Are you looking for the Best Distortion Guitar Pedals? If so, you’ve come to the right place.
Choosing the Best Distortion Guitar Pedals can be difficult as there are so many considerations, such as Marshall, MXR, Friedman, BOSS, Electro-Harmonix, JOYO, MOOER, TC Electronic, ModTone. We have done a lot of research to find the top 20 Best Distortion Guitar Pedals available.
The average cost is $157.69. Sold comparable range in price from a low of $16.67 to a high of $544.99.
Based on the research we did, we think Pro Co Sound RAT 2 – Compact Guitar Distortion Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Distortion Guitar Pedals (20 Sellers)
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$69.99
4.8
Reviewers Noted:
Easy to use . Compact . Good sound quality . Build quality . Weight
Features:
- Give smooth distortion and punchy sound to your guitar's voice with this distortion pedal
- The compact and portable design of this pedal makes it convenient to carry while you tour with your band
- True bypass switching lets you change to clean patches and prevent any unwanted noise
$119.99
4.7
Reviewers Noted:
Easy to use . Good sound quality . Heavy . Attractive . Compact
Features:
- Please message with any questions.
- In good condition, working 100% tested.
- Velcro on the bottom of the pedal.
Reviewers Noted:
Sound quality . Weight
Features:
- Updated version of the boss hm-2 heavy metal distortion pedal
- Top-shelf all-analog circuitry elevates the classic high-gain tone of its predecessor
- Standard mode conjures the classic sound of swedish death metal
Reviewers Noted:
Easy to use . Compact . Sound quality . Build quality . Weight
Features:
- Newly revised two-stage gain circuit with discrete analog components
- Standard mode delivers the legendary sound of the original ds-1
- Custom mode provides fatter distortion tones with focused midrange and increased touch response
Reviewers Noted:
Easy to use . Compact . Good sound quality . Portability
Features:
- Engineered with 4 knobs to adjust the sound output
- Its 1/4" jacks let you attach the pedal with your guitar
- The screen allows you to check the modulation status
$29.00
4.6
Reviewers Noted:
Easy to use . Sound quality . Portability . Size . Weight
Features:
- Its 3-band equalizer allows you to optimize the sound for high-quality audio
- Constructed with metal chassis to enhance its structural integrity
- Built-in led indicator lets you check the status of the battery
$29.00
4.6
Reviewers Noted:
Easy to use . Sound quality
Features:
- This metal distortion pedal is designed to provide a high-quality music experience
- 1.4" input jack makes it convenient to use it with your electric guitar
- Input impedance 500 kohms helps reduce the distortion while adding effect to your music
$72.70
4.8
Reviewers Noted:
Ease of use . Sound quality
Features:
- Buffered bypass reduces the distortion for an immersive sound experience
- The 9v battery offers optimal power supply for uninterrupted usage
- Adjustable knobs help let you modify the pedal modes conveniently
Reviewers Noted:
Easy to use . Compact . Portable . Good sound quality . Build quality
Features:
- Built in usb audio/midi interface
- Knob-based interface
- Eight simultaneous effects categories
$131.50
4.8
Reviewers Noted:
Compact . Easy to use . Weight . Good sound quality . Portability
Features:
- Circuit: analog
- Bypass: true bypass
- Audio: mono
$29.00
4.7
Reviewers Noted:
Easy to use . Compact . Good sound quality . Weight
Features:
- I added a mini switch to get fuzz 1 and fuzz 2 combined without having to get the mode switch stuck *just right
- Comes with box, no velcro
- Don't use 9v battery (switch is in the battery compartment) 9v power supply only
$208.46
4.8
Reviewers Noted:
Easy to use . Good sound quality . Compact . Build quality . Weight
Features:
- Combines the sounds of boss bd-2 blues driver and jhs pedals angry charlie
- The jb-2 angry driver features three dual concentric buttons that allow control of overdrive, sound and volume for every type of effect available
- One mode button to choose the overdrive type, two connectors in series for effect overlaying, or a parallel connection to produce new sounds
Reviewers Noted:
Compact . Easy to use . Good sound quality . Weight . Craftsmanship
Features:
- The 10v of input power delivers clear and crisp output
- True bypass switching minimizes the distortion to enhance the audio quality
- This pedal allows you to add multiple bass effects during your jamming sessions
Reviewers Noted:
Easy to use . Sound quality
Features:
- Amp up your onstage guitar performance with the help of this efficient guitar preamp
- This distortion pedal comes with smart filtering to reduce unwanted frequencies
- 3-band eq allows you to balance high bass and low treble tones conveniently
Reviewers Noted:
Size . Ease of use . Weight
Features:
- This distortion pedal provides high quality audio output
- Giant knob allows you to control the volume for an enhanced performance
- Gold detailing gives it a vintage appeal
$16.67
4.5
Reviewers Noted:
Compact . Ease of use . Sound quality
Features:
- 100% analog british sound distortion takes you from classic marshall-stack crunch to high gain paradise
- Tube-amp-like dynamic response brings great definition and clarity from warm/smooth playing to cutting lead solos
- 3-mode tone shaping provides a detailed voicing taste tweaking
$249.00
4.8
Reviewers Noted:
Easy to use . Weight
Features:
- Add a lively spark to your music with the help of this multi-function pedal
- Full knobs control allows you to give different effects while playing your guitar
- Designed with a foot control switch to offer added functionality
Reviewers Noted:
Easy to use
Features:
- Great pedal.
- Has not left the house (smoke free house).
- Comes with the original mooer ge 300 pedalbag.
Reviewers Noted:
Easy to use . Good sound quality . Compact . Build quality . Weight
Features:
- 3 weeks / with tracking & insurance)2.
- 2 weeks / with tracking & insurance)3.
- 3 weeks / with tracking & insurance) 2.
Reviewers Noted:
Ease of use
Features:
- Perfect (no issues) cosmetic condition.
- Original box, pedal, paperwork item #.
- 1241 overview the gold thru knob sits at the heart of the cali76 stacked edition.
1. Pro Co Sound Rat 2 – Compact Guitar Distortion Pedal
Product Details:
Rat 2 – compact guitar distortion pedal the rat 2 from pro co sound provides classic rat tone in a compact and portable design ideal for casual or professional guitarists. great as a primary distortion or as a boost to your amp's natural distortion the rat 2 excels at versatility. knobs for filter volume and distortion let you find the perfect settings. turn the filter all the way up to roll off brittle high-end or turn it down to let your guitar's brightness come through. true bypass switching ensures that no unwanted noise enters your signal path when the pedal is off. the virtually indestructible steel construction is made for life on the road. industrial-grade knobs switches and jacks stand up to the rigors of daily use. the sloped face and glow-in-the-dark graphics make for easy stomping and settings changes even during a lighting change. the unit can be operated from a 9v battery or from a wall outlet.
