Are you looking for the Best Guitar Amp Ever? If so, you’ve come to the right place.
Choosing the Best Guitar Amp Ever can be difficult as there are so many considerations, such as Marshall, Fender, Peavey, VOX, Blackstar, Laney, MESA/Boogie. We have done a lot of research to find the top 20 Best Guitar Amp Ever available.
The average cost is $820.88. Sold comparable range in price from a low of $84.99 to a high of $2149.99.
Based on the research we did, we think Marshall Code 50 Guitar Combo is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Guitar Amp Ever (20 Sellers)
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$399.99
4.5
Reviewers Noted:
Sound quality . Easy to use . Quality build . Portable . Lightweight
Features:
- Works and sounds awesome.
- Comes with the foot switch.
- Power cable included.
$899.00
4.8
Reviewers Noted:
Good sound quality . Portable . Easy to use . Attractive . Powerful
Features:
- Independent volume, tone, and gain controls for each channel
- Power switch
- Output valve switch
Reviewers Noted:
Good sound quality . Quality build . Weight . Ease of use . Visual appeal
Features:
- 50‑watt amps using two 6l6 tubes
- 2‑channel design with independent volume and eq
- Effects loop
Reviewers Noted:
Good sound quality . Heavy . Quality build . Easy to use . Attractive
Features:
- Four jensen p-10r alnico speakers
- Normal and vibrato channels, each with two inputs and bright switches
- Rear-panel output power selector for full power and five attenuated settings
Reviewers Noted:
Power . Portability
Features:
- 100w rms high-powered 6.5" combo amp
- Stage-level output
- Powers external speaker
$975.00
4.5
Reviewers Noted:
Weight
Features:
- Brand supro
- Power class-a dual 6l6 power section
- Preamp tremolo
$1749.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Powerful . Heavy . Quality build
Features:
- The addition of reverb and tremolo to both channels give this amplifier a vintage vibe with a modern twist
- The bassman tone stack on the "custom" channel gives modern players greater tonal flexibility with pedals
- Fitted amplifier cover and 2-button footswitch included
$999.99
4.8
Reviewers Noted:
Good sound quality . Heavy . Quality build . Attractive . Easy to use
Features:
- 45 watts (drops down to 1/2 watt)- 4 jensen speakers- pine enclosure- on board tremolo & reverb accessible via the front of the amp or a foot switch.
- Xlr balanced out with volume control & cab simulation.
- Usb connection for firmware updates provided by fender- 2 channel operation with 2 inputs per channelamp is in excellent condition.
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Mono or stereo mode input.
- Stereo fx send with preamp bypass option for each channel.
- Stereo thru jack for recording unaffected signal, wdw, or monitoring purposes.
$144.99
4.7
Reviewers Noted:
Compact . Portable . Ease of use . Sound quality
Features:
- Engineered with 44 w power for an enhanced sound output
- Led indicator allows you to keep a track of the operation status
- Ts connector allows you to attach the amplifier with compatible instruments
$219.99
3.9
Reviewers Noted:
Sound quality . Quality build . Heavy . Ease of use . Power
Features:
- 16 amplifier models, 30+ built-in effects (including loop & tuner)
- 2 x 10" celestion 8 ohm speakers
- Scratches shown in pictures
Reviewers Noted:
Good sound quality . Quality build . Ease of use . Power . Weight
Features:
- 50‑watt amps using two 6l6 tubes
- 2‑channel design with independent volume and eq
- Effects loop
$84.99
4.6
Features:
- Clean and boost channels
- Power: 15w
- Speaker 6.5"
$1100.00
4.8
Reviewers Noted:
Good sound quality . Heavy . Quality build . Easy to use . Attractive
Features:
- 10” celestion ten 30 speakers.
- For crunchy modern tones electronics channels: two.
- (custom and vintage) controls: custom channel: bright switch, volume, treble, bass.
$1183.01
4.8
Reviewers Noted:
Good sound quality . Heavy . Quality build . Easy to use . Attractive
Features:
- Four jensen p-10r alnico speakers
- Normal and vibrato channels, each with two inputs and bright switches
- Rear-panel output power selector for full power and five attenuated settings
$600.00
4.8
Reviewers Noted:
Good sound quality . Heavy . Attractive . Easy to use . Quality build
Features:
- This amp is in great condition and works great, please check the actual photos for cosmetic condition.
- Serialized cr313531.
- Footswitch and cover are included.
$2149.99
4.8
Reviewers Noted:
Good sound quality . Attractive . Weight
Features:
- Very good condition fender gb twin reverb.
- Product specs.
- Gb twin reverb, 230v uk.
$1769.99
4.7
Reviewers Noted:
Good sound quality . Attractive . Quality build . Easy to use . Lightweight
Features:
- 40-watt hand-wired all-tube guitar combo amplifier
- Two newly designed 12” eminence special design alnico speakers
- Classic 5e8a circuit with fender pure vintage yellow capacitors, two 12ay7 preamp tubes and mercury magnetics transformers
Features:
- 1-channel solid-state 1×10" guitar combo amplifier with reverb
- Selectable output power
- Cab simulation
Features:
- 7 high-quality digital amp models based on popular guitar amplifiers.
- Built-in modulation, delay and reverb and chorus effects with independent tap tempo controls.
- Store and recall up to 7 presets.
1. Marshall Code 50 Guitar Combo
Product Details:
The code50 from marshall amplification is a 50w rms 1×12 combo amplifier designed for guitars. it emulates both vintage and modern marshall tones while adding high-quality effects into the mix courtesy of softube. fourteen preamps four power amps and eight cabinets have been modeled in conjunction with softube to offer you 100 presets and a plethora of customizable timbres. the code comes stocked with 100 user-modifiable presets so you can set up your own amp-cab configuration then add compression stompbox distortion auto-wah pitch shifter phaser flanger tremolo and chorus into your chain as you see fit. tap-tempo delays and different types of reverbs are available as well. when you've crafted your dream tone you can save the result as a preset. furthermore utilizing the amplifier's bluetooth capabilities you can stream music from your smartphone tablet or device straight to the code via the gateway app. you can also connect to your computer via usb and record straight to your daw thereby turning your amplifier into an interface. if you'd like to wire an iphone or other device directly into the amp you can do so through its 1/8 inch stereo input. also you can monitor privately through its 1/8 headphone jack if you don't want to disturb your neighbors.
