Are you looking for the Bass Guitar Amplifier Heads? If so, you’ve come to the right place.
Choosing the Bass Guitar Amplifier Heads can be difficult as there are so many considerations, such as Marshall, Fender, Peavey, Ampeg, Laney, MESA/Boogie, Markbass. We have done a lot of research to find the top 20 Bass Guitar Amplifier Heads available.
The average cost is $457.99. Sold comparable range in price from a low of $100.99 to a high of $1499.99.
Based on the research we did, we think TC Electronic BAM200 – 200 Watt Bass Amp Head is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Bass Guitar Amplifier Heads (20 Sellers)
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$143.00
4.8
Reviewers Noted:
Powerful . Lightweight . Quality build . Easy to use . Portable
Features:
- 200 watt portable micro bass head amplifier for stage and studio
- Ultra-compact and lightweight design for ultimate portability
- Cutting-edge class-d amplifier technology for incredible power and sonic performance
Reviewers Noted:
Easy to use . Powerful . Good sound quality . Heavy . Quality build
Features:
- Dual parallel mode offers 2 x 225 watts at 8 ohms, 2 x 320 watts at 4 ohms, 2 x 545 watts at 2 ohms
- Bridge mode offers 750 watts at 8 ohms, 1,100 watts at 4 ohms
- Classic 12ax7 class a tube preamp circuit
$250.00
4.8
Reviewers Noted:
Powerful . Quality build . Sound quality . Ease of use . Weight
Features:
- Rear-mounted rehearsal inputs for mp3 player or computer via supplied mini-jack-to-rca adapter
- Headphone amp includes a speaker filter on the bass signal
- Integrated tuner provides full-resolution tuner with light ring to help you tune up quickly and accurately
$100.99
4.7
Reviewers Noted:
Sound quality . Quality build . Ease of use . Power . Portability
Features:
- Amplifier: class a/b
- Volume and gain knobs
- Effects loop
Reviewers Noted:
Easy to use . Good sound quality . Quality build . Powerful . Weight
Features:
- Make sure this fits by entering your model number.
- 500 watts of power 4 ohms.
- Classic 12ax7 high voltage class-a tube preamp circuit.
$379.99
4.6
Reviewers Noted:
Lightweight . Good sound quality . Portable . Attractive . Easy to use
Features:
- 200 w rms at 4 ohms
- Transistor preamp
- Mosfet output stage
Reviewers Noted:
Good sound quality . Ease of use . Portability . Weight
Features:
- 500w continuous power at 4 ohms.
- Class d bass amplifier with a weight of 8 lbs.
- Classic 12ax7 class a preamp circuit.
Reviewers Noted:
Lightweight . Good sound quality . Easy to use . Portable . Powerful
Features:
- Responsive eq
- Natural, uncolored tone with tone knobs set at noon
- Ability to access vintage and modern tones
$249.99
5.0
Reviewers Noted:
Power
Features:
- Combined tube and solid state preamp
- Built in compresser
- 10 band equalizer
$295.00
4.6
Reviewers Noted:
Powerful . Good sound quality . Ease of use . Portability . Visual appeal
Features:
- Ultra-high power, ultra-lightweight 2,000-watt bass amplifier driven by classic mosfet technology
- Revolutionary class-d amplifier technology for incredible power and sonic performance
- High-voltage mosfet preamplifier gives you the sound and feel of an authentic tube amp
$103.99
4.6
Reviewers Noted:
Build quality
Features:
- Pure analog preamp design with super wide tonal range from motown era vintage p-bass low mid thing to modern day super ultra fat low-end stuff
- Max. 20w pure solid state output power sounds and responses like vacuum tubes amp with rich and harmonic tone
- Aux in & phones jack with cab simulator for directly plugging into audio interface or pa system
$699.00
4.7
Reviewers Noted:
Easy to use . Lightweight . Good sound quality . Quality build . Power
Features:
- Built from the ground up
- Ultra-light, ultra-strong
- Real world power at any voltage
$399.99
4.5
Reviewers Noted:
Lightweight . Easy to use . Good sound quality . Visual appeal . Build quality
Features:
- 200w mosfet power section
- Sleek vintage styling of the ampeg svt-vr
- Balanced direct out
$199.00
4.6
Reviewers Noted:
Good sound quality . Portable . Ease of use . Weight
Features:
- Level/bass/mid/high controls
- Reverb effect control
- Pre-amp: solid state
$849.99
4.4
Reviewers Noted:
Lightweight . Powerful . Easy to use . Sound quality . Portable
Features:
- Construcción: class d
- Potencia en 4 ohmios: 800 vatios
- Canales: 1
$329.99
4.6
Reviewers Noted:
Easy to use . Good sound quality . Portable . Lightweight . Powerful
Features:
- Tested and sounds excellent.
- All features work excellent.
- Comes with power chord.
Reviewers Noted:
Powerful . Lightweight . Quality build . Easy to use . Portable
Features:
- 250 watt portable micro bass head amplifier for stage and studio
- Compact and lightweight design for ultimate portability
- Cutting-edge class-d amplifier technology for incredible power and sonic performance
Reviewers Noted:
Quality build . Lightweight . Easy to use . Powerful . Portable
Features:
- Design solid state con finale in classe d.
- Ingressi: 1x strumento (jack 1/4).
- Controlli: switch power + gain + bass + middle + treble + master + ground/lift.
Reviewers Noted:
Good sound quality . Portable . Quality build . Ease of use . Weight
Features:
- Get a deal on a perfect condition amp like new.
- Comes with footsitch.
- Buy with confidence as i baby my gear and have perfect feedback.
Reviewers Noted:
Ease of use . Sound quality . Weight
Features:
- 2-ch tube amplifier head with noise gate
- Speaker-emulated output
- Power reduction circuit
1. Tc Electronic Bam200 – 200 Watt Bass Amp Head
Product Details:
This item was returned in mint condition. it is free of any performance issues, and has no scratches, blemishes, or other cosmetic flaws. the tc electronic bam 200 ultra-compact 200w bass amp head delivers gig-ready power through a head that's made for travel. it features cutting-edge class-d amplifier technology for incredible power and sonic performance via a tc electronic preamplifier design tailored for authentic sound and feel of a tube amp. the balanced di output allows for direct connection to mixing consoles and recording equipment, allowing you to play without a separate speaker cab. and the studio-quality headphone amplifier with speaker emulation is perfect for personal practice and silent rehearsals.
Specifications:
| Product Dimensions | 6.46 x 5.24 x 1.69 inches |
| Country of Origin | China |
| Is Discontinued By Manufacturer | No |
| Output Wattage | 200 Watts |
| Number of Bands | 3 |
Reviews:
Don't buy this amp expecting to gig with it at anything more than very low volume levels. Matched with sensitive speakers and master volume set at full, you might be happy with the volume you can get with maybe an acoustic set. The BAM 200 would be fine for practicing and jamming with a friend in the basement, but add drums and an amped guitarist and I think you will struggle to be heard. It's output sounds closer to 30 or 40 watts RMS, rather than the mystery 200 watts TC Electronics rates this mini. Tone was OK, a little fat if you over do the bass control and the preamp sections seems to overload easily, even with low output basses. I really don't have a good use for it after buying it, but it is easy to transport!airtow
The perfect no frills small unit. Haven't really road tested due to virus shutdowns but home bound sound is fantastic. I originally bought for a backup type amp but am quickly becoming enamored by its tonal qualities. Over the past few years I have been trying to reduce my equipment footprint and lugging around effort. I have another TC Electronics amp (BH250) along with a 2×12 cab and a 2×10 cab. These have been fantastic in small and medium venues – larger venues all seem to have their own sound systems which tap into my setup. Now, with the addition of this unit, I can even run my Rickenbacker in stereo without breaking my back hauling around a lot of equipment. The sound coming out of the BAM is smooth and even. It can get very very thin or very very fat and everything in between controls are solid and even. The only thing I would say that might be missing is an 'auxiliary in' but that can be side stepped with a small mixer. All in all a great buy for a very big sounding little D amp that can almost fit in a jacket pocket.2991tom
I bought this as a backup to the TC 450 and I was blown away by the sound and tone control this little unit has. It was between this for a backup and the Trace Elliot Elf. This unit at he Sweetwater price or an an Elf for $100.00 more. Easy decision to make and the results are amazing. More power than I will ever need. Driving two Hartke HD112 cabinets. Works great!bigmackstrains
2. Hartke Lh1000 Bass Amplifier Head
Product Details:
The hartke lh series bass amplifier with 2 x 320w(4ohms) output power utilizes a class a tube preamp and a straight forward user interface to complement the generous power handing and rugged design that's ideal forgigging musicians. the hartke lh series bass amplifier has a classic 12ax7 class a tube front-end design with a solid-state output. trick out the bass and treble shelving to give its warm tone an edge or use the brite and limiter switches to further sculpt your sound. its intuitive front panel design also makes adjustmentson the fly a breeze. although the hartke lh series bass amplifier is a perfect complement to the hydrive series bass cabinets, it also works as a seamless accompaniment to any bass speaker on the market. obviously a head with this kind of power is perfect for gigging musicians in any number of live applications, which is made sure that the hartke lh series bass amplifier is as durable as it is versatile and powerful. with a 2-rackspace, metal frame chassis, steel faceplate and handles, this amp is made for the road. the hartke lh series bass amplifier's raw, reliable power is also perfect for additional shaping through your effects console or stompbox. with all the necessary features for complete tonal control, along with ample power and rugged design, the lh1000 will ensure your bass playing receives the positive attention it deserves.
