Best Guitar For Metal (2024 Update)

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

I bought it for the neck thru construction and the finish which is quite stunning and very well done. The "Duncan Design" pick-ups are crappy, muddy and middy. Replaced them with "REAL" Seymour Duncan "Pearly Gates" and it sounds great now. The Floyd sits too low in the pocket (unlike my Charvel's do) poor engineering on Jackson's behalf. You can't get to the allen heads when you change strings because they sit so low in the pocket. You actually have to change one string at a time or insert the whammy bar and physically push it down to raise the rear of the Floyd so you can access the allen heads that hold the strings to the bridge. I have 17 guitars and this one is hands down the hardest guitar to change strings on I have ever owned. If Jackson would put better pick-ups in this model, and re-engineer how the Floyd Rose is mounted, it would be a lot more popular, but like most Jackson guitars priced under $1,500 they opt for the cheap electronics which in my opinion has been the case with every Jackson I have owned, you need to change the pick-ups and pots. The guitar itself is quite nicely made, balanced well and sounds awesome with real pick-ups in it.dtvamigo

This is a sweet guitar. The sustain is excellent, quite a difference from any bolt on neck guitar. I have a 1991 Ibanez 540SLTD, it is an excellent guitar. Been playing that for nearly 3 decades and its still my main guitar. This Jackson SL3X Soloist is just as playable. The neck is very comfortable from top to bottom. The Duncan designed pickups are very good too. Make no mistake, this is a shred guitar through and through. Can it do evreything else in between, like classic rock, jazz, country? Absolutely. You can dial in just about any sound needed. The pickups seem to have good output, but not insane, which i like. I also own a late model Ibanez RG350DX, with the infinity pickups. Those pickups, especially the bridge, are really loud, and overly distorted. I find that i have to roll the volume back to keep clarity. These pickups in the Jackson have good clarity. The neck and middle hot rails pickups are sweet. Artificial harmonics sing everywhere. The Floyd Rose special seems to stay in tune good as well. The fine tuners are a little gritty feeling, not anything wrong with em, but not silky smooth. They probably will get smoother as time and use allows them to break in. The hardware seems good. Solid tuning heads. Nice adjustment of knobs and pickup selector switch. The finish, neon orange, is flawless. Binding on neck and headstock is nicely done as well. The only issue i had with mine was fretbuzz on the first fret, 5th and 4th strings. Quick turn of the truss rod nut to add a little relief and reset the bridge height took care of that. This is a very fast neck to riff and shred with. Of course its great for slow playing, open chords etc… but, if Klingons are around, Warp Factor Five! Neck through Jackson Soloist, its a spaceship in disguise as an electric guitar. My Ibanez 540SLTD has an amazingly fast and thin neck, this Jackson is without a doubt on par with that, plus 2 more frets/ Jackson has better sustain and there is no sub 4 a thruneck.Freddy F

I'm a collector and player of the unique and unusual of the big brand and some off brand stuff. Never been a huge Gibby fan, even though in a classic rock guy. The flying v crescent moon is wonderful though, and has a vibe and feel all its own. When you think that legends from Hendrix to king played them, and had a style all they're own, the V just has its own place in the guitar world. I swapped the hot ceramic Gibby pups for some Seymour Duncan's with chrome covers, as I wanted a more dressed look and blues warmth from this lightweight but oh so solid beast. I did the graphitec saddles as well, again for a warm vibe. The result is amazing, period. I'll put her against anything from anybody in tone, weight, style, playability and feel. Even before the mods, still best of the best. All welds perfect, fret work perfect, finish accomplished the look of a vintage road warrior. Nickle hardware, true Ebony fretboard, feels like one gorgeous piece of mahogany in your arms as the neck and body are so perfectly set together.golfn64

This guitar sounds so good, it's hard to say if it's the wood or pickups. Who cares? It sounds good. Good tone and sustain. I look forward to playing it. Tuning is easy, playing it is comfortable. It has the original good looks that the Flying V was made with. I have heard people with Gibsons say that they with the knobs were like on my V. They also liked the placement of the jack. Which, I want to say, are 2 solid reasons I wanted this guitar. The Through-the=body stop and the jack at the end of the wing tip. Very nice.David

