Are you looking for the Best Mic For Acoustic Guitar? If so, you’ve come to the right place.
Choosing the Best Mic For Acoustic Guitar can be difficult as there are so many considerations, such as Aston, AKG, Sterling, Shure, KORG, Audio-Technica, IK Multimedia, Neumann, LEWITT, ammoon. We have done a lot of research to find the top 20 Best Mic For Acoustic Guitar available.
The average cost is $384.55. Sold comparable range in price from a low of $49.00 to a high of $1595.00.
Based on the research we did, we think AKG P170 Condenser Microphone is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Mic For Acoustic Guitar (20 Sellers)
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$115.00$69.00
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Size . Ease of setup
Features:
- Designed for acoustic instruments
- Legendary akg sound quality
- Switchable 20db pad
$67.99
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Size . Ease of setup
Features:
- 20 k – hz leerlauf-übertragungsfaktor: 15 m – v/pa (-36,5 d – bv) grenzschalldruckpegel:135 / 155 d – b spl (0 /.
- 20 db) äquivalentschalldruckpegel: < 19 db-a signal/rauschabstand (a-bew.): 75 db (bez. auf 1 pa) vorabschwächung: 0 db.
- 20 db speisespannung: 48 v phantomspeisung anschlussstecker: 3-pol.
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Easy to use
Features:
- High permissible sound pressure level and exceptional dynamic range makes the microphone particularly versatile
- Custom made 16mm low mass diaphragm, to provide extended frequency response and superior response to transitions
- Cardioid directivity for better isolation of the sound source and reduced side and rear sound pickup
Reviewers Noted:
Search . Good sound quality . Quality build . Visual appeal . Ease of use
Features:
- Frequency response of 20 hz to 20 khz balances the low and high tones effectively
- The unidirectional design reduces the ambient noise for an enhanced recording experience
- Steel material makes the microphone resilient for prolonged use
$199.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of setup
Features:
- Designed and built in the uk
- Built in pop filter, built in pop filter using the latest stainless steel mesh-knit technology
- End caps, direct to stand microphone mounting
$95.00
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Size . Ease of setup
Features:
- Rugged all-metal body and robust design withstands tough day-to-day use
- Switchable attenuation pad for high spl applications up to 155 db spl
- Heavy-duty, roadworthy, all-metal construction
$306.73
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of setup
Features:
- Designed and built in the uk
- Built in pop filter ; built in pop filter using the latest stainless steel mesh knit technology
- End caps ; direct to stand microphone mounting
Reviewers Noted:
Search . Good sound quality . Ease of setup . Visual appeal . Build quality
Features:
- Three different miniature microphones for all typical studio applications
- Successor of the worldwide successful km 83/84
- Transformerless circuitry
$639.00
5.0
Reviewers Noted:
Good sound quality . Quality build . Visual appeal
Features:
- Sound-pressure level capability of 155 db helps capture good quality audios
- Satin nickel plating creates a luxe appearance to this microphone
- Its 200 ohms impedance records audio in clear sound quality
$359.00
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Attractive
Features:
- Internal air suspension minimizes the background noise for enhanced sound clarity
- Wide-range frequency response offers smooth and clear acoustics
- Rugged design adds to the durability of this microphone
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Attractive
Features:
- Acoustic principle: pressure gradient.
- Active electronics: jfet impedance converter with bipolar output buffer.
- Capsule: 1.00".
$999.00$799.00
5.0
Reviewers Noted:
Good sound quality
Features:
- It has a 3 polar pattern switch.
- A 3 stage roll of switch.
- A switch from 0 db to. -15db.
$149.99
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Easy to set up
Features:
- Does not come with box or any accessories.
- Microphone works perfectly and sounds great with my behringer u-phoria umc202.
- There are a few scuffs on the base of the microphone (shown in pictures) that don't affect how it performs.
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of use
Features:
- Record your vocals in high quality with this condenser microphone
- Comes with a stainless steel cage to help protect it from corrosion
- Its multi-pattern design helps to reduce the ambient sound
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Ease of setup
Features:
- The 3-pin xlr connector allows you to connect the microphones with compatible systems
- Engineered with windscreens to reduce the ambient noise for an enhanced recording performance
- Terminated back-plate technology offers a clear and precise audio quality
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Attractive
Features:
- Large diaphragm for smooth, natural sound and low noise
- High spl handling and wide dynamic range provide unmatched versatility
- Custom shock mount provides superior isolation
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Omni, cardioid or figure 8 three position variable high-pass filter.
- Flat, 40hz or 80hz three position pad.
- 0db, -5db or -10db the nt2-a carries on the tradition forged by the now legendary røde nt2.
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Attractive
Features:
- Multi-purpose condenser microphone
- Excellent for vocals, pianos, stringed instruments, and percussion
- Balanced bass response with high end clarity
Reviewers Noted:
Search . Good sound quality . Quality build . Compact . Ease of use
Features:
- This condenser microphone offers high-quality recording with precision
- Intricately designed to let you record multiple musical instruments
- Compact size and design makes it easy for close miking
$824.95
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of use
Features:
- Its -33 dbv sensitivity offers a distortion-free sound for a clear sound quality
- Made with metal to help provide enhanced durability to this microphone
- The 3-pin connectivity of this microphone allows you to connect it with compatible device easily
1. Akg P170 Condenser Microphone
Product Details:
Akg p170 the akg p170 gives you a black, small-diaphragm condenser microphone. boasting a cardioid pattern, the p170 is perfect for capturing both acoustic and electric instruments whether you’re in a home studio or a live recording situation. a more affordable alternative than the renowned akg c451 b; the p170 is the perfect solution for recording guitars, strings, hats, percussion and so many more instruments! on top of that, the p170’s diaphragm is lightweight and 1/2′′ gold-sputtered. so you can expect a clear sound with fast transients that’s capable of handling sound pressure levels up to 155db. what’s more, the p170 features a switchable 20db pad that allows you to record extremely loud sounds without any distortion. housed in a solid all-metal body, the p170 improves the rejection of rf interference. so you can use your microphone near transmitter stations and wireless mics without experiencing any problems. it’s also built to resist high temperatures and humidity, while its rugged body and sturdy front grille protect it from the rigors of day-to-day use.
Specifications:
| Product Type | Microphone |
| Diameter | 0.9 in |
| Length | 6.3 in |
| Weight | 4.59 oz |
| Body Material | Metal |
| Recommended Use | Professional audio, home audio – instrument |
| Microphone Technology | Condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | 15 mV/Pascal |
| Impedance | 200 Ohm |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 75 dB |
| Noise Level | 19 dBA |
| Dynamic Range | 135 dB |
| Max Sound Pressure | 155 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 200 Ohm |
| Controls | PAD button |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Microphone stand adapter |
| Voltage Required | DC 48 V |
Reviews:
I think for the price this is a decent mic. It gives a clearer sound then what I had in my arsenal for my acoustic guitar. I've not tried it on anything else, so I haven't had a need to use the pad. I was trying large condensers on the acoustic and they were too muffled. This comes across much cleaner, maybe a little on the bright side but that's better than muddled. I'm using it to mic at the fingerboard and it gives a better, cleaner and more full bodied sound. I would note it's a little sensitive to being bumped. I found if I bump it I have to readjust the connection to get rid of a bit of hum it seems to pick up after the bump.Z
I used this product on a number of things. Timbale,Drums Overheads,Acoustic Guitars,String Quartets, Vocal Choirs,Steel Drums and well as room mic's. It comes with a 20db pad which is very helpful when recording loud percussion like Timbale,Steel Drums, and loud Drums. Make sure you have a low noise pre amp and you get really good results. I only wish it came with omni capsules or at least had that option. These mic's are great for the money.Joseph
I was reluctant to believe that I could make any type of Splash using this microphone to do my first ever voice over gig, but honestly it was all I could afford at the time. It came out smelling like a rose! Of course at that price point you're not going to get anything close to a u87ai. And the noise floor in my opinion leaves quite a bit to be desired, but with the little bit of offset compression and some other tweaking, this mic can sound as good as anything Shure has on the market, or possibly even the sm58 for voiceover work.RB
2. Akg P170 Small Diaphragm Cardioid Condenser Microphone
Product Details:
The akg p170 condenser microphone is the ideal small diaphragm model for miking drums and acoustic instruments. it delivers a clean, unadulterated sound. by slightly boosting high frequencies, instruments sound more brilliant. their sound becomes more detailed and asserts itself better in the mix. normally, condenser microphones have difficulty transmitting loud instruments without distortion. the akg p170, however, can handle sound pressure levels up to 155 db. this makes it ideal as an overhead microphone for drums and percussion. the cardioid characteristic makes it insensitive to sound from the side or rear. this gives you good results without crosstalk and feedback even under acoustically less than ideal conditions. the akg p170's rugged metal housing makes it ideal for live use.
