Are you looking for the Les Paul Guitar Left Handed? If so, you’ve come to the right place.
Choosing the Les Paul Guitar Left Handed can be difficult as there are so many considerations, such as Epiphone, Silvertone, Gibson, Carvin, Burny, Tokai, Sawtooth, Custom Shop. We have done a lot of research to find the top 20 Les Paul Guitar Left Handed available.
The average cost is $1345.65. Sold comparable range in price from a low of $219.99 to a high of $3199.00.
Based on the research we did, we think Gibson Les Paul Studio (Left-Handed) Electric Guitar Ebony is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Les Paul Guitar Left Handed (20 Sellers)
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$1699.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Weight . Well made . Durability
Features:
- Les paul studio
- The essential les paul
- Detailed specifications
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Gibson les paul 2019 tribute left handed w/gig bag.
- You are viewing pictures of the actual guitar being sold!
- Finish nickel – bridge aluminum nashville tune-o-matic – tailpiece aluminum stopbar – tuning machines vintage deluxe w/ keystone buttons – pick guard cream.
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- The les paul standard 60s models from epiphone s new inspired by gibson collection recreate the sound of 1960s era les pauls.
- Featuring a classic mahogany body with a maple cap, grover tuners, and powered by probucker humbuckers with cts potentiometers.
- This model is left handed!
$729.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durable
Features:
- Les paul custom
- The iconic les paul at its classiest
- Detailed specifications
$2499.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Trans cherry w/hard case.
- 2nd hand details:this is a previously loved item and as such may have signs of use.
$1799.00
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- Comes with all of the original case contents of course to include the gibson registration paperwork, multitool, and strap.
- Also, apologies as i will not reply to offers or trades.
- Return of the special.
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This is an example of the guitar you will receive.
- Satin nitrocellulose lacquer finish.
- Incudes gigbag.
$1599.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Mahogany neck and body
- Single p-90 pickup
- 22 medium jumbo frets
$1099.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Beautiful l.p. tribute…lefty.
- This piece is in near mint condition.
- Comes with gibson goodie bag,soft case,baby picture & everything else i got with her.
$2379.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Gibson les paul standard 60's lefthanded.
- Changed pickups for seymour duncan seth lover sh-55n neck pickup and seymour duncan sh-5 custom bridge pickup.
- Made in 2022.
$3199.00
4.9
Reviewers Noted:
Attractive . Craftsmanship
Features:
- In house serial: 207020128.
- Resonant solid mahogany body exhibits incredible warmth and sustain.
- Supremely eye-catching aaa figured maple top adds snap and bite to your tone.
$649.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Heavy
Features:
- Body material: mahogany w/aa flame maple top
- Profile: slim taper 60s "c"
- Pickups: probucker-3 (bridge) / probucker-2 (neck)
$1699.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- Mint condition.
- Fresh design.
$299.99
4.7
Reviewers Noted:
Attractive . Good sound quality . Durability . Well made . Heavy
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from us are in our shibuya store in tokyo …
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Gibson les paul standard 60s.
- Beautiful aa figured maple top on mahogany body.
- The finest gibson craftsmanship.
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Lightweight
Features:
- Pictures are of the actual guitar!
- S/n: 20091534374.
- Weight: 8lbs 10.9oz.
$1250.00
4.8
Reviewers Noted:
Durable . Attractive . Good sound quality . Well made . Weight
Features:
- Resonant solid mahogany body
- Gibson script logo on headstock
- Nickel plated wraparound bridge
$449.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Lightweight
Features:
- Supported by a 3-way switch and four potentiometers.
- Provide enough tools for mix-splitting solos.
$649.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Lightweight
Features:
- Les paul shape, mahogany body, carved hard maple cap with aaa flame maple veneer top, cream binding
- Neck pickup – epiphone probucker 1, bridge pickup – epiphone probucker 2
- Epiphone vintage deluxe 18:1 ratio machine heads
Features:
- Make your music electric. riff, shred, or solo with this les paul-inspired electric guitar, specifically designed for left-handed players and perfect for novice, intermediate, and pros alike. from lyxpro….
