingly good for the price, not too mellow and you can get some nice tones from the bridge pickup. You might soon outgrow them, though, and might opt for better humbuckers or P90s. For all these reasons, this guitar is not the best as a first guitar or for beginners unless it gets a proper setup first or if you're really planning to learn how to setup or change electronics/other parts in a guitar. However, those are the same reasons (plus the low price and simple design) that make this a really fun modding platform, and if you don't feel like modding it, with the right amount of work it's still amazing. It's light as a feather and the neck is very fast; you can probably muscle through hours of playing with barely any effort at all. The stock tones are reasonable enough, and in my opinion it looks awesome. You can't get a better deal for the money once you're aware of the above.Carlos, M

I like this guitar because of the 24" scale length. Everything else was pretty bad out of the box. The strings were a 1/4" off the fretboard. The fretboard was super dry. There was fret sprout. The frets felt like sandpaper on bends. The E strings are too close to the edge of the fretboard. When you play you're constantly hitting the pickup selector switch. The finish on the neck is supposed to be satin but it looks unfinished to me and there are light and dark areas on the neck which look bad. It is the worst finish on a neck I've ever seen on a guitar and I'm going to have to put some kind of finish on it. Trying to load strings is tricky and not as easy as on most other guitars you have to bend the end of the strings to get them to load. So that is the bad. The good? The tuners are your typical Chinese tuners that come on all cheap guitars these days, and they are fine. The pickups sound good. The 24" scale is great and really fun to play bends on!Steve

I wasn't sure what to expect from the Mustang as my previous experiences with short scale basses had not been good. But everything about this has been fine. The bridge pickup does sound a little buzzy with the tone fully up, but I really don't care! This is a surprisingly fun instrument.Reviewed by Andertons Music Co.

I feel that this bass is excellent value for money. I was surprised by the high quality of the workmanship and materials. Of course it needs a setup to one's preference but that is really only a matter of a tweak of the truss rod, lowering the action and setting intonation. All of this is detailed carefully in the owners manual to assist the diy player or take it to a local luthier for a basice setup. Lots of variation in tones and really fun to play, I'm really happy with it.Tom

I know that I will start an argument with this comment but I'm gonna say it anyway. Why lug around a full size bass guitar when the short scale bass sounds just as good and weighs a lot less. I tried a full size bass and to tell the truth I would have never been able to play a set with it. It was just too heavy for me. Maybe twenty years ago I may have been able to take the weight but not now. I am a guitar player mostly and the full size bass was too much. This bass is the perfect weight, the perfect look and quality, and sounds like a full size bass. It just does. I see a time where the 34 inch scale will wither away and be replaced with the shorter scale bass. It's inevitable. The full size bass has nothing to offer over the shorter scales than maybe cosmetic options. And that will change as time goes on a people realize the advantages of the shorter scale. As a disclaimer I will say that is my opinion. I am sure that full time bass players may have their own reasons for the full size bass.Danny

My first factory-road worn instrument and I am a convert. It smells lovely and the relicing doesn’t look artificial. It definitely has that played-in feel without the issues of a knackered old bass. Sounds pretty good too! Tried out a few mustangs in the past but this is by far the nicest.Reviewed by Andertons Music Co.

I've been a short scale fan ever since buying a Fender Squire Vintage Modified Jaguar SS bass many years ago. I was impressed with quality of the Squire and after changing the pickups (P J set) found it was the bass I always picked up to play. I had recently been looking at the Mustang but found it hard to justify buying since I already had a short scale bass. Then I saw the JMJ signature… road worn, '66 style with original style custom Seymour Duncan spilt coil pickups and a wider neck then my Jaguar. I bought one and after playing it for a few weeks I have no regrets. What a difference in the quality which I already thought was good in the inexpensive Squire. The neck feels great and the extra time spent on the fret work is obvious. I really love what they've done to create the "road worn" look, which something you can't get unless you're buying a Custom Shop instrument. All that you've heard about the JMJ Mustang is true. Killer tone that really cuts through the mix. This is my first Fender bass and after 30 years of playing I don't know why I waited so long. I guess I just wanted to be different… if you are serious about getting a short scale bass this is a great option you won't be disappointed.Shane

I've had the idea to buy a bass to help improve stagnation in my recording and writing process. I went in and looked at the wall of instruments and was impressed. The thing Sam Ash does right that others do not these days (ahem…GC) is have a variety of price ranges and styles to explore. The store rep came over offered me a cord to try them out and left me to do my thing. The reason why a variety was essential was because I was able to play basses on the lower price point, one that I initially planned to buy, but then a bright light shined on the only bass on the wall with flat wound strings and a relic finish. I plugged it in, let it rip, and it felt/sounded amazing. I put it back on the wall, picked up the cheap bass I wanted and it sounded clanky, put it back and kept picking up this bass on the wall, again and again. This is when the store rep came over to check on me, didn't pressure me, but validated me saying the feel on that one is like no other, then offered to work with me on price if I was interested. After I finally decided, there was some chatter among the other store reps that someone was buying "the relic!" I felt special. In the end, I went in Sam Ash on a budget and left with an instrument I'll keep for life and give to my kids. No bad decisions were made.DYLAN

Overall, this is a good guitar. I'm having a good time with it, the neck is comfortable, the pickups sound really good and handle high-ish gain surprisingly well, and the color (I got the Daphne blue) looks incredible. Taken as a whole, if you're in the market for a Jazzmaster with all the classic JM features but don't have a ton of money to spend, I'd recommend it for sure. If you're going to buy it though, just be aware of a few things… 1.) It'll need a setup. Out of the box, the tuning stability was fine but once I used the vibrato a little bit, it went way out. The action wasn't bad but could be better and the neck may need a half degree shim. I'm probably going to end up putting a Fender AVRI vibrato on it eventually but a decent setup should make the stock one perfectly usable. 2.) It needs a good cleaning. This could very well just be the specific one that I got but the neck and headstock had a lot of dust and a slightly cloudy residue on them, the fretboard was very dry, and the frets were scratchy. None of these were anything that a little lemon oil, fretboard conditioner, a microfiber cloth, and some 0000 steel wool couldn't take care of but it's still something to be aware of. Note though that, while the frets were scratchy, their weren't any sharp fret ends. 3.) It probably isn't a great first guitar. I've seen this said a few times in other reviews and I completely agree. That's not to say that it isn't a good guitar because it is. More that it's not the most user-friendly instrument right away and could be off-putting to a beginner. A pro setup will do it a world of good and make it much easier to play but if you're in the market for a first guitar, look elsewhere. Am I glad I bought it? Yes. I mean, it's a Daphne blue Jazzmaster with a comfortable neck and awesome pickups! I don't mind working on my guitars a bit though, so none of the problems I talked about above bother me in particular. However, if you're looking for a plug-in-and-play guitar right out of the box, this one might not be for you.Jackson