Gibson Flying V. Antique natural. Low action and great playability from factory. Awesome fretboard even though multiple tool marks around fret ends. Good access. Pickups sound good clean and can get hot enough for metal with a boost. Nice grain in wood. Couple small sand marks under nitro. Neck feels great. Giving it 4 stars for cosmetic issues but played so well did not send it back or even pursue price reduction. Case is very nice. AMS great as always. Killer payment plans and fast shipping.Todd

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

I first bought a Jackson JS34Q Dinky DKA-M online without having seen or played it. I went to guitar Center to pick it up the next day and was blown away by how it looked. Way beyond my expectations. However, after getting home and playing it, it didn't take long for me to regret the purchase. I'm not going to go into it here, I will review that guitar separately but now you know where I'm coming from. I just dropped $400 on a guitar and was disappointed. I took it back and went right for this one. It had what the JS34 didn';t the abilityt to stay in tune and quality hardware. It looks and feels great but most importantly it sounds great. The knobs actually affect the sound wqith vewry little turning, like my Fender Strat. Mosat shred guitars I've ever owned sound good only when cranked up but these offer different levels of quality sound. The switch feels solid and knobs don't turn too easily. The neck is incredibly fast although my 6th string had a bit of a buzz when played open of all things. I'm going to have a local guy fix that tomorrow. Other than that this is my favorite guitar and I own 12 others. Prior to getting this, my fave was the Dean Dave Mustaine Angel of Death V and I still love that guitar but this one is lighter, easier to play and it inspires new riffs from me better than any of my others. I will upgrade the pick ups tho. Not sure which yet but I'll have fun trying to figure that out.Bruce M

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

I bought it for the neck thru construction and the finish which is quite stunning and very well done. The "Duncan Design" pick-ups are crappy, muddy and middy. Replaced them with "REAL" Seymour Duncan "Pearly Gates" and it sounds great now. The Floyd sits too low in the pocket (unlike my Charvel's do) poor engineering on Jackson's behalf. You can't get to the allen heads when you change strings because they sit so low in the pocket. You actually have to change one string at a time or insert the whammy bar and physically push it down to raise the rear of the Floyd so you can access the allen heads that hold the strings to the bridge. I have 17 guitars and this one is hands down the hardest guitar to change strings on I have ever owned. If Jackson would put better pick-ups in this model, and re-engineer how the Floyd Rose is mounted, it would be a lot more popular, but like most Jackson guitars priced under $1,500 they opt for the cheap electronics which in my opinion has been the case with every Jackson I have owned, you need to change the pick-ups and pots. The guitar itself is quite nicely made, balanced well and sounds awesome with real pick-ups in it.dtvamigo

This is a sweet guitar. The sustain is excellent, quite a difference from any bolt on neck guitar. I have a 1991 Ibanez 540SLTD, it is an excellent guitar. Been playing that for nearly 3 decades and its still my main guitar. This Jackson SL3X Soloist is just as playable. The neck is very comfortable from top to bottom. The Duncan designed pickups are very good too. Make no mistake, this is a shred guitar through and through. Can it do evreything else in between, like classic rock, jazz, country? Absolutely. You can dial in just about any sound needed. The pickups seem to have good output, but not insane, which i like. I also own a late model Ibanez RG350DX, with the infinity pickups. Those pickups, especially the bridge, are really loud, and overly distorted. I find that i have to roll the volume back to keep clarity. These pickups in the Jackson have good clarity. The neck and middle hot rails pickups are sweet. Artificial harmonics sing everywhere. The Floyd Rose special seems to stay in tune good as well. The fine tuners are a little gritty feeling, not anything wrong with em, but not silky smooth. They probably will get smoother as time and use allows them to break in. The hardware seems good. Solid tuning heads. Nice adjustment of knobs and pickup selector switch. The finish, neon orange, is flawless. Binding on neck and headstock is nicely done as well. The only issue i had with mine was fretbuzz on the first fret, 5th and 4th strings. Quick turn of the truss rod nut to add a little relief and reset the bridge height took care of that. This is a very fast neck to riff and shred with. Of course its great for slow playing, open chords etc… but, if Klingons are around, Warp Factor Five! Neck through Jackson Soloist, its a spaceship in disguise as an electric guitar. My Ibanez 540SLTD has an amazingly fast and thin neck, this Jackson is without a doubt on par with that, plus 2 more frets/ Jackson has better sustain and there is no sub 4 a thruneck.Freddy F

