Are you looking for the Best Acoustic Guitar Eq Pedal? If so, you’ve come to the right place.
Choosing the Best Acoustic Guitar Eq Pedal can be difficult as there are so many considerations, such as ENO, MXR, Trace Elliot, Behringer, BOSS, TC Electronic, Pro Co Sound. We have done a lot of research to find the top 20 Best Acoustic Guitar Eq Pedal available.
The average cost is $216.81. Sold comparable range in price from a low of $29.00 to a high of $765.00.
Based on the research we did, we think Behringer Graphic Equalizer EQ700 is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Acoustic Guitar Eq Pedal (20 Sellers)
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$48.34$43.51
4.5
Reviewers Noted:
Compact . Easy to use . Lightweight
Features:
- Shape your sound and eliminate feedback with 7 bands of equalization
- This behringer product has been designed to compete head to head with leading products on the market
- Wide frequency range from 100 hz to 6.4 khz with a powerful 15 db boost/cut per band
Reviewers Noted:
Ease of use
Features:
- Acoustic preamp with xlr and jack outputs
- High headroom with 18v power supply
- Tailor your tone with 3-band eq controls
$119.99
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability . Build quality
Features:
- This equalizer pedal allows you to control and adjust the treble and bass of your guitar conveniently
- Frequency range of 100 hz – 6.4 khz helps you to create multiple sound effects
- The compact design makes it easy to carry at gigs, events and performances
$245.51
4.8
Reviewers Noted:
Easy to use . Size . Weight . Sound quality . Portability
Features:
- Take your music creativity to the next level with this acoustic guitar preamp
- Led indicator lets you know the status of the battery
- Designed with 5 band eq to create different guitar effects
$29.00
4.5
Reviewers Noted:
Compact . Easy to use . Lightweight
Features:
- Led indicator allows you to track the connection status conveniently
- Engineered with 7-frequency bands to adjust the sound output
- Trs connector lets you attach compatible music systems easily
Reviewers Noted:
Easy to use . Portability . Size
Features:
- Engineered with multiple knobs to adjust the sound intensity
- Platinum material makes the preamp resilient for prolonged use
- Xlr connector allows you to attach compatible microphones conveniently
$244.95
4.8
Reviewers Noted:
Easy to use . Size . Sound quality
Features:
- Add a lively spark to your music with this equalizer pedal
- Panel lock feature allows you to lock your settings until you change them
- Connect this eq pedal with musical instruments to give your music distinctive effects
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability . Build quality
Features:
- Powerful 7-band eq!
- Compact eq pedal with 7 bands of adjustable eq sliders.
- Allows for boost/cut of up to +/- 15db per band.
Reviewers Noted:
Easy to use . Size . Portability
Features:
- Preamp helps provide an amplified audio output
- Back-lit control panel offers enhanced visibility in the dark
- Eq controls let you create different sound effects conviniently
Reviewers Noted:
Easy to use . Size . Build quality
Features:
- The 12db gain helps provide a clear sound quality
- Its 10 adjustable preset bands let you create different music effects
- Usb port offers easy connectivity with media players and computers for convenient recording
$69.00
4.5
Reviewers Noted:
Ease of use
Features:
- Can be used as an individual eq pedal.
- 7 preset slots to store eq and sampled guitar sounds.
- Switch between true bypass or buffer bypass.
$83.00
4.8
Reviewers Noted:
Ease of use . Size
Features:
- Cut or boost six different frequencies up to 18db
- Leds provide high visibility, even in direct sunlight
- Low noise floor
Features:
- Open, musical and detailed instrument and mic preamp.
- Same eq as felix.
- Simple, clearly marked controls.
$38.86
4.5
Features:
- Three different modes.
- Knobs for volume, top, and body (works like a contour control.
- Excellent condition.
$159.00$127.20
4.9
Features:
- Six-band graphic eq with an overall level volume capable of producing various sounds
- Bands cover 100hz to 3.2khz for effective tone shaping with guitars
- Each band can cut or boost providing a variety of uses
Reviewers Noted:
Easy to use . Size
Features:
- Let your voice mesmerize the audience with the help of its roomsense microphone
- Preset guitar settings let you store multiple sounds and tones for effortless tuning
- Tone effect feature helps enhance your overall live performance
$108.29
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability . Build quality
Features:
- Make sure this fits by entering your model number.
- Compact eq pedal with 7 bands of adjustable eq sliders.
- Allows for boost/cut of up to +/- 15db per band.
Reviewers Noted:
Ease of use
Features:
- I’m selling my tech 21 q/strip preamp.
- Includes original metal box.
- With its shelving low eq that lifts all low end frequencies and two parametric eq’s this pedal shapes your sound like no other.
Reviewers Noted:
Easy to use . Size
Features:
- 16 source guitar type presets for accurate tone reproduction and 15 target guitar type presets for tonal refinement
- Includes high-quality preamp, built-in compressor, 9 adjustable effects, piezo/magnetic input pickup select, and 3-band equalizer
- Input and output gain/sensitivity adjustable via single volume knob (patent pending)
Features:
- Capturez l'empreinte vocale de votre guitare en un rien de temps
- Sculptez votre son avec l'application
- Synchronisez l'application avec votre pédale pour encore plus de possibilités
1. Behringer Graphic Equalizer Eq700
Product Details:
The behringer eq700 7-band graphic equalizer pedal is ideal for use with your guitar. it can help you shape your sound for a wonderful performance. this guitar effects pedal also eliminates feedback with seven bands of equalization. you will have complete control over your tones under all performance situations. this behringer pedal uses a wide frequency range from 100hz to 6.4khz along with a powerful 15db boost/cut per band. there is a status led light to let you know when the device is powered on or off and when you need to check the battery. it is built to last with high-quality components and a strong, rugged construction. this gadget requires a 9v battery or the behringer psu-sb dc power supply, which is sold separately.