Specifications:
Amplifier Type | Solid State Guitar Amplifier |
Application | Performance |
Power | 50 Watts |
Impedance | 4 ohms |
Speaker Size | 12" |
Speaker Configuration | 1 x 12" |
Speaker | Custom |
Number of Speakers | 1 |
Stereo | No |
HF Driver | No |
Channels | 1 |
Compressor | No |
EQ Bands | 3-band |
Effects | Multiple Effects |
Effects Loop | No |
Direct Output | No |
USB | Yes |
Bluetooth | Yes |
Aux Input | Yes |
Headphone Output | Yes |
Footswitch Input | Yes |
Footswitch Included | No |
Cover Included | No |
Display | Yes |
Power Supply | External |
Reviews:
'm a novice guitar player with less than 2 years experience, but I reached the point that I wanted to experiment with different tones and effects. The problem is that it would be very expensive to do this with different pedals, amps, guitars etc. I ordered the CODE 50 sight unseen after researching reviews & videos online, and it fits the bill perfectly. CODE 50 is an affordable way to play around with a crazy number of tones and effects & find your sound. I'm sure there are plenty of experts & purists out there that will find flaws with this amp, as it models (imitates) a number of historically great amps from Marshall, & what I presume are a version of Fender amps ("American Clean" etc). Does the BluesBreaker preset sound identical to the BluesBreaker amp that Clapton was playing in the 60s? Close enough for me cause it sounds pretty radical! There are a number of presets that are just epic for playing blues, rock, metal, on & on. Pick a genre of music and you can generate a tone that will fit right in. All of the presets can be tweaked to the players specifications. You want more reverb on that reverb? Dial it up. Some of the things I notice after just playing it a few times: As billed, CODE 50 is LOUD, so be careful. Not a complaint; I wanted something versatile enough to practice at home, but be loud enough to jam with others. There are some pretty big discrepancies in the volumes between a few of the presets, another thing you have to be careful with when toggling back and forth between presets. While plenty of the presets sound unique, there are a few that sound a bit redundant, or maybe just so close in tone to another that it feels that way. There are one or two that I can't imagine anyone using ("Virus?" Virus sounds like someone is strangling an organ-at least that's what she said!). Overall, if you want an affordable way to experiment with tone, get loud, and have fun, the CODE 50 is a rad choice. Thanks Marshall!Jeremy
I've been playing on and off for 20 years. Mostly an attenuated tube amp guy and a gear tinkerer. Found one of these on the showroom and gave it a quick whirl. This quickly led to buying one. Cons: The more time I spent the more I realized how limited the stock speaker is. It's super directional and the bass is a bit boomy and hard to dial out without removed too many lower mids. It still sounds good, but it can be much better. The stock preset settings, like a lot of reviews, leave me scratching my head. The resonance, presence and gate settings in particular tend to screw with the quality of sound as set from the factory. There's no speaker out, so I installed one. If you want this amp to shine, you'll need to do a speaker swap or plug into a 4×12. Marshall should have done this. Pros: The goods are definitely there, but you need to scratch the surface. Once you get that direction figured out, it's very easy to dial in your own settings which will differ quite a bit from the factory presets. I have a 4×12 w/ Vintage 30's and this amp sounds amazing plugged in. The JTM, Plexi, JCM, JVM, American amps all sound outstanding. But the JTM45 in particular sounds outstanding. Effects are great and I'm starting to use certain effects that I normally wouldn't buy a pedal for simply because they're in the amp. Another must do is to figure out your speaker choices for each amp. I'm a Vintage 30 fan, so after changing the speaker to V30's on all the amps, to me it sounds much better. It's a good tool to be able to hear what different speakers will do at the turn of a button, just to see what characteristics in speakers you may like. My secret sauce with this amp is my Les Paul through a 10 band EQ (to boost the highs you loose using the speaker emulations through a 4×12 with those emulated speakers), through a Marshall BB-2 for boost, into Marshall Code on JTM45 through the 4×12 w/ Vintage 30's. Absolute heaven going on with this, even at low volumeWisconsinski
The marshall code 50 and all other modeling amps are not plug and play,you have to dig in and change the parameters in the amp and create user presets that sound good to you! If it sounds good then it is good! If you want your amp model to sound just like the tube amp it is modeled from,then buy the tube amp. I have other modeling amps and my peavey vypyr 75 recto model that i like very much does not sound just like a mesa but i tweaked it to sound good for what i like,i think the marshall code amps sound very close to there own tube amplifiers that there modeled after and that is how good amp modeling is getting.I just want to mention some things you can do to improve the sound of your marshall code,first break in your amps speaker for about 100 hours by playing your amp fairly loud a few hours a day,about two months or you can play MP3 music through the AUX input. This will smooth out the harsh higher frequencies and break in the speaker for better low end without the speaker farting out.Here is a great tip for the bluesbreaker and other amp models that have too much low end,when i first heard the bluesbreaker model the low end was muddy and had too much bass even with the bass and resonance turned down to 0! I tried my behringer PB100 pre amp booster pedal with the bass control turned down to a 7 o clock position and that did the trick,the low end mud was gone and the mid frequencies stood out like i never heard before! It just sounded great now! I then tried my behringer TO100 tube overdrive pedal and i could not believe that the bluesbreaker model even sounds better then the pre amp booster! The TO100 overdrive also cut out the low end mud and the mid frequencies were smoother and the higher E and B strings on my guitar had a nice round tube tone without thin sounding harshness! I also tried the marshall codes internal OD and GVR pedal effects but my behringer TO100 sounded much better!MarshallMan50
2. Orange Dt30h Dual Terror Guitar Amp Head
Product Details:
All valve, twin channel 30 watt portable guitar head. featuring a unique two stage preamp which has a massive tonal range using just three controls per channel. the orange dual terror switches from 30 to 15 to 7 watts making it the ultimate versatile portable amplifier both for studio and stage. the fat channel delivers warmer tones whilst the tiny terror channel has the sonic character of the original tiny terror. the dt30h dual terror does not require re-biasing when replacing power tubes. the orange ppc112 closed back guitar amp cabinet features a single 12 inch speaker and compliments the dual terror perfectly. orange speaker cabinets, like their amplifiers, are built to last using extremely rugged construction and manufacturing techniques. every power projection cabinet (ppc) is built using 13 ply high density 18mm baltic birch plywood. our unique skid feet design helps to acoustically couple our cabinets to the stage, thus providing a tighter bass response and full range tone definition. the result is a laser-focused tone that’s full of warm midrange. all orange guitar cabinets are equipped with celestion speakers, comfortable flush handles, and our legendary basket-weave grill cloth.