This guitar looks brilliant. The satin blue finish is exceptionally svelte. It's a decent guitar from a playing standpoint, but is more suited for the intermediate player getting their first upgrade to a more pro-like guitar. Particular people (like myself) will be disheartened by its poor quality binding that has obvious flaws where it meets the guitar body below the top wood. This wouldn't bother me half as much if the flaws were in places I couldn't see while playing, or if there were less of them. This flaw continues throughout the whole guitar – neck, headstock, and body. Mine was supposed to be a brand new guitar, but came pre-blemished – or pre-played. It has what appears to be pick scrapes on the body below the pickups (where this type of damage is usually found). There is also a mystery substance located behind the bridge in tiny little spots. (Consistent with a sneeze spray). Above the pickups, in approximately the same place your picking hand rests, there is a wide blemish that looks like it happened post-factory. The sound is what you'd expect, the active pickups do sterilize the tone as usual. I recommend upgrading to passive high-output humbuckers for a much warmer tone. The neck feels like a thinner Les Paul type neck. Plenty of resonance and sustain with the string-thru bridge and set-neck assembly. The neck is smooth, but not fast. This guitar's tone control may as well have been left off. Slight roll backs do nothing. And even when you go full sweep, the tone only slightly changes. I pull this guitar out of tune constantly as big wide bends are a part of my style. Locking tuners would be a HUGE upgrade, and will be one of my first mods, after the passive pups, and a coil-tap. It really is a beautiful instrument. But I feel a bit ripped off for paying "new" prices for "used" equipment.Dennis H.

Had a lot of fun playing the C-1. It's a great guitar for Metal n Heavy Rock. If your on a budget this is a no brainer. The guitar has a really nice neck that isn't to fat and feels good in my hands but is not a shredder neck either/ Kinda in the middle/ The EMG's deliver bone crushing lows with a smooth bluesy type high end. Normally not a "Schecter Guy" but was one over by the pure versatility of the instrument. This guitar is also is great for down-tuning so Nails Master of Reality Sabbath n Sleep tones but can also of course due heavier music like Sepultura/ Mayhem etc. The interesting thing is that it sounds great clean – really on the neck pickup n with the right Amp like an Orange Rockerverb MkIII will get you a nice CREAM tone thou is better running thru an ENGL or REVV type amp but either way it's a solid guitar. Only down sides are the EMG"S are "muddy" at times and the tuners are low end, But if your looking for something under a grand and play Metal this Guitar won't let you down- Rawk It!TONY

Songs that were difficult for me on cheaper guitars play great on this. Love the action and responsiveness. Your fingers can dance across the fretboard effortlessly. The active EMG 85/81 pickups pair well with the mahogany body so far. Any weird tones were due to me playing around and experimenting with my Katana amp settings rather than the guitar. It came new and ready to play with minor tuning-the intonation, truss, etc were all dialed in. The finish is beautiful and smooth, the frets were in perfect shape as well.JS

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

I bought this guitar to serve as a backup while my main guitar, an Ibanez Premium RG1070FM, is gone several weeks for warranty repair. I needed a practice guitar with the same scale length and double-locking tremolo, and after three days, it's doing great. It's my first guitar with a poplar body, and tonally it seems similar to basswood but slightly brigher; this combination of woods and pickups makes the guitar nice for mid-heavy soloing without sounding brittle. The neck and fretboard rivals guitars costing three times as much, like the Charvel Pro-Mod DK24 HH FR I had. The neck joint and heel is less clunky than the Charvel's when it comes to reaching frets 19-24; although playing the upper frets is better on the JS32DKA, I still prefer the All-Access Neck Joint on late model Ibanez RGs. I've been an Ibanez RG devotee for 23 years, but thanks to the JS32DKA, I'll give Jackson guitars serious consideration when I'm in the market for a gigging gutiar. I'm thinking Soloist SL2 or SL3. A few negative: 1. There was too much play in the tremolo arm, despite the inner hex screw and arm collar being fully tightened. Sadly, I've played enough entry-level guitars to know that this is a fact of life. I had spare parts, so I replaced the arm socket with and arm with Floyd Rose branded one I had lying around. The collar still needs to be tightened down after every song, but the socket itself no longer wobbles in the base plate when you pull or push the bar. 2. My bridge pickup squeals with moderate gain dialed in on my Blackstar HT Club 40 MKII amp. I have DiMarzio pickups on my Ibanez and Seymour Duncans in my Schecter, and I get no feedback with those guitars; this leads me to believe the stock pickups in the JS32 are not wax potted to prevent feedback.Indiana_Tim