Specifications:
| Assembled Product Dimensions (L x W x H) | 5.00 x 2.75 x 2.00 Inches |
Reviews:
Bought this equalizer as an experiment to use between my behringer mini mixer and powered monitors. Monitors have no tone control, just volume and sounded a bit harsh in the mid frequencies. Was able to dial in a nice warm tone using this equalizer. No noise. No rack mounted eq to haul around. It was a win win. Perfect for sweetening up a small PA system. Will also use at some point on guitar and electric piano. Although the case is plastic and not metal, the device seems fairly solidly constructed. Have been using with a 9v battery with no issues. Would recommend this product. Very satisfied.wheezersguitars
I've been playing guitar for several decades, mostly acoustic. I purchased this several weeks ago to add tone shaping through the effects loop of an Orange Micro Dark at home. The equalizer has been great for this application. The 7 sliders provide a near infinite amount of adjustment, allowing you to experiment and fine tune your tone. In addition, it is extremely quiet. The pedal feels heavy enough, but is made of (seemingly tough) plastic. The sliders are effective but I'm not convinced of their ruggedness through live gigs. This is my first Behringer product so have no first hand experience with long term reliability. I am very happy with this equalizer and for the price wonder why I hadn't added it long ago – it really is much more effective than few tone control knobs.C-ville Brent
This is a nice EQ pedal. It worked just fine and was 100% functional when I bought it new. The pedal is relatively quiet when pushing the front end of my Carvin low-gain amp. In the front of my Marshall however it was a little too noisy. The EQ parameters were quite usable and did a nice job shaping my tone. The gain function was less usable, again because of the added noise (hiss). This noise was apparent using the battery or a 9v adapter. The quality of the pedal is fine, but its 100% made of plastic. I had no usability problems with it, but you should be aware that it is in fact all plastic. Overall its worth 4 stars because for $25 its a great deal. However I spent a little more on a used MXR 10-band w a 18 volt power supply that is much more quiet when pushing my Marshall. If you want some EQ shaping and don't want to drop a lot of money, this pedal is probably your best bet. You have to spend about four times as much (or more) to get higher quality, and you have to decide whether that higher quality is worth four times the price.derald75
2. Orange Acoustic-Pedal Preamp/eq
Product Details:
The orange acoustic pedal is an innovative preamp pedal that lets you sculpt your sound, eliminate feedback, and plug straight into the pa- and that's just the start. for the discerning acoustic guitarist looking to elevate their sound and expand functionality, this compact preamp could provide all the answers. the buffered fx loop keeps your signal pure while the 18v power supply delivers stunning headroom that instantly delivers professional, studio-quality sheen. using a low-noise jfet circuit design means no unwanted noise- no hiss, even with the treble control cranked. utilise the precise 3-band eq controls to carefully sculpt your tone to perfection. then, the genius xlr output means you can run straight out into a pa, for maximum ease of use. everything needed to make your acoustic sparkle, all in one pedal.
Specifications:
| Product Dimensions | 4.13 x 2.36 x 5.12 inches |
| Color Name | Orange |
| Signal Format | Analog |
| Voltage | 18 Volts |
| Controls Type | Knob |
Reviews:
Comprado como complemento para utilizar tanto con amplificador como directo a ordenador.
Habe das Pedal zu Hause probiert, gibt das Signal unverfälscht weiter. Habe einen Auftritt damit gespielt, und der Tontechniker konnte das Gitarrensignal problemlos und in guter Qualität verstärken. Gut ist, dass zwei Ausgänge vorhanden sind. Also neben XLR für PA/Monitor kann man noch einen Verstärker betreiben, wenn nötig. EQ ist eher dezent, reicht aber völlig aus, um das Signal deutlich zu färben.
3. Boss Ge-7 Graphic Equalizer Pedal
Product Details:
The ge7 has 7 bands ranging from 100hz to 6.4khz, ideal for guitar sounds, with boost/cut of +/- 15db per band. this lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect. h3about boss pedals/h3the history of boss reads like the history of guitar effects. from their legendary ce-1 chorus pedal (the big gray box that started it all) to the world's favorite line of compact pedals, they've been responsible for more guitar innovations than just about anyone else. boss's compact pedal line-up began in 1977 with the classic od-1 overdrive. its warm, smooth overdrive sounds and breakthrough boss pedal features (heavy-duty construction, rubber pads on top and bottom, recessed control knobs, silent switching, a built-in led, and easy battery replacement) immediately set it apart from other stomp boxes on the market. it established the masterful design for all other boss effects pedals since. throughout the years, boss has continued to define the cutting edge of guitar effects. double-layer circuit boards allowed pedals like the dd-5 digital delay to deliver studio-quality effects comparable to rackmount units. they recently brought bassists and guitarists the first bass synthesizer in a compact pedal, the syb-3. on their 20th anniversary they proudly introduced the od-3 overdrive, a pedal that takes the smooth, dynamic overdriven tones of the legendary od-1 to a different level. like all boss products, it is a level of sound quality and durability that is unrivaled.
Specifications:
| Frequency Range | 100 Hz – 6.4 kHz |
| Power Supply | 9 V |
| Input Impedance | 1 M ohms |
| Nominal Input Level | -20 dBu |
| Current | 1000 mA |
Reviews:
They have gotten expensive over the years (along with everything else) but it's history and reputation speaks for itself. I've had various Boss pedals over the course of 30 years and I have never, ever, not once had one that failed or malfunctioned. I wanted a cheaper alternative but what made me commit to this pedal, once again, was it's true bypass/buffer capabilities. I'm using this one differently than I've customarily have used them in the past. This is to be used in a pedalboard dedicated to an electrified Kalimba (pictured below). I'll be wiring it up soon. The Boss is the ONLY new pedal that will be on that board. All that are there now I've had sitting for years and decided to put them to use.Christopher
Perhaps EQ is not the most exciting of pedals compared to other effects, but this really does make an enormous difference to your sound and help you get the best from the rest of your gear. Boost the mids to stand out from bass. Scoop the mids and boost bass/treble to sound like Metallica. Use the independent Level control as an overall volume boost (or limit – but who wants that?!) Extremely easy to set up and configure, in Boss's usual bullet-proof format. Highly recommended.Steve M.