Specifications:
Reviews:
I think for the price this is a decent mic. It gives a clearer sound then what I had in my arsenal for my acoustic guitar. I've not tried it on anything else, so I haven't had a need to use the pad. I was trying large condensers on the acoustic and they were too muffled. This comes across much cleaner, maybe a little on the bright side but that's better than muddled. I'm using it to mic at the fingerboard and it gives a better, cleaner and more full bodied sound. I would note it's a little sensitive to being bumped. I found if I bump it I have to readjust the connection to get rid of a bit of hum it seems to pick up after the bump.Z
I used this product on a number of things. Timbale,Drums Overheads,Acoustic Guitars,String Quartets, Vocal Choirs,Steel Drums and well as room mic's. It comes with a 20db pad which is very helpful when recording loud percussion like Timbale,Steel Drums, and loud Drums. Make sure you have a low noise pre amp and you get really good results. I only wish it came with omni capsules or at least had that option. These mic's are great for the money.Joseph
I was reluctant to believe that I could make any type of Splash using this microphone to do my first ever voice over gig, but honestly it was all I could afford at the time. It came out smelling like a rose! Of course at that price point you're not going to get anything close to a u87ai. And the noise floor in my opinion leaves quite a bit to be desired, but with the little bit of offset compression and some other tweaking, this mic can sound as good as anything Shure has on the market, or possibly even the sm58 for voiceover work.RB
3. Audio-Technica At2020 Large Diaphragm Condenser Microphone
Product Details:
The new at2020 usb microphone offers studio-quality articulation and intelligibility. it plugs right into your computer’s usb port, and functions seamlessly with your favorite recording software. equipped with a usb digital output, the at2020 usb is perfect for home studio recording, field recording, podcasting, and voiceover use. based on the renowned at2020 the at2020 usb is based on the design of audio-technica’s critically acclaimed at2020 cardioid condenser microphone. like the at2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response. with low self-noise, the at2020 usb is perfectly suited for sophisticated digital recording equipment. audio-technica’s state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company’s renowned consistency and reliability standards. experience at2020 usb. plug it in and transform your sound.
Specifications:
| Product Type | Microphone |
| Width | 2 in |
| Depth | 2 in |
| Height | 6.4 in |
| Weight | 12.17 oz |
| Recommended Use | Professional audio – voice, recording |
| Microphone Technology | Condenser |
| Connectivity Technology | Wired |
| Sensitivity | -37 dB |
| Impedance | 100 Ohm |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 74 dB |
| Noise Level | 20 dB |
| Dynamic Range | 124 dB |
| Max Sound Pressure | 144 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (XLR) |
| Included Accessories | Microphone stand adapter, protective pouch |
Reviews:
Sound: Being 16 bit this mic will not compete with professional analog mics or 24 bit digital mics, however for 16 bit it is exceptional. It is a flat EQ mic and if I had to say where the weakness lies it might be in the high end, but it might be perfect depending on the range of the vocalist. I feel any frequency issues could be corrected with EQ in the DAW. Features: Most useful feature is the ease and simple connection via USB. There is also a mini-jack in the mic, so you can plug in headphones and monitor directly from the mic itself. Meaning, you could hear raw audio as the mic hears it, then via another pair of headphones hear the audio or mix from the DAW. Very handy. Weakest feature is the 16bit convertor. Its good, just 16 bit, not 24. Ease of Use: Extremely easy mic to set up and begin recording with. Quality: Mic is solid, well crafted. Heavy to the feel, good paint and nice cables. Includes a little stand. Value: This mic is extremely cheap compared to other mics of the same quality. I think it is the best of its class by far. Manufacturer Support: I haven't dealt with AudioTechnica before, but there is the good reputation. The Wow Factor: Very appealing to beginners and semi professional musicians. Could even be a great mic for a professional musician for the road, random spontaneous recording, since it is portable and connects via USB so easily. Overall: After researching for many months, I decided on the AT 2020 USB mic. This is a high quality mic with excellent range and detail for instrument and vocals. There really is no question that the mic has excellent recording, the only fact you need to be aware of is that this is a 16bit input not a 24bit input. 16bit is 'just' enough quality for a semi-pro recording session. I believe in terms of 16bit mics and USB mics this is the best model.
I set up in my basement with it a few weeks ago and started messing around, have found nothing to be disliked. The overall sound is good, it has strong low end for my growls, and it doesn't have any problems with recording at any volume. I even put it in front of my drumset to see if it'd pick up okay, which it did surprisingly well with. I haven't been doing vocals for very long, but from what I can tell it easily competes with mics twice the price. 10/10 would recommend, worth it. P.s. get a pop filter toothe wheat man
I have one first generation version, which lacks the headphone jack, and this is my 2nd of the newer generation. If using this in an application where you want a shock mount, be sure to buy the Audio Technica shock mount that is made for this exact form factor. I have both of mine on boom arms. I like the side address form factor and the ability to get cheap pop filters that are semi-cylindrical. Compared to the much more expensive gold standard Shure SM7B, this sounds a bit brighter and has a wider, flatter frequency response. That makes the AT2020 better suited for instrumentals and other sound sources, whereas the SM7B tends to be very specifically suited to voices. I own USB and XLR versions of this mic, and the integrated analog-to-digital conversation seems very good, not introducing detectable noise.Matthew
4. Shure Sm81lc Cardioid Condenser Microphone
Product Details:
The shure sm81 condenser mic is a unidirectional cardioid mic with studio, broadcast, and sound reinforcement versatility. its wide frequency response, low noise, low rf susceptibility, and rugged construction allow it to excel in all applications. furnished with swivel adapter, 10db attenuator with locking switch, a 3-position low-cut filter, foam windscreen, and a case for carrying and storage. 20hz-20khz response.
Specifications:
| Frequency Response | 20 Hz – 20 kHz |
| SPL | 146 dB |
| Material | Steel |
| Pattern | Unidirectional |
| Connector Type | XLR |
Reviews:
Overall: Great Sound. Great Build Quality. It comes with a nice case and a windscreen, and mic clip. The high pass filter is quite useful. Took my acoustic guitar recordings up to the next level. Through and through it is a professional mic. Only cons are the high pass switch is little odd to move and compared to other condensers it needs a lot of gain, but not as much as a dynamic mic. Overall, I recommend it anyone looking to recording acoustic guitar or other instruments any day. I'm very happy with it. I will be keeping it for a long long time.Steve
If you want a mic to record the actual sound of whatever you're trying to record, with good mic placement, this is a great mic. I'm using them as an ORTF stereo pair for acoustic guitar and they are perfect. If I want more air (to replicate certain top end biased mics) I can dial it in with a good EQ and the top end stays beautifully smooth, but if I've got a lovely sounding acoustic guitar, these babies do a wonderful job with very little EQ needed. Well made and should last many many years, highly recommended!John
Great for high school plays, etc. Placed several of these @ 3 feet from the small platform stage. They were @ 24 inches off the ground and aimed upwards towards the kids. I had no idea if this approach was going to work. Much to my surprise, everything worked out great. I ISO recorded the three mics and mixed later. 'Used Adobe De-Reverb to reduce some of the echo from the hard walls at the back of the stage. As the kids moved across the stage, I would simply pick them up with whichever mic was nearby. I'm sure there were much better approaches to this problem, but considering the quick time frame, I'm pleased with the results.Dave
5. Aston Microphones Origin – Cardioid Condenser Microphone
Product Details:
The aston origin is a high-performance cardioid condenser microphone utilising a one inch (1 ) gold evaporated capsule. it's versatile enough to use with any instrument and, for singer-songwriters, excels on acoustic guitar and vocals. its hand-selected capsule is paired with high-end transformerless circuitry using only the finest components. the origin is designed to deliver direct, smooth and intimate sound for a supremely natural and transparent recording.