Specifications:
| Material | Steel |
| Color | Black |
| Voltage | 9V |
| Indicator Type | LED |
| Number of Knobs | 3 |
Reviews:
Overall: I have more overdrive pedals then I realistically need but my selection of distortion pedals has always been disappointing for my taste, just never the right tone regardless of the set up. I figured this pedal wasn’t too much and saw good reviews for the pedal historically. Yes there are differences from the originals to the model we have today but this distortion pedal is ridiculously versatile. The distortion pot is very broad and goes from a subtle O\D to a full faced fuzz and then when you sweep thru the filter, that’s where you see how versatile the Rat truly is. Is this a pedal geared towards the modern metal sound? Probably not. Is this pedal a good product for the price? Absolutely! The ease of use with the three control knobs just makes this pedal a great first buy or for those, like myself, who seemed to keep coming up short with distortion pedals, a truly simple and reliable tank of a stomp box. Seriously, you know you want it, or you wouldn’t be looking at it. Make your dayEric
The Rat pedal is a classic and was my first pedal in 1986 when hi gain amps werent affordable to 15 year old kids. That pedal was mean ! It had the original lm308 chip and gave me the Kill Em All sound I craved. Fast forward to 2020 and the pedal has not changed much. Its mean and can give you fuzz to mean hi gain rhythm and violin line like sustain on leads. For $69.99 it is affordable and awesome. Cons : you cant power this pedal with a standard Boss power supply. Its either buy a Rat power supply/wall wart or run it on batteries. Also, the battery compartment is plastic and not as tank like as the rest of the pedal. The changing of chips does make the pedal lose some of its magic. The new chip is fine but I do miss the lm308 and maybe its hype Im falling for. It likely is. So what can you do ? I sent my pedal of to Utah to be rehoused. The pedal itself is hard to adhere to a pedalboard bc it is so heavy and awkward. So mine is being put in a more pedalboard friendly housing. Also, all the components like in and out jacks etc will be replaced/upgraded as well as some cheap components inside the pedal. You also get the lm308 chip. Hell yeah ! For $150 you get a massively improved pedal. Do you need to do this ? No of course not. But if you want the best Rat pedal youcan get ( which in the new housing also allows being powered by a Boss style power supply via wall wart or pedalboard) then the mod will be a fun way to modify an already smoking pedal.swampdonkey90
This is a great pedal and is very versatile. It can go from an overdriven tube amp tone at low gain settings to very thick heavy distortion/fuzz tone. I like to set the gain low to a nice overdriven tube amp tone and then have my boss SD-1 in front of it pushing the pedal harder. It gives it a nice 80s hair metal, Marshall JCM800 type tone. The tone of the pedal is great and it is very versatile and a good deal. It will stay on my pedal board. The other nice thing is is it's extremely easy to use with just 3 knobs and very easy to find a great tone. When I first got this pedal I didn't like how bright it was but that where the filter knob comes into play and you can roll off the brightness to match the guitar and amp you have and get a great tone. This allows you to play it on bright and dark amps a like. I use it with a Gibson Les Paul standard with burst bucket pro pickups into my 65 reissue fender Princeton reverb and I will also run it into my Boss katana MKii 50 watt. This pedal works great on both tube and solid state amps.Rhinosaur
2. Boss Ml-2 Metal Core Distortion Pedal
Product Details:
With its extreme gain, the ml-2 is the most potent and heavy distortion pedal ever created by boss. it easily delivers massive distortion and gain with heavy lows for playing nu metal, grind core, industrial, hard core, or any genre that requires crushing sound. the ml-2is ferocious and biting tone will complement and cut through any blast beats your rhythm section can create. ultra-heavy distortion with sharp-edged attack for crushing metal riffs low control for heavy, low frequency sound a la 7-string guitar or dropped tuning high control for screaming, metallic tone road-tough boss metal construction with its extreme gain, the ml-2 is the most potent and heavy distortion pedal ever created by boss. it easily delivers massive distortion and gain with heavy lows for playing nu metal, grind core, industrial, hard core, or any genre that requires crushing sound. the ml-2is ferocious and biting tone will complement and cut through any blast beats your rhythm section can create.
Specifications:
| Length | 6 in |
| Height | 0.1 in |
| Width | 4 in |
Reviews:
I found one cheap and used and bought it with no preconceived notions. This pedal chugs and grinds in its own unique way. Not like a Bogner Red, Wampler Triple Wreck, or HK Warp Drive (all great pedals). You can play dissonant chords and it will evenly drive each note (A Vox Satchurator does this too, but the Metal Core has INSANE amounts of usable bass). I play through two 4×12's with V30's and G12T100's and it THUMPS! Turn down the gain and it backs down and lightens up. Works great with delay/time based effects.DaveMan
You can get every pedal in the world and BOSS is just going to tear them up and be the ones you want to go back to. The BOSS ml-2 is simply that distortion pedal you are looking for to carry you over the top in sustaining notes feeling like you're playing on butter, yet ripping that growling crunching chug you want to push thru the mix. Try using it also with a overdrive pedal and turning the ml2 distortion level down to about 7.5. Then use the overdrive to kick it back in for your leads. It truly out does the metal zone even thru the effects loop as I run the mt-2. Buy this bad boy! You will not regret it!nancy_acker77
THE ML-2 METAL CORE IS… BOSS IN "BEAST MODE!!!" Hands down my favorite "Metal" Distortion pedal by Boss. They got everything right on this one. Deep thundering distortion that's up in your face. It's a very modern sound that's very defined yet clean enough to enjoy. I'm probably one of just a few who happen to own every distortion and medal pedal made by Boss. Each were designed for specific tones in the search for that perfect sound. While some are lacking to be honest numerous are very good. The ML-2 "Metalcore" is great. If you like the MT-2 "Metal Zone", you'll love this Beast! It's the sound I always wanted but couldn't quite dial in. If you're into Hard & Heavy hitting metal music, it's certainly worth checking out. I like it so much I own 3 to have on all my pedal boards. It'll be the pedal everyone looks back on to purchase years from now when they're discontinued.kt.precisio-7
3. Boss Hm-2w Waza Craft Heavy Metal Pedal
Product Details:
The original has been out of circulation for years, but now boss have given you the hm-2w heavy metal distortion pedal, a faithful recreation of the classic distortion. this pedal is quite simply the sound of death metal in a compact form factor. all the original features of the original are faithfully presented, from the layout of the distortion, color, and level controls, to the characteristic breakup and full-throttled nature of the original's sound. furthermore, a new mode has been added for extra aggression. a battery is included.
Specifications:
| Nominal Input Level | -20 dBu |
| Input Impedance | 1 M ohm |
| Nominal Output Level | -20 dBu |
| Output Impedance | 1 k ohm |
| Recommended Load Impedance | 10 k ohms or greater |
| Bypass | Buffered bypass |
| OUTPUT jack | 1/4-inch phone type |
| AC adaptor (PSA series | sold separately) |
| Current Draw | 30 mA |
| Carbon | Approx. 8 hours |
| INPUT jack | 1/4-inch phone type |
| Alkaline | Approx. 24 hours |
| OUR PART | HM-2W |
Reviews:
Overall: That baby would be born a black and orange stomp box. Ok we all now how most of us are going to use this pedal, straight chainsaw mode. Many of us want that early entombed sound. The cool thing bout this pedal is it can be used for so much more. You can get slightly broken up tones, a nice Gilmour sound, and everything in between. Custom mode adds more bottom end making this thing sound huge. If you are running everything on ten and roll the low end completely off you go from sweden to norway circa 88-93 (church burning and murderous bandmates not included) seriously, this pedal is everything dirty and heavy that I could have asked for. I FINALLY found the sound in my head. Now if you'll excuse me, I have neighbors to annoy.
This recreation of a iconic pedal is amazing. They have captured the original hm2 perfectly but with modern clarity and custom settings. It’s getting increasingly harder to obtain a original in great condition and with reliability. I highly recommend this pedal it’s a great addition to anybody's board. I use this pedal to nail the David Gilmour tone to boost a fuzz but is highly versatile. I give this pedal 5 starsPaul M.
If you want the sound of chainsaw metal or David Gilmour (Pink Floyd) “A Momentary Lapse of Reason” distortion this is the pedal for you. It’s no one trick pony however. This pedal has found a permanent place on my pedal board. Worth every penny and more. Don’t miss out on getting you my hands on one of these!
4. Boss Ds-1w Waza Craft Distortion Pedal
Product Details:
Revising a legendary boss pedal with new tonal possibilities and waza craftmanship, the waza craft ds-1w distortion pedal redefines the classic ds-1 sound with a new, higher-gain voice mode, an updated two-stage analog gain circuit, and the discrete, 100% analog circuitry expected of a waza craft design. relive the timeless, well-defined gain boosting of the classic ds-1 in standard mode, or explore new sonic avenues with the fatter, more dynamic custom mode. the ds-1w's versatile tone knob provides wide-ranging frequency control fine-tuned for each circuit mode, while the premium-quality buffer eliminates unwanted signal loss to ensure a crystal-clear bypass tone. with carefully selected analog components and the rugged construction quality typical of boss's waza craft pedals, the ds-1w is built to stand the test of time and deliver versatile, face-melting distortion for decades of continuous use.
