Buy Bass Guitar Online For Sale (2024 Update)

I have played Fender guitars before, but cannot justify owning one. I’m a “bedroom” player; they deserve to be in professional hands, on a stage. Hence, I defer to the Squier brand. But honestly, I can hardly tell the difference! (as I’ve said, I am certainly no expert) Astonishing value for the price!!! I just love it…Mr S. R.

Great bass guitar, I had a copy of a P bass from 'G4M' & was'nt that happy with it. I have a Squire Telecaster which is very well made & sounds excellent so I went for the Squire Jass bass & I hav'nt been disappointed, again well made & no setting up require, stays in tune & is a pleasure to play. Being part of Fender certainly sets the bar high for these Squire guitars & I recommend them, so do lots of more experienced musicians than me, just have a look on YouTube.Reviewed by Andertons Music Co.

Although this bass is at the bargain basement end of the price range, I am very happy with it. It replaces my other Sunburst J Bass that had a truss rod issue and thus would never hold a tune for long even with ultra light weight strings. I love the colour, shame rosewood fretboards are not available on cheap guitars. The Laurel fretboard did come up nicely, and darker, after a clean and an oiling. Looks really great. There was a little scuff mark on one of the horns, a transit issue I guess, but came out with a little buffing. It is now fitted with D'Addario flats which look, feel and sound great. Thanks Guys.Pat

I bought this bass because a friend had one that worked great and played great and I loved it. When I purchased mine I had it sent to my house. 5 days later and it comes in with busted knobs and I had to take it in for a refund. They had another in stock and I took it home. Well the second is busted too. Huge disappointment considering how much I enjoy playing this bass. Absolutely unreliable and I won't be getting a third one.James

Other reviewers' complaints about the front veneer are specific to this color (you can see the odd 2-tone effect in the photos). This model also comes in "root beer," tobacco burst, and translucent black. Those finishes all blend the front veneer pretty seamlessly with the mahogany back, while still showing some nice front grain (very subtly in black). Yamaha's Indonesian-made 174 series mixes together fairly unbeatable features and tone in this price range. They aren't the world's fanciest basses, but they make no serious compromises. Necks are 1-piece maple (no 5-piece matchsticks). Bodies are made from real tonewoods: 3-piece mahogany (174EW) or 3-piece alder (174). The P/J pickup combination offers a wide range of tones, with solid electronics throughout. Nice touches: The neck is skinny (like a Jazz Bass') but extended to 24 frets. The downsized body is really lightweight, while substantial enough to be resonant. With the right EQ, these can really punch. Only downsides: I played 2 of these at my local GC, and noticed a real difference in tone. So I'd recommend buying from a local store where you can compare 2-3 copies. Also, the neck's satin finish feels a bit coarse to me. (I love satin finishes, but like them smoother.) While priced like a beginner's bass or impulse purchase, these are well-made, viable, giggable instruments. I've had my similar RBX270F fretless for years, and love it. (Especially since Victor Wooten signed its headstock.)Bass Desires

I was playing guitar, but thinking about getting a bass again. I wanted a solid bass, without investing a lot. The Yamaha was a perfect pick. The construction and finish of the bass I received was perfect. The bass I got is really good looking, in person. It plays great. I've had so much fun playing it, that I've put my guitars aside, and I am now studying bass seriously. After many months playing it daily, I think I am going to lower the action slightly. Tone wise, the two pickups, along with the tone control, cover a lot of ground. I've gone from playing this through a guitar amp, to playing it through two different 100/150W combo amps – the better of which cost 3x what the bass cost. The amps make a huge difference – more than a change of bass. I've thought about trying to mod the bass with higher end pick-ups, but frankly I'm afraid I'll mess up what is currently good about the bass' tone. As I progress, I will probably buy a much higher end bass, something on the order of 1-3K in price. But I believe this bass is decent enough to gig with, unless you are in Victor Wooten's class of player. For comparison, I bought one of those Steinberger Spirit basses (5 string) also. The Yamaha bass plays better and has much, much better tone.Kulokoo

They say this is a beginner bass well call me a beginner. I love it!! I have nothing bad to say about this bass. Light weight easy to play great feel! I love the mango look I've had many good comments on how great it looks on stage. And yes I bought a second one. And to think I bought the first one by mistake wow I guess that's how it happens. Don't get me wrong I love American made basses, but they are killer on my old back. LOL.Muss

Ordered one of these (In Pearl White) because of a good experience with another one. Of course I had to do some set up to alleviate fret buzz, adjust neck, string height etc. Once it was set up to my liking and a fresh set of my gauge strings, this bass was ready for just about anything! I have used it for a couple of outdoor shows with medium and very large P.A support and the sound was very good overall. Through my stage amp, I was able to dial in a very usable sound quickly. The bass is very light weight .(Which helps those of us with back issues.) Yet is still able to get a decent tone. The bass I received was a newer model with a poplar body and a Jatoba fret board which still has the characteristics of rosewood (slightly lighter in color) with a hint of a maple type bite. Personally, I liked the overall sound with this particular fret board. Speaking of which, the fret board is very easy to play (when properly set up) with a smooth, fast neck. The electronics are decent enough although the "bass boost" knob should be used sparingly and judiciously just to add some deep flavor on occasion for certain styles. All in all, a pretty decent machine that can easily be used by beginners and seasoned pro's (ok, it won't match up with a "boutique bass" by any means but still a very usable product!) Very good value for the price!Heard the Bass

This bass is really amazing for the price of it. The neck is so smooth and a bit thinner than other regular bass, perfect for my small hands and the weight wow it is really light. the built quality is top notch. The sound is really good and you've got plenty of sound you can experiment with it. Overall it's an all rounder bass from beginners to pronelson c.

