Are you looking for the Best Pedals For Rhythm Guitar? If so, you’ve come to the right place.
Choosing the Best Pedals For Rhythm Guitar can be difficult as there are so many considerations, such as MXR, ammoon, BOSS, DigiTech, Electro-Harmonix, TC Electronic, MESA/Boogie. We have done a lot of research to find the top 20 Best Pedals For Rhythm Guitar available.
The average cost is $170.27. Sold comparable range in price from a low of $29.00 to a high of $553.00.
Based on the research we did, we think Vox StompLab Iig Guitar Modeling Effects Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Pedals For Rhythm Guitar (20 Sellers)
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Reviewers Noted:
Easy to use . Compact . Portable . Sound quality
Features:
- Three led indicator helps deliver real-time working status and makes the tuning easy
- Manual knobs let you change the swirl setting to rapid tremolo
- This multi-effect pedal helps produce various sound amplification
Reviewers Noted:
Easy to use . Compact . Good sound quality . Portability
Features:
- Engineered with 4 knobs to adjust the sound output
- Its 1/4" jacks let you attach the pedal with your guitar
- The screen allows you to check the modulation status
Reviewers Noted:
Sound quality . Weight
Features:
- Updated version of the boss hm-2 heavy metal distortion pedal
- Top-shelf all-analog circuitry elevates the classic high-gain tone of its predecessor
- Standard mode conjures the classic sound of swedish death metal
Reviewers Noted:
Compact . Easy to use . Build quality
Features:
- Impedance of 100 ohms helps reduce unwanted noise
- True bypass makes it easy to switch between multiple effects
- Knob control allows you to fine-tune the sound
Reviewers Noted:
Easy to use . Compact . Sound quality . Build quality . Weight
Features:
- Newly revised two-stage gain circuit with discrete analog components
- Standard mode delivers the legendary sound of the original ds-1
- Custom mode provides fatter distortion tones with focused midrange and increased touch response
$275.00
4.4
Reviewers Noted:
Easy to use . Size . Portability
Features:
- Wirelessly control your sound with this 6 line multi effect guitar processor
- Create your own tones and sounds
- Comes with 128 internal presets and an online tone library
Reviewers Noted:
Easy to use . Sound quality . Size
Features:
- Create high-quality sound effects with this bass guitar pedal
- The active treble control lets you customize the reverb effects conveniently
- Designed with a bypass footswitch to help eliminate signal interference
$217.20
4.9
Reviewers Noted:
Ease of use . Sound quality . Weight
Features:
- This multi-effect guitar pedal offers an enhanced audio equalization
- It features 6 toggles to deliver optimized audio effects
- Footswitch lets you make adjustments between songs
$29.00
4.6
Reviewers Noted:
Easy to use . Sound quality
Features:
- This metal distortion pedal is designed to provide a high-quality music experience
- 1.4" input jack makes it convenient to use it with your electric guitar
- Input impedance 500 kohms helps reduce the distortion while adding effect to your music
Reviewers Noted:
Easy to use . Compact . Portable . Good sound quality . Build quality
Features:
- Built in usb audio/midi interface
- Knob-based interface
- Eight simultaneous effects categories
$161.49
4.8
Reviewers Noted:
Easy to use . Compact . Portability . Ease of installation
Features:
- Up to three hours of recording time (in stereo).
- 99 memory presets and handy usb connection.
- Built-in drum patterns, for perfect timing up to three hours of recording time (in stereo) <.
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Has reverb, and delay footswitch.
- In-depth switching for ultimate control.
- Jacks on top for ease of pedalboard use.
$119.99
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability . Build quality
Features:
- This equalizer pedal allows you to control and adjust the treble and bass of your guitar conveniently
- Frequency range of 100 hz – 6.4 khz helps you to create multiple sound effects
- The compact design makes it easy to carry at gigs, events and performances
$127.98
4.8
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Digital reverb pedal with 8 reverb modes
- Mono or stereo operation
- Expression pedal input
$244.60
4.6
Reviewers Noted:
Ease of use . Good sound quality . Compact
Features:
- Knobs for dry, lead, sympathetic, lead, sympathic mode/preset
- Preset switch
- Bypass switch
$64.99
4.6
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Tune your guitar conveniently with its built-in auto chromatic tuner
- Make and edit your creations smoothly with its 103 modeling effects
- The compact size makes it easy to carry
$48.34$43.51
4.5
Reviewers Noted:
Compact . Easy to use . Lightweight
Features:
- Shape your sound and eliminate feedback with 7 bands of equalization
- This behringer product has been designed to compete head to head with leading products on the market
- Wide frequency range from 100 hz to 6.4 khz with a powerful 15 db boost/cut per band
Reviewers Noted:
Ease of use
Features:
- The hall mode will feature a classic reverb sound that can move your signal from a small-room-echo to a haunting long hall- echo.
- The reverse mode smoothly flips your signal to playback unique responses and can be manipulated with pre-delay time controls.
- Shimmer mode highlights the octave features, dry signal, -1, and +1 to mix in your signal and creates a symphony of sound.
$95.00
4.5
Reviewers Noted:
Size
Features:
- Led indicator helps keep you notified about the power status
- The 9 v power supply helps provide uninterrupted usage
- Three knobs let you operate this pedal conveniently
Reviewers Noted:
Easy to use . Compact . Good sound quality . Heavy . Portability
Features:
- Perfect condition.
- Great multi-effects unit.
- Perfect for live performance and on-the-fly preset customization and looping.
1. Vox Stomplab Iig Guitar Modeling Effects Pedal
Product Details:
Get the big guitar tones you want in a small package with the vox stomplab iig multi-effects processor. this rugged, all-metal floor processor has the same sound engine as vox's tonelab processors and vt+ amps. the stomplab iig's easy-to-use interface gives you 100 presets at your fingertips. the sounds are separated into music styles. just select the style of music you want to play and then select a tone from that library. styles include rock, blues, metal, jazz, hard rock, and more. vox set aside 20 user programs for you to tweak or create your own sounds. with over 100 different effects you can really nail down your own signature sound. you can use up to eight effects simultaneously in each preset. the stomplab iig includes a built-in expression pedal for real-time control over volume and effects parameters. get a powerful modeling processor in a compact pedal with the vox stomplab iig.
Specifications:
| Material | Metal |
| Input | Mono |
| Color | Black |
| Number of Preset Programs | 100 |
| Output | Stereo |
Reviews:
I've had this pedal for about maybe 5 months, great pedal. The best thing to do is to always read your manual because this particular pedal shuts off. That feature is to save you battery power, or just being on too long when you walk away. I hadn't gotten use to that at first. It pays to read the manual to figure out how to do it. But the Selections in where the layout is for the different tones, for rock and roll, blues, heavy metal, and R&B is it great pedal.astringmusic
It' easy to blow an afternoon exploring the wide variety of sounds this pedal can produce. While many of the effects are great there are quite a few duds mixed in there. You just have to play. There doesn't seem to be that much logic as to how the effects are grouped. You really need to write down your favorites. Out of 100 effects I think almost anyone can find 20 that they really like. Great pedal for the money.Lenny G.
The Stomplab has some very good patches right out of the box better than most MultiFX units. I rarely get to say that. Since I like to try them all, I think it excels in areas that can outdo expensive pedals. The amps sound really realistic and have beefy snappy mids right in your face with great projection and pop. The tones are designed to sound good as you play with EQ settings the amps seem to stay in the zone of what you would expect an actual amp would do. The best way to really experience this is to plug into a Hi Fidelity home stereo etc. and listen to how detailed the mix is. There is a Tube Screamer that seems to actually enhance just about every amp you try it with when trying to get some edge. The clean amps are some of the best out of the box tube gain style sparkling U2 like rhythms with clearly defined picking separation. This is probably about as good as it gets for these type sounds. Very metal like ballading with chorus and delay. Def Leppard Bringing on the Heartache or Photagraph come off terrific. The crunch sounds are very realistic and the US Hi Gain is about as good as it gets for 80s Metal. I can compare this to the VT Plus series because I have it. This pedal sounds good and really excels with a Tube amp. The VT Plus is a tube hybrid and the 12ax7 single tube does add a touch of edge as it is cranked but the pedal is the same Engine and the edge is subtle and the Tube Screamer SIM sounds close. Any sound can be had and it records from the line out with very good definition. Most of the amp sims are very good with little tweaking and I think it has the most good amp Sims of any other multi fx unit. Has way more variables than the VT Plus amp series and it is one of my favorites for downright realistic amp sounds. Hard to believe it but, it stacks up well against the bigger floorboards in respect to tone alone. More controls on the bigger units sometimes can take you too far off base. It really is well designed and keeps you sounding good.