Specifications:
| Audio Circuit Type | Discrete All-Analog |
| Bypass | Buffered Bypass |
| Nominal Input Level | -20 dBu |
| Nominal Output Level | -20 dBu |
| Input Impedance | 1 Megohm |
| Output Impedance | 1 Kilohm |
| Recommended Load Impedance | 10 Kilohms or Greater |
| Indicators | 1 x Check-Battery LED Indicator |
| Battery Type | 1 x 9 V Alkaline |
| Operating Current | 15 mA |
| Material of Construction | Metal |
| Dimensions | 5.1 x 2.9 x 2.3" / 12.9 x 7.3 x 5.9 cm |
| Box Dimensions (LxWxH) | 6.4 x 4.5 x 2.5" |
Reviews:
Now I don't hate it, but Its not my first go to pedal. I like the more modern BOSS "Metal Core". It is however like all BOSS PEDALS built like a tank, extremely reliable and a great first pedal. For the money, this is a super value. I found that I like it for "Gain Stacking" in combination with the BOSS MD-2"Mega Distortion" and a few other pedals. Even two DS-1 DISTORTION together improve the performance to me. Overall it's not terrible and I see were for some it could really be a price but I lean towards Heavy… Heavy Metal and for that it's more a corvette when you need a Lamborghini. Do I hate it, NO… I actually own two of them.kt.precisio-7
I had one of these racks for well over 5 years. My original got pretty dingy so I decided to buy a new one because the first one served me well. I bought this Christmas of 2019. After 6 months of use, the rack is beginning to rust. Try to find the product using description and model number on KitchenAid website so I can contact them about it for possible replacement but got "product not found". Other than the metal rack, it's a great product. The rack should be stainless steel. I generally love KitchenAid products but I recommend against this one.randy_san
Highly Underrated! Many people think this is a low-grade Boss effect pedal, but with proper settings and usage, it stands up to the quality and fidelity you have come to expect from Boss "Built like a Tank" pedals. The reason many people give this pedal low marks is because the Tone Knob is crazy! Similar to the Fender Reverb Tanks, this knob goes from just about right to way out of control in a hurry! – lol. Set fully left/counter-clockwise (7 o'clock), it is dark and muddy, around 8 o'clock it will sound good for a Strat lead tone, around 9 o'clock and a little beyond is good for fat Gibson humbuckers to cut through any mix, and anything beyond that is way too thin, harsh and God knows what you would use it for outside of a specialized high freq-type notch filter effect or laying heavy on a low string. This is what people don't like about this pedal…the Tone control is too wide – lol. Find the right spot and you are there tone-wise. This is Distortion, not Overdrive and it is made to provide searing lead tones and carefully voiced rock chords. It holds a strong distortion without going into feedback as easily as other pedals. There is even a video on YouTube that shows one coupled up with a Boss OD-3 Overdrive…I do it too. It's nice to have one set for crunchy rock and the other set for searing leads and sustain…but I am also guilty of engaging both of them at the same time! As with just about any distortion pedal out there, the higher the gain, the more the noise, but all in all, this pedal holds the noise level down while keeping a strong tone that if need be, any noise gate could easily manage…I don't use one. The Level control can act as a lead boost if you cut back on the Drive. You really can't get rid of the distortion effect, but you can minimize it to a point that it will behave like a boost with a little grit behind it and most times this works just fine, especially live. As of July 2012 the average price for the Boss DS-1, used, in good condition is nineteen to thirty dollars. The higher being free shipping and original factory box. The other factor are the older models made in Japan go for a significantly higher price (sixty to one hundred dollars) to people who collect vintage gear or have discriminating tastes. With the abundance and affordability of these pedals I say, "Why not have it in your arsenal?" If you set your unity gain and tone to be "seamless", it is worth twenty bucks to have it there & ready to kick in when you need to hold a high note (or any note) extra long without worry…and if nasty is your thing, this pedal can get really nasty set to anything past 11 o'clock. (Which is only 1/3rd of the way "up".) This pedal also doubles as a great little gift for a budding rock star. It is cheap and it provides good distortion, which is what they are most likely looking for, until they get good enough to deserve a two hundred & fifty dollar pedal. I, myself have many expensive pedals, play professionally (26 years) through a large rig and have this pedal at home in my "Boss Chain." Be conservative and use micro adjustments and you will find a great usable pedal at a terrific price.guitaroperator
5. Zoom Ms50g Multistomp Guitar Pedal
Product Details:
Choose from 55 classic effects and famous amps with the size and weight of a typical single stompbox, the ms-50g includes a thorough lineup of high-quality effects types. it features 47 stompbox effects and 8 amp models. along with distortion, reverb, modulation and other classic effects, its amp models simulate some of the most prized pieces of live and studio gear. intuitive, easy-to-use we have further refined the simple user interface that was revolutionary in our g3 and g5. the lcd shows the current effect in use, while the scrolling function allows you to easily view the flow of your effects chain. with this intuitive, easy-to-use interface, creating amazing sounds is a breeze. use up to six effects all at once the ms-50g allows you to utilize up to six effects simultaneously, as well as arrange them in any combination. this gives you the ability to craft classic sounds, as well as lush, complex tones. leave the rules you learned behind and enjoy creative freedom with the ms-50g.
Specifications:
| Number of Stompbox Effects | 47 |
| Indicator Type | LCD |
| Number of Amp Models | 8 |
| Output Jack Size | 0.25" |
| Number of Output Jacks | 2 |
Reviews:
I could spend all day yapping about this pedal…In my travels i've tried countless pedals, but got tired of having 'too many' pedals. The weight, the time it took to hook it all up. I also busk, or play where electricity isn't available, and wanted a setup where i could make one trip with everything, and keep the weight down. I've always been a fan of ZOOM products, so trying out the Multistomp series was a no-brainer for me. The 50G met all my requirements, and exceed them all after i got one and started using it. Tones that are as good as any higher priced pedal, the versatility is second to none, and the price is killer for what this pedal can do. I would say the the Bluetooth version was my favorite, then the 70CDR, then the 50G, with the 50G's new 3.0 update, the 50 G is now my favorite pedal…period. The 50G started with maybe 50 patches, now it has 172, and best of all it has the Exciter patch, which to me is required on any pedal board. All i can suggest is watch the countless demo videos of this pedal. I would recommend this pedal for any level of guitarist, i would also recommend the MS-70CDR, watch the demo videos of the 70-CDR vs Strymons…amazing I cant say enough good things about the 50G, i believe it's near the perfect all around pedal. The Multistomp series are easily, in my opinion, the best bang for the buck pedals madeLocorogue
The MS-50G pedal is first class. It is every bit as clean, quiet, and well built as the Boss pedals. It is not a replacement for the Boss line. Zoom pedals have a character of their own. Personally, I like the Zoom tone. But I'm not a guitar player. There is a great ~15 minute YouTube instructional video for the MS-50G. I got over the learning curve for writing and storing effects by watching this video, then I bought pedal. It replaces several pieces of my high quality studio gear when I need fast results that are of high level audio quality. Zoom delivers with this product. After I watched this video I purchased the pedal. I also like my G1X as a companion to this pedal. The G1X has a nice volume/expression pedal.Sean
I needed something for my living room and practicing while watching TV late at night without a full pedal board or multi-effects box. This along with a Boss RC-3 and a mini mixer for my wireless headphones provides everything I have in my studio at a mini level. The sounds are good enough. There are enough options in sound to play most anything. Eventually I'll try this little beast as a sub for my full pedal board and see how it works in a live jam. One pedal to do everything. It's not perfect but it is great. I wish Zoom would provide updates to it and a better manager. It's pretty old by today's standards and if Zoom provided updated files they would sell even more if these great little boxes. B&H had the best deal available and as always they provide excellent service. Thank you B&H. I'll Be Back, lolThomas G
6. Behringer Um300 Ultra Metal Distortion Pedal
Product Details:
The um300 effects pedal gives you the most extreme and sought-after hard rock or heavy metal sounds with super-thick, tube-like distortion plus endless sustain. the um300 features dedicated distortion, 3-band eq and level controls for awesome sound shaping. a cool blue status led for effect on/off and battery check plus a first-class electronic on/off switch for highest signal integrity in bypass mode are included. the um300 runs on a 9 v battery or a dc power supply (not included).