Specifications:
| Weight | 37.35 lb |
Reviews:
I've had Hartke amps for a couple of years and been very satisfied with them. I bought the LH1000to replace my two LH500s because of the flexibility it offers. The dual power amps are designed to be bridged together, or used independently. This is useful in my case when I want to use two different impedance cabs, as the blend control lets you use the preamp output evenly or favor one cab over the other. I've had the LH1000 for 3 weeks now, and I couldn't be more satisfied. If you buy one, you won't be disappointed.
Sounds great, very clear/crisp/gritty/etc without sacrificing any low end. This is amp very often marketed and talked about as being crisp and clear with lots of beautiful highs, but I would add I mainly play with flatwounds, and it doesn't leave anything to be desired in terms of body/resonance/fullness etc. Powerful enough to melt faces for small/mid size gigs at 3-4 volume. I'll never have to worry about distorting and pushing my amp to undesireable volumes to keep up with the rest of the band. If it's good enough for victor wooten it's good enough for you! Plus it's quite affordable (realitively speaking)David
First, Im not a musician or a bass player, so if you are looking for a musician kind of review stop reading. Im a sound contractor, and I bought this amp for backline. Why do I pick this amp? Well, the brand is one of the top notch brands around the world. It is still a heavy transformer amp (old kind), that will work with voltages of 95-140v without issues. As a backline this is important to me, You will never know where you will work or how good is the AC voltage at venues. Now digital amps that only weights a few pounds are class D, very efficient and clean sound but they are still vulnerable to voltage peaks due the fragile electronics inside. Dont get me wrong, they are hundreds of bass amps out there, and they could sound better than this old school one, but if you read reviews of users on forums and other sellers, there are almost not bad review of this amp. And other amps (not to mention brands) with class D and lightweight there are a lot of bad reviews that fails on venues (and Im guessing is because the irregular voltage). So I pick this amp because the reliability of it class. About the sound… I have not compared A/B with other comparable amp yet, but man!!! my SVT-810e really kicks hard and sounds unbelievable! I have heard tube amps rated at 400w, and this amp, with the mids (of the built in 3 band eq) almost at top, sounds pretty similar but with more much much punch. Most bass players have their pedals, so I did not need all the bells and whistles that other brands or model offers. Just the basic and ready to go. Hope to be useful for future buyers.Ricardo
3. Tc Electronic Rh450 Bass Amp Head
Product Details:
The tc electronic rh450 bass amp head is the company's first full bass rig. with 450w of class-d power, the rh450 bass amp has the power to run multiple bass speaker cabinets and is especially effective when combined with the rs210 and rs212, the tc electronic rh450 amp can run any combination of up to 3 units. this bass amp head's features include an input that accepts passive or active instruments, 4 semi-parametric tone controls with light rings around each knob that make your settings visible even on dark stages, and with tone centers that can be adjusted. other features include an integrated tuner that is precise and extremely easy to use. 3 user-memory locations let you store your favorite setups. a tubetone circuit affects both the preamp and the output for realistic tube-amp character. spectracomp technology provides multi-band compression that is even across all strings. i/o is comprehensive and includes an aes/ebu connection. presets, mute, and tuner can be selected remotely with the rc4 floor controller sold separately. – flexible tone control – the rh450 bass amp head has straightforward controls like you know them from traditional – rear-mounted rehearsal inputs for mp3 player or computer via supplied mini-jack-to-rca adapter – headphone amp includes a speaker filter on the bass signal – integrated tuner provides full-resolution tuner with light ring to help you tune up quickly and accurately – rc4 allows easy remote access to integrated tuner (rc4 sold separately)mute button lets you tune up without disturbing others – onboard user memory banks let you easily switch between presets for your ideal tone choices3 memory banks, remote control access via rc4 pedal (sold separately), and visual indicators for mute and tuner – bass, low-mid, high-mid, treble tone controls – semi-parametric bands for all 4 tone controls, letting you adjust the focus of each bandtubetone control acts on both preamp and power amp, reproducing genuine preamp tonespectracomp technology for multi-band compression that evens out the compression across all strings
Specifications:
| Weight | 11 lb |
Reviews:
This little work horse has it all in one handy unit. It weighs next to nothing, yet has so much packed into it. I have been using the RH-450 for roughly 5 years now and I couldn't be more pleased with it's performance. I play everything from rock to country to blues to polka. I can get a great sound for any musical situation. I did a lot of research before I bought it and nothing came close to it when you consider all the available features including built in tuner, compressor, tube tone, EQ, 3 separate pre-sets, built in DI, audio input for practicing with headphones, and enough power for pretty much any gig (power 3 RS cabinets off one unit). When you add up the cost of all those extras you could buy for a conventional rig, THIS IS A STEAL! I liked it so much I bought a second one so I could keep one in the band trailer and another for home & side gigs. Sound men who are familiar with this unit have no worries when I show up with this little beauty. When you're done with the show, put it in your gig bag and you're off and running.chriso1629
Wow, I already expected a great amp from using the BH250 but this monster totally impressed me. It has way more power than you would expect and the tone is awesome. From very clean and articulate to down right nasty. As much as I like GK and Markbass, TC Electronic is now my favorite. I have owned this amp for several months now and it still impresses me each time I play it at practice or on a gig. When a sound guy says it is the best DI he has heard, that is saying something. I can't see myself ever playing any other amp except maybe the RH750.gilmoya80
4. Hotone Thunder Bass World's Smallest Bass Amplifier Head
Product Details:
Hotone thunder bass 5w mini ampbased on the ampeg svt*, hotone somehow got all the big thunderous sound into a mini-sized amp.whether you are the bassist in the spotlight or the one keeping the pulse in the shadows, this solid amp will suit. flexible and dynamic, it’s as stable as the most stable member of the band.ampeg svt is an amplifier model of loud technologies inc. the mentioned manufacturer and product names are trademarks or registered trademarks of the respective owners. the trademarks were used merely to identify the sound character of this product.