Brilliant on-the-spot tone-shaping tool. Opens up virtually infinite sound possibilities, very handy when stacking overdrives with some or a lot of overlap in their tonal voicings. Also great for approximating the tones of completely different styles of pickups. Small adjustments tend to work best, a subtle nudge of the slider in the problematic frequency band is often all you need. Equally, you can throw that out and morph the tonal profile to something incredibly different. After my tuner it's hands-down the most indispensable pedal on my board. Allows me to shape the one tone control on the Pro Junior IV into even more harmonic/percussive/airy/creamy/bell-like territory. Been guitaring more or less 20 years now and i could probably count on one hand the amount of reviews I've been compelled to write, if that's an indicator of how game-changing the GE-7 has been to the fundamental way in which i dial in a tone.Mark
4. L.r. Baggs Venue Di Acoustic Guitar Preamp
Product Details:
The l.r. baggs venue di is a direct box that is musical sounding, extremely rugged and feature-packed. the l.r. baggs venue di will redefine the meaning of hi-fidelity stage di boxes. the venue di is designed with 100% discrete circuitry for the cleanest and sweetest sound possible and also features a transformer couple di for total ground loop elimination and a new chromatic tuner in an attractive and bulletproof foot pedal package. additional features include a 5-band eq with tunable low and hi mid bands, phase inversion, garrett null notch, precision vu meter for accurate gain adjustment, dc input for use without battery and a 4-segment battery check gauge. it has never been easier to get a great sounding plugged-in sound from your acoustic guitar than with the venue di.
Specifications:
| Power Source | Battery |
| Voltage | 9 V |
| Number of Bands | 5 |
| Indicator Type | LED |
Reviews:
I bought this used through Guitar Center to boost the output of my Eastman 815 acoustic-electric mandolin, which has an internal microphone but was too quiet. I'm a hobbyist but play in worship settings. I was able to EQ the output to sound like the natural mandolin tone and to boost the volume which was important to me, since, on occasion, I play outdoors or in a large church sanctuary. The tuner is a great asset, making clip-on tuners unnecessary. The tone boost gives the mandolin even more volume for those times when you want to play a solo. The unit runs on a 9V battery or a 9v DC adapter. I happened to own already own a 9v DC adapter, and it gave the unit much more power than the battery, which was great. I definitely recommend getting a 9v DC adapter. This was a good buy!Jamie
From the very first moment I plugged in both my Martin D42 guitar with it's Fishman pickup and my five string Stelling Banjo with the KAVANJO pickup system to their respective LR baggs Venue DI preamp's a smile lit up on my face. The sound, the controlled sound, the natural sound that came out of each device was absolutely wonderful. I would have to say that my banjo sounded incredibly smooth… And the guitar tone was the best I've ever gotten from my Martin D 42. It was a pleasure to listen as a strummed or finger picked each instrument. And you could tell that the audience was listening intently… There was no distortion whatsoever. And I've really just started using the device, and haven't fully dialed in the potential. I'd also read a lot about the tuner not being accurate… Well I have two Petersen tuners… Clamp-ons … one on each instrument and I double checked it with the baggs built-in tuner… And so far it has been spot on. The boost switch is fantastic and the mute couldn't be better. I am completely satisfied and delighted that I purchased one LR Baggs Venue DI for each instrument.
I've got 2 LR Baggs Para DI's and have been wanting to try out the Venue DI. I have a Taylor 814 V Deluxe, Taylor 614 and a Taylor 354. I always bring at least one of the 6 strings and the 12 string when I play. All 3 guitars have different tonal qualities, so I wanted separate DI's with EQing abilities for each. The Paras do very well, but I found the Venue to be quicker to dial in a great acoustic tone and it sounds more transparent to me. I love the boost function too!!! Very well built! Like others who have reviewed, the tuner is slow to respond at times and phantom power would have been nice – otherwise this is a 5-plus stars.
5. Behringer Eq700 7-Band Graphic Equalizer Pedal
Product Details:
This pedal is in overall excellent condition. the electronics all function properly and quietly. the case has very minor scuffs from being played. please reference the photos for physical condition, as they are part of the item description. with 15 db of available boost or cut per band, the eq700 s seven frequency bands were carefully optimized to provide the ultimate tools for eq ing your guitar. of course, to make full use of the eq700 s capabilities, it helps to first understand some basics about the frequency range of your axe. the eq700 covers the audio spectrum from below 100 hz to over 6.4 khz, allowing you to effectively cut or boost a slew of frequencies to help bring focus to your sound. special attention has been paid to the critical midrange frequencies, which can easily make or break your tone. the following section offers tips that will have you sculpting the perfect guitar sound in no time at all.