2. Zoom Ms50g Multistomp Guitar Pedal
Product Details:
Choose from 55 classic effects and famous amps with the size and weight of a typical single stompbox, the ms-50g includes a thorough lineup of high-quality effects types. it features 47 stompbox effects and 8 amp models. along with distortion, reverb, modulation and other classic effects, its amp models simulate some of the most prized pieces of live and studio gear. intuitive, easy-to-use we have further refined the simple user interface that was revolutionary in our g3 and g5. the lcd shows the current effect in use, while the scrolling function allows you to easily view the flow of your effects chain. with this intuitive, easy-to-use interface, creating amazing sounds is a breeze. use up to six effects all at once the ms-50g allows you to utilize up to six effects simultaneously, as well as arrange them in any combination. this gives you the ability to craft classic sounds, as well as lush, complex tones. leave the rules you learned behind and enjoy creative freedom with the ms-50g.
Specifications:
| Number of Stompbox Effects | 47 |
| Indicator Type | LCD |
| Number of Amp Models | 8 |
| Output Jack Size | 0.25" |
| Number of Output Jacks | 2 |
Reviews:
I could spend all day yapping about this pedal…In my travels i've tried countless pedals, but got tired of having 'too many' pedals. The weight, the time it took to hook it all up. I also busk, or play where electricity isn't available, and wanted a setup where i could make one trip with everything, and keep the weight down. I've always been a fan of ZOOM products, so trying out the Multistomp series was a no-brainer for me. The 50G met all my requirements, and exceed them all after i got one and started using it. Tones that are as good as any higher priced pedal, the versatility is second to none, and the price is killer for what this pedal can do. I would say the the Bluetooth version was my favorite, then the 70CDR, then the 50G, with the 50G's new 3.0 update, the 50 G is now my favorite pedal…period. The 50G started with maybe 50 patches, now it has 172, and best of all it has the Exciter patch, which to me is required on any pedal board. All i can suggest is watch the countless demo videos of this pedal. I would recommend this pedal for any level of guitarist, i would also recommend the MS-70CDR, watch the demo videos of the 70-CDR vs Strymons…amazing I cant say enough good things about the 50G, i believe it's near the perfect all around pedal. The Multistomp series are easily, in my opinion, the best bang for the buck pedals madeLocorogue
The MS-50G pedal is first class. It is every bit as clean, quiet, and well built as the Boss pedals. It is not a replacement for the Boss line. Zoom pedals have a character of their own. Personally, I like the Zoom tone. But I'm not a guitar player. There is a great ~15 minute YouTube instructional video for the MS-50G. I got over the learning curve for writing and storing effects by watching this video, then I bought pedal. It replaces several pieces of my high quality studio gear when I need fast results that are of high level audio quality. Zoom delivers with this product. After I watched this video I purchased the pedal. I also like my G1X as a companion to this pedal. The G1X has a nice volume/expression pedal.Sean
I needed something for my living room and practicing while watching TV late at night without a full pedal board or multi-effects box. This along with a Boss RC-3 and a mini mixer for my wireless headphones provides everything I have in my studio at a mini level. The sounds are good enough. There are enough options in sound to play most anything. Eventually I'll try this little beast as a sub for my full pedal board and see how it works in a live jam. One pedal to do everything. It's not perfect but it is great. I wish Zoom would provide updates to it and a better manager. It's pretty old by today's standards and if Zoom provided updated files they would sell even more if these great little boxes. B&H had the best deal available and as always they provide excellent service. Thank you B&H. I'll Be Back, lolThomas G
3. Boss Hm-2w Waza Craft Heavy Metal Pedal
Product Details:
The original has been out of circulation for years, but now boss have given you the hm-2w heavy metal distortion pedal, a faithful recreation of the classic distortion. this pedal is quite simply the sound of death metal in a compact form factor. all the original features of the original are faithfully presented, from the layout of the distortion, color, and level controls, to the characteristic breakup and full-throttled nature of the original's sound. furthermore, a new mode has been added for extra aggression. a battery is included.
Specifications:
| Nominal Input Level | -20 dBu |
| Input Impedance | 1 M ohm |
| Nominal Output Level | -20 dBu |
| Output Impedance | 1 k ohm |
| Recommended Load Impedance | 10 k ohms or greater |
| Bypass | Buffered bypass |
| OUTPUT jack | 1/4-inch phone type |
| AC adaptor (PSA series | sold separately) |
| Current Draw | 30 mA |
| Carbon | Approx. 8 hours |
| INPUT jack | 1/4-inch phone type |
| Alkaline | Approx. 24 hours |
| OUR PART | HM-2W |
Reviews:
Overall: That baby would be born a black and orange stomp box. Ok we all now how most of us are going to use this pedal, straight chainsaw mode. Many of us want that early entombed sound. The cool thing bout this pedal is it can be used for so much more. You can get slightly broken up tones, a nice Gilmour sound, and everything in between. Custom mode adds more bottom end making this thing sound huge. If you are running everything on ten and roll the low end completely off you go from sweden to norway circa 88-93 (church burning and murderous bandmates not included) seriously, this pedal is everything dirty and heavy that I could have asked for. I FINALLY found the sound in my head. Now if you'll excuse me, I have neighbors to annoy.
This recreation of a iconic pedal is amazing. They have captured the original hm2 perfectly but with modern clarity and custom settings. It’s getting increasingly harder to obtain a original in great condition and with reliability. I highly recommend this pedal it’s a great addition to anybody's board. I use this pedal to nail the David Gilmour tone to boost a fuzz but is highly versatile. I give this pedal 5 starsPaul M.
If you want the sound of chainsaw metal or David Gilmour (Pink Floyd) “A Momentary Lapse of Reason” distortion this is the pedal for you. It’s no one trick pony however. This pedal has found a permanent place on my pedal board. Worth every penny and more. Don’t miss out on getting you my hands on one of these!
4. Tc Electronic Mini Spark Booster Guitar Pedal
Product Details:
A tiny pedal with a loud bark, the tc electronic spark mini booster can provide up to 20db of clean boosted power. whether you want to kick it on periodically for some extra punch or leave it on all the time as a tone booster the spark mini can prove useful in many playing situations regardless of genre. because of its diminutive footprint the spark mini can be easily placed in any open space on your board. if you want to add more gain to your sound put the spark mini at the beginning of your signal chain to drive your pedals and amp harder. some guitarists have an always on boost in this configuration to impart some grit on their tone. if you want to just boost your overall volume stick the spark mini at the end of your signal chain either after all of your pedals or in your amp's effects loop. should you for whatever reason want to disengage the spark mini the true bypass switching ensures that the circuitry in the pedal won't affect your tone while disengaged.
Specifications:
| Sensitivity | 20 dB |
| Impedance | 100 ohm |
| Power Output | 9 V |
| Indicator Type | LED |
| Control Type | Knob |
Reviews:
I wanted a button to make me louder for solos etc. and this does exactly that without changing tone. Brilliantly simple: set how much volume jump you want and that’s it, I don’t think I have had the dial past 25% so far. The ‘latching’ function of the foot switch is a great idea. Great price as wellReviewed by Andertons Music Co.
Initially intended to buy an Xotic EP Booster because I wanted to try the Echoplex thing out, but saw this little guy and figured…why not? I like it so much, I don't see the point in ordering the EP Booster anymore! Hits the front end of my Soldano in a way no overdrive has yet, and with no noise. Works equally well in front of my OCD pedal for a lead boost. And to all the people whining about the switch not clicking…whatever. I like that about the TC stuff and wish all pedal companies would make their switches "clickless". Great value, just buy it already! Thanks TC and Sweetwater!
This pedal does exactly what it claims and does it better than other pedals of the same purpose. It is constructed extremely well. For around $50 this pedal's physical casing and switch assembly is made better than pedals I own costing hundreds of dollars more. I don't foresee this pedal ever needing replacement or repair. I'm not particularly fond of the "momentary volume boost" feature but that doesn't change my overall opinion. It's a great item.ethan1957
5. Boss Ds-1w Waza Craft Distortion Pedal
Product Details:
Revising a legendary boss pedal with new tonal possibilities and waza craftmanship, the waza craft ds-1w distortion pedal redefines the classic ds-1 sound with a new, higher-gain voice mode, an updated two-stage analog gain circuit, and the discrete, 100% analog circuitry expected of a waza craft design. relive the timeless, well-defined gain boosting of the classic ds-1 in standard mode, or explore new sonic avenues with the fatter, more dynamic custom mode. the ds-1w's versatile tone knob provides wide-ranging frequency control fine-tuned for each circuit mode, while the premium-quality buffer eliminates unwanted signal loss to ensure a crystal-clear bypass tone. with carefully selected analog components and the rugged construction quality typical of boss's waza craft pedals, the ds-1w is built to stand the test of time and deliver versatile, face-melting distortion for decades of continuous use.