1. Gibson Les Paul Studio (Left-Handed) Electric Guitar Ebony
Product Details:
The gibson les paul studio left-handed, finished in ebony, is perfect for the stage and the studio, with all the quintessential les paul components, plus a host of modern upgrades which enhance playability and sonic versatility. a mahogany body with a maple cap, set up the basis for classic les paul tone. ultra-modern weight relief maintains this tone, while reducing the weight of the guitar, thanks to its high-tech design which offsets relief chambers around the body perimeter, and maintains a solid core through the centre. a slim taper mahogany neck, and a rosewood fretboard with 22 medium jumbo frets, provide super fast playability and comfort. a 490r neck, and 498t bridge humbucker pump out tight, crunchy high-output tone, while two push-pull coil-tapping pots and a three-way pickup selector switch add a huge range of sonic versatility.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | 490R |
| Bridge | 498T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push/pull coil taps |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
Not much to say about a GLP – its an amazing guitar as you'd expect and anyone can carry it and comparably price instruments. However, it's the Sweetwater service that makes the difference. Grant is great and super responsive to my questions and issues. You can tell that the people who work here play and love music. I completely trust Sweetwater with my musical instruments. I just purchased my second guitar with them yesterday and the process was fantastic. At this point, I'm only going to buy here. Even if I found an instrument at a cheaper price through one of their competitors, it wouldn't be worth the care and service you get at Sweetwater. 5-Stars guys! Customer 4-Life!
So it arrived today! it came in a very nice branded MusicStore box with a short checklist of things done before packing. This is nice as makes me confident the purchase was made with premium supplier. The standard Gibson outfit package is really cool. There's a branded soft gig bag with nice fluffy interior, a bag strap, a cloth, few marketing leaflets, and, a photo of the guitar that was made in the factory. Very cool. Value wise, its fantastic. The guitar out of the box looks great. it feels and looks premium, although it is a distant and poor relative when standing next to LP's Reissues or some other top-shelf models. Visually, its a different line. The guitar was pretty much setup to play from the box (thanks musicstore team), which was a nice surprise too. Unplugged, there is more than enough sustain, vibe and articulation details. This instrument sounds very much like pricier Les Pauls, even with no power. The neck is nice and fast with medium jumbos, allowing to play pretty much everything you want. Once plugged in to 90s JCM 800 set, it did deliver pretty much everything the more expensive Gibsons' do. There's sustain, articulation, the 'gurl' of Gibson. Studio workhorse, worth every penny. Which was a bit of surprise as the Studios' are slightly lighter in body construction. Some complain about finish quality, but i have not observed anything limiting playability yet. As mentioned before: if you place it next to a top-shelf Les Paul, you WILL see a difference. You will see dozens of differences in finish and quality as these instrumets are different. But, to me, its a great guitar, and I would reccomend that to anyone looking for Gibson sounding instrument for relatively moderate price. LP Studio is probably the cheapest and easiest way to get real Gibson sound for "OK" money. I have one comment to MusicStore team regarding the purchase process: It would be nice to allow customer to change payment option in case of problems with the one initially chosen.
2. Gibson Les Paul Tribute (Left-Handed) Satin Tobacco Burst
Product Details:
A tribute to the master and the model the les paul tribute captures the vibe, feel and tonality of a traditional les paul and is available in four classic finishes. a rounded maple neck profile and ultra-modern weight relief make the gibson les paul studio tribute a pleasure to play. a mahogany body, maple top and pair of 490 r & t humbucking pickups with alnico ii magnets provide classic tone, power and sustain. ultra-modern weight relief the latest advancement in maintaining tone with weight relief ultra-modern weight relief was developed through a slight yet carefully calculated offsetting of the chambers around the perimeters of the guitar's body to further lighten the load, without degradation in tone. its engineered to provide a solid core through the center of the guitar to retain the classic les paul sound. unlike a full chambered design it is less prone to feedback or affecting the tonality and resonance of the guitar.
