Are you looking for the Best Spanish Classical Guitar? If so, you’ve come to the right place.
Choosing the Best Spanish Classical Guitar can be difficult as there are so many considerations, such as Harmony, Ventura, Raimundo, Epiphone, Yamaha, Aria, Córdoba, Sigma. We have done a lot of research to find the top 20 Best Spanish Classical Guitar available.
The average cost is $952.13. Sold comparable range in price from a low of $119.99 to a high of $2500.00.
Based on the research we did, we think Cordoba F7 Acoustic Nylon String Flamenco Guitar is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Spanish Classical Guitar (20 Sellers)
| Product Image | Product Name | Features | Check Price |
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Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Key features
- Top wood: solid european spruce
- Back & sides wood: cypress
$1399.00$1199.99
4.9
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- European spruce top is paired with stunning flamed maple back and sides and a natural polyurethane finish. the condition of this 55fce is nearly new
- The playability of this guitar is wonderful
- No issues, clean response.
$918.03
4.7
Reviewers Noted:
Well made . Durability . Sound quality . Visual appeal . Weight
Features:
- Solid european spruce top with solid cypress back and sides
- Mahogany neck with ebony fingerboard
- Hand inlaid mother-of-pearl "esteso" rosette and ebony fingerboard
$1282.00
4.7
Reviewers Noted:
Sound quality . Well made . Durability . Visual appeal . Weight
Features:
- All solid woods!
- Solid european spruce top with solid cypress back and sides.
- Mahogany neck with ebony fingerboard.
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Solid canadian cedar top
- Mahogany back and sides
- Lightweight, 3/4 size classical, 48mm nut width
$764.95
4.9
Reviewers Noted:
Attractive . Well made . Good sound quality . Comfortable . Lightweight
Features:
- Solid canadian cedar top with rosewood binding, high gloss natural finish
- Sericite back & sides
- Rosewood fingerboard, mahogany neck, 650mm radius
$1889.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made
Features:
- Solid european spruce top with rounded edges
- Solid walnut back and sides
- Mahogany neck with ebony fingerboard
$309.99
4.5
Reviewers Noted:
Instruction quality . Ease of installation . Craftsmanship
Features:
- Back and sides: maple
- Neck: mahogany
- Fingerboard: kabukalli
$2199.00
5.0
Reviewers Noted:
Sound quality
Features:
- Solid german spruce top with solid spanish cypress back and sides
- Signature gipsy kings flamenco model with custom thinbody depth
- Handmade in spain
$1399.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Solid european spruce top
- Ebony fretboard
- Handmade in spain
$159.99
4.8
Reviewers Noted:
Good sound quality . Well made . Attractive . Durability . Weight
Features:
- Great quality.
- Effortless playing.
- Great student guitar.
Reviewers Noted:
Well made . Good sound quality . Attractive . Durable . Lightweight
Features:
- Description
- Great for beginners
- Also serves as transitional instrument
$399.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- Dimensions (overall): 7.25 inches (h) x 18.5 inches (w).
- Weight: 9.75 pounds.
- Electronics condition: new.
Features:
- Solid european spruce top
- Cypress back and sides
- Nato neck
Reviewers Noted:
Good sound quality . Attractive . Durability . Craftsmanship
Features:
- Solid european spruce top
- Solid cypress back and sides
- Ebony fingerboard
$2500.00
5.0
Reviewers Noted:
Good sound quality . Durability . Craftsmanship
Features:
- Back & sides: indian rosewood
- Top: spruce
- Scale length: 640mm
$699.99
Reviewers Noted:
Craftsmanship
Features:
- Body type: classical
- Cutaway: no
- Bracing pattern: fan
$449.00
4.6
Reviewers Noted:
Good sound quality . Well made . Attractive . Durability . Weight
Features:
- Product purchased from want.jp.
- Original condition, no physical damage.
- All return requests can be submitted with valid return reason selected within 30 days after the item ordered.
$1689.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Hi there.
- Condition is 9.5 out of 10! no nicks, mayor dents, frets have just been dressed due to some light buzzing so it plays perfect.
- Case is included (some scratches on the case).
$119.99
4.8
Reviewers Noted:
Well made . Weight
Features:
- 3/4 size guitar for children aged 8 to 12 years
- Ideal for beginners
- Domed back for better acoustic projection
1. Cordoba F7 Acoustic Nylon String Flamenco Guitar
Product Details:
The cordoba f7 is a flamenco-style nylon-string acoustic guitar with a solid european spruce top and cypress back and sides. the body depth is built in the spanish flamenco style, measuring 3.9" deep at the lower bout, which is thinner than standard nylon string guitars. it also features a flatter neck angle for lower string action and quick, snappy response. the f7 is handmade and includes several detailed refinements like an all rosewood binding, rosewood bridge with bone saddle and rosewood and bone inlaid tie block, rosewood headstock veneer, and heel cap. the burgundy ring and mosaic rosette has been inlaid by hand using all natural woods. the gold tuning machines are floral engraved with black accents and ebonized buttons. the f7 is great for anyone looking for an extremely lightweight guitar with low and quick string action. with an authentic flamenco build, this guitar is light and loud for its size. a deluxe cordoba gig bag with backpack shoulder straps and storage pocket is included.