Specifications:
| Indicator Type | LED |
| Number of Frequency Bands | 7 |
| Width | 2.1" |
| Height | 4.8" |
| Depth | 2.8" |
Reviews:
Bought this equalizer as an experiment to use between my behringer mini mixer and powered monitors. Monitors have no tone control, just volume and sounded a bit harsh in the mid frequencies. Was able to dial in a nice warm tone using this equalizer. No noise. No rack mounted eq to haul around. It was a win win. Perfect for sweetening up a small PA system. Will also use at some point on guitar and electric piano. Although the case is plastic and not metal, the device seems fairly solidly constructed. Have been using with a 9v battery with no issues. Would recommend this product. Very satisfied.wheezersguitars
I've been playing guitar for several decades, mostly acoustic. I purchased this several weeks ago to add tone shaping through the effects loop of an Orange Micro Dark at home. The equalizer has been great for this application. The 7 sliders provide a near infinite amount of adjustment, allowing you to experiment and fine tune your tone. In addition, it is extremely quiet. The pedal feels heavy enough, but is made of (seemingly tough) plastic. The sliders are effective but I'm not convinced of their ruggedness through live gigs. This is my first Behringer product so have no first hand experience with long term reliability. I am very happy with this equalizer and for the price wonder why I hadn't added it long ago – it really is much more effective than few tone control knobs.C-ville Brent
This is a nice EQ pedal. It worked just fine and was 100% functional when I bought it new. The pedal is relatively quiet when pushing the front end of my Carvin low-gain amp. In the front of my Marshall however it was a little too noisy. The EQ parameters were quite usable and did a nice job shaping my tone. The gain function was less usable, again because of the added noise (hiss). This noise was apparent using the battery or a 9v adapter. The quality of the pedal is fine, but its 100% made of plastic. I had no usability problems with it, but you should be aware that it is in fact all plastic. Overall its worth 4 stars because for $25 its a great deal. However I spent a little more on a used MXR 10-band w a 18 volt power supply that is much more quiet when pushing my Marshall. If you want some EQ shaping and don't want to drop a lot of money, this pedal is probably your best bet. You have to spend about four times as much (or more) to get higher quality, and you have to decide whether that higher quality is worth four times the price.derald75
6. Fishman Platinum Pro Eq/di Analog Preamp
Product Details:
Intended for acoustic guitar, bass, or any other acoustic instrument with a pickup and a 1/4" output, the fishman platinum pro eq is a preamp and di boasting an analog signal path, onboard compression, and a variety of tone-shaping options. connections are possible via 1/4" input and 1/4" output jacks, though there's also an xlr di for feeding audio straight to the house's pa, mixer, or a recording interface. this output is pre-/post-eq switchable, meaning you can route a tonally shaped or unprocessed signal through this section of the preamp. also provided are 1/4" send and return jacks for patching in external devices to further enhance and affect your overall sound. the preamp itself utilizes a high-headroom class-a design, with a 5-band eq section that can be voiced separately, by means of a switch for bass or guitar. an integrated compressor allows you to level your signal, the effects of which can result in more sustain and a more even tone on stage. a phase switch, combined with a notch filter with a sweepable frequency, aids you in the never-ending battle against feedback in live scenarios. a built-in tuner, accurate to 0.5 cents, can be switched on to help you quickly check your tuning or re-tune between songs. to add a little more volume for solos or other stand-out sections, a boost footswitch has been provided, its level of gain adjustable by means of a pot located on the side of the unit. here you'll also find an input trim pot to better attenuate your pickups to the signal path provided by the platinum pro. the pedal can be powered with a 9v battery, or with an optional power supply.
Specifications:
| Material | Platinum |
| Number of EQ Bands | 5 |
| Power Source | Battery |
| Voltage | 9 v |
| Input Port Size | 1/4" |
Reviews:
Overall: I use this with electric guitar right at the front of the chain and I had become invaluable to my clean tone. The compressor, tuner, and low cut filter would be enough to satisfy most, but the EQ is well calibrated, the parametric mid knob is incredibly useful, and the boost gives plenty of extra clean volume. For me it provides the perfect foundation to my effects rig, but as a solo acoustic performer I could leave the other effects behind, I’m totally covered.Jacob
After doing much research on what would work best for my eclectic needs, I decided the Platinum Pro EQ/DI was going to be my best bet. I use mine with acoustic lap steels with L.R. Baggs M1A pickups and a Strat with a passive Graphtech Ghost system. I have a Vox passive volume pedal, a Boss TR-2 Tremolo, and a Line 6 Verbzilla in the effects loop. The main selling points for me were 1) the super high 10M ohm input impedance as I use a passive piezo with it, 2) the on board compressor, 3) the variable high pass filter (as opposed to just a fixed setting), and 4) the on board tuner. With minor tweaks to the input trim, pretty much any pickup system is going to work with this pre-amp. The on-board compressor sounds much better for acoustic than a typical electric guitar compressor (to my ears) as it doesn't clip or "squish" as much; it sounds very natural and improves string balance and sustain. The footswitchable boost is useful for balancing between different guitars on the fly, but I like to leave it on at the lowest setting (+3db) because 1) I get a indicator that the unit has power as there is no power LED and 2) the boost is before the effects loop so it drives the pedal chain better, like an amp's effects loop would. The tuner is accurate and flexible as it has several modes, but it will forever stay set to A=440 and chromatic for my uses, anyway. The LCD backlight could be a little brighter for outdoor use, but I'm used to using Boss TU-3's on my other pedal boards with their brightness cranked up. My only other gripe is that the master volume does not control the XLR output, but I understand that they do that so if you were running the amp output to a stage amp it wouldn't affect the DI signal. That said, I plug mine into a QSC K10 via the XLR out, but that's why I have the volume pedal in the effects loop as none of my guitars have an easily accessible volume control, anyway. The tuner still mutes the DI signal, however, which is useful. Great pre-amp!Platinum Pro User
I've quickly incorporated the Platinum Pro EQ into my acoustic guitar signal chain. It took a few gigs to dial in the settings that I want, but it's super easy to use and sounds great! Haven't played a show with a proper FOH engineer, but I look forward to sending him or her the DI signal from the unit. Only drawback is that the tuner is pretty difficult to see when playing an outdoor gig in any kind of direct sunlight. This is true for most electronics, so no surprise there.Jesse D.
7. Boss Eq-200 Graphic Equalizer Effects Pedal
Product Details:
Simply sophisticated with the 200 series, boss introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. all 200 series pedals feature premium audio quality with 32-bit ad/da, 32-bit internal processing, and 96 khz sampling rate, as well as support for additional control via external switches, an expression pedal, or midi. the eq-200 is the most flexible compact eq ever created for guitar and bass. it features two wide-ranging 10-band eq channels, plus an onboard graphic display that shows the current eq curve at a glance. selectable signal flow structures configure the channels for stereo, parallel, or series operation, and it’s even possible to patch in external pedals for deep pre/post tone shaping. going further, the frequency centers of all 10 bands can be set to three different types, letting you optimize the eq-200’s performance for different instruments.
Specifications:
| Product Type | Equalizer pedal |
| Height | 2.37” |
| Width | 4” |
| Depth | 5.43” |
| Weight | 1 lb 7 oz |
Reviews:
After long research and a round of tips from pros, I decided an EQ could help me refining the tones and finding the "sweet spot" for my rig. This unit has several advantages over the alternatives, mostly the number of frequency sliders and the 4 slot memory (+ the manual, which allows for 5 EQ setups to be reached quickly). It responds perfectly, to every slight change. The LCD screen shows the curve interactively, which is very helpful for the configuration. The main use I will initially have for it includes: tweaking the sound of humbuckers (to single coilish) an P90s. To play around, basically… As a booster, with a memory patch adjusted for that purpose. Lastly, it is not exclusive for guitar, as the the spectrum includes lower and higher cuts. So it is a good tool for recording other instruments as bass or piano, and I reckon It could be handy to experiment with voice recording as well.