I waiting on this on backordered for a few months (shell pink) and started to worry after looking at a bunch of YouTube reviews. Action, fret ends and leveling were great out of the box (which I really am not up for fixing; esp on a bound fingerboard). Frets could prob use a polish, but that's a lesser concern to me. No shim needed with 09s so far. I feel like recent shipments corrected some of the common complaints of this line… YMMV. I think the the nut is pinching a bit and the trem pivot is jumping a bit so I might go in and see if I can smooth it out. Pickups are microphonic under gains and comp… and I'm not sure if they are RWRP yet. One of the reason I went with MF is that if I wasn't satisfied I could go right into GC and trade towards and CV Jazzmaster. But overall pretty satisfied and think this will be a good first offset and short scale add to the collection.David

I want to love this guitar. Unfortunately however, I will have to be taking this one to a luthier to be set-up due to the neck. Everything for the most part is beautiful, it's a Jazzmaster. Fantastic dark, spanky jazzmaster tones, beautiful tortoise-shell guard, and the very eye-catching very elusive shell pink finish. Switches all seem to be in working order, though due to the position of the neck pickup to the strings right out of the box, the rhythm circuit will be noticeably quieter. Easy fix. I am unsure about the stability of the bridge, which is a Mustang bridge- a HUGE improvement, as I've seen in other reviews that the screwposts loosen by vibration. Vibrato does not return to tune. There is a very strange, unclean grime of some sort on the metal plate of the vibrato piece. I was unfortunate enough to receive a poorly conditioned neck, with glue residue left behind surrounding the tuning pegs on the face of the headstock. The lacquer finish is beautiful and is fine to play on. The fretboard is noticeably dry as well as the frets are unfinished, both feeling scratchy, and the frets being too rough to perform clean bends on. Not sure if it's the neck, the frets, or the bridge piece, or any of the three in combination that is causing the strings to be unable to bend even a half note without losing vibration, or being pinched off. Fret markers are a dark, cheap pearl. Overall, the fretboard itself just feels like Squier Affinity line quality. My impression is that most of the cost of this guitar- to keep it in line with the technologically cheaper instruments (telecaster the same price as a jazz, etc)- went into the body finish, and electronics. However, in the end I still love this thing and cannot wait to hear it sing once I get it set-up.Tyler

I have previously played and owned only long scale basses. Have always wanted to try a short scale. Went to my local GC and tried a few they had in house. The short scale Sterling was a nice looking bass but the fret work was terrible. Based on reading other reviews I took a risk and ordered a Squire CV 60 Mustang. It is a beautiful instrument. Arrived in great condition with absolutely no flaws. Finish is great, Fretwork is great, string action and intonation were nearly perfect. Hard to believe that Squire can make an instrument like this for such a reasonable price.Jim

I have always wanted a short-scale Fender and decided to pull the trigger on the Squire CV version. Being a Gibson player, the 25.5 scale length always threw me off but this Mustang is very easy to play/swap between my Les Paul and 335's. The single-coil tones are great and certainly a contrast to the humbuckers & P90's I usually play. To be 100% honest, you better have some skills in setting up guitars and polishing frets or be prepared to pay a tech to get these guitars to their full potential. I had to completely polish the frets and fiddle for weeks to get the action to my liking. A neck shim is almost essential to get any height on the bridge and provide enough downward pressure to keep things intonated. I have no idea why Fender doesn't do this on all Mustang's, Jazzmasters and Jaguars since this is a very well-known issue. Once dialed in and frets polished up, this Mustang is a little tone monster.Jason F

Sound: It's a classic Mustang sound. Ease of Use: The Mustang bass was originally made for younger players and students, but it has a serious professional following as well. Quality: The only problem initially was rough fret ends which were quickly taken care of. Look for pro advice online as to how to do this. Value: Because I owned one before, I feel this is worth the selling price. Manufacturer Support: No contact with Fender about any concerns. Unless it's something out of my ability I'll handle it myself. The Wow Factor: When I first saw the "Vintage Vibe" Mustang bass, it owned me. Overall: I've owned one before and had to sell it. Incredible instrument. I've always preferred short scale basses because they're so much fun to play. Had to buy this one. I like playing this bass more than my 2001 American Series Precision bass! You won't be disappointed. Perhaps some minor tweaking may be needed, but worth every cent.Ampman

I watched a Fender video of the amp and was very impressed with the capabilities and sound quality. When the amp arrived I plugged in my Telecaster and tried the first few presets. The sound coming out of this amp was dreadful. It had a flat, drab sound. It was like a transistor radio next to a Bose radio. The Mustang just sounds awful. Don’t waste your money on the piece of junk.Roger

Really impressive feature set for the money. Way to go Fender and AMS! I love the simple,sleek design and easy to use interface. Getting a wide variety of tones has never been easier and the Fender Tone App is cool too and works as advertised but it's just as easy to edit/store any and all parameters right from the front panel.The design of the amp handle is smooth and I appreciate the Velcro straps in the back for securing footswitch and power cord.I bought this amp for use in my home/project studio but would use at a gig no problem.It is certainly loud enough. You will not find more amp for your dollar than the LT50! Very pleased with this purchase. I ordered late in the day on Friday and received the amp on Monday. Thanks AMS!Paul D

I am upgrading from the LT25 to more power, larger sound. The LT50 is the big bother to the LT25 and they have the same preset programing functions. I like the Fender tone both amps produce, the LT50 gives more power and volume. The 30 preset are usable and it allows you to program 30 additional preset base the modeling settings. I am using the LT50 for studio recording, it has a speaker line output jack in the rear cabinet, which is a good to add to the recording mix.NYCScotto