Specifications:
Reviews:
I got this for a headphone amp and pedalboard platform. I have a bass pedalboard with 7 pedals. I tried plugging it both into the front of the amp, (no modulation or time-based pedals,) and into the fx loop. Sounded weak and thin. If you turn up the gain on the amp, it really sounds terrible! When I tried it with my bass plugged directly into it, the volume with headphones was ver low. There are countless options to this.mrgnmrc420-1
Yes, this thing sounds amazing! I recently purchased a 15 inch bass guitar speaker/cabinet to accompany this little amp and it sounds incredible!!! Plenty loud enough to practice with! It's an outstanding little gem at an outstanding price! AND it fits in the palm of your hand!!! I recommend it!!!Art
WOW!!! This little 5 watt amp sounds fantastic!!! Love it!!! This is actually to replace another one of the same amp that went bad on my after about a year and a half. But at this price point, no complaints. I gave the first one to my brother who is an electronics tech and told him if he can fix it, he can keep it. But this little amp sounds so good, hard to believe it's small enough to fit in your hand, but sounds like one of its full size big brothers!!!law6300
5. Hartke Lh500 Bass Amplifier Head
Product Details:
Classic-style, tube design bass amp the hartke lh500 bass amplifier is a classic 12ax7 class-a tube front-end design with a solid-state output. developed with the hydrive cabs in mind, the lh500 also has more than enough power and tone control to drive any cabinet on the market. this amp provides you with treble and bass shelving to give its warm tone a little edge. or use the bright and limiter switches to further sculpt your sound. its intuitive front panel also makes adjustments on the fly a breeze.
Specifications:
| Product Type | Amplifier |
| Functions | Amplifier |
| Audio Specifications | Amplifier SNR – 78 dB – THD – 0.5% |
| Input Impedance | 100 kOhm |
| Amplifier Output Details | 500 Watt – 4 Ohm – 2 channels (main) 350 Watt – 8 Ohm – 2 channels (main) |
| Bass Control | Yes |
| Treble Control | Yes |
| Tone Control | Yes |
| Features | Cooling fan, clip LED, built-in limiter, vacuum tube technology, rack mountable |
| Connectors | 2 x guitar audio input (phone 6.3 mm) – front Balanced audio output (XLR) – front EFX Send (phone 6.3 mm) – rear EFX Return (phone 6.3 mm) – rear 2 x speakers output (phone 6.3 mm) – rear |
| Voltage Required | AC 120/230 V (50/60 Hz) |
| Service & Support | Limited warranty – parts and labor – 2 years |
| Width | 19 in |
| Depth | 14.5 in |
| Height | 3.3 in |
| Weight | 23.15 lbs |
Reviews:
I received the amp earlier than expected great shipping, packing was excellent, price was excellent . The amp has plenty of power and has really nice features. It has 300 rms watts which means you don't have to play it wide open to get the power. Its very light and very clean sounding. You can get dirty sound with the drive knob. Really cool. The compressor works really well so you don't need a pedal for that. This amp can be used for home practice or on stage and it will cut thru the mix. Very nice amp.jimis2kol4u
I am playing the TX300 through a Hartke HD210 HyDrive in my home studio. This class D amp is clean and quiet. The small cooling fan on the rear is temperature controlled so that it only comes on when needed and unless I'm behind the amp watching the fan, I never know that it is on. I like the compression control that evens out the sound level of lows and highs. And with the high frequency driver that is in the HD210 HyDrive, I can plug in my 6-string, crank up the drive control and get some serious lead sounds going. Being able to plug in headphones and not annoy the household is a big plus for me. Adding an effects send and return loop would make this little amp perfect.William
At 500w into 4ohm load (325w into 8ohms), the Hartke LH500 head has more than adequate power. I have it paired with an 8ohm Hartke 4×10 400w XL Series speaker cab. With this rig, I get more than enough sound levels in the studio without turning the head volume up past 4. The 3 independent to equalizer controls produce a wide range of sounds that provide most whatever you’re looking for. I usually keep the bass set to 8, the mid set to 4, and the treble set to 3, which gives me a solid bottom with a crisp, punchy mid/high. The XLR jack on the front panel makes it easy to connect to a console or mixer and there’s effects send/return jacks on the back for any outboard effect processors you have. What I like best after the performance is that it doesn’t look or feel like a cheap piece of equipment. It’s solid, the knobs and switches all have a solid feel, and the jacks hold the cables solidly. Nice job, Hartke!
6. Ampeg Micro Vr 200w Bass Head
Product Details:
Don't be fooled by its diminutive appearance; the ampeg micro-vr is a compact powerhouse fully capable of pumping its 200w of genuine round sound into myriad live and recording situations. the portable, powerful solid-state bass amp head is a pleasant surprise from the second you lay eyes on it to the moment its indisputable ampeg tone hits your ears.
Specifications:
| Dimensions (WxHxD) | 5.5" x 12" x 10" |
| Preamp | Solid State |
| Power Amp | MOSFET |
| RMS Power Output | 200watts @ 4ohms |
| Tone Controls | 3-Band |
| Mid Tone Control | Ultra Mid |
| Balanced Line Out | YES |
| LF Driver | 2 x 10" Eminence Speakers |
| RMS Power Handling | 200 Watts @ 8ohms |
| Frequency Response (-3dB) | 58Hz-5kHz |
| Usable Low Frequency (-10dB) | 40Hz |
| Nominal Impedance | 1 x 8 ohms (Mono) |
| Handling Weight | 25.9 Pounds |
Reviews:
Really impressed with this small amp/cab combo. Truly great, vintage tube-like warmth, punching lows and crisp highs are all accessible. The headphone output is super useful for practice. The 2×10 cabinet this amp is paired with sounds really awesome for home recording, small gigs (50ish people) and if mic'd, can adapt well for larger gigs. Without an extra 12" or 15" paired with it, it just can't handle the lows at a high volume. I do like running it through an SVT 4×10 for larger gigs to save the trouble of carrying around an 80lb SVT head!Bandy Xan
I've owned this amp for about 5 months now and it is perfect for small venues, church, and recording. I haven't really needed to use the speaker cab much as I mainly use in ears for live performances, but it is nice to have just in case and so the rig looks complete. The XLR out from the head is a great feature and one of the big reasons I purchased this and allows for a crisp sound to whatever you may be plugging in to. I have used this for live performances and recording for backing (split) tracks. You can get any sound out of this little guy and it never disappoints. Don't be fooled by the small size, it can sound massive with the right settings and EQ. The small size allows me to fit all my gear in the back of a small hatchback car. I researched this greatly before purchasing it and do not have any regrets. If i need more volume for situations that in ears won't allow, I may purchase a second matching speaker cab and I am sure that would be plenty for whatever situation. I would definitely recommend to any bass player looking for a professional quality amp that is portable and versatile.DPB
Bought this as an Open Box item from MF. Researched and read many positive reviews. Took the dive and got it. Was a little worried it wasnt going to be powerful enough. Wrong… this little sucker has got PLENTY of power for what I'm using it for: home practice and loud weekend jams with my bandmates. Currently pairing with a Peavey Tour 210 cab. I have an MXR 10-band EQ pedal but this Ampeg does perfectly fine without it. Will have to tighten up the light fixtures in my practice room soon. This little Ampeg THUMPS.The Lower End
7. Hartke Lx5500 500-Watt Bass Head
Product Details:
The lx5500 is a compact 500-watt amplifier that weighs just eight pounds and dynamically responds to any playing style. the class a 12ax7 tube powered preamp allows for a unlimited amount of bass tones to be dialed in while the lightweight class d amplifier packs 500-watts of real, continuous power enough to make any cab sing. hartke tone stacked capture the character of the bass guitar as soon as you plug in with the hartke tone stack eq that has been specifically tailored for a rich bass tone. the preamp includes the familiar bass and treble controls as well as a frequency and shape knob that provide extensive control over mid frequencies. the brite button can be engaged to boost high frequencies, bringing out the top-end of the bass as well as highlight natural harmonic overtones for a distinct, vivid sound. tonal control the lx5500 provides two essential onboard effects designed to enhance your playing and add extra options to your tonal arsenal. an integrated drive control allows the option of mixing in a comfortable amount of grit, or maxing out for a healthy dose of fuzzy goodness. dial in the right amount of compression to add punch and presence to your attack as well as smooth out transients for players that employ slapping, tapping and thumb picking techniques. all the ins outs lightweight enough to bring anywhere and versatile enough to use with any setup, the lx5500 is the ideal amplifier for the stage and the practice room. an xlr direct out with a pre and post eq selections allows for direct connection to a pa or recording console. an 1/8 headphone output is ideal for silent practice sessions while an 1/8 auxiliary input can be used to connect phones or mp3 players.