I needed a comfortable guitar to record some song ideas, and this one seemed to fit the bill. The finish is really nice, although it's a lot darker in person than it is in the pictures. It's really comfortable sitting down. It seems to stay in tune, so I don't have to put locking tuners on it just yet. And now for the downsides… There's a few minor blemishes on the back of the neck, but they can probably be easily sanded out, or them might smoothen out after significant playing time. The fretboard is incredibly dry, so I recommend conditioning it with some mineral oil right away. The pickups are low quality. As in, they kinda hurt your ears when playing them. No big deal, I'm gonna switch them out for some EMG 81/60 I got lying around, so I didn't expect them to be good from the start. No big deal, really. What IS a big deal is the quality control on the frets. They are very rough, they make a scraping sound when you bend strings (which can be heard even through heavy distortion) and kills the notes real fast. I can't play it until I get them properly polished, so I get to dump some more money into it. Despite the low price, I expected more from Jackson, honestlyThijs

I love jackson guitars. I recently purchased the js32 and not being picky at all. First thing out of the box, impressed that it was really close to in tune yet immediately it had fret buzz, Could see runs in the paint as well. Ended up adjusting the truss rod, to help with fret buzz, adjusting the bridge to combat overly high action then adjusting springs in the back to compensate. By the time i had done that i also had to run the pick-ups way down due to strings touching. Literally nothing left un-adjusted in order to make it playable compared to their higher dollar guitars. 2 hours into it i could enjoy it. I think i blame fender takeover. Side note, bought a 700 dollar jackson and everything was horrible, turned out brand new, the strings were way too thick and had excessive pressure on the bridge, impossible to play.Randall Tadych

. Now let me set the scene… I am a guitar lover (I can even play a little too) and a quality professional so My expectations are somewhat higher than most looking at this product. An absolutely beautiful instrument, this is my second SA360 and although they are no longer. Made in Japan, be assured they have not lost any of the build quality or attention to detail. The guitar was really well set up, is great to play, feels good in the hand and sounds the bee’s knee’s. If you are looking to start out in guitar playing get yourself an Ibanez Gio to start as a first upgrade from that, then the SA series is where you want to be at.Timbo

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

This is the first Acoustic/electric that I have owned that I actually love playing. The action is great even with the large gauge acoustic strings on it. Comes with a very nice gig-bag/case. I love the way the neck and back of the guitar looks. I also love the Strat 5-way switch that selects the degree and type of acoustic sound. The only downside with this guitar is the cover that serves as a cover for the electronics and pick guard. It looks cheap, more like a decal than a cover. I think Fender can do better on this detail for the price of the guitar. However, if you can get past that then it is a fine playing and sounding guitar. I have owned several Acoustic and Acoustic/Electric guitars. The action on even high-priced acoustics was so terrible I just ended up selling them. I also do not like the large back ends of most acoustic and acoustic electric guitars, but this guitar is small and easy to play. I would give it an A-.Bill

The research I did on trying to learn more about this instrument via general internet, YouTube, assorted standard Music Company's like Sam Ash; Sweetwater; Guitar Center; Alamo; and other assorted Music Guitar critics provided a good array of opinions and product test results that produced a positive majority with impressive perspectives for the instrument I purchased. The Fender American Acoustasonic Stratocaster Acoustic-Electric Guitar Cocobolo I purchased from Sam Ash was not a disappointment. Aside from the 10 different options of Guitar unique sounds it provides from Acoustic and Electric mixes. The one-of-a-kind Cocobolo wood identifies a further fingerprint in supporting its own private one-of-a-kind signature sound with relationship to the Cocobolo wood unique to it alone. That just blows me away with how special the sound of specialty signature sound it produces with the ten different built in technical sounds the Fender Guitar company developed with this special edition. I feel overwhelmed in learning to continue how to play this guitar. It allows me so many more possibilities with playing soft country to hard rock a really strong guitar enjoyment experience.Guitar Enthusiast