Specifications:
| Neck Material | Maple |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.695" |
| End of Board Width | 2.26" |
| Inlays | Acrylic Trapezoids |
| Bridge | Aluminum Nashville Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Tuning Machines | Vintage Deluxe w/ Keystone Buttons |
| Pickguard | Cream |
| Control Knobs | Gold Top Hats |
| Switch Tip | Cream |
| Switchwasher | Cream (Not Mounted) |
| Jack Plate Cover | Cream |
| Bridge Pickup | 490T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
3. Epiphone – Les Paul Standard 60s – Left-Handed Electric Guitar – Ebony
Product Details:
It's got history on its side. the epiphone les paul standard 60s left handed is modelled after the legendary les pauls of the 1960s – and it looks the part. featuring powerful, vintage-voiced probucker 2 and 3 humbuckers, and will give you a brilliantly crisp, clear sound. a slim taper 60s c shaped neck provides exceptional playability, feeling both smooth and comfortable in your grip. you'll be able to express your riffs with absolute accuracy. and grover rotomatic tuning machines massively enhance tuning stability for a superbly reliable instrument. dive into a world of vintage tone with this flashy, flawless guitar.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | AA Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Left handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | HH |
| Neck | BurstBucker 61R |
| Bridge | BurstBucker 61T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
I have wanted a Les Paul since I was in high school in the 1980s. For my 50th birthday (Jan 2022) I really was determined to get one. But, on a country church pastor's salary, no chance at a Gibson, even Epiphones were pricey for me. Thanks to some generous friends who saw a post of mine on social media about my dream guitar. They took up a collection and told me to buy a guitar! So I did! I purchased the Translucent Blue. It is everything I hoped it would be and dreamed of having since I was in high school. Ordinarily, not a fan of factory strings, usually change strings first thing when I get a guitar. But this sounded fantastic out of the box. It's not very often a product lives up to expectations, much less exceeds them. This Les Paul is everything I hoped and then some. The Translucent Blue is an absolutely GORGEOUS intstrument. It plays great, sounds fantastic. Be warned, Les Pauls are heavy guitars. If you're used to something more lightweight, this may be a surprise. I've played them before, I was expecting it to be heavy. This feature might turn some off, but I'm fine with it. Bottom line, if you're pondering getting this guitar, make the leap! You will be glad you did!!!Pastor Frank
Holy wowzers I'll try to keep this quick. I'm one of those guys that has had TONS of guitars. I currently own 10. I had a Gibson LP but ended up parting with it years ago and have recently started wanting one again. Did a lot of research on just about every LP clone out there including ones from Japan, etc. Why not just get a Gibson you say? Well obviously because of the price tag and how much extra it costs to get the name on the head-stock. In no way do you need to spend triple to quadruple the amount it takes to get a Gibson if you don't feel like it these days. These Epi's are cut using the same exact machine that the Gibsons are cut on here in the USA. The same wood is used. This particular model even has CTS pots, a GraphTech nut, and ProBucker pickups. The major difference is China. Yes, China. I would have balked at that years ago, but I also own a J. Mascis Jazzmaster that is made in China and it is absolutely flawless… just like this Epiphone. As a bonus, the "made in China" is only a sticker. You can just remove it so you'll feel much better about yourself when you look at it haha. Without rambling on and on, I always check Guitar Center online to see what is available at my local stores when I am in the market. This one caught my eye because I'm a sucker for quilt top LP's. I called in and had the local dude confirm it was there and he said it hadn't even been taken out of the box yet. BONUS! I rushed to the store and got to unbox it myself. I always like to see guitars like this in person to make sure the top looks good and there are no glaring QC issues. In this case I was extremely satisfied. It came right out of the box with perfect action and perfect intonation. Literally all I had to do was stretch the strings and tune up and it was ready to rock. Here are a couple more nuggets before I sign off to play it more. The frets on this one are nailed. Smooth and polished. The quilt top is unbelievably gorgeous (just look at the pics). The weight is about right for a LP. Chunky and not too light like a super shredder. I love that. The pickups are exactly what I need in my collection. They will do just about anything but super clean chimey ambient tones but who cares, I have other guitars for that. All of the switches and pots feel excellent so I am feeling like I will not have to change one thing on this guitar making it a steal at this price. If I had to nitpick one thing, I would like to see Gibson "allow" Epiphone to use the same exact head-stock shape that the Gibsons use. Fender does it with Squiers so what's up with that Gibson??? While the new "inspired by" Gibson head-stock is WAY better than the older ones, it is still a shame they are so hard headed and that is yet another reason why I chose to get an Epiphone. Again, that is being extremely nitpicky. In conclusion, the newer mid to upper end Epiphone guitars are worthy of checking out by any level of player. Do yourself a favor and at least pick one up if you get the chance. Now excuse me while I go blow my windows out.Mark
Overall: A couple of weeks ago, I was looking at buying the Gibson les Paul Standard 60's Bourbon Burst for $2,499.00, as I was doing my research checking out reviews when I came across a side by side review of the Gibson verses the Epiphone les Paul standard 60s. The similarities in quality and sound were eye opening, still skeptical I thought to myself, I owe to myself to at lest checkout the Epiphone les Paul standard 60s what's the worst that could happen, if I don't like it ill send it back and order the Gibson. Well I'm here to say I don't JUST like it, I ABSOLUTLY LOVE IT. Right out of the box I was super impressed with the look and feel of this guitar with the flamed maple top to the deep rich cherry back and sides, I sat down tuned it up plugged it into my amp. I went from being impressed to ka-ching I hit the jack pot. You know after I bought this guitar and before it arrived I had that feeling of buyers remorse, thinking that I somehow compromised and I should have bought the Gibson. Well the first few licks on this guitar and all that washed away instantly. This guitar has it all, value, quality, sound, playability and the flamed maple top…. just wow…!!!!! thank you zZounds and Epiphone for this fantastic les Paul.