Specifications:
Amplifier Type | Tube Guitar Amplifier |
Tubes | 4 x ECC83 preamp tubes, 4 x EL84 power tubes |
Power | 30 Watts |
Impedance | 8 or 16 ohms |
Stereo | No |
HF Driver | No |
Channels | 2 |
Compressor | No |
EQ Bands | 1-Band |
Effects | No |
Effects Loop | No |
Direct Output | No |
USB | No |
Bluetooth | No |
Aux Input | No |
Headphone Output | No |
Footswitch Input | No |
Footswitch Included | No |
Cover Included | No |
Display | No |
Power Supply | Internal |
Length | 14.5" |
Reviews:
The Dual Terror has all of the positive features of the Tiny Terror while improving on some of the weaknesses of its smaller counterpart. The DT sports 30 watts of class A tube power in contrast to the TT's 15. This provides more clean headroom for the user as compared to the tube breakup at relatively low volume that often occurred when playing the TT. Fortunately, the Dual Terror has variable wattage for those who like the early breakup or want arena crunch at bedroom volume. The DT may be run at either 30 or 15 watts via the "full power/half power/standby" switch on the front. The user can also drop the wattage even further via a switch on the back panel. The switch allows the user to power down two of the four EL84 power tubes. This allows the amp to be run at 7.5 watts when in the "half-power" setting. This versatility makes the Dual Terror an excellent choice for stage, studio, and anything in between. The amp gurus at Orange also added a second channel to increase the DT's versatility. The new "Fat" channel truly lives up to its name. This channel has all the sweet British tone of the Tiny Terror channel only warmer and fuller. It is a great addition to an already great sounding amp. The only downside to the two-channel operation of the DT is deciding which of the channels to use as clean and which for dirty as both have their own unique voice and sound great both clean and overdriven. The operation is incredibly simple, three knobs per channel, nothing fancy just gain, volume, and tone. Orange proves that you don't need a million knobs and switches to get great tone, just a well-crafted valve amp. Anyone in the market for great tube tone in a smaller package that won't kill your wallet should get their hands on one of these amps as soon as possible. Plug it in, turn it up, and let yours ears feast on some of the best Class A valve tone on the market today…Stanton H.
Bought my Dual Terror used without a case a few years back. Went without one for a long time because these cases were going for over $100, and I wasn't willing to spend that much on a simple cover. Just recently, wear and tear and constant gigging finally caught up with me, and a jack screw came off, along with a switch breaking off clean. Knew I had to buckle down and finally get a case. Luckily this one came at more than half the price. Fits perfectly, extra pocket is great for cables, and actually makes it easier to lug around. Thanks!noizewerm
Okay so i just picked up this awesome little amp the other day and i gotta say i love it! Now some people say this amp can do metal and hardcore music and some say it cant. Well my opinion was stuck RIGHT in the middle. I love the crunch and sound of the distortion. I felt like it was border-line metal though. I could play metal stuff on it and everything sounded awesome, but the chugging just wasnt good enough. EASY FIX! I bought the mxr boost/overdrive pedal and it solved EVERYTHING! It gives you that extra little kick that this amp needs to go to insane mode! I LOVE this amp now, i have it on top of a mesa boogie 412 with v30's and it gets LOUD! I can't wait to do my first gig with it! I wish it had a 4ohm output but 8 and 16 are provided. Its plenty powerful through 8ohms. I love the fact that it has dual channels too. For me i think the FAT channel is more suited for cleans and the TINY channel for dirty stuff. The only difference i could hear is the fat channel is more…well fat i guess. Little more bass maybe. Anyways i give this amp 5 stars and for all you >METAL< fans you might want to buy just a boost or an overdrive pedal (or the boost/overdrive) and get shreddin. One hell of an amp right here!
3. Stage Right By Monoprice Sb20 50-Watt All Tube 2-Channel Guitar Amp Head With Reverb
Product Details:
While modern solid state and modeling amplifiers provide valuable versatility, nothing sounds quite as right as a tube amp. preferred by most for their warm, round tone, tube amps can also produce organic sounding distortion that is superior to most, if not all, solid state equivalents. with the sb20 amp head and sb12 combo amp, stage right delivers organic, classic, high gain tube tone in a powerful and hyper affordable package. these are real, professional tube guitar amplifiers for the value minded and/or working musician.
Reviews:
overall I really like this amp. the dirty channel has a good crunch. Not a very tainted sound, which I like a lot. Clean channel is not real chimy like some, but nice and clean. the face plate is also black, unlike the 30 watt which is easier to see. The issue is the channel switching. While some amps are known for a load pop, this is quite the opposite, and I am guessing the pop is what they were trying to avoid. this one actually drops in volume and then comes back up between channels. Deal breaker. I can't use this live if it cuts out. Really wanted to have this kicking around for a second amp. But I will be returning this.brian
First one arrived and the overdrive channel sounded awful. Made arrangements to return it and the process went quick, I had a new one a week after sending the bad one back. The second one turned out as advertised. You can dial in a wide range of tones and has that beautiful tube sound. The reverb is just a tad weak but still ok. Also, effects pedals sound great. It?s an awesome buy.Leo
I had a 50 watt 6L6 guitar head and sold it only to regret it later. I saw this one on sale and I took a chance. Glad I did. Disclaimer: I only use it for a pedal platform, although I have tried the gain channel. It's "ok" (not great) but to use the amp that way you'll really have to work with the both channels to achieve unity volume. As a clean channel pedal platform it's great. Like others have said the reverb is lacking but I usually just leave it on 10:00 for ambience. This amp is LOUD and can easily hang with a large band if needed. As far as reliability, time will tell, but it seems well made IMO.john
4. Fender Tone Master Super Reverb
Product Details:
All the tonal magic of the legendary black panel super reverb at nearly half the weight! the tone master super reverb is the next addition to fender’s acclaimed series of legendary amplifiers. featuring fender’s proprietary tone master modeling process and combined with player-centric features to maximize the utility of these amps, the tone master super reverb is a perfect replication of the legendary tube amplifier with modern features for today’s most demanding professionals. the tone master super reverb is the magical combination of the mid-60s black panel amplifier circuit and four 10” speakers. it’s got the unique beefy sound of the large 4×10 cabinet, the chime of the jensen speakers, and an easily driven mid-powered 45w (simulated) amplifier. there’s no mistaking this sound when you plug into it, and now you can lift it easily and set the volume to the venue. with modern features including selectable output power and ir line out, the tone master super reverb is ideal for stage, studio, or home use.
Specifications:
Amplifier Type | Solid State Guitar Amplifier |
Application | Performance |
Power | 45 Watts |
Speaker Size | 10" |
Speaker Configuration | 4 x 10" |
Speaker | Jensen P-10R |
Number of Speakers | 4 |
Stereo | No |
HF Driver | No |
Channels | 4 |
Compressor | No |
EQ Bands | 3-band |
Effects | Reverb Only |
Effects Loop | No |
Direct Output | Yes |
USB | Yes |
Bluetooth | No |
Aux Input | No |
Headphone Output | Yes |
Footswitch Input | Yes |
Footswitch Included | Yes |
Cover Included | Yes |
Display | No |
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
5. Zt Amplifiers Lunchbox Reverb Combo Amp
Product Details:
With a combination of performance and portability unlike any other amp, the zt lunchbox reverb is the perfect addition to any player’s collection. the original zt lunchbox set the standard for powerful amp performance in a truly compact package. the lunchbox reverb is its refinement – 100 watts of made-for-the-stage power, world-class tone, and truly satisfying responsiveness, all at under 10 pounds. built in california, the lunchbox reverb features a custom-designed 6.