The Ibanez GSR 200 is one of the best "bang for your buck" basses on the market. They are made with excellent quality, lightweight wood, agathis, maple, rosewood. The onboard P/J pickups and electronics sound good. They play good out of the box but they play excellently if set up by a guitar tech. These were choice basses for many of the bass players supporting MWR tours. Musicians would take Ibanez GRS 200 basses on tour and raffle them off to service members on the last gig.matt4717

As the headline says…it's very enjoyable to play. I've even made several recordings using it instead of my Fender USA Pro 2 Precision. It does a decent job on the P pickup; the J has lower output. To my surprise I'm really digging the "raw" feel of the neck; it's bare, tho sanded well. Another surprise: neck profile width and taper is like a J bass, yet the depth/shape feels more like a P! Huh!? Hey, works for me! With its black body and pickguard and the maple fingerboard it looks like it means BUSINESS! Point removed for the too-stiff tuner action. And then…I've managed to get the action very low, just where I like it. (FWIW, even on my USA Pro 2 I had to shim the neck to be able to get the level of low action that I prefer.) Yes, ladies n gentleman, I really appreciate this Affinity PJ. I am considering using it for punk and classic rock parts of the band's gigs; not out of the question at all!Leo

This bass looks, feels, and sounds great! Did they nail the bodywork and neck lines? No, not completely. But that's about as much as I've got for negatives. This is one of the best 5 string necks I've felt. Less pizza shaped than the EHB but almost that good. Could have been nice to see a heavier finish on the fretboard but the edges are rolled with no sharp frets at all – unlike my cv 70s P. Sound on this Destroys the EHB and my sr505. Can't say how road worthy the pots and tuners are but I don't want to change anything and mess with this mojo. Unless you need silent pickups and can live with the tradeoffs. I don't know what you would need other than maybe a beefier jack. Setup was mind blowing. Literally took it out of the box in store. Got home, string height was dialed, haven't checked intonation yet but sounds fine. Was hardly even out of tune. Strings feel quality, I will probably even hold off changing those. This bass is making a lot of basses look and sound like questionable decisions. If you are worried about durability, honesty, get a good hard case. This thing feels plenty solid. Make sure the tuners and string trees are greased up and jam away.Arturo

I got mine in Black body, black pickguard, maple neck with maple fingerboard, It came with good setup right out of the box, I like the headstock's face with large "Precision Bass" 70's style logo, with gloss tint on it. The maple neck is one piece neck. I have other Affinities basses but this one sounds terrific, a lot of growl sound on P pickups , I like the P sound but also the J pickup is welcome. I always like this combination: black on black with maple fingerboard. I recommend this bass, Squier is getting better and better with the years. The only complain with this is that the Jazz Pickup is less sounding than the P bass pickup, I needed to rise the Jazz pickup to get better output but not the same output than the Precision pickup.Garedot

Purchased the Fender Player Jazz bass. Overall great looks and sound, but some quality issues from the Fender Mexico factory (not Andertons' fault): – First bass had very clear weird uneven blemish under the varnish on the sunburst body. Not awful, but if I was in-store I would never have chosen that particular item. Returned and swapped by Andertons, no quibbles. Second bass arrived. Overall happy, sounds great, but still a few issues with quality control and design. – Control plate was missing 2 screws and was moving around – how does that get through Fender quality control? Replacement screws sent free of charge by Andertons. – Nut has not been slotted correctly – high G must have been passed through a machine and slipped, string is clearly a couple of mm too close to fretboard edge and you can see the failed first pass. Doesn't really affect playability, but is annoying and I will get it corrected at some point. Again, points to poor quality control. – Fretboard (Pau Ferro) is really thin – on the Player series, at least. Neck fret dot markers in white are half over the mid-dark fretboard, half over the light maple neck. Very hard to see in low light levels. OK, so they're just an indicator for position, but the design isn't great. So overall, the bass sounds great and Andertons service was very good. Fender quality control loses the one star from the review.Reviewed by Andertons Music Co.

…and falls in love. Let me start by saying I actually have owned one other P-Bass. I had a 50s reissue Precision, but honestly the neck was just too thick for my liking after years of playing Jazz basses. Honestly, it felt thicker than the neck on my Yamaha 5-string. So, I picked this bass up after always dancing around getting what would be considered a more standard P-Bass. I have a 70s Jazz with a ton of modifications, I've had quite a few other brands of basses, but I wanted to see what the fuss was about. I ordered this a few weeks ago, and have been very pleasantly surprised. The action was pretty good out of the box. I adjusted it a bit, made a few tiny tweaks to the intonation, and now it's super smooth. And, on the pickups, let me say it's a great sounding bass. Pickups are clear, bass sounds great. I play through a little Ampeg Micro cabinet. Earlier this week, I bought some Flats to throw on it (because that's what you do with a P-bass, right?) and now it's quickly becoming one of my favorite instruments to jam with. It really cuts through the mix when playing in a group. I see why folks really love the sound of a precision. My Jazz still has it's place, but man, I really like the sound of this bass. The Player P is a great value for what you get. I've never owned an older MIM, but I research the heck out of pretty much any purchase I make, and it looks like Fender really stepped it up with this rendition of their MIM Precision basses. Good tone out of the box, no discernible pickup noise, good action, a beautiful neck, and a Tidepool Blue finish that just shines and shines.Dennis F