4. Epiphone Les Paul Custom Left-Handed Ebony
Product Details:
One of the most beautiful and iconic guitars ever created! the left handed les paul custom is part of epiphone’s inspired by gibson collection and honors the 1950s classic designed by mr. les paul himself in 1954 as the “tuxedo” version of his groundbreaking solid body masterpiece. featuring a traditional custom-style mahogany body and ebony fingerboard, gold hardware, critically acclaimed probucker humbuckers with cts electronics, grover machine heads, and custom-style inlay. the epiphone les paul custom is equipped with a pair of probucker pickups for that vintage ‘50s sound, transporting you back to the days when original gibson paf (patent applied for) humbuckers ruled the day. with a probucker-2 in the neck position and a probucker-3 in the bridge position, a wide variety of bold, grungy, and driven tones are at your disposal. this guitar can change character as well – the epiphone les paul custom can also bring the clean, shimmery, and round tones to your sonic color palette. the engineers at epiphone really put in tons of work researching and experimenting with these pickups, so they could hand-pick the right vintage tonal characteristics worthy of their original counterparts. the fine details have all been taken into account. the les paul has dominated the guitar landscape for over 60 years and the epiphone les paul custom is the next wonderful instrument in this amazing guitar lineup! it is a gorgeous instrument that has been inspired by the best the original luxurious ’54 les paul custom had to offer. it is also a beacon of consistency, looks great, plays great, and is an incredible value, checking all necessary boxes required for a trusty guitar that’s needed for the journey!
Specifications:
| Headstock Shape | 60's Kalamazoo |
| HS Face Color | Black Gloss |
| Truss Rod Cover | 2-Ply "Les Paul Custom" |
| Binding | 5 PLY W/B/W/B/W Binding |
| Neck Material | Mahogany |
| Nut | 43mm Graphtech |
| Neck Profile | Slim Taper |
| Neck Joint | Set Neck |
| Finish | Ebony gloss |
| Fingerboard Material | Ebony |
| Inlay Style | Block 12th Fret inlay Block |
| Side Dots | 2mm Black |
| Scale Length | 24.75, (628mm) |
| Radius /Number of Frets | 12", 22 |
| Body Style / Shape | Les Paul |
| Top Binding | 7 PLY |
| Back Binding | 5 PLY W/B/W/B/W |
| Neck Pickup | Probucker 2 |
| Bridge Pickup | Probucker 3 |
| Pickup Mounting Rings | Black Medium and Low |
| Switch Type | 3 Way Toggle, Cream Cap |
| Control Assembly | 2 Vol/2 Tone, CTS Pots V/T |
| Knob Color / Type | Black Speed Knobs |
| Toggle Washer | Ryhthm/Treble, Gold Hot Stamp |
| Output | Gold Metal Jack Plate |
| Plastics | Pickguard |
| Back Plates | Black |
| Hardware Plating | Gold |
| Tail Piece Type | LoctTone Stop Bar |
| Strap Button | 2, Butt and Upper Bout, Gold |
Reviews:
I am basically play for my own entertainment, and this LP Modern is rapidly becoming my favorite, even though I also really like my G&L Tele and Strat models. The shorter scale makes a difference and I find the neck fits my hand really nicely. The sound is great, as is the finish. Having said that, I would have given it 5 stars, but my guitar came with 5 areas of light scratches and scuffs, including under the protective plastic on the pick guard, but I was able to polish all of them out to where all but one area is completely gone. The worst spot was by the toggle switch, which is all but disappeared and probably with a little more polishing, would go away completely. I didn't want to take the chance of going thru the clear, but am happy with the results. Someone else who is uncomfortable with that process may find it unacceptable, but I doubt those issues are common on Epiphones and MF's return/exchange policy would certainly cover that as I was assured if I wished to do so. The Sparkling Burgandy finish is a real eye catcher and now it makes me want to pick up the guitar and play it, which is the whole point. The added weight relief makes it enjoyable hanging on your shoulder. This is a very nice guitar for the price and then some. And Devan Miller has been great during the whole process and follow up. Very knowledgeable, patient, and extremely helpful in answering all my questions. Highly recommend him as a rep.Steve R