Specifications:
Power | 100W |
Speaker | 1×6.5" custom |
Controls | 2-band EQ, gain, reverb |
Reviews:
Very happy with this as an inconspicuous home amplifier for jazz. Great clean sound, plenty of power.categorymistake
A ZT LBR1 showed up yesterday nicely double boxed from Musicians Friend. I bought and returned an original Lunch Box when they first came out. It did not sound that good to me. But here is the temptation repeated, this time with reverb! My QSC CP8, HX Stomp, cable, and power supply weigh nearly 24 lbs. By the way all purchased at Musicians Friend. The CP8 is rated at 124 dB peak SPL and the ZT LBR1 at 123 dB peak SPL. As is often the case the marketing gets ahead of reality… The ZT box says 9 lbs., the ZT manual says 10 lbs., and my scale says 10 lbs., 4 oz. My wife is working from home and I did not have a chance yet to try it at stage volumes. At reasonable volumes it compares nicely with the Black Face Deluxe Vibrato Channel plus 63 Spring Reverb running on an HX Stomp into my QSC CP8. Maybe a little less very high-end brightness and I did put the LBR1 treble control to 2 o'clock where the Stomp patch is configured with Bass and Treble set to "5". With my guitar's volume controls set to "8", I have both the HX Stomp and the LBR1 (gain at 12 o'clock) set to give a little distortion for richness when strumming or fingerpicking. Both setups give me a nice sounding light overdrive when I push the guitar volume controls to "10" The bottom line is it does exactly what I want at half the weight and bulk. My only criticism is the hiss is louder than the CP8 and while I would never imagine using the CP8 on a desktop, you could. Whereas the LBR could easily sit on a desktop but you wouldn't due to the hiss. No issues sitting on the floor even in a quiet room. The bass response might have been tuned for floor placement anyway. One observation… I like to "burn-in" new electronic toys and the LBR1 runs warm. I am guessing it is a class A-B power amp. Still not any hotter than the HX Stomp with its SHARC DSP.Jon Fields
6. Supro 1690t Coronado 2×10" Combo Guitar Amp
Product Details:
The supro 1690t coronado tube combo guitar amplifier is a bonafide blues monster, with its robust class-a, 35 watt dual 6l6 output stage. plug into the coronado, and you'll quickly understand why the original was all the rage in the southside chicago blues scene in the early 1960s. you'll revel in the coronado's articulate and refined sound, as your playing oozes through a pair of custom designed 10" supro cr10 speakers. at sweetwater, we're simply blown away by the big, yet needle sharp tone that the coronado's flexible two channel tremolo preamp produces. plug in and lose yourself in gigantic, expressive, mind blowing tone, with the supro 1690t coronado tube combo amp. the supro 1690t coronado tube combo guitar amplifier at a glance: supro a brief history. two channels provide awe inspiring flexibility. the supro 1690t coronado- jimmy page's secret weapon. supro's roots can be traced back to the 1930s, when the national resophonic and dobro guitar companies merged to form a manufacturing entity called valco. valco manufactured spanish acoustic guitars, metal faced resonator guitars, and electric lap steel guitars under a variety of brand names, including airline, oahu, and national. they also designed amplifiers for several other companies such as gretsch, harmony, and kay. it was during this time that valco also began producing guitars and amplifiers under the supro name. extremely popular amongst southside chicago blues musicians in the 1960s, supro amplifiers proved equally popular with the british musicians who were influenced by them. by the late 1960s, notable guitarists ranging from jimi hendrix to albert lee to jimmy page were seen playing supro amplifiers. original supro amps often sell for premium prices on the used market, because of their legendary unique tone. two channels provide awe inspiring flexibility. the magic happens when you plug into the coronado's first input, which links the amp's two channels together, each with their own independent volume and tone controls, for double the input signal and double the gain. start twisting and you'll get it. of course, the coronado's second input operates as a single preamp.
Specifications:
Reviews:
Loved jamming the blues on this amp. It's really pleasing to the eye. The amp was pretty loud for a 35 watter. Didn't really have a colored sound to it. I was pleasantly surprised as to the evenness of its tone. Couldn't stop jamming to it. A really good buy. This is a real hands on product review from Rimsky @ Sam Ash Miami Lakes.Gearhead
Just amazing great sound just a little heavyReviewed by Andertons Music Co.
7. Fender ’68 Custom Twin Reverb 85w 2×12 Guitar Combo Amp
Product Details:
Fender twin reverb 68 reissue. 2×12 celestion g12v speakers, 85 watts of pure tube tone. the twin reverb is one of the best amps in the world. this one in excellent condition with very little use. has been checked out certified by our amp tech. email for questions, see details below. the '68 custom twin reverb amp pays tribute to the classic look, sound and performance of fender's late-'60s "silver- face" amps. in a special twist, both channels boast reverb and tremolo, and the "custom" channel has a modified bassman tone stack that gives modern players greater tonal flexibility with pedals. the amp also features quicker gain onset and reduced negative feedback for greater touch sensitivity. the '68 custom twin reverb's dual 12" celestion g12v-70 speakers also deliver a more distinctively rock ̃n' roll flavor.
Specifications:
Amplifier Type | Tube Guitar Amplifier |
Tubes | 4 x 12AX7 preamp tubes, 4 x EL84 power tubes |
Application | Performance |
Power | 30 Watts |
Speaker Size | 12" |
Number of Speakers | 2 |
Stereo | No |
HF Driver | No |
Channels | 3 |
Compressor | No |
Effects | Reverb Only |
Effects Loop | Yes |
Direct Output | Yes |
USB | No |
Bluetooth | No |
Aux Input | No |
Headphone Output | No |
Footswitch Input | Yes |
Footswitch Included | Yes |
Cover Included | No |
Display | No |
Power Supply | Internal |
Reviews:
Overall: I bought this amp from zZounds 10 months ago. Delivery was fast 2 days. The box it came in was inbad shape however not a scratch on the amp. It is like the fender I had decades ago. The sound is the same and it is the real deal.powerful musicial.it is the fender sounds that everyone is trying to copy. I had many fender amps over the years this one is the alpha dog of them all. The twin side chimney or dail up the kids for classic rock. The bassman side breaks up eaiser. Or use both sides together for enormous wall of sound. Me add a 4×12 and I'm rocking. ABY box works really well for this. I love it My tech 21 Plexii pedal turns it into a68 Plexi amp. I did hear some hiss and buzz when using reverb. Very low amp at 3 you won't hear it. Took it to diversify audio in Tampa. They had it fixed in 3 days. They replaced a broken rca jack.Best part the repair was free.. fender paid for it all under thier 5 year warranty this amp has a beautiful sound with my americian strat it is rocking down the highway all the way to China Grove then over to Lagrange. Turn on a chours use the amps reverb and tremolo many beautiful love songs. Built solid looks great. zZounds pay as you play is the best. This is one amp I will keep forever. This amp is better than my old silver face but still has that original sound and more. As good sound quality as a $2000 amp thanks fender best amp in a long time. zZounds is just awesome..Harold
Overall: This is a great amp, sorry for not having enough adjectives to describe this amp. I bought it thinking I only needed a powerful and quality amp and got this beast. All around awesome tone and quality. I set it up without my church band knowing to see if they would notice a difference and immediately they knew as we started, this was not my solid state Line Six which had many years of service. I play mostly quartet, modern gospel, christian and some R&B, it handles all of that like a champ. Worked well with my American Fender Strat and my Boos Me80. If there were CONS:1 no I phones or tablets on top or close. (interference)2 Make sure the venue you're playing in is grounded. I not properly grounded you will here your local radio station playing through it and that's without the guitar plugged in. 3 Maybe invest in a plug in "wall filter" for the tube hiss. It has 6 tubes and they are noisy but not noticeable with a filter and DI box ground lift thingy. 4 My church has strobe studio and loud lights if any one knows about this you understand why I wrote about the lights and interference noise. These are the problems with a lot of tube amps but I would rather have these problems than another solid state digital blah blah blah.I really like this amp its GREAT!Robert
I recently decided to get back into playing live music. I bought this amp first before I had any guitars. Then I bought Fender Strat, loved the sound. Such an upgrade from my crappy crate amp that my dad bought me from the pawn shop to go with the Harmony Strat to match! This combo was no good, sounded like a toy! I’m just getting back into playing guitar it’s been 30 years since I’ve played on a regular basis. This amp has changed my life! All I can do now is play and mess with the sound. I’ve gotten In to pedals and effects as well, so many options. This amp does it all and for a combo I am really impressed! I would absolutely recommend this amplifier, you won’t be disappointed! ??Losmarios
8. Fender Tone Master Super Reverb 2-Channel 45-Watt 4×10" Digital Guitar Combo
Product Details:
The tone master super reverb is the next addition to fender s acclaimed series of legendary amplifiers. featuring fender s proprietary tone master modeling process and combined with player-centric features to maximize the utility of these amps, the tone master super reverb is a perfect replication of the legendary tube amplifier with modern features for today s most demanding professionals. the tone master super reverb is the magical combination of the mid-60s black panel amplifier circuit and four 10 speakers. it s got the unique beefy sound of the large 4×10 cabinet, the chime of the jensen speakers, and an easily driven mid-powered 45w(simulated) amplifier. there s no mistaking this sound when you plug into it, and now you can lift it easily and set the volume to the venue. with modern features including selectable output power and ir line out, the tone master super reverb is ideal for stage, studio, or home use.