Specifications:
| Audio Circuit Type | Discrete All-Analog |
| Bypass | Buffered Bypass |
| Nominal Input Level | -20 dBu |
| Nominal Output Level | -20 dBu |
| Input Impedance | 1 Megohm |
| Output Impedance | 1 Kilohm |
| Recommended Load Impedance | 10 Kilohms or Greater |
| Indicators | 1 x Check-Battery LED Indicator |
| Battery Type | 1 x 9 V Alkaline |
| Operating Current | 15 mA |
| Material of Construction | Metal |
| Dimensions | 5.1 x 2.9 x 2.3" / 12.9 x 7.3 x 5.9 cm |
| Box Dimensions (LxWxH) | 6.4 x 4.5 x 2.5" |
Reviews:
Now I don't hate it, but Its not my first go to pedal. I like the more modern BOSS "Metal Core". It is however like all BOSS PEDALS built like a tank, extremely reliable and a great first pedal. For the money, this is a super value. I found that I like it for "Gain Stacking" in combination with the BOSS MD-2"Mega Distortion" and a few other pedals. Even two DS-1 DISTORTION together improve the performance to me. Overall it's not terrible and I see were for some it could really be a price but I lean towards Heavy… Heavy Metal and for that it's more a corvette when you need a Lamborghini. Do I hate it, NO… I actually own two of them.kt.precisio-7
I had one of these racks for well over 5 years. My original got pretty dingy so I decided to buy a new one because the first one served me well. I bought this Christmas of 2019. After 6 months of use, the rack is beginning to rust. Try to find the product using description and model number on KitchenAid website so I can contact them about it for possible replacement but got "product not found". Other than the metal rack, it's a great product. The rack should be stainless steel. I generally love KitchenAid products but I recommend against this one.randy_san
Highly Underrated! Many people think this is a low-grade Boss effect pedal, but with proper settings and usage, it stands up to the quality and fidelity you have come to expect from Boss "Built like a Tank" pedals. The reason many people give this pedal low marks is because the Tone Knob is crazy! Similar to the Fender Reverb Tanks, this knob goes from just about right to way out of control in a hurry! – lol. Set fully left/counter-clockwise (7 o'clock), it is dark and muddy, around 8 o'clock it will sound good for a Strat lead tone, around 9 o'clock and a little beyond is good for fat Gibson humbuckers to cut through any mix, and anything beyond that is way too thin, harsh and God knows what you would use it for outside of a specialized high freq-type notch filter effect or laying heavy on a low string. This is what people don't like about this pedal…the Tone control is too wide – lol. Find the right spot and you are there tone-wise. This is Distortion, not Overdrive and it is made to provide searing lead tones and carefully voiced rock chords. It holds a strong distortion without going into feedback as easily as other pedals. There is even a video on YouTube that shows one coupled up with a Boss OD-3 Overdrive…I do it too. It's nice to have one set for crunchy rock and the other set for searing leads and sustain…but I am also guilty of engaging both of them at the same time! As with just about any distortion pedal out there, the higher the gain, the more the noise, but all in all, this pedal holds the noise level down while keeping a strong tone that if need be, any noise gate could easily manage…I don't use one. The Level control can act as a lead boost if you cut back on the Drive. You really can't get rid of the distortion effect, but you can minimize it to a point that it will behave like a boost with a little grit behind it and most times this works just fine, especially live. As of July 2012 the average price for the Boss DS-1, used, in good condition is nineteen to thirty dollars. The higher being free shipping and original factory box. The other factor are the older models made in Japan go for a significantly higher price (sixty to one hundred dollars) to people who collect vintage gear or have discriminating tastes. With the abundance and affordability of these pedals I say, "Why not have it in your arsenal?" If you set your unity gain and tone to be "seamless", it is worth twenty bucks to have it there & ready to kick in when you need to hold a high note (or any note) extra long without worry…and if nasty is your thing, this pedal can get really nasty set to anything past 11 o'clock. (Which is only 1/3rd of the way "up".) This pedal also doubles as a great little gift for a budding rock star. It is cheap and it provides good distortion, which is what they are most likely looking for, until they get good enough to deserve a two hundred & fifty dollar pedal. I, myself have many expensive pedals, play professionally (26 years) through a large rig and have this pedal at home in my "Boss Chain." Be conservative and use micro adjustments and you will find a great usable pedal at a terrific price.guitaroperator
6. Line 6 Firehawk Fx Guitar Multi-Effects Pedal
Product Details:
Firehawk fx combines world-class tone with intuitive wireless editing so you can get the perfect sound faster than ever before. the firehawk remote app for ios and android gives you the power to sculpt great tone, right in the palm of your hand. choose from over 300 legendary amps and effects-including 48 hd models-and wirelessly control every detail of your sound. you get access to 128 internal presets plus a massive online tone library, making it easy to find the right sound for any recording session, rehearsal or gig. with 1/4" and variax digital (vdi) inputs, two outputs, fx loop, usb connectivity and ultra-low latency, firehawk fx is also an ideal guitar recording interface for pc, mac and ios.
Specifications:
| Product Type | Multi-effects processor |
| Designed For | Guitar |
| Controls | Tone, drive, bass, middle, treble, master, FX, reverb |
| Features | iOS compatible, Android compatible |
| Connections | Expression pedal – phone 6.35 mm Guitar audio input – phone 6.35 mm 2 x EFX Return – phone 6.35 mm 2 x EFX Send – phone 6.35 mm 2 x main channel output – XLR 2 x main channel output – phone 6.35 mm Headphones – phone 6.35 mm USB – mini-USB Type B DC power input Bluetooth |
Reviews:
I replaced my BOSS GT8 with this unit about 2 years ago. I loved the ipad control and effects management and it performed well for awhile. I keep the unit covered with a bath mat when not in use so I was very surprised to find 2 of the footswitches dead upon return from long vacation. Assuming it was software related, I reset to factory settings and updated the driver as suggested on the Line 6 website. I found nothing on the issue in the forums and the website says contact a service center for footswitch issues. That's not effective customer support in my view. So I opened her up to see if the footswitch contacts were fouled and cleaned the boards and contacts with electrical parts cleaner to no avail. The switches are soldered to the mother boards and they are not the quality I would expect in a footswitch. Parts not available from Line 6 (strike 2) and the service center was not helpful either as their diagnostic fee was 25% of the purchase cost just to get started(strike 3). I have seen posts about lengthy repair times (even service centers have a tough time getting parts). Bottom line. If you're OK with a short lifespan and unsupported hardware, the sonics and ease of use of use really are quite good and I enjoyed using it before it failed. However I'm not interested in throwing good money away again on what is clearly a disposable product. Just ordered a BOSS GT-100. We shall see.Mark
I started using a PODxt LIVE and Variax 300 ten years ago. It was a great solution for playing stylistically diverse music in a low volume setting. I upgraded to the POD X3 Live when that became available, and that was even better. However, some of the amps were either too muddy or too harsh and some of the effects (especially overdrive and distortion) destroyed the tone of the better amp models. Those shortcomings are now virtually eliminated. The HD amp models REALLY sound better – and they respond better to playing technique. The HD overdrives and distortions now add to the tone – the Screamer and Tube Driver are very good now. The HD reverbs are a huge improvement, too – especially Octo and Cave (I tend to use reverb as a special effect on swells or as a guitar pad, and these are excellent tools). Bottom line: I'm MUCH happier with my tone now. The app based editing is the single greatest improvement, though. Being able to quickly tweak and name patches with an intuitive editor has made life much easier. Plus, the app lets you easily control Variax tunings. The bright blue LED display and the colored LEDs around the switches are good, practical improvements, too. So, not only is my tone better, the ease of use and efficiency have improved drastically. It's too soon to tell about reliability, but I've been using a Line 6 setup for 10 years with no problems.blewis333
When I first got the FHFX in Oct of 2015 I really liked it, the sounds were usable and the ease of editing was second to none. However as Murphy's law goes, "Whatever can break down will break down". Back in Aug. it stared to act up, the mix level for the delay was changing all on it's own, going from 27%ish to 40%+ making the repeats jump out so loud that people were looking at me like I farted or something. Called L6 and was told they haven't had any reports of this happing from other FHFX owners and was told to try a reboot, but it's a hardware issue not a software issue and to send it in there's a bench fee to analyze the unit that's 1/3 the cost of the unit and that doesn't cover the repair cost. Started a thread on L6 FHFX page to see if other's were having this problem and some were starting to have the same thing happen. If I step on the footswitch for the patch it resets the level, but shortly after it goes back up, so now I use the FX knob and match the level that was set too, I can still see it changing on the main knob (LED's change to white) but it stays at where I put it, it's a real hassle to keep bending over to correct it. That said I'm most likely going to buy another one since the price is right compared to other processors out there. Just wanted to give a heads-up.Sonny6string
7. Xotic Rc Booster V2 Effects Pedal
Product Details:
This is a customer returned item in 100% perfect condition. what do the tones of renowned guitarists such as page, evh and johnson have in common? they all used the legendary echo machine ep-3 as a pre-amp. xotic has captured that magic in their pedalboard staple, the ep booster. they've used the highest quality parts available with a discrete fet design and low impedance output. the ep booster provides up to +20db of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. the internal dip switches let you choose the boost frequencies and the eq settings. the rc booster v2, inspired by the scott henderson rcb-sh model, now comes with an added gain channel for even fatter tones with a super transparent 20db+ clean boost. super transparent 20db+ clean boost adjustable +-15db two band active eq run it at 18v for even more headroom!