Overall: The Epiphone Les Paul Modern sounds great and looks amazing. The new/old Kalamazoo headstock is a game changer for the overall look of the instrument. With push/pull coil split and phase switching there are a wide variety of useful sounds over and above the traditional Les Paul. Any differences between Epiphone and Les Paul pickups can be compensated for with EQ, especially while using overdrive. There is a bit of noise similar to single coils when using the coil split function.The guitar came with a great setup from the factory. Action and intonation are about the best I have seen of any of the dozen or so guitars I have owned. Tuning stability is exceptional. This is noteworthy for an Epiphone as there are often issues with tuning stability on Gibson LP's due to the angle of the headstock being greater than the Epiphones. The locking tuners are an excellent upgrade, and should be standard on most guitars these days. Regarding quality control, I identified three high frets that are causing some minor fret buzz, but not enough to send it back. Some minor fret work will resolve this, but you should take this into consideration if you are not inclined to spend extra money on a brand new guitar for fret leveling. I have read that this is a common issue with 2020-2021 Epiphones. Fret ends have some sharpness to them. The black pickguard has a gap around the neck pickup. Not very noticeable unless you are looking for it, but I am not sure why this is an issue. I have seen it on other guitars of this model. Though it is an Epiphone, this seems to be one area that would not be difficult to fix in design. Finally, there are minor quality control issues on the finish mostly around the binding with paint bleed or similar. Overall, at this price point, the guitar is a great purchase for the hobbyist, considering the Gibson version will cost about $3,000. However, with so many quality guitar choices in the $1,000 price range, I am not sure I would pay much more for an Epiphone, and am glad they kept the price point in this range.Shanon
Overall: The Good: took a chance to save some money on a "blemished" deal. Have had good luck with these in the past with zZounds, and as before, could not find any blemishes in regard to the finish. The setup, however, was abyssal. Once setup, the guitar is fantastic. Lighter weight than my other Epi, and.my.Gibson. The Probuckers are amazing. Great clarity and I see or hear no reason to replace them. Liking them better than my 57+ classics. Black guitars and me don't get along, as I have always sold them off. The graphite black and plain back on this guitar is gorgeous. Most likely a keeper. Neck feel is perfect. Coil split and tone controls really make a difference. Many sounds can be had. May soon become my #1 guitar. Plays effortlessly. The Bad: guitar setup was non existent. Tuners were crooked, nut slots too high, pickup height too low, pick guard installed incorrectly, uneven frets, action set for limbo, and scratchy pots. After cutting deeper nut slots, leveling and crowning the frets, lowering the action, adjusting truss rod, readjusting tuning pegs and pick guard, spraying the pots, and installing quality knobs, the guitar is now fantastic. I can understand why it was returned as it took a lot of work to get it playable. Luckily, I do that all myself so no extra $. Sadly, although great luck with zZounds in the past, this will be my last order until either:1) zZounds offers shipping options other than FedEx. Or2) Fedex gets their s**t together and figures out how to deliver packages to the correct address, with accurate tracking, and without damage.
