Are you looking for the Best Mics For Guitar? If so, you’ve come to the right place.
Choosing the Best Mics For Guitar can be difficult as there are so many considerations, such as Sennheiser, Aston, Shure, Audio-Technica, M-Audio, Kingston, LEWITT. We have done a lot of research to find the top 20 Best Mics For Guitar available.
The average cost is $512.72. Sold comparable range in price from a low of $69.00 to a high of $2739.00.
Based on the research we did, we think Sennheiser E609 Dynamic Guitar Mic with Stand and Cable is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Mics For Guitar (20 Sellers)
| Product Image | Product Name | Features | Check Price |
|---|---|---|---|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
$129.99
4.9
Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Compact
Features:
- Sturdy construction of this mike withstands a rough treatment
- Xlr cables facilitates professional singing practices
- Flexible mic cable lets you perform hassle-free
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Handheld or mountable microphone for guitars, vocals, and other instruments in live sound and recording applications.
- Dynamic cartridge with cardioid polar pattern.
- Available with or without a cable.
$99.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
$115.00$69.00
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Size . Ease of setup
Features:
- Designed for acoustic instruments
- Legendary akg sound quality
- Switchable 20db pad
Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Compact
Features:
- A mix of lightweight voice-coil and rigid dome diaphragm helps maintain the enhanced quality
- The super-cardioid design helps in canceling unwanted sound for crisp audio output
- Rugged metal construction helps withstand the rigors of on-stage performances
$199.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of setup
Features:
- Designed and built in the uk
- Built in pop filter, built in pop filter using the latest stainless steel mesh-knit technology
- End caps, direct to stand microphone mounting
$99.95
4.9
Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Compact
Features:
- Rugged metal body
- Advanced shock-mount design
- Super-cardioid pick-up pattern
$95.00
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Size . Ease of setup
Features:
- Rugged all-metal body and robust design withstands tough day-to-day use
- Switchable attenuation pad for high spl applications up to 155 db spl
- Heavy-duty, roadworthy, all-metal construction
Reviewers Noted:
Search . Good sound quality . Ease of setup . Visual appeal . Build quality
Features:
- Three different miniature microphones for all typical studio applications
- Successor of the worldwide successful km 83/84
- Transformerless circuitry
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Easy to use
Features:
- High permissible sound pressure level and exceptional dynamic range makes the microphone particularly versatile
- Custom made 16mm low mass diaphragm, to provide extended frequency response and superior response to transitions
- Cardioid directivity for better isolation of the sound source and reduced side and rear sound pickup
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Attractive
Features:
- Acoustic principle: pressure gradient.
- Active electronics: jfet impedance converter with bipolar output buffer.
- Capsule: 1.00".
Reviewers Noted:
Search . Good sound quality . Quality build . Compact . Ease of use
Features:
- This condenser microphone offers high-quality recording with precision
- Intricately designed to let you record multiple musical instruments
- Compact size and design makes it easy for close miking
Reviewers Noted:
Search . Good sound quality . Quality build . Visual appeal . Ease of use
Features:
- Frequency response of 20 hz to 20 khz balances the low and high tones effectively
- The unidirectional design reduces the ambient noise for an enhanced recording experience
- Steel material makes the microphone resilient for prolonged use
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Ease of setup
Features:
- The 3-pin xlr connector allows you to connect the microphones with compatible systems
- Engineered with windscreens to reduce the ambient noise for an enhanced recording performance
- Terminated back-plate technology offers a clear and precise audio quality
$824.95
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of use
Features:
- Its -33 dbv sensitivity offers a distortion-free sound for a clear sound quality
- Made with metal to help provide enhanced durability to this microphone
- The 3-pin connectivity of this microphone allows you to connect it with compatible device easily
$229.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of setup
Features:
- The cardioid polar pattern helps reduce unwanted sound for clear audio output
- Stainless steel material offers enhanced durability to this microphone
- The aston swift shockmount facilitates convenient installation
$2739.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Visual appeal . Size
Features:
- Comes with a stereo bar and proof of performance charts to enhance your live performance
- Nine polar patterns assist in receiving sound signals efficiently
- Two-colored leds offer output indication
$1279.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Visual appeal . Size
Features:
- Very good used condition
- Includes shock mount, pop filter, case, paperwork, and windscreen
- Amazing sounding
Reviewers Noted:
Search . Good sound quality . Ease of setup . Visual appeal . Build quality
Features:
- Neumann km 184 silver professional condenser microphone.
- As pictured.
- Perfect working order and great condition.
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Attractive
Features:
- Professional workhorse for vocals and instruments in live sound reinforcement
- Legendarily bright and clean sound reproduction
- Used at the official podium of the president of the united states
1. Sennheiser E609 Dynamic Guitar Mic With Stand And Cable
Product Details:
This package includes 1 sennheiser e609 dynamic guitar mic; 1 gear one 20' mic cable; and 1 musician's gear tripod mic stand with fixed boom. sennheiser e609 silver:the sennheiser e609 silver dynamic guitar mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. the e609 silver is based on the legendary md 409 mic, a longtime secret weapon of engineers for recording rock guitar with plenty of growl and punch. able to withstand high spls without distorting, the e609 silver's flat-profile capsule facilitates extremely close miking of guitar cabinets and is also suitable for drum miking, particularly toms. the e609 silver's supercardioid design improves isolation in live sound reinforcement and recording applications while its increased output and wider frequency response improves performance. its sound inlet basket, made of refined steel, is distinguished by a unique silver address side. gear one 20' mic cable:for serious-minded musicians, gear one's xlr cables have the strength and durability to withstand more than everyday use. since your cable is your sound, this xlr mic cable'ssennheiser e609 silver: – specially designed for miking guitar cabs – laterally mounted capsule for miking guitar cabs face on and extremely close to the signal source – supercardioid pattern provides isolation from other onstage signals – lightweight voice coil construction and rigid dome diaphragm provide extended high-frequency performance – long-wearing capsule assembly – also suitable for miking drums, especially toms – gear one mic cable: – sturdy construction for enhanced signal and performance – flexible mic cable design eliminates kinks and twists for a tangle-free performance in-studio and onstage.
Specifications:
| Product Type | Guitar Mic with Stand |
| Weight | Dynamic |
| Cable Weight | 6.3 oz |
| Frequency | 40 – 18,000Hz |
| Boom Length | 30-1/4" |
Reviews:
This microphone is one of the best suited for handling guitar amps and other louder close mic applications, especially where a low profile is advantageous, such as on stage or in a cramped studio setting. The mike can be hung/slung over a speaker cabinet or mounted on small footprint stand and placed directly in front of speaker cone/grill. The flat design allows for setup in extremely tight spaces. The frequency response of 40-18k works well on most amplified instruments. It is designed optimally to handle high sound pressure levels (loud) without pads. Response is fairly flat and even across the entire range. It is also super-cardroid pattern meaning crosstalk can be kept to a minimum, important when mic'ing multiple cabs. I found these to be superior to the standard sm-57 type mics for guitar cabinet pickup, more bottom end, crisper high end and very low profile. They are also fairly durable. I've been using mine for a long time and they have held up well.Steviebone
Couldn't be any simpler – take it out of the box, connect to a cable and hang it in front of your amp! Obviously you need to find the sweet spot, but that won't take you long either. I've used it on a crunchy Marshall and a squeaky clean Vox with and without (fairly extreme) modulation and it behaves beautifully. It just works and as a simple sort of a bloke, this is one of my favourite things of all time!!!