Specifications:
| Width | 4.39" |
| Depth | 2.38" |
| Height | 1.98" |
| Battery Type | 9VDC |
| Weight | 0.6 lb |
Reviews:
At a point several years back I only owned Active Basses, but in the space of two months proceeded to acquire several High-End Basses with Passive Electronics, I was in need for something in my signal chain to raise the output of the Passives to the level of my Active Basses. I took the advice of a close friend who's a true "Professional Bassist" who also knows a great deal about the technical issues of Pedalboards, Large-Scale Amplification and such and picked up the Xotic Bass RC Booster which was the highest-quality he could recommend (I'd rather spend the money once rather than upgrade from a "Beginner's Pedal" to a "Midrange Model" and so on…) That was once of the best pieces of advice I've been given in terms of gear, as to this day the Bass RC Booster is a main piece of equipment on my Pedalboard. Between the 2-Band EQ, Gain & Volume controls I'm able to raise the level of my own Passive Basses or a Bass that I'm using at a Jam or Open Mic to the levels of my Active Bass, which I have all adjusted to Unity Gain as to cause as little issues as possible. Two surprising use of note: with a minimal increase in Volume the Pedal becomes just as useful as a Volume Boost to both Passive & Active Basses for solos, drum 'n bass breakdowns and other times where it's necessary to step out into the spotlight a bit more. Secondly, when the Gain is pushed towards the higher registers you can even can a quite useable "SVT"-type Overdrive. Even players who play with a clean tone will certainly find this added bonus helpful in both live and studio situations. To sum up the Xotic RC Bass Booster, it's an extremely high build-and sonic quality, low noise & versatile Boost effect. Its additional use as a light Overdrive effects is just as effective in its field. I use this often on my Pedalboard, and would replace it immediately if it were lost or stolen. A bit pricey when initially purchasing, it makes up for that as you're buying a Professional Quality effect, and would not have any need to replace with a "better one" a year or so down the road. This is all one would need to cover this area of effects!
I have an Xotic AC Booster and it is one of my fav pedals. At the start of my chain – after the buffer – I have a Compressor, then an old DOD Preamp 250, followed by my AC. I like the sound, but had this setup for a while and was just looking to shake things up. I thought the RC ver 2 would be a great replacement for the DOD as what could be better than 2 xotics in series? Well, not this! The Comp (Wampler Ego; another pedal I like alot) did not play well with the RC. The sound was muddy and lost all definition. The RC alone was OK, but not great. Found the effect of Gain 1 to be pretty darn subtle and really not much better than my old DOD gain pedal. Had to crank RC Gain 1 to full CW to hear much – a very different pedal from the AC which is super responsive. I also found the adjustment for the RC Gain 2 pot to be very awkward for a quick adjustment onstage as is occasionally necessary between songs. So, I was pretty bummed out as I love the AC and I use an Xotic EP booster for regular lead boosts. Just did not work out for me. Hard to decide if I would recommend the RC. Personally, I am very picky about effects, usually use only 2 at most at one time (e.g. Comp + AC; EQ + Delay, etc.) . So I think i would say that I do not recommend…but you may like it.BCY123
I'm surprised at how much I use this pedal. I bought it to boost the signal of passive basses and it does that and a lot more. The EQ points are right where you need them. And because you can preset those as well as the volume, when you switch to a passive bass in the middle of a live performance there is no time wasted fiddling with knobs trying to match the sound of your active bass. Also it's useful as a clean boost on active basses for those times when your hands are busy and you can't adjust your amp in the middle of a song. Just pre-set the pedal to a little boost and any time you need it, you've got it with a quick stomp of the foot. The third use I find for this pedal is with effects. You can use it to put a little boost before any overdrive/distortion pedal it will increase the gain. I love this because I like the sound of the Morning Glory pedal, but it doesn't get quite dirty enough. Most pedals that get as dirty as I want don't sound the way the Morning Glory does so this is perfect for me. And the other way it's useful is to add bottom end to distortion pedals (which are famous for not supporting the low end very well). Preset a little bass boost and when you stomp the overdrive/distortion pedal also click on the Xotic RC.PDGood
8. Electro-Harmonix Turnip Greens Multi-Effect Pedal
Product Details:
Latest in electro harmonixs line of crazy and unique guitar pedals is the turnip greens dual effects pedal. despite its zany title, turnip greens combines 2 of electro harmonixs most accessible effects to make a powerful and fantastic sounding unit. the power of twositting in the turnip greens enclosure you will find a convenient combination of the soul food overdrive and the holy grail max reverb. with the option to switch them on separately or combine them together for a rich and detailed tone, there is a whole spectrum of individual guitar sounds that you can create. you can even swap the order of the two effects for even more control of how your tone behaves. the soul food produces a powerful yet transparent overdrive that wont destroy your existing guitar tone. stick it on low and you have a fantastic clean boost, or turn it right up loud for some vintage distortion. to control your tone you get a simple trio of volume, treble and drive that give responsive adjustments.the soul food is perfectly combined with the holy grail max, a truly versatile reverb pedal that provides all the ambience that you need for your performance. featuring 4 different reverb settings that consist of spring, hall, plate and the slightly unusual reverse reverb, you can feel like your performing anywhere, from a small room to a cathedral. even another dimension isnt out of the question. whatever your style from blues to surf rock, you will be able to find the right setting.inspirational powerwith the turnip greens pedal, you have a powerful tool at your disposal to create something completely new. the range of amazing tones you can get will fire your inspiration into overdrive and endless possibilities will keep you going when writers block approaches. with send/return jacks and the option of true bypass or buffered bypass via an internal switch, you can rest assured the turnip greens will fit nicely with the rest of your rig.
Specifications:
| Adapter Type | AC |
| Width | 4.75" |
| Length | 5.75" |
| Height | 2.5" |
| Number of Toggles | 6 |
Reviews:
Always heard a lot about the Holy Grail and the Soul Food pedals, and wondered what the fuss was all about. Found out.I have a half dozen od pedals ( Ts-808, BD,DOD) and they all have there place on the board, but this one has a different growl than the others. Not as brittle as the BD, yet not as smooth as the TS. Not overpowering, just the "right " amount. Needed a reverb pedal too.The Defender amp I use has Dark Vader spring reverb, but not on a foot switch. There is a switch that let's you choose between spring, hall, and plate reverbs, as well as a reverse reverb. The first three sound very good. Can't really find a use for the reverse though. Maybe it sounds different to me mites in Austrrrralia , since everything is supposed to be backwards down under. If I was stranded on a desert island and could only take one pedal, this would be it. Remember, life is too short NOT to have good tone!Gerald
9. Behringer Hm300 Heavy Metal Distortion Pedal
Product Details:
Specifications:
| Power Source | Battery, DC power |
| Weight | 0.73 lb |
| Output Impedance | 1 kOhm |
| Input Port | 1/4" jack |
| Intput Impedance | 500 kOhms |
Reviews:
i wanted to compare this to my boss hm-2 pedal but i can't get to it at this time, so i'll have to do this by itself. this is a very nice distortion pedal. again the plastic casing is durable and inexpensive ,so you're getting a good pedal for the money.the level and distortion controls are sensitive- i consider a plus. i do wish there was more bass in the in the low frequency control. now you might be asking, "why don't i cut back on the high frequency control?". here's why : the high frequency control appears to be a combination high frequency/gain control! the more you turn it up, the more gain. combined with the sensitive dist/level controls this is a nice feature if you want that. i like it . i can always boost the bass on the amp/EQ/whatever. i like to use different dimensions of distortions and if you are like me ,i recommend this.thurstonnalley
I guess I'm more of a roady/studio guy than I am an artist, as I've always got more out of turning knobs then actually playing music lol. I bought this pedal for one reason and one sound only. The Swedish "chainsaw" guitar tone of the 90's that came out of Sunlight Studios that was popularized by bands like Entombed and Dismembered. I think it sounds incredibly good considering I bought it NEW for 25 bones plus shipping! The distortion is sometimes a bit over the top, but cleans up when you roll back the volume knobs on the guitar. I imagine you could really get some interesting tones going if you paired this pedal with a compressor and eq both before and after it in the signal chain (and with Behringer that's actually an affordable option), and of course, a tube amp, as most of the bands with that sound supposedly used Peavey 5150 tube heads. Very nasty distortion pedal, if you could travel back in time to the 90's you could probably sell this to a metal head for absolutely ridiculous amounts of money. If you are not buying this pedal for a certain "Swedish death metal" sound or just metal in general, I would not recommend this pedal, as there are probably much better pedals out there for what you need. Its made out of plastic which I personally don't mind, as I'm not a touring or gigging musician. If I stomped on it several times a night for half a year I dunno how that would work out. Not a big fan of the color, but then again, I didn't buy this pedal for aesthetic value. Behringer makes great stuff for less, I plan on buying a lot more Behringer pedals in the future!James the studio guy
Just great wee pedals and such a great cheap price too. Best discount around at the moment as far as I could see.Reviewed by Andertons Music Co.