Specifications:
| Product Type | Guitar pedal |
| Pedal Type | Distortion |
| Battery Power | 9 V |
| Dimensions | 2.125" H x 2.75" W x 4.8" D |
| Weight | 0.73 lb |
Reviews:
This thing is unbelievably excellent. I’m down with serious chunk and couldn’t find a pedal anywhere that tickled my fancy of fatness of tones and clean as a whistle chugging. If you want metal, this will give you the sound you want, the thing has six knobs and they all do great differences in tone and distortion. My mate is a full blown metaller gtar ist and scoffed at me buying this thing. He came round and I said that I wanted to hear him thru this pedal so he did after I dialed him in to my liking amd he blew himself away with me alongside him He now has one too!!!! HahahaGeoff K.
The distortion operation is like MT-2. Sound and operation is similar, But it has differernt knobs for min settings. Distortion levels quickly passes overdrive/crunchy so it it not usable for that. Bass level is not usable after 2 o'clock setting. Treble and mid levels and mid frequency levels change a lot sound. Level setting is use fun if you don't want to load the amps input and cause additional distortion… Battery changing is easy.
7. Behringer Hm300 Heavy Metal Distortion Pedal
Product Details:
Specifications:
| Power Source | Battery, DC power |
| Weight | 0.73 lb |
| Output Impedance | 1 kOhm |
| Input Port | 1/4" jack |
| Intput Impedance | 500 kOhms |
Reviews:
i wanted to compare this to my boss hm-2 pedal but i can't get to it at this time, so i'll have to do this by itself. this is a very nice distortion pedal. again the plastic casing is durable and inexpensive ,so you're getting a good pedal for the money.the level and distortion controls are sensitive- i consider a plus. i do wish there was more bass in the in the low frequency control. now you might be asking, "why don't i cut back on the high frequency control?". here's why : the high frequency control appears to be a combination high frequency/gain control! the more you turn it up, the more gain. combined with the sensitive dist/level controls this is a nice feature if you want that. i like it . i can always boost the bass on the amp/EQ/whatever. i like to use different dimensions of distortions and if you are like me ,i recommend this.thurstonnalley
I guess I'm more of a roady/studio guy than I am an artist, as I've always got more out of turning knobs then actually playing music lol. I bought this pedal for one reason and one sound only. The Swedish "chainsaw" guitar tone of the 90's that came out of Sunlight Studios that was popularized by bands like Entombed and Dismembered. I think it sounds incredibly good considering I bought it NEW for 25 bones plus shipping! The distortion is sometimes a bit over the top, but cleans up when you roll back the volume knobs on the guitar. I imagine you could really get some interesting tones going if you paired this pedal with a compressor and eq both before and after it in the signal chain (and with Behringer that's actually an affordable option), and of course, a tube amp, as most of the bands with that sound supposedly used Peavey 5150 tube heads. Very nasty distortion pedal, if you could travel back in time to the 90's you could probably sell this to a metal head for absolutely ridiculous amounts of money. If you are not buying this pedal for a certain "Swedish death metal" sound or just metal in general, I would not recommend this pedal, as there are probably much better pedals out there for what you need. Its made out of plastic which I personally don't mind, as I'm not a touring or gigging musician. If I stomped on it several times a night for half a year I dunno how that would work out. Not a big fan of the color, but then again, I didn't buy this pedal for aesthetic value. Behringer makes great stuff for less, I plan on buying a lot more Behringer pedals in the future!James the studio guy
Just great wee pedals and such a great cheap price too. Best discount around at the moment as far as I could see.Reviewed by Andertons Music Co.
8. Electro-Harmonix Flatiron Fuzz Distortion
Product Details:
The electro-harmonix flatiron is a fuzz distortion pedal intended for electric guitarists. the pedal sports a classic op-amp design to give you both warm, rounded distortion and high-octane fuzz. set the pedal to mild values to preserve a moderately clean tone with low-level saturation, or crank the drive dial to secure a hefty, classic 1970s fuzz. use the drive knob to dictate the amount of input gain in the circuit. the filter knob introduces a low-pass filter for curtailing the highs, which can sometimes be over-emphasized by fuzz distortion. as you turn this knob clockwise, the center-frequency increases, letting you introduce more high-end into the circuit. the volume knob controls the output level of the pedal. the flatiron employs true bypass circuitry on the bypass/engage footswitch, so that your tone remains pristine when the pedal is disengaged. a 1/4" instrument input and 1/4" instrument output are provided for your guitar. use the supplied 9v battery to power the pedal on stage, or use a separately available ehx9.6vdc-200ma power supply.
Specifications:
| Interface | Knob |
| Bypass Switch | True Bypass |
| Indicator Type | LED |
| Power | 9.6 VDC |
| Current | 200 mA |
Reviews:
9. Boss Me80 Guitar Multi Effects Processor
Product Details:
This pedal is packed with almost any effect you can think of, all easily accessible through the foot switch system saving you the trouble of navigating through tedious menus. use with boss software on your computer to generate your own patches or download stage ready patches from the website. built in usb/midi interface allows you to connect straight to your computer for di recording with all of your effects. battery powered and comes with power supply.
Specifications:
| Interface | Built in USB audio/Midi Knob-based interface |
| Effects Categories | Eight simultaneous effects categories |
Reviews:
Sound: OK, so the pre-set programs are hit and miss for me. But that had to be expected, as I am not plugging a guitar into it, but rather a Korg RK100-S2 keytar. For obvious reasons, the cleaner patches, and patches designed around arpeggios sound decent, while the shredding metal patches sound like ass. I'm sure they would both sound good if I was hooked up with an actual 6 string. Features: The most useful feature as far as I'm concerned, are all of those knobs all over the front of the unit. They make it so easy to dial in the sound. Especially when compared to the all digital products like the GT-1. I had a GT-1B last year, and it was aggravating to modify sounds on the fly. The other most useful feature is the Tone Central app. OMG!!! Last month, I trashed Korg's design decision in their app for modifying the keytar's sounds. The window can't be resized, the lines of text are nearly microscopic, it isn't REMOTELY intuitive to figure out how to re-write the patches. Boss' Tone Central app is the EXACT OPPOSITE of all of that. Full screen, each effect section is on screen alone and has 3 different ways to modify the settings. Get things the way you want, name your patch, and click "write," then choose where you want it saved, and click "OK." It couldn't be simpler. Ease of Use: If the preset patches are hit and miss, the "manual mode" is why I bought this board. The keytar really needs some effects to come alive. This board is simply a placeholder until I can build a quality keytar/synth specific pedal board. Compression, delay, and/or phasers can add a lot of depth to my sound depending on what I'm currently using. Those dials make it super easy to get the sound right quickly. It does sort of suck that they are on the floor, but how could that have been avoided without bluetooth and a phone app? And, if that was the case, I wouldn't have bought it in the first place! Quality: I bought this "blemished." My guess, based on the condition of the box that the factory shipped to zZounds, is that this took a fall off of a shelf in the warehouse. One end of the box was mangled badly! Thanks to Boss' attention to detail in packaging, and legendary build quality, I got this product without a scuff, scratch, or dent for 20% off. I like that build quality. (Feel free to play football with some of those synth specific stomp boxes guys! *wink-wink*) Value: Before my fretting hand got too badly damaged to play bass anymore, I wanted the bass version of this product. I believe that it was discontinued, and I missed my chance. I got the GT-1B but didn't like working with it. When I saw that this was available, I didn't hesitate to put it into my cart. Only then, after the fact, did I realize that it was in "blemished" condition. I almost went back and put a new, full priced one in my cart simply because I didn't want the hassle of potentially returning a broken product. So, yes, I do believe this is worth the normal retail price. Manufacturer Support: In the 12 years I've been playing, I've owned several Boss products from tuners to metronomes to multi effects pedals and I have NEVER had to reach out for support. In my estimation, that's the BEST form of customer service! The Wow Factor: G.A.S.! I can't play guitar a lick. But I've bought guitars in the past simply to hang them on the wall. I can't say that I would ever buy THIS product if I didn't need it. But I'm sure that it will still find some place in my home studio, even after the actual pedal board is complete Overall: An easy recommendation for the guitarist on a budget. Depending on one's needs, stomp boxes and pedal boards can become quite pricey. Between this, the Tone Central app, and the hundreds of additional patches available there, if you can't get the sound you're looking for, the problem lies mostly with you.