Specifications:
| Product Dimensions | 46 x 8 x 18 inches |
| Is Discontinued By Manufacturer | No |
| Back Material | Cypress |
| Color Name | Natural |
| String Gauge | Medium |
| Top Material | Spruce |
| Fretboard Material Type | Rosewood |
| String Material Type | Nylon |
| Hand Orientation | Right |
| Guitar Bridge System | Rosewood |
| Scale Length | 650 mm / 25.6 inches |
| Number of Strings | 6 |
Reviews:
I use my C10sp mainly to study and play classical music at home. I own another classical which I use for gigs. I don't want my C10SP to get bumped up and scratched. The sound is well balanced with excellent bass and crisp trebles. The intonation is perfect across the fretboard. The action was standard so I lowered a bit to my taste. The wood is beautiful, the spruce top has a nice color with bear claw marks that makes it unique. The rosewood back and sides has a nice color with a beautiful rose/brownish grain. The tuners are beautiful as well and functional as it keeps the guitar tuned very well all the time. The C10SP is an excellent classical guitar at an incredible price.Guitarmonsterz
I just purchased my Cordoba C9 Parlor, and I'm so excited. Since I previously owned a Taylor GS Mini with steel strings, I was looking for a smaller size guitar with nylon strings. I tried several smaller-feel, nylon guitars (Cordoba Cadete 3/4 Size, Cordoba C5 CET Thinner Body and F7 Paco Flamenco Guitar). The first guitar I tried, the Cordoba Cadete, felt too small. The Cadete is smaller than my Taylor GS Mini. The second guitar, the Cordoba C5 CET, had a slimmer body and a thinner neck. Both of these characteristics made the C5 CET easier to play. However, I felt that its sound was slightly compromised due to its slimmer body. The third guitar I tried, the F7 Paco, was very light and comfortable, but I wasn't akin to playing flamenco, so instead I went with the Cordoba C9 Parlor. I could not be happier with my purchase. Though the D string broke within 3-days of owning my new C9 Parlor, Sam Ash's staff replaced the string same day. Additionally, the C9 Parlor comes with Cordoba's polyfoam case. Please note that this polyfoam case is not a Humicase. Although the case is beautiful, it is heavy and the straps are a flimsy. I wish Cordoba would make a smaller, lighter polyfoam case with more comfortable and durable straps.Dulci
Overall: It is a pleasure and privilege to own the Cordoba C-10 cedar classical guitar because it has the most beautiful balance across the strings. Clearly, this depends on your playing style, and the strings you choose to use. On this instrument i use "rectified-lightly polished bass" strings. While they may not last as long as unpolished strings, the sound they produce is well worth the extra expense and restringing. I can best describe the sounds from this guitar/string combination as lyrical, poetic, and warmly human. No string requires compensation while playing, not even the intrusive G, as this is not clear nylon, but has a mixture of another compound to help "tame" this unruly member.The frets are nearly perfect, with only one area near the sound hole on the low E and A, that is rarely played by anybody, though I will have it remedied eventually. The neck is straight, fingerboard true ebony, and the saddle was perfect out of the box at 2.5 mm and 3. mm clearance at the 12th fret on the 1st and 6th strings. At this low string height, I do have to be sure that strings are constantly tuned up to avoid any buzzing, but that is a small price to pay for such fine and easy play ability.It is so gratifying to find a product that meets its billing, and the stated philosophy of Cordoba's CEO to "bring fine guitars within everybody's reach." That is absolutely true of this guitar, as the first entry into a true classical guitar it proves to be worthy of far more than its cost.Kudos must be extended to zZounds as well for their "pay and play" plan which makes such a great instrument available to mere mortals. Now that I've played this guitar, the cost has become irrelevant.Finally, the most ineffable feature of this guitar only becomes apparent when you play, especially during soft passages, as you pay attention to the celestial aroma of cedar wafting through your consciousness. I do like the sound of spruce-top guitars, but find that most are stuck in "bright to brighter" tones, and they cannot come down to a warm fireplace beside a beautiful guitar played for a beloved wife. Thank you Cordoba
2. Cordoba 55fce Flamenco Nylon String Classical Acoustic-Electric Guitar
Product Details:
The cordoba 55fce is the ultimate crossover nylon-string guitar for any style of guitarist. played by the gipsy kings and a roster of countless other professional musicians, the 55fce's thin body design, deep cutaway, and slightly narrower neck width give the guitar a comfortable feel at home, on stage, or in the studio. the fishman prefix problend onboard electronics with 3-band eq make this cordoba 55fce the perfect guitar for fiery improvisation and a beautiful and dynamic amplified sound. a solid german spruce top generates bold low-mids and mids with cutting high-end enhanced by gorgeous flamed maple back and sides. the natural ebony fingerboard and ebony reinforced spanish cedar neck with multi-ply headstock veneer looks great and feels silky smooth. cordoba's 55 series of acoustic electric guitars come with all the hand detail work and visual presentation of the 55r, and feature cordoba's 5 fan-strut bracing system that gives cordoba guitars their rich and rhobust natural sound. thinline humidified guitar case included.
Specifications:
| Body Top | Solid European Spruce |
| Upper Bout Width | 276mm (10 7/8") |
| Lower Bout Width | 368mm (14 1/2") |
| Body Depth Upper Bout | 65mm (2 1/2") |
| Body Depth Lower Bout | 70mm (2 3/4") |
| Body Length | 483mm (19") |
| Overall Length | 972mm (38 1/4") |
| Soundhole Diameter | 88mm (3 1/2") |
| Top Bracing Pattern | Fan |
| Back and Sides Wood | Flamed Maple |
| Top Binding | Indian Rosewood |
| Rosette | All Wood Traditional |
| Top Purfling Inlay | Ebony and Maple |
| Side Purfling Inlay | Ebony and Maple |
| Back Purfling Inlay | Ebony and Maple |
| Bridge Material | Indian Rosewood |
| Saddle Material | Bone |
| Scale Length | 650mm (25 1/2") |
| Neck Material | Spanish Cedar |
| Fingerboard Material | Ebony |
| Nut Width | 50mm (2") |
| Nut Material | Bone |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Neck Thickness 1st Fret | 21.5mm |
| Neck Thickness 9th Fret | 25mm |
| Frets Total | 19 |
| Tuning Machines | Cordoba Premium Gold with Black Buttons |
| Neck Shape | C Shape |
| Finish | Gloss Polyurethane |
| Electronics | Fishman Prefix Pro Blend |
| Tap Plate | Yes |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Included Case | Humicase Protégé Thinbody Classical |
| Dimensions (WxHxD) | No |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
3. Cordoba F10 Flamenco Guitar Natural
Product Details:
The all-solid f10 flamenco guitar features a solid european spruce top with solid cypress back and sides. it is built with the traditional spanish flamenco body style – a flat neck angle to give the guitar low action and a flamenco buzz. the built-in truss rod makes adjusting the neck angle on this guitar a breeze. includes a golpeador (tap plate), the domingo esteso mother-of-pearl rosette and a comes with a hardshell cordoba humidified archtop case.
Specifications:
Reviews:
I use my C10sp mainly to study and play classical music at home. I own another classical which I use for gigs. I don't want my C10SP to get bumped up and scratched. The sound is well balanced with excellent bass and crisp trebles. The intonation is perfect across the fretboard. The action was standard so I lowered a bit to my taste. The wood is beautiful, the spruce top has a nice color with bear claw marks that makes it unique. The rosewood back and sides has a nice color with a beautiful rose/brownish grain. The tuners are beautiful as well and functional as it keeps the guitar tuned very well all the time. The C10SP is an excellent classical guitar at an incredible price.Guitarmonsterz
I just purchased my Cordoba C9 Parlor, and I'm so excited. Since I previously owned a Taylor GS Mini with steel strings, I was looking for a smaller size guitar with nylon strings. I tried several smaller-feel, nylon guitars (Cordoba Cadete 3/4 Size, Cordoba C5 CET Thinner Body and F7 Paco Flamenco Guitar). The first guitar I tried, the Cordoba Cadete, felt too small. The Cadete is smaller than my Taylor GS Mini. The second guitar, the Cordoba C5 CET, had a slimmer body and a thinner neck. Both of these characteristics made the C5 CET easier to play. However, I felt that its sound was slightly compromised due to its slimmer body. The third guitar I tried, the F7 Paco, was very light and comfortable, but I wasn't akin to playing flamenco, so instead I went with the Cordoba C9 Parlor. I could not be happier with my purchase. Though the D string broke within 3-days of owning my new C9 Parlor, Sam Ash's staff replaced the string same day. Additionally, the C9 Parlor comes with Cordoba's polyfoam case. Please note that this polyfoam case is not a Humicase. Although the case is beautiful, it is heavy and the straps are a flimsy. I wish Cordoba would make a smaller, lighter polyfoam case with more comfortable and durable straps.Dulci
Overall: It is a pleasure and privilege to own the Cordoba C-10 cedar classical guitar because it has the most beautiful balance across the strings. Clearly, this depends on your playing style, and the strings you choose to use. On this instrument i use "rectified-lightly polished bass" strings. While they may not last as long as unpolished strings, the sound they produce is well worth the extra expense and restringing. I can best describe the sounds from this guitar/string combination as lyrical, poetic, and warmly human. No string requires compensation while playing, not even the intrusive G, as this is not clear nylon, but has a mixture of another compound to help "tame" this unruly member.The frets are nearly perfect, with only one area near the sound hole on the low E and A, that is rarely played by anybody, though I will have it remedied eventually. The neck is straight, fingerboard true ebony, and the saddle was perfect out of the box at 2.5 mm and 3. mm clearance at the 12th fret on the 1st and 6th strings. At this low string height, I do have to be sure that strings are constantly tuned up to avoid any buzzing, but that is a small price to pay for such fine and easy play ability.It is so gratifying to find a product that meets its billing, and the stated philosophy of Cordoba's CEO to "bring fine guitars within everybody's reach." That is absolutely true of this guitar, as the first entry into a true classical guitar it proves to be worthy of far more than its cost.Kudos must be extended to zZounds as well for their "pay and play" plan which makes such a great instrument available to mere mortals. Now that I've played this guitar, the cost has become irrelevant.Finally, the most ineffable feature of this guitar only becomes apparent when you play, especially during soft passages, as you pay attention to the celestial aroma of cedar wafting through your consciousness. I do like the sound of spruce-top guitars, but find that most are stuck in "bright to brighter" tones, and they cannot come down to a warm fireplace beside a beautiful guitar played for a beloved wife. Thank you Cordoba
4. Cordoba F10 Acoustic Nylon String Flamenco Guitar
Product Details:
The iberia f7 now has an all-solid counterpart. introducing the new all-solid f10 flamenco guitar, featuring a solid european spruce top with solid cypress back and sides. it is built with the traditional spanish flamenco body style – a flat neck angle to give the guitar low action and a flamenco buzz. the built-in truss rod makes adjusting the neck angle on this guitar a breeze. includes a golpeador (tap plate), the domingo esteso mother of pearl rosette and a cordoba polyfoam case.