Overall, I am very happy with this guitar. It exudes classic Fender looks and tone. The quality and craftsmanship are decent for the price point. I have a US Tele and, after putting some TLC into this player strat, it feels and plays almost as good as the Tele. I would give it five stars if it were not for fretwork that was needed. Body – The finish and surf pearl color are gorgeous. The wood grain is barely visible (raised) so I would not say the finish is flawless, but the grain is very subtle and adds character in my opinion. The routed cavities for the electronics (top) and the tremolo springs (back) are precisely cut and clean. The electronics cavity was even finished with black paint. Neck – The finish and appearance are great. However, all 22 frets had sprouted; some as much as 1/32". I can't say this is a craftsmanship issue as the frets were probably fine when it was assembled. It must have been a very high humidity environment, though. Nevertheless, after painstakingly filing and redressing all 44 fret ends it feels good. The frets themselves were well seated and leveled. The 3rd and 11th frets were a few thousands of an inch high, but not enough to cause any buzzing issues. The frets were well rounded and polished. Hardware – The tuners are just okay. One of them feels a little rough turning, and they seem to have a low turning ratio making it very touchy to dial in perfect pitch. The 2-point fulcrum tremolo bridge seems like a better design than the traditional (six screw) bridges, but I did not test it. I prefer to block them for more stable tuning, which worked great with this bridge. I have upgraded electronics I had planned to install in this guitar, but the stock pickups aren't bad. They are very quiet and have good tone – there is no rush to replace them. Setup was a breeze. Truss rod adjustment was smooth, nut slots were to spec, and intonation was perfect. The action needed adjustment since I blocked the tremolo, but that was easy.Dave S.

After really enjoying playing an RG standard at GC, I decided I wanted a Japanese Ibanez. This guitar is gorgeous. You open up the case and it's a plush red velvet contrasting perfectly with the sexy nebula green burst. It is incredibly easy to play! Has a perfect balance slung over your shoulder or resting on your thigh. They didn't cut any corners with this instrument. Pros: – Black chrome hardware looks slick – Neck very thin and flat. Not just for shredding! Strips of walnut add a touch of elegance. Satin finish makes this a fast neck. Jumbo frets feel great. The birdseye fretboard is gorgeous. Locking tuners are robust. Stays in tune like a boss! – Very clear difference in pickup output from neck to bridge. Bridge gets nice and dirty when the volume is up – Pickups are a bit hotter than I expected, especially the tone zone in the bridge, but dialing down volume cleans them up very nicely (when you want them to be clean). I'm guessing the hot pickups are for shredders, who are a target Ibanez consumer. The parallel mode is a sweet addition allowing pickup to sound like a single rather than a humbucker – Pickups have dimarzio embossed on them, but it's subtle and not visible from a distance- branding isn't as obnoxious as on seymour duncans – Volume and tone knobs are knurled making them easy to turn with just a touch and resistance is light and smooth. Great gradual effect (doesn't just jump from 100% to 10% when you turn the knob only a tiny bit) – Action can be set super low and bridge is very comfortable to rest your palm. No sharp saddles as on some tune-o-matics – Amazing custom-molded guitar case that looks sexy and has a hard plastic outer shell. Form-fitted for this guitar – Guitar comes with a multi-tool with everything on it, even a short metal scale Cons: – The fret markers are just dots, not inlays – Doesn't come equipped with straplocks – Pickup selector feels cheap compared with the rest of the hardware, but has authoritative action otherwiseMegatron

This guitar is beautiful and its sound is fantastic,neck is awesome and fretboard is great,pickups are good…but it is Very Heavy,I'd say around 10 pounds and also the body is too chunky and therefore not comfortable to play.Maybe this guitar will be good fit for a large player. I returned it today and got me another Ibanez. Guitar center were very helpful,they are alright!Andy