8. Boss Ge-7 Equalizer
Product Details:
The boss ge-7 equalizer guitar effects pedal is a versatile and classic boss product that provides you with excellent control over your tone, featuring a 7-band slider eq to offer precise adjustments to a wide frequency range, from 100hz to 6.4khz. each band can be boosted or cut up to 15db, letting you find the sweet spot of your setup in any location, so you can find your own unique voice. experiment with the ge-7's controls to give your sound a unique twist, or as a simple way to boost your sound during solos. with its compact design, extensive controls, and durable construction, the boss ge-7 equalizer is the perfect tool for any player wanting to exercise absolute control over their tone. this extremely handy device can be used to simply boost the sound of your rig, or re-define it completely – elevating your style with innovative flair within every performance.
Specifications:
Reviews:
They have gotten expensive over the years (along with everything else) but it's history and reputation speaks for itself. I've had various Boss pedals over the course of 30 years and I have never, ever, not once had one that failed or malfunctioned. I wanted a cheaper alternative but what made me commit to this pedal, once again, was it's true bypass/buffer capabilities. I'm using this one differently than I've customarily have used them in the past. This is to be used in a pedalboard dedicated to an electrified Kalimba (pictured below). I'll be wiring it up soon. The Boss is the ONLY new pedal that will be on that board. All that are there now I've had sitting for years and decided to put them to use.Christopher
Perhaps EQ is not the most exciting of pedals compared to other effects, but this really does make an enormous difference to your sound and help you get the best from the rest of your gear. Boost the mids to stand out from bass. Scoop the mids and boost bass/treble to sound like Metallica. Use the independent Level control as an overall volume boost (or limit – but who wants that?!) Extremely easy to set up and configure, in Boss's usual bullet-proof format. Highly recommended.Steve M.
Brilliant on-the-spot tone-shaping tool. Opens up virtually infinite sound possibilities, very handy when stacking overdrives with some or a lot of overlap in their tonal voicings. Also great for approximating the tones of completely different styles of pickups. Small adjustments tend to work best, a subtle nudge of the slider in the problematic frequency band is often all you need. Equally, you can throw that out and morph the tonal profile to something incredibly different. After my tuner it's hands-down the most indispensable pedal on my board. Allows me to shape the one tone control on the Pro Junior IV into even more harmonic/percussive/airy/creamy/bell-like territory. Been guitaring more or less 20 years now and i could probably count on one hand the amount of reviews I've been compelled to write, if that's an indicator of how game-changing the GE-7 has been to the fundamental way in which i dial in a tone.Mark
9. Trace Elliot Transit A Acoustic Preamp & Effects Pedal
Product Details:
This is the perfect pedal for any acoustic player. featuring all of the most commonly used effects, the transit a puts complete control at your feet. the built-in effects are reverb, delay, chorus, and boost. each effect can be turned on and off independently using their own dedicated footswitch. each effects section has its own controls. other features important to acoustic players are the eq and tone-shaping. the transit a delivers on this front with a phase switch, a pre-shape switch, and a piezo switch. also built in is a chromatic tuner. for quiet rehearsal, there is a headphones output. if you'd like to play with backing tracks, there is an auxiliary input. finally, with pre and post balanced xlr outputs, which include a ground lift, the transit a works perfectly as a di box.
Specifications:
| Width | 12.3" W |
| Depth | 4.5" D |
| Height | 2.3" H |
| Weight | 2.6 lbs |
| Number of Equalizer Controls | 3 |
Reviews:
Overall: I was looking for something that would give me compact unit that would leave me prepared for any eventuality.This box with its outstanding effects for acoustic, and great options for output, leaves me feeling prepared for any eventuality. No direct box needed!Its very small footprint gives me a lot of functionality in a very small space, without chincing on quality. IT feels durable and substantial without being a tank.My Taylor K14C sounds awesome through it!Its hard to comment on customer service when you have had no need to contact the Mnfg. so don;t consider my rating on that since I cant really commentJoseph
I love this thing! Pairs well with my Taylor 110. The preamp is responsive, the boost is a nice touch, and the chorus and reverb are lush. Tap tempo delay is great. I will use this weekly for worship guitar at church. My only bone to pick was the power adapter was bad right out of the box. I had another so it worked out, but still. Great unit and you definitely get what you pay for.Imnotluckyjustsaved
I play mandolin and guitar in the church band and I have long since found that going direct through the P.A. system is the most efficient and quickest way to get a fidelity acoustic tone into the mix. The great thing about the Trace Elliot is that it is a quality direct box with XLR outputs with quality effects. I love the simplicity of the controls which allows me to individually dial in the effects such as reverb, delay, chorus, and, since I often take solos, a dedicated boost stomp for the extra punch I need for taking the lead with distinction. The simplicity of the controls allows me to make individual tweaks right on stage, unlike my Zoom A3, which has to go through several computer digitized manipulations, and actually requires pre-programmed patches. The Trace Elliot eliminates the digital windows through plain straightforward simplicity.randalcummings
10. Source Audio – Eq2 Programmable Equalizer
Product Details:
Digital eq pedal. 4 saveable preset. db 18 boost and cut. auto scroll for tremolo type effects. durable true bypass construction. the sauce audio sa170 is a very diverse eq pedal. as you'd expect you can adjust the eq range db for the bands. however it also is midi controllable, has 12db of clean boost and has a scroll function to cycle through your settings. each turn of the central knob will give you 1db. so don't worry – even though there are 5 lights representing the eq band on the image, you can adjust within this range aided by a darkening / lightening led. save your setting in one of 4 slots for easy use.
Specifications:
| Number of Pins | 5 |
| Connector Type | USB |
| Jack Size | 3.5 mm |
| Gain | 12 dB |
| Number of Frequency Bands | 10 |
Reviews:
Bass player. I'm in a cover band and use 3 different basses with different tunings. I used the eq2 as a gain level for each bass. Nice consistant levels. Had my first gig with it and it worked flawlessly. I haven't had a chance to dive deep into it. Not sure I really need to yet. Yes I would buy again.Kevin
A scalpel for tone tweaking with the ease of midi triggering.Reviewed by Andertons Music Co.