5. Gibson Les Paul Classic Left-Handed Electric Guitar Transparent Cherry
Product Details:
The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifications. as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching, and pure bypassing for functional and versatile sonic variety.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Left handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
6. Gibson Les Paul Special Left Handed Electric Guitar – Tv Yellow
Product Details:
The les paul special returns to the classic design that made it relevant, played and loved shaping sound across generations and genres of music. it pays tribute to gibson's golden era of innovation and brings authenticity back to life. originally introduced in 1955, the les paul special has been embraced by musicians for over 60 years. it is based on the les paul junior with a slab mahogany body, fat 50s-style mahogany neck, rosewood fingerboard, wraparound bridge, an additional rhythm p-90 pickup, binding on the neck and additional controls for the rhythm pickup and the 3-way toggle switch. available in the always classic tv yellow and vintage cherry. p-90 single coil pickup legendary tone first introduced in the early 1950s, gibson's legendary p90 single coil pickup produced a raw powerful tone that helped define the blues and rock and roll in their formative years. today, the p90's traditional combination of high output and brilliant tone is still considered a favorite among many top musicians. known by such familiar nicknames as the "soapbar" and the "cobalt," the p90 still cuts through any type of music, all while displaying amazing tonal sensitivity for everything from blues and rock to mellow jazz riffs. it's perfect as a vintage replacement, and features vintage, braided two-conductor wiring. it's also fully wax potted to eliminate any chance of unwanted microphonic feedback.
Specifications:
| Neck Profile | Vintage 50's |
| Neck Material | Mahogany |
| Depth at 1st (in) | .892 |
| Depth at 12th (in) | 1.001 |
| Nut Width (in) | 1.69 |
| Nut Material | Tusq |
| Scale | 24.75 In |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Gloss Nitro |
| Tuners | Gibson Deluxe |
| Bridge | Lightning Bar |
| Neck Pickup | P-90 |
| Bridge Pickup | P-90 |
| Controls | 2 Volume, 2 Tone, & 3-way Pickup Switch |
| Strings | .010, .013, .017, .026, .036, .046 |
| Weight (lbs) | 7.7 |
| Finish | Tv Yellow |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Wrap-Around |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Special |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | SS |
| Right / Left Handed | Left Handed |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
7. Gibson Les Paul Tribute Left-Handed Electric Guitar Satin Cherry Sunburst
Product Details:
With all the attributes of the timeless design, the les paul tribute is a marvel of guitar craftsmanship. it features a mahogany body with ultra-modern weight relief, admirable gibson specs, and 490 humbuckers that'll blow you away. this guitar is for the les paul lover who wants to take home the classic model in all its glory, at a very reasonable price. mahogany body with ultra-modern weight relief the les paul body style is the quintessential single-cut design that the guitar world has been marveling at for decades. this lp tribute is shaped from mahogany, a tonewood that affords excellent resonance and powerful sound. this particular model also features gibson's ultra-modern weight relief to assure it's comfortable and playable for guitarists of all shapes and sizes. and, of course, the satin nitrocellulose lacquer finish guarantees it will age in the most beautiful, natural way. admirable gibson specs the appointments on this guitar are modern-made, but vintage tried-and-tested. the maple neck has a 24.75 inch scale length and features a rounded profile for boundless playing. the rosewood fretboard is gorgeously contrasted with acrylic trapezoid inlays, sitting between the 22 medium jumbo frets. the bridge is an aluminum nashville tune-o-matic with an aluminum stop bar tailpiece. for some great vintage gibson vibes, this les paul has vintage deluxe tuners with keystone buttons, as well as gold top hat control knobs. 490 humbuckers that'll blow you away with this level of excellent craftsmanship, it's important that the pickups in this guitar match its underlying power. gibson outfitted this lovely les paul with dual 490 pickups, for clear, bright tone that articulately handles gain and effects. with 2 volume and 2 tone controls, as well as a three-way toggle switch, there's little the les paul tribute can't handle.