Took this model and the Ibanez RG Prestige RG652AHMFX for test rides. I ended up keeping this one. The Prestige is a better instrument, but not nine bills better. They play very similarly. The DiMarzios in the Prestige sound better, sure-but you can add those to this one later if you'd like. Honestly, I'll probably just keep the Quantum pickups in it-they sound fine. Love the creative 5-way switching and the volume and tone work as they should. Tuning stability is spot on. Mine even came set up well. The wood is not the cosmetic grade that the more expensive models have, but I bought it to play in bars and small venues-not to look at it. The body is three pieces. That being said, it's more attractive than an affordable guitar has a right to be. The ash does make it brighter than your standard RG, but that's what I was looking for. I'd recommend it to anyone that's not a cork sniffer and needs a solid instrument they can use without fear of breathing on it.TG

Sound: The stock pickups sound great especially with high gain. Nice crunch and break up. Features: For me the reason that I bought this model is that it is the least expensive way to get a real Edge tremolo. I can do subtle things with the Edge that I can’t do on an Original Floyd Rose. The bar is easier to position and it stays where ever you put it. As long as the torsion bushings on the bar aren’t worn out, the pop in bar is neither too tight or too sloppy. Value: This guitar is worth every penny. Manufacturer Support: I did not use Ibanez customer service and I did order half a dozen sets of torsion bushings, but had to order them from different places. The Wow Factor: I love the color of this one, Desert Sun Yellow. Overall: In the last 2 months I’ve bought 5 different Ibanez guitars, both lower and higher price. I must say that this guitar is the most bang for the buck out of any of my 21 guitars that I own.Got more than 200 bucks off on mine as it was sold as a slight blemish. When the guitar arrived, I noticed it did have a hairline crack in the paint on the bass side at the neck pocket. That was the only flaw I could find and it probably would have happened anyway if I would have got a “new” one.This is the shreddiest guitar that I have. The only thing that I had to address is that the 6th fret was a little proud. Other than that the fret job was good. All the frets were shiny and smooth and no fret sprout.This is the guitar that is at the price point where if you spend more money, you aren’t going to get much better. And the fit and finish were top notch.Scott

Overall: This guitar was a total impulse buy and I’m so glad I bought it! It’s easily worth twice the price of it. Can’t get too many mid tier guitars that are neck thru with decent pickups and a 5-way switch that has a fast and slim neck at this price. I mostly play baritone 6 strings and 7 strings but I needed a 25.5” scale for drop C and this is perfect for it with 10-54 strings. I did upgrade the nut with a Graphtech tusq nut and Hipshot locking tuners with knurled tuner buttons and looks even more badass while staying in perfect tune! I have an Ibanez rgib6 Iron Label 28” baritone and this is up there with that as far as quality and playability. The stock pickups aren’t bad at all and definitely surprised me cuz that’s usually the first thing I’ll change in an inexpensive guitar. As you can see by the other reviews people say it’s a great guitar and they’re not lying so if you’re on the fence about getting it then go for it! You won’t be disappointed at all and if for some reason you are then zZounds has a return policy within like 30-45 days so you won’t be stuck with a guitar you don’t love.Josh

I got this guitar on September 14th, 2021, and have had some minor issues with it. When I receive this guitar, it was perfect. Not a single case of fret buzz, the nut was perfect, and it was an all around great guitar. However, after about a month. I realized the tuners were a bit out of wack. I would be a bit flat, and turn the tuning peg over and over and over, only to not tighten the string at all. Then when I finally did one last turn, I'd be sharp by a whole note! Whatever, just replace the tuners. I had been putting that off. The next issue was a bit weird. I play really hard, and over time, the bridge pins were starting to get loose, and eventually a whole screw came out, and I had to take the guitar to a tech. I know this is probably user error, but still. I eventually just decided to turn it into a Jonny Greenwood tele, with lace sensors, a kill switch, and all. And let me tell you, this guitar is perfect now. The neck is (and always was) exactly what I was looking for. It's a bit thinner that my Squier Affinity Strat, but I like a thinner neck. Bottom line, I would recommend this guitar if your okay with getting new tuners. No one else I know has had problem with the bridge, so consider that. (P.S. I forgot to say that the stock pickups are amazing! I almost just kept them, they sound really good)Cory

