Squier Vintage Modified Mustang Electric Guitar For Sale (2024 Update)

Sound: Today's guitars are all made on cnc's unless you get something like a US made G&L, those are cut out with bandsaws and routers, like fenders in the 50s up to the 70s. The neck pocket in mine is very clean and neat, the body routing is very clean, the frets were nice out of the box, no misaligned screws or parts, no blemishes in the finish or anything. Features: The least useful feature for a majority of people will be the rhythm circuit, it has its own volume and tone pots and is neck pickup only, with a much darker tone than the neck pickup on the lead circuit, leave the switch in the down position, and you never have to worry about it unless you want an old school jazz guitar tone. Then push that switch up. (It does old jazz guitar really well) Ease of Use: The jazzmaster has quite a bright bridge pickup, makes it well suited for surf, or spaghetti western guitar, but it also means distortion on the bridge pickup will cut through rather well. the neck pickup is strat like, but bigger and thicker. Like a strat neck pickup on steroids. Both pickups together results in a sweet soft sort of quack tone, due to the pickups being so far apart, it's not the same as a strat quack tone, but its very nice sounding. Then of course there's the neck only rhythm circuit which is very much like an old jazz tone (hence the name Jazzmaster)The pickups are generally higher output than most other fender pickups, and work well with distortion. A lot of people still think jazzmaster pickups are p90s. Nope, real jazzmaster pickups are roughly the same size, but thats where the similarities end. They don't even sound similar. This confusion is furthered by the old mexican player jazzmasters, the j mascius, and others that have P90's. Quality: Fender mexico didn't skimp on the electronic parts, the pickups are very much like a mid 60s jazzmaster in sound, even down to the gray bobbins and enamel coated coil wire. Pots are CTS, both switches and the jack are switchcraft, just like they are supposed to be. They should last forever. The trem is built well, but not exactly the same as the old ones, the trem arm is screw in, it really should be a push in arm, like all the old ones. Also, I think the hole of the trem arm in the top plate is way way too big, it only needs to be slightly bigger than the trem arm collet.The tuners are kluson like split shaft, loke fender used from the very earliest days until 68, they're not made by kluson but it doesn't matter the design is too simple to screw up. The frets are vintage, they're always described as tall and thin. They're not tall, but they are thin, it is a 60s styled guitar after all. But I think a lot of people used to 9.5 and flatter radiuses will have problems, it's a 7.25" radius fretboard, requires a bit higher action but a half hour or so of playing, you get used to it. It also has a truss rod nut at the heel of the neck, its a correct feature for all fender's prior to 1971, but man was that a bad design choice on leo fender's part. You either have to loosen the neck a lot or take it completely off to adjust neck relief, and hope you got it right.Now when I got my guitar I took it completely apart (I always do). What I found on the inside could be improved. First was an excessive amount of wire. There is a lot of wire in a jazzmaster, but they didn't even bother cutting the pickup leads to length. Both pickups had about a foot of unnecessary lead wire, so I fixed that.The other issue was a bad conductive paint job in the cavities. The jazzmaster is an electrically noisy guitar, they need all the shielding they can get. The conductive paint was one thin coat, and didn't even go up the sides of the cavities, it wasn't doing anything. From 1958 to the end of the original run around 1980 each jazzmaster had brass tubs in all the cavities, all soldered together and grounded. I don't expect that in a new jazzmaster, but they knew then that it needed shielding. The pickguard in 58 was also gold anodized aluminum, which was excellent for shielding. But the anodizing wasn't good, and the gold wore off after a few months so and looked awful. In 59 fender switched to plastic tort pickguards, with a thin pickguard sized aluminum shield underneath. Anyway I properly shielded the cavities. Also the pickguard only had aluminum tape for the toggle switch to the jack, and another piece for piece for rhythm circuit switch and pots. That ain't going to do it. I added more shielding, put it all back together and it was a major improvement. Recently I decided to see what a proper gold anodized aluminum pickguard would look like on ice blue metallic, and its VERY cool, looks like a 1960s california speed shop modded my guitar, might put some tele knobs on it sometime.I also made another modification, I had a 65 reissue trem and bridge laying around, so I put them on it. In the old days, the lock button, trem