Specifications:
| Weight | 1.8 lb |
Reviews:
The Aston origin has been a complete game changer for me. It works on virtually every source, electric guitar, acoustic guitar, and of course vocals. This mic makes a vocal cut and sit right in the mix. Throw some traditional eqing on it and it's the complete wow factor. People probably think that at this price point, it can't be as good as some of the big boys in the industry. Those people are terribly wrong. This mic should be in everyone's collection, it is a workhorse and in my opinion will eventually become an industry standard. Thank you Aston for making such a great and affordable microphone that sounds as good as as it looks.Rick
In the past, I've owned the Rode Classic, Rode NTK, Neumann TLM 103, and currently own an MXL Revelation Solo, Neumann TLM 49, and Rode NT1. The Origin is easily as good or better than any of the mics that I've owned up until now. It's amazing what you get for the price! Unlike the TLM 103, which sounds almost hyper-real, the Aston sounds completely natural. It was love at first-listen! I was intending on buying another 103, but since I bought the Aston, what for? It's that good of a mic! Ignore the price. This mic takes me further on the dollar than any mic I've ever used. I was a little concerned about the SE Electronics connection, because I had tried and returned a quite lackluster SE mic in the past, but this little mic wipes the floor with the SE mic I tried. And, unlike the new Rode NT1, which is a pretty good mic for the price, the Aston doesn't make you feel like you wish you were using something a little better. It sounds GREAT!!!! After experiencing what this mic can do, I can't NOT get the Spirit!Oklahoma Crooner
Sounds great, excellent design, integrated pop shield works beautifully. Light enough for desktop mic stands too. No daft rubberised coating to peel and flake off in a couple of years either. I don't think I'll ever need to buy another large diaphragm condenser.Reviewed by Andertons Music Co.
6. Akg Perception 170 Condenser Microphone
Product Details:
Akg acoustics perception 170 true condenser cardioid studio microphone with small diaphragm the akg perception 170 is a small-diaphragm true condenser microphone offering outstanding build quality and excellent value. the lightweight diaphragm delivers outstanding clarity and transient response and conforms to the stringent standards defined for akg recording products. the perception 170's design is based on akg's six decades of experience in making microphones and on input from sound engineers around the world who use akg products every day. its 1/2-inch small-diaphragm true condenser transducer brings akg studio quality to the project studio and all other areas of recording. a switchable preattenuation pad enables the perception 170 to be used close to sound sources delivering up to 155 db spl. the heavy-duty, all-metal chassis and reliable gold-plated xlr-type output make the perception 170 an excellent choice for a variety of live sound applications, too.
Specifications:
| Product Dimensions | 11.3 x 3.5 x 7.4 inches |
| Country of Origin | China |
| Is Discontinued By Manufacturer | No |
| Color Name | Sliver Blue |
| Power Source | Corded Electric |
Reviews:
I think for the price this is a decent mic. It gives a clearer sound then what I had in my arsenal for my acoustic guitar. I've not tried it on anything else, so I haven't had a need to use the pad. I was trying large condensers on the acoustic and they were too muffled. This comes across much cleaner, maybe a little on the bright side but that's better than muddled. I'm using it to mic at the fingerboard and it gives a better, cleaner and more full bodied sound. I would note it's a little sensitive to being bumped. I found if I bump it I have to readjust the connection to get rid of a bit of hum it seems to pick up after the bump.Z
I used this product on a number of things. Timbale,Drums Overheads,Acoustic Guitars,String Quartets, Vocal Choirs,Steel Drums and well as room mic's. It comes with a 20db pad which is very helpful when recording loud percussion like Timbale,Steel Drums, and loud Drums. Make sure you have a low noise pre amp and you get really good results. I only wish it came with omni capsules or at least had that option. These mic's are great for the money.Joseph
I was reluctant to believe that I could make any type of Splash using this microphone to do my first ever voice over gig, but honestly it was all I could afford at the time. It came out smelling like a rose! Of course at that price point you're not going to get anything close to a u87ai. And the noise floor in my opinion leaves quite a bit to be desired, but with the little bit of offset compression and some other tweaking, this mic can sound as good as anything Shure has on the market, or possibly even the sm58 for voiceover work.RB
7. Aston Microphones Origin Cardioid Condenser Microphone
Product Details:
The aston origin is a high-performance cardioid condenser microphone utilizing a one inch (1) gold evaporated capsule. it is versatile enough to use with most instruments and excels on acoustic guitar and vocals. its hand-selected capsule is teamed with high-end transformer-less circuitry using only the best components. the origin is designed to deliver direct, smooth and intimate sound for a natural and transparent recording.
Specifications:
| Character | Not Specified by Manufacturer |
| Count | 1 |
| Connector Type | XLR |
| Multipack Quantity | 1 |
| Piece Count | 1 |
| Recommended Use | Streaming |
| Count Per Pack | 1 |
| Microphone Type | Large-Diaphragm Condenser |
| Wireless Technology | Not Specified by Manufacturer |
| Accessories Included | Not Specified by Manufacturer |
Reviews:
The Aston origin has been a complete game changer for me. It works on virtually every source, electric guitar, acoustic guitar, and of course vocals. This mic makes a vocal cut and sit right in the mix. Throw some traditional eqing on it and it's the complete wow factor. People probably think that at this price point, it can't be as good as some of the big boys in the industry. Those people are terribly wrong. This mic should be in everyone's collection, it is a workhorse and in my opinion will eventually become an industry standard. Thank you Aston for making such a great and affordable microphone that sounds as good as as it looks.Rick
In the past, I've owned the Rode Classic, Rode NTK, Neumann TLM 103, and currently own an MXL Revelation Solo, Neumann TLM 49, and Rode NT1. The Origin is easily as good or better than any of the mics that I've owned up until now. It's amazing what you get for the price! Unlike the TLM 103, which sounds almost hyper-real, the Aston sounds completely natural. It was love at first-listen! I was intending on buying another 103, but since I bought the Aston, what for? It's that good of a mic! Ignore the price. This mic takes me further on the dollar than any mic I've ever used. I was a little concerned about the SE Electronics connection, because I had tried and returned a quite lackluster SE mic in the past, but this little mic wipes the floor with the SE mic I tried. And, unlike the new Rode NT1, which is a pretty good mic for the price, the Aston doesn't make you feel like you wish you were using something a little better. It sounds GREAT!!!! After experiencing what this mic can do, I can't NOT get the Spirit!Oklahoma Crooner
Sounds great, excellent design, integrated pop shield works beautifully. Light enough for desktop mic stands too. No daft rubberised coating to peel and flake off in a couple of years either. I don't think I'll ever need to buy another large diaphragm condenser.Reviewed by Andertons Music Co.
8. Neumann Km 184 Stereo Set Small-Diaphragm Cardioid Microphone Pair – Nickel
Product Details:
A studio elite. the neumann km 184 stereo microphone set is your gateway to flawless recording sessions. capture every detail with two condenser microphones, purpose built for vocals, instruments, and more. with their cardioid polar pattern, both microphones focus on what's important, ensuring no background noise or feedback gets in the way of your performance. a high sound pressure level of 138 db makes the mic suitable for close miking strings, wind instruments, percussion, and more. what's more, a smooth frequency response with a rise at 9khz delivers a fresh tonal balance. that means truly outstanding audio, every time you hit record. get to work in minutes. the km 184 stereo microphone set comes with studio essentials that help you capture the magic without any hassle. remove pops and sibilance with two windscreens, and position your microphones with ease thanks to two swivel mounts. it's all there, right inside the box.