I picked up the Surf Green Ltd Ed. Bullet Mustang a few days ago off the rack. They had two. One had rusty strings and sharp frets but the one I picked was almost perfect. These Mustangs are great for smaller learners and older guitarists that may enjoy the lighter string tension due to the short scale. I love the sound of both humbuckers. The bridge one gives you a nice grungy Nirvana like tone while the neck is smoother but both love to be driven. I picked up the Imperial Blue Mustang HH a few weeks ago. They both use the same humbuckers, The only difference I believe is the wood type, Basswood vs Poplar. Both guitars are quite light with the Basswood Surf Green one being somewhat lighter.These Mustangs are ideal for modding but for now I've only changed the cheap pickguard on this Surf Green one, putting a Tortoise Shell on it. So far I'm loving both of them and my Fender P90 Mustang is getting quite lonely.Tingman

First of all, this is a ton of value for the price. I got it on sale which made it even a bigger steal. Now, this guitar needs a lot of setup out of the box. You should polish the frets since they are as coarse as beach sand. Otherwise, string bends will be impossible and will most likely damage the cheap supplied strings (which should be changed immediately as with most new guitars). Expect some fret buzz, so be ready to adjust the saddles and the truss rod (I like my action quite low so this was a minor tweak for me). The intonation was actually quite close to perfect, it only needed a bit of tweaking on the A string. The nut and string trees are the ones you typically get on Squiers, which are good enough but won't do wonders for your tuning and should be replaced unless you are patient enough to tune your guitar every so often. Be sure to change these first before changing the tuners/bridge if you have tuning problems, I haven't changed the tuners or bridge on mine and don't plan to – they just work. Finally, the pickups are surprisingly good for the price, not too mellow and you can get some nice tones from the bridge pickup. You might soon outgrow them, though, and might opt for better humbuckers or P90s. For all these reasons, this guitar is not the best as a first guitar or for beginners unless it gets a proper setup first or if you're really planning to learn how to setup or change electronics/other parts in a guitar. However, those are the same reasons (plus the low price and simple design) that make this a really fun modding platform, and if you don't feel like modding it, with the right amount of work it's still amazing. It's light as a feather and the neck is very fast; you can probably muscle through hours of playing with barely any effort at all. The stock tones are reasonable enough, and in my opinion it looks awesome. You can't get a better deal for the money once you're aware of the above.Carlos, M

I like this guitar because of the 24" scale length. Everything else was pretty bad out of the box. The strings were a 1/4" off the fretboard. The fretboard was super dry. There was fret sprout. The frets felt like sandpaper on bends. The E strings are too close to the edge of the fretboard. When you play you're constantly hitting the pickup selector switch. The finish on the neck is supposed to be satin but it looks unfinished to me and there are light and dark areas on the neck which look bad. It is the worst finish on a neck I've ever seen on a guitar and I'm going to have to put some kind of finish on it. Trying to load strings is tricky and not as easy as on most other guitars you have to bend the end of the strings to get them to load. So that is the bad. The good? The tuners are your typical Chinese tuners that come on all cheap guitars these days, and they are fine. The pickups sound good. The 24" scale is great and really fun to play bends on!Steve