Works great as a guitar-amp mic. You can hang it over the top of the amp, or use something like the K&M 25950 (or 25900) stands. I'm not enamored with Sennheiser's mic clips, but they function; I'd be concerned about repeatedly attaching/removing mics from those clips. That could be unwarranted, but time will tell. Otherwise the mic sounds perfect for my needs (micing guitar amps)Dan
2. Shure Sm57-Lc Dynamic Cardioid Professional Microphone
Product Details:
Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. what’s also true about the sm57 is that it sounds great on a wide variety of sources. a large percentage of the snare drums and many guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the sm57. try one and you’ll find out why live sound professionals and seasoned studio engineers swear by the shure sm57 more than any microphone on the planet.
Specifications:
| Product Dimensions | 10.3 x 4.9 x 3.4 inches |
| Batteries | 1 Lithium Ion batteries required. |
| Is Discontinued By Manufacturer | No |
| Compatible Devices | Amplifier |
| Power Source | Corded Electric |
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
3. Shure Sm57 – Microphone
Product Details:
A snare crack. an arpeggiated chord. a powerful saxophone solo. whether on stage or in the studio, the notes that flow from your instrument connects your audience on a visceral level. and such sounds need a mic that can handle its strength. for every acoustic condition, the sm57 delivers the power of your playing to every fan in the house.
Specifications:
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
4. Akg P170 Condenser Microphone
Product Details:
Akg p170 the akg p170 gives you a black, small-diaphragm condenser microphone. boasting a cardioid pattern, the p170 is perfect for capturing both acoustic and electric instruments whether you’re in a home studio or a live recording situation. a more affordable alternative than the renowned akg c451 b; the p170 is the perfect solution for recording guitars, strings, hats, percussion and so many more instruments! on top of that, the p170’s diaphragm is lightweight and 1/2′′ gold-sputtered. so you can expect a clear sound with fast transients that’s capable of handling sound pressure levels up to 155db. what’s more, the p170 features a switchable 20db pad that allows you to record extremely loud sounds without any distortion. housed in a solid all-metal body, the p170 improves the rejection of rf interference. so you can use your microphone near transmitter stations and wireless mics without experiencing any problems. it’s also built to resist high temperatures and humidity, while its rugged body and sturdy front grille protect it from the rigors of day-to-day use.
Specifications:
| Product Type | Microphone |
| Diameter | 0.9 in |
| Length | 6.3 in |
| Weight | 4.59 oz |
| Body Material | Metal |
| Recommended Use | Professional audio, home audio – instrument |
| Microphone Technology | Condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | 15 mV/Pascal |
| Impedance | 200 Ohm |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 75 dB |
| Noise Level | 19 dBA |
| Dynamic Range | 135 dB |
| Max Sound Pressure | 155 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 200 Ohm |
| Controls | PAD button |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Microphone stand adapter |
| Voltage Required | DC 48 V |
Reviews:
I think for the price this is a decent mic. It gives a clearer sound then what I had in my arsenal for my acoustic guitar. I've not tried it on anything else, so I haven't had a need to use the pad. I was trying large condensers on the acoustic and they were too muffled. This comes across much cleaner, maybe a little on the bright side but that's better than muddled. I'm using it to mic at the fingerboard and it gives a better, cleaner and more full bodied sound. I would note it's a little sensitive to being bumped. I found if I bump it I have to readjust the connection to get rid of a bit of hum it seems to pick up after the bump.Z
I used this product on a number of things. Timbale,Drums Overheads,Acoustic Guitars,String Quartets, Vocal Choirs,Steel Drums and well as room mic's. It comes with a 20db pad which is very helpful when recording loud percussion like Timbale,Steel Drums, and loud Drums. Make sure you have a low noise pre amp and you get really good results. I only wish it came with omni capsules or at least had that option. These mic's are great for the money.Joseph
I was reluctant to believe that I could make any type of Splash using this microphone to do my first ever voice over gig, but honestly it was all I could afford at the time. It came out smelling like a rose! Of course at that price point you're not going to get anything close to a u87ai. And the noise floor in my opinion leaves quite a bit to be desired, but with the little bit of offset compression and some other tweaking, this mic can sound as good as anything Shure has on the market, or possibly even the sm58 for voiceover work.RB
5. Sennheiser E609 Silver Dynamic Microphone
Product Details:
The sennheiser e 609 microphone is a dynamic element, supercardiod polar pattern microphone that is primarily designed for capturing instruments. it excels when placed in front of guitar cabinets in sound reinforcement or recording. it has an attractive silver finish. the e 609's flat grill allows for easy placement and the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. the dynamic element is shock mounted and a hum compensation coil controls low frequency noise. the rugged construction is durable enough to withstand the rigors of the road. features designed for instrument capture the dynamic supercardiod e 609 excels placed in front of guitar cabinets or when used in sound reinforcement or recording. supercardioid polar pattern the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. dynamic transducer the dynamic element is capable of handling high sound pressure levels without noise and distortion. hum compensating coil the hum compensation coil reduces low frequency hum and noise. internal shock mounting the element is internally shock mounted for added protection against handling noise.
Specifications:
| Width | 2.2 in |
| Depth | 1.3 in |
| Height | 5.3 in |
| Weight | 6.42 oz |
| Body Material | Metal |
| Microphone Technology | Dynamic |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Impedance | 350 Ohm |
| Frequency Response | 40 – 18000 Hz |
| Audio Input Details | Super cardioid – 40 – 18000 Hz |
| Connector Type | Microphone (XLR) |
| Included Accessories | Microphone clip |
Reviews:
This microphone is one of the best suited for handling guitar amps and other louder close mic applications, especially where a low profile is advantageous, such as on stage or in a cramped studio setting. The mike can be hung/slung over a speaker cabinet or mounted on small footprint stand and placed directly in front of speaker cone/grill. The flat design allows for setup in extremely tight spaces. The frequency response of 40-18k works well on most amplified instruments. It is designed optimally to handle high sound pressure levels (loud) without pads. Response is fairly flat and even across the entire range. It is also super-cardroid pattern meaning crosstalk can be kept to a minimum, important when mic'ing multiple cabs. I found these to be superior to the standard sm-57 type mics for guitar cabinet pickup, more bottom end, crisper high end and very low profile. They are also fairly durable. I've been using mine for a long time and they have held up well.Steviebone
Couldn't be any simpler – take it out of the box, connect to a cable and hang it in front of your amp! Obviously you need to find the sweet spot, but that won't take you long either. I've used it on a crunchy Marshall and a squeaky clean Vox with and without (fairly extreme) modulation and it behaves beautifully. It just works and as a simple sort of a bloke, this is one of my favourite things of all time!!!