Specifications:
Reviews:
I recently installed a stereo pair of these mics on a grand piano for recording purposes. I was absolutely blown away by the quality of sound they delivered. The KM184 makes the recording sound like I am sitting in the same room as the piano. It has a very smooth response across the entire spectrum, and with the right placement you can achieve the perfect balance to make a piano sound better than you ever could have imagined, with crisp tone and no discernible hammer noise at all. Whether you are testing the waters of recording or if you are a seasoned veteran in the field, this is definitely the microphone to use if quality is of any concern.Steve
This Pair of Neumann KM184 arrived well-protected in a well-made wooden box that is handy to carry around, with all their attachments included. I needed to record a group of string players, so set them up as overheads and they did a brilliant job of capturing the sound.Reviewed by Andertons Music Co.
I'd kept a vintage pair of km84s in an old sunglasses case in my drawer.. finally decided to give them a proper home. This box was designed for 2 km184s, but my pair of 84s fit fine. The foam cut is a tiny bit too short length wise, but they still squeeze in there just fine. Unfortunately I keep my clips fitted with quick releases, which prevents them from fitting in their designated slots.. I prefer AKG SA60 clips for km84s, which fit perfectly with room for the badge, and are almost $50 cheaper than the neumann clips intended for 184s, and they also are also more rugged. The Neumann wn110 windscreen doesn't quite fit in the windscreen slot without being squished, so ultimately I'm only storing the mics in here, which seems a little wasteful, but it still feels more secure to store the 84s in this box rather than a random drawer, so I'm glad I picked it up.Michael
9. Akg C 451 B Condenser Microphone
Product Details:
It is a cardiod condenser microphone, designed for recording instruments with high transient response, and therefore popularly used for drum kit and percussion recording. the c 451 b features a light diaphram, minimizing handling noise, and a switchable 75hz-150hz highpass filter, eliminating low-end rumble. the high pass filter enhances the airy character of the audio signal, and thus the c 451 b microphone is a viable solution for overhead cymbal or hi-hat recording. the c 451 b provides a flat, on-axis frequency response, capturing the performance without any signal coloration. the c 451 b microphone provides both 12v and 48v phantom power, with selectable 10db-20db pads included for better signal management.
Specifications:
| Diameter | 0.7" |
| Length | 6.3" |
| Weight | 4.41 oz |
| Recommended Use | Professional audio – instrument, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | -41 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 76 dBA |
| Noise Level | 18 dBA |
| Max Sound Pressure | 155 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Storage bag, microphone stand adapter, microphone windscreen |
| Compliant Standards | EN50082-1 |
Reviews:
I know, that there are more expensive in the market for the purpose of overhead recording (AKG 414, Beyerdinamic M130 and so on). But if you find very very usefull condens mic for cymbals, overheads, hi-hat – it's a perfect choice. I use them as pair (not matched) and they are great. Highly recommend!
I've used this product for many years going back to the regular 451 with a ck-1 capsule. this is one of the finest if not the best cymbal mics available for high hat or overheads. A bit pricey for overheads, but it is what it is. I can take one and make a snare and hat blend very well. great on anything you want to pick up hand sounds such as conga's, Horns, saxes. they're not cheap, but they are flat, very clear and transparent. you don't get a lot of the mid range metallic sound on Hat's like you do on a lot of mics. great mics all around.SteveinLR
I got this mic to record accoustic guitars, banjo and mandolin. It is a solid mic that emphasize fast transients and lifts up the high frequencies of the instrument. If you noticed that Jack Johnson has recorded most of his giitars with this mic, it will give you an idea of the type of tool we are talking about. Interestingly, although few people use SDC mics for vocals, it worked very well on my voice when using the windscreen. It delivers some nice and crisp vocals. Comparing the AKG451b to the famous Neumann SDC standard, the sound is a little thinner but in some case it actually helps fit the instrument in the mix. Basically, when this mic is the right mic for the job it is perfect.grapinet2006
10. Shure Sm7b Cardioid Dynamic Microphone – Black
Product Details:
The sm7b dynamic microphone has a smooth, flat, wide range frequency response appropriate for music and speech in all professional audio applications. it features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. the sm7b has been updated from earlier models with an improved bracket design that offers greater stability. in addition to its standard windscreen, it also includes the a7ws windscreen for close talk applications. includes foam windscreen, close talk windscreen, and locking yoke mount. bass roll off and mid-range emphasis (presence boost) controls with graphic display of response setting. improved rejection of electromagnetic hum, optimized for shielding against broadband interference.
Specifications:
Reviews:
This microphone is the gold standard for vocal recording, and I can't believe that I used anything else before now. What's the secret to the sauce? While besides the decades of experience backed by the Shure name, this microphone features a VERY defined cardioid pickup pattern. What's a cardioid? Why do I care? If you're asking these questions, I'll simplify it by saying this: if you're recording in a situation where you want the least amount of background noise, this is the pattern for you. Especially vocal recordings, podcasters, and the like, will enjoy the dynamic range that won't clip or cut out at loud sounds like you do with condenser microphones. The pickup range is not directional, but you do need to be conscious of distance, as I'm sure you'll find once you start using it. I did use this microphone plugged into an audio interface into my computer, so that may have introduced a tiny bit of noise, but I was blown away by the results I got from recording. This is nothing like the lower cost and less dedicated microphones I have used in the past. Very well made, as you would expect from a microphone at this price point, and the frequency response modes are set by sliders on the back of the mic. The mounting and cable connector are set up for a boom arm or a stand. Because of the integrated pop filter cover for this microphone I toyed with the idea of using it without a pop filter, but I think i'm just too "spitty" for that, so I've shifted to using one. I highly recommend this microphone. If you're someone who records vocals, spoken word, etc, this will change your game.dronedad
The Shure brand is synonymous with quality microphones, and with the SM7B comes the top-notch build as well as the dynamic range appropriate for multiple applications. Its versatility, craftmanship, and overall reliability make the Shure SM7B a must-own for serious recording. Out of the box you'll notice the mic comes with only a few accessories (cover plate, large foam windscreen, thread adapter) and no XLR cable. You should be familiar with your own audio applications and interfaces to use this mic, as it is no joke. It is pretty weighty and should be mounted on a good microphone stand or hung firmly from a boom. The swiveling bracket adjusts easily for precise positioning. The SM7B feels great, slim and smooth, and its construction feels reliable and sturdy, though I personally limited my usage to studio and workspace recording. In my testing, the SM7B sounds amazing. It has just a very clean output for my instruments and vocals alike. It performs exceptionally well in my small, soundproofed studio affixed with foam wall fixtures. But I was more impressed with the sound quality in a non-optimal, unfixed bedroom environment. The flat, wide-range frequency response is unmatched; there is zero feedback and no static interference whatsoever, even around several operating laptops, two external monitors, and numerous electronic devices. The included windscreen makes up-close vocals and whispers move without the pops and crackles of lesser microphones. Bottom line, this is the microphone that provides the professional performance you need to be taken seriously in any recording environment. Shure's SM7B is everything you need in a dynamic microphone, with its rugged build, versatile application, and unparalleled quality. The brand you should trust with your recording needs did it again, and it isn't a surprise. This is the mic you want to have. Full disclosure, I received this product for my honest, unbiased review.NJRY
SUMMARY: As we dip our toes into the world of podcasting, we all start with an elementary setup that might be as simple as aiming your face into your cell-phone camera and talking into its microphone. But if you get serious, you will soon want a better audio/video setup. The Shure SM7B cardioid Dynamic Vocal Microphone will be a fine choice until you’re so famous that you have your own professional studio with a production crew and your name on the building. Honestly, most people’s hearing and their listening equipment can’t hear any improvements as you advance beyond this level of studio mic. FEATURES: • The switches under a cover at the back end allow you to set up the dynamic response of the mic. Shifting curves give you a visual indication of what frequencies you are pushing or reducing. • Excellent sound reproduction. • Fits standard mic mounts. • The Cardioid sound pick-up pattern is very direction and ignores sounds coming from anywhere in the room except the front making it a VERY quiet mic for studio use. • Two Year Limited Warranty. PROS: • Pop Filter, Air Suspension and Shock Isolation assure only the voice gets through without ambient studio noise. • Advance electromagnetic shielding prevents interference or hum from monitors and computers in the studio. CONS: • At this level of mic, it’s assumed you’re probably upgrading your system, so if you don’t already have certain other audio items like Mic Stand, Cable or Mic Activator, you’ll have to purchase them separately to begin using this mic. It won’t simply plug into your cell phone. CONCLUSION: The SM7B Cardioid Dynamic Vocal Microphone won’t hold you back in creating excellent sound quality.JimF
11. Rode Nt1 Condenser Microphone Kit
Product Details:
It is a large-diaphragm cardioid condenser microphone that features rode's hf6 1-inch capsule. the hf6 is designed to provide a detailed midrange response with smooth highs and warm bass. the capsule itself is seated in a rycote lyre internal shockmount to help reduce vibration and handling noises. the microphone''s electronics were designed from the ground-up for quiet performance, and allow the nt1 to have a low, 4.5dba of self-noise. the body of the mic is machined from nickel-plated aluminum that is then coated in a ceramic layer that is electrostatically applied for a scratch-resistant finish.