Specifications:
| Body Top | Solid European Spruce |
| Upper Bout Width | 286mm (11 1/4") |
| Lower Bout Width | 368mm (14 1/2") |
| Body Depth Upper Bout | 85mm (3 1/3") |
| Body Depth Lower Bout | 90mm (3 1/2") |
| Body Length | 489mm (19 1/4") |
| Overall Length | 984mm (38 3/4") |
| Soundhole Diameter | 84mm (3.3") |
| Top Bracing Pattern | Fan |
| Back and Sides Wood | Solid Cypress |
| Top Binding | Ebony |
| Rosette | Pearloid Esteso Weave Pattern |
| Top Purfling Inlay | Padauk, Maple and Black |
| Side Purfling Inlay | Maple and Black |
| Back Purfling Inlay | Maple and Black |
| Saddle Material | Bone |
| Scale Length | 650mm (25 1/2") |
| Neck Material | Mahogany |
| Fingerboard Material | Ebony |
| Nut Width | 52mm (2") |
| Nut Material | Bone |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Frets Total | 19 |
| Tuning Machines | Cordoba Premium Gold with Black Buttons |
| Neck Shape | C Shape |
| Finish | Gloss Polyurethane |
| Tap Plate | No |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Included Case | Cordoba Polyfoam Case |
Reviews:
I use my C10sp mainly to study and play classical music at home. I own another classical which I use for gigs. I don't want my C10SP to get bumped up and scratched. The sound is well balanced with excellent bass and crisp trebles. The intonation is perfect across the fretboard. The action was standard so I lowered a bit to my taste. The wood is beautiful, the spruce top has a nice color with bear claw marks that makes it unique. The rosewood back and sides has a nice color with a beautiful rose/brownish grain. The tuners are beautiful as well and functional as it keeps the guitar tuned very well all the time. The C10SP is an excellent classical guitar at an incredible price.Guitarmonsterz
I just purchased my Cordoba C9 Parlor, and I'm so excited. Since I previously owned a Taylor GS Mini with steel strings, I was looking for a smaller size guitar with nylon strings. I tried several smaller-feel, nylon guitars (Cordoba Cadete 3/4 Size, Cordoba C5 CET Thinner Body and F7 Paco Flamenco Guitar). The first guitar I tried, the Cordoba Cadete, felt too small. The Cadete is smaller than my Taylor GS Mini. The second guitar, the Cordoba C5 CET, had a slimmer body and a thinner neck. Both of these characteristics made the C5 CET easier to play. However, I felt that its sound was slightly compromised due to its slimmer body. The third guitar I tried, the F7 Paco, was very light and comfortable, but I wasn't akin to playing flamenco, so instead I went with the Cordoba C9 Parlor. I could not be happier with my purchase. Though the D string broke within 3-days of owning my new C9 Parlor, Sam Ash's staff replaced the string same day. Additionally, the C9 Parlor comes with Cordoba's polyfoam case. Please note that this polyfoam case is not a Humicase. Although the case is beautiful, it is heavy and the straps are a flimsy. I wish Cordoba would make a smaller, lighter polyfoam case with more comfortable and durable straps.Dulci
Overall: It is a pleasure and privilege to own the Cordoba C-10 cedar classical guitar because it has the most beautiful balance across the strings. Clearly, this depends on your playing style, and the strings you choose to use. On this instrument i use "rectified-lightly polished bass" strings. While they may not last as long as unpolished strings, the sound they produce is well worth the extra expense and restringing. I can best describe the sounds from this guitar/string combination as lyrical, poetic, and warmly human. No string requires compensation while playing, not even the intrusive G, as this is not clear nylon, but has a mixture of another compound to help "tame" this unruly member.The frets are nearly perfect, with only one area near the sound hole on the low E and A, that is rarely played by anybody, though I will have it remedied eventually. The neck is straight, fingerboard true ebony, and the saddle was perfect out of the box at 2.5 mm and 3. mm clearance at the 12th fret on the 1st and 6th strings. At this low string height, I do have to be sure that strings are constantly tuned up to avoid any buzzing, but that is a small price to pay for such fine and easy play ability.It is so gratifying to find a product that meets its billing, and the stated philosophy of Cordoba's CEO to "bring fine guitars within everybody's reach." That is absolutely true of this guitar, as the first entry into a true classical guitar it proves to be worthy of far more than its cost.Kudos must be extended to zZounds as well for their "pay and play" plan which makes such a great instrument available to mere mortals. Now that I've played this guitar, the cost has become irrelevant.Finally, the most ineffable feature of this guitar only becomes apparent when you play, especially during soft passages, as you pay attention to the celestial aroma of cedar wafting through your consciousness. I do like the sound of spruce-top guitars, but find that most are stuck in "bright to brighter" tones, and they cannot come down to a warm fireplace beside a beautiful guitar played for a beloved wife. Thank you Cordoba
5. Cordoba Cadete 3/4 Size Acoustic Nylon String Classical Guitar
Product Details:
Slightly larger than the requinto 580, the cadete is a 3/4 size guitar (615mm scale length). it has the traditional spanish 7 fan bracing, a solid cedar top and mahogany back and sides. additional features include a hand inlaid wooden rosette, gold tuning machines with pearl buttons and a rosewood fingerboard. an adjustable truss rod is built into the neck. this is a great guitar for anyone looking for a lightweight, comfortable, and easy playing instrument.the cordoba cadete comes strung with high tension savarez guitar strings, which are meant to be used in standard e tuning only. for a guitar that is designed to withstand higher pitched tunings, consider cordoba's c1 1/4, c1 1/2, or requinto 580. case sold separately.