Specifications:
| Amplifier Type | Hybrid |
| Output Power | 500 W RMS |
| Channels | 1 |
| Master Volume | Yes |
| Tone Section | Channel 1- Bass, Gain, Treble |
| Built-In Effects | Compression, Distortion/Overdrive |
| Inputs | 1 x 1/4" Mono Instrument 1 x 1/8" Stereo Aux |
| Outputs | 1 x 1/8" Stereo Headphone |
| Box Dimensions (LxWxH) | 17.8 x 14.4 x 6.4" |
Reviews:
This is a great bass amp head. I paired it with my hd112 and my ibanez 2405W. The tone that you get out of it is very clean and warm. When using the drive you can get dirty and heavy with it. The Eq let you get a lot of tonal option out of it and is pretty simple to use. The only reason I didn't give it five star was the fan is a little loud when it comes on. but it this issue it is still a very good amp to have.Vic
This guy pumps some sound into the hd112! 10/10 would recommend to anyone trying to bulk up their bass soundRob
Great sounding amp. I put it with a PF115 and it rocks.Stan
8. Aguilar Tone Hammer 350 Bass Head
Product Details:
Brand new for 2012, the tone hammer 350 makes a big sound but leaves only a tiny footprint! easy to purchase as well as easy to carry, players on a budget can now have it all! this amp has the sound, the look, and it's assembled at the aguilar factory in – power output: 350 watts into 4 ohms, 175 watts into 8 ohms – preamp section: solid state – power section: class dtransformer: switching mode power supply (smps)eq section:bass: +/- 17 d – b @ 40 hz – mid level: +/- 16 d – bmid frequency: 180 hz – 1 khztreble: +/- 14 d – b @ 4 khzdrive control: fully adjustable, featuring aguilar's proprietary ags (adaptive gain shaping) circuit. – inputs: one 1/4" input jack, compatible with all active and passive basses-10d – b input pad – speaker output: neutrik speakon – balanced output: xlr balanced output with pre/post eq and ground lift switch – tuner output – cooling: high quality whisper fan with thermal speed control – warranty: three year limited – optional: durable carrying bag
Specifications:
| Weight | 3 lb |
Reviews:
I was a bit skeptical when I purchased but due to all the positive reviews I was swayed. I have had this amp for around a month now and I am amazed at how many different types of sounds I can get out of the EQ section. With the drive you can get massive dirt, crunchy sound, all the way to that "Marcus Miller" type sound. I use a Fender American Deluxe Jazz 5 with this set-up. I have been using this head with a Fender Rumble V3 1x 15 and an Ampeg bxt 4×10. Super warm, round sound all the way to biting rock tones. I also have a Fender Rumble V3 500 watt amp and the quality of this Aguilar is better. I can also get very pleasing sounds out of the Rumble amp as well though. I also play an Eden WT 800 and sometimes it's just to clinical sounding. The Eden is nice but over priced. I think if your budget is limited go for the Fender Rumble V3 500, but if you can pony up more money, go for the Aguilar. My only 2 complaints would be the need to purchase a case separately and the fact that there isn't an aux input. Other than that, I have really taken to the clarity , punch and tone of this little sucker. Mostly I play R & B, funk, gospel, Jazz, and some rock. At first I had trouble finding a way to get "my sound" which tends to lean towards that fat Marcus Miller sound, but I had to learn how to use the EQ a bit. Took some time to figure out but now I LOVE IT! This amp really has tons of power and sounds louder than 500 watts to be sure. I am satisfied with my purchase. Great quality, American made, Great looking little head.D
If you have never owned a class D amp, I highly suggest paying attention to this review. I bought this amp solely on reviews as none were available in the local GC. If you DO NOT like to FEEL the sound of your bass…then this amp is for you. This amp lacks GIRTH! It is weak and feeble. I bought this amp to take place of my older Ampeg B2R. My ampeg is not even a higher dollar SVT series head…just a B2R and it wipes the floor with this measly class D amp. I highly suggest you not waste your money like I did…..I am extremely disappointed in this amp (It's going back) and the reviews it gets cause these class D amps are weak…go ahead and try one head to head and you will see a BIG difference. I will not sacrifice tone for weight and if you heard them next to each other you would not either. Keep shopping! Better yet, demand companies stop selling these class D junk amps…..the weight is not worth the tone. I now see why so many reviews show little to no EQ adjustment on this amp ( usually reviewing flat)….cause it don't have much to speak of. Little bottom end and lacks high end. The Drive knob goes from not enough to too much …no sweet spot and not very practical sound-wise….just a gimmick in my opinion. Do not let others persuade you into believing this amp or even the 500 watt version is loud because it has NO headroom what-so-ever! Do not get me wrong here…I am not against just Aguilar here…I tried an Ampeg Portaflex 500 watt head and it sounded about the same…weak, with NO Girth!MakroBass
9. Hartke Ha3500 Bass Amplifier Head
Product Details:
Found on stages all over the world, the ha series ha3500c 350 watt hybrid bass amp head is back in classic black. yet, it retains all the same rock-solid performance and features as the original that have made it one of the most popular bass amplifiers of – power: 350 watts at 4 ohms, 250 watts at 8 ohms – selectable tube and solid-state preamps – active and passive inputs – rotary bass and treble contour controls10-band graphic eqbalanced xlr direct output – rack ears included
Specifications:
| Weight | 37 oz |
Reviews:
The amp is a beast! Lots of good sound comes from this amp!donalpernac_0
Perfect for medium to large bars when perfoming live. With XL cabinets theres no better.r mutt
Great amp coupled up to Harkte speaker cab.battell
10. Bugera Bv1001m Veyron Mosfet Bass Amplifier Head
Product Details:
The bugera veyron mosfet satisfies your need for the utmost in unbridled horsepower. an ultracompact and stylish bass amplifier, the impressive veyron mosfet packs an incredible 2,000 watts of lightweight, class-d power under the hood with plenty of room left over for some amazing features. inside you'll find an exceptionally warm high-voltage mosfet preamp, an expressively dynamic compressor, as well as our dynamizer technology that really packs a punch! together with a versatile and wide-ranging eq section, an integral balanced di, dedicated fx loop and more, the veyron mosfet will see you through every level of your playing career from the practice room to the stadium! massive power, perfect sound. thanks to our revolutionary class-d amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. class-d amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks.