Specifications:
| Product Type | Microphone |
| Diameter | 2 in |
| Length | 7.4 in |
| Weight | 13.93 oz |
| Color | Matte black |
| Recommended Use | Instrument, vocal, drum, recording |
| Bundled with | SMR shock mount |
| Microphone Technology | Electret condenser |
| Connectivity Technology | Wired |
| Sensitivity | -29 dBV/Pascal |
| Impedance | 100 Ohm |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 90 dBA |
| Noise Level | 4 dBA |
| Dynamic Range | 132 dB |
| Max Sound Pressure | 132 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 100 Ohm |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Dust cover |
| Service & Support | Limited warranty – 10 years |
Reviews:
The RODE NT1 has long been a mainstay for any recording studio. This was my chance to get one and I have to say it's reputation has not been overstated. I have and have worked with many microphones in the last 50 years and the RODE NT1 has just become my all around "go to" mic. From it's almost noiseless "floor" (4.5) to it's crystal clear warm overtones, this microphone is pure joy to work with and at an affordable price. Top that off with RODE's 10 year manufacturer's warranty and you'll be hard pressed to find a better deal. I couldn't. Thank you Sam Ash for being close by and having my order in record time. KUDOS, Navy House Studio, Richmond, VA.Budmoe
Note the pop filter is no longer the same steel one pictured in the product photos, RODE uses a more standard circular mesh filter compared to the steel mesh. Nonetheless, still works amazingly and for the price/bundle + quality for a starting XLR set, it’s fantastic. Sounds clear, professional, there’s a reason the NT1 has been popular for so long now. Only gripe I have is the USB power – using my M1 iMac (which has only USB-C), even using a dongle in the thunderbolt port didn’t seem to power the mic enough which resulted in a LOT of crackling. Had to buy a USB-C cable capable of 100W and plugged in directly to my iMac, solved the issue. If you’re a Mac user, I recommend swapping the cable unless you have a USB type-A port capable of properly powering this mic. However, that’s just my experience, your experience may differ especially if you’re using PC, which I can’t vouch for. Overall though, highly satisfied.WhoelsebutCoop
If you are considering the purchase of your first condenser microphone, then I highly recommend the Rode NT1 Kit. – High build Quality – Everything you need comes in the kit – Strong signal – Low noise – Perfect on vocals and acoustic guitar When broadcasting on JamKazam and micing my acoustic with the NT1: someone that I play with frequently on JamKazam asked me; "What guitar are you using?", before answering I asked why do you ask? They said it sounds amazing. Then I told them its my Ovation elite that I always play, it is just that I am micing it with my new Rode NT1. To which they replied…Wow it sounded like you had a different guitar…it sounds so full and rich. I have had this microphone for a couple of weeks now and it has met and surpassed my expectations. Before buying I did my research into all condenser mics in the $300 range; compared specs, product reviews like this one. If you are on the fence about which condenser mic to buy to get started with, get off the fence and get yourself the Rode NT1 Kit. Trust me, you will not be disappointed.David
12. Shure Ksm44a Large-Diaphragm Condenser Microphone
Product Details:
This ksm44a made by shure is a great addition to any studio. this mic features multiple polar pattern options (cardioid, omnidirectional, bidirectional), prethos advanced preamplifier technology, 4db of self-noise and max spl of 131 db for a total dynamic range of 127 db, and more! this mic is in good condition showing minor wear and tear (see pictures). comes with a carrying case and all of the original accessories!
Specifications:
| Product Type | Microphone |
| Weight | 17.35 oz |
| Recommended Use | Professional audio – instrument, vocal, broadcast |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Frequency Response | 20 – 20000 Hz |
| Audio Input Details | Cardioid / omni-directional / bi-directional (switchable) – 20 – 20000 Hz – Output Impedance 50 Ohm |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Carrying case, protective pouch, shock mount |
Reviews:
Overall: Shure has made a great product here, there is warmth, presence, and very clean. almost purchased the u87, but i heard so many good things about this microphone that i was willing to try it out. needless to say this microphone's quietness and strength with vocals has led me to believe no upgrade is required at this point. always good to have different sounding microphones but i am no longer itching for a u87, im not saying they sound alike, what i am saying this microphone gives me a sought after sound i was wanting without the extreme price tag. this microphone is not cheap, however it is much more attainable at 999.00. i do not believe i could have made a better choice in microphones.James
This is a great mic and gives you high quality results! It has 3 different settings for mic direction which gives you a lot of options if you get creative… Also has sensitivity settings to get rid of background hiss and noise and a great option for setting up recording off guitar amps. I use it mainly for vocals but have also used it for guitars and overhead drums with success.vicobliss
I own several dynamic mics, a couple of small diaphragm condensers, and this is my first large diaphragm condenser. I've had it for several months. I use this to record acoustic guitar and vocals. It's very quite and natural sounding. The best thing about this mic is the switchable polar patterns. Prior to purchasing this mic, I did not realize I had a need for an omni mic. Omni mode with this mic sounds great on both vocals and acoustic guitar. The omni sound is just more natural than anything else. If you are looking for quality, flexibility, a not overly hyped or colored sound, and a product that is still manufactured in the USA, then this is your large diaphragm condenser. Though it's been out for about 10 years, this very underrated mic is still relatively new and many people haven't seen them yet. will be much more popular another 10-20 years from now than it is today.J3ffr0
13. Rode Nt1 Cardioid Condenser Microphone
Product Details:
Rode and apos's design engineers approached the nt1 as a marriage of innovation and tradition, starting with the capsule which is a completely new design. codenamed the hf6, it is the perfect example of rode and apos;s fusion of artistic design approaches and cutting-edge manufacturing techniques, and features a sound signature reminiscent of the famous microphones of old while at the same time exhibiting extremely low noise. it has been developed with a focus on detailed midrange response, coupled with silky smooth high frequencies, and warm, round, bass reproduction to make the nt1 an absolute standout in its class. in another world-first for rode, the transducer itself is suspended inside the microphone using rycote and apos's.