Great swiss army knife type pedal thats easy to use, solid construction and excellent functionality. Awesomeness!!!bmima
11. Mooer Tone Capture Gtr Pedal
Product Details:
Mooer tone capture gtr – guitar tone capture tool / sampler / eq the tone capture gtr pedal is based on mooer's unique, non-linear ir technology 'tone capture'. with this pedal you can capture and emulate the tonal character and sound of any guitar by sensing the unique sonic characteristics of the instrument. this is accomplished by comparing the differences between the guitar you want to use ('source') and the guitar you want to sound like ('target'). then a complex calculation follows and an 'incredibly' accurate digital replica of the 'target' guitar sound and character is born. the days of lugging around multiple guitars are over. the tone capture guitar pedal offers you a variety of guitar sounds without having to carry multiple guitars. do you only need your acoustic guitar for an intro in a set? you don't want to take your vintage strat with you to the gig? no problem! you can test the unique sound quality of each of your guitars at home and take them with you anywhere.
Specifications:
| Input | 1/4" mono jack (impedance 2.2M Ohms) |
| Output | 1/4" mono jack (impedance 100Ohms) |
| Current Draw | 150mA |
| Dimensions | 93.5mm(D) x 42mm(W) x 52mm(H) |
Reviews:
The results were surprisingly good, after using some acoustic guitars as my samples and then using a cheap single coil guitar to recreate them. It even captured a passable sitar sound. I'm going to build up a good selection of various guitar samples for future use. All in all I'm very pleased with this versatile pedal, it was well worth buying and it's so useful.Reviewed by Andertons Music Co.
You can certainly change between generic guitar sounds easily. A start will not sound exactly like a les paul but certainly gets in the ball park and captured tone can be tweaked with the excellent tone controls before saving. Only down side is its not easy to change between the 7 patches while its on the floorReviewed by Andertons Music Co.
In eerste instantie was ik onder de indruk van dit apparaatje. Ideaal natuurlijk om met een pedaal zeven gitaren na te kunnen apen. Maar nu ik het ding een paar weken in huis heb, maak ik er steeds minder gebruik van. Het begint steeds meer tegen te vallen. Bedieningsgemak en afwerking zijn prima. Lekker klein=ideaal. Het capturen van een Les Paul met als target een Strat is wel oké. Je krijgt een veel zwaarder geluid dan met de standaard-Fender. Maar de sustain komt niet in de buurt van die van een echte Les Paul. Een Lucille-capture is al veel beter. Met een elektrische gitaar een akoestische capturen is gewoon niet oké. Ook een jazz-gitaar via een Strat valt tegen. Kortom: aardig, maar het geluid is meestal niet meer dan oké. Aardig voor erbij, maar een echte gitaar is veel beter dan een cap t ure
12. Mxr M109 6 Band Graphic Eq *
Product Details:
Mxr m109 6-band graphic eq authorized dealer!! make your guitar sound wicked with the mxr 6b equalizer. this dunlop m109 equalizer gives you the ability to reshape the sound of your guitar and make it sound the way you want it to. the six bands available on this dunlop guitar pedal cover the essential guitar and bass frequencies to give you complete control. this dunlop m109 equalizer can exponentially improve the range of sound produced by your guitar and take your talent to new heights. with this dunlop guitar pedal, the output will be transformed into a more warm and natural sound that will win the hearts of listeners. the mxr 6b equalizer gives you flexible options to tinker with sound effects and eliminate onstage feedback or boost signal.
Specifications:
| Finish | Black |
| Year | 2000s |
| Made In | United States |
| Pedal Format | Standard |
Reviews:
Good tool to sculpt tone preamp or post amp in the effects loop. Don't expect extreme adjustments but small ones from these type of pedals. People think you can plug in a pedal and it's going to instantly change a tone but from my experience most never work like that. Mxr is a good brand with well made products, you get what you pay for.bmo37
This is the perfect size eq pedal for my application. I recently purchased a small Bad Cat cougar 5-watt tube amp with 3- very basic controls: volume-master-tone which works fine…but it has a Nice effects loop….so I put this very road worthy Mxr m109 6- band eq in the loop. Wow…what a upgrade. This really let's me find the sweet spots with my single coil and bucker equipped guitars….great job mxr….also gets the Celestion vintage 30 growling easier at friendly levels. Perfect. For a 6- band eq pedal I was very happy with the results for the slider frequencies… Built solid. A keeper.jammin_joemusic
13. Grace Design Alix Acoustic Instrument Preamp/eq/di/boost Pedal – Black
Product Details:
The black alix from grace is a single-channel preamp, eq, di, and boost pedal designed to bring studio-quality sound to the stage for acoustic string instruments with pickups, such as guitar, bass, banjo, and more. housed in a lightweight and roadworthy chassis with clearly marked controls for visibility, even in dark environments, it is portable enough to throw in your bag or strap to your pedalboard. the unit features a power supply and grounding circuit designed for a quiet signal path and professional-grade headroom & line-driving ability. the instrument input is equipped with a three-position impedance switch to match the requirements of specific pickup systems. phantom power (12v) is available in line-input mode to power electret and lavalier mics. the eq section allows for simple and intuitive tone shaping. the high-pass filter cuts 12 db per octave from 20 hz to 1 khz, and can also be set as a notch filter for eliminating problem feedback or rumble areas. high- and low-frequency shelving let you add bite to your instrument or push the bass. the boost switch activates up to 10 db of variable gain to provide a clean and distortion-free level increase to every output. the dedicated, level-controlled amplifier output can be used to drive a stage amp or personal monitor, while the isolated di output (with custom-wound transformer) delivers a clear signal with natural bass response and low noise. other features include a mute/tune foot switch for muting all outputs except the dedicated tuner out, a 9 vdc pedal-power-output jack so you can power your tuner and effects right from the unit, and a set of dip switches to let you customize eq & activate phantom power. the alix is designed and built in the usa.