Specifications:
Reviews:
Took this to the open mic that I host weekly, with lots of power drummers and fairly loud guitarists. I kept turning the thing down! I was using a 115 cab (8 ohms) that used to be a combo amp and I had to add a little high end to make it pop, but at home, with a Genz-Benz XB410T cab (4 ohms) I had everything pretty much flat and it was stunningly loud and clean and punchy. At the show, I barely had it on in the PA except for enough lows to mesh with the kick drum in the subs. Direct output was clean. Been playing bass for 44 years and this is probably the best bass head I've ever had, including 4 different Ampegs, and a G-B 600 that blew all the Ampegs away. My only complaint is that the illuminated ring on the master volume knob makes it hard to see the dot that shows where the volume actually is, but I can fix that with a piece of tape or something. My main drummer said the bass was kicking tonight! I'm very pleased so far.Fred
The Bugera bv1001 M has a nice punch to it and lots of clean power. The amp has nice highs and mid selection knob works well with my bass cabinet. And yes it has plenty of low end bass. I replaced a europower 2400 and bass V preamp with this head and I am impressed with the sound and power in such a small light package. Compressor works well also. Great value for the money.studioace1
11. Valeton Bass Guitar Amplifier Head Tar-20b Amp Pedal Studio Desktop With Cab Sim
Product Details:
Compact, light-weight bass amplifier head with pure analog rock 'n' roll power. super wide-ranged gain control and a flexible 3-band eq tar-20b is a compact, light-weight bass amplifier head with pure analog rock 'n' roll power. a super wide-ranged gain control and a flexible 3-band eq make it a one-channel tone machine: from bouncy, funky clean to huge distorted walls, you get everything you’ve ever wanted to play. aux in jack and phones jacks let you play anywhere. compact, flexible single-channel bass amp head pure analog preamp design with super wide tonal range max. 20w output power aux in jack for playing with your favorite backing tracks phones jack with built-in cab simulator built-in chorus expands your sound dimensions fx loop for expanded effects 4/8 ohms compatible speaker output 18v dc power supply
Specifications:
| Power | 18V DC center negative |
| Current Consumption | 1500mA |
| Dimensions | 180mm(D) x 95mm(W) x 35mm(H) |
| Output power | 20 watts |
Reviews:
This amp is very well made and has a clean sound great value its my second one Ive purchased very pleased with the amp.michaereade1
It's a great little head for house practice but no where near load enough with the rest of the bandwoolit-10
12. Quilter Bass Block 800 Bass Amp Head
Product Details:
Built specifically for the bass guitar, the bass block 800 represents the culmination of years of research and development. unlike many of today's compact bass amps, the bass block 800 is not simply an existing consumer-grade power module married to a pre-amp, but a comprehensive power system that responds dynamically and musically to the player's instrument and touch.pat quilter's first amp was built in 1967 for his brother's bass player, and great bass tone remains a key passion. the modern bass is a full-range instrument, with much different dynamic requirements than electric guitar. low frequencies require more horsepower to move air, and the instrument demands percussive response without bottoming out or obtrusive limiting. the bass block provides 800 "real watts" to build on, and the preamp is optimized to make the best use of that power, providing more effective headroom with less stress on the speakers. unique bass-specific eq controls allow the bassist to quickly dial in a wide range of tones to match any instrument, and a special 2-stage limiter prevents bottoming out without suppressing dynamic response and feel. a master control allows the peak power point to be adjusted to safely power any size of speaker, from giant stacks down to compact studio units. a prolonged field testing program has confirmed that every component in the bass block 800 is focused on creating the ultimate musical instrument for bass players. you will feel it every moment of every gig. effortless, powerful, and exacting tone at your fingertips. the ultimate tool in your arsenal.
Specifications:
| Power Output | 450 watts-8 ohms, 800-watts, 4 ohms |
| Frequency Response | band-limited to 25Hz-15kHz. |
| LINE INPUT | XLR 10K balanced, 1V full scale. |
| Effects Loop | Series, pre-Master, 1V full scale. |
| Effects Send | ¼ inch unbalanced, 1K. |
| Line Out | 1.6V full scale, quasi-balanced 39 ohms each leg. |
| Headphone Out | Up to 3.3V full scale depending on Master Volume |
| XLR Line Input | Post pre-amp, Pre-Master, 1.3V FS, 4.4K balanced |
Reviews:
Sound: If you're coming in looking for a distinctive amp character sound… this ain't it. This is for clean headroom that allows you to sculpt your sound with pedals if you need to or with modeling… or for seriously hearing what your bass actually sounds like. For me personally, I've really come to enjoy it (and I lusted after the SVT grit sound forever) and I can't believe this does good of a job for the price. Features: The power section on this is just unreal – I'm sure the wattage measure for volume is probably a little relative (then again, so is 1-10 or 11, right?), but I don't ever take it much over the "40W" marker going into a 2 x 12 cab (yeah, you read that right) and I've never had a problem keeping up with two guitarists and a drummer, either on stage or in our practice space. The EQ is a little weird if you're coming from a low/mid/high setup like just about every piece of equipment out there has, but it honestly ends up being more intuitive for adjusting to a room or different bass in front of it. I took a gamble on the line out, which I understand isn't "true DI" in the sense that it isn't an independent signal from the rest of the amp (so if you mess with EQ or volume, your FOH has to adjust on their end), but in the end I ended up pairing this with an MXR Bass DI+ for a FOH signal and to get another distortion sound, so it sort of renders that point moot. I also wish they'd put 2 Speakon jacks instead of 1 Speakon and 2 1/4" outs, but not the end of the world for me. Ease of Use: I think the biggest learning curve on this is the EQ, but as I mentioned, once you understand it, it makes much more sense than your standard 3-band. Quality: For as light as it is, it feels like a tank! The only thing I'd even be a little nervous about is the small mute switch – which just feels light because, well, it's a tiny plastic switch that you just tap, no need for a big ol' mechanical clunker, right? And as silly as it seems, just the basic case is still a great touch. Value: I was very much on the fence between this and the Mesa/Boogie Subway series, and I think if they had been the same price (and both available from zZounds with pay as you play) I would have probably ended up going with the Mesa ONLY because of the name… but I don't at all regret going with this instead. It's done everything I've asked of it. Manufacturer Support: Haven't had to deal with them directly but a big reason I purchased was that it seems like they're extremely good about direct support (including from Pat himself!) The Wow Factor: Would this blow me away as a gotta-have if I had the funds and the means? I mean, tonally, no – alone, it's not tickling my ears, but it does rumble the rump in a rather pleasing way (hey, this is a safe space, don't judge my kinks.) But as someone who needed (fine, WANTED) a physically-smaller bass amp that did the job so I could keep spending my money on rebuilding crappy guitars instead, this 100% does the trick. Overall: I'm not a bassist, I'm a guitarist who just plays one on stage. One of my favorite amps and amp concepts was the Crate Powerblock (which I still use as a travel/audition amp sometimes) – and the Bass Block is what happens if you make the Powerblock 1000 times better an at least 5.33333333 times louder (that's science, baby, I wouldn't lie to you.) Simply put – if you want stellar, clean power that you can put just about anything in front of but also carry around IN A BACKPACK, this is where it's at.Matthew
This amp is a real winner. The power, as with many Class D amps isn't quite as much as the stated wattage, but it is loud and punchy. The amount of grind and kick may seem restrained because I am playing an upright, though I did test her with one of my 5 string electrics with a larger speaker cabinet, and I ran more pre gain on that run. With the upright, all knobs are at 12 0'clock, because uprights love flat sound waves. It is set up to do a great job as a double threat if I ever go back to gigs that require both upright and electric. She's gigged with me a few times and seems to have an intuitive set up with the Active and Passive inputs, Mute button, and the Depth and Contour knobs. I enjoy playing around with my electric because in conjunction with the throttling up or down of Master Volume vs. Gain and varying EQ via Depth and Contour knobs allows for a lot of very handy tone colouring.bill
I have a mixed review. I originally bought this amp because of the great reputation QSC products have had over the years under Pat Quilter's leadership – well-designed, highly-regarded products at a reasonable price, especially in the amplifier category. In the months I've used the Bass Block, it's been reliable and works without strain when I connect two cabinets, one at 4 Ohm and one at 8. That's a load of at least 2.67 Ohm, which is impressive. It never heats up, never shuts down. Bottom line: this amp has been bulletproof. The amp is light – about 15 pounds lighter than the class AB amp Eden Highwayman 500 I'd been using. Before purchasing, I spoke with Pat at the Quilter booth at the 2019 NAMM Show. He explained the tone controls, which are quite different than the usual 4-band passive or semi-parametrics you find on other units. In over 20 gigs with a number of different cab configurations with and without horn tweeters, and both active and passive basses, it has been a challenge to get the tone I need from this amp – it seems skewed toward a bassy/midrangey tone with no ability to juice up the treble. (I play classic rock in a club band, use my fingers mostly, and a pick on a few tunes) For example, when I play my Rick 4003, I can only get that clanky Rick tone if I bypass the amp's preamp section and use an outboard preamp that has more traditional tone controls. With that said, the roundish tones I can get from this unit are good; I'm just disappointed that either the unit is unable to provide the treble definition I want, or I'm unable to figure out how to get it with this amp. On the industrial design side: the amp chassis feels one step from finished – sharp folded edges stick out (versus, say, the smooth packaging you find in a GK or Genzler head.) From a marketing perspective, I wouldn't have applied the graphic of a caution sign (red stripes) to the top of the amp, and the word "block" in the product name, think "verb.Countbassy
13. Ampeg Micro-Vr 200-Watt Bass Amp Head, Limited Edition White
Product Details:
The micro-vr head delivers 200w of pure ampeg tone, in a package that could practically fit in your pocket. the micro vr stack limited edition white features eye-catching white tolex strikingly complemented by a black grille assembly. only a limited number were produced. a balanced direct out, -15db pad, on-board limiter and dual speaker outs offer tremendous versatility whether on stage, or in the studios. the 1/8 stereo input and output let you easily integrate an mp3 player for practice or recording. pair it with the companion limited edition white svt-210av cab for a fully gigable, but super micro rig. great sound, unmatched portability small wonder, it s an ampeg.