Specifications:
| Build | Small Body |
| Construction | Solid Top |
| Body Top | Solid Western Red Cedar |
| Top Bracing Pattern | Fan |
| Soundhole Diameter | 84mm (3 1/3") |
| Rosette | All Wood Traditional |
| Top Binding | Composite |
| Back and Sides Wood | Mahogany |
| Neck Material | Mahogany |
| Scale Length | 615mm (24.2") |
| Neck Shape | C Shape |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Frets Total | 19 |
| Finish | Gloss Polyurethane |
| Saddle Material | Bone |
| Nut Material | Bone |
| Tuning Machines | Cordoba Gold with Pearl Buttons |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Upper Bout Width | 260mm (10 1/4") |
| Lower Bout Width | 343mm (13 1/2") |
| Body Depth Upper Bout | 80mm (3 1/8") |
| Body Depth Lower Bout | 85mm (3 1/3") |
| Body Length | 457mm (18") |
| Overall Length | 940mm (37") |
| Country of Origin | China |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
6. Alhambra 4z Classical Guitar
Product Details:
To commemorate their 50th anniversary, alhambra has remodeled their exceptional 4z conservatory classical guitar to create a truly unique instrument! the guitar’s resonant solid cedar top and vibrant ziricote (cordia dodecandra) back and sides are beautiful woods that showcase both look and sound to the very fullest. the tonal character of this model is one that is full, deep, rich, and supremely confident – described by many as having a very ‘spanish sound.’ each guitar is one of a kind, and it is especially noticeable in this model. the alhambra 4z especially has special differences between the iberia ziricote wood grain from instrument to instrument. the 4z instrument features the ‘ergoneck’, a narrower neck that is made from mahogany and provides comfort. the pieces of the saddle and nut are made of melamine, a material that assists in the transmission of sound throughout. the fingerboard is made of indian rosewood, a very elegant hardwood that also provides durable, stable consistency when playing. the alhambra 4z is a mid-range guitar, offering the feel and build quality found in higher priced professional instruments. the characteristics of the neck and the string action are similar to what you see in professional setups as well.
Specifications:
| Body type | Classical |
| Cutaway | No |
| Top wood | Solid Canadian Cedar |
| Bracing pattern | Fan |
| Body finish | Natural Gloss |
| Orientation | Right handed |
| Neck shape | U |
| Nut width | 2.04 in. (52 mm) |
| Fingerboard | Ebony |
| Neck wood | Mahogany |
| Scale length | 25 in. |
| Number of frets | 18 |
| Neck finish | Natural Gloss |
| Pickup/preamp | No |
| Headstock overlay | Rosewood |
| Tuning machines | Gold |
| Bridge | Rosewood |
| Number of strings | 6-string |
| Country of origin | Spain |
Reviews:
Alhambra is a very premium making that has started making factory guitars, this ones not bad- probably the best beginner guitar I've seen at guitar center. However it's pretty pricey and you basically are paying the price to get it shipped from Spain and at that price there are many handmades from Spain that are better. Still not badDan, I
I just received my handmade Linea Profesional built by Alhambra in Spain. This is perhaps one of the absolute best professional level classical guitars you can buy for the money. It has a cedar soundboard giving the guitar a deep melodious, Spanish tone with excellent sustain. The innovative strut design offers the guitar magnificent projection. It came with two saddles. I use the lower saddle without buzz. The tuning machines are beautiful and compliment the instrument. The rosette, saddle decoration, and binding are all beautifully matched. You cannot find a better classical guitar in this price point. I recommend it without reservation. This is my forever guitar.frona-22
Great guitar for the price point. Tried all of the other classical models in the store at this price point and below, and walked away with this one due to both sound and aesthetics. Particularly good for the Brazilian jazz stylings I was looking to play. Definitely recommended as an entry point into the classical world.Brian
7. Yamaha Ncx5 Nylon String Classical Acoustic-Electric Natural
Product Details:
Solid european spruce top, solid walnut back and sides, african mahogany neck, ebony fingerboard / flat radius, walnut and ebony bridge, 19 frets / 25.6" scale, atmosfeel preamp system, undersaddle pickup, contact sensor & mic, bone saddle & nut, includes gig bag, batteries & hex wrench. designed for discerning nylon players seeking a quality amplified sound the yamaha nx series ncx5 is an acoustic-electric nylon-string guitar. the single-cutaway body offers a solid european spruce top as well as solid walnut back and sides.the instrument's 25.6 scale african mahogany neck offers an ebony 19-fret fingerboard and a flat radius. at the headstock you'll find gold tuning machines. the bridge is fashioned out of ebony and walnut. ornamental touches—such as mahogany black and white body binding and a rosette made of abalone mahogany and padauk—adorn the instrument. both the nut and saddle have been constructed out of bone.for electronics the instrument offers yamaha's atmosfeel pickup and preamp system. this system is comprised of three different parts: an undersaddle piezo pickup with individual string sensors a synthetic sheet transducer and an internal microphone. the sensors allow the piezo pickup to capture the low and low-midrange frequencies while the sheet transducer captures the highs and the microphone handles the resonance body and fills out the low and mid parts of the sound.this may sound complicated but the controls over this system are simple: a mic blend knob an eq knob and a master volume control. included with the instrument are a hex wrench a gig bag and two aa batteries.
Specifications:
| Body type | Classical |
| Cutaway | Single |
| Top wood | Solid European spruce |
| Orientation | Right-handed |
| Nut width | 1.89" |
| Fingerboard | Ebony |
| Neck wood | Mahogany |
| Scale length | 25.56" |
| Neck finish | Satin |
| Pickup/preamp | Yes |
| Configuration | Piezo and mic |
| Preamp EQ | 3-band |
| Tuning machines | Deluxe |
| Bridge material | Ebony |
| Finish | Gold |
| Number of strings | 6 |
| Country of origin | Japan |
Reviews:
The looks of the instrument are gorgeous. When I was buying there were very few reviews for this instrument on internet. I took a leap…. This guitar will not give you real classical sound unplugged. When you plug it in you can play with the sound settings depending on what you have available. I play classical guitar in an ensamble and can add some reverb and even a bit chorus. Being a classical musician I wanted depth and warmth, so you need a good EQ. I use just a bit of piezo and a lot of inside mic but right off the bet with such set up you have feedback issues with volume on the guitar all the way down. So there is the need for anti feedback feature. During live concert I had no choice but to bring the Low frequency down and it was very uncomfortable. The guitar is hot. Despite all of it I like the guitar and I suspect there is a lot of potential with this instrument. When you finally set the sound to your liking it's very rewarding! This combo of under the bridge Pic up and inside mic gives you a lot of room to explore the sound. I took the guitar to my Luther to try to eliminate some bazz especially on 4th string, he was able to somewhat do it via bridge and he said that the freeboard is done quite good and does not need adjustment. I like the playability as well. I have another Yamaha trans acoustic that is absolutely amazing and deep but wanted to expand the range of sound variations. Hope this info helps those on the fence about buying it. I was looking at this instrument ever since it came out and am glad that I got it.Natasha
My first guitar was a nylon-string classical guitar made in Spain. The neck was wide as expected, but that wasn't an issue for me when I was 11 years old. However, this guitar's neck is thinner and that's one of the reasons I went with this model. The action is also low right out of the box which I like. It is a joy to play. The sound when unplugged it's good, but the guitar really comes alive when using an amplifier. The built quality is great. And the case that comes with it is very, very good as well. If you want that nylon-string guitar sound with a friendly neck profile and low action, then this is a great choice.Carlos
Excellent instrument . It takes a while to get used again to a wide fingerboard but very good for finger style. I particularly liked the strap button near the heel and first class protective gigbag.. Very good tone and upper sring accessibility with cutaway. Refined appearance and a relief that batteries are easy to fit.John C.