Works great as a guitar-amp mic. You can hang it over the top of the amp, or use something like the K&M 25950 (or 25900) stands. I'm not enamored with Sennheiser's mic clips, but they function; I'd be concerned about repeatedly attaching/removing mics from those clips. That could be unwarranted, but time will tell. Otherwise the mic sounds perfect for my needs (micing guitar amps)Dan
6. Aston Microphones Origin – Cardioid Condenser Microphone
Product Details:
The aston origin is a high-performance cardioid condenser microphone utilising a one inch (1 ) gold evaporated capsule. it's versatile enough to use with any instrument and, for singer-songwriters, excels on acoustic guitar and vocals. its hand-selected capsule is paired with high-end transformerless circuitry using only the finest components. the origin is designed to deliver direct, smooth and intimate sound for a supremely natural and transparent recording.
Specifications:
| Weight | 1.8 lb |
Reviews:
The Aston origin has been a complete game changer for me. It works on virtually every source, electric guitar, acoustic guitar, and of course vocals. This mic makes a vocal cut and sit right in the mix. Throw some traditional eqing on it and it's the complete wow factor. People probably think that at this price point, it can't be as good as some of the big boys in the industry. Those people are terribly wrong. This mic should be in everyone's collection, it is a workhorse and in my opinion will eventually become an industry standard. Thank you Aston for making such a great and affordable microphone that sounds as good as as it looks.Rick
In the past, I've owned the Rode Classic, Rode NTK, Neumann TLM 103, and currently own an MXL Revelation Solo, Neumann TLM 49, and Rode NT1. The Origin is easily as good or better than any of the mics that I've owned up until now. It's amazing what you get for the price! Unlike the TLM 103, which sounds almost hyper-real, the Aston sounds completely natural. It was love at first-listen! I was intending on buying another 103, but since I bought the Aston, what for? It's that good of a mic! Ignore the price. This mic takes me further on the dollar than any mic I've ever used. I was a little concerned about the SE Electronics connection, because I had tried and returned a quite lackluster SE mic in the past, but this little mic wipes the floor with the SE mic I tried. And, unlike the new Rode NT1, which is a pretty good mic for the price, the Aston doesn't make you feel like you wish you were using something a little better. It sounds GREAT!!!! After experiencing what this mic can do, I can't NOT get the Spirit!Oklahoma Crooner
Sounds great, excellent design, integrated pop shield works beautifully. Light enough for desktop mic stands too. No daft rubberised coating to peel and flake off in a couple of years either. I don't think I'll ever need to buy another large diaphragm condenser.Reviewed by Andertons Music Co.
7. Sennheiser E 609 – Microphone – Silver
Product Details:
Specifications:
| Product Type | Microphone |
| Width | 2.2 in |
| Depth | 1.3 in |
| Height | 5.3 in |
| Weight | 4.94 oz |
| Color | Silver |
| Body Material | Metal |
| Recommended Use | Professional audio – instrument |
| Microphone Technology | Dynamic |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Frequency Response | 40 – 15000 Hz |
| Audio Input Details | Super cardioid – 40 – 15000 Hz |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Carrying pouch |
Reviews:
This microphone is one of the best suited for handling guitar amps and other louder close mic applications, especially where a low profile is advantageous, such as on stage or in a cramped studio setting. The mike can be hung/slung over a speaker cabinet or mounted on small footprint stand and placed directly in front of speaker cone/grill. The flat design allows for setup in extremely tight spaces. The frequency response of 40-18k works well on most amplified instruments. It is designed optimally to handle high sound pressure levels (loud) without pads. Response is fairly flat and even across the entire range. It is also super-cardroid pattern meaning crosstalk can be kept to a minimum, important when mic'ing multiple cabs. I found these to be superior to the standard sm-57 type mics for guitar cabinet pickup, more bottom end, crisper high end and very low profile. They are also fairly durable. I've been using mine for a long time and they have held up well.Steviebone
Couldn't be any simpler – take it out of the box, connect to a cable and hang it in front of your amp! Obviously you need to find the sweet spot, but that won't take you long either. I've used it on a crunchy Marshall and a squeaky clean Vox with and without (fairly extreme) modulation and it behaves beautifully. It just works and as a simple sort of a bloke, this is one of my favourite things of all time!!!
Works great as a guitar-amp mic. You can hang it over the top of the amp, or use something like the K&M 25950 (or 25900) stands. I'm not enamored with Sennheiser's mic clips, but they function; I'd be concerned about repeatedly attaching/removing mics from those clips. That could be unwarranted, but time will tell. Otherwise the mic sounds perfect for my needs (micing guitar amps)Dan
8. Akg Perception 170 Condenser Microphone
Product Details:
Akg acoustics perception 170 true condenser cardioid studio microphone with small diaphragm the akg perception 170 is a small-diaphragm true condenser microphone offering outstanding build quality and excellent value. the lightweight diaphragm delivers outstanding clarity and transient response and conforms to the stringent standards defined for akg recording products. the perception 170's design is based on akg's six decades of experience in making microphones and on input from sound engineers around the world who use akg products every day. its 1/2-inch small-diaphragm true condenser transducer brings akg studio quality to the project studio and all other areas of recording. a switchable preattenuation pad enables the perception 170 to be used close to sound sources delivering up to 155 db spl. the heavy-duty, all-metal chassis and reliable gold-plated xlr-type output make the perception 170 an excellent choice for a variety of live sound applications, too.
Specifications:
| Product Dimensions | 11.3 x 3.5 x 7.4 inches |
| Country of Origin | China |
| Is Discontinued By Manufacturer | No |
| Color Name | Sliver Blue |
| Power Source | Corded Electric |
Reviews:
I think for the price this is a decent mic. It gives a clearer sound then what I had in my arsenal for my acoustic guitar. I've not tried it on anything else, so I haven't had a need to use the pad. I was trying large condensers on the acoustic and they were too muffled. This comes across much cleaner, maybe a little on the bright side but that's better than muddled. I'm using it to mic at the fingerboard and it gives a better, cleaner and more full bodied sound. I would note it's a little sensitive to being bumped. I found if I bump it I have to readjust the connection to get rid of a bit of hum it seems to pick up after the bump.Z
I used this product on a number of things. Timbale,Drums Overheads,Acoustic Guitars,String Quartets, Vocal Choirs,Steel Drums and well as room mic's. It comes with a 20db pad which is very helpful when recording loud percussion like Timbale,Steel Drums, and loud Drums. Make sure you have a low noise pre amp and you get really good results. I only wish it came with omni capsules or at least had that option. These mic's are great for the money.Joseph
I was reluctant to believe that I could make any type of Splash using this microphone to do my first ever voice over gig, but honestly it was all I could afford at the time. It came out smelling like a rose! Of course at that price point you're not going to get anything close to a u87ai. And the noise floor in my opinion leaves quite a bit to be desired, but with the little bit of offset compression and some other tweaking, this mic can sound as good as anything Shure has on the market, or possibly even the sm58 for voiceover work.RB
9. Neumann Km 184 Stereo Set Small-Diaphragm Cardioid Microphone Pair – Nickel
Product Details:
A studio elite. the neumann km 184 stereo microphone set is your gateway to flawless recording sessions. capture every detail with two condenser microphones, purpose built for vocals, instruments, and more. with their cardioid polar pattern, both microphones focus on what's important, ensuring no background noise or feedback gets in the way of your performance. a high sound pressure level of 138 db makes the mic suitable for close miking strings, wind instruments, percussion, and more. what's more, a smooth frequency response with a rise at 9khz delivers a fresh tonal balance. that means truly outstanding audio, every time you hit record. get to work in minutes. the km 184 stereo microphone set comes with studio essentials that help you capture the magic without any hassle. remove pops and sibilance with two windscreens, and position your microphones with ease thanks to two swivel mounts. it's all there, right inside the box.