Overall: I just finished giving my new Olympic White Fender Mustang 90 a test drive.Wow… Awesome guitar.I'm sorta small framed (5'9" & 140 lbs) so the short scale neck and smallish body are a perfect fit for me.This is my third Mustang but first hardtail w/P-90's and it is definitely a stand-out model.I tested it using a vintage Marshall Valvestate VS-15R with an aftermarket Celestion Eight 15 speaker. (This amp has two pregain knobs so it can dial in a seriously saturated fuzz tone. I dimed both pregains and was rewarded with a massive tone that was very pleasing to this huge fan of the Beck & Page era Yardbirds.)The clean tones are nice as well but aggressive playing will cause the notes to break up. These pickups are really potent.This guitar can play old 40's Les Paul style jazz. Just switch to the neck pickup, roll back the tone and pick softly.The pau ferro fretboard is smooth and the medium jumbo frets allow for easy bending and for a smooth finger vibrato technique. The hardtail Strat style bridge is sturdy and nicely suited for palm muting.The tuners appear to be top quality – I was pounding away and executing some wild bends for a good 45 minutes and the strings didn't slip one bit.The volume and tone pots are smooth and allow for gradual adjustments unlike some pots where most of the changes occur in the last third of the pot's range.The finish is flawless and the overall construction of this Mexican Fender appears to be top notch.My only complaint is with the fret edges. They are pretty sharp. My Indonesian Squier VM Mustang has better dressed frets. ("C'mon Fender, you can do better, can't you?!")I would recommend HIGHLY this guitar. That it isn't too expensive only makes it more attractive.I LOVE THIS GUITAR.Mark

First impression is that this is a quality instrument, it feels very solid and well-crafted. No sharp fret ends or any other flaws (except for a fair amount of debris under the pickguard). It's hard to beat the classic combination of Alder, Maple and Rosewood for a sound that rings out loudly unplugged. I debated between the Vintera, Squier CV and the Performer models because these are the current vibrato-equipped Mustangs – in the end, the new and improved vibrato sold me on the Performer. I bought the Vintage White (butter-colored) and it weighs 7.7 lbs – I've seen this model as low in weight as 7.1 lbs. If the Sonic blue had competition stripes, that would have been my favorite. Out of the box, the setup was perfect (though I did put in a Stew Mac .25 neck shim to raise the bridge some – action-wise, it didn't need the shim, but helps with the trem action), and the urethane off-gassing potent. The Mustang, being on back-order for so long (I waited 3 months from order date), was probably just assembled when I received it on 12/7/21 (August and October '21 production dates are seen in the photo of neck pocket and neck heel). Besides being the only US production-run Mustang, it has the aforementioned revised vibrato – which is super smooth and stays in tune very well. [I did put on a set of locking tuners I had on hand, but I'm sure the stock ones are fine, too.] The obvious welcome revision is the nylon arm sleeve that replaces the screw-in type; it holds the arm in place at any angle. As well, the Performer body has a new rectangular rout, and larger spring routing, under under the tremolo (so, not interchangeable with a vintage unit or guitar without modification) – accommodating a metal plate that reinforces the fulcrum point of the two spring-tethered vibrato posts. This plate is attached with 3 larger screws on the face of the vibrato, giving it a slightly different look from the vintage Mustang vibrato/tremolo.The Fender script is also gone, maybe giving the initial appearance of a plain, cheaper import trem unit? Once removed from the body, the new vibrato feels heavy and substantial. The electronics are interesting – the spirit of the Mustang tone-control quirkiness lives on in the new Performer series Mustang. As a pickup set, they're well-matched and mine register 8k ohms for the neck pickup and 8.5k ohms for the bridge. Unlike a typical tone control that makes the guitar sound increasingly bassy as you roll off the treble, the Greasebucket circuit makes the pickups sound fuller as you roll the tone back – you're not losing the top-end until the very end of the tone range, like on 2. On 10, with the treble all the way up, the sound is very thin (maybe a substitute for the out-of-phase position found on a traditional Mustang?), and can be harsh if the volume knob is also all the way up – rolling the volume back to 8 will clean up the pick-ups. String attack is pronounced with the Yosemite set. The guitar sounds best with the tone rolled back 3/4's of the way, especially the bridge, imo – that's unusual and it gives the pickups a unique character and full sound, or not, depending how you set the tone circuit – from thinner to fuller is really the tonal range of the control set. Therefore, you might not get the immediate sonic versatility of a Strat or Tele (or, vintage-wired Mustang), but you do get cool sound-shaping controls that function differently compared to a normally wired guitar. As well, the Mustang has a more compact and intimate playing area, and with the very responsive vibrato that stays in tune, it's a lot of fun to play. The modern neck with its c-shape, 9.5" radius, medium jumbo frets and satin finish – will be easy to play for lots of different styles of music. String tension is pretty elastic, but still I'm fine with the 9's it comes with (it's what I normally use) as they work well with the spring setting of the trem – mine is set for the least amount of spring tension from the factory. I would imagine as you go up in string gauge you would want to take off the vibrato unit and move the spring position up 1 or 2 spots on the post. **I appreciate the included – made in Vietnam, embroidered Fender logo – light-duty – deluxe gig bag. There aren't a lot of short-scale case options out there and it fits this guitar perfectly, though not a super lot of protection. In the end, Fender has reimagined many aspects of the Mustang: upgraded vibrato; new electronics; medium-jumbo frets; satin finish neck. And, as an American made instrument it retains the traditional Rosewood fretboard, another plus (mine was dry and needed conditioning – to be expected from the fret install process and clean-up). I'm very pleased with this US produced guitar and the way it sounds, plays, feels – and looks!Jon

I was looking for an American-made Mustang and came across the American Performer series. I purchased the antique white version. It's more of a buttercream yellow than white. I was really surprised by the quality because I'd only previously played MIM models that weren't always great. The tremolo tail piece is different than the Strat and Jazzmaster systems. It's very sensitive and has incredible range. I see why some like to block it up because it bends at the slightest touch, but it works very well and stays in tune for the most part. Sound is great, both clean and crunch – it's very versatile. It's also very light and manageable. It's becoming one of my favorite guitars and I have an American Pro Jazzmaster, a MIM Tele, MIK Esquire, and a Gibson 335. My only quality gripe is the frets are a bit rough on the edges. I like the jumbos, but seems like they need a bit more smoothing over. Other than that the setup was great out of the box, tuners are great, and I like the greasebucket tone.Rojo

instrument looks and feels great. Neck, frets and body are gorgeous. However the finish elsewhere is not so good. Some tailpiece screws were only halfway in! The springs on the vibrato keep falling off the posts necessitating constant complete removal of the unit to re-attach them. This means loosening all the strings which are now knackered after about the fifth attempt to make it all work. The action is diabolical with frets buzzing on E A and D strings below the 12th fret. Adjusting the bridge means once again loosening strings and messing with the vibrato, which then drops it’s springs… The frustration level is very, very high. Looks lovely but couldn’t really recommend one unless you can afford a professional setup on top of the asking price.Reviewed by Andertons Music Co.