I have been buying and selling multi effects for many years. I loved them all, even the silly ones such as the RP50, 505, ME30..too many. I guess my favorites were the Korg AX3000G(which I thought was ahead of its time) and the Digitech RP500(awesome reverbs, mods and filters),and even some Pods for their amp sims too. Yes yes.. they all had their short comings in different avenues.. Boss reliability is were a part of Ny early playing days since the 80s..and to this day, I use Boss single pedals almost exclusively as my main rig. I just love the simplicity of their individual pedals and this unit is the only one that comes close in terms of the logic of its settings. I love KNOBS, and the ME80 has plenty to go around with. SIMPLICITY is the key . No more scrolling up n down a screen on the floor which I can hardly see. Now is the ME80 the best sounding multi-effect out there? No sir! With all the current technologies which can produce units such as The Kemper, Fractals, Boss GT1000, and other high res IR capable units from Zoom and Line 6(including some very capable Chinese newcomers), the ME80 can be seen as kind of outdated to some, The ME80 is certainly not what the top guns use these days, especially when occupying an arena concert stages I'm sure(but I bet they still use one or two boss pedals in their rig lol)..Also, Let's not forget that the ME80 initial introduction day to the world was just about eight years ago.. shall we? But guess what, it's still alive and kicking! And that is exactly why you still see it here for sake in 2022 ar least until Boss comes out with some new monster that can handle the GT1000 chipsets and adding more KNOBS to its chassis. The ME80 is gorgeous, it sounds good, and it has a personality. It also has more to offer than its predecessors such as the ME50/70..I mean, the addition of a separate footswitch for reverb,EQ and a simple patch recall?? I would recommend this unit for any small club or a tight rehearsal space for a quick setup and a speedy wrap-up after a show, when it's finally time to go home, no patch cables required.I AM KEEPING THIS ONE FOR MYSELF! Till I get to warm up for Bruno Mars(not happening soon lol),My main Boss rig is staying home, and that goes to my crybaby and the Budda volume pedal with all them patch cables entourage.James
I don't want to program guitar effects. I don't want to read cheesy names for effects that I can't immediately recognize or understand. The young people like that stuff but I am old and old school. The ME-80 gives me my old stomp boxes but grouped on a modern platform. It is basically foot pedal controlled with a very nice expression pedal and 8 on-off pedals. The foot pedals work flawlessly. But the thing that makes this unit awesome is the knobs. You can turn a knob, set a value and get instant feedback on what you did and look at it anytime to see what it is set at. If you know stomp boxes then you know exactly how this thing works. It has by my estimation about $4K worth of stomp box effects and amp emulations. Whether you want an old Tube Screamer or a Big Muff Fuzz. This thing has it. And it has many new stomp box effects like the amazing Tera Echo, Harmonist, Freeze and a Looper. It has just about every effect you could want and you can play multiple effects at the same time. As far as I am concerned this is the greatest thing since sliced bread. And I am an original POD user. I still plug into the POD now and then. But the POD is history. The ME-80 is what I like today. I even commissioned a guy to build me an angled stand to boost up the knobs and pedal to make it easier for me to dial in changes. I had it painted orange to match my Orange Crush 35RT amp where I port the ME-80 output. Lastly, if you insist on being a programmer, they let you do that as well and offer a ton of presets online. You can hook up by USB to your computer and program away. Brilliant. The one down side… you have to buy an AC/DC adaptor for $30 or use up a lot of batteries. Well since I figure that I saved over $3,600 compared to the cost of all these effects bought stand-alone, I happily coughed up the $30.Brianne
10. Electro-Harmonix J Mascis Ram's Head Big Muff Pi Pedal
Product Details:
The j mascis ram’s head big muff pi fuzz pedal pays homage to the sonic center of the alt-rock legend’s iconic tone of equal parts thickness and clarity in a special edition white and violet finish. “that’s my sound. the muff is always on,” j says. “all distorted sounds begin with the muff. that’s what i grew up playing so it’s kind of amazing to have my own signature one.” based on the highly coveted 1973 electro-harmonix v2 violet ram’s head big muff, j’s signature big muff produces the indulgent fuzz and exceptional sustain used as his sonic center for decades. the fuzz is sonically more articulate than other big muffs with excellent string separation and dynamics, which make it one of the most versatile big muffs. the pedal’s response feels smooth and aggressive making your leads scream and chords thunder. feel the fuzz of a guitar giant: the j mascis ram’s head big muff pi fuzz pedal from electro-harmonix.
Specifications:
Reviews:
How odd. This review was flagged for writing Big Mu** using the two F's 🙂 For the money, this is a really hard pedal to beat. It goes from mild and laid-back to wild and intense. The controls feel great…like as in excellent quality. This is a reissue of the original Big Mu** PI. I tried a Big Mu** PI with Wicker and forget about it. It hissed so loud in Wicker mode that I couldn't even here myself think and it got even worse with the tone switch off. And even in the so-called Big Mu** PI mode, it didn't sound anywhere near as good as this Rams Head does. And, the Rams Head is quiet compared to the BM PI with Wicker. One more thing, The BM PI with Wicker does not say anywhere on it nor in the included paperwork where it's made, whereas the RH BM PI clearly says New York City on the face of it…Vincent
The tone sweep is nice and there are some interesting spots because it is linear while kind of non-linear at 10 to noon and about 1-2 on tone control. I can't say why but usually I had purchased like more expensive versions of ehx pedals. That being said, I think people need to realize that these are quite accurate reissues and circuits, and just because it is an affordable pedal doesn't mean it isn't great.
Overall: Floats like a stone and stings like a nest of angry hornets! This box has the buzzsaw sound down pat. The fuzz is a thick, smooth, and consistent. I like this kind of fuzz in particular because it’s less fuzzy and little more distortion-like. The Tone knob has a really wide sweep from boomy bass to mid-range Hades. It has plenty of gain on tap and even sounds pretty good with the guitar’s volume rolled back a skosh.I’ve never used the original Green Russian Muff and have only heard them compared through videos online, so I can’t speak as to how they’re different/alike. I got it because I didn’t want to haul my vintage Black Russian Muff around from gig to gig anymore because it’s getting valuable and since it was a pretty jenky design to begin with, it’s liable to break with heavy use. That being said, the reissue Green Russian Muff has a different sound than an original V8 Black Russian Muff. It doesn’t sound as good to me, but it’s not so different that I wouldn’t use the Green Russian live in lieu of the Black Russian for the aforementioned reasons. One huge plus for the Green Russian is its pedalboard friendly size. The Black Russian is the size of an 80s metal lunchbox and took up an awkward sized chunk of the pedalboard. Now there’s more room for other unnecessary boxes (gulp)! One noteworthy ding for this pedal is how difficult it is to see the script on the top of the pedal. The words are printed right underneath the knobs, so if it’s kinda dark (which it usually is) and the lights are all in front of you (which they usually are) the words are impossible to see. Overall it’s a nice fuzz especially for the price. It’s noisy, but once the music gets rolling you won’t even notice it.Brad
11. Behringer Sf300 Super Fuzz Distortion 3-Mode Effects Pedal
Product Details:
Product information get a variety of fuzz tones for your electronic guitar with the super fuzz sf300. the three different sound modes, namely, classic fuzz, grunge and gain boost, enable you to recreate the magic of the '60s and '70s with this behringer super fuzz. you can shape the sound of you guitar with convenience as this behringer guitar effect pedal comes with 2-band eq, dedicated gain, and level controls. powered with a 9-v battery, the super fuzz sf300 runs for a longer period, giving a quality-performance. this behringer super fuzz is designed with a blue status led indicator which lets you keep a check on the status of your battery too. weighing just about 0.33 kg, this behringer guitar effect pedal is a portable device.