10. Boss Me80 Guitar Multi Effects Processor
Product Details:
This pedal is packed with almost any effect you can think of, all easily accessible through the foot switch system saving you the trouble of navigating through tedious menus. use with boss software on your computer to generate your own patches or download stage ready patches from the website. built in usb/midi interface allows you to connect straight to your computer for di recording with all of your effects. battery powered and comes with power supply.
Specifications:
| Interface | Built in USB audio/Midi Knob-based interface |
| Effects Categories | Eight simultaneous effects categories |
Reviews:
Sound: OK, so the pre-set programs are hit and miss for me. But that had to be expected, as I am not plugging a guitar into it, but rather a Korg RK100-S2 keytar. For obvious reasons, the cleaner patches, and patches designed around arpeggios sound decent, while the shredding metal patches sound like ass. I'm sure they would both sound good if I was hooked up with an actual 6 string. Features: The most useful feature as far as I'm concerned, are all of those knobs all over the front of the unit. They make it so easy to dial in the sound. Especially when compared to the all digital products like the GT-1. I had a GT-1B last year, and it was aggravating to modify sounds on the fly. The other most useful feature is the Tone Central app. OMG!!! Last month, I trashed Korg's design decision in their app for modifying the keytar's sounds. The window can't be resized, the lines of text are nearly microscopic, it isn't REMOTELY intuitive to figure out how to re-write the patches. Boss' Tone Central app is the EXACT OPPOSITE of all of that. Full screen, each effect section is on screen alone and has 3 different ways to modify the settings. Get things the way you want, name your patch, and click "write," then choose where you want it saved, and click "OK." It couldn't be simpler. Ease of Use: If the preset patches are hit and miss, the "manual mode" is why I bought this board. The keytar really needs some effects to come alive. This board is simply a placeholder until I can build a quality keytar/synth specific pedal board. Compression, delay, and/or phasers can add a lot of depth to my sound depending on what I'm currently using. Those dials make it super easy to get the sound right quickly. It does sort of suck that they are on the floor, but how could that have been avoided without bluetooth and a phone app? And, if that was the case, I wouldn't have bought it in the first place! Quality: I bought this "blemished." My guess, based on the condition of the box that the factory shipped to zZounds, is that this took a fall off of a shelf in the warehouse. One end of the box was mangled badly! Thanks to Boss' attention to detail in packaging, and legendary build quality, I got this product without a scuff, scratch, or dent for 20% off. I like that build quality. (Feel free to play football with some of those synth specific stomp boxes guys! *wink-wink*) Value: Before my fretting hand got too badly damaged to play bass anymore, I wanted the bass version of this product. I believe that it was discontinued, and I missed my chance. I got the GT-1B but didn't like working with it. When I saw that this was available, I didn't hesitate to put it into my cart. Only then, after the fact, did I realize that it was in "blemished" condition. I almost went back and put a new, full priced one in my cart simply because I didn't want the hassle of potentially returning a broken product. So, yes, I do believe this is worth the normal retail price. Manufacturer Support: In the 12 years I've been playing, I've owned several Boss products from tuners to metronomes to multi effects pedals and I have NEVER had to reach out for support. In my estimation, that's the BEST form of customer service! The Wow Factor: G.A.S.! I can't play guitar a lick. But I've bought guitars in the past simply to hang them on the wall. I can't say that I would ever buy THIS product if I didn't need it. But I'm sure that it will still find some place in my home studio, even after the actual pedal board is complete Overall: An easy recommendation for the guitarist on a budget. Depending on one's needs, stomp boxes and pedal boards can become quite pricey. Between this, the Tone Central app, and the hundreds of additional patches available there, if you can't get the sound you're looking for, the problem lies mostly with you.
I have been buying and selling multi effects for many years. I loved them all, even the silly ones such as the RP50, 505, ME30..too many. I guess my favorites were the Korg AX3000G(which I thought was ahead of its time) and the Digitech RP500(awesome reverbs, mods and filters),and even some Pods for their amp sims too. Yes yes.. they all had their short comings in different avenues.. Boss reliability is were a part of Ny early playing days since the 80s..and to this day, I use Boss single pedals almost exclusively as my main rig. I just love the simplicity of their individual pedals and this unit is the only one that comes close in terms of the logic of its settings. I love KNOBS, and the ME80 has plenty to go around with. SIMPLICITY is the key . No more scrolling up n down a screen on the floor which I can hardly see. Now is the ME80 the best sounding multi-effect out there? No sir! With all the current technologies which can produce units such as The Kemper, Fractals, Boss GT1000, and other high res IR capable units from Zoom and Line 6(including some very capable Chinese newcomers), the ME80 can be seen as kind of outdated to some, The ME80 is certainly not what the top guns use these days, especially when occupying an arena concert stages I'm sure(but I bet they still use one or two boss pedals in their rig lol)..Also, Let's not forget that the ME80 initial introduction day to the world was just about eight years ago.. shall we? But guess what, it's still alive and kicking! And that is exactly why you still see it here for sake in 2022 ar least until Boss comes out with some new monster that can handle the GT1000 chipsets and adding more KNOBS to its chassis. The ME80 is gorgeous, it sounds good, and it has a personality. It also has more to offer than its predecessors such as the ME50/70..I mean, the addition of a separate footswitch for reverb,EQ and a simple patch recall?? I would recommend this unit for any small club or a tight rehearsal space for a quick setup and a speedy wrap-up after a show, when it's finally time to go home, no patch cables required.I AM KEEPING THIS ONE FOR MYSELF! Till I get to warm up for Bruno Mars(not happening soon lol),My main Boss rig is staying home, and that goes to my crybaby and the Budda volume pedal with all them patch cables entourage.James
I don't want to program guitar effects. I don't want to read cheesy names for effects that I can't immediately recognize or understand. The young people like that stuff but I am old and old school. The ME-80 gives me my old stomp boxes but grouped on a modern platform. It is basically foot pedal controlled with a very nice expression pedal and 8 on-off pedals. The foot pedals work flawlessly. But the thing that makes this unit awesome is the knobs. You can turn a knob, set a value and get instant feedback on what you did and look at it anytime to see what it is set at. If you know stomp boxes then you know exactly how this thing works. It has by my estimation about $4K worth of stomp box effects and amp emulations. Whether you want an old Tube Screamer or a Big Muff Fuzz. This thing has it. And it has many new stomp box effects like the amazing Tera Echo, Harmonist, Freeze and a Looper. It has just about every effect you could want and you can play multiple effects at the same time. As far as I am concerned this is the greatest thing since sliced bread. And I am an original POD user. I still plug into the POD now and then. But the POD is history. The ME-80 is what I like today. I even commissioned a guy to build me an angled stand to boost up the knobs and pedal to make it easier for me to dial in changes. I had it painted orange to match my Orange Crush 35RT amp where I port the ME-80 output. Lastly, if you insist on being a programmer, they let you do that as well and offer a ton of presets online. You can hook up by USB to your computer and program away. Brilliant. The one down side… you have to buy an AC/DC adaptor for $30 or use up a lot of batteries. Well since I figure that I saved over $3,600 compared to the cost of all these effects bought stand-alone, I happily coughed up the $30.Brianne
11. Boss Rc-3 Loop Station Guitar Effects Processor
Product Details:
The boss rc-3 loop station adds a powerful new single-pedal looper to the company's industry-leading lineup of pedal-based loop recorders, featuring high-powered digital signal processing, stereo operation, and cutting-edge features. powered by the esc2 dsp chip, the rc-3 loop station offers musicians powerful, great-sounding recording and manipulation of loops live and in the studio. housed in boss' popular single-pedal chassis, the rc-3's new features include true stereo ins/outs and up to three hours of onboard stereo recording and loop storage. 99 onboard memory slots are available for storing your creations. the rc-30 also boasts a usb 2.0 port for swapping and managing wav loops with your computer. an aux in jack for portable devices and a key selection of onboard rhythms including real audio drum loops come standard. connect an optional boss fs-5u foot switch for additional foot control if desired!