I have previously played and owned only long scale basses. Have always wanted to try a short scale. Went to my local GC and tried a few they had in house. The short scale Sterling was a nice looking bass but the fret work was terrible. Based on reading other reviews I took a risk and ordered a Squire CV 60 Mustang. It is a beautiful instrument. Arrived in great condition with absolutely no flaws. Finish is great, Fretwork is great, string action and intonation were nearly perfect. Hard to believe that Squire can make an instrument like this for such a reasonable price.Jim

I have always wanted a short-scale Fender and decided to pull the trigger on the Squire CV version. Being a Gibson player, the 25.5 scale length always threw me off but this Mustang is very easy to play/swap between my Les Paul and 335's. The single-coil tones are great and certainly a contrast to the humbuckers & P90's I usually play. To be 100% honest, you better have some skills in setting up guitars and polishing frets or be prepared to pay a tech to get these guitars to their full potential. I had to completely polish the frets and fiddle for weeks to get the action to my liking. A neck shim is almost essential to get any height on the bridge and provide enough downward pressure to keep things intonated. I have no idea why Fender doesn't do this on all Mustang's, Jazzmasters and Jaguars since this is a very well-known issue. Once dialed in and frets polished up, this Mustang is a little tone monster.Jason F

Sound: It's a classic Mustang sound. Ease of Use: The Mustang bass was originally made for younger players and students, but it has a serious professional following as well. Quality: The only problem initially was rough fret ends which were quickly taken care of. Look for pro advice online as to how to do this. Value: Because I owned one before, I feel this is worth the selling price. Manufacturer Support: No contact with Fender about any concerns. Unless it's something out of my ability I'll handle it myself. The Wow Factor: When I first saw the "Vintage Vibe" Mustang bass, it owned me. Overall: I've owned one before and had to sell it. Incredible instrument. I've always preferred short scale basses because they're so much fun to play. Had to buy this one. I like playing this bass more than my 2001 American Series Precision bass! You won't be disappointed. Perhaps some minor tweaking may be needed, but worth every cent.Ampman

Having a couple guitars I was curious about the short scale. Came across a Mustang P90 in surf green with maple fret in the open box section. Awesome deal , guitar is a joy to play. Sounds great clean or with overdrive. What an fantastic bang for the buck fun. Fun to play blues , metal , punk thrash…etc Cannot say enough good things about this guitar.Michael P

Overall: I can't believe there aren't any reviews of this guitar yet!I have the Burgundy Mist version of this with the pao ferro fretboard which, sadly, zZounds no longer carries. It's pretty, really pretty, and it exudes a seriously vintage vibe. (I saw an antique Burgundy Mist Chevrolet last week and I immediately thought of my feisty little Fender.)The hardware; bridge & tuners, is your standard MiM Fender quality. They're more than up to the task. The Strat-style bridge makes this an easy guitar to keep in tune. (I once had a 1978 Mustang and keeping it in tune was a nightmare that not even Edgar Allen Poe or H.P. Lovecraft could imagine.)The MP-90 pickups are capable of so much that it I could fill a whole page trying to accurately describe them. They are beefy enough to really drive a good tube amp. (My main amps are a Marshall DSL1 and Vox AC4-C112.) On a clean setting the neck pickup on its' own isn't particularly impressive, kinda dark, but the middle and bridge positions are really versatile if you tweak the volume and tone controls.With distortion, in my case a Boss MD-2 Mega Distortion (it's more of a gargantuan fuzz than a distortion pedal), all three positions sings with a tone that would make Leslie West smile broadly.I'm not a big guy (5'9", 150 lbs) so the small offset body and short scale neck are really comfortable.There is only one real drawback to this marvelous axe but it's something that shouldn't for even a second dissuade anyone from adding this guitar to their guitarsenal, and that's the pickup selector switch. It's junk. It cuts out and is rather staticky (is that a word?). It's a cheap piece of junk but it usually works so I can deal with it. (And you can as well.) I'll eventually replace it but there's no need to right now.My particular specimen had a truly beautifully grained pao ferro fretboard, with the frets being smooth and very well dressed. I love a big monstrous tone and this little wonder genuinely delivers.(Fender's prices have gone up since I bought mine but this particular axe is an absolute joy to play and for the price is still a true bargain. It loves, LOVES, full six-string power chords so if you're in a Mountain tribute band then you'll find a lot to like in this guitar.)I am first and foremost a "Telecaster guy" but I love pulling out this little dude and blasting away like Han Solo in a cantina full of Greedos.I've gone on for far too long here but it's only because I really, really like this guitar.[In my 'stars' rating I give this guy five stars in the 'manufacturer support' column because I own a bunch of Fenders and have never had a problem.]Mark

what a great bass! It's beautiful, light, and sonically versatile. the different pickup modes have 3 radically different tones which makes this bass right for lots of situations. I've seen some reviews that mentioned so issues with some fret roughness but mine showed up in perfect condition. I couldn't be happier with the bass. I also want to mention the customer service. I used the chat feature to confirm whether this bass came with a bag or case. the agent let me know that it does not but pointed me to the bundle that includes the bag and they set me up with a price I could not pass up. once I completed the purchase the item was shipped within 90 minutes. Other music stores I've done business with are not nearly as responsive. CME killed itShaun M.

This is a great short scale bass. It is a quality instrument. The finish is excellent. Playability straight out of the box was very good. Nicely set up.I love the pick-ups and the ability to blend the two with their individual volume controls. Great range of tones available. It looks good too ! Highly recommended. The only gripe is that at this price it should come in a hard case and not a bag !Reviewed by Andertons Music Co.