After the initial COVID lockdown I landed a gig where I had to have a 5 string bass. So like a red blooded American I took my cash down to the local GC store to buy a fender 5 string American jazz. There wasn't any. I looked for an Ibenez. There wasn't any. I looked for anything and we'll there wasn't any. As the date grew near for our first show, I happened in and they had this one. I was disappointed that this was all there was, but out of desperation, I bought it thinking I would trade it once something I wanted became available. It took me about two months and 10 gigs later when I realized I love this thing. 9 months in and I don't know how many dates later, I wouldn't want to live without it. It plays awesome after a quick and minor setup on the action. The tone is big on the bottom and the mids and highs are as shapable as you want. It is a dream to play and guess what, when I finally got to put my hands on the fender I wanted, I didn't want it anymore. This bass is very much like the high end Ibenez basses. Probably too much for Ibenez's liking actually. I run through a 800w mark bass head with a 2×10 cab and a 1×15 cab. It sounds incredible. The big thing for me is when I run through my amp using the direct out in bypass, it sounds amazing. It is like having a sans amp in the bass. The electrics are that good. I have gotten tons of compliments on the tone and questions about how I got it. I literally just plugged it in. Also I can play it all night and even though it is a five, I am less fatigued then when I play the four fender American jazz I already own. The string spacing and scale I believe is responsible for that. If you are serious about playing a 5 string, at any level, then this bass is one you should look at. I am not super crazy about the esthetics but I get a surprising amount of complements on it. So if that is your thing then rock on I guess. I am getting over the fact that I was a fender snob. Also I believe Jackso is made by fender sooo….Chris

My one only bass for the past 20 years has been a Ibanez SR405 (2001 year model). I feel like I've purchased a big upgrade with this Jackson X Series Spectra. In comparison to the Ibanez, the Jackson's neck is fatter, lower fret sizes are slightly wider and the string spacing is slightly wider. The playability is a lot smoother for my larger fingers/hands. The pickups and active EQ systems are powerful. Need to have some amp/di box control to contain the powerful output when in smaller venues. I use the passive pickup control when in smaller venues and small churches. I feel that what sets this apart from other basses I've tried is how great it sounds to play the d and g strings as well as going above the 12th fret. The stock strings (D'Addario) sound really pretty when playing the higher octaves. The Elixir strings I'm currently using give the B string a BIG SMOOTH THUMP. For those worried about setup out of the box, I live in high altitude. Setup post manufacturer is usually a must because of that. I have been able to get fairly low action without fret buzz after casually messing with adjustments.Zach

I bought this bass because a friend had one that worked great and played great and I loved it. When I purchased mine I had it sent to my house. 5 days later and it comes in with busted knobs and I had to take it in for a refund. They had another in stock and I took it home. Well the second is busted too. Huge disappointment considering how much I enjoy playing this bass. Absolutely unreliable and I won't be getting a third one.James

Purchased the Walnut version. This is the first guitar which I had to do nothing to it out of the box except an initial tuning. All screws were tight, the nut height was correct, the relief was good, the action was good with NO fret buzz, the finish was flawless, the fret ends were perfect and the intonation was spot on! I've never seen this, especially for the price point. I love the short scale of this instrument and it can be played as fast as you can do. Wow! I'm happy and impressed. I like it even more than my Ibanez Gio Mikro. Gretsch has done something with the pickups as ther is NO hum from the pickups even though they are claimed not to be humbuckers after all.John

Bought earlier today and have been playing it since getting it home. I prefer flatwound strings so put some on as soon as I could. Lowered the action to just under 2 mm at the 12th fret on the bass side. Intonation is just about spot on. Didn’t need to tweak the truss rod at all but will check it in a day or two. I’m over 70 and bought my first bass around 1965. This little bass is quite amazing for its price. There does seem to be some quality control issues reading online reviews but mine is very good. Gloss finish immaculate with no pooling or dull patches. Tone and volume are very smooth and work as they should. It’s very easy to replace with CTS or similar but at present there’s no need. Jack socket holds the jack securely. Frets beautifully finished. The flattish neck is great to play on and it’s gloss finish feels really smooth. Not sticky. Walnut fingerboard looked in nice condition but I put a little lemon oil on it when changing the strings. There has been some uproar that Gretsch were advertising these as having mini humbuckers when in fact they are single coils. I have no problem with single coils being a Fender fan. These single coils do not exhibit any background hiss through my amplifier. Some have complained that they do but mine is silent. The only gripe which has cost the review one star is concerning the machineheads. They have a little play in them which I hate. The only thing I will change will be these in due course when I find some with the correct 14 mm hole diameter. Plenty of space on the headstock so might go down the vintage style rout. Not sure. The main thing is to get good quality and ensure the existing holes are covered. All in all I’m very happy with this bass. It weighs in at 8.2lbs. Not too heavy. The bass sounds really nice with lots of tonal variance available using the pickup selector and tone control.Brian

I searched for the Candy Apple Red for a year and a half. Finally found it at Kraft Music as a bundle. Everything I needed was included. I have owned and played many high-end Basses, Drumsets, Guitars etc and since 1998 I own and love a Yamaha BBN5A as my primary Jazz Bass.
This TRBX305 ROCKS, the neck amazing and the humbuckers are super hot yet fizz free. The 5 position switch does exactly as advertised. Flawlessly shifting from finger to slap or solo. As anyone who plays Yamaha already knows, quality, playability, sound and finish are impeccable. I love this Bass. Thanks to Kraft Music for being Santa this year.zack short