8. Admira Triana Classical Guitar
Product Details:
After being founded in 1944, enrique keller s. a. (eksa) has grown to become one of the largest manufacturers of spanish guitars in the world. our products are highly respected by musicians of all genres who value the extraordinary depth and richness of the sound produced by our guitars.
Specifications:
Reviews:
rather confusing but they now work beautifully.L
Muy buena visto el precio
worked well. would have prefered a deeper inset but everything worked out well.Chedomir
9. Cordoba Fcwe Gipsy Kings Reissue Nylon-String Flamenco Acoustic-Electric Guitar
Product Details:
Our first guitar originally released in the late 1990s, the spanish-made fcwe is a piece of crdoba history. it features a solid european spruce top and solid spanish cypress back and sides with spanish fan bracing for optimal projection. design features ready to take the stage with you, the fcwes powerful built-in fishman prefix problend preamp and thinbody design helps reduce feedback when the guitar is amplified at high volumes. low action and little relief in the neck make this guitar comfortable and easy to play. a two-way truss rod is built into the spanish cedar neck for longterm stability. other premium features include an ebony fingerboard, indian rosewood binding and bridge, a clear flamenco-style tap plate, and savarez cristal corum strings. comes in a humidified humicase protege case.
Specifications:
| Build | Thinbody |
| Finish | Gloss Polyurethane |
| Country of Origin | Spain |
| Shipper Carton Dimensions | 1160 x 460 x 190 mm |
| Construction | All Solid Woods |
| Body Top | Solid European Spruce |
| Top Bracing Pattern | Fan |
| Back Binding | Indian Rosewood |
| Top Binding | Indian Rosewood |
| Top Purfling Inlay | Ebony and Maple |
| Soundhole Diameter | 3.5 inches / 88 mm |
| Soundboard Thickness | 2.5 mm |
| Body Length | 19 inches / 483 mm |
| Overall Length | 38.25 inches / 972 mm |
| Neck Material | Spanish Cedar |
| Fingerboard Material | Ebony |
| Neck Joint | Spanish Heel |
| Neck Shape | U Shape |
| Neck Thickness | 21.5 mm 1st Fret, 25 mm 9th Fret |
| Scale Length | 25.6 inches / 650 mm |
| Fret Type | Medium High |
| Headplate | Rosewood |
| Pickup Type | Undersaddle Piezo + Microphone |
Reviews:
As good a thin body as you can get. Especially for the price. Cordoba, what else can I sayNuroe
I am an experienced player. Thought that this guitar would keep me, intonation-wise, in flamenco realm. I was wrong. Use it with much pleasure and effect on any musical situation (bossa, blues, jazz, latin). Would take any playing style (finger-style, with a pick, or strumming). Excellent and beautiful construction. And, most importantly, great tones. Cordobas are the best in its price point and easily among the best guitars in the 3 to 5 thou range.Ricardo Moraes Pinto
10. Cordoba 55fce Thinbody Acoustic-Electric Nylon String Flamenco Guitar
Product Details:
The ultimate crossover nylon-string guitar for any style of guitarist. played by the gipsy kings, the 55fce's thin body design, deep cutaway, and slightly narrower neck width give the guitar a comfortable feel at home, on stage, or in the studio. the fishman prefix problend on board electronics with 3-band eq make the 55fce the perfect guitar for improvisation with an amplified sound. comes with a humicase thinbody protege case.
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
11. Yamaha C40 Bl
Product Details:
You can be safe in the knowledge that the materials used will be robust enough to last and resonant enough to provide a consistent, balanced tone. the nylon strings are ideal for classical playing, or for beginners whose fingers may benefit from the reduced tension. the yamaha c40ii full size classical guitar is an ideal guitar for those who are looking for an affordable, yet high quality instrument. features /specification popular choice for beginners spruce top meranti back and sides. rosewood fingerboard. rosewood bridge. scale length – 650mm (25.59"). chrome tuning machines. supplied in natural finish with black binding.
Specifications:
| Neck | Nato |
| Fretboard | Rosewood |
| Scale | 650 mm (25.9") |
| Cutaway | No |
Reviews:
I was looking for a good beginner's guitar, and I wanted something with nylon strings. I did a pretty extensive search in order to find an instrument that was relatively inexpensive yet had some degree of quality. I read reviews on this particular model, and most seemed to be pleased. I was able to purchase one that, I'm guessing, had been returned, and I was very pleased with both the reduced price and the condition/quality of the guitar. The guitar itself has a very beautiful and mellow tone. It stays in tune, only requiring minor adjustments from time-to-time. I would not recommend this for young people or those adults with smaller hands, as the neck is somewhat wider than one might expect. All-in-all a very fine instrument for the price.Swewpa
This is the best beginner/student classical guitar there is bar none. It's full size and the intonation is spot on, the tuners (whilst basic) are fully functional and consistent. The bridge saddle has 3rd string compensation and is set to a low-ish action. Putting a new set of EJ45's opens up the sound considerably (don't play with the crappy strings that are on it). Great second or studio guitar for the experienced player. Stick it in a half decent case and you'll have a fantastic holiday guitar for around £150. The spruce soundboard already sounds good and will improve with age. Buy, play it – chuck it about. – it's very well made and robust. Finish is shiny and cleans with a wipe. Buy it today.Warwick M.
12. Yamaha Cgs103a 3/4 Classical Acoustic Guitar, Natural
Product Details:
The cgs103a classical guitar is a great 3/4-size instrument perfect for students learning to play. the yamaha guitar features a spruce top, meranti back and sides, a nato neck, and a rosewood bridge and fingerboard. body depth: 3.15" 3.3". scale length: 22.8". fingerboard width (nut/body): 1.9". top: spruce. back: meranti. sides: meranti. neck: nato. fingerboard: rosewood. bridge: rosewood.