Really good guitar for nirvana type music. Only issue is that you need to set it up for it to be playable but once it's set up it's a great instrument. Pickups are pretty articulate but not to bright either just perfectly balanced. If you get one I recommend to lock the bridge down to improve its tuning stability and sustain. Note it DOES NOT sound like a kc style mustang, it has its own sort of sound to it. Fretboard is pretty nice same with the low radius which I prefer. Overall it's one of my favorite guitars I've ever bought and I cannot recommend it enough if you play grunge and nirvana music.Preston

My first factory-road worn instrument and I am a convert. It smells lovely and the relicing doesn’t look artificial. It definitely has that played-in feel without the issues of a knackered old bass. Sounds pretty good too! Tried out a few mustangs in the past but this is by far the nicest.Reviewed by Andertons Music Co.

I've been a short scale fan ever since buying a Fender Squire Vintage Modified Jaguar SS bass many years ago. I was impressed with quality of the Squire and after changing the pickups (P J set) found it was the bass I always picked up to play. I had recently been looking at the Mustang but found it hard to justify buying since I already had a short scale bass. Then I saw the JMJ signature… road worn, '66 style with original style custom Seymour Duncan spilt coil pickups and a wider neck then my Jaguar. I bought one and after playing it for a few weeks I have no regrets. What a difference in the quality which I already thought was good in the inexpensive Squire. The neck feels great and the extra time spent on the fret work is obvious. I really love what they've done to create the "road worn" look, which something you can't get unless you're buying a Custom Shop instrument. All that you've heard about the JMJ Mustang is true. Killer tone that really cuts through the mix. This is my first Fender bass and after 30 years of playing I don't know why I waited so long. I guess I just wanted to be different… if you are serious about getting a short scale bass this is a great option you won't be disappointed.Shane

I've had the idea to buy a bass to help improve stagnation in my recording and writing process. I went in and looked at the wall of instruments and was impressed. The thing Sam Ash does right that others do not these days (ahem…GC) is have a variety of price ranges and styles to explore. The store rep came over offered me a cord to try them out and left me to do my thing. The reason why a variety was essential was because I was able to play basses on the lower price point, one that I initially planned to buy, but then a bright light shined on the only bass on the wall with flat wound strings and a relic finish. I plugged it in, let it rip, and it felt/sounded amazing. I put it back on the wall, picked up the cheap bass I wanted and it sounded clanky, put it back and kept picking up this bass on the wall, again and again. This is when the store rep came over to check on me, didn't pressure me, but validated me saying the feel on that one is like no other, then offered to work with me on price if I was interested. After I finally decided, there was some chatter among the other store reps that someone was buying "the relic!" I felt special. In the end, I went in Sam Ash on a budget and left with an instrument I'll keep for life and give to my kids. No bad decisions were made.DYLAN

First impression is that this is a quality instrument, it feels very solid and well-crafted. No sharp fret ends or any other flaws (except for a fair amount of debris under the pickguard). It's hard to beat the classic combination of Alder, Maple and Rosewood for a sound that rings out loudly unplugged. I debated between the Vintera, Squier CV and the Performer models because these are the current vibrato-equipped Mustangs – in the end, the new and improved vibrato sold me on the Performer. I bought the Vintage White (butter-colored) and it weighs 7.7 lbs – I've seen this model as low in weight as 7.1 lbs. If the Sonic blue had competition stripes, that would have been my favorite. Out of the box, the setup was perfect (though I did put in a Stew Mac .25 neck shim to raise the bridge some – action-wise, it didn't need the shim, but helps with the trem action), and the urethane off-gassing potent. The Mustang, being on back-order for so long (I waited 3 months from order date), was probably just assembled when I received it on 12/7/21 (August and October '21 production dates are seen in the photo of neck pocket and neck heel). Besides being the only US production-run Mustang, it has the aforementioned revised vibrato – which is super smooth and stays in tune very well. [I did put on a set of locking tuners I had on hand, but I'm sure the stock ones are fine, too.] The obvious welcome revision is the nylon arm sleeve that replaces the screw-in type; it holds the arm in place at any angle. As well, the Performer body has a new rectangular rout, and larger spring routing, under under the tremolo (so, not interchangeable with a vintage unit or guitar without modification) – accommodating a metal plate that reinforces the fulcrum point of the two spring-tethered vibrato posts. This plate is attached with 3 larger screws on the face of the vibrato, giving it a slightly different look from the vintage Mustang vibrato/tremolo.The Fender script is also gone, maybe giving the initial appearance of a plain, cheaper import trem unit? Once removed from the body, the new vibrato feels heavy and substantial. The electronics are interesting – the spirit of the Mustang tone-control quirkiness lives on in the new Performer series Mustang. As a pickup set, they're well-matched and mine register 8k ohms for the neck pickup and 8.5k ohms for the bridge. Unlike a typical tone control that makes the guitar sound increasingly bassy as you roll off the treble, the Greasebucket circuit makes the pickups sound fuller as you roll the tone back – you're not losing the top-end until the very end of the tone range, like on 2. On 10, with the treble all the way up, the sound is very thin (maybe a substitute for the out-of-phase position found on a traditional Mustang?), and can be harsh if the volume knob is also all the way up – rolling the volume back to 8 will clean up the pick-ups. String attack is pronounced with the Yosemite set. The guitar sounds best with the tone rolled back 3/4's of the way, especially the bridge, imo – that's unusual and it gives the pickups a unique character and full sound, or not, depending how you set the tone circuit – from thinner to fuller is really the tonal range of the control set. Therefore, you might not get the immediate sonic versatility of a Strat or Tele (or, vintage-wired Mustang), but you do get cool sound-shaping controls that function differently compared to a normally wired guitar. As well, the Mustang has a more compact and intimate playing area, and with the very responsive vibrato that stays in tune, it's a lot of fun to play. The modern neck with its c-shape, 9.5" radius, medium jumbo frets and satin finish – will be easy to play for lots of different styles of music. String tension is pretty elastic, but still I'm fine with the 9's it comes with (it's what I normally use) as they work well with the spring setting of the trem – mine is set for the least amount of spring tension from the factory. I would imagine as you go up in string gauge you would want to take off the vibrato unit and move the spring position up 1 or 2 spots on the post. **I appreciate the included – made in Vietnam, embroidered Fender logo – light-duty – deluxe gig bag. There aren't a lot of short-scale case options out there and it fits this guitar perfectly, though not a super lot of protection. In the end, Fender has reimagined many aspects of the Mustang: upgraded vibrato; new electronics; medium-jumbo frets; satin finish neck. And, as an American made instrument it retains the traditional Rosewood fretboard, another plus (mine was dry and needed conditioning – to be expected from the fret install process and clean-up). I'm very pleased with this US produced guitar and the way it sounds, plays, feels – and looks!Jon