Specifications:
Reviews:
I recently installed a stereo pair of these mics on a grand piano for recording purposes. I was absolutely blown away by the quality of sound they delivered. The KM184 makes the recording sound like I am sitting in the same room as the piano. It has a very smooth response across the entire spectrum, and with the right placement you can achieve the perfect balance to make a piano sound better than you ever could have imagined, with crisp tone and no discernible hammer noise at all. Whether you are testing the waters of recording or if you are a seasoned veteran in the field, this is definitely the microphone to use if quality is of any concern.Steve
This Pair of Neumann KM184 arrived well-protected in a well-made wooden box that is handy to carry around, with all their attachments included. I needed to record a group of string players, so set them up as overheads and they did a brilliant job of capturing the sound.Reviewed by Andertons Music Co.
I'd kept a vintage pair of km84s in an old sunglasses case in my drawer.. finally decided to give them a proper home. This box was designed for 2 km184s, but my pair of 84s fit fine. The foam cut is a tiny bit too short length wise, but they still squeeze in there just fine. Unfortunately I keep my clips fitted with quick releases, which prevents them from fitting in their designated slots.. I prefer AKG SA60 clips for km84s, which fit perfectly with room for the badge, and are almost $50 cheaper than the neumann clips intended for 184s, and they also are also more rugged. The Neumann wn110 windscreen doesn't quite fit in the windscreen slot without being squished, so ultimately I'm only storing the mics in here, which seems a little wasteful, but it still feels more secure to store the 84s in this box rather than a random drawer, so I'm glad I picked it up.Michael
10. Audio-Technica At2020 Large Diaphragm Condenser Microphone
Product Details:
The new at2020 usb microphone offers studio-quality articulation and intelligibility. it plugs right into your computer’s usb port, and functions seamlessly with your favorite recording software. equipped with a usb digital output, the at2020 usb is perfect for home studio recording, field recording, podcasting, and voiceover use. based on the renowned at2020 the at2020 usb is based on the design of audio-technica’s critically acclaimed at2020 cardioid condenser microphone. like the at2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response. with low self-noise, the at2020 usb is perfectly suited for sophisticated digital recording equipment. audio-technica’s state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company’s renowned consistency and reliability standards. experience at2020 usb. plug it in and transform your sound.
Specifications:
| Product Type | Microphone |
| Width | 2 in |
| Depth | 2 in |
| Height | 6.4 in |
| Weight | 12.17 oz |
| Recommended Use | Professional audio – voice, recording |
| Microphone Technology | Condenser |
| Connectivity Technology | Wired |
| Sensitivity | -37 dB |
| Impedance | 100 Ohm |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 74 dB |
| Noise Level | 20 dB |
| Dynamic Range | 124 dB |
| Max Sound Pressure | 144 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (XLR) |
| Included Accessories | Microphone stand adapter, protective pouch |
Reviews:
Sound: Being 16 bit this mic will not compete with professional analog mics or 24 bit digital mics, however for 16 bit it is exceptional. It is a flat EQ mic and if I had to say where the weakness lies it might be in the high end, but it might be perfect depending on the range of the vocalist. I feel any frequency issues could be corrected with EQ in the DAW. Features: Most useful feature is the ease and simple connection via USB. There is also a mini-jack in the mic, so you can plug in headphones and monitor directly from the mic itself. Meaning, you could hear raw audio as the mic hears it, then via another pair of headphones hear the audio or mix from the DAW. Very handy. Weakest feature is the 16bit convertor. Its good, just 16 bit, not 24. Ease of Use: Extremely easy mic to set up and begin recording with. Quality: Mic is solid, well crafted. Heavy to the feel, good paint and nice cables. Includes a little stand. Value: This mic is extremely cheap compared to other mics of the same quality. I think it is the best of its class by far. Manufacturer Support: I haven't dealt with AudioTechnica before, but there is the good reputation. The Wow Factor: Very appealing to beginners and semi professional musicians. Could even be a great mic for a professional musician for the road, random spontaneous recording, since it is portable and connects via USB so easily. Overall: After researching for many months, I decided on the AT 2020 USB mic. This is a high quality mic with excellent range and detail for instrument and vocals. There really is no question that the mic has excellent recording, the only fact you need to be aware of is that this is a 16bit input not a 24bit input. 16bit is 'just' enough quality for a semi-pro recording session. I believe in terms of 16bit mics and USB mics this is the best model.
I set up in my basement with it a few weeks ago and started messing around, have found nothing to be disliked. The overall sound is good, it has strong low end for my growls, and it doesn't have any problems with recording at any volume. I even put it in front of my drumset to see if it'd pick up okay, which it did surprisingly well with. I haven't been doing vocals for very long, but from what I can tell it easily competes with mics twice the price. 10/10 would recommend, worth it. P.s. get a pop filter toothe wheat man
I have one first generation version, which lacks the headphone jack, and this is my 2nd of the newer generation. If using this in an application where you want a shock mount, be sure to buy the Audio Technica shock mount that is made for this exact form factor. I have both of mine on boom arms. I like the side address form factor and the ability to get cheap pop filters that are semi-cylindrical. Compared to the much more expensive gold standard Shure SM7B, this sounds a bit brighter and has a wider, flatter frequency response. That makes the AT2020 better suited for instrumentals and other sound sources, whereas the SM7B tends to be very specifically suited to voices. I own USB and XLR versions of this mic, and the integrated analog-to-digital conversation seems very good, not introducing detectable noise.Matthew
11. Rode Nt1 Condenser Microphone Kit
Product Details:
It is a large-diaphragm cardioid condenser microphone that features rode's hf6 1-inch capsule. the hf6 is designed to provide a detailed midrange response with smooth highs and warm bass. the capsule itself is seated in a rycote lyre internal shockmount to help reduce vibration and handling noises. the microphone''s electronics were designed from the ground-up for quiet performance, and allow the nt1 to have a low, 4.5dba of self-noise. the body of the mic is machined from nickel-plated aluminum that is then coated in a ceramic layer that is electrostatically applied for a scratch-resistant finish.