Specifications:
| Length | 36.9291 in |
| Height | 4.5669 in |
| Width | 16.5748 in |
Reviews:
I bought this for my friend that wants to learn how to play the guitar. I chose this for him because it's a nylon string so it wouldn't hurt his fingers which I noticed that most beginners easily gets frustrated when the steel strings hurts their fingers and then stops learning how to play the guitar. The guitar is well made and it looks like that it will last a long time of course with proper care. It's very light weight and compact so it's easy to maintain and store this guitar and also good for traveling.Rome
This Yamaha classical guitar is sold as a 'student' guitar but it's also a great travel size instrument. It's affordable, stays in tune, intonates well and has a great full body sound even though its a 3/4 size guitar. The nylon strings are easier on the fingers than steel strings and are great for someone just starting out. This one arrived with smooth fret ends and played perfectly right out of the box. Yamaha is one of best quality guitar brands, this one proves it.bascorulesright
This was my first time trying out Musiciansfriend. I must say I wish l had I known about them sooner. I bought a guitar for my daughter's lessons. The guitar came well protected in the box. The shipping was super fast and it arrived on time. The color of the guitar is gorgeous – my daughter loves it. The price too was very good compared to other sites. I also bought a case separately and the foot stool which I am happy with. I will definitely be shopping here for all our instrument needs. To top it all off. I received a purchase follow up call from the team at Musicianfriends. It's important to make sure your customers are happy with their purchase or address any questions or concerns.Noma N
13. Kremona Soloist S62c Classical Acoustic Guitar Open Pore Finish
Product Details:
Give a listen to this senorita f soloist s62c is a great sounding 7/8 size classical guitar. only a tiny bit smaller than a standard scale instrument, it has all the tone found in the rest of the family. a slightly slimmer neck width and shorter scale length gives a surprising ease of playability for smaller guitarists or anyone that finds a standard classical to be uncomfortable. handmade in europe, over 90 years of craftsmanship goes into each wonderful instrument. the kremona workshop in bulgaria has a team crafting guitars that celebrate the highest level of quality. compare features of the soloist series to guitars that cost much more f solid red cedar top, beautiful sapele back and sides, african mahogany neck, indian rosewood fingerboard and bridge, wood fiber edging, wooden purfling and rosette, thin polyurethane finish, van gent gold-plated machine heads, long-lasting dovetail neck joint and finished off with an inspection to assure quality in each instrument including a set-up with premium royal classics mid-tension strings. other features include the finger-friendly 50mm (1.97-inch) width at nut and comfortable 620mm (24.41-inch) scale length. kremona branded padded gig bag with neck support included.
Specifications:
| Dimensions (Overall) | 7.25 inches (H) x 18.5 inches (W) |
| Hand orientation | Right-Handed |
| Instrument body construction | Laminate |
| Number of strings | 6 |
Reviews:
As soon as I picked up this guitar, it felt like it had been my guitar my whole life! The narrow neck and quality craftsmanship make it probably the most playable guitar I've ever gotten my hands on. The materials and look of the guitar are absolutely beautiful, and it sounds even more gorgeous. The pickup and microphone blend option is amazing, so you can play percussion or really capture rhythmic slaps and plucks of your fingerstyle. The cut away gives you that extra freedom near that wonderful area past the 12th fret, and arrived out of the box with perfect intonation across the entire fret board. Cut away doesn't effect the quality of the sound, and also just looks very good. The gig bag is as nice as it gets. I could not be more pleased with this purchase.Colin O
This guitar is really excellent, plenty loud and round sound from the tight-grained cedar top. The saddle and nut are high quality, and the craftsmanship across the rest of the instrument is great! The headstock especially is beautiful. I purchased a scratch and dent instrument, there were several marks in the finish in seemingly random spots, hard to tell exactly what caused them. There were also a few pin-sized bubbles in the finish (specifically near the edges on the body) that easily scratched off, leaving a hole directly to the wood itself. Very minor, but unsure of it was a factory flaw or just the finish being naturally delicate. Of course, it doesn't really affect the sound or playability of this wonderful instrument!Dan
I just received my Solea SA-C guitar in the mail and I could not be happier with how beautiful this instrument is! I am quite literally blown away by the beautiful wood grain of the cocobola back and sides! The fit and finish seems very good although there are a few small imperfections that you can find if you look close but overall this guitar is a gem. I've never owned a classical guitar before and ordered this one after doing some research. I did not want a Chinese made guitar and I wanted all solid wood. I first ordered a Cordoba Solista but it was back ordered so I cancelled and ordered this Solea and I'm happy I did because it's simply gorgeous and sounds exactly how I had imagined it would. It's pretty loud and has a nice mellow balanced tone I would say. It sounds sweet to put it simply!Jesse
14. Yamaha Cg172sf Nylon String Flamenco Guitar
Product Details:
Classical & nylon-string guitars by yamaha. details:drawing upon the vast knowledge and techniques of our master craftsmen, the cg series nylon string guitars where developed to deliver top level sound quality, performance and playability. the cg172sf is a flamenco model with a cedar top and cypress back and sides.
Specifications:
| String Type | Nylon |
| Number of Strings | 6 |
| Body Style/Shape | Classical |
| Finish | Natural |
| Top Wood | Solid Engelmann Spruce |
| Binding | Yes |
| Neck Shape | Flamence |
| Scale Length | 25.6" |
| Number of Frets | 18 |
| Nut Width | 2.0625" |
| Fingerboard Material | Rosewood |
| Body Depth | 3.7" – 3.94" |
| Bridge Material | Rosewood |
| Tuning Machines | Classical Style |
| Electronics | No Electronics Onboard |
| Case Included | No Case Included |
15. Kremona Rosa Blanca Flamenco Guitar
Product Details:
This item was returned in great condition. it looks and plays like new, with only minor signs of use (slight scuffs, etc.). the kremona flamenco series rosa blanca acoustic guitar offers players a clean look and sound. it snaps and rasps articulately, yet burns with warmth and just the right balance to carry dancers and percussionists. the cypress and spruce construction give the rosa blanca a bright and powerful sound. made of the finest materials by kremona's most celebrated luthiers, the rosa blanca is an essential flamenco guitar.kremona is a privately owned and operated facility in bulgaria that employs more than 100 people and craftsman. in a modern world kremona builds on its rich traditional history of workmanship and excellence. using only the finest in local materials as well as imported materials kremona continues to improve the look, feel and playability of its instruments.
Specifications:
| Product Dimensions | 42 x 17 x 6 inches |
| Country of Origin | Bulgaria |
| Back Material | Cypress |
| Color Name | Natural |
| Fretboard Material | Ebony |
| Guitar Pickup Configuration | No Pickup |
| Scale Length | 650 |
| String Gauge | Medium |
| String Material | Nylon |
| Top Material | Spruce |
| Neck Material Type | Cedar |
| Number of Strings | 6 |
| Guitar Bridge System | Adjustable |
| Fretboard Material Type | Ebony |
| String Material Type | Nylon |
| Hand Orientation | Right |
Reviews:
I own a 2013 Rosa Blanca and was pleasantly surprised upon arrival. Its a TRUE flamenco guitar with great neck shape for flamenco, shallow body depth and quick response with the right flamenco tone. The string spacing at saddle is 60mm separation which is exactly the same as Conde Hermanos and Manuel Reyes guitars. The build and quality is top notch and much better than guitars double the price that I used to own from Spain. The Kremona guys in Sophia just got the design right on these Rosa models as they truly are great guitarra flamencas!Don
16. Cordoba Master Series Torres
Product Details:
The córdoba torres is the culmination of centuries of classical guitar making, largely inspired by the work of the great luthier antonio de torres but with modern design elements that make this guitar accessible to guitarists today. original torres guitars are know for their surprisingly huge sound, despite their small and lightweight frames. the córdoba torres carries on this legacy with its big voice and shortened scale length, and is based on a specific 1856 torres with a 24.8” body size and 640mm scale length. antonio de torres was one of the most important guitar makers of the 19th century, building between the early 1850s and 1892. as a stradivarius violin is revered among violinists, a torres guitar is prized and collected among guitarists. torres innovated a body shape, bracing pattern, soundboard arch, and other design elements that were revolutionary for his time, transforming the guitar into a much louder and resonant instrument with more projection than any guitar that had come before it. not only are torres guitars the elite standard by which most classical guitars are compared to today, but most modern steel string acoustic guitar designs are traceable to the torres lineage.