I was looking for an American-made Mustang and came across the American Performer series. I purchased the antique white version. It's more of a buttercream yellow than white. I was really surprised by the quality because I'd only previously played MIM models that weren't always great. The tremolo tail piece is different than the Strat and Jazzmaster systems. It's very sensitive and has incredible range. I see why some like to block it up because it bends at the slightest touch, but it works very well and stays in tune for the most part. Sound is great, both clean and crunch – it's very versatile. It's also very light and manageable. It's becoming one of my favorite guitars and I have an American Pro Jazzmaster, a MIM Tele, MIK Esquire, and a Gibson 335. My only quality gripe is the frets are a bit rough on the edges. I like the jumbos, but seems like they need a bit more smoothing over. Other than that the setup was great out of the box, tuners are great, and I like the greasebucket tone.Rojo

instrument looks and feels great. Neck, frets and body are gorgeous. However the finish elsewhere is not so good. Some tailpiece screws were only halfway in! The springs on the vibrato keep falling off the posts necessitating constant complete removal of the unit to re-attach them. This means loosening all the strings which are now knackered after about the fifth attempt to make it all work. The action is diabolical with frets buzzing on E A and D strings below the 12th fret. Adjusting the bridge means once again loosening strings and messing with the vibrato, which then drops it’s springs… The frustration level is very, very high. Looks lovely but couldn’t really recommend one unless you can afford a professional setup on top of the asking price.Reviewed by Andertons Music Co.

First impression is that this is a quality instrument, it feels very solid and well-crafted. No sharp fret ends or any other flaws (except for a fair amount of debris under the pickguard). It's hard to beat the classic combination of Alder, Maple and Rosewood for a sound that rings out loudly unplugged. I debated between the Vintera, Squier CV and the Performer models because these are the current vibrato-equipped Mustangs – in the end, the new and improved vibrato sold me on the Performer. I bought the Vintage White (butter-colored) and it weighs 7.7 lbs – I've seen this model as low in weight as 7.1 lbs. If the Sonic blue had competition stripes, that would have been my favorite. Out of the box, the setup was perfect (though I did put in a Stew Mac .25 neck shim to raise the bridge some – action-wise, it didn't need the shim, but helps with the trem action), and the urethane off-gassing potent. The Mustang, being on back-order for so long (I waited 3 months from order date), was probably just assembled when I received it on 12/7/21 (August and October '21 production dates are seen in the photo of neck pocket and neck heel). Besides being the only US production-run Mustang, it has the aforementioned revised vibrato – which is super smooth and stays in tune very well. [I did put on a set of locking tuners I had on hand, but I'm sure the stock ones are fine, too.] The obvious welcome revision is the nylon arm sleeve that replaces the screw-in type; it holds the arm in place at any angle. As well, the Performer body has a new rectangular rout, and larger spring routing, under under the tremolo (so, not interchangeable with a vintage unit or guitar without modification) – accommodating a metal plate that reinforces the fulcrum point of the two spring-tethered vibrato posts. This plate is attached with 3 larger screws on the face of the vibrato, giving it a slightly different look from the vintage Mustang vibrato/tremolo.The Fender script is also gone, maybe giving the initial appearance of a plain, cheaper import trem unit? Once removed from the body, the new vibrato feels heavy and substantial. The electronics are interesting – the spirit of the Mustang tone-control quirkiness lives on in the new Performer series Mustang. As a pickup set, they're well-matched and mine register 8k ohms for the neck pickup and 8.5k ohms for the bridge. Unlike a typical tone control that makes the guitar sound increasingly bassy as you roll off the treble, the Greasebucket circuit makes the pickups sound fuller as you roll the tone back – you're not losing the top-end until the very end of the tone range, like on 2. On 10, with the treble all the way up, the sound is very thin (maybe a substitute for the out-of-phase position found on a traditional Mustang?), and can be harsh if the volume knob is also all the way up – rolling the volume back to 8 will clean up the pick-ups. String attack is pronounced with the Yosemite set. The guitar sounds best with the tone rolled back 3/4's of the way, especially the bridge, imo – that's unusual and it gives the pickups a unique character and full sound, or not, depending how you set the tone circuit – from thinner to fuller is really the tonal range of the control set. Therefore, you might not get the immediate sonic versatility of a Strat or Tele (or, vintage-wired Mustang), but you do get cool sound-shaping controls that function differently compared to a normally wired guitar. As well, the Mustang has a more compact and intimate playing area, and with the very responsive vibrato that stays in tune, it's a lot of fun to play. The modern neck with its c-shape, 9.5" radius, medium jumbo frets and satin finish – will be easy to play for lots of different styles of music. String tension is pretty elastic, but still I'm fine with the 9's it comes with (it's what I normally use) as they work well with the spring setting of the trem – mine is set for the least amount of spring tension from the factory. I would imagine as you go up in string gauge you would want to take off the vibrato unit and move the spring position up 1 or 2 spots on the post. **I appreciate the included – made in Vietnam, embroidered Fender logo – light-duty – deluxe gig bag. There aren't a lot of short-scale case options out there and it fits this guitar perfectly, though not a super lot of protection. In the end, Fender has reimagined many aspects of the Mustang: upgraded vibrato; new electronics; medium-jumbo frets; satin finish neck. And, as an American made instrument it retains the traditional Rosewood fretboard, another plus (mine was dry and needed conditioning – to be expected from the fret install process and clean-up). I'm very pleased with this US produced guitar and the way it sounds, plays, feels – and looks!Jon