Specifications:
| Product Type | Microphone |
| Diameter | 2 in |
| Length | 7.4 in |
| Weight | 13.93 oz |
| Color | Matte black |
| Recommended Use | Instrument, vocal, drum, recording |
| Bundled with | SMR shock mount |
| Microphone Technology | Electret condenser |
| Connectivity Technology | Wired |
| Sensitivity | -29 dBV/Pascal |
| Impedance | 100 Ohm |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 90 dBA |
| Noise Level | 4 dBA |
| Dynamic Range | 132 dB |
| Max Sound Pressure | 132 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 100 Ohm |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Dust cover |
| Service & Support | Limited warranty – 10 years |
Reviews:
The RODE NT1 has long been a mainstay for any recording studio. This was my chance to get one and I have to say it's reputation has not been overstated. I have and have worked with many microphones in the last 50 years and the RODE NT1 has just become my all around "go to" mic. From it's almost noiseless "floor" (4.5) to it's crystal clear warm overtones, this microphone is pure joy to work with and at an affordable price. Top that off with RODE's 10 year manufacturer's warranty and you'll be hard pressed to find a better deal. I couldn't. Thank you Sam Ash for being close by and having my order in record time. KUDOS, Navy House Studio, Richmond, VA.Budmoe
Note the pop filter is no longer the same steel one pictured in the product photos, RODE uses a more standard circular mesh filter compared to the steel mesh. Nonetheless, still works amazingly and for the price/bundle + quality for a starting XLR set, it’s fantastic. Sounds clear, professional, there’s a reason the NT1 has been popular for so long now. Only gripe I have is the USB power – using my M1 iMac (which has only USB-C), even using a dongle in the thunderbolt port didn’t seem to power the mic enough which resulted in a LOT of crackling. Had to buy a USB-C cable capable of 100W and plugged in directly to my iMac, solved the issue. If you’re a Mac user, I recommend swapping the cable unless you have a USB type-A port capable of properly powering this mic. However, that’s just my experience, your experience may differ especially if you’re using PC, which I can’t vouch for. Overall though, highly satisfied.WhoelsebutCoop
If you are considering the purchase of your first condenser microphone, then I highly recommend the Rode NT1 Kit. – High build Quality – Everything you need comes in the kit – Strong signal – Low noise – Perfect on vocals and acoustic guitar When broadcasting on JamKazam and micing my acoustic with the NT1: someone that I play with frequently on JamKazam asked me; "What guitar are you using?", before answering I asked why do you ask? They said it sounds amazing. Then I told them its my Ovation elite that I always play, it is just that I am micing it with my new Rode NT1. To which they replied…Wow it sounded like you had a different guitar…it sounds so full and rich. I have had this microphone for a couple of weeks now and it has met and surpassed my expectations. Before buying I did my research into all condenser mics in the $300 range; compared specs, product reviews like this one. If you are on the fence about which condenser mic to buy to get started with, get off the fence and get yourself the Rode NT1 Kit. Trust me, you will not be disappointed.David
12. Rode Nt5 Cardioid Condenser Microphone
Product Details:
The rode nt5 is a small diaphragm microphone featuring full frequency response and low-noise output circuitry. designed for general instrument recording and sound reinforcement. the cardioid polar pattern effectively minimizes audio at the off-axis sections, reducing noise caused by leakage, monitors, additional instruments, etc. the nt5 offers a frequency response of 20 hz to 20 khz allowing the microphones to be used in a wide variety of applications such as drum overhead miking, stereo capturing of instruments, vocal capturing, etc. the nt5 is powered via +24v or +48v phantom power. the package includes a windscreen, mic clip, and padded zip pouch.
Specifications:
| Width | 0.8 in |
| Depth | 0.8 in |
| Height | 4.6 in |
| Microphone Operation Mode | Mono |
| Microphones Included | 2 |
| Connectivity Technology | Wired |
| Sensitivity | -38 dB |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 78 dB |
| Dynamic Range | 128 dB |
| Max Sound Pressure | 143 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 100 Ohm |
Reviews:
I wanted a pair of pencil condensers for the home studio; that I could use primarily for recording acoustic guitar, but that also sounded great in other applications as well. (overheads, room mics, etc.) On an acoustic as a pair these sound fantastic, the dry signal itself sounds practically record ready (Taking into consideration the instrument quality and room setup as well). There are probably "better" mics out there in this category, but not that I know of at this price, and in terms of sound quality alone maybe not by much. These NT5's absolutely blow away any lower end mics I've used (MXL, CAD) and as far as I can hear sound basically just as good as most higher end microphones that you'd spend twice as much on. (Go to Youtube and watch some Mic Shootout comparisons with these) I grabbed one of Rode's stereo bars for the pair which makes setting them up nicely convenient. (Couln't find this on musician's friend, GC, or Sweetwater though. Went to RODE's website and ordered separate.) A phenominal set of pencil condensers for the home studio recorder. At 0.5" capsules, they don't overkill high frequencies, but certainly don't lack in the bottom end either. I use these mostly recording acoustic & acoustic rock styles and the tonal balance is perfect in my opinion. Excellent clarity as room mics, haven't tried as kit overheads yet.Cully
I haven't had a chance yet to fully experience the microphone in any situation, but so far it's been pretty good. Definitely adjust the gain based on the distance it is from the source. Always keep it a little lower than you would usually like it because that will prevent it from clipping and you can always increase the volume in post production. Worth the money in my opinion.Zachary
13. Shure Sm81lc Cardioid Condenser Microphone
Product Details:
The shure sm81 condenser mic is a unidirectional cardioid mic with studio, broadcast, and sound reinforcement versatility. its wide frequency response, low noise, low rf susceptibility, and rugged construction allow it to excel in all applications. furnished with swivel adapter, 10db attenuator with locking switch, a 3-position low-cut filter, foam windscreen, and a case for carrying and storage. 20hz-20khz response.