The yamaha trbx305 is a very versatile bass guitar that's suitable for all genres of music. including metal. it has a mahogany body and a set of ceramic pick-ups which can provide warm, beefy, punchy sounds. it also has a smooth low action so it's comfortable to play. the one unique feature on this bass is the 5-way tone switch. this switch has eq settings for all styles of playing. so rather if you play finger-style or play with a pick, the tone switch has a sound selection for any playing technique. I play metal and I personally dig this bass for it's warm punchy sounds. rather if I play live or record music, it fills up the band mix quite well. it also works well with the effects I use. not to mention it sounds killer with overdrive and distortion effects. I'm not quite sure what trbx stands for, but judging from it's incredible sound quality, I'm guessing that trbx stands for totally radical bass xtreme! \m/ lol anywho, if you play metal and wanted to try something a little different, this is a good bass to check out.Metal alex

Rec'd it new in the box from Sam Ash. Candy Apple Red looks very nice. I didn't get as lucky as some in that the set up was not very good. I mean, it plays really easy, but fret buzz all over the neck which comes through the amp. Too low I guess. It didn't want to "keep" the battery in without some fumbling around. Stayed in once the lid was closed. There is a small cut on the side of the fretboard, but doesn't look like an issue. Sounds pretty good in this price range. Played an Ibanez 655 which smoked it in every way, but just out of the price range at this time (near twice the price). So, new strings and 65 bucks for a set up and I think this will be fine for awhile. In this price range I am not dissapointed. It is what I expected except for hoping I could get away without having to have it set up for just a bit. Actually, in this price range, it really is the best I have seen.Chuck

The Mikro bass plays, looks and sounds great. The extra-short scale length does not compromise the traditional bass tone it produces. I have played 6-string guitar for over 40 years, including many professional gigs and teaching. I own over a dozen topnotch guitars. But this is my first bass, and I chose Mikro on the recommendation of a trustworthy friend. I have been doing my own repair work on guitars for decades, and can say the Mikro bass is impressively well made, and arrived decently set up with new, good strings. Fret work, neck, nut, tuning machines, bridge, fingerboard, finish, electronics are all virtually flawless; and the tobacco sunburst color I chose looks really nice, with a "vintage" vibe. I replaced the stock chrome dome knobs (which are nice ones) with Gibson-style knobs so I can see numbers for volume and tone settings. I really like the tone of the Mikro, especially the "Precision" style pickup–the one closer to the neck, from which it's easy to get a classic P-bass tone in conjunction with the tone control, which also works great. Ibanez chose a great capacitor value for the tone knob. The bridge position ("Jazz" style) pickup is just OK–usable, and not bad, but nothing remarkable, and it's especially lackluster when used solo, without any of the P-style pickup dialed in. That is the only part of this bass, other than the knobs, I would consider upgrading in the near future (maybe also the potentiometers, but even those feel smooth and responsive out of the box). The satin-finish neck feels great, and is a breeze to play, even for someone like me, who is coming to the bass from years on guitar. The tuning stability of the Mikro is remarkably great. So the latest versions of the Mikro basses are a phenomenal bargain! I would not hesitate to recommend a Mikro to anyone considering moving from guitar to bass, or to someone with smaller hands. From what my bassist friends tell me, the Mikro is great for any bassist PERIOD.NYC Slide Guitarist trying bass

Overall: I've been playing for years, mostly Fenders, Tobias and a heavily modified Decca short scale from the 60s. This is my first Ibanez bass and I am blown away! I chose the brown burst finish, and took a chance on the "blemished" version. Been looking at it all day and I can't find any imperfection anywhere. Definitely wanted short scale, light weight and a fast neck, this one has all 3 and then some. Set up out of the box was close, very close, with only a slight fret buzz on the E string. A very small adjustment at the saddle took care of it. The stock pickups sound good, the tone knob has useful range, everything sounds quite good through everything I've played it through so far (Fender, Orange, antique Earth head, etc.). Overall, I couldn't be happier!Bryan

An utterly great bass overall. It's perfect for someone with a low budget, or someone who's new to learning bass. Also good for children or people with small hands since it's a short-scale. This was my first bass and I still play it a lot. Not only is it cheap, but it has a really good tone, a nice feel to it, and a beautiful orange finish (if that is the finish you chose). The only bad thing I have to say about this is that it got some fret buzz to it but in all honesty, it's not that bad. I love Ibanez basses, I own several and this one is absolutly great.Logan

Overall: This is a long term review of this bass. I didn't get mine from zZounds but have bought from them before. I want to mainly go over how this bass holds up and how it works in a band long term. When it was new it was good quality out of the box. Just needed a set up. I've used this bass on countless gigs over the years. If you play rock then it will definitely get the job done. Finish quality is good and durable. It doesn't like to chip but will if it takes a hard hit. Scratches are only really cosmetic, the poly is pretty thick. Keep it clean and don't abuse it and the bass will look good years down the road. The neck is pretty stable, I rarely need to adjust the truss rod. The three point bridge is fairly solid too, Paint on it is durable as well. The posts for the bridge can pull out the bushings but mine has not. The tuning keys are starting to get worn out. I'd replace them if possible. They still hold tune but not as well as new. Pickups and electronics are good too. No scratchy pots. Output Jack is still solid. Frets are pretty worn as well. Still got a lot of life but will wear faster than a more expensive bass. Overall a very durable bass considering what it's been through.Dominic