Specifications:
| Preamp | Solid State |
| Power Amp | MOSFET |
| RMS Power Output | 200 watts at 4 ohms |
| Tone Controls | 3-Band |
| Mid Tone Control | Ultra Mid |
| Balanced Line Out | with Pre/Post and Pad |
| LF Driver | 2 x 10 inch Eminence Speakers |
| RMS Power Handling | 200 Watts at 8 ohms |
| Frequency Response (-3dB) | 58Hz-5kHz |
| Usable Low Frequency (-10dB) | 40Hz |
| Nominal Impedance | 1 x 8 ohms (Mono) |
Reviews:
Sound: I bought the Ampeg Microvr Head originaly with one Ampeg 2-10" cabinet as a part of matched set, as most people do – about three months a later I bought another cabinet – so now I'm often running two of the same cabinets and the head together. When you plug in the second cabinet the rig gets noticeably louder in this set up, and also appears to have a much more deeper bass tone(if you want it). Adding the second cabinet added $300 to my rig – but if you can afford it, the sound is far superior to just the single cabinet, and gives you a lot of flexiblity. For smaller indoor venues like playing bass behind people with pugged in acoustic guitars, I run the head with just one cabinet and it sounds fine – both tone and volume wise. When I playing along with a drummer most of the time I opt for using two cabinets rather than just one. At higher volumes – like playing with a drummer it just sound stronger and fuller in every respect than by using just the single 2 10" cabinet. I'm either running a recent custom C.F. Martin Acoustic/ Electric Bass guitar, or a Fender Precession Bass, through the rig – depending on who and what I'm playing on music wise. It works excellent with either instrument and I am very happy with the set up. Even with just one cabinet you won't be dissapointed. Features: Happy with everything that it came with feature wise. Didn't like the stock power cord that came with because it was very stiff and hard to wind up – Ampeg should switch vendors and get a power cord supllier that could offer them a more felxible cord of the same quality that you cound wind up easier. Ease of Use: Tone controls are easy to figure out and use. Rear connections on the amp are simple, straight forward and easy to use, and hook things up. I often use a Martin acoustic bass guitar with this rig – so I use a Fishman DI preamp in between my bass and the amp – this being done basically to help control feedback at higher volumes (especially when playing out door gigs) and to fine tune the tone on the acoustic bass a bit more. My Fender bass sounds fine with out the Fishman preamp and the controls on the amp head work well with it – giving you many mutiple tone combinations depending on how you set them. Also my Fender fretless bass sounds really good through the amp and the matched speaker that you will most likely buy with the head. Quality: Quality seems very high. After about two years of owning and active giging – it is holding up extremely well. Over the last year or so I have taken it out on local gigs about twice a week, So it's been out of my house more than a hundred times so far, and there haven't been any issues so far – all this in all kinds of weather and temperatures. I had black vinyl covers made for the head (from a custom amp cover innernet company)and for both speaker cabinets as soon as I bought everything – so even aften trucking the units all over the place for quite awhile now they still all look fresh and brand new. The power cord that came with it was very stiff and always hard to roll up – so I bought an after market cord on a website cord supplier that was more flexible and easier to wind up. I've used the after market power cord every since. The head has a fan in the back that runs whever the unit is powered up, that when you first get the amp drives you crazy – because it appears to sound so loud. Truth is though while you may hear it running in your house when practing – you never do at gigs. At any gig the room and enviroment background noise easily drown it out right away – you just never hear the fan running at all. When I first got it I though something was wrong with the fan – there wasn't. Its an Ampeg thing – that is the low fan noise in a quiet background setting. Keeps everything cool inside the head – so you can certainly live with it. I got used to it after awhile and don't even notice it anymore. No one has ever commented to me anywhere about any fan noise coming from my amp. So don't think something is wrong with the fan when you first get the head. Value: The original outlay (about $600 for the head and one matching cabinet) is a bit steep compared to several other small bass amps on the market out there – but you get what you pay for I guess. Due to the price saddly – alot of bass players might not be able to buy one and will go with something cheaper out there. Before buying this I looked around for about two months at other rigs on the innernet, at music stores, and at othet musicians' bass rigs when watching them perform. This unit was replacing a Hartke Kickback 12 – which I used for about three years for the same type of smaller gigs – which is for more low volume type of dealsthat I play at – where you don't have to worry about shaking the room and making the paint peel of the walls when you hit your low E string on something like Springsteen's "Pink Cadillac". I still feel that I made the correct choice and am happy with the head and the speakers matched for th
Sound: I own the Microvr amp and 2 210svtav cabs. I bought the second cab after I got the Mircovr set up. The sound sound you get from this things for the money blows anything else out their out of the water. To get the rated 200watts performance you need a 2nd cab as the load with one cab is 8 ohms at 150 watts. Light weight portability and small footprint size are a plus especially if your space chanllenged. This thing rocks. Features: This is a no frills set up. Has what you need to have great sound with a headphone jack to play practice in a low noise enviroment. Ease of Use: It has a 3 band eq section that you can dial in easy to find a sound you like. Its no svtpro 7 but for the money you will not find a better amp in its class. Quality: This amp is made solid. Mimics the old school look of the 70s svt lineup. Value: With anything you purchase you wish you could get it for less thats just the way it is. But for the money you will not find a better sounding and well made rig in this class. The Microvr and 210 svtvr cab set up is da bomb. If you want portability light weight and the best sound get this AMPEG. Manufacturer Support: I have had no issues with this amp. I have owned it for about 2 years now and play on it alot. Its an AMPEG. The Wow Factor: This thing looks great sounds great and its and AMPEG. Overall: I will always have this amp. Its perfect for travel to other locations and has enough head room for small venues and recording situations and the sound is truely amazing.
Sound: For the money you can't beat the tone this thing has. Features: Not a lot of frills. What is there is great tone and eq abilities. Ease of Use: Plug and play. Quality: Have been exceptionally happy with all my ampeg products. Value: Low cost of the combination of the amp and 210 cab leaves you wondering how you can pay $600 for what you usually pay $2000 to sound like. Manufacturer Support: Loud Technology experience has been fine as I have only needed a few parts and was treated well. The Wow Factor: I am buying another extension cab because I can leave one at practice and one at the recording studio and just carry the amp back and forth. If I wish I can run them both with the amp. Overall: Best Tone for the $
14. Dv Mark Micro50 50w Guitar Amp Head
Product Details:
Try this super-micro 50w guitar amp and you won't believe the volume and classic sound quality that it delivers, thanks to the innovative design and its small package. the dv micro 50 features two channels with user-friendly and effective controls and on-board reverb. it' also equipped with an xlr line out, plus and headphone output and a handy mini-plug aux in to connect an mp3 player to mix to practice anywhere, anytime. this amp also features a dual voltage switch 120v/240v to use the amp in countries with different voltages without having to carry an external converter!