Specifications:
| Build | Classical |
| Finish | Nitrocellulose Lacquer |
| Country of Origin | USA |
| Shipper Carton Dimensions | 1160 x 460 x 190 mm |
| Body Top | Solid Engelmann Spruce |
| Top Bracing Pattern | 1856 Torres 7 Fan |
| Back Binding | Indian Rosewood |
| Top Binding | Indian Rosewood |
| Top Purfling Inlay | Maple and Black Rope Pattern |
| Soundhole Diameter | 3.3 inches / 84 mm |
| Soundboard Thickness | 2.5 mm |
| Body Length | 18.5 inches / 470 mm |
| Overall Length | 38 inches / 965 mm |
| Neck Material | Spanish Cedar |
| Fingerboard Material | Ebony |
| Neck Joint | Spanish Heel |
| Neck Shape | C Shape |
| Neck Thickness | 21 mm 1st Fret, 24 mm 9th Fret |
| Scale Length | 25.2 inches / 640 mm |
| Frets Total | 19 |
| Headplate | Indian Rosewood |
Reviews:
I received my Cordoba Torres a few years ago, so I've had some time to grow with it. I cannot say enough good things about this instrument. The tone is very Spanish in character and carries that unique Torres timbre. It also projects very well for a guitar of its size. It kind of blows peoples minds when I play this thing, as it will overpower almost any Dreadnought that happens to be nearby. The action is great for a classical player (3-4mm at the 12th fret), the rosette and purfling are wonderfully designed and crafted, the engelmann spruce soundboard shimmers when sun is shining upon it. It's a great guitar to look at and a great guitar to play. And being spruce, the tone will grow the more you play it. I've noticed a huge "opening up" as the months went by from my initial purchase. My only complaint was that the 7th fret was a tad bit high and there were a few very subtle cosmetic blemishes in the finish. (Swirl marks on the back, buff burn on the upper bout perfling.) Also, the case is a bit flimsy.Robert
Let me start of by saying I couldn't wait to get this instrument! I've been searching for an affordable concert grade classical guitar which had a balanced tone… a neutral tone and I've finally found it with the Cordoba Hauser Master Series guitar. I've been playing classical guitar for almost 30 years. This is my very first Spruce top guitar. My main guitar, a handmade early Michael Thames, overtime developed a very warm, mid-range type of sound. You could always move closer to sound hole or to the bridge and get a different tone, however you always had that same mid-range overtone. I was searching for a clear tone, almost pure tone with overtones that were balanced. I took a shot on the Cordoba Hauser Master Series guitar, even though the online videos did not fully represent the different tone colors you could get out of this guitar. Once I received the guitar, I was overjoyed! Not only did it look fantastic, but the quality of workmanship is evident. There are no hard and fast flaws that you sometimes see with handmade guitars, however there are some minor flaws, such as slight discolorations on the side of the ebony fingerboard (you really have to look) and some glue on the bridge which is only noticeable by the player (and you really have to look). However, the SOUND of this guitar is just simply amazing. Totally what I was hoping for: a neutral sound that doesn't color the notes like my Michael Thames guitar. As you move your hand closer to the neck, the sound gets so sweet and mellow, a perfect "dolce." If you move your hand toward the bridge, you get that great "brassy" ponticello sound. Also, the balance is great between the basses and the trebles. It's really easy to bring out either side and the intonation is spot on. It can be louder than I expected, and I would think over time the Spruce will open up more allowing even more volume to get out of the guitar. The selling point for this guitar for me is the true neutrality of the sound.RectifiedGTRz
After buying the Masterworks Hauser edition by Cordoba, I decided to would purchase the Torres as I have never played a smaller scale classical guitar. My hands are smallish, and I've always felt some stretches on my Michael Thames classical were hard for me. After the Torres arrived and during the first few moments of playing the guitar, I felt I had made a great choice. The Hauser edition is wonderfully neutral sounding, while the Torres has a pretty powerful sound that is reminiscent of a cedar top, but exudes a nice clear, balanced tone that isn't overly drenched in overtones (while still projecting some nice ones). The trebles are clear and the basses are pretty strong and not boomy. The Torres is definitely worth the price, and I would have probably paid "sticker price" for it. I was also surprised that Cordoba makes a case specifically for the Torres, so it fits inside nicely. I was expecting to get the exact same case that came with the Hauser model, but this case is a little smaller. I am a trained classical guitarist, and while I still love to play my handmade Michael Thames, both the Hauser and the Torres are getting more play time. The smaller scale seems to fit my hands a little better, and I am able to switch easily between the Hauser and the Torres. The fingerboard is supposed to be narrower, according to the Cordoba website, but I really don't notice that. Don't let the videos fool you: the Torres will sound great with just about any era of classical guitar music (Renaissance, Baroque, Classical, Romantic, Modern). Before buying the Hauser model, I was skeptical of Cordoba, however the masterworks versions that I have are very good handmade guitars and well worth the price. I know the Torres will keep sounding better the more I play it, and the Hauser really opened up within a year. Do yourself a favor if you're looking for a nice, professional classical and pick this one up.RectifiedGTRz
17. Alhambra. Student 2f Flamenco Classical Guitar. Cedar, Mahogany, Rose
Product Details:
The guitar 2 f is an entry level guitar which is very affordable. the steps of the manufacturing process have been reduced as well as its overall cost of production while keeping the recognized quality of alhambra guitars. the alhambra 2 f is completely made in spain. with its natural satin finish, the pores of the2 f remain open, allowing the sound to have a great resonance. the 2 f has a very simple design which boils down to its natural beauty. this guitar will bring flamenco players beginners a safe choice and the opportunity to start with an instrument for perfect value for money.
Specifications:
18. Yamaha Cg182sf Flamenco Classical Guitar
Product Details:
This guitar has been on display in a yamaha showroom for a short time. it's full working order and in generally excellent condition; there may be minor cosmetic signs of wear. it includes a full two-year guarantee. this model is a successor model of cg171sf made of cypress laminate side/back and scratch plates to make authentic flamenco sound and style of play possible. this authentic flamenco guitar certainly satisfies needs of flamenco players; moreover, its characteristics, such as lower action, great playability, quick response and attack, will definitely appeal to non-flamenco style players like pop/rock guitarists.