I read many glowing reviews of this bass on the sites of MF and GC, so I decided to buy one. Huge disappointment. Maybe I got a stinker or maybe the writers of the reviews don't venture beyond the 7th fret…who knows. Mine looks and sounds GREAT. However, the fret finishing beyond the 12th fret is essentially non-existent. Frets 15 and 16 are completely dead unless you keep the action at factory height, which is just not practical. The old-school three-point bridge looks great, but it's time to retire this dinosaur, even at this price point. It would be functional if Gibson/Epiphone would replace saddles 4 and 5 with additional 1 and 2 saddles for the E and A strings respectively (three-point bridge users will understand that lingo…). Even an inexpensive Gotoh bridge would improve the function immensely; a Hipshot would send it through the roof. I've played both professionally and casually here in Nashville since 1999, and have played bass for 30 years. I've owned some Gibson USA basses in my time (vintage G3 and Victory), and currently have two USA guitars (SG and LP). Gibson simply doesn't design basses for bassists who do anything more than play the root. I considered having the frets dressed by a service center, but have elected to simply return it to GC. Again, if you subscribe to the Dusty Hill Doctrine ("I promise to play the root, the whole root, and nothing but the root."), then this bass is fine. If you like to do ANYTHING more, then look elsewhere. I really wish Gibson would re-evaluate their approach to bass design, because I love to support local business. They're missing a huge market share by choosing to offer poorly designed and poorly executed instruments. Even a Babicz bridge can't correct a flawed blueprint…M

While this is my second Epiphone bass, this one is a bit disappointing. It is very eye catching but the style comes with a price: it does not hang well standing no matter what strap type or size I try. Not just neck drop but also the guitar casts away from your body like it is attempting to crash face first into the floor. Was supposed to be inspected and setup when purchased but was not. One tuner was mis-aligned, the bridge was improperly set, and the neck was back-bowed. The inspected by Epiphone sticker is a real joke! After a real setup, it plays well and sounds fine but then so do a half dozen other bass guitars I own. Just had to try one and did not want a thru-neck design so the cheaper Epiphone seemed like the choice. Guess I was wrong. I have to wonder if a Gibson would be any better – especially these days with Gibson almost on the rocks as a company…. Buy it to look pretty but do not expect much more than a barely passable bass guitar after you fix the issues it comes with. I would not recommend this for any bass player, even a beginner.cibulajb4

Purchased the Fender Player Jazz bass. Overall great looks and sound, but some quality issues from the Fender Mexico factory (not Andertons' fault): – First bass had very clear weird uneven blemish under the varnish on the sunburst body. Not awful, but if I was in-store I would never have chosen that particular item. Returned and swapped by Andertons, no quibbles. Second bass arrived. Overall happy, sounds great, but still a few issues with quality control and design. – Control plate was missing 2 screws and was moving around – how does that get through Fender quality control? Replacement screws sent free of charge by Andertons. – Nut has not been slotted correctly – high G must have been passed through a machine and slipped, string is clearly a couple of mm too close to fretboard edge and you can see the failed first pass. Doesn't really affect playability, but is annoying and I will get it corrected at some point. Again, points to poor quality control. – Fretboard (Pau Ferro) is really thin – on the Player series, at least. Neck fret dot markers in white are half over the mid-dark fretboard, half over the light maple neck. Very hard to see in low light levels. OK, so they're just an indicator for position, but the design isn't great. So overall, the bass sounds great and Andertons service was very good. Fender quality control loses the one star from the review.Reviewed by Andertons Music Co.

…and falls in love. Let me start by saying I actually have owned one other P-Bass. I had a 50s reissue Precision, but honestly the neck was just too thick for my liking after years of playing Jazz basses. Honestly, it felt thicker than the neck on my Yamaha 5-string. So, I picked this bass up after always dancing around getting what would be considered a more standard P-Bass. I have a 70s Jazz with a ton of modifications, I've had quite a few other brands of basses, but I wanted to see what the fuss was about. I ordered this a few weeks ago, and have been very pleasantly surprised. The action was pretty good out of the box. I adjusted it a bit, made a few tiny tweaks to the intonation, and now it's super smooth. And, on the pickups, let me say it's a great sounding bass. Pickups are clear, bass sounds great. I play through a little Ampeg Micro cabinet. Earlier this week, I bought some Flats to throw on it (because that's what you do with a P-bass, right?) and now it's quickly becoming one of my favorite instruments to jam with. It really cuts through the mix when playing in a group. I see why folks really love the sound of a precision. My Jazz still has it's place, but man, I really like the sound of this bass. The Player P is a great value for what you get. I've never owned an older MIM, but I research the heck out of pretty much any purchase I make, and it looks like Fender really stepped it up with this rendition of their MIM Precision basses. Good tone out of the box, no discernible pickup noise, good action, a beautiful neck, and a Tidepool Blue finish that just shines and shines.Dennis F

As the headline says…it's very enjoyable to play. I've even made several recordings using it instead of my Fender USA Pro 2 Precision. It does a decent job on the P pickup; the J has lower output. To my surprise I'm really digging the "raw" feel of the neck; it's bare, tho sanded well. Another surprise: neck profile width and taper is like a J bass, yet the depth/shape feels more like a P! Huh!? Hey, works for me! With its black body and pickguard and the maple fingerboard it looks like it means BUSINESS! Point removed for the too-stiff tuner action. And then…I've managed to get the action very low, just where I like it. (FWIW, even on my USA Pro 2 I had to shim the neck to be able to get the level of low action that I prefer.) Yes, ladies n gentleman, I really appreciate this Affinity PJ. I am considering using it for punk and classic rock parts of the band's gigs; not out of the question at all!Leo