Specifications:
| Frequency Response | 20 Hz – 20 kHz |
| SPL | 146 dB |
| Material | Steel |
| Pattern | Unidirectional |
| Connector Type | XLR |
Reviews:
Overall: Great Sound. Great Build Quality. It comes with a nice case and a windscreen, and mic clip. The high pass filter is quite useful. Took my acoustic guitar recordings up to the next level. Through and through it is a professional mic. Only cons are the high pass switch is little odd to move and compared to other condensers it needs a lot of gain, but not as much as a dynamic mic. Overall, I recommend it anyone looking to recording acoustic guitar or other instruments any day. I'm very happy with it. I will be keeping it for a long long time.Steve
If you want a mic to record the actual sound of whatever you're trying to record, with good mic placement, this is a great mic. I'm using them as an ORTF stereo pair for acoustic guitar and they are perfect. If I want more air (to replicate certain top end biased mics) I can dial it in with a good EQ and the top end stays beautifully smooth, but if I've got a lovely sounding acoustic guitar, these babies do a wonderful job with very little EQ needed. Well made and should last many many years, highly recommended!John
Great for high school plays, etc. Placed several of these @ 3 feet from the small platform stage. They were @ 24 inches off the ground and aimed upwards towards the kids. I had no idea if this approach was going to work. Much to my surprise, everything worked out great. I ISO recorded the three mics and mixed later. 'Used Adobe De-Reverb to reduce some of the echo from the hard walls at the back of the stage. As the kids moved across the stage, I would simply pick them up with whichever mic was nearby. I'm sure there were much better approaches to this problem, but considering the quick time frame, I'm pleased with the results.Dave
14. Akg C214 Matched Stereo Pair
Product Details:
Engineered excellence for recording of lead vocals and solo instruments in studio and on stage. the akg c214 large-diaphragm condenser microphone is perfect in any situation. the c214 large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end c414 family. the c214 captures sound by combining one capsule of the legendary c414 dual-capsule system and the patented akg back-plate technology, resulting in an outstanding performance close to the famous c414 xlii. realistic stereo recordings require microphones with outstanding performance and excellent quality. they also require performance consistency and accurate localization from the pair of microphones. therefore, every factory-matched pair of c214s is created from thousands of individual microphones selected by akg's sophisticated computer-aided matching method. the result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.
Specifications:
| Color | Matte grayish blue |
| Body Material | Die-cast metal |
| Recommended Use | Professional audio – instrument, vocal, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Microphones Included | 2 |
| Connectivity Technology | Wired |
| Sensitivity | -34 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 81 dB |
| Noise Level | 13 dBA |
| Dynamic Range | 143 dB |
| Max Sound Pressure | 156 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
Reviews:
A few years ago I was cutting vocals with my AKG 414 TLII when a friend came by with 2 of these 214’s his church had bought. We decided to cut the harmony vocal with the 214 and compare to the 414TLII. It sounded terrible and I trashed the takes and used a TLM 67 instead. The 214 sounds like a Chinese condenser from Amazon. I understand people want the AKG pedigree for an affordable price point, but this mic is not it. You may not be able to hear it right now, but trust me and the other experienced ears that have said similar. This mic is the sonic equivalent of a sugar loaded donut. It sounds good if you have few examples to compare it to, but the sound has no “nutritional value” and will fatigue you fast. Especially if you use this for most of your tracks. It is very much worth it to not skimp on microphones. I have bought and sold many, many mics in my career so trust me and save a little longer and get something a little better. No matter what price point you’re buying at.Marty
. Used this on and off for a few years, but was never really happy with it. Very average sound…better on piano, weaker on vocals. Sold it on Ebay and picked up the C414 XLII. WOW!! On the piano it is fantastic. Vocals are excellent too. Much more detailed, nuanced, smooth sound. Really, really like the C414 XLII .Daniel
This was my first condenser microphone that I have purchased for my small in home studio. After months of research I decided upon this mic based off the price and versatility of the product. I am a full time guitarist and vocalist but have never been much on the production side, pretty much saying I know what sound I am looking for. I use this mic mainly for vocals and I’ve got to say that the recordings sound so good out of the mic that I really don’t have to do much as far as mixing goes which I love. This mic has definitely helped boost my confidence in my recording ability and I know that if the track doesn’t sound great it’s from my personal error not the mic. Overall would definitely recommendBrennan
15. Akg C414 Xlii Condenser Microphone
Product Details:
The akg c 414 xl ii condenser microphone is the successor to the famous akg c 414 b-tl ii mic. the akg c 414 xl ii mic shows the unique sonic signature of the highly sought after akg c 12 which enables lead vocals and solo instruments to be placed even in a dense mix. the unrivaled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking. the xl ii mic version differs from the xls version in one major respectthe capsule. both the slight presence boost and the impressive spatial reproduction is similar to the legendary akg c 12 microphones. the akg c 414 xl ii offers 9 pickup patterns for you to choose the perfect setting for every application. for live-sound applications and permanent installations, all controls can be disabled easily enabling trouble-free use. a peak-hold led displays even shortest overload peaks. akg ships the c 414 xl ii microphone complete with carrying case, pop filter, windscreen, and a spider-type shock mount. for over 60 years, leading musicians and engineers have used legendary akg microphones to capture their sound so their audience hears every nuance. the c 414 family has been one of the world's most widely-used and respected studio and stage microphones in audio history. akg has continually set new benchmarks for useful features, improved technical specifications, and ease of use to answer requests from ever-demanding recording studios, broadcast stations, and audio engineers. – sonic character of the famous akg c12 delivers astounding sound quality for lead vocals and solo instruments – nine selectable polar patterns for the perfect setting for every application – three attenuation levels (-6/-12/-18d – b) for close-up recording or high-output sources of up to 158d – b splthree switchable different bass-cut filters to reduce wind noise, stage vibration or proximity effect – overload warning with audio peak hold led to detect shortest audio peaks
Specifications:
| Width | 2" |
| Depth | 1.5" |
| Height | 6.3" |
| Weight | 10.58 oz |
| Color | Dark gray, gold |
| Body Material | Metal |
| Recommended Use | Professional audio – instrument, vocal, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | -33 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 88 dB |
| Noise Level | 6 dBA |
| Dynamic Range | 134 dB |
| Max Sound Pressure | 158 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz Hypercardioid – 20 – 20000 Hz Omni-directional – 20 – 20000 Hz |
| Included Accessories | Carrying case, shock mount, microphone windscreen, pop filter |
Reviews:
This microphone is fantastic for recording vocals. It picks up everything in the room clearly including the air conditioner. This is no problem as the mic has a built in filter that can get rid of the noise from the air conditioner. The included manual has a description for all of the different pickup patterns and their uses. The manual also says the C414 XLII is recommended for vocals, whereas the C414 XLS is recommended for overheads.Jared
When researching on the forums you will here people talk a lot of crap about this mic. But I used a pair at work (live sound) to mic an upright and I loved the results. I decided to trust my ears and not the forums. I was not disappointed! It is a true workhorse. In the few weeks I've had it I've used it on Cello Voice and Percussion with astounding results all around. The versatility and ease of use inspire creativity in the moment. I tried it on a cello in a beautiful sounding church and going from close mic'ing in Cardiod to far away in Omni mode for that awesome real reverb was as easy as pressing a button, literally. While it is not a perfect mic and you can certainly buy specific mics for certain purposes at a higher price, this mic will be with you your whole career. My only regret is not getting a pair!
16. Aston Microphones Origin Black Bundle
Product Details:
The aston origin is a high-performance cardioid condenser microphone utilizing a one inch (1 ) gold evaporated capsule, paired with high-end transformerless circuitry.al schmitt has more grammy awards than any other engineer or mixer at 23. during his career, he has engineered and produced more than 150 gold and platinum albums. in 2014, schmitt was awarded a star on the hollywood walk of fame. he is the only engineer to achieve this. in 2006, he was given the grammy trustees lifetime achievement award. in 2005, he won 5 grammy awards setting the record for most grammy awards won by an engineer or mixer in one night. he is the first to win both a grammy and latin grammy for album of the year. he was inducted into the tec awards hall of fame in 1997. in june 2014, he won the pensado giant award. in september 2014, he received an honorary doctorate from the berklee college of music.