Specifications:
| Product Type | Microphone |
| Diameter | 2 in |
| Length | 7.4 in |
| Weight | 13.93 oz |
| Color | Matte black |
| Recommended Use | Instrument, vocal, drum, recording |
| Microphone Technology | Electret condenser |
| Connectivity Technology | Wired |
| Sensitivity | -29 dBV/Pascal |
| Impedance | 100 Ohm |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 90 dBA |
| Noise Level | 4 dBA |
| Dynamic Range | 132 dB |
| Max Sound Pressure | 132 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 100 Ohm |
| Connector Type | Microphone (3 pin XLR) |
| Plated Connector | Gold |
| Included Accessories | Dust cover, shock mount |
| Service & Support | Limited warranty – 10 years |
Reviews:
The RODE NT1 has long been a mainstay for any recording studio. This was my chance to get one and I have to say it's reputation has not been overstated. I have and have worked with many microphones in the last 50 years and the RODE NT1 has just become my all around "go to" mic. From it's almost noiseless "floor" (4.5) to it's crystal clear warm overtones, this microphone is pure joy to work with and at an affordable price. Top that off with RODE's 10 year manufacturer's warranty and you'll be hard pressed to find a better deal. I couldn't. Thank you Sam Ash for being close by and having my order in record time. KUDOS, Navy House Studio, Richmond, VA.Budmoe
Note the pop filter is no longer the same steel one pictured in the product photos, RODE uses a more standard circular mesh filter compared to the steel mesh. Nonetheless, still works amazingly and for the price/bundle + quality for a starting XLR set, it’s fantastic. Sounds clear, professional, there’s a reason the NT1 has been popular for so long now. Only gripe I have is the USB power – using my M1 iMac (which has only USB-C), even using a dongle in the thunderbolt port didn’t seem to power the mic enough which resulted in a LOT of crackling. Had to buy a USB-C cable capable of 100W and plugged in directly to my iMac, solved the issue. If you’re a Mac user, I recommend swapping the cable unless you have a USB type-A port capable of properly powering this mic. However, that’s just my experience, your experience may differ especially if you’re using PC, which I can’t vouch for. Overall though, highly satisfied.WhoelsebutCoop
If you are considering the purchase of your first condenser microphone, then I highly recommend the Rode NT1 Kit. – High build Quality – Everything you need comes in the kit – Strong signal – Low noise – Perfect on vocals and acoustic guitar When broadcasting on JamKazam and micing my acoustic with the NT1: someone that I play with frequently on JamKazam asked me; "What guitar are you using?", before answering I asked why do you ask? They said it sounds amazing. Then I told them its my Ovation elite that I always play, it is just that I am micing it with my new Rode NT1. To which they replied…Wow it sounded like you had a different guitar…it sounds so full and rich. I have had this microphone for a couple of weeks now and it has met and surpassed my expectations. Before buying I did my research into all condenser mics in the $300 range; compared specs, product reviews like this one. If you are on the fence about which condenser mic to buy to get started with, get off the fence and get yourself the Rode NT1 Kit. Trust me, you will not be disappointed.David
14. Aston Microphones Spirit Multi-Pattern Condenser Microphone
Product Details:
Product description the aston spirit is a high-performance switchable pattern microphone utilising a 1” gold evaporated capsule. a switch on the mic body selects from omni, cardioid or figure-of-eight polar patterns. it is versatile enough to use with most instruments and excels on acoustic guitar and vocals. its aston 33 panel selected capsule is teamed with high-end transformer balanced circuitry using only the best components. the spirit is designed to deliver a beautifully open sound with sparkling harmonics. this highly accurate microphone gives a stunningly natural and transparent recording, capturing all the detail in the high range but without adding the harshness that some condenser microphones seem to.
Specifications:
| Cage Material | Stainless steel |
| Detailing | Engraved |
| Shock-Resistant | Yes |
| Connector | XLR |
| Color | Silver |
Reviews:
I spent a long time going through reviews and videos trying to decide between this microphone and a C414. Honestly, after buying this microphone I'm really glad I chose this one. Not only it is better on the wallet but the sound quality is insane for the price. Using the spirit I found no frequency gaps in my voice and acoustic guitars that I sometimes notice when using cheaper microphones. When I'm singing and have a live feed into my headphones. I can hear every single detail of my voice, it's actually crazy and as a result, it's helped me improve my singing performances whilst recording. This microphone really does show you what you put in and adds a little high-frequency sparkle to get that modern pop vocal sound. On the acoustic guitar, the spirit is natural and picks up a lot of the wood sound of the body, again no frequency gaps. It picks up my room beautifully as well even in cardioid mode. The microphone looks great and is very robust too. Personally, I cannot recommend trying the Aston brand and these microphones enough, and will definitely purchase more in the future. Watch the videos, do the research, and happy microphone hunting 🙂Reviewed by Andertons Music Co.
I might be slightly premature giving this mic such a high rating since I have only had it a relatively short time, but as of right now…this is a solid add to my studio. I have owned a mid sized studio for around 30+ years. I mainly record Acoustic based music up to about Medium Hard Rock styles. I have a decent Mic Locker that includes about 40 or so mics including some higher end Name Brands all the way down to the simplest of anything that works solid for my needs. I buy and only keep what works for me. I have Dynamics, Ribbons, Small and Large Diaphragm transformerless and transformered Condensers, as well as tubed versions. I had seen and heard many You-Tube reviews reviewing the Spirit and liked what I heard, but the quality of those reviews were all over the place, so I was a little skeptical. So far I have only did some preliminary vocal tracks and some Upright Bass tracks for a good friend of mine that is a Texas Singer Songwriter. On Voice the mic was clean, clear and weighty. The louder the singing the more weighty it got while staying clear and in control… no issues with overload or distorting. It also handled my soft Baritone Vocals with equal aplomb. I am predicting this is going to be a really good all-rounder in the studio and the Multi-Pattern option really are useful. I hope to write additionally once I get more time under my belt. the only nit I have… lol… is the shockmount. Looks great, the design is solid… but… the spring loaded pads,while extremely convenient, need to be slightly tighter while holding the Spirit as it allows it to lean a bit and not hold it upright solidly. If there is a way to tension up the springs a bit, it would be super excellent. Oh… and the Black finish is major cool!t_mix
This thing is such a huge improvement for my home studio. Arrived safe and in perfect condition. Packaging was done well. It has some versatility, which you can read about online in the electronic manual, but it works great right out of the box as a plug-n-wail upgrade. Worth every penny.Evan Vacek
15. Akg C214 Matched Stereo Pair
Product Details:
Engineered excellence for recording of lead vocals and solo instruments in studio and on stage. the akg c214 large-diaphragm condenser microphone is perfect in any situation. the c214 large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end c414 family. the c214 captures sound by combining one capsule of the legendary c414 dual-capsule system and the patented akg back-plate technology, resulting in an outstanding performance close to the famous c414 xlii. realistic stereo recordings require microphones with outstanding performance and excellent quality. they also require performance consistency and accurate localization from the pair of microphones. therefore, every factory-matched pair of c214s is created from thousands of individual microphones selected by akg's sophisticated computer-aided matching method. the result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.
Specifications:
| Color | Matte grayish blue |
| Body Material | Die-cast metal |
| Recommended Use | Professional audio – instrument, vocal, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Microphones Included | 2 |
| Connectivity Technology | Wired |
| Sensitivity | -34 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 81 dB |
| Noise Level | 13 dBA |
| Dynamic Range | 143 dB |
| Max Sound Pressure | 156 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
Reviews:
A few years ago I was cutting vocals with my AKG 414 TLII when a friend came by with 2 of these 214’s his church had bought. We decided to cut the harmony vocal with the 214 and compare to the 414TLII. It sounded terrible and I trashed the takes and used a TLM 67 instead. The 214 sounds like a Chinese condenser from Amazon. I understand people want the AKG pedigree for an affordable price point, but this mic is not it. You may not be able to hear it right now, but trust me and the other experienced ears that have said similar. This mic is the sonic equivalent of a sugar loaded donut. It sounds good if you have few examples to compare it to, but the sound has no “nutritional value” and will fatigue you fast. Especially if you use this for most of your tracks. It is very much worth it to not skimp on microphones. I have bought and sold many, many mics in my career so trust me and save a little longer and get something a little better. No matter what price point you’re buying at.Marty
. Used this on and off for a few years, but was never really happy with it. Very average sound…better on piano, weaker on vocals. Sold it on Ebay and picked up the C414 XLII. WOW!! On the piano it is fantastic. Vocals are excellent too. Much more detailed, nuanced, smooth sound. Really, really like the C414 XLII .Daniel
This was my first condenser microphone that I have purchased for my small in home studio. After months of research I decided upon this mic based off the price and versatility of the product. I am a full time guitarist and vocalist but have never been much on the production side, pretty much saying I know what sound I am looking for. I use this mic mainly for vocals and I’ve got to say that the recordings sound so good out of the mic that I really don’t have to do much as far as mixing goes which I love. This mic has definitely helped boost my confidence in my recording ability and I know that if the track doesn’t sound great it’s from my personal error not the mic. Overall would definitely recommendBrennan
16. Audio-Technica At2035 – Microphone
Product Details:
Designed for critical home/project/professional studio applications and live performance, this side-address cardioid studio condenser delivers exceptional detail and low noise. equipped with a switchable 80 hz high-pass filter and 10 db pad, the at2035 handles high sound pressure levels with ease. along with its rugged construction and high-performance specifications, the at2035 provides an exceptional level of consistency from model to model. it comes equipped with a protective pouch and a custom shock mount. large diaphragm for smooth, natural sound and low noise. high spl handling and wide dynamic range provide unmatched versatility. custom shock mount provides superior isolation. switchable 80 hz high-pass filter and 10 db pad. cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. includes custom shock mount & protective pouch.