This bass looks, feels, and sounds great! Did they nail the bodywork and neck lines? No, not completely. But that's about as much as I've got for negatives. This is one of the best 5 string necks I've felt. Less pizza shaped than the EHB but almost that good. Could have been nice to see a heavier finish on the fretboard but the edges are rolled with no sharp frets at all – unlike my cv 70s P. Sound on this Destroys the EHB and my sr505. Can't say how road worthy the pots and tuners are but I don't want to change anything and mess with this mojo. Unless you need silent pickups and can live with the tradeoffs. I don't know what you would need other than maybe a beefier jack. Setup was mind blowing. Literally took it out of the box in store. Got home, string height was dialed, haven't checked intonation yet but sounds fine. Was hardly even out of tune. Strings feel quality, I will probably even hold off changing those. This bass is making a lot of basses look and sound like questionable decisions. If you are worried about durability, honesty, get a good hard case. This thing feels plenty solid. Make sure the tuners and string trees are greased up and jam away.Arturo

I got mine in Black body, black pickguard, maple neck with maple fingerboard, It came with good setup right out of the box, I like the headstock's face with large "Precision Bass" 70's style logo, with gloss tint on it. The maple neck is one piece neck. I have other Affinities basses but this one sounds terrific, a lot of growl sound on P pickups , I like the P sound but also the J pickup is welcome. I always like this combination: black on black with maple fingerboard. I recommend this bass, Squier is getting better and better with the years. The only complain with this is that the Jazz Pickup is less sounding than the P bass pickup, I needed to rise the Jazz pickup to get better output but not the same output than the Precision pickup.Garedot

Purchased the Walnut version. This is the first guitar which I had to do nothing to it out of the box except an initial tuning. All screws were tight, the nut height was correct, the relief was good, the action was good with NO fret buzz, the finish was flawless, the fret ends were perfect and the intonation was spot on! I've never seen this, especially for the price point. I love the short scale of this instrument and it can be played as fast as you can do. Wow! I'm happy and impressed. I like it even more than my Ibanez Gio Mikro. Gretsch has done something with the pickups as ther is NO hum from the pickups even though they are claimed not to be humbuckers after all.John

To start, I have particularly small hands for an adult lady. I started playing bass about 6 months ago – I have been playing guitar for about 2 years now and am comfortable with different scale lengths and string gauges. I started playing bass with a standard scale instrument and struggled for the first time to reach across four frets, and felt like my progress was stalling because of the instrument I was trying to use. Decided to try a short scale and it instantly made a world of difference in my playing; this bass just feels good while holding and playing for extended periods of time. The bass is also beautiful! I love the retro vibe, between the shell pink body and the vertical text on the headstock. The walnut fingerboard has the most beautiful markings on it; it's my favorite fingerboard on any instrument I own, which includes much more expensive instruments that sport rosewood, ebony, pau ferro, purpleheart, and maple fingerboards. I was worried the tone would suffer from the shorter scale but I actually much prefer the sound of this baby compared to the standard scale I had previously, and have had no trouble tweaking the knobs to dial in just the sound I'm looking for. This is my first Gretsch purchase but I am definitely sold on the quality of their products, especially for such a budget friendly price! At the end of the day, I've more than doubled my weekly bass practice time since getting this sucker, which is all anyone can really ask for in an instrument! The only negative I've come across for short scale basses in general is you'll have fewer options when it comes to string choices compared to standard scale, and especially compared to guitars. PS – shout out to my gear advisor Ryan T. – he rocks! Despite my being a relative n00b to guitar and bass, he treats me with so much respect and seems genuinely interested in my musical journey. I never feel pressured to buy something I'm not interested in and he even helped me track down a great set of short scale strings that also accommodate my nickel allergy! 🤘Leesah

I bought this base in December. It was advertised as having to humbucking pick ups. That is untrue there single coil pick ups and they've hum very loud. I put GHS Bright Flats on it. I can't get the intonation set correctly. I am not an expert but this is the only bass I couldn't get close. The bridge is very cheaply made. The tuners are also cheap and loos. You never know how far you will have to turn one to tighten or loosen the string. The bass sounds good. I have had cheaper basses that was better made and sounded better. If GC doesn't give me back my money or in store credit I will sell it. I did by the extended warranty. If I have to sell it I would not go back to GC. This is the second Jet I got from there. The jack kept falling out of the first one. I am not driving two hours each way just to talk to them.William

I have been looking at Thunderbirds for a while now. All the Epiphone and Gibson versions. Realized quickly the Gibbys were out of my price range although I wanted the Heritage Cherry version bad… My son spotted this one when it first came out.It was a stone cold copy of the original T-Bird that came out in '63. Had some Backstage points so I scooped this one up in Tobacco Sunburst. I was nervous because of the T-birds I had played in the past were neck heavy. Mine arrived after the typical lightning fast shipping by MF. It arrived in perfect shape. The finish was flawless, not a blemish or buffer burn anywhere. Hardware was classy. All the chrome from the tuners to the the pickup covers is perfect. Plugged it in to my Acoustic 600 W combo amp and went to town! Sound was great! Simple to dial in and the sustain is incredible. Put a strap on it and the afore mentioned neck heavy problem was non-existent! This bass is moderately heavy but not unbearable by any means. I played my first gig with it today, Thanksgiving 2019! It felt so natural to play, like I have been playing it forever. I could not be happier with this bass! It is everything you could ask for without a different name on the head stock. I have not played the Gibson but I can't imagine how it could sound or feel any better. Buy without hesitation! I am bummed it took me this long to decide on one. I have a lot of basses but this one is now my go to…. I can't think of a bad point to mention. Again, buy it! You will not be disappointed! As a side note, it fits in the EPI T-bird case like a glove. Plenty of room for that massive head stock!Hood's Creek bass 17