Specifications:
| Polar Pattern | Cardioid |
| Material | Stainless steel |
| Capsule Size | 1" |
| Condenser Type | Cardioid |
| Capsule Type | Gold-evaporated |
Reviews:
The Aston origin has been a complete game changer for me. It works on virtually every source, electric guitar, acoustic guitar, and of course vocals. This mic makes a vocal cut and sit right in the mix. Throw some traditional eqing on it and it's the complete wow factor. People probably think that at this price point, it can't be as good as some of the big boys in the industry. Those people are terribly wrong. This mic should be in everyone's collection, it is a workhorse and in my opinion will eventually become an industry standard. Thank you Aston for making such a great and affordable microphone that sounds as good as as it looks.Rick
In the past, I've owned the Rode Classic, Rode NTK, Neumann TLM 103, and currently own an MXL Revelation Solo, Neumann TLM 49, and Rode NT1. The Origin is easily as good or better than any of the mics that I've owned up until now. It's amazing what you get for the price! Unlike the TLM 103, which sounds almost hyper-real, the Aston sounds completely natural. It was love at first-listen! I was intending on buying another 103, but since I bought the Aston, what for? It's that good of a mic! Ignore the price. This mic takes me further on the dollar than any mic I've ever used. I was a little concerned about the SE Electronics connection, because I had tried and returned a quite lackluster SE mic in the past, but this little mic wipes the floor with the SE mic I tried. And, unlike the new Rode NT1, which is a pretty good mic for the price, the Aston doesn't make you feel like you wish you were using something a little better. It sounds GREAT!!!! After experiencing what this mic can do, I can't NOT get the Spirit!Oklahoma Crooner
Sounds great, excellent design, integrated pop shield works beautifully. Light enough for desktop mic stands too. No daft rubberised coating to peel and flake off in a couple of years either. I don't think I'll ever need to buy another large diaphragm condenser.Reviewed by Andertons Music Co.
17. Akg – C 414 Xls/st Stereo Matched Pair
Product Details:
Engineered for engineers. there's a reason the c414 has been a studio mainstay since 1971. the akg c414-xls condenser microphone stereo pair delivers a combination of versatility, detail, and sound quality like few other microphones can. every subtlety and nuance in your source audio is captured flawlessly by the c414 with pristine reproduction and almost no self noise. a single mic for any recording application. the c414 xls maintains the legendary akg standard for sound, adding a variable polar pattern, pad, and high pass filter to adapt the mic to any situation. a total of nine polar patterns are achievable by the simple switch on the front of the mic. why buy nine different microphones when the c414 can do it all? akg's factory matching process ensures the stereo pair is as close as they can be. the closer the mics are in a stereo pair, the better the stereo image. with the akg c414 stereo pair you can be sure of impressive stereo imaging time after time.
Specifications:
| Width | 2 in |
| Depth | 1.5 in |
| Height | 6.3 in |
| Weight | 10.58 oz |
| Color | Silver, dark gray |
| Body Material | Metal |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Microphones Included | 2 |
| Connectivity Technology | Wired |
| Sensitivity | -33 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 88 dB |
| Noise Level | 6 dBA |
| Dynamic Range | 134 dB |
| Max Sound Pressure | 158 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz Hypercardioid – 20 – 20000 Hz Omni-directional – 20 – 20000 Hz |
| Connector Type | 3 pin XLR |
Reviews:
Nah, that's probably a bit of false bravado– also not alot of Irish traditions in my family, and to say that my admiration for this mic will extend to my dying day, that I will breathe my last breath holding onto it and capturing some musical performance– a nice picture, but how realistic, really? I guess I just metaphorically, in a Clint Eastwood kinda way, want to impress on you that, if we were all cowboys, this mic would be the six-shooter that everyone longed to have– lawman, outlaw, everyone in between. There's a reason it's a standard of the industry and you've heard its coolly accurate wondrous alive-sounding exceptional capture on a gabazillion records. It gets and gives you what's really there. The self noise is so low, 6 decibels, that there is no self noise. Everything comes through crisply and clearly. I will confess to you– I've cobbled together a subsistence farming kind of audio life, recording singers and ensembles, and I've always made do with gear that checked in much lower on the food chain than this. So when the house tech at a classical quartet concert had a pair of these and set them up just basically at the front edge of the stage, and offered to feed them into my tape deck, I swooned. Back in the studio mixing that performance, the 414's were smooth and airy and cast a lovely perspective on the players. Okay, that's it, I am getting myself a pair! What did I hear when I set up a pair of these for the first time in front of a guitar player? Within the ringing density of the guitar sound, a whole rainbow of colors, a detailed picture down to the granular level. The dual capsule will give you any and every polar pattern, from omni to hypercardioid, with halfway settings in between each setting! Also, four versions of low-cut roll-off, and also three levels of volume pads. A finely crafted German-engineered shockmount, and double sided (the best kind!) pop filter to affix to a mic stand. And a windsock. There are going with me everywhere from now on. Although– this overblown elaborate packaging with all this cut-out foam– no, give me all-put-together-and-ready-to-go in the smallest space, please. (I attach a picture of the pair suited up and ready for the showdown.)Joel
18. Akg C414 Xls Condenser Microphone
Product Details:
A legend since 1971 the c414 xls multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. a peak hold led displays even the shortest overload peaks. for live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. the c414 xls maintains the sonic character of the legendary c414 b-uls, the most popular akg c414 version since 1971. engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades. engineered for highest linearity and neutral sound for beautifully detailed recording of vocals and any acoustic instrument. nine selectable polar patterns for the perfect setting for every application. three attenuation levels (-6, -12, -18db) for close-up recording or high-output sources of up to 158db spl. three different switchable bass-cut filters to reduce wind noise, subsonic noise or proximity effect. overload warning with audio peak hold led to detect shortest audio peaks.