Specifications:
| Power Supply | 9 V DC, 100 mA regulated |
| Power connector | 2 mm DC jack, negative center |
| Battery | 9 V type 6LR61 |
| Power consumption | 30 mA |
| Battery Info | Optional, not included |
| Battery Material | Alkaline |
| Battery Type | 9-volt |
| Battery Quantity | 1 |
| Dimensions (H x W x D) | 2.12 x 2.75 x 4.80" (5.38 x 6.98 x 12.19cm) |
Reviews:
Waited months for this to arrive and it was definitely worth the wait. I also have an Op Amp Big Muff and another budget fuzz pedal. I definitely prefer the sound of the Behringer. Setting the switch in between Fuzz 1 and Fuzz 2 gives you both settings in parallel and it sounds AMAZING. I have a few Behringer pedals. Some are good, some are not so good. This is definitely one of the good ones.
This pedal may be cheap, but it is one of the most flexible pedals ive seen. Fuzz 1 and Fuzz 2 are an octave style fuzz, Fuzz 1 being very dark and warm, whereas Fuzz 2 is shrill and cold, great for Electric Wizard style riffing. It doesnt have noise in ANY of the modes, even with the gain maxed, and it sounds completely identical to the Boss FZ-2 Hyperfuzz. Though i believe the best thing about this pedal is the boost mode. I personally use it with the bass dimed to 11, and it sounds amazing into the front of my valve amp, pushing the tubes exactly the way i want it. The ONLY downside is the fact that it is made out of plastic, which is why i didnt value the quality at 5 stars. For the price, this pedal is a must have. Just don't go stomping on it like your other metal-made pedals, and it will last you a long time.Samuel M.
Cons: The casing is plastic,so I'm not sure how gig-survivable it would be over time. Whoever came up with the procedure for changing the battery would make the Marquis de Sade weep with jealousy. Pros: It does a -perfect- facsimile of the crushing DOOM TONE Electric Wizard have on the 'Dopethrone' album; put a 7-string through this and watch your garden die. It does a bunch of other seriously fun fuzz sounds and is actually quite versatile, given the 3 modes it has, the range of the tone knobs and the sheer amount of fuzz available. While the casing feels cheap, the knobs are nice and solid. It's ridiculously cheap given how good the actual sound it produces is. Why are you still reading this…? BUY ONE!varghellhammer
12. Boss Jb – 2 Angry Driver Overdrive Distortion
Product Details:
Boss and jhs pedals have combined forces in order to celebrate the boss compact pedals 40th anniversary. housed in the unmistakable boss compact design, these two giants of effects have created an overdrive pedal that cannot be matched in versatility. red, white and blue the eye-popping design of the boss jb-2 looks just as individual as the sound that it can create. the boss jb-2 may be white and red in colour but boy can it help you play incredible blues. thanks to the addition of independent level, tone and drive knobs as well as a 6-way mode selection including parallel and series circuitry, you'll have thick and unique overdrive tones in no time. built to last like all compact boss pedals the jb-2 angry driver was built to last. with its thick metal housing and rubber pressure pad, you can be guaranteed years of use without wear and tear. an optional remote input also means you can trigger the jb-2 via an optional pedal of your choice. boss and jhs are giants in the guitar pedal industry in their own right so when they come together you can expect something special – the boss jb-2 angry driver overdrive guitar effects pedal.
Specifications:
| Finish | White/Red |
| Year | 2017 |
Reviews:
A versatile sounding yet simply distortion. Certainly fatter sounding than the DS1 and to my ear, has a high output signal. Perfect cor achieving those Frusciante ‘Stadium Arcadium’ tones. I believe the man himself used one. At a shade over £50 you really can’t go far wrong with this. It solo be staying on my board for a long while!James P.
Ahhh the DS-2. I bought one some years ago, and it has served me well. I can see some toneheads graduating on from this, as it is rather basic and limited and slightly cold sounding. But for a beginning distortion pedal, there's hardly a better one (saying this never having tried a tube screamer). I mostly used the regular setting as the turbo mode added a mid boost that didn't usually work for me, but I could see other people either digging that tone, or really hating it. Anyway, I got a great deal of use out of mine and still enjoy using it, even though my amps on board distortion has now surpassed it.SkaIsNotDead
I've been using the DS-1 off and on for several years. The DS-2 offers a warm side and the B side has a bite via remote option. After working with multiple guitars I was able to use both sides of the pedal effectively. Use your guitar toggle switch, volume, and tone to really get the most out of this pedal. Tip: If you have Boss MS-3 or similar use the ctrl option to setup remote switching.LA
13. Xotic Effects – Sl Drive Pedal
Product Details:
Famous for its woody, organic and beautiful sounds of saturation, these legendary british amplifiers, the super lead & super bass, have been delivering one of the all-time classic sounds for almost 50 years. players like jimmy page, paul kossoff and countless other relied on this type of tone for their signature sound. xotic has recreated this vintage masterpiece in a rugged small enclosure. the sl drive offers very amp-like response and cleans up nicely with a roll of your guitar’s volume knob. the internal dip switches allow you to choose the sound characteristics of both 1959 models. the “super lead” setting offers a brighter tone with more gain, while the “super bass” setting has more low end with less highs. this compact design is a powerful tool for the working musicians. the sl drive is equipped with true bypass switching and eliminates any signal interference when switched off. power requirements are either 9v battery or ac adaptor (optional).
Specifications:
| Dimensions | 3.5" W x 1.5" D x 1.5" H |
| Input Power | 9V |
| Input Impedance | 1M ohm |
| Output Impedance | 1K ohm |
| Number of Tone Settings | 2 |
Reviews:
From slight dirt to full on creamy plexi distortion. It’s all there. Cleans up with the guitar volume knob. Pairs well with other exotic effects. I have two SL drives, one for grit and the other set for lead, as well as an exotic AC booster before to add a bit of boost. I run the EP booster at the end for nice volume boost. Synergy with all exotic effects.Charlie
I chose the SL Drive from a huge amount of drives on the market as I wanted something that fit on a small pedalboard, could provide a Marshall style sound at all gain levels as an alternative to amp gain, and which could work well with the BB MB pre-amp also by Xotic. This pedal really delivers. Although it takes time to set up and find the best sounds for personal preference, it provides a variety of useful tones across the spectra of volume, gain, and equalisation. The design is just so thoughtful and I like the possibility of running it at 18v, although at the moment 9v is better to my ears. Recommended as a piece of gear that should fit with most set-ups.Reviewed by Andertons Music Co.
I've had the SL drive for awhile now and try as I might I can't find anything that can kick it off my board. I've tried numerous other amp in a box pedals(Marshall and otherwise),overdrives and distortions but I keep coming back to this little guy. I guess I keep trying because I find it hard to believe that a pedal this small and this inexpensive(relatively) can't be outdone. I use this in conjunction with a standard Tumnus and the 2 together just can't be beat for me and I'm done spending $ trying.mike smith
14. Revv G3 Distortion Pedal
Product Details:
Used, in excellent condition – includes original box. the revv g3 distortion packs the purple channel 3 of the revv generator into a compact effect pedal, which creates optimal conditions for tight metal riffs with its unique and distinctive sound. the gain control and the effective 3-band tone control allow the sound to be perfectly tuned. in addition, it is possible to determine the basic gain structure using the three-level "aggression" switch.