Specifications:
| Recording Time | Up to 3 hours |
| Onboard Memory Slots | 99 |
| Ports | 1 USB |
| Power | 9 V Battery or optional AC power supply |
| Weight | 450g |
Reviews:
Very easy to use and built like a tank. I had to watch a few demo videos to learn how the controls worked and interacted but it didn't take but a few minutes. Playback quality is very good with tons of storage for created loops. My only issue is with what Boss calls "Drum Tracks". There's only 10 of them and their sound quality is piercing. You can load your own via the usb connection though. Also, it only stores wav files from external sources so converting songs you only have as mp3 etc. to wav is an extra step I could do without. I might just be nitpicking because otherwise it's a great looper with more features than most people will ever need. I'd highly recommend it to anyone.ethan1957
I bought this to compare to my ditto pedal. Its not nearly as simple to use, despite what people say. Okay, it might just be me, but the ditto is more intuitive to use. After you record the first loop, it automatically begins recording the overdub. With the ditto, it goes to pause when you complete a loop. So, yes, its a Boss pedal and built like a tank. But for me, its 50/50 with the ditto. You have to make your own decision about this one.jonaha650
Have been nothing but pleased with the Boss RC-1 loop pedal. I currently use it in conjunction with my Digitech RP1000 and it has really allowed me creative freedom while practicing. I bought this since the RP1000 only has a 20 second looping feature, while this one can go as long as I need. I like how you can easily layer riffs on top of one another, delete when you make mistakes, and stop altogether with just the stomp of the pedal. It's amazing. Nothing else to say. You will not be displeased.lmeach00
12. Keeley Caverns Delay Reverb Pedal V2
Product Details:
Awesome pedal with separate delay and reverb selectors allowing you to run one or the other or run them together. 3 different delay settings and 3 different reverbs. also has a dip switch to allow to make it true bypass or turn on the buffer which allows you to have trails going when you turn off the pedal. awesome build quality, actually super small for what it does. bigger than a boss pedal but not by much.
Specifications:
| Reverb Type | Spring and Shimmer |
| Modulation Mode | Choral |
| Conversion Time | 650 ms delay |
Reviews:
Keeley makes two of the very best reverb and echo units. One is the Memphis Sun for the low fidelity tile room Sun Records '50s rockabilly sound. This is also excellent and high fidelity. I like the simplicity of Keeley pedals to get that classic reverb and slap back sound I love. I grew up adoring my father's Echoplex EP3 in the '70s. Keeley gives that full saturated sound in easy to use and understand pedals.Tim B.
This pedal is so much fun. Well named as the combo of effects makes any small practice amp sound like you're in a tremendous cavern. I'm just getting started with my pedal collection, so my expertise is minimal, but this pedals was really easy to get the hang of. The dials are hard to see and operate from standing so don't expect to be able to tweak without using your hands, stomp switches works great for that to turn the two effects on and off while playing.kmoon60
With the amount of Delay/Reverb pedals being released this pedal is breath taking! The 3 reverbs on-board are inspiring to say the least. Most reviews say this isnt a "just for a spring reverb" pedal however the spring setting on it is my favorite. Love the built in trem. The Shimmer is awesome but the shimmer setting has to be pretty high up for them to become noticeable. The Modulation setting is also very nice though I dont go to it frequently. The delay side is amazing as well. The modulation goes from subtle to extreme. This is a steal at 179.99 and its worth every penny!NRKB
13. Boss Ge-7 Graphic Equalizer Pedal
Product Details:
The ge7 has 7 bands ranging from 100hz to 6.4khz, ideal for guitar sounds, with boost/cut of +/- 15db per band. this lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect. h3about boss pedals/h3the history of boss reads like the history of guitar effects. from their legendary ce-1 chorus pedal (the big gray box that started it all) to the world's favorite line of compact pedals, they've been responsible for more guitar innovations than just about anyone else. boss's compact pedal line-up began in 1977 with the classic od-1 overdrive. its warm, smooth overdrive sounds and breakthrough boss pedal features (heavy-duty construction, rubber pads on top and bottom, recessed control knobs, silent switching, a built-in led, and easy battery replacement) immediately set it apart from other stomp boxes on the market. it established the masterful design for all other boss effects pedals since. throughout the years, boss has continued to define the cutting edge of guitar effects. double-layer circuit boards allowed pedals like the dd-5 digital delay to deliver studio-quality effects comparable to rackmount units. they recently brought bassists and guitarists the first bass synthesizer in a compact pedal, the syb-3. on their 20th anniversary they proudly introduced the od-3 overdrive, a pedal that takes the smooth, dynamic overdriven tones of the legendary od-1 to a different level. like all boss products, it is a level of sound quality and durability that is unrivaled.
Specifications:
| Frequency Range | 100 Hz – 6.4 kHz |
| Power Supply | 9 V |
| Input Impedance | 1 M ohms |
| Nominal Input Level | -20 dBu |
| Current | 1000 mA |
Reviews:
They have gotten expensive over the years (along with everything else) but it's history and reputation speaks for itself. I've had various Boss pedals over the course of 30 years and I have never, ever, not once had one that failed or malfunctioned. I wanted a cheaper alternative but what made me commit to this pedal, once again, was it's true bypass/buffer capabilities. I'm using this one differently than I've customarily have used them in the past. This is to be used in a pedalboard dedicated to an electrified Kalimba (pictured below). I'll be wiring it up soon. The Boss is the ONLY new pedal that will be on that board. All that are there now I've had sitting for years and decided to put them to use.Christopher
Perhaps EQ is not the most exciting of pedals compared to other effects, but this really does make an enormous difference to your sound and help you get the best from the rest of your gear. Boost the mids to stand out from bass. Scoop the mids and boost bass/treble to sound like Metallica. Use the independent Level control as an overall volume boost (or limit – but who wants that?!) Extremely easy to set up and configure, in Boss's usual bullet-proof format. Highly recommended.Steve M.
Brilliant on-the-spot tone-shaping tool. Opens up virtually infinite sound possibilities, very handy when stacking overdrives with some or a lot of overlap in their tonal voicings. Also great for approximating the tones of completely different styles of pickups. Small adjustments tend to work best, a subtle nudge of the slider in the problematic frequency band is often all you need. Equally, you can throw that out and morph the tonal profile to something incredibly different. After my tuner it's hands-down the most indispensable pedal on my board. Allows me to shape the one tone control on the Pro Junior IV into even more harmonic/percussive/airy/creamy/bell-like territory. Been guitaring more or less 20 years now and i could probably count on one hand the amount of reviews I've been compelled to write, if that's an indicator of how game-changing the GE-7 has been to the fundamental way in which i dial in a tone.Mark
14. Boss – Rv-6 Reverb
Product Details:
Boss rv-6 reverb and combination effects pedal the rv-6 is packed with great sounding reverbs all of which are editable on the fly. you just select a sound mode, tweak the knobs to your own personal taste, and play. but while its operation is simple, the rv-6’s sound is rich and sophisticated. using the superb boss dsp and updated algorithms, the rv-6 gives you eight highly musical reverb effects in one compact pedal. the clever software make appropriate adjustments to the overall sound as you make them so you always get the ideal combination no matter what the setting. reverb pedals are compatible with any instrument (not just guitars). the rv-6 will add body and depth to your "dry" sound with reverbs like room, hall, and plate. with this pedal though you get additional sound textures and you can add swirling richness with the modulate setting, or surf it up with a vintage-style spring reverb. there is now a dynamic mode onboard which automatically adjusts the effect depth to your playing touch, providing deep, immersive reverb that won’t turn your tone to mud. modern players will love the new shimmer and reverb+delay modes which put this pedal in a class of its own.