Specifications:
| Weight | 10 lb |
Reviews:
I'm a jazz guitarist playing an 8-string classical guitar that goes higher and lower than a regular guitar. It has a K & K pickup and I my amp is a JBL EON powered speaker, which, for this instrument sounds better than any jazz guitar amp. I have used the Zoom A-3 preamp as well as an L.R. Baggs Venue DI. They are both very good but I'd say the Grace Alix is the best I've found. It has great features you can read about but I must say that the sound of my guitar with the EQ set flat is strong, clear and simply amazing! It's very well thought out. Worth the price.8-String Fred
14. Tomsline Aas-3 Ac Stage Acoustic Guitar Simulator Pedal
Product Details:
Tomsline ac stage mini effects pedal acoustic guitar simulator volume, body and top control 3 options of piezo, standard and jumbo true bypass power supply: dc 9v adapter (not included) acoustic guitar simulator pedal. volume, body and top control. 3 options of piezo, standard and jumbo. true bypass.
Specifications:
| Finish | Yellow |
| Year | 2010s |
Reviews:
Great pedal that does what it says on the tingibsongroover
15. Maxon Ge601 Graphic Equalizer Pedal
Product Details:
The maxon ge601 graphic equalizer is the perfect tool for dialing in guitar tone. the six bands are set with slide potentiometers offering precision controls with a visual representation of the sound spectrum. each band can both cut and boost sound for a variety of tonal shaping effects as well as frequency specific boost effects. features six-band graphic eq with an overall level volume capable of producing various sounds bands cover 100hz to 3.2khz for effective tone shaping with guitars each band can cut or boost providing a variety of uses led indicator for effect on/off dc power or 9v battery made in japan
Specifications:
| Finish | Blue |
| Year | 2022 |
| Made In | Japan |
Reviews:
Lovely delicate but soft sound! Excellent adjustment! Highly recommend!german-pro
The best thing about this pedal is that is a low noise eq. Try itpremiata_99
16. Tc Helicon Play Acoustic Vocal Effects Processor
Product Details:
Heavy production has never been more popular, but then again, neither has the singer and the song. acoustic guitar and vocal presentation is like walking without a net, your music presented in its most exposed format, and your audience appreciates that. the natural companion for any modern singer-songwriter, tc helicon's play acoustic combines all the things you need to make a live acoustic performance shine; lavish vocal sounds, perfect backing harmonies, best-selling guitar fx, and unique processing that makes your six-string sing – in perfect harmony with your voice.
Specifications:
| Product Type | Effects processor |
| Height | 1.8" |
| Depth | 6.1" |
| Width | 7.9" |
| Weight | 2.2 lbs |
Reviews:
This pedal arrived with me last Friday, I was really keen to use it having seen the demos online, the following 2 days turned our to be the most frustrating of my life. I suspect the demo people are given a fully programmed device to portray a seeming ease of use. In reality after 2 days of struggling with sluggish and in some cases non responsive buttons and really poor tutorial, even with the help of online programmes, I was not able to store a single usable setting. Now it may be that I was supplied with a faulty unit or the pedal requires far more time and patience than I can throw at it. In a performance environment, utmost simplicity is key and I feel this unit is not that simple, or as I said earlier. could be defective. In either case it isn't for me and the end result is a return for refund or exchange for a different brand. If some-one could mail me in this regard as soon as possible I would be very grateful. kind regards Chris
I like the sound of my guitar live…
The likes stop there… the vocal processor is extremely subpar for a unit costing this much.
The looper, even with updated firmware, is way to short to use practically…I use my 75.00 dollar pedal with 3 hrs of loop time. The volume on mine does wonky things, starts out pretty good…then jumps loud…tried it in recording situation….good god no….sounds like a diesel truck… worth about 1/4 the cost….scott monthony
The likes stop there… the vocal processor is extremely subpar for a unit costing this much.
The looper, even with updated firmware, is way to short to use practically…I use my 75.00 dollar pedal with 3 hrs of loop time. The volume on mine does wonky things, starts out pretty good…then jumps loud…tried it in recording situation….good god no….sounds like a diesel truck… worth about 1/4 the cost….scott monthony
It has been really fun to try the different presets. The harmonies are very nice and clean. To my ear they sound great. I haven't played a gig with it yet….so we will see. There are some basic things that I wish i had known about the interface. Some fundamental orientation videos would be good. I had the most basic problem with not understanding that the buttons were so sensitive. It is almost comical! I would PRESS the button and nothing would happen! But i finally discovered just to TAP the button and everything worked fine. Seriously. Holding the button firmly down did nothing. Just tapping it though… .and it worked as it should. 🙂 Really weird to me! But overall, I think the guitar effects and voice are very good. i'll enjoy this thing I am sure.mhs9417
17. Boss Ge-7, Graphic Equalizer Pedal
Product Details:
How many of us have seven bands? that's a lot of bands. maybe too many. but, boss's ge-7 equalizer pedal really does have seven bands, and that's a very good thing. this little pedalboard-friendly number works perfectly for guitarists. you can shape your sound just the way you want it. or, you can use the ge-7's signal-boosting capabilities to give your solos a little extra juice. or, you can go to extremes and dial in a really whacked-out eq curve for that dramatic part of the song. you see the ge-7 in pro guitar rigs everywhere, and for good reason. it flat-out works. and, it's built to last.
Specifications:
| Purchase protection | Bonanza Buyer Protection Pledge |
| Catalog info | Boss Guitar Pedal |
| To Fit | Acoustic Electric Guitar |
| Product Dimensions | 6 x 3 x 5 inches |
| Batteries | 1 9V batteries required. (included) |
| Is Discontinued By Manufacturer | No |
| Color Name | MultiColored |
| Battery type | Alkaline |
| Style | Pedal |
| Item Dimensions LxWxH | 6 x 3 x 5 inches |
Reviews:
They have gotten expensive over the years (along with everything else) but it's history and reputation speaks for itself. I've had various Boss pedals over the course of 30 years and I have never, ever, not once had one that failed or malfunctioned. I wanted a cheaper alternative but what made me commit to this pedal, once again, was it's true bypass/buffer capabilities. I'm using this one differently than I've customarily have used them in the past. This is to be used in a pedalboard dedicated to an electrified Kalimba (pictured below). I'll be wiring it up soon. The Boss is the ONLY new pedal that will be on that board. All that are there now I've had sitting for years and decided to put them to use.Christopher
Perhaps EQ is not the most exciting of pedals compared to other effects, but this really does make an enormous difference to your sound and help you get the best from the rest of your gear. Boost the mids to stand out from bass. Scoop the mids and boost bass/treble to sound like Metallica. Use the independent Level control as an overall volume boost (or limit – but who wants that?!) Extremely easy to set up and configure, in Boss's usual bullet-proof format. Highly recommended.Steve M.