Bit of a clickbait title, but I genuinely sold my Gibson SG to downsize buy a cheap guitar + a load of other bits and pieces. Do I regret it? Not in the slightest. Now obviously build quality and sound aren't to the standards of the Gibson, but this cost a fraction of the price and honestly; I've not really lost anything. 15 years ago when I started playing instruments, buying a guitar at this price was a stop gap, and generally had more faults than positives… what has changed in that time!? Squires bottom of the range guitars are infinitely better than any other guitar i have played at the same price point, and this guitar holds up against mid range guitars. So, bad points? There's a couple of minors. The neck has a single rough spot that was fixed in less than 10 seconds with a fine sand down, but that was it in terms of looks and feel. The frets are perfect, the setup out of the box literally needed a quarter of a clockwise screwdriving to sort the intonation on the low E – I've never had so little to setup on any guitar I've ever owned (Maybe I got lucky, but to think this is possible on such a cheap guitar is magical). The only 'issue' I'd say this guitar has is, the pick ups aren't very hot. They're more than reasonable, especially at the price point, but dont expect to fill out an arena with the sound. Important to point out: this guitar costs about the same as a good set of pick ups… so this actually just makes this a great project guitar as well. Lovely smooth matt neck, which i'm a huge fan of, tight neck joint, well finished frets and reasonable tuners that are better than yesteryears tuning pegs. If you're looking for a starter guitar, a project guitar, a guitar for some home studio recording, a back up guitar or something you can chuck about and have a bit of fun with, this is the one.

Earlier this year, I decided I'd like a telecaster style guitar to give me an alternative to my Fender Strat. Originally purchased a G&L tele from a firm who shall remain nameless (hint: they're named after the generic name for the things I'm talking about in this review, times two!). Unboxing said item, I was really underwhelmed – it didn't come in its original G&L packaging for starters – and I ended up sending it back. Forgot about a new guitar for a few months until I came across the Fender Squier Classic Vibe 50s in Butterscotch. Loved the understated look, a proper "classic" look in this particular finish. Read some glowing reviews, looked around for the best price and found it here at DV247. Bit the bullet, and it was delivered without a hitch a few days later (think it's shipped over from Germany). The package weighed a ton! Well packaged by DV247, and inside another sturdy box well packaged by Fender – I should have done an unboxing video! When I finally got to the guitar – a thing of beauty! Albeit understated, as I said before. The most impressive thing? All that way from Indonesia, halfway across the world to Germany, then via courier to my door – the damned thing is still in tune!!! Buy one!

There's a lot of budget guitars out there, but I decided to try this one based on the Fender reputation. I couldn't be happier. First of all, the guitar is stunning to look at, just plain beautiful. That's only the tip of the iceberg. The neck is fast, the action great, and it just feels good to play. Fret ends are so smooth you hardly know they are there, tuners hold tune so well I have only had to tune once in the last week. Checked the intonation on the meter when it arrived and all strings were right on the money. I'm frankly surprised to get such a good instrument at this price point, if I had paid twice as much would still have felt like I stole it. I recommend without reservation, you can't go wrong with this little beauty. One note, it will not fit most gig bags, it is almost 42", if you want a bag or case, make sure it is going to fit!

My name is Bob, and I am a Tele addict. Having two Fender Telecasters with 2-single-coil pickups in them, I was on the prowl for a Telecaster Deluxe with two "wide range humbuckers." I'll be honest, I was looking more at the various Fender versions, but had always heard good things about the Classic Vibe series Squiers. While many lower-level Squiers can be hit-or-miss, the Classic Vibes tend to be good consistently. And the Tele Deluxe is a new CV introduction for 2019. When I looked at the features of the Fender products, vs. this Classic Vibe, I couldn't justify the Fenders at more than double the price, so decided to take the chance with this Squier. I'm very glad I did. The build quality, fit and finish, setup and everything were spot on right out of the box. This was probably the best out-of-the-box experience I've had in a long time. The neck feels great. The fret ends are nicely polished. The pickups were a little high for my taste, but balanced between neck and bridge. Took just a minute to get them lowered to where I like. I had no issues with frets choking out or being high otherwise. These new Classic Vibes are absolutely great guitars!

I'm a telecaster guy, but I wanted to try something new so I picked one of these up. Honestly, I was shocked at the quality of the instrument. Frets are perfect, action was great, finish is flawless, good feeling pots, and the guitar sounds great. It pains me to say this, but in all honesty it was better set up than my American performer telecaster and it cost one third as much. I ended up blocking the tremolo for better sustain and tuning stability, and WOW, that made a huge difference! I can now feel the string vibrations through the entire guitar and the tonal balance is much better. If you don't use a tremolo much, I'd really recommend it. It's a really fun guitar to play and a steal for the price.

I bought this guitar as a beginner's guitar for my kids aged 3 and 5 (probably a bit too early for the youngest, however I couldn't get myself to buy a guitar from the toy store). I had read some mixed reviews about the guitar before my purchase, in particular regarding its ability to stay in tune. After having played it myself for a couple of nights however, I don't really see this as an issue. The lower string tension does mean that you will have to be careful not to play too hard on open chords. You also have to be careful how hard you push your fingers down unto the fretboard. However, these are issues you will find on any 3/4 model. Tuning the guitar a half note higher or using thicker strings can make this less of a problem. However, all in all I am very happy with the puchase and the kids (and myself) just love the looks of the guitar.