Specifications:
Reviews:
Overall: Whether you're trying to dial in a wet surf rock reverb or an ambient shoegaze tone with lots of atmosphere, this pedal can do it all. This is hands down the best pedal I've ever purchased and far surpasses any other reverb pedal I've heard. You can even tweaked it to make it sound like a proper spring reverb unit on an old fender amp. There's also a handy shimmer effect you can use to get some angelic and synth-like tones, which can sound monolithic accompanied with a fuzz. I'd recommend this pedal for any style of playing, as it's one of the most versatile ones on the market right now. Also since it's Boss it's built like an absolute tank. Need quality slap back, surf, or shoegaze type reverb? This is the unit for you.Alex
I use a few different brands of pedals and Boss makes solid pedals. This rv6 pedal makes a great variety of reverbs that sound very good with cleans, on every setting. I play with a few different distortions. It is very difficult to dial in a good reverb sound with too much distortion. The level setting has to be low and the sensitivity of the effects are boosted and that makes it very hard to easily swap from clean to dirty without major changes. Dirty will require serious tweaking. I would give it a 3 star because it's not friendly to dirty, but I'll give it 4 stars just because the cleans really do sound great and the variety and quality of sounds are in a price range well below many other reverbs of this caliber. It's a BOSS, a tank. I did mess with the shimmer with crunch and low level and found some decent sounds.Ghostpuncher
I got this as a catch-all reverb to round out a basic pedal board I use for home practice and hobby recording. First off, all the "usual suspect" reverb tones sound really great in the effects loop of my Bogner Atma combo. I had read reviews of the RV6 where it had been criticized for sounding digital/grainy, but I preferred it over the Oceans and HOF2 I compared it to. I classify myself as a somewhat fussy "toan snob" who still prefers tubes and analog, so I wonder if maybe that "digital/grainy" complaint was with it going straight in, out in front of the preamp. I'll have to get around to trying it like an outboard spring verb sometime. I really dig the shimmer verb, especially with a flanged, overdriven lead tone. I need to get an expression pedal now and play around with oscillating that! Last thing I want to compliment is the helpful buffer the Boss adds at the tail end of my board. I pretty much have no loss now. Kudos to Boss for yet another solid product!Lee B.
15. Electro Harmonix Ravish Sitar Pedal
Product Details:
Do you have a track that desperately needs a sitar? the electro-harmonix ravish sitar is the answer. session sitarists are not exactly a dime-a-dozen, and with its characteristic harmonic and dynamic slipperiness, the sitar is a tough instrument to emulate with a guitar pedal. thankfully, there's ravish sitar, which distills the essence of the sitar into a compact enclosure, serving up a polyphonic lead voice and tunable sympathetic string drones that dynamically react to your playing. you can create your own custom scales for the sympathetic strings and set decay time for the lead voice. two expression pedal inputs let you simultaneously bend the pitch of the lead voice and control the volume of the sympathetic strings. tweak ravish sitar's powerful controls to conjure new organic instruments. with the electro-harmonix ravish sitar in your palette, you might even start calling yourself "mahavishnu." only taken out of box once, box included.
Specifications:
| Weight | 1.95 lb |
Reviews:
Electro harmonics makes a lot of nice little fx boxes like this which I assume are all based on the same DSP technology which replicate things like organs, mellotrons, synthesizers etc. I got this one because I like the sitar sound that it creates it's very realistic and moreover I like using the droning backgrounds that can be tuned and harmonized with multiple voices that sit behind your clean guitar or bass sound. Obviously can use the sitar sound as the main voice that your instrument produces and there are expression pedal inputs so you can get various pitch changing and pitch bending effects. It uses most buttons and knobs for several different functions so I suggest reading the manual or watching some tutorials. It's also built very solidly. You might not use it every day but it injects some novelty and creative stimulation when things get boring.doctorcalabria
I've been looking for a while to find a pedal that would reproduce the sound of a sitar without having to set up a keyboard midi controller and a patch. This is out, right here. So easy to use, it's ridiculous. I love the different types of sitar configurations that it has as presets and the fact that you can bypass it and play regular guitar. I actually find it sounds better using an acoustic guitar with a piezoelectric pickup rather than an electric guitar. Try it!guitarman5555
Not for everyone, but I like it. This pedal requires patience and playing around with the knobs. If you want a plug-in and play pedal, look elsewhere. It has inputs for expression pedals, so if you don't have one, you'll probably need to invest in one. Some say you're better off with a real sitar but have likely never tuned a sitar. There are some guitar-sitar hybrids but you'd spend at least double or triple the cost of this pedal. I enjoy the drone sound I get from it and look forward to experimenting with an expression pedal.froidad
16. Vox Stomplab Guitar Multi-Fx Pedal, 1/4" Inputs And Outputs
Product Details:
Get the big guitar tones you want in a small package with the vox stomplab ig multi-effects processor. this rugged, all-metal floor processor has the same sound engine as vox's tonelab processors and vt+ amps. the stomplab ig's easy-to-use interface gives you 100 presets at your fingertips. the sounds are separated into music styles. just select the style of music you want to play and then select a tone from that library. styles include rock, blues, metal, jazz, hard rock, and more. vox set aside 20 user programs for you to tweak or create your own sounds. with over 100 different effects you can really nail down your own signature sound. you can use up to eight effects simultaneously in each preset. get a powerful modeling processor in a compact pedal with the vox stomplab ig.
Specifications:
| Product Type | Guitar effects pedal |
| Width | 5.7” |
| Depth | 4.92” |
| Height | 2.24” |
| Weight | 20.8 oz |
Reviews:
I purchased this one pedal to be all the pedals I don't want to buy as single units. I have an extensive pedal collection but I have grown tired of hauling around a pedal board filled with effect units I only use every now and then. I decided that a good way to remedy that would be to add a pedal that could function as simple delay, reverb, boost, and modulation. I have greatly reduced the amount of pedals on my board thanks to this unit. The weakness of the VOX Stomplab IG is in the distortion/overdrive/amp selection. I didn't find any that I found pleasing to my ears but I didn't expect to. I did find a few low gain overdrives that were acceptable but nothing I loved. I intended to keep my overdrive and distortion pedals my board anyway, so I wasn't worried about it. The compressor is solid, but a bit noisy. The delays and reverbs are quite good and I consider those alone, worth the price tag. my pedal board is now just a few choice pedals and the VOX stomplab IG serving as single and multi effect pedal. Overall I am very happy with it.Mesa Ari
I absolutely love this pedal. The modeling, especially, is quite wonderful. It's basically everything in the Vox VTS series (I think it's called) in one pedal. Only thing I wish is that distortion/overdrive was as easy to select and control (independently of everything else) as much as the delay is. But that could just mean I still have learning to do. This is a great pedal for home recording or shows that you want to avoid bringing a loud amp. You can plug this right into a PA, choose the amp model you want and it sounds just like you have an amp right there. For the money I think this is a great accessory for any working guitarist to own.
I am trying really hard to like this. With regards to the preset effects, some 9fnthe sound pretty good. But some of them, it's like they are non existent or pretty horrible sounding. The other issue is you are supposed to bypass the effects. But of you do, your volume reduces so significantly that I either have to turn up the volume on the amp, or disconnect this thing all together and connect directly to amp. The last issue is that creating your own defects is pretty hard to understand. The instructions are not very helpful and it is pretty hard to understand the abbreviations used on the box to figure out what effect you are working with. Oh btw, you have to hold the power button down for a couple of second for it to turn on. If you don't it will seem it is not working. So, this thing is not horrible, but the verdict is out as to whether it is something that will end up collecting dust in a cornerJohn, G
17. Behringer Graphic Equalizer Eq700
Product Details:
The behringer eq700 7-band graphic equalizer pedal is ideal for use with your guitar. it can help you shape your sound for a wonderful performance. this guitar effects pedal also eliminates feedback with seven bands of equalization. you will have complete control over your tones under all performance situations. this behringer pedal uses a wide frequency range from 100hz to 6.4khz along with a powerful 15db boost/cut per band. there is a status led light to let you know when the device is powered on or off and when you need to check the battery. it is built to last with high-quality components and a strong, rugged construction. this gadget requires a 9v battery or the behringer psu-sb dc power supply, which is sold separately.