Anyone who's ever gone on the hunt for a good Thunderbird bass that they're pretty much awesome or awful with little middle ground regardless if it carries an Epiphone or Gibson name badge. I have a pretty big bass collection myself, but have never found an attainable T-Bird that I found appealing. Even among vintage models of Gibsons, dogs are as common as players, and few are truly worthwhile to me. What I discovered while searching for a good Thunderbird was that I favored vintage models with a separate tailpiece and pre-Bicentennial pickups: the intonation is superior and the tone fuller while still having that characteristic Thunderbird snarl. Since most of those are prohibitively expensive because of age and rarity and I don't care for the modern Gibson versions' TB plus pickups and three point bridge or the bolt-on Epiphones with their TERRIBLE pickups, I had pretty much resigned myself that short of finding a screaming deal on a 60's Thunderbird IV or becoming a rock star, my T-Bird itch would go unscratched. …enter the Epi Vintage Pro. It has literally everything I love about the old 60's 'Birds with some modern improvements in finish durability (I love nitro lacquer as much as anyone, but let's be honest, poly is WAY more durable) and intonation since the bridge is moved to its proper scale location. Add in the vintage "oversized" headstock, the neck-though-body construction and the AMAZING recreations of vintage Thunderbird pickups, and you have one monster of an instrument! I really can't say enough good things about it, and just to be clear, I would take this instrument OVER a US-made modern Gibson Thunderbird ANY day! I value quality and tone in my instruments over investment value and this bass has both in spades. If you're looking for an amazing bass for a great price, look no further!Anthony

First and foremost props to American Musical for their help with shipping, the company they used had a delay, and my Tbird went missing for a bit. American musical went above and beyond to help figure out the problem and i got my bass with very little frustration. Out of the box the bass is set up, action was a little high for me, but a simple 1/4 turn and it was playing great. The pickups have a great rock vibe, punchy, but not to high. Big difference between the Gibson and this Epi. Is the weight. It’s a lot lighter, and there isn’t as much neck dive, but be warned, the headstock is a whole inch longer than the Gibson, or the other Epiphone options. So far i absolutely love this bass, for less than half the cost of a new Gibson, this bass delivers. I’ve played Gibson’s, Fender USA’s, Spectors, and several others. For the money, this bass has been amazing.Jansen

After the initial COVID lockdown I landed a gig where I had to have a 5 string bass. So like a red blooded American I took my cash down to the local GC store to buy a fender 5 string American jazz. There wasn't any. I looked for an Ibenez. There wasn't any. I looked for anything and we'll there wasn't any. As the date grew near for our first show, I happened in and they had this one. I was disappointed that this was all there was, but out of desperation, I bought it thinking I would trade it once something I wanted became available. It took me about two months and 10 gigs later when I realized I love this thing. 9 months in and I don't know how many dates later, I wouldn't want to live without it. It plays awesome after a quick and minor setup on the action. The tone is big on the bottom and the mids and highs are as shapable as you want. It is a dream to play and guess what, when I finally got to put my hands on the fender I wanted, I didn't want it anymore. This bass is very much like the high end Ibenez basses. Probably too much for Ibenez's liking actually. I run through a 800w mark bass head with a 2×10 cab and a 1×15 cab. It sounds incredible. The big thing for me is when I run through my amp using the direct out in bypass, it sounds amazing. It is like having a sans amp in the bass. The electrics are that good. I have gotten tons of compliments on the tone and questions about how I got it. I literally just plugged it in. Also I can play it all night and even though it is a five, I am less fatigued then when I play the four fender American jazz I already own. The string spacing and scale I believe is responsible for that. If you are serious about playing a 5 string, at any level, then this bass is one you should look at. I am not super crazy about the esthetics but I get a surprising amount of complements on it. So if that is your thing then rock on I guess. I am getting over the fact that I was a fender snob. Also I believe Jackso is made by fender sooo….Chris

My one only bass for the past 20 years has been a Ibanez SR405 (2001 year model). I feel like I've purchased a big upgrade with this Jackson X Series Spectra. In comparison to the Ibanez, the Jackson's neck is fatter, lower fret sizes are slightly wider and the string spacing is slightly wider. The playability is a lot smoother for my larger fingers/hands. The pickups and active EQ systems are powerful. Need to have some amp/di box control to contain the powerful output when in smaller venues. I use the passive pickup control when in smaller venues and small churches. I feel that what sets this apart from other basses I've tried is how great it sounds to play the d and g strings as well as going above the 12th fret. The stock strings (D'Addario) sound really pretty when playing the higher octaves. The Elixir strings I'm currently using give the B string a BIG SMOOTH THUMP. For those worried about setup out of the box, I live in high altitude. Setup post manufacturer is usually a must because of that. I have been able to get fairly low action without fret buzz after casually messing with adjustments.Zach

I brought this for a signature book for our wedding, we wanted a playable momento, but didn't want to spend a lot of money. It's a great $88 guitar, we have guitars upwards of $500 so of course it would not be as good. Well built, tunes easily, buy needs frequent tuning. I think if we replace with high quality strings we would definitely take this guitar up a notch. Good for beginners and will definitely teach them tuning skills.Tasha S.