Specifications:
| Product Type | Microphone |
| Width | 2 in |
| Height | 6.7 in |
| Weight | 14.21 oz |
| Recommended Use | Professional audio |
| Microphone Technology | Electret condenser |
| Connectivity Technology | Wired |
| Sensitivity | -33 dBV/Pascal |
| Impedance | 120 Ohm |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 82 dB |
| Noise Level | 12 dB |
| Dynamic Range | 136 dB |
| Max Sound Pressure | 158 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Protective pouch, shock mount |
| Compliant Standards | WEEE |
Reviews:
I own one of these already, and wanted to add more reinforcement of these microphones to my collection. Using the microphone I already own as a Internet Radio DJ microphone, adding on a desktop boom stand, and a professional dual-mesh pop filter. I purchased two additional AT2035 microphones to allow guests on the radio programme. The unit comes with a compact, well designed shock mount, and a convenient carry pouch. The shock mount attaches easily with some force, but the pouch is useless if you want to keep the shock mount attached to the microphone and travel with it. The pouch would better be useful if it were a protective satchel or bag. It feels like the included protective pouch was designed to just protect the microphone, before the inclusion of the shock mount. In either case, the microphone and shock mount are a good combination, and has nice warm sound. Using it mostly for vocal speech DJ hosting work, can't say much for the singing. My original AT2035 microphone has been in service, doing weekly radio programmes for more than a couple of years now, without fail. So the unit is well designed, robust, and even though I marked "Heavy/Bulky" under "Cons", it is ACTUALLY a PRO. This microphone is not intended to be hand-held, and should always be mounted on a boom, or microphone stand, along with some form of shock mount, and therefor, the heaviness and bulkiness of the unit is a POSITIVE thing. This quality not only adds to the sturdiness of the unit, but its stability in its use. Metal construction on the outside, and thick metal wire mesh to protect the internal cardioid capsule, the microphone can not be picked up without feeling that the unit is built with some degree of durability. This quality comes across as a sense of ruggedness for the touring or concert performance arena.LadyCuddles
This microphone brings out all the subtle details of an acoustic instrument or voice. Although it has a cardioid pickup pattern, it picks up two voices very nicely on a video call, better than with a typical dynamic mic. If you want to be kind to your audience don't rely on the microphones built into laptops or video cameras. My Focusrite Scarlett 2i4 provides phantom power, monitoring and a digital interface with my laptop. I prefer a single audio interface with quality preamps over a mic with USB interface. The shock mount works beautifully. A pop filter is a useful accessory but not always necessary.Peter
It's basically an upgraded at2020, and very much worth the money for the mic. It sounds just as good if not better then more expensive options, within reasonable expectations. It's not going to compete with an vintage mic, nor is it going to compete with a much more expensive mic with a specific sound signature. But for a flat, basic microphone, it is one of the best within it's price range. It picks up vocals where it is supposed to and drastically reduces sound from things like speakers positioned behind it. It is probably the best microphone you can get for video calls, streaming, and other activities where sound cancelation is important. Paired with a basic XLR interface with phantom power and it is the most clear you can get for your coworkers or friends for a very reasonable price. As someone that does work remote and as someone that hangs out with friends having a good mic is very important. My at2020 usb started having issues so it was only a natural progression to get the next tier up and an inherently better usb interface for it. I love this mic and your coworkers will thank you, if they are anything like me.Jonathan
17. Rode Nt2-A Condenser Microphone
Product Details:
Combining a true condenser capsule, three selectable polar patterns, and ultralow-noise circuitry, the rode nt2-a large-diaphragm studio microphone offers a clear and smooth sonic signature along with versatile pickup responses, making it ideal for all sorts of voice and instrument sources at home or in the studio. plus, its bundle of accessories—shockmount, pop filter, xlr cable, and dust cover—help the nt2-a serve vocalists, rappers, and voice-over artists especially well. with low noise being a top priority of the nt2-a, its 1" gold-sputtered capsule is internally shock-mounted to further isolate it from handling and vibration noise. enhancing its professional character are the onboard pad (-5 or -10 db) and high-pass filter (40 or 80 hz) settings, which help avoid distortion and bass builup. since it can run on 24 or 48 vdc phantom power, the nt2-a can be used with a variety of professional and entry-level xlr mic preamps.
Specifications:
| Product Type | Microphone |
| Diameter | 2.2 in |
| Length | 8.2 in |
| Weight | 30.33 oz |
| Recommended Use | Instrument, vocal, recording |
| Microphone Technology | Condenser |
| Connectivity Technology | Wired |
| Sensitivity | -36 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 87 dB |
| Noise Level | 7 dBA |
| Max Sound Pressure | 147 dB |
| Audio Input Details | Cardioid / omni-directional / bi-directional (switchable) – 20 – 20000 Hz – Output Impedance 200 Ohm |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Dust cover, shock mount |
| Cable Details | Microphone cable – 19.7 ft |
| Service & Support | Limited warranty – 10 years with product registration |
Reviews:
As the headline states these wonderful condenser microphones are used for recording Brass including all high brass, brass trio and quintets and other configurations. Am using in conjunction with the Tascam 24SD multitrack recorder, a Focusrite Octopre MKII preamp, and JBL 308 studio monitors. The condenser mic offers 3 settings for Omni, Cardiod, and figure 8 settings. These microphones are clear, and detailed and are perfect for brass. Having read the pros and cons of condenser mics vs ribbon, and am glad I went with these for the variety of recording that I am doing. Ribbons are expensive, delicate, and very accurate and warm for brass recording. Condensers are clear, flat, and highly detailed and sound great to me. A big plus is RODE offers a 10 year warranty when you register them online; provided you buy from an authorized dealer. B&H is the BEST and, of course, an authorized dealer. Love these microphones. One last note is this package deal includes a high quality cable, pop filter, and shock mount. Great value for a great mic.Rusty Joints
I bought this microphone (kit) as I wanted a replacement for my aging PC USB mic (good enough but somewhat aged). I have had many microphones over the years but they have been very much on the budget end of the market. So I thought I'd treat myself to this. I set this microphone up via the ALESIS MULTIMIX 4-Channel Mixer I also got from SCAN. This microphone is feature rich, easy to setup and very,very good quality. Within thirty minute of starting, I had this microphone (with the mixer) setup and was recording test audio on my PC. Though it may seem a little daunting at first, the set up of this mic is a doddle. My intended use for the microphone is video voice over but I'm sure other uses (as described in sales literature and on RODE website) will get amazing results. I kind of do not like the sound of my own voice recorded so I did two things to test this mic. First I played my voice recorded back to a friend I can trust to tell me if I get things wrong. The friend was impressed with what he heard. I then recorded the friend singing a simple song. OK! So, my friend is no pop star! The recording was excellent though – very faithful to what was being recorded with no 'noise' or background 'interference'. The onboard 'switches' for user control of this mic can be used to improve recording or set the mic up for different types of recording. Another test I did was play (badly) some ukulele and do a brief recording. The result was great. As I risk writing a wall of text, I'll finish up with this recomendation – if you are looking for a very good quality microphone at a good price – GET THIS MICROPHONE! Note: the Small Studio Mic Desk Stand by Citronic I'm using at this time is adequate for my needs!UKNightWatch
Overall: The Rode NTK is my go to mic for many situations. It works very well on most vocals, although, I often use other mics on singers, depending on which compliments their voice best. I have had great success using this mic for stereo field recordings of choirs and chamber music. Even though it is not traditional to use a large capsule condenser for this application, the mic's low self noise, natural sound and sensitivity are ideally suited for this application. If you don't have time to audition a bunch of mics for any given application, the NT2a works every time. I've used it very successfully on toms, kick drum, drum overheads, guitar cabinets, acoustic guitars, horns, hand percussion, etc. etc. I own four of them and plan to buy more. As far as comparisons to the Neumann U87, more often than not, I prefer the sound of the NT2A, which is more natural. I will say however that there are times when the U87 can't be beat for adding a "larger than life" element to certain voices. The NT2A is a great mic and a great value.Glen
18. Mxl 770 Small-Diaphragm Cardioid Condenser Microphone (Black)
Product Details:
The mxl 770 vocal condenser microphone delivers professional sonics and features. a true, phantom powered, condenser microphone with a 6-micron, 20-mm. gold-sputtered diaphragm, the mxl 770 delivers a silky up-front high end and a solid low frequency sound. the mxl 770 has a high quality fet preamp and its output is balanced with a wide dynamic range. the mxl 770 is perfectly suited for digital and analog recording. mxl 770 features 20 mm. gold-sputtered, 6-micron, low distortion diaphragm fet preamp with balanced output switchable bass cut and -10db pad legendary mxl sonic characteristics comes with shock mount and rugged carrying case.