Specifications:
| Watchers | 6 |
| Offers | 1 |
Reviews:
I bought the amplifier based on sound clips and others reviews. I love the amps clean channel with OD, Eq and delay in the signal chain for my driven sound. It gets a very articulated, clear, deep throaty sound that is intoxicating for rock sounds. I only have to turn it up to about 4-5 to be clearly heard in the mix. I don't care much for the OD channel as I find it a bit harsh for my taste, even when I dial it back a bit & Eq. it. The only comparisons I have are to my VOX AC 50 and Mesa V mark 25 valve amps. This amp is a great, inexpensive alternative that is ultimately portable – glad I bought it!Dr Crusher
This is a good amp that will give you different results based on your pickups and speaker cab. The tone stack is a bit dark so I like it less with humbuckers than with single coils, but it's still very useable either way. Depending on how you set it, it may or may not have trouble cutting through a band mix. I haven't had that problem, but my amp is always mic'd and we don't play super loud. The dirty channel is – from what I understand – more like an OD pedal overlaid on top of the clean channel. It sounds good and has its own lo/hi EQ and can go from a semi-clean boost to about as much gain as a tubescreamer or the like. Sounds very good, IMO, to the point that it would be possible to use this amp with no pedals for a gig. And it does take pedals well – I haven't run into anything that doesn't sound good. Overall this is an excellent lightweight amp that sounds great and is very giggable. I don't know that it's "better' or "worse" than "a tube amp" (as if tube amps are one generic thing). It just sounds good. I've never felt it lacked anything. I run it through either a 1×10, 1×12 or 1×15 cab and all sound great.Al
Love the clean channel – sparkly without ice pick highs. I don't care for the OD channel, it sounds too harsh for my style. I get the sound I want through an old GenX 2 from Digitech fed into the amp & out to 2 single 12" speakers. I'm blown away by how loud this little amp can get. It gives a full, thick throaty sound that is very articulate and gives singing highs when needed. The portability and sound delivery is amazing! I bought the open box model and couldn't be happier. My main amp is a Boogie & this sounds close – quality sound.Dr Crusher
15. Markbass Little Mark Tube 800 Bass Amp Head
Product Details:
Markbass little mark 800 – bass amplifier head the little mark 800 is basically a little mark iii with an 800w digital power amp. this high-power head is created for those who need simple, intuitive and effective controls but also like to have a large supply of power and serious headroom. a great choice for big-stage applications, and for louder bands. its sound is exceptionally warm and clear, both at low and high volumes.
Specifications:
Reviews:
Was looking forward to this amp. Came recommended from other musicians. When I received the package it appeared that it had already been opened, re-taped & new staples were put it. Played the amp for an hour at lower to mid volume and everything was fine. Played amp again next day for about 30 mins again low to mid volume, everything was fine and was starting to get a sound dialed in. Plugged in to really test it out on day three, 10-15 mins at low volume and decided to crank it up. Gain was set to not clip and master I set at 2-3 O'clock position. Hit a note and amp made a click sound and that was it. No output to speakers. Amp would should a clip level on the LED but no sound out to the speakers. Returned to GC that night.A
I have had this amp for about one month and have gigged with it 10 times now. I have used it on 2 1×2 with a 6" cabinets, Ive used it with a 15 with an 8" cabinet and I have used it with my 15" 12' 8" tweeter cabinet and for the most part it tuned fairly well to each cabinet and the situation I was in. I primarily use a sterling sh5 so I am looking for warmth clarity power punch and sustain. It hits the mark 99 % of the time. Power is fast and solid. Love the tube feel and sound up front. Tone controls are very responsive. the 2 things that are missing for me is on the tone I cant quite get the balance between warm clean bottom and a touch of clean high for what I call the 180 degree mix. The second thing is no nutrix connection??? I primarily play country music modern and classic and it just barely misses that sound Im looking for. I am going to try a few externals to see if I can find it with this amp. I have Edens, Ampegs, Genz Benz, Fenders, SWR and Epifoni to compare with. I love all of these amps. The edens probably has the best tone but lacks everything else that this amp has to offer. I am a purist and I don't use any pedals or effects if I don't have to. I am old school and been doing this for 41 years so maybe Im a bit fuddy duddy. This amp is very nice and small with great power and versatile tone 4 stars for me
I bought this amp and 2 Mark Bass cabs; the Traveller 1×15 and Traveller 2×10. I like this amp head a lot. Indeed, it is not an full on tube bass amp, but the tube it does have inside of it makes a difference. The power and tone, ease in transport, and versatility of the head and cabs is fantastic. I can run either cab or both together, and it has an XLR out with an output level control! That is a great feature and sound guys love it. I bought rack ears for this (from MF) and in my opinion they were slightly overpriced just for 2 bent pieces of steel with holes in them, BUT the amp now sits protected in a rack I have with an EQ and power strip. I used to have it in a bag and I'd have to hook everything up for each gig and it was getting scratched from transport. Now it's safe and I just plug and play. I play an (active) Ernie Ball Music Man Sterling 5 string bass. I agree that the mute push/pull is not great on the amp but I just turn the volume pot all the way down on my bass between sets. I use a basic, digital chromatic tuner plugged from the tuner out of the amp and it works fine. When I first got the amp, before using a rack-mount EQ, I had a Hartke pre-amp pedal because I felt like the amp was a little dull sounding. That pedal broke from gigging so now I use an EQ which basically does the same thing. I haven't experimented with the tube/S.S. blend so I just keep it in the middle. I barely have the Variable Preshape Filter or Vintage Loudspeaker Emulator engaged; I have both knobs halfway around the 1st hash mark and it makes it sound slightly "old school" which I like. I prefer the low rumble of a 5 string but for other players that prefer a more melodic sound I can see those tone shapers being beneficial. I found a tone I like but there are many options and this amp is great for any style, especially slapping. I have heard nothing but praise for Mark Bass and after 2 summers gigging with it I am extremely happy with the way this amp has never once had a problem. It has been put the test in hot, humid, salt-air environments for long periods of time. Once the speakers in the cabs got broken in the tone got even more fantastic. Plus, if that tube in the amp goes bad you are still left with a great-sounding solid state…yet another feature!Alex Maz
16. Markbass Little Mark 250 Black Line Bass Head
Product Details:
The black line version of little mark 250 offers the same features as the standard little mark 250. the black line products are made using the same cutting-edge technology, high-quality components and the same quality control standards that apply to all of our products. the little mark 250 black line is a smart, inexpensive choice for those who don’t need the full power of a 500w head. it’s great for practicing, rehearsing, and small gigs.
Reviews:
I bought this little head for a more portable rig for rehearsals and small gigs. My Peavey TKO Tour is quite heavy. This thing screams! I played an outdoor event a couple weeks back and had to keep up with our drummer's thunderous stainless steel kit. No problem. At around half max volume through my Peavey Headliner 210, the little guy really held its own. I would definitely recommend this product!Eric
Great light-weight amp with generally great features. I originally got this amp to be a backup amp for my long-time Ampeg B2R which was starting to have issues. I had to use it after the B2R failed on an outdoor show (no PA support) on a 4-ohm Fender 4×10 cab (2014) and it surprised me how well it worked. I did not suffer from the lack of power or did I hear any distortion. I played another outdoor (no PA support) show with the same combination and it worked great. Interestingly most of the time I use it for small shows with a semi-acoustic trio with a Yamaha 12" 2-Way monitor (250W RMS rated/97db SPL) and it works great. Far more power than I need but its light weight and small size makes it practical for such applications. The only issue I have with it is I wish it has a limiter or at least a power amp clip LED. With that it would be 5 stars for me.bassdeal
17. Tc Electronic Thrust Bq250
Product Details:
The tc electronic thrust is a portable micro bass head amplifier for use on stage and in the studio. it features a compact and lightweight design for ultimate portability. the cutting-edge class-d amplifier technology ensures incredible power and sonic performance and the high-voltage mosfet pre-amplifier makes for the authentic sound and feel of a tube amp. a studio-quality headphone amplifier with speaker emulation for personal practice and silent rehearsals. the amplifier is protected against short circuits, thermal overload and low speaker impedance for enhanced reliability. a passive/active switch optimises preamp input for basses loaded with either passive or active pickups for the best tonal response possible. the amplifier features the highly-versatile, single-knob thrust compressor circuit that accurately sets the dynamic range of your playing and provides maximum punch to catapult your tone across the stage. also the perfect practice tool thanks to its high-quality headphone amplifier with speaker emulation and aux input, which lets you jam along with all your favourite grooves, songs or tracks.