Specifications:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
9. Dsm & Humboldt Simplifier Deluxe Zero Watt Dual Channel Stereo Amplifier W/ Reverb
Product Details:
Use it as a stereo 2-channel amplifier, or 2-parallel amplifiers for full stereo signal chain, or with 2 guitars at the same time, each with its own amp and fx loop. mono or stereo mode input stereo fx send with preamp bypass option for each channel. stereo thru jack for recording unaffected signal, wdw, or monitoring purposes. right and left fx return jacks. if the left return is empty, it can be set to be a slave of the right channel (for mono use) or take the signal from channel b (for full stereo use). di outputs ¼” inch outputs with option to bypass the power+cab emulation. after two years of extensive research, the simplifier masterminds have pushed the limits of the galaxy, with a new breakthrough in the guitar world. attending the call of musicians who search endless boutique sound possibilities, flexibility and extreme portability, the simplifier deluxe offers the world's finest all analog 0 wt dual channel amp, with cab simulator, multistage reverb, and ultimate connectivity options. all, in an extremely small format.
Specifications:
Reviews:
An amazing 2 channel or dual amp zero watt amplifier pedal. Used it at a rehearsal and could dial in great tones very quickly – from Marshal type distortion to clean reverby Fendery tones. Great through headphones for practice and DI'd into PA for live use. Only disappointment was that there was no power supply supplied, but it does come with a very useful channel/reverb foot switch.Reviewed by Andertons Music Co.
Amazing for recording, the pedal sounds the way your amp would before adding the mic. So easy to dial in any sound, I added a nobble Od1 into the chain and it blew my mind. I gave a good on looks because its hard to read what the knobs and switches do in a studio environment.Reviewed by Andertons Music Co.
10. Electro-Harmonix 44 Magnum Power Amp
Product Details:
The electro-harmonix 44 magnum guitar amp provides 44w of clean and natural power and also delivers true amplifier overdrive at the turn of a knob. from your pocket to the stage, the e-h 44 magnum is a perfect gigging and practice amp. despite being described as a "guitar head" the 44 magnum has the character and control to work with any electric-powered instrument. flip the brightness switch for a more defined top end. the electro-harmonix 44 magnum amp has the sweet tone of the legendary 22 caliber but with an extra power edge that can make a difference.44 watts of power into 8 or 16 ohms – tone switch toggles between a neutral, flat setting and a musical top end boost – maximum headroom potential – can be driven to a natural, true amplifier saturation – fits in the palm of your hand – comes with a 24dc-3000 power supply
Specifications:
Power Output | 44 W |
Number of Knobs | 1 |
Voltage | 24 V |
Current | 2 A |
Indicator Type | LED |
Reviews:
The luxury of having a small, reliable amplifier that's loud enough for small gigs is incredible. I run it through a small, closed-back 1×12 cabinet. There's not a TON of headroom, but it can EASILY be heard over a drummer, even if the drummer is loud. Its natural tone is bland as can be, so it's best to use an equalizer pedal, and possibly even a compressor pedal to make it sound a bit more tube-like if that's your schtick. Here's the bottom line: you buy this product for convenience. It's not a recording amp. You buy it because you can get it from gig to gig easily. Because you don't want to hurt your back or worry about your tube amp dying on you. Because it sounds just good enough. Practically speaking, you don't need more power than this. If your gig is big enough for you to need more headroom, your gig probably has a PA system that you can mic your amp into. Reduce your stage volume, save your hearing, and make it easier for your sound engineer to get your levels right. Goal: make your job easier. This product will make your job easier.Tuna
I have owned a Boss GT-100 and searching for good fit for my amp models. I use a custom made birch cabinet with a Celestion Vintage 30 G-12 and wanted to capture that specific speaker sound with the excellent amp models I get on the GT-100. I have tried going direct into stage monitors and mains which did not have that tube warmth going in to a Marshall DSL15H which added the tube warmth but, colored the sound. I did my research and was ready to shell out a lot of money for a tube power amp until I stumbled on this little jewel. Not only is louder than I really need so what I get head room. It also has the tube amp sag and the break up where it is need and contrary to other opinions the 44 Mag can get downright clean. I am trying it out on gigs this weekend and I am sure from what I have heard in my studio that it will perform. Great for modeling amp applications best practices is to lower down the patch level and crank the 44 Mag to get the most out of it.