Really good guitar for nirvana type music. Only issue is that you need to set it up for it to be playable but once it's set up it's a great instrument. Pickups are pretty articulate but not to bright either just perfectly balanced. If you get one I recommend to lock the bridge down to improve its tuning stability and sustain. Note it DOES NOT sound like a kc style mustang, it has its own sort of sound to it. Fretboard is pretty nice same with the low radius which I prefer. Overall it's one of my favorite guitars I've ever bought and I cannot recommend it enough if you play grunge and nirvana music.Preston

I was looking for an American-made Mustang and came across the American Performer series. I purchased the antique white version. It's more of a buttercream yellow than white. I was really surprised by the quality because I'd only previously played MIM models that weren't always great. The tremolo tail piece is different than the Strat and Jazzmaster systems. It's very sensitive and has incredible range. I see why some like to block it up because it bends at the slightest touch, but it works very well and stays in tune for the most part. Sound is great, both clean and crunch – it's very versatile. It's also very light and manageable. It's becoming one of my favorite guitars and I have an American Pro Jazzmaster, a MIM Tele, MIK Esquire, and a Gibson 335. My only quality gripe is the frets are a bit rough on the edges. I like the jumbos, but seems like they need a bit more smoothing over. Other than that the setup was great out of the box, tuners are great, and I like the greasebucket tone.Rojo

I'm a collector and a builder. I've been playing for about 45 years, but don't seem to have the talent for playing beyond the point of entertaining myself. That's okay, I love the guitar as an art object and this one is a little masterpiece. I love the light weight, and that, coupled with the P90s(I guess)gives me a sound that I have been looking for. The 9.5" radius neck is the first I've ever played, and is absolutely perfect for me. Setup was spot on out of the box, and seems easy to maintain. Construction is to very high standards, and should last a lifetime in the hands of a caring player, after all, it was designed as a student guitar!Cal

My first favorite electric in the 60s, was a Jag. I wanted the 24 inch scale. I wanted p90s too. This mustang looks great and has both features I wanted. It was described as a return in condition 3. I can't find the offending conditions. It looks as if new. So for a significant reduction in price, this required no thought. There is a local luthier and freind who is wonderful. It is worth every cent to have him do the set up. I've been looking for years for an affordable vintage mustang or bronco. They go for stupid money on line. I was waiting for more reviews or chance to play one of these new Mexico mustangs. Solid wood, solid bridge, good Neck! At full retail a good price. Looking at my white mustang on the stand, the pictures don't do it justice. I don't leave guitars alone. It's an addiction. Up grade the p90s ? Can I retro in individual brass saddles in the bridge for each string. Hmm.Teleman

With multiple pick up options due to the switches, this guitar is perfect for any genre of music. It's great for jazz and rock, even distorted grunge. The rosewood neck is an ideal size for anyone it fit their hands around it. Also it's great for sliding. The vibrato arm is just astounding the way it can alter your tone. This guitar reminds me of a rad spaceship, and can sound like one too with the right guitar player. Vintage never felt nor sounded good like this!stayxretro81

My first factory-road worn instrument and I am a convert. It smells lovely and the relicing doesn’t look artificial. It definitely has that played-in feel without the issues of a knackered old bass. Sounds pretty good too! Tried out a few mustangs in the past but this is by far the nicest.Reviewed by Andertons Music Co.

I've been a short scale fan ever since buying a Fender Squire Vintage Modified Jaguar SS bass many years ago. I was impressed with quality of the Squire and after changing the pickups (P J set) found it was the bass I always picked up to play. I had recently been looking at the Mustang but found it hard to justify buying since I already had a short scale bass. Then I saw the JMJ signature… road worn, '66 style with original style custom Seymour Duncan spilt coil pickups and a wider neck then my Jaguar. I bought one and after playing it for a few weeks I have no regrets. What a difference in the quality which I already thought was good in the inexpensive Squire. The neck feels great and the extra time spent on the fret work is obvious. I really love what they've done to create the "road worn" look, which something you can't get unless you're buying a Custom Shop instrument. All that you've heard about the JMJ Mustang is true. Killer tone that really cuts through the mix. This is my first Fender bass and after 30 years of playing I don't know why I waited so long. I guess I just wanted to be different… if you are serious about getting a short scale bass this is a great option you won't be disappointed.Shane

I've had the idea to buy a bass to help improve stagnation in my recording and writing process. I went in and looked at the wall of instruments and was impressed. The thing Sam Ash does right that others do not these days (ahem…GC) is have a variety of price ranges and styles to explore. The store rep came over offered me a cord to try them out and left me to do my thing. The reason why a variety was essential was because I was able to play basses on the lower price point, one that I initially planned to buy, but then a bright light shined on the only bass on the wall with flat wound strings and a relic finish. I plugged it in, let it rip, and it felt/sounded amazing. I put it back on the wall, picked up the cheap bass I wanted and it sounded clanky, put it back and kept picking up this bass on the wall, again and again. This is when the store rep came over to check on me, didn't pressure me, but validated me saying the feel on that one is like no other, then offered to work with me on price if I was interested. After I finally decided, there was some chatter among the other store reps that someone was buying "the relic!" I felt special. In the end, I went in Sam Ash on a budget and left with an instrument I'll keep for life and give to my kids. No bad decisions were made.DYLAN