Specifications:
| Instrument input | 1/4” TS, unbalanced |
| Aux input | 1/8” TRS, unbalanced |
| Thrust | Variable (off to max) |
| Thrust switch | On / Off |
| Phones out | 1/8” TRS, unbalanced |
| Direct output | XLR, balanced |
| Level max | Pre EQ ( +12 dBu), Post EQ ( +16 dBu) |
| Loudspeaker output | Professional locking connector |
| Min. load impedance | 4 Ω |
| Max output power | 250 W |
| Europe/UK/Australia/China/Korea/USA/Canada/Japan | 100-240 V~ 50/60 Hz |
| Power consumption | 60 W |
| Mains connection | Standard IEC receptable |
| Dimension (H x W x D) | 69 x 255 x 233 mm, (2.7 x 10.0 x 9.2”) |
Reviews:
Don't buy this amp expecting to gig with it at anything more than very low volume levels. Matched with sensitive speakers and master volume set at full, you might be happy with the volume you can get with maybe an acoustic set. The BAM 200 would be fine for practicing and jamming with a friend in the basement, but add drums and an amped guitarist and I think you will struggle to be heard. It's output sounds closer to 30 or 40 watts RMS, rather than the mystery 200 watts TC Electronics rates this mini. Tone was OK, a little fat if you over do the bass control and the preamp sections seems to overload easily, even with low output basses. I really don't have a good use for it after buying it, but it is easy to transport!airtow
The perfect no frills small unit. Haven't really road tested due to virus shutdowns but home bound sound is fantastic. I originally bought for a backup type amp but am quickly becoming enamored by its tonal qualities. Over the past few years I have been trying to reduce my equipment footprint and lugging around effort. I have another TC Electronics amp (BH250) along with a 2×12 cab and a 2×10 cab. These have been fantastic in small and medium venues – larger venues all seem to have their own sound systems which tap into my setup. Now, with the addition of this unit, I can even run my Rickenbacker in stereo without breaking my back hauling around a lot of equipment. The sound coming out of the BAM is smooth and even. It can get very very thin or very very fat and everything in between controls are solid and even. The only thing I would say that might be missing is an 'auxiliary in' but that can be side stepped with a small mixer. All in all a great buy for a very big sounding little D amp that can almost fit in a jacket pocket.2991tom
I bought this as a backup to the TC 450 and I was blown away by the sound and tone control this little unit has. It was between this for a backup and the Trace Elliot Elf. This unit at he Sweetwater price or an an Elf for $100.00 more. Easy decision to make and the results are amazing. More power than I will ever need. Driving two Hartke HD112 cabinets. Works great!bigmackstrains
18. Warwick Gnome Pocket Bass Amp
Product Details:
Selling a like new, used only once warwick gnome 200 watt bass amp head. this is the north american version that runs perfectly in the us and canada, not the often sold eu version with different voltage, which needs a transformer to function. it sounds amazing but i am a guitarist and want to fund another gear. loud, punchy, and amazing build quality. a better version of the tc bam series. happy gear hunting!
Specifications:
| Weight | 2.12 lb |
Reviews:
I purchased This Gnome for my 110 Custom SSB studio cab to help keep the load light, I love it! It has a smaller footprint than my Stomplab2b and has more than enough headroom. The cab is loaded with an eminence b102 8 ohm. So I'm getting about 120watts from it and it's plenty to jam at home with or in a Practice Session/studio time.Isaac
Just been using it in my house. I have a Hardke Hy-Drive 12 inch cab and it sounds great.I have not played with a drummer yet so I cant say how it holds up to gig levels of sound. It feels like it will be fine. I bought it mainly to go direct to computer and to have a small amp for portability. I wish these were available back in the eighties when I turned pro. All the heavy gear back then was such a pain to load at 3:00AM. I dig it!!MThomas
19. Friedman Runt-20 Head
Product Details:
The runt-20 20-watt head delivers friedman's legendary tone and versatility in a compact 2-channel amp. the runt-20's power section is driven by two el-84s, with three 12ax7s in the preamp. the "simple" clean channel features a volume knob and 3-position bright switch that delivers anything from singing cleans to a slightly broken-up tone. the heart and soul of the runt-20 is the overdrive channel, which takes you from classic rock to all-out assault. use the boost switch and gain knob to dial in the perfect amount of overdrive. a global presence control shapes the high-frequency response of the runt-20.
Specifications:
Reviews:
The cleans on this amp are beautiful, which is crazy for just one volume and a presents knob. I like to use my UA Ox Box with this so I can crank the clean channel to 11 and get that pure tube distortion. Speaking of distortion, the dirt channel is where this baby really shines. Hard to explain, like a JCM 800 and a plexi had a baby, and that’s just first gear on this channel, hit the switch and WOW. You have to try this amp out. You will fall in love with it.
I accidentally ordered this amp instead of the 50 watt as originally intended. I discovered the mistake only after it shipped. I intended to exchange it for the 50 Watt at my local Guitar Center. A few days later it arrived at my doorstep and I decided what the heck, I would take it for a test drive. I'm absolutely blown away by this little 20 watt and have decided to keep it. I'm pushing a Friedman vintage 412 cabinet with ease. This small amp is portable, lightweight, extremely feature friendly and has a huge variety of tone. This 20 watt amp can push my 412 cabinet with adequate stage volume with ease. I use a combination of 412 cabinets along with another EVH 5150 amp via ABY switch and will often bounce between the 2 half stacks. I've had numerous Fender Marshall and other Boutique setups in my 45 years of playing but never a Friedman setup until now. The Friedman lineup seems to be popular for a reason. I'm absolutely blown away by this little Powerhouse amp. It's also at a very friendly price tag for what you get. Lots of tone in this little guy. I would absolutely recommend anyone to try it out and take it for a test driveJay
20. Evh 5150 Iconic Series 80w Head – Black
Product Details:
The 5150 iconic series head delivers two channels of tube-infused, evh-style tone with a streamlined design that satisfies the needs of gigging and recording guitarists alike. this tube amp head covers the full gamut of edward van halen's contemporary hard rock tones, with an extra voicing on each channel for added versatility. there's plenty of sound shaping onboard, with per-channel gain and volume, a shared 3-band eq, and global resonance and presence controls. the 5150 iconic series head also includes a top-shelf noise gate, footswitchable boost function, and high-quality reverb to ensure a dynamic performance and u.s.-prime, grade-a-stamped sound. other features include a power reduction circuit, speaker-emulated output, dual parallel speaker outputs, selectable impedance, and an excellent-sounding effects loop. if you're craving evh's latter-day sound, the 5150 iconic series head delivers the searing tone and growling gain that king edward made famous.
Specifications:
| Amplifier Type | Tube Guitar Amplifier |
| Tubes | 2 ECC83, 4 – 6L6 |
| Application | Performance |
| Power | 80 Watts |
| Impedance | 4, 8, or 16 ohms |
| Stereo | No |
| HF Driver | No |
| Channels | 2 |
| Compressor | No |
| Effects | Reverb Only |
| Effects Loop | Yes |
| Direct Output | Yes |
| USB | No |
| Bluetooth | No |
| Aux Input | No |
| Headphone Output | No |
| Footswitch Input | Yes |
| Footswitch Included | Yes |
| Cover Included | No |
| Display | No |
Reviews:
Great way to get the 5150/6505 style on a budget. Amp tones are usable as is but, I really love hitting the front end with a BOSS SD1 as a boost. Adding 10 band eq into effects loop shapes the tone even more. Sounds great through Celestion V30 and GT75 2×12. 1/4 power switch helps for home volume levels, but I still use a reactive load attenuator.Dave
Dude !! This thing is extremely loud. I play through a 100 watt Marshall TSL100 and this 80 watt head blows it away as far as power goes..I couldn't get it past 4 without it hurting my ears seriously. I returned it because of that reason. It is a very large head too..pretty good sound though and easy to use. You want loud…get this head if not get the combo but you better have a good back !Mike
WAY TOO LOUD for home use..this amp just screams loudness. You will not sound like Eddie using this amp. it is very big and did I say LOUD !? at full power I couldn't get it past 4 playing through my Marshall with VIN30s – 4×12 cabinet. for the money a good LOUD amp a bit sterile sounding playing clean..It went back though so you can decide yourself…oh it has tons of GAIN too…TONS !! almost too much reallyMike
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