Specifications:
| Product Type | Microphone |
| Diameter | 2.3 in |
| Length | 6.2 in |
| Weight | 16 oz |
| Color | Black |
| Recommended Use | Professional audio – instrument, vocal |
| Microphone Technology | Condenser |
| Connectivity Technology | Wired |
| Sensitivity | 15 mV/Pascal |
| Frequency Response | 30 – 20000 Hz |
| Signal-To-Noise Ratio | 74 dB |
| Max Sound Pressure | 137 dB |
| Audio Input Details | Cardioid – 30 – 20000 Hz – Output Impedance 150 Ohm |
| Connector Type | Microphone |
| Included Accessories | Carrying case, shock mount |
| Service & Support | Limited warranty – 1 year |
Reviews:
I bought this mic a few weeks ago and I was able to use it at work for some podcasting. The shock mount slides over the mic easily and locks in place. I attached the shock mount to a Proline Desk Boom mic stand, plugged the mic, connected it to a mixer, and then connected it to a Tascam recorder. Off in running in about 5 minutes. I love that the mic comes with a case for transport. The foam protects the mic and shock mount and allows me to transport the mic without having to worry about moisture or having the mic battered around in the car. I looked at some of the audio samples today and I great great audio at a small price.Jonathan
We run Shure SM7b and Electrovoice Re20. For grand piano, this lowe cost unit exceeds them both. We were surprised. Granted, you can get better performance from other much higher priced units but for a budget unit, the MXL 770 is remarkable. It even comes with a case and shock mount. And B&H gives free shipping. Really, it is hard to beat this value proposition.Moses
I recently purchased the little MXL 770 mic through Best Buy. I LOVE it!! It’s perfect for my small home studio and didn’t break the bank. So far I’m really pleased with the clarity and warmth I’m getting with my vocals, and while it’s very sensitive and picks up well, I’m not noticing any unwanted noise. Great addition, I highly recommend it.Jude
19. Rode Nt5 Cardioid Condenser Microphone
Product Details:
The rode nt5 is a small diaphragm microphone featuring full frequency response and low-noise output circuitry. designed for general instrument recording and sound reinforcement. the cardioid polar pattern effectively minimizes audio at the off-axis sections, reducing noise caused by leakage, monitors, additional instruments, etc. the nt5 offers a frequency response of 20 hz to 20 khz allowing the microphones to be used in a wide variety of applications such as drum overhead miking, stereo capturing of instruments, vocal capturing, etc. the nt5 is powered via +24v or +48v phantom power. the package includes a windscreen, mic clip, and padded zip pouch.
Specifications:
| Width | 0.8 in |
| Depth | 0.8 in |
| Height | 4.6 in |
| Microphone Operation Mode | Mono |
| Microphones Included | 2 |
| Connectivity Technology | Wired |
| Sensitivity | -38 dB |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 78 dB |
| Dynamic Range | 128 dB |
| Max Sound Pressure | 143 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 100 Ohm |
Reviews:
I wanted a pair of pencil condensers for the home studio; that I could use primarily for recording acoustic guitar, but that also sounded great in other applications as well. (overheads, room mics, etc.) On an acoustic as a pair these sound fantastic, the dry signal itself sounds practically record ready (Taking into consideration the instrument quality and room setup as well). There are probably "better" mics out there in this category, but not that I know of at this price, and in terms of sound quality alone maybe not by much. These NT5's absolutely blow away any lower end mics I've used (MXL, CAD) and as far as I can hear sound basically just as good as most higher end microphones that you'd spend twice as much on. (Go to Youtube and watch some Mic Shootout comparisons with these) I grabbed one of Rode's stereo bars for the pair which makes setting them up nicely convenient. (Couln't find this on musician's friend, GC, or Sweetwater though. Went to RODE's website and ordered separate.) A phenominal set of pencil condensers for the home studio recorder. At 0.5" capsules, they don't overkill high frequencies, but certainly don't lack in the bottom end either. I use these mostly recording acoustic & acoustic rock styles and the tonal balance is perfect in my opinion. Excellent clarity as room mics, haven't tried as kit overheads yet.Cully
I haven't had a chance yet to fully experience the microphone in any situation, but so far it's been pretty good. Definitely adjust the gain based on the distance it is from the source. Always keep it a little lower than you would usually like it because that will prevent it from clipping and you can always increase the volume in post production. Worth the money in my opinion.Zachary
20. Akg C414 Xlii Condenser Microphone
Product Details:
The akg c 414 xl ii condenser microphone is the successor to the famous akg c 414 b-tl ii mic. the akg c 414 xl ii mic shows the unique sonic signature of the highly sought after akg c 12 which enables lead vocals and solo instruments to be placed even in a dense mix. the unrivaled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking. the xl ii mic version differs from the xls version in one major respectthe capsule. both the slight presence boost and the impressive spatial reproduction is similar to the legendary akg c 12 microphones. the akg c 414 xl ii offers 9 pickup patterns for you to choose the perfect setting for every application. for live-sound applications and permanent installations, all controls can be disabled easily enabling trouble-free use. a peak-hold led displays even shortest overload peaks. akg ships the c 414 xl ii microphone complete with carrying case, pop filter, windscreen, and a spider-type shock mount. for over 60 years, leading musicians and engineers have used legendary akg microphones to capture their sound so their audience hears every nuance. the c 414 family has been one of the world's most widely-used and respected studio and stage microphones in audio history. akg has continually set new benchmarks for useful features, improved technical specifications, and ease of use to answer requests from ever-demanding recording studios, broadcast stations, and audio engineers. – sonic character of the famous akg c12 delivers astounding sound quality for lead vocals and solo instruments – nine selectable polar patterns for the perfect setting for every application – three attenuation levels (-6/-12/-18d – b) for close-up recording or high-output sources of up to 158d – b splthree switchable different bass-cut filters to reduce wind noise, stage vibration or proximity effect – overload warning with audio peak hold led to detect shortest audio peaks
Specifications:
| Width | 2" |
| Depth | 1.5" |
| Height | 6.3" |
| Weight | 10.58 oz |
| Color | Dark gray, gold |
| Body Material | Metal |
| Recommended Use | Professional audio – instrument, vocal, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | -33 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 88 dB |
| Noise Level | 6 dBA |
| Dynamic Range | 134 dB |
| Max Sound Pressure | 158 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz Hypercardioid – 20 – 20000 Hz Omni-directional – 20 – 20000 Hz |
| Included Accessories | Carrying case, shock mount, microphone windscreen, pop filter |
Reviews:
This microphone is fantastic for recording vocals. It picks up everything in the room clearly including the air conditioner. This is no problem as the mic has a built in filter that can get rid of the noise from the air conditioner. The included manual has a description for all of the different pickup patterns and their uses. The manual also says the C414 XLII is recommended for vocals, whereas the C414 XLS is recommended for overheads.Jared
When researching on the forums you will here people talk a lot of crap about this mic. But I used a pair at work (live sound) to mic an upright and I loved the results. I decided to trust my ears and not the forums. I was not disappointed! It is a true workhorse. In the few weeks I've had it I've used it on Cello Voice and Percussion with astounding results all around. The versatility and ease of use inspire creativity in the moment. I tried it on a cello in a beautiful sounding church and going from close mic'ing in Cardiod to far away in Omni mode for that awesome real reverb was as easy as pressing a button, literally. While it is not a perfect mic and you can certainly buy specific mics for certain purposes at a higher price, this mic will be with you your whole career. My only regret is not getting a pair!
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