Specifications:
| Assembled Product Dimensions (L x W x H) | 5.00 x 2.75 x 2.00 Inches |
Reviews:
Bought this equalizer as an experiment to use between my behringer mini mixer and powered monitors. Monitors have no tone control, just volume and sounded a bit harsh in the mid frequencies. Was able to dial in a nice warm tone using this equalizer. No noise. No rack mounted eq to haul around. It was a win win. Perfect for sweetening up a small PA system. Will also use at some point on guitar and electric piano. Although the case is plastic and not metal, the device seems fairly solidly constructed. Have been using with a 9v battery with no issues. Would recommend this product. Very satisfied.wheezersguitars
I've been playing guitar for several decades, mostly acoustic. I purchased this several weeks ago to add tone shaping through the effects loop of an Orange Micro Dark at home. The equalizer has been great for this application. The 7 sliders provide a near infinite amount of adjustment, allowing you to experiment and fine tune your tone. In addition, it is extremely quiet. The pedal feels heavy enough, but is made of (seemingly tough) plastic. The sliders are effective but I'm not convinced of their ruggedness through live gigs. This is my first Behringer product so have no first hand experience with long term reliability. I am very happy with this equalizer and for the price wonder why I hadn't added it long ago – it really is much more effective than few tone control knobs.C-ville Brent
This is a nice EQ pedal. It worked just fine and was 100% functional when I bought it new. The pedal is relatively quiet when pushing the front end of my Carvin low-gain amp. In the front of my Marshall however it was a little too noisy. The EQ parameters were quite usable and did a nice job shaping my tone. The gain function was less usable, again because of the added noise (hiss). This noise was apparent using the battery or a 9v adapter. The quality of the pedal is fine, but its 100% made of plastic. I had no usability problems with it, but you should be aware that it is in fact all plastic. Overall its worth 4 stars because for $25 its a great deal. However I spent a little more on a used MXR 10-band w a 18 volt power supply that is much more quiet when pushing my Marshall. If you want some EQ shaping and don't want to drop a lot of money, this pedal is probably your best bet. You have to spend about four times as much (or more) to get higher quality, and you have to decide whether that higher quality is worth four times the price.derald75
18. Walrus Audio Descent Reverb Octave Machine Pedal
Product Details:
Plug your guitar into the walrus audio descent, and envelop your playing in ambient layers of sound. from massive halls to symphonic shimmers, this effect pedal delivers lush saturated soundscapes. three modes provide you with an array of aural textures that you can feed into the descent's captivating octave effects. dial in this highly tweakable reverb with its eight top-mounted knobs, and save your favorite configurations as presets. then take real-time command over any or all of the descent's parameters with any off-the-shelf expression pedal. whether you're searching for subtle ambience or tidal waves of otherworldly reverberation, the descent belongs on your pedalboard.
Specifications:
| Product Type | Effects unit |
| Designed For | Guitar |
| Controls | Dry mix, wet mix, tweak, reverb time, diminish, hall/reverse/shimmer mode, dry signal, -1 octave, +1 octave |
| Features | Bypass footswitch |
| Connections | Power input – power DC jack Audio output (left) Audio input – phone 6.35 mm Audio output (right) Expression pedal Remote control |
| Width | 5.6 in |
| Depth | 4.6 in |
| Height | 1.6 in |
Reviews:
There are a lot of full-featured reverb pedals on the market today, most of them with some sort of shimmer/octave/pitch-shifting mode. A few things set this pedal apart from its counterparts. First off is just the amount of control you get over the processed signal. Being able to mix the signal heading into the reverb circuit, the reverb unit itself, and then the final blend, lets you get sounds that are just not possible on 4-knob units. Everything from subtle to watery to full-on church-organ psychedelia. Next, you get three memory banks to save your creations. You could use Red for no-frills reverb, blue for slight modulation, and red for the crazy stuff. Or just save different flavors of crazy stuff in all three, it's up to you. Lastly, you've also got the option of running it in stereo if you'd like (which really amplifies the effect), plugging in an expression pedal for realtime control of the reverb, and also plugging in a two-button controller to make the buttons more accessible if the Descent finds a home at the back of your pedalboard. How thoughtful!donfarfisa
19. Suhr Riot Mini Distortion Pedal
Product Details:
Great condition. a high quality, usa made, rich and powerful harmonic marshall-sounding distortion with voicing switch.tiny yet mighty, the riot mini is armed with tone, distortion, and level controls, true bypass, a two-way voice switch, and an on/off effect status indicator. it comes in a roadworthy power coated die-cast chassis for durability. with this compact pedal, you no longer have to choose. you now have enough pedalboard space to add another one.
Specifications:
| Indicator Type | LED |
| Voltage | 9 V |
| Number of Knobs | 3 |
| Power Source | DC |
| Number of Voice Switches | 2 |
Reviews:
Great sound in a small package – very pedalboard friendly.Reviewed by Andertons Music Co.
I personally prefer the original purple but the sound is just impeccably perfect!junekim1018_9
I believe the 40 dollar pedal from tc electronics as well if not better! Save your moneycomtch00
20. Boss Gt-100 Guitar Multi-Effects Pedal
Product Details:
Meet the new boss effects flagship, the boss gt-100. the gt-100 amp/effects processor boasts next-generation amp modeling that re-creates vintage amps and provides new cosm tones that soar into the future with the dynamics, tone and feel you'd expect from a boutique unit. user interface is improved by a dual-lcd system, while ez tone has been enhanced with newly designed amp customize and od/ds customize features. the gt-100 is a powerhouse processor that spans from classic to futuristic in a friendly, rugged and roadworthy unit.
Specifications:
| AD Conversion | 24 bits + AF method |
| DA Conversion | 24 bits |
| Sampling Rate | 44.1 kHz |
| Dynamic Range | 100 dB or greater (IHF-A) |
| Displays | Graphic LCD (132 x 64 dots, backlit LCD) x 2 |
| Input jack | 1/4-inch phone type |
| AUX In jack | Stereo miniature phone type |
| Output jacks (L/MONO, R) | 1/4-inch phone type |
| Phones jack | Stereo 1/4-inch phone type |
| Amp Control jack | 1/4-inch phone type |
| SUB jacks (CTL1, 2/SUB EXP) | 1/4-inch TRS phone type |
| Power Supply | DC 9 V |
| Current Draw | 600 mA |
| Dimensions (WxDxH) | 21-3/8 x 10-11/16 x 3-3/16 inches |
| Included Accessories | AC Adaptor, USB Cap, Owner's Manual |
| Footswitch | Boss FS-5U |
| Dual Footswitch | Boss FS-6 |
| Expression Pedal | Boss FV-500L/500H, Roland EV-5 |
| Manufacturer Part Number (MPN) | GT-100 |
Reviews:
This unit is just incredible. I've been playing since the early 70's and with all the equipment that I've owned I really think the GT100 has possibly impressed me more than anything I've bought! There's some wonderful preset sounds in this tone monster and it's easy to edit the one's that you like. If you're already proficient at programming pedals then this one will be a dream for you to manipulate. This isn't my first multi effects pedal but I don't enjoy programming and this is by far the easiest to program of the one's I've owned. I can't say enough about the sound of this thing. It has every tone that you could ever need. It's extremely quiet too. I'm definitely glad that I made this purchase. I can see a lasting relationship building!Alan
Overall: I picked this up knowing it was at the end of it's market life, but I wanted to finally own one. COSM is starting to feel a little old, but it's still an amazing pedalboard. The amp modeling is good, especially the clean tones. The distortion can get a little "digital" sounding, but it's still very usable. The effects are top notch, especially the delay and reverb. What attracted me to this product was the routing options, specifically USB. I do a lot of home recording on my DAW and an underappreciated feature of this board is the ability to record both a dry and wet signal to your DAW at the same time. Reamping (routing the signal out of your DAW back into the device for processing after recording) is a great tool and something that is not found in a lot of boards. It really gives this kit an extended life off the stage and in the studio. 6 years after launch this is still a great product!Allan
I have to say I love his board, I've been through several multi effects and was recently building up an all analogue pedal board myself with some nice TRex and Keeley pedals in there. I was inspired after watching Johnny Marr and listening to some of the tones he got from the GT100 so I jumped when it was on offer. I run it through a small Behringer mixing desk into two Yamaha DBR12's and all I can say is that it sounds awesome. As a change to my usual random approach I went through each preset and made a note what it reminded me of or what it might be useful for,if I liked the patch. Its a testament to the board that out of the 200 presets I marked nearly 50 out for being useful out of the box. Now i just refer to that sheet and if I have a cover song I want to try or a feel for an original piece I just the closest preset as a starting point. There are so many features on this board its pointless trying to list them but suffice to say its got everything you are going to need, and there is always the effects loop if you are missing some random effect. What else can I say, oh yes its improving my playing as I use the metronome on it loads, really helping me improve my speed. The screens are clear and easy to view, and the whole menu is very intuitive to work with. Gets a definite thumbs up from me absolute winner of a product 🙂
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