First off, the base clean tone of this thing is very not bad. Well-rounded & full bodied. However, the base tone will be disengaged of powering a preamp-type pedal. I use a Diezel VH4 overdrive pedal with the 44 as a preamp/power amp setup, and I like the tone as much if not better than any solid-state amp head out there. But if you're trying to get tube punch out of it, a 212 cab is about as much as you can push before you start losing oomph. It will drive a 412, but you'll lose some punch along the way. A great fly rig solution if you like showing up with a guitar and a pedalboard & using a house cab, or a no-brainer if you tire of hauling too much gear.Ninja Joe
11. Line 6 Spider Iv 120 Guitar Combo Amp *
Product Details:
Line 6 spider iv 120 watt 2×10 combo w/ fbv pedalboard in good condition. the line 6 spider iv 120 is a guitar amplifier with 16 amp models, where each model delivers exceptional distortion. the 20 smart fx settings of this line 6 120 watt combo amplifier give you amazing sound effects. you can easily use 4 smart fx simultaneously. practice with greater ease with 300+ artist-created presets, 200 song-based presets and also create up to 64 presets of your own in this line 6 guitar amplifier. the 120 watts stereo of this line 6 120 watt combo amplifier delivers loud and dynamic audio. the line 6 spider iv 120 has a front-panel chromatic tuner that allows you to change the channel by your feet. the dual 10-inch celestion speakers of this line 6 guitar amplifier produce exceptional sound for a perfect live show feel.
Specifications:
Reviews:
Seriously an amp that can handle everything I throw at it…. Metal, Funk, Improvisational, Rock, Punk, Blues, Jazz…. this thing is a perfect tool for a studio stage bassist. I know a lot of people are gonna flame me for saying this, but this guitar amp replaces over five times the price of bass rack gear. Try it and you'll see…… This amplifier is amazing. I have seen the Line6 products around for awhile and finally heard one up close thru a guitarist I used to jam with and was really impressed. I checked out one of their bass rigs since I am a bassist and honestly, the thing was nice but when I decided on a whim to check out the Spider iv (mainly due to the multi effects) I was totally floored. This thing is incredibly versatile. I can adjust the eq to a perfect range for my 4 and 5 string to achieve an epic tone that I swear by. Mix that with the fact that it is loud as hell and can handle any venue that I have to play (and then some), portable, and has waaaaaay more features than I can use. Solid construction, it is my first run with an open back enclosure and it is a different tone BUT it still sounds awesome… This amp does more than my last rack set up and that thing set me back 3x as much.WC Salberg
I am an "old school" lover of classic tube amps. I play mostly acoustic shows now, but still like to jam and play electric from time to time. I was torn between getting a low-watt inexpensive tube amp or getting something a bit more powerful and versatile. I decided to purchase the Spider IV 120 stereo amp after experimenting extensively with a friend's similar amp on loan for over a month. In terms of sound, the amp has excellent warmth and touch sensitivity. The "break up" is smooth and authentic. In all, it convincingly captures the subtle nuances of classic tube sound, and I'm hard-pressed to tell the difference in some cases. Would I go so far to say that it's better than a good tube amp? Probably not, but there are many advantages. For one, the Spider IV amp is versatile and provides quite a sonic pallete for creative work. It also isn't as physically delicate and sensitive. Can't beat the price, either. I have a love-hate relationship with the myriads of presets. On one hand, one can find something useful to tweak every now and then. On the other hand, there's just too many presets to wade through. Simplicity is better. In the past, I've owned a pre-CBS Fender Bandmaster, Twin Reverb, Music Man HD130, Vox AC30 and, yes, a Marshall half stack. Over the years, amps have all come and gone. I'd love to have them all again, but can't. I've recently had stints with a Vox AC15VR and Vox Valvetronix. Liked them both. But, in the end, the fullness of sound (stereo) and surprising warmth of the Line 6 Spider IV 120 has captured my heart for the moment. Nothing like having the history of sound in rock and roll at your fingertips for a reasonable price. If you're a purist and have the money, go out and buy an expensive tube amp and claim superiority. Otherwise, leave me alone as I crawl reluctantly out of the past and try to stand on digital legs.Profdave
I've owned this amp for a few months now. It's a great versatile amp. But I've found that its definitely geared more towards players who want a high gain sound. The overdrive/ blues-y sounding channels are alright, but the high gain tones are actually not bad at all. RECOMMENDATION: If you're going to be using the high gain sounds, buy an overdrive pedal like a Maxon OD808, Ibanez Tubescreamer, Boss SD1, etc to boost the amp. The low end is a little flubby and using an overdrive pedal will help the amp out tremendously. It also doesn't sound half bad for some home recording. And you can definitely gig this. Its got plenty of volume.JTallica1995
12. Stage Right By Monoprice Sb12 50-Watt All Tube 2-Channel 1×12 Guitar Amp Combo With Reverb
Product Details:
While modern solid state and modeling amplifiers provide valuable versatility, nothing sounds quite as right as a tube amp. preferred by most for their warm, round tone, tube amps can also produce organic sounding distortion that is superior to most, if not all, solid state equivalents. with the sb20 amp head and sb12 combo amp, stage right delivers organic, classic, high gain tube tone in a powerful and hyper affordable package. these are real, professional tube guitar amplifiers for the value minded and/or working musician.
Reviews:
Pleased with this amp awesome tube sound clean channel is very nice. Reverb nothing to brag about but it's there. Speaker is nice prefer v30s or greenbacks will eventually switch out. Takes pedals very well have not used the fx loop yet but I'm sure it's good. Would of been nice if it came with footswitch. All around happy for $357 plus tax well worth it.Heriberto
Firstly, let me say how quickly Monoprice shipped this to me .. ordered on Monday and delivered Wednesday morning to NY! Guess MP is now shipping from Kentucky, which is great .. no more 5 days in transit from CA to NY 🙂 The amp itself? All I can say is WOW!!! Solidly built with classy looking trimming all around, protective metal bumpers on all 8 corners, top handle with sufficient padding that won't cause hand cramps when carried. On to the sound sections: ——————————– I spent around 3 hours toying with the amp using my G&L ASAT (large MFD pups), just going thru the various gain/volume and tone settings on each channel, and overall my impression is that this amp is capable of achieving a wide variety of tones, from bell clean to screaming metal and everything in between. Clean Channel is absolutely gorgeous sounding. Nice three-dimensional timbre which can only be achieved with a tube amp. Tone controls (Treb/Mid/Bass) seem to interact with each other in a pleasant manner, by turning one or another the tone changes dramatically but still subtly, if that makes any sense. /grin … The Bright switch reacts similarly, it's almost as if there are two sets of overall tone in the clean channel, just by switching 'Bright' on or off. Drive Channel is what you'd expect – lots of crunch with the aforementioned Treb/Mid/Bass interactions. I'm not much of a 'metal' type player, so can't really comment on this section with an opinion, but I liked what I heard in "Drive". Monoprice hit it out of the ballpark with this amp, for mid sized gigs or even small gigs, this amp is a clear winner.New User
The only complaint is the speaker used. While I do understand the logic, I still am not a fan of the celestion seventy 80s. Although, it could be addressed by just adjusting the settings. I got mine shipped securely. I updated the speakers to emminence cannibis rex but thats just for my own taste. Wpuld be nice to have different options for the speaker if that is feasible at all for monoprice. Bottom line, its a lot of ampmfor the price. I highly recommend it!Zed Byron Pisec
13. Fat Boy 15 Watt Guitar Amp
Product Details:
Specifications:
Power | 15 |
Reviews:
Great speaker for the money. After initial hook up, the loud roar goes away.raylm77
The only thing I don’t like is there’s no markings on the Control knobsJoeie
14. Fender '68 Custom Vibrolux Reverb-Amp 2-Channel 35-Watt 2×10" Guitar Combo
Product Details:
Specifications:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
15. Fender – Tone Master Super Reverb
Product Details:
The tone master super reverb is the next addition to fender’s acclaimed series of legendary amplifiers. featuring fender’s proprietary tone master modeling process and combined with player-centric features to maximize the utility of these amps, the tone master super reverb is a perfect replication of the legendary tube amplifier with modern features for today’s most demanding professionals. the tone master super reverb is the magical combination of the mid-60s black panel amplifier circuit and four 10” speakers. it’s got the unique beefy sound of the large 4×10 cabinet, the chime of the jensen speakers, and an easily driven mid-powered 45w(simulated) amplifier. there’s no mistaking this sound when you plug into it, and now you can lift it easily and set the volume to the venue. with modern features including selectable output power and ir line out, the tone master super reverb is ideal for stage, studio, or home use.