First impression is that this is a quality instrument, it feels very solid and well-crafted. No sharp fret ends or any other flaws (except for a fair amount of debris under the pickguard). It's hard to beat the classic combination of Alder, Maple and Rosewood for a sound that rings out loudly unplugged. I debated between the Vintera, Squier CV and the Performer models because these are the current vibrato-equipped Mustangs – in the end, the new and improved vibrato sold me on the Performer. I bought the Vintage White (butter-colored) and it weighs 7.7 lbs – I've seen this model as low in weight as 7.1 lbs. If the Sonic blue had competition stripes, that would have been my favorite. Out of the box, the setup was perfect (though I did put in a Stew Mac .25 neck shim to raise the bridge some – action-wise, it didn't need the shim, but helps with the trem action), and the urethane off-gassing potent. The Mustang, being on back-order for so long (I waited 3 months from order date), was probably just assembled when I received it on 12/7/21 (August and October '21 production dates are seen in the photo of neck pocket and neck heel). Besides being the only US production-run Mustang, it has the aforementioned revised vibrato – which is super smooth and stays in tune very well. [I did put on a set of locking tuners I had on hand, but I'm sure the stock ones are fine, too.] The obvious welcome revision is the nylon arm sleeve that replaces the screw-in type; it holds the arm in place at any angle. As well, the Performer body has a new rectangular rout, and larger spring routing, under under the tremolo (so, not interchangeable with a vintage unit or guitar without modification) – accommodating a metal plate that reinforces the fulcrum point of the two spring-tethered vibrato posts. This plate is attached with 3 larger screws on the face of the vibrato, giving it a slightly different look from the vintage Mustang vibrato/tremolo.The Fender script is also gone, maybe giving the initial appearance of a plain, cheaper import trem unit? Once removed from the body, the new vibrato feels heavy and substantial. The electronics are interesting – the spirit of the Mustang tone-control quirkiness lives on in the new Performer series Mustang. As a pickup set, they're well-matched and mine register 8k ohms for the neck pickup and 8.5k ohms for the bridge. Unlike a typical tone control that makes the guitar sound increasingly bassy as you roll off the treble, the Greasebucket circuit makes the pickups sound fuller as you roll the tone back – you're not losing the top-end until the very end of the tone range, like on 2. On 10, with the treble all the way up, the sound is very thin (maybe a substitute for the out-of-phase position found on a traditional Mustang?), and can be harsh if the volume knob is also all the way up – rolling the volume back to 8 will clean up the pick-ups. String attack is pronounced with the Yosemite set. The guitar sounds best with the tone rolled back 3/4's of the way, especially the bridge, imo – that's unusual and it gives the pickups a unique character and full sound, or not, depending how you set the tone circuit – from thinner to fuller is really the tonal range of the control set. Therefore, you might not get the immediate sonic versatility of a Strat or Tele (or, vintage-wired Mustang), but you do get cool sound-shaping controls that function differently compared to a normally wired guitar. As well, the Mustang has a more compact and intimate playing area, and with the very responsive vibrato that stays in tune, it's a lot of fun to play. The modern neck with its c-shape, 9.5" radius, medium jumbo frets and satin finish – will be easy to play for lots of different styles of music. String tension is pretty elastic, but still I'm fine with the 9's it comes with (it's what I normally use) as they work well with the spring setting of the trem – mine is set for the least amount of spring tension from the factory. I would imagine as you go up in string gauge you would want to take off the vibrato unit and move the spring position up 1 or 2 spots on the post. **I appreciate the included – made in Vietnam, embroidered Fender logo – light-duty – deluxe gig bag. There aren't a lot of short-scale case options out there and it fits this guitar perfectly, though not a super lot of protection. In the end, Fender has reimagined many aspects of the Mustang: upgraded vibrato; new electronics; medium-jumbo frets; satin finish neck. And, as an American made instrument it retains the traditional Rosewood fretboard, another plus (mine was dry and needed conditioning – to be expected from the fret install process and clean-up). I'm very pleased with this US produced guitar and the way it sounds, plays, feels – and looks!Jon

I was looking for an American-made Mustang and came across the American Performer series. I purchased the antique white version. It's more of a buttercream yellow than white. I was really surprised by the quality because I'd only previously played MIM models that weren't always great. The tremolo tail piece is different than the Strat and Jazzmaster systems. It's very sensitive and has incredible range. I see why some like to block it up because it bends at the slightest touch, but it works very well and stays in tune for the most part. Sound is great, both clean and crunch – it's very versatile. It's also very light and manageable. It's becoming one of my favorite guitars and I have an American Pro Jazzmaster, a MIM Tele, MIK Esquire, and a Gibson 335. My only quality gripe is the frets are a bit rough on the edges. I like the jumbos, but seems like they need a bit more smoothing over. Other than that the setup was great out of the box, tuners are great, and I like the greasebucket tone.Rojo

instrument looks and feels great. Neck, frets and body are gorgeous. However the finish elsewhere is not so good. Some tailpiece screws were only halfway in! The springs on the vibrato keep falling off the posts necessitating constant complete removal of the unit to re-attach them. This means loosening all the strings which are now knackered after about the fifth attempt to make it all work. The action is diabolical with frets buzzing on E A and D strings below the 12th fret. Adjusting the bridge means once again loosening strings and messing with the vibrato, which then drops it’s springs… The frustration level is very, very high. Looks lovely but couldn’t really recommend one unless you can afford a professional setup on top of the asking price.Reviewed by Andertons Music Co.

I have previously played and owned only long scale basses. Have always wanted to try a short scale. Went to my local GC and tried a few they had in house. The short scale Sterling was a nice looking bass but the fret work was terrible. Based on reading other reviews I took a risk and ordered a Squire CV 60 Mustang. It is a beautiful instrument. Arrived in great condition with absolutely no flaws. Finish is great, Fretwork is great, string action and intonation were nearly perfect. Hard to believe that Squire can make an instrument like this for such a reasonable price.Jim

I have always wanted a short-scale Fender and decided to pull the trigger on the Squire CV version. Being a Gibson player, the 25.5 scale length always threw me off but this Mustang is very easy to play/swap between my Les Paul and 335's. The single-coil tones are great and certainly a contrast to the humbuckers & P90's I usually play. To be 100% honest, you better have some skills in setting up guitars and polishing frets or be prepared to pay a tech to get these guitars to their full potential. I had to completely polish the frets and fiddle for weeks to get the action to my liking. A neck shim is almost essential to get any height on the bridge and provide enough downward pressure to keep things intonated. I have no idea why Fender doesn't do this on all Mustang's, Jazzmasters and Jaguars since this is a very well-known issue. Once dialed in and frets polished up, this Mustang is a little tone monster.Jason F

Sound: It's a classic Mustang sound. Ease of Use: The Mustang bass was originally made for younger players and students, but it has a serious professional following as well. Quality: The only problem initially was rough fret ends which were quickly taken care of. Look for pro advice online as to how to do this. Value: Because I owned one before, I feel this is worth the selling price. Manufacturer Support: No contact with Fender about any concerns. Unless it's something out of my ability I'll handle it myself. The Wow Factor: When I first saw the "Vintage Vibe" Mustang bass, it owned me. Overall: I've owned one before and had to sell it. Incredible instrument. I've always preferred short scale basses because they're so much fun to play. Had to buy this one. I like playing this bass more than my 2001 American Series Precision bass! You won't be disappointed. Perhaps some minor tweaking may be needed, but worth every cent.Ampman