Specifications:
| Scale Length | 25.5" |
| Fretboard | Ebony |
| General Neck Shape | D |
Reviews:
Im a nylon fingerstyle player, but not essentially a classical player, although I can play some classical pieces albeit badly. At first impression this is a good intermediate classical guitar. With 52mm nut width, at 12th fret neck join and 19 frets in total. So a standard classical Guitar. In fact it is basically a CG 162 with copied tonewood amp technology built in. That's where the criticism of price comes in. You are basically paying 500 pounds for a three hundred pound Guitar. But that was okay for me as I figured that if I bought the CG 162 and then bought the additional tonewood amp the cost would exceed the 500 price point. So I opted for the CGTA instead saved 50 quid and everything is integrated and less fiddly than fitting in a tonewood amp. This Guitar is perfect for me, and just what I wanted. It makes me play more and gives me my ambient tone without the hassle of turning on and plugging into my amp and useing pedals. It will never replace my very expensive Taylor nylon string guitar. Or my pedal board and acoustic amp. But I practice on this every time I walk past it. I dont have any problems switching from a 48mm nut width of a hybrid nylon to the 52mm nut width of a classical guitar. But bear this in mind as you may not like the flatter wider finger board of the standard classical Guitar. The instant ambient sound inspires me to keep playing it over my other guitars as we humans are lazy and choose the road with least resistance and picking up this and pressing a button is far easier than getting out my pedal board and amp. But I would never perform with this. I even take it out in my garden and get a sound I would never have dreamed of getting before. I can take it room to room and still have my ambient tone on tap at the press of a button So yes overpriced for what it is..but .. perfect for me and just what I was looking for.Kerry T.
My daughter plays classical guitar in chamber group and needed amplification to be heard along violins and other loud strings. She also didn't want a cutaway. I went down to mid-town Guitar Center, we tried two, and are happy with the purchase. This was a perfect price point. The next amplified classical acoustic without cutaway was over 1k USD. Also great sound without any amp or onboard preamp. Bright solid sound.Kian T
Let me tell y'all what it is! Lol. I am really into this classical nylon guitar; it is the best nylon guitar I've had in years. Over 20 years ago, I had bought a nylon guitar in Mexico. It was totaled, eventually. But, I've been meaning to get a classic Spanish nylon ever since. This particular model was a gift from my beautiful soon-to-be-wifey! She hit the nail on the head with this axe (she too is a musician). This model, I am really interested in pima, finger style and Huapango, and other Latin variations. My fingers have missed this kind of a fretboard; since I am used to my electric guitars (Ibanez, PRS, Epi.) A most excellent purchase, I strongly recommend it. I love the wood on it. Lol. December 2020.T.A.
19. Cordoba 55fce Negra Flamenco Nylon String Classical Acoustic-Electric Guitar
Product Details:
The 55fce is the chosen guitar of the gipsy kings for its thinbody design, deep cutaway, and slightly thinner neck width. the rich, smooth sound of ziricote pairs nicely with the 55fces solid spruce top for an overall fantastic tone. featuring the fishman prefix pro-blend onboard electronics with 3-band eq, the 55fce limited is the perfect guitar for improvisation with an amplified sound. top: solid european spruce. back and sides: flamed mapl. binding/bridge: indian rosewood. purfling/inlay: 4-ply. rosette: all natural inlaid wood mosaic. finish: high-gloss pickup finish, honey amber tinted back and sides. neck/fingerboard: spanish cedar neck/ebony fingerboard/cutaway-electric style neck. truss rod: yes, 4mm. scale length: 650mm (25.6"). nut width: 50mm (1.96"). string spacing at saddle: 57mm. nut/saddle: bone. number of frets: 12 to body, 19 total. bracing/build: spanish fan bracing, flamenco style build, cutaway electric. body width and length: 271mm (10.7") at upper bout/370mm (14.5") width at lower bout/1,003mm (39.5") total length. overall length: 38.25". body depth: 64mm (2.5") at upper bout/68mm (2.7") at lower bout. tuning machines: cordoba premium gold tuning machines. strings: savarez cristal corum in high tension 500cj. electronics: fishman prefix problend on board. electronics with 3-band eq. tap plate/pick guard: clear spanish golpeador. case thin body protege.
Specifications:
| Body Top | Solid European Spruce |
| Upper Bout Width | 276mm (10 7/8") |
| Lower Bout Width | 368mm (14 1/2") |
| Body Depth Upper Bout | 65mm (2 1/2") |
| Body Depth Lower Bout | 70mm (2 3/4") |
| Body Length | 483mm (19") |
| Overall Length | 972mm (38 1/4") |
| Soundhole Diameter | 88mm (3 1/2") |
| Top Bracing Pattern | Fan |
| Back and Sides Wood | Ziricote |
| Top Binding | Indian Rosewood |
| Rosette | All Wood Traditional |
| Top Purfling Inlay | Ebony and Maple |
| Side Purfling Inlay | Ebony and Maple |
| Back Purfling Inlay | Ebony and Maple |
| Bridge Material | Indian Rosewood |
| Saddle Material | Bone |
| Scale Length | 650mm (25 1/2") |
| Neck Material | Spanish Cedar |
| Fingerboard Material | Ebony |
| Nut Width | 50mm (2") |
| Nut Material | Bone |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Neck Thickness 1st Fret | 21.5mm |
| Neck Thickness 9th Fret | 25mm |
| Frets Total | 19 |
| Tuning Machines | Cordoba Premium Gold with Black Buttons |
| Neck Shape | C Shape |
| Finish | Gloss Polyurethane |
| Electronics | Fishman Prefix Pro Blend |
| Tap Plate | Yes |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Included Case | Humicase Protégé Thinbody Classical |
| Limited Edition | Yes |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
20. Valencia Vc203 3/4 Classical Guitar Natural
Product Details:
Manufactured to our exacting standards, in our own factory in indonesia, the series 200 starts with a sitka spruce top, nato body and jabon neck for balanced tone. a distinctive, see-through satin finish reveals the inherent beauty of our tonewoods. an ebonized mahogany fingerboard and mahogany bridge completes the elegant look. available initially as full size only, the range comprises both right and left hand models. the series 200 range is complemented by the introduction of our newly developed 'hybrid', thin-neck model. featuring a 45mm neck width (at nut) with 650mm (25 5/8') scale length on a standard size body, the hybrid is especially designed to accommodate the smaller hands of some beginner players. for superior stability and strength the neck of this model features two central reinforcing strips of rosewood installed longitudinally along the entire neck length.
Specifications:
| Body type | Classical |
| Cutaway | No |
| Top wood | Sitka Spruce |
| Body finish | Matte |
| Orientation | Right handed |
| Neck shape | Thin |
| Nut width | 1.875 in. (48 mm) |
| Fingerboard | Ebonized Mahogany |
| Neck wood | Jabon |
| Scale length | 22.87 in. |
| Number of frets | 19 |
| Neck finish | Satin |
| Pickup/preamp | No |
| Tuner | No |
| Tuning machines | Nickel Plated with Cream Buttons |
| Bridge | Ebonized Mahogany |
| Number of strings | 6-string |
| Country of origin | Indonesia |
Reviews:
Great first guitar for my 11-year-old son. He loves it!Reviewed by Andertons Music Co.
Awesome beginner guitar for my son really good quality for the price. Beautifully made.Reviewed by Andertons Music Co.
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