Brilliant on-the-spot tone-shaping tool. Opens up virtually infinite sound possibilities, very handy when stacking overdrives with some or a lot of overlap in their tonal voicings. Also great for approximating the tones of completely different styles of pickups. Small adjustments tend to work best, a subtle nudge of the slider in the problematic frequency band is often all you need. Equally, you can throw that out and morph the tonal profile to something incredibly different. After my tuner it's hands-down the most indispensable pedal on my board. Allows me to shape the one tone control on the Pro Junior IV into even more harmonic/percussive/airy/creamy/bell-like territory. Been guitaring more or less 20 years now and i could probably count on one hand the amount of reviews I've been compelled to write, if that's an indicator of how game-changing the GE-7 has been to the fundamental way in which i dial in a tone.Mark
18. Tech 21 Q-Strip Eq And Preamp Pedal
Product Details:
The ‘60s and ‘70s are widely recognized as the heyday for professional recording console design. the eq and preamp sections of these near-mythical vintage consoles are highly sought after, even to this day. some of the most iconic guitar and bass tones in the history of recorded audio were tracked “direct” straight into these consoles' channel strips. the q\strip was designed with sophisticated features that enable you to take these highly-coveted tone shaping circuits with you, whether you're heading to a live gig or tracking in the studio or into your daw. it's compact, extremely cost-effective and in an ultra-convenient di format. the 100% analog mosfet circuitry in the heart of the q\strip provides the warmth, girth and larger-than-life tones for which vintage consoles are revered. add in four bands of pro-audio-quality equalization, two parametric mid bands, as well as high and low shelving filters, and you have incredible control over how your instrument cuts through on stage or in a mix. the hpf and lpf give added control over the frequency spectrum whether you're going direct with your bass, guitar, fiddle—or even a vocal. the q\strip is limited only by how far you are willing to push your creativity and how much of that juicy vintage tone you crave.
Specifications:
Reviews:
Wunderbar für feines Soundshaping gemacht, das eventuell leichte Unzufriedenheiten geraderückt was Gitarren und Amps angeht. Ich hätte mir gewünscht dass es einen regelbaren Highpass und Lowpass gibt und eventuell eine etwas bessere optische Kontrolle der kleinen schwarze Knöppe. Es ist leider relativ teuer.
I use this as a preamp for my Telecaster into a high powered steel guitar amp. The pedal steel amp which can be a little sterile with the 2nd instrument. The Q-Strip sounds great for the Tele. Some knowledge of parametric EQ is a good ideal. Prefect for picky tone snobs! LOL I play loud clean country style leads.Steely Ken
19. Zoom Ac-3 Acoustic Creator, Acoustic Di With Tone Restoration, Acoustic Modeling, 9 Effects, Compression, Tuner, Reverb, Eq, And Anti-Feedback
Product Details:
Elevate your sound with the zoom ac-3 acoustic creator. it allows you to produce natural guitar tone by restoring tone lost through acoustic pickups so your music always comes through with rich, true-to-the-instrument, resonance. it also features an effects generator, high-quality preamp, and 3-band eq for an all-in-one acoustic toolkit.
Specifications:
Reviews:
Excellent acoustic sounds can result using this Zoom AC3. I plan to use it more for recording than live gigs. For live gigs, although the acoustic sound doesn't have the same perfection as the AC3, I find that the Zoom A2 is the most convenient for the various pre-set sounds that I tend to use. Notwithstanding, both processors are excellent.Reviewed by Andertons Music Co.
I’ve been searching for multi effects/DI pedal to compliment my Weissenborn style acoustic guitar. My sound hole passive pickup does a great job except for a somewhat weak output. Enter The Zoom AC-3 to the rescue. Now I have output headroom to spare. Everything about it is top shelf. Extremely flexible effects (kudos to ZOOM for using knobs rather than menu driven). And, it’s build quality is terrific. Very solid unit. I’m very glad I decided to try the ZOOM AC-3. BTW, the AMS payment options are unbeatable!SC n NC
I needed a DI box that could also boost the signal to the PA for solos and the Zoom does that well; the stage tuner is helpful, though I still use headstock tuners from habit and have accidentally muted my guitar stepping on the tuner switch when I wanted the boost switch. Providing presets for guitar body style should be useful, but once an effect is chosen I'll likely stick with it and use the equalizer knobs instead. Rarely use reverb playing with other instruments through the PA. The anti-feedback function and lift button haven't been needed though that was a big problem with my old DI box. Not using batteries, but two AA ones probably wouldn't last long.Mike
20. L.r. Baggs Voiceprint Di Acoustic Guitar Impulse Response Effects Pedal
Product Details:
Lr baggs soundscape the product of nearly 3 years of intensive research and collaboration with a team of phds, lr baggs is thrilled to introduce voiceprint di, the next breakthrough chapter in acoustic amplification. voiceprint di measures the acoustic response of your guitar by leveraging the processing power of your iphone to accurately capture your guitar s one-of-a-kind voice.
Specifications:
| Product Dimensions | 7.87 x 6.3 x 3.15 inches |
| Hardware Interface | Micro USB Type B, Bluetooth |
| Signal Format | Analog |
| Voltage | 9 Volts |
Reviews:
I looked everywhere for an amp, pedal, anything to make my acoustic sound natural. Finally LRBaggs did it with this pedal. I can't express enough if you play acoustic guitar you need this voice print di. I use mine straight to the mixer with the handy XLR out it has. The anti feedback works great, seems to take some of the thickness away though, but I probably just don't know how to fix it yet. I paid 400. Worth every penny.Craig W.
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