Specifications:
| Neck Material | Maple |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.695" |
| End of Board Width | 2.26" |
| Inlays | Acrylic Trapezoids |
| Bridge | Aluminum Nashville Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Tuning Machines | Vintage Deluxe w/ Keystone Buttons |
| Pickguard | Cream |
| Control Knobs | Gold Top Hats |
| Switch Tip | Cream |
| Switchwasher | Cream (Not Mounted) |
| Jack Plate Cover | Cream |
| Bridge Pickup | 490T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
8. Gibson Les Paul Junior Left-Handed – Vintage Tobacco Burst Guitar
Product Details:
The les paul junior returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. it pays tribute to gibson's golden era of innovation and brings authenticity back to life. introduced as an affordable option for students and beginners in 1954, the les paul junior has been embraced by musicians for over 60 years. the single cutaway slab mahogany body, single dogear p-90 pickup, single volume and tone controls all add up to a whole lot of guitar which is greater than the sum of its parts. the fat 50's-style neck profile and wraparound bridge add to the equation for rock solid tone. right-handed model shown.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Left handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Control layout | Master volume, tone |
| Bridge type | Fixed |
| Bridge design | Vintage-style compensated wraparound |
| Tuning machines | Vintage Deluxe white-key |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
P90 purity. An absolutely iconic sound that can spirit you back to the 50s on normal gain – and melt faces through hi gain channel. Set neck sustain and the lower string tension of the Gibson scale make it a dream to play. It also looks amazing, the mirror-like ebony finish is a joy to behold.Richard F.
Sound: Sounds exactly as you’d want a Les Paul Junior to sound. Plenty of bite and cleans up extremely well. Very versatile in sounds with just the 2 knobs. Features: The bridge feels great and looks great, and makes the guitar so resonant and easy to play. Ease of Use: The easiest to use that you could ask for, sounds great with drive or clean. Quality: Very well made, parts seem top quality. Value: This is expensive for a Les Paul Junior compared to their former price points but I would pay it again if I knew the guitar was this good. Manufacturer Support: No The Wow Factor: Very high, I have plenty of guitars and didn’t REALLY need this one but I bought it and I have no regrets at all. Overall: I was scavenging the used market for weeks unable to find a “good deal” on any Juniors when I finally decided to purchase new which I was unsure of at first given how much Juniors are priced at these days but WOW. This guitar couldn’t have been any more perfect in my experience. The feel of this guitar specifically is just incredible, the neck is so comfortable and the frets are perfect and smooth. It feels better than any other guitar I own by a mile, some of which I’ve had professionally setup very recently. The finish looks amazing and feels great on the neck as well. I got the ebony with the tortoise shell pickguard which looks even better than Id hoped as well. The stock pickup in it leaves nothing more to be desired, plenty of growl and punch, sounds absolutely incredible on an open D chord. Nothing like it.
Purchased a 2020 LP Junior in ebony from AMS. Arrived with chipped and bubbling paint at the neck joint. Can't believe any respectable quality control engineer would allow this out of the factory. Having purchased a 2019 Les Paul Special last year through AMS, I thought Gibson had turned the corner! And although AMS has a great return policy, I can't purchase another until the guitar has been inspected and credited to my account. So 5-7 days before I can reorder! Total Disappointment! Looks like my Gibson buying days at AMS are over. Never had a problem with my Fenders!EJ Maynard
9. Gibson Les Paul Tribute Left-Handed Electric Guitar (Satin Honeyburst)
Product Details:
A tribute to the master and the model the les paul tribute captures the vibe, feel and tonality of a traditional les paul and is available in four classic finishes. a rounded maple neck profile and ultra-modern weight relief make the gibson les paul studio tribute a pleasure to play. a mahogany body, maple top and pair of 490 r & t humbucking pickups with alnico ii magnets provide classic tone, power and sustain. ultra-modern weight relief the latest advancement in maintaining tone with weight relief ultra-modern weight relief was developed through a slight yet carefully calculated offsetting of the chambers around the perimeters of the guitar's body to further lighten the load, without degradation in tone. its engineered to provide a solid core through the center of the guitar to retain the classic les paul sound. unlike a full chambered design it is less prone to feedback or affecting the tonality and resonance of the guitar.