Specifications:
Amp Type | Digital |
Inputs | Two- (1/4", Normal and Vibrato) |
Cabinet Material | Lightweight Solid Pine |
Speakers | Four – 10" Jensen P-10R with Alnico Magnet |
Total Impedance | 2 Ohms |
Wattage | Simulates 45W Tube Amp Performance into 2 Ohms |
Footswitch | 2-Button Footswitch Included |
Reverb Tank | DSP |
Dimensions | 267mm x 629mm x 638mm |
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
16. Fender Super-Sonic 112 2-Channel 60-Watt 1×12" Guitar Combo
Product Details:
Boost your overall performance with the super-sonic 112 combo guitar amplifier and give your audience a complete treat. the 60-watt power handling capacity of this fender guitar amplifier offers powerful audio output that escalates the ambience of the auditorium. this fender 60w guitar amp produces sparkly tones with smooth and crunchy touch to make your music sound like a dream. the super-sonic 112 combo also comes with 1-12-inch 8 ohm celestion "vintage 30-inch speaker which provides you with powerful and hard-hitting sound. this fender 60w guitar amp gives you dual cascading-gain preamp overdrive that delivers creamy tones to make the music sound better. the superb-quality baltic birch ply construction of this fender guitar amplifier adds to its durability and maximizes the resonance to a great level.in very good condition with some minor cosmetic wear. includes switch pedal.
Specifications:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
17. Fender Gb Twin Reverb Amplifier
Product Details:
Dignified looks and refined sound combine with lighter weight in this dream stage amp. benson demands punch, power and tonality from his equipment, and this dual-channel combo delivers all three with soul to spare. the gb twin reverb is an updated version of the venerable classic amplifier that has been tweaked to satisfy bensons discerning ears. the first tube on the normal channel has been swapped for a 12ay7 tube, providing an alternate low-gain voice thats ideal for smooth clean tone with complex midrange. pristine definition is the name of the game with this ampa pair of neodymium 12 8-ohm jensen tornado 12 speakers reproduces his dynamic attack, with shimmering highs and plenty of bite when overdriven. these speakers reduced weight, plus the addition of a resonant solid pine cabinet, means that working guitarists can enjoy a total weight reduction of 13 pounds. a quartet of powerful 6l6 power tubes power this amp, providing 85 watts of power with plenty of headroom for clean jazz tones. as refined as the music that inspired it, the gb twin reverbs elegant smoky gray vinyl covering, silver sparkle grille cloth and front panel gb badge combine to create a dignified amplifier that looks equally at home in the living room or under stage lights. sharp style and warm, round tone mixed with a surplus of sonic power and easy portabilitythe gb twin reverb is a players delight. includes a protective cover.
Specifications:
Voltage | 120V |
Wattage | 85 Watts at 4 ohms |
Channels | Two – (Normal and Vibrato) |
Inputs | Four – (1/4", Two Normal and Two Vibrato) |
Speaker Jack | Two 1/4" Parallel (Internal and External) |
Effects | Reverb, Vibrato |
Cabinet Material | Lightweight Pine |
Amplifier Covering | Gray-Black Vinyl |
Grille Cloth | Silver-Strand |
Amplifier Jewel | Red Jewel |
Handle | Molded Plastic Strap with Nickel-Plated Caps |
Speakers | Two – 12" Jensen Neodymium Torpedo |
Total Impedance | 4 ohms |
Preamp Tubes | 3 x 12AX7, 1 x 12AY7, 2 x 12AT7 |
Power Tubes | 4 x 6L6 |
Dimensions (H x D x W) | 19.8 x 20.5 x 10.25" (50.5 x 52.1 x 26cm) |
Reviews:
This amp has many hidden features that guitarists should consider: 1) Solid pine cabinet reduces the weight and gives it a warm solid sound. 2) Even though this amp has a 12AY7 tube chosen for George Benson, it can be easily changed to the standard 12AX7. 3) The lighter 12" speakers sound great and work well with the bright switch, something not usually found on this style amp. 4) Although the wattage is 85 watts, two output tubes can be removed to reduce wattage if desired 4a) instant spares 4b) reduced wattage and earlier breakup sound if desired, 5) the reverb and tremolo are classic sounds, and both channels take pedals well. 6) The amp covering and grille cloth look great and are unique. 7) The amp cover provided is thicker and better than standard Fender amp covers. The only design change I would have asked for is reverb in both channels like the '68 Custom Twin Reverb. This amp is one of those that will be sought after when everyone realizes the features and versatility it offers. This amp gives my guitars their true sound and with my playing, choice of pedals and setup, I am developing my unique sound.Goletasound
I have owned this amp for three years now and it is a keeper. The neodymium speakers combined with the pine cabinet gives it a little more punch and resonance than the regular twin. The taper on the volume knob allows you to gradually increase the volume, which is a nice change from other fender amps I have had where I had trouble dialing in a volume that wasn't too soft or too loud. The 13 pounds of reduced weight is also a major plus. If you have ever picked up a twin you will appreciate it. I think a lot of people are sleep on how great an amp this is. Pristine fender clean tones and great sounding reverb and tremolo. It also takes pedals extremely well.BW
This is THE amp that shaped music since 1963. Everything sounds good from this amp. It is beautiful piece of gear looking way better than the black tolex covered ones. The Celeston speakers sound very good. I think the pine cab improves resonance, bass responce and overall tone. Amp arrived perfect. Recommend overnight ship to reduce time in carrier hands. Now there are only 119 left of the 120 total. Better hurry before they're all gone. Thanks Musicians Friend for having this limited edition run,Otto Mechanic
18. Fender '57 Twin-Amp Reissue 40-Watt 2×12" Guitar Combo
Product Details:
The fender '57 custom twin amplifier accurately creates a truly vintage tone. the all-tube design produces clear, complex tones that can be driven hard on a loud volume. the hand wired interior replicates the classic fender tone and build quality, so you get absolute authenticity. the harmonically dense sounds are rich on their own, but are also compatible with modern pedals and effects. the two 12" eminence speakers project a powerful sound that's ideal for live settings. the custom twin amplifier is ideal for the advanced musician requiring optimum tone in a live or studio setting.