I purchase this bass being motivated by its price and rave reviews. Let me just say that when I received my bass today I was blown over at the fit and finish on this bass. It looks like a $500.00+ guitar! I've been playing it for hours and the deep bass is so sweet. The action is a tad high but I kind of like it that way. The great sound projection from this bass made me chuckle while I was playing because the bass made a silver cup I have on a wall mounted shelf rattle! Now that's impressive sound projection! I can't wait to plug in this bass to my friend's Ampeg that's a 1X15 ported bass amp. It should be wild! For the money this Best Choice acoustic had got to be the deal of a lifetime if you're in the market for an acoustic bass guitar.Jason

This is a great acoustic-electric bass. I originally purchased it to use as an alternative to plugging in my electric bass. I instantly fell in love with it. It stays in tune. The nut is of appropriate measurements and the frets are greatly positioned. I changed the factory installed strings with some acoustic bass strings and it sounded so nice! For the price, I didn't expect to get a good value, but I was surprised once I immediately opened the box. Good job Best Choice products!consumer

I really like the look, feel, and simplicity of the 50's P Bass. Fender itself does not make one anymore, leaving the Squire as the only option. Squire makes better instruments than Fender only collectors and vintage only players think. They are the only ones who will notice the "Squire" logo and care. The wood on this is good. Neck is straight and feels good. The frets are finished and good. Tuners are nickel plate and fine. Bridge is nickel plate and fine, with fully adjustable saddles that are nickel plated. The finish is good–providing you like it thick which I do, and was how it was in the 50's I suppose. Sound is good, but I will change the pickup to a Seymour SCPB-3 quarter Pound and change the pots for sure, maybe to Fender Vintage. I will eventually change the nut to bone as well. The sound is good–but can be made more like I want it with those changes. I will practice and rehearse with this now, and likely gig with this after the changes. Squire instruments are so much better than the similar priced gear available when I started playing in bands, when a new Fender anything was a grand without a case, and a Gibson was unthinkable. The knockoff instruments we played then until we could afford a Fender or a Gibson often ran $225-$400 new, and honestly were not as good as this Squire is.CAA

I bought this bass an an inexpensive backup to my Fenders, but I expect to use it as more than just a backup, because it plays well and looks cool. This one had good fret dressing and a nicely-cut nut (some Squier CV basses don't have the nut slots cut seep enough, and they have sharp fret ends, and they buzz at about the 14th fret This one didn't have any of those problems). The Indian Laurel fretboard is darker than most and almost looks like rosewood. I did have to lightly oil it, though. The pickups and bridge were all set to factory specs. and the intonation was pretty close to dead-on. I did need to adjust the neck a bit. There was way too much relief. The only downside is that the truss rod nut is set really deep and my wrench could barely reach it. Time to buy a longer wrench, I guess. I swapped the white pickguard out with a mint green one. You can see that in the picture I uploaded. I think it really looks good with the sonic blue.Dave

I have been dreaming about one day owning a late 50s Precision bass for a long time now, and now my dream has come true in a way. When I saw this bass listed in your “flash sale” last weekend, I knew I HAD to have one! I have been hoping Squier would come out with a bass like this, and now my wish has been granted! When I received it today, I immediately tuned it up and plugged it in to my bass amp-and I was immediately transported to heaven! Sounds great,feels great, and plays like a dream come true! I LOVE IT!!!! Thank you for helping me make my dream come true!Dave

I recently recieved my LTD B-206SM and absolutely love it. It is well constructed, solidly built, and heavy. It has a incredible thick, punchy tone. The controls give a variety of tonal capabilities. Because of the mass of the body and 6 strings, I would suggest getting a large FretWrap to cut down on string vibration. If you play standing up, I would also suggest getting a wide, padded bass strap such as the Gruv Gear Neo 4" strap. I sit down most of the time when playing, but use a wide strap anyway. The case in my photo is the Ibanez MRB500C and it fits perfectly. The B-206SM is an excellent bass and an incredible value with a not too high price. I would recommend it highly.RJD

I've had one for about a year and a half and I can't say enough about this beautiful beast. I got it because I wanted to have one bass flexible enough to provide any tone I'd need for 4 hours of rock/blues/country covers. With some 6 string basses, the output and tone can be terribly inconsistent from string to string, particularly if you have a run that uses all 6 of them. This one, however, has an extremely focused and consistent tone and level no matter where you are on the neck. Playing power chords on the 3 treble-side strings sounds clean and almost guitar-like. I'm a tech and a luthier, so naturally when I buy a bass, I go over it with a fine-toothed comb, adjusting and looking for inconsistencies. The setup was already near-perfect and the cavities are tidy and well-shielded and grounded. Yes, it's heavy. It's a serious bass that uses its weight well. strap balance is great, and i got used to the weight and enjoyed the sustain and resonance that solid weight can bring. There are basses with higher end preamps, more sensitive pickups, more exotic woods, but you will not find a better one than this for twice the money. Exceptional finish, build, balance, broad palette of tones, sustain, and playability. Not to mention the wow factor every time someone new sees it. The price has gone up since I bought it, so pick one up before ESP wises up and charges what it's worth.Jamison