Sound: A sign of a good electric guitar is how well it sounds unplugged. This 1000BV is loud, full, and sustains very well before it's even plugged in. I bought the 1000BV with EMG pickups. Most people associate EMG with metal, and yes it goes a long way in that genre but they are equally adept and great sounding for blues, jazz, rock, and clean tones. I am very happy with the tonal versatility of this guitar. Cleans are clear and full, heavy drive has the chunk you want, and in between they just growl like they should. Features: I appreciate the locking tuners and Tone Pros bridge. The tuners are ESP branded but are smooth and seem to stay in tune quite well. The TOM bridge was easy to adjust and lock back into place.Active pickups are a matter of taste. I chose EMG because I like the sound they give, and I already have another guitar with the Duncan JB's. Ease of Use: The guitar came out of the box set up perfectly to ESP specs. Having said that, ESP thinks low action is 2mm at the 12th fret for low E, and 1.5mm on the high. This is way too high for my tastes. Adjusting the truss rod, string height, and intonation was a breeze. In a world filled with Floyd Rose, you lose appreciation for how easy a TOM bridge is to work with!The neck is definitely thinner than a Les Paul, but not super thin like a Jackson or Ibanez neck. It is similar to the PRS Wide Thin carve. Very playable if shredding or legato is your thing, and equally comfortable with the thumb over style. The neck finish is matte and feels as smooth as an unpainted neck. Moving up and down the fretboard is comfortable and easy. Quality: The quality of this instrument is superb. I have gone over it with a fine tooth comb and cannot find even the slightest imperfection in fit and finish. If you were to hand this to me blindfolded, I would easily believe it to be a guitar costing twice the price. It was that good. Fret work was spectacular and on par with my American PRS CE-24. Rolled off edges, no burrs or sprouts, smooth all the way up and down the neck. Value: This guitar is a tremendous value. For a list price of $899 you get every penny worth and more. I would put this up against any American made instrument costing 2 or 3 times more. High quality name brand components installed on a beautifully constructed instrument are what this guitar is about. Manufacturer Support: I have not had to deal with ESP directly yet, but they did suspend my account from their support forum for no known reason lol That's why everyone has more than one email right 🙂 The Wow Factor: It's an unassuming looking guitar that would fit on stage playing metal or smooth jazz. It sounds amazing clean or dirty and is a great alternative for someone who loves the traditional look of a single cutaway guitar but desires a more playable neck and less heft. Overall: I had been eyeing this guitar for quite awhile. I admit that when I found out production of the 1000 series moved from Korea to Indonesia I was very disappointed. The internet is full of horror stories about instrument quality dropping after models start getting produced in different countries, especially after having a great reputation for quality at the previous factory. I wavered back and forth and had second thoughts even after ordering. Thankfully zZounds has a great return policy so I took a chance.I AM SO GLAD I DID!!!!!!!If you are looking for a solid body single cut guitar you HAVE to give the EC-1000 a look. For half the money of most other domestic single cutaways you get a great playing and great looking guitar that is just a joy to play. Build quality is absolutely top notch and on par with or better than some of the best domestic instruments I've owned over 4 decades of playing.Allan

Where do I start? I love everything about this guitar and it is my favorite that I own. If you’re looking for something that sounds very sweet and beautiful clean, this is not the guitar for you. That’s not to say that you can clean it up a bit with maybe some stereo chorus reverb or delay but as this guitar stands on its own, it truly suits one purpose for me , it is true metal madness euphoria. Not only do the pick up scream but this guitar is not only beautiful but constructed perfectly. It is the best most comfortable neck I’ve ever played and it is rocksolid!!! The satin finish on the back of the neck makes it effortless to slide up and down. I’m typically not a fan of gold on guitars but with the black matte finish it actually is pretty sharp and not too Goddy in my opinion. I am mediately replace the strings on this guitar with some nice thick ones for drop C tuning. Even with the 24.75 scale it Plays drop tuning nicely without string floppige. As long as you have the right strings on this exit is no problem. This current model has the EMG pick ups. I am seriously considering getting another EC 1000 with the Pegasus sentiment pick up combo. It’s a little heavier than I thought it would be but in a good way. This guitar is perfectly balanced and the body is definitely thinner than a Les Paul. That’s one thing I didn’t like about Les Pauls is it was thick bulky heavy and a baseball bat neck. I honestly couldn’t be more pleased with this guitar. Love the EC 1000 and the great service I always get at American musical supply. I’ll be honest, i’ve went through about half a dozen brand new guitars and returned every single one of them except for this one. I believe I am pickier than most, if I spend $1000 on a guitar I want to fall in love with it and not settle. If you like playing James Taylor and Crosby stills and Nash I suggest you look elsewhere. If you want to rip some faces off get this guitar!!!!Brett m

I bought this LTD EC-1000 after playing it at the shop for over an hour. This guitar delivers in spades the metal tone I was looking for. (I tried against Duncan Seymour version) With the right setup, it will CHUG! The chugs that is produced is so satisfying and inspirational to downstroke riffs like Papa Het for hours. Action is set at 2mm low E and 1.5mm at high E. A bit higher than I am used to but easy to get used to. This guitar is a beauty and plays and sounds great! You can't go wrong!Kalyan R.