Specifications:
Reviews:
This has to be one of the best stamps I've ever had with the exception of one little hiccup. This is replacing a Fender Blues Deville, which I absolutely loved. I had access to almost every Fender amp when I bought my Blues Deville and it just spoke to me. Well, they don't make Blues Devilles anymore, and I knew the Hot Rod Deville existed, so I went for it. To my ears, it's the same as my previous amp. This is a two channel amp in which each channel is independent of the other with the exception of the tone knobs, which are the same for both channels, which is not a problem for me. When I plugged it in, I couldn't believe how incredible it sounded clean. It absolutely blew my mind. I used both a Stratocaster and a Les Paul. Then, I took the second channel and add a little bit of gain to it, which distorted it. The distortion on this amp is so creamy that I don't even need to use my TS9. It has to be one of the best distortions I have ever heard from an amplifier. I usually use an Orange TH30C for my distortion. My Fender amp was always a clean amplifier. I may be using this one for the distortion and my Orange may get sidelined. The reason I'm giving this amp four stars is because of the following; when you go to switch channels using the included foot switch, there's a loud pop that happens every time you switch channels while you're playing. Apparently, it's inherent to the amplifier. It's the only reason I cannot use this amplifier with clean and dirty at the same time unless I use a TS9 on the clean channel. That really was not a well thought out process from Fender. For the price of this amp, I would think that problem would've been fixed, but it is what it is. I still love the amplifier and I'm still glad I bought it, although I will have to use my Orange when I want a distorted sound.Chuck
I bought my new Fender Blues Jr v4 about 2 months ago from a guy who decided he was more of a "Marshall Guy After All" so I got a bargain, but that was just the beginning. I wanted to spend some time and several sessions playing with this thing before I rushed into a review, but it turns out my first impressions have been even more reinforced since playing this thing for several hours, and the big word here is WOW. I have been playing for over 62 years (that's right, got my first guitar at 7) and bought my first Strat in high school. I've played and owned a LOT of different amps, and even now I have a few pieces for which I have some sentiment, but now it seems I will have to seriously reconsider. Good thing there is no "Amp Limit Law", but if there was I could finally happily liquidate all the others if I could have just my new Blues Jr. I have read voraciously for years about concepts such as "touch sensitive", "controlling breakup with the guitar volume", "takes pedals well", etc. Turns out these have only been myths to me all this time until now. Everything good and superlative that's been written about this amp is absolutely true. The preamp section is like pure magic in shaping the tone and delivering it to my favorite-EL84 power amp section. I have never been a fan of the usual Fender tube lineup, and when I heard this runs EL84s I was already excited. I am still a Strat guy to this day and love everything about it. But I have never even dreamed it could sound so good. I have an Egnater Rebel 20, a vintage Crate 15 watt blonde with a Dr Z speaker, and my prior favorite-a 5 watt Epiphone Valve Jr into a 12" Eminence Lady Luck. I have some others, but nothing I own or have owned can even come close to this thing. And what has been said about the Celestion speaker choice is again, absolutely right on. The sound from this amp would be as if you had an old Deluxe Reverb, did a cap job, retube, and maybe speaker upgrade. I guess I'm trying to say that it soundsMark, R
Simplicity itself, with great tone and a big sound from a small package. I've a few amps, ranging from heads and cabs to combos, but had a hankering for a small tube combo – one that could do a rehearsal if needed. This has a great sound with a 335 and a Telecaster, and so easy to dial in a fantastic tone – infact hard to get a bad tone. Plenty loud enough, I would happily take this out and gig it. I love the fact you can unplug the internal speaker and plug it into a cab, makes it a great package. No perceivable noise when winding it up, and the stock speaker is great, good tight bass and nice and chimey on top. Seems solidly built, but I guess time will tell on that front. All in all, very pleased with this, and great value.Customer
19. Fender Tone Master Princeton Reverb Guitar Combo Amp
Product Details:
The tone master princeton reverb is the latest addition to fender's acclaimed series of legendary amplifiers. using fender's proprietary tone master modeling process the tone master princeton is a perfect replication of the legendary tube amplifier. with player-centric features and modern conveniences it's sure to appeal to today's most demanding professionals. the tone master princeton reverb is versatile enough to go from the bedroom to the recording studio to the gig with the great sound and authentic vintage vibe that fender players know and love. it delivers classic fender tone, reverb and tremolo; and it's the perfect size for guitarists who want a moderately powered amplifier for any situation. additional rear-panel features deliver modern convenience and flexibility – including an output power selector for full power and five attenuated settings, balanced xlr line output with impulse response (ir) cabinet simulations captured with shure sm57 and royer r-121 microphones, mute switch for silent stage or recording use, usb port for firmware upgrades, and more.
Specifications:
CONTROL PANEL | Volume, Treble, Bass, Reverb, Speed, Intensity |
INPUTS | Two – (1/4", Input 2 operates at -6dB) |
CHANNELS | One |
EFFECTS | Reverb, Tremolo |
CONNECTIVITY | USB For Firmware Updates |
CONNECTION TYPE | 1/4" |
VOLTAGE | 120V |
WATTAGE | 12 Watts (Simulated) |
CONTROL KNOBS | Vintage-Style Skirted Black Plastic |
AMPLIFIER COVERING | Black Textured Vinyl |
CABINET MATERIAL | Lightweight Solid Pine |
GRILLE CLOTH | Silver-Strand |
HANDLE | Molded Plastic Strap with Nickel-Plated Caps |
AMPLIFIER JEWEL | Red (Power), Red/Amber (Warmup), Amber (Mute) |
FRONT PANEL | Black |
REVERB TANK | DSP |
REVERB TANK TYPE | DSP |
SPEAKERS | One – 10" Jensen C10R with Ceramic Magnet |
TOTAL IMPEDANCE | 8 ohms |
FOOTSWITCH | 2-Button Footswitch Included |
20. Flamma Fa05 Electric Guitar Amplifier Combo Guitar Amp 5 Watt Support Bluetooth Headphone 7 Preamp Models Built-In Mod Reverb Delay Chorus Effects
Product Details:
Studio recording equipment by flamma. details:looking to expand their multi-functional amplifier lineup, flamma have released the compact fa05 amplifier. the fa05 is a 5-watt guitar amplifier with everything you could need whether you’re a beginner or a seasoned pro. this little box sports 7 of classic amp models along with an array of built-in effects and i/o options. also included is a custom 3” speaker, perfectly tuned to deliver amazing tone with a big sound from such a small unit. the tiny size makes it portable and unobtrusive, while it’s discreet style fits nicely in any setting. designed to make learning songs or jamming to backing tracks a breeze, the fa05 allows users to connect their preferred devices via bluetooth or through an auxiliary audio input. the amp also features a headphone jack for quiet practice at any time of day. the fa05 features two clean channels, two od channels, and a crunch, lead, and rhythm channel easily selectable with the amp selector knob….
Specifications:
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