Specifications:
| Product Type | Guitar preamp |
| Depth | 4.76" |
| Height | 1.25" |
| Width | 2.75" |
| Weight | 0.8 lb |
Reviews:
I bought this pedal about a week ago online through Guitar Center. I was skeptical as I've played and owned dozens of Distortion Pedals. MXR Distortion+, Big M*** Pi, Boss Metal Zone, Blackstar DistX to name a few. This pedal is extremely sturdy and well built. Built better than any Boss pedal. The knob/pots are top notch. Unfortunately my amp is a Fender Frontman 212R. The distortion on this amp is terrible. When I first plugged this pedal in…it sounded similar to the Blackstar DistX pedal. It had this honky distortion sound…very similar to Def Leppard's High N Dry album. I put new speakers in the Amp recently. Celestion V30's. Holy cow! This pedal now sounds like a Mesa Rectifier! The EQ on this pedal are extremely touchy. They also work together. If you set the High's above 12 o clock and set the low's to say 9 o clock, the High EQ is almost unbearable. However, setting the Bass and High at 12 o clock, the treble isn't as bad. Which is why I say they work off of each other. The Distortion is clear and not muddy at all. Chords sound great and do not get lost among the vast amount of Distortion. It's essentially an Overdrive pedal that you can add more distortion to by using the Aggression toggle switch. When set to off, it is a very good Overdrive. When set up to Blue, the gain is increased and it's kept very tight. When set down to Red, It has even more gain than blue and is a bit more flubby but not much. All in all great pedal! My only complaint is the switching between clean and Distortion. If you switch between Clean and Distortion the Pedal doesn't immediately switch to the Volume you have it set at…it kind of starts off low and quickly builds up to the volume you have it set at. It would be sincerely annoying in live applications.Devarim12
This is the best distortion pedal I have ever used. Its sounds great run into a good clean channel and doesn't need boosting although it stacks very well with other pedals. I love the versatility of the aggression modes and find all three useful. I tried it as a pre-amp but preferred it in front of my amp. I play metal and hard rock and this pedal has the sound in my head. I love it!!!!David
I bought this pedal from Scan, I didn't know they sold music equipment, previously used them happily for pc components. Arrived next day and cheapest price on the internet. This pedal is hard rock and metal heaven. Amp Like distortion even when running into the clean channel of a solid state amp. Off mode is good, blue mode is the best a distortion could be and red adds a bit of thickness. I don't see me using anything other than blue mode. This pedal never gets muddy at any distortion level, always articulate making it a wonderful tool for solos. Even works fantastically with single coils of a USA Strat. A must for High gain enthusiasts. I don't normally like to buy expensive or boutique style pedals as I think they are usually overpriced and overhyped but this is worth every penny.ianto
15. Earthquaker Devices – Acapulco Gold Power Amp Distortion V2
Product Details:
Owned for 1 year. selling most of my gear to buy a local vintage guitar. below is the product description. with an upgraded silent switching system, version 2 of the earthquaker devices acapulco gold distortion pedal is better than ever. the acapulco gold v2 is like putting a vintage tube amp's master volume control on your pedalboard. it's based on the sound of a cranked sunn model t amplifier, and the single-knob control takes your tone from quieter to louder, covering a wide range of dirty tones that are very responsive to your guitar's volume and tone controls. most iconic amps are defined by their power amp section, and the earthquaker devices acapulco gold v2 puts that sonic intensity on your pedalboard.
Specifications:
| Amp Type | T tube |
| Power Supply | 9 volt DC |
| Barrel Size | 2.1 mm |
| Dimensions | 4.625′′ x 2.5′′ x 2.25" |
| Input Impedance | 50K Ohm |
Reviews:
Cool pedal. Probably not for everyone. It’s kinda niche, but it does what it was designed for exceptionally well.Greg
This thing is nuts. Dialed at 9 and stacked with a fuzz, you can get a really nice bassy growl. At between 9-12, it sounds like an amp pushed to the limit, and past that it's basically just pure Model T chaos. A niche overdrive/volume pedal that serves it's intended purpose very, very well.Zack
(Using it on bass) They were not kidding that this little box is loud! Anything past 12 o'clock and expect it to rumble your place. Love the tone it gives my bass, even around 9 o'clock it gives it a sweet sound and love to stack it with either my fuzz pedal or overdrive pedal and a spring reverb for a nice surf punk sound. For a single knob pedal, its one of the best for sure, if you love your music loud, this one is definitely for you!JUAN
16. Sonicake Distortion Pedal For Electric Guitar Shark 3 Modes Normal, Modern, Classic High Gain Distortion Guitar Effects Pedal True Bypass
Product Details:
Sonicake shark is a triple-mode distortion guitar effects pedal, providing the classic, crushing hot rod marshall stack crunch/distortion tone, which is rich, dynamic, and most importantly, like all the marshalls, loud! flipping the toggle up, you get the normal mode, which is a classic marshall-stack rocking crunch tone, which basically define the sound of rock n' roll. keeping the toggle at middle, you get the modern mode, an edgier and more aggressive hi-gain tone, focused and with a little tighter low end, which is perfect for modern shredding and riffage. flipping it down, there is the classic mode, a vintage voicing, a bit less gain, designed to reproduce the tonal mojos all the old-time heroes, hendrix, clapton, page, blackmore… you name it. special design of led indicated knobs shows the control of tone and level, as well as the work state of the pedal; heavy duty, black, metal casing. 100% analog british sound distortion takes you from classic marshall-stack crunch to high gain paradise. tube-amp-like dynamic response brings great definition and clarity from warm/smooth playing to cutting lead solos. 3-mode tone shaping provides a detailed voicing taste tweaking. true bypass footswitch keeps a clean signal path. working with 9v center negative regular pedal power supply(not included).
Specifications:
Reviews:
I suppose for a specific type of sound for someone this could suffice. I have other options and have used other inexpensive distortion units for decades. Just lacks Sonic character, dynamics and didn't add anything positive to my sound. I DO really like their volume/wah mini pedal…they are all well-made and terrific. I wanted to support this product but it was a disappointment. Do your reviews carefully before deciding.spacecoaster44
I'm a studio engineer and have 7 different chorus pedals most name brand and are expensive but for the price.., this pedal cannot be beaten. Put this together with a couple of other pedals and you will never look back. Lush Setting is absolutely killer. Good quality construction and noise free. I play and record in stereo but for the price you can easily afford 2 of these sweet sounding pedals. Hey for the money you cant lose.818eleven11
17. Nux Cerberus Multi-Effects Pedal
Product Details:
Includes original power supply. (does not include the original box) each feature is another reason to own cerberus! cerberus is a multi-function effect pedal which can be used stand-alone or with the 4 cable method and comes packed with extraordinary features including inside routing, ir loader, analog overdrive & distortion and digital effects. you can use cerberus as a stand-alone device to prepare your setup and control as a stomp-box chain and/or save any combinations including routing as a preset and recall by a single click. you can add your essential gears into the chain with using 4 cable methodno matter which equipment you use. cerberus also offers midi control to organize your own effect pedals and improve your effects control at the same time.
Specifications:
| Number of Effects | 16 |
| Number of Presets | 128 |
| Frequency | 88.2 kHz |
| Bit Rate | 32-bit |
| Latency | 0.68 ms – 2.04 ms |
Reviews:
A guitarist's swiss army knife! Easy to program! No confusing menu navigation. Sounds pretty good running direct to PA, despite not having a preamp. People need to understand that this is not a digital modeling unit, but a true effects unit that's best used with a good amp that has an effects loop. Four-cable connection gives you best results. Make sure you update the firmware to get the most from it, such as double-tapping a preset button to engage the solo boost.Tim
This is my first multi fx unit, and it will be my only for a long time. I was skeptical on the price point at first but I needed something that was MIDI capable. This pedal not only has MIDI, but an effects loop, and direct PA input. Not only does it have a tuner built in as well but the pedals built in effects are limitless and sound freakin great in my opinion. If you're thinking about going for it, just do it.Steve B
I'm 63, I've made a all or part of my living playing for most of that, and I'm sick of wires and patch cords and velcro, and I'm not a programmer. This is what I've always wanted, and very high quality. Well made, well thought out. Reverb is excellent and controllable separately. Cool patching options. Unit is heavy duty and very quiet. Going to watch NUX and see what else they come up with in the future. Very pleased, and AMS is as great as ever.Mark W.