Specifications:
| Product Type | Microphone |
| Width | 2 in |
| Depth | 1.5 in |
| Height | 6.3 in |
| Weight | 10.58 oz |
| Color | Silver, dark gray |
| Body Material | Metal |
| Recommended Use | Professional audio – instrument, vocal, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | -33 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 88 dB |
| Noise Level | 6 dBA |
| Dynamic Range | 134 dB |
| Max Sound Pressure | 158 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz Hypercardioid – 20 – 20000 Hz Omni-directional – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Carrying case, shock mount, microphone windscreen, pop filter |
Reviews:
Nah, that's probably a bit of false bravado– also not alot of Irish traditions in my family, and to say that my admiration for this mic will extend to my dying day, that I will breathe my last breath holding onto it and capturing some musical performance– a nice picture, but how realistic, really? I guess I just metaphorically, in a Clint Eastwood kinda way, want to impress on you that, if we were all cowboys, this mic would be the six-shooter that everyone longed to have– lawman, outlaw, everyone in between. There's a reason it's a standard of the industry and you've heard its coolly accurate wondrous alive-sounding exceptional capture on a gabazillion records. It gets and gives you what's really there. The self noise is so low, 6 decibels, that there is no self noise. Everything comes through crisply and clearly. I will confess to you– I've cobbled together a subsistence farming kind of audio life, recording singers and ensembles, and I've always made do with gear that checked in much lower on the food chain than this. So when the house tech at a classical quartet concert had a pair of these and set them up just basically at the front edge of the stage, and offered to feed them into my tape deck, I swooned. Back in the studio mixing that performance, the 414's were smooth and airy and cast a lovely perspective on the players. Okay, that's it, I am getting myself a pair! What did I hear when I set up a pair of these for the first time in front of a guitar player? Within the ringing density of the guitar sound, a whole rainbow of colors, a detailed picture down to the granular level. The dual capsule will give you any and every polar pattern, from omni to hypercardioid, with halfway settings in between each setting! Also, four versions of low-cut roll-off, and also three levels of volume pads. A finely crafted German-engineered shockmount, and double sided (the best kind!) pop filter to affix to a mic stand. And a windsock. There are going with me everywhere from now on. Although– this overblown elaborate packaging with all this cut-out foam– no, give me all-put-together-and-ready-to-go in the smallest space, please. (I attach a picture of the pair suited up and ready for the showdown.)Joel
19. Neumann Km184 Cardioid Condenser Microphone, Nickel
Product Details:
The "series 180" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. – because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the "series 180" is predestined for economy-minded production and home recording studios. – the km 183 omnidirectional and km 185 hypercardioid microphones are based on the tremendously successful km 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. all "series 180" microphones are available with either matte black or nickel finish. applicationstheir slender shapes and the transmission characteristics described below make the "series 180" especially suitable for a very wide range of tasks in the radio and television sector.
Specifications:
| Product Type | Microphone |
| Series | 180 Series |
| Diameter | 0.9 in |
| Length | 4.2 in |
| Weight | 2.82 oz |
| Color | Nickel |
| Microphone Technology | Condenser |
| Microphone Operation Mode | Cardioid |
| Connectivity Technology | Wired |
| Sensitivity | 15 mV/Pascal |
| Impedance | 50 Ohm |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 72 dB |
| Total Harmonic Distortion (THD) | 0.5% |
| Noise Level | 22 dB |
| Max Sound Pressure | 138 dB |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Swivel mount, WNS 100 windscreen |
Reviews:
I recently installed a stereo pair of these mics on a grand piano for recording purposes. I was absolutely blown away by the quality of sound they delivered. The KM184 makes the recording sound like I am sitting in the same room as the piano. It has a very smooth response across the entire spectrum, and with the right placement you can achieve the perfect balance to make a piano sound better than you ever could have imagined, with crisp tone and no discernible hammer noise at all. Whether you are testing the waters of recording or if you are a seasoned veteran in the field, this is definitely the microphone to use if quality is of any concern.Steve
This Pair of Neumann KM184 arrived well-protected in a well-made wooden box that is handy to carry around, with all their attachments included. I needed to record a group of string players, so set them up as overheads and they did a brilliant job of capturing the sound.Reviewed by Andertons Music Co.
I'd kept a vintage pair of km84s in an old sunglasses case in my drawer.. finally decided to give them a proper home. This box was designed for 2 km184s, but my pair of 84s fit fine. The foam cut is a tiny bit too short length wise, but they still squeeze in there just fine. Unfortunately I keep my clips fitted with quick releases, which prevents them from fitting in their designated slots.. I prefer AKG SA60 clips for km84s, which fit perfectly with room for the badge, and are almost $50 cheaper than the neumann clips intended for 184s, and they also are also more rugged. The Neumann wn110 windscreen doesn't quite fit in the windscreen slot without being squished, so ultimately I'm only storing the mics in here, which seems a little wasteful, but it still feels more secure to store the 84s in this box rather than a random drawer, so I'm glad I picked it up.Michael
20. Shure Sm-57 Cardioid Dynamic Instrument Microphone
Product Details:
Specifications:
Reviews:
This is for the #sweepstakes but even without it I would still review this product. I'm a producer that's starting out and originally I bought some cheap mic on some random online service. But once I had more money I bought my SM58 since I knew how much of a classic mic it is. It was a great decision I solely use it now and it sounds great and so clean. It gives this great tone to the sound that sounds more professional and I look cool singing into it in my music videos. Thanks for the classic productBrian C.
Ordered this for our church. Mostly vocals and some speech. Mic is a fantastic upgrade from our older model Shure BG3.1 mics. I know we had these for a long while but this sm58s sounds fantastic and made a huge difference in clarity and crispness. I was told the Shure sm58 is one of the best all general purpose mics for sound quality and build and so far (a few months now) I couldn't agree more! As far as the switch goes, our old mics had them so I kept them the same but I seem to like having the switch in the event you don't have someone at the sound board you can set it up and just switch on when needed. Also bought this in a bundle with a boom stand and mic cable which was a good value. If your in the market for a great all purpose mic def check this bundle out. You won't be disappointed! Thanks AMS!Brent
Sound: The best r&r Mike for ANY money Features: It's meat and potatoes. Get an off/on switch if you feel the need to sophisticate Ease of Use: Plug it in crank it up. Problem solved. Quality: Ask Roger Daltry. Value: Worth twice the amount (don't tell them though, I'm still poor). Manufacturer Support: Never needed them. So IDK The Wow Factor: It's not the Brad Pitt of microphones.More like Tommy Lee Jones or Robert Duval. Overall: It's 1969, Woodstock music and all the acid has drained a LOT of energy (and brain cells) from the half million metropolis they call The Audience. It's late, stage hands scurrying around setting up the next "act". Lights go down like the eyelids if the 3 day city. Then LIGHTS, BASS, GUITAR, and DRUMS RIP OPEN THE AIR……..PEOPLE TRY TO PUT US…D D D.D DOWN and My Generation kicks out from the Who's, Roger Daltry. Like Zeus weilding lightning bolts, he deftly precisely throws his microphone towards The Audience snatching it back to himself, only to twirl it amazingly two then three times to hurl it once again back at them. There has never been a harder working Mike in the business. And 50 years later it still has no equal. Aside from the Les Paul, or Strat, it remains one of the best things to ever solidify Rock and Roll as an art form or a religion.
Related posts:
- Best Microphones For Recording Guitar (2024 Update)
- Best Mics For Electric Guitar (2024 Update)
- Best Mics For Recording Acoustic Guitar (2024 Update)
- Best Guitar Amp Mic For Live (2024 Update)
- Best Mics For Guitar Amps (2024 Update)
- Best Mics For Recording Electric Guitar (2024 Update)
- Best Microphone For Recording Acoustic Guitar (2024 Update)
- Best Microphone For Recording Guitar (2024 Update)
- Best Microphone To Record Acoustic Guitar (2024 Update)
- Best Microphones For Classical Guitar (2024 Update)