18. Mooer Ge300 -Effects Pedal Multi
Product Details:
This is a very intuitive and great sounding unit with excellent reviews. feature-rich with plenty of effects as well as a 30 minute(!) looper and synthesizer. cosmetically it's in quite nice shape with home studio use only. after the latest firmware was installed, for some reason the backlight on the display will sometimes flicker. it's always legible and everything works like it should. maybe just a simple software bug, though as stated perfectly usable/readable at all times. original power included with a repair on the cord as shown. overall an excellent user piece.
Specifications:
Reviews:
Das Pedal nutze ich aktuell mit Anschluß an die Return Buchse eines Röhren Amps. Für die Inbetriebnahme habe ich zunächst die Studio Software auf dem Notebook installiert und danach zunächst die Firmware des Boards aktualisiert (völlig problemlos). Nach dem Einschalten überraschen zunächst die blinkenden LEDs, die Verwirrung hat sich bei mir aber sofort gelegt da man auf Anhieb auch ohne Bedienungsanleitung direkt einen Überblick über die wichtigsten Funktionen erhalten kann. Positiv für mich ist das sehr gut ablesbare TFT Display, lediglich die Beschriftungen auf dem darunter liegenden Effektblock sind für mich als Brillenträger etwas zu klein. Auch die sonstige Optik lässt im Hinblick auf dezente Farbgestaltung keine Beanstandung zu. Die Umschaltung der Presets über die Bänke mit je 4 Sounds pro Bank war bereits beim 2. Blick als gute Idee eingestuft. Die Navigation wird durch sinnvolle Eigengestaltung der Bänke enorm erleichtert. Klanglich stufe ich die normalen Effekte als sehr gehobenes Mittelfeld ein. Die Klangvielfalt "erschlägt" im ersten Moment (sooo viele Effekte brauche ich eigentlich gar nicht). Innerhalb weniger Minuten konnte ich bereits eigene Presets mit Amp Modelling und Effekten herstellen (intuitiv ohne Anleitung). Aufgrund fehlender Expertise kann ich den Sound schwer mit anderen Boards vergleichen. Jedenfalls klingen die Sounds sehr gut. Testweise habe ich ein eigenes Preset basierend auf einem Cleanen Mesa Mark IV erstellt und mit dem Klang des physischen Mesa Studio Caliber DC2 verglichen. Der Board Sound ist in der Default Einstellung vielleicht etwas transparenter im Klang es fehlt im direkten Vergleich jedoch etwas an tiefen Mitten und Bässen. Mit etwas Tweeking konnte dies sehr schnell mitigiert werden. Der physische Verstärker hat zusammengefasst deutlich mehr Druck und ein wenig bessere Ansprache. Betonen möchte ich dass durch den Synthie und das ToneCap Feature das Board einen enormen Zusatzwert generiert. Die Synthie Presets finde ich bereits sehr gut und der erste ToneCap einer Jazz Gitarre war ebenfalls erfolgreich (sehr einfach durchzuführen und das Resultat hat mich sehr positiv überrascht – einen Jazz-Sound mit einer Strat hinzubekommen war bisher nicht in meinem Ideenfeld). Zusammengefasst bin ich bisher sehr zufrieden.
I love it. Great product.poject
After loads of research, I finally found the floor effects board for me. Great sounds and effects.Steve S.
19. Boss – Ds-1 Distortion
Product Details:
Boss's colourful stomp boxes are the most recognisable pedal range in existence. for over 40 years, guitarists from bedrooms to stadiums have put their boot down on a boss effect to transform their sound. several models have passed into guitar legend and early examples can fetch extremely high prices. happily, boss have maintained their stellar reputation for world-class effects in bomb-proof casing with their current range and have fended off the imitators for decades to remain the pre-eminent single pedal effects manufacturer in the business. if there's an effect for guitar (or bass, vocals, keysbe creative!) then you can bet boss have a pedal of it in their range or even invented it outright! every guitar player should get to experience the joy of selecting a pedal from boss's exhaustive roster, plugging it in and unleashing their wildest sonic dreams. without doubt boss's most popular compact effect, the ds-1 has been the one pedal to rule them all since it's inception in 1978. from it's distinctive orange box form to it's abrasive clipping and gain structure, the ds-1 is an undisputed classic.with just three simple controls – tone, level and distortion – you can dial up a multitude of dirty sounds from tight and grainy right through to smooth sizzle with a heap of sustain. legendary!
Specifications:
Reviews:
This is the amazing Boss DS-1 distortion pedal, loved by all who use it. Amazing value at just £55. I won't bore you with stories about how robust it is, because we all know Boss equipment lasts forever. It looks and feels great, but most importantly, sounds incredible. I play punk rock, and with my Gibson SG Special, plugged into my Marshall JCM 900 this delivers exactly the sound I want. I loved that in the manual it gives example sound setting, one of which was British Punk. That just made me smile. I knew instantly it was right up my street. Oh, and if you're into electronics, this thing is made of pin-through-hole components, so it leaves it open for a good bit of modding. There are plenty of guides for that online. Sitting in my Boss BCB-30 pedal board this never fails to make me smile.Thomas B.
Now I don't hate it, but Its not my first go to pedal. I like the more modern BOSS "Metal Core". It is however like all BOSS PEDALS built like a tank, extremely reliable and a great first pedal. For the money, this is a super value. I found that I like it for "Gain Stacking" in combination with the BOSS MD-2"Mega Distortion" and a few other pedals. Even two DS-1 DISTORTION together improve the performance to me. Overall it's not terrible and I see were for some it could really be a price but I lean towards Heavy… Heavy Metal and for that it's more a corvette when you need a Lamborghini. Do I hate it, NO… I actually own two of them.kt.precisio-7
I have a 60w Fender Deville amp. Lovely clean sounds straight from the amp but couldn't really use the overdrive channel without the volume getting to an inconsiderate level at home. This pedal has addressed that issue really well. This pedal now provides me really raunchy distortion while providing a greater control for volume. The pedal also provides a nice boost in changing between a clean channel directly from the amp and then through the pedal. Very pleased with this investment, particularly for the price. Very easy to use.Gregory H.
20. Origin Effects Cali76 Stacked Edition Pedal
Product Details:
Single-stage cali76 sounds and dual-stage sliderig squeeze! the missing link between the origin effects cali76 and sliderig ranges. delivers not only single-stage cali76 and dual-stage sliderig sounds but also everything in between! a brand-new control determines how much signal is fed from the first compressor to the second. each of the compression stages features its own combined attack/release control. single-stage cali76 sounds and dual-stage sliderig squeeze! the cali76 stacked edition is the missing link between the origin effects cali76 and sliderig ranges. a brand-new control (the gold ‘thru’ knob) determines how much signal is fed from the first compressor to the second. this control allows the stacked edition to deliver not only single-stage cali76 and dual-stage sliderig sounds but also everything in between! independent led vu meters let you see exactly how hard each stage is working. each of the compression stages features its own combined attack/release control. with the cali76 stacked edition, you can combine two distinct flavours of compression! one to add sustain and fullness and the other to subtly limit any stray peaks, for example (or max out both stages for a “clean overdrive” effect).
Specifications:
| Product Dimensions | 10 x 7 x 6 inches |
| Color Name | Silver |
| Signal Format | Analog |
| Voltage | 9 Volts |
| Controls Type | Knob |
Reviews:
That much for a compressor! That much for a pedal! A compressor for how much……that’s wjhat I was saying to myself to justify the cost…..No WAY ITS COMING OFF MY PEDALBOARD UNLESS ORIGINS EFFECTS DOES IT BETTER! if you want TONE…DEFINITION….AND PROBABLY THE BEST BUILT QUALITY PEDALS EVER….. DONT LET THIS PEDAL SLIP OUT OF YOUR HANDS (CART)….YOU DESERVE THIS TODAY AFTER ALL THAT PRACTICING. THIS BELONGS ON EVERYBODIES PEDALBOARD AND ITS THE REASON IT SHOULD BE THE FIRST IN YOUR EFFECTS Chain.
I use it to compress cleans with a Les Paul Standard with PAF's. Brilliant for this application. It can play nicely with some drives too. Hiss will be evident in all compression but this pedal was not to bad. Its up there with the best.if you know how to use the features. Less is more and take it from there.Reviewed by Andertons Music Co.
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