Specifications:
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | Rounded |
| Neck Material | Maple |
| Depth at 1st (in) | .824 |
| Depth at 12th (in) | .986 |
| Nut Width (in) | 1.69 |
| Nut Material | Graph Tech |
| Scale | 24.75 |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Satin Nitro |
| Tuners | Kluson |
| Bridge | Nashville TOM |
| Neck Pickup | 490R |
| Bridge Pickup | 490T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
| Strings | .010, .013, .017, .026, .036, .046 |
| Weight (lbs) | 8.1 |
| Finish | Satin Cherry Sunburst |
| Made In | United States |
| Body Type | Solid Body |
| Fretboard Material | Rosewood |
| Number of Strings | 6-String |
| Offset Body | No |
| Right / Left Handed | Left Handed |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
10. Gibson Les Paul Standard '60s Electric Guitar, Left-Handed, Bourbon Burst
Product Details:
Fall in love with tone. the gibson les paul standard '60s left handed is your ticket to the iconic sounds of classic les pauls. celebrated all over the world as one of the best guitars of all time, the les paul standard has been used by countless legendary guitarists in a wide range of genres. this guitar provides a truly authentic '60s gibson experience, perfectly encapsulating the look, feel, and most importantly, the sound of a classic '60s les paul standard. perfect playability, pristine tone. when designing this guitar, gibson wanted to recreate the legendary feel and unmistakable sound of les pauls from the 1960s. the 61 burstbucker pickups deliver pure tones that let your sound shine through with ultimate clarity. and with a super-fast, slim-taper mahogany neck, you also get the effortless playing feel to match this guitar's amazing tone. experience something truly special.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | AA Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Left handed |
| Neck shape | '50s rounded |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R |
| Bridge | BurstBucker 61T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
11. Gibson Slash Les Paul Standard Left-Handed Electric Guitar Appetite Burst
Product Details:
Your child may be sweet. but this'll be your new favourite member of the family. the gibson slash les paul left handed is one ultra-special guitar, boasting all the premium features you'd expect from the signature of a true legend. belonging to gibson's slash collection series, its sublime sound comes from custom burstbucker alnico ii pickups, which emanate pure rock'n'roll groove. the aaa flamed maple top oozes professional style and class, whilst adding brightness to the resonance of the expertly carved mahogany body. it's no wonder slash is so good. this guitar is incredibly easy to play, with a sleek, c-shaped mahogany neck and pristine rosewood fingerboard for superbly smooth fret transitions. you can really dig in for solos, and keep your rhythm playing super tight on this pristine rock machine. an abr1 tune-o-matic bridge keeps your tuning in check and stable, whilst the included hardshell case will let you take this guitar on tour without so much as a scratch. take a trip to paradise city with the guitar of your dreams.
Specifications:
| Finish | Anaconda Burst |
| Year | 2020 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Standard |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Left Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
I got this Lefty Slash Les Paul in appetite burst back in December. I love it. The flamed maple top is beautiful. The guitar came overnight Saturday delivery. It was perfectly set up. The action and intonation perfect. Came in perfect condition. Sam Ash is the best place to get your guitar of distinction.Barry
Love the tone! I love the also like the look. I like the tone better then my 2016 Les Paul Standard. Quality product!Guitar Man
12. Epiphone – Les Paul Standard 60s – Left-Handed Electric Guitar – Bourbon Burst
Product Details:
It's got history on its side. the epiphone les paul standard 60s left handed is modelled after the legendary les pauls of the 1960s – and it looks the part. featuring powerful, vintage-voiced probucker 2 and 3 humbuckers, and will give you a brilliantly crisp, clear sound. a slim taper 60s c shaped neck provides exceptional playability, feeling both smooth and comfortable in your grip. you'll be able to express your riffs with absolute accuracy. and grover rotomatic tuning machines massively enhance tuning stability for a superbly reliable instrument. dive into a world of vintage tone with this flashy, flawless guitar.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | AA Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Left handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | HH |
| Neck | BurstBucker 61R |
| Bridge | BurstBucker 61T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Its not the les paul Baseball bat neck and not the Slim Taper. Its somewhere in between. Ebony Fretboard and EMG Passive pickups. The pickps have a pretty good punch and the guitar plays well the factory Floyd is a nice touch and thousands saved with the Epiphone as opposed to the Gibson Logo on the headstock. I have 2 of them and have no intention of changing the pickups at this point. for under 500 bucks its a great guitar. I did change the saddle in the Floyd to Floyd Originals for about 80 bucks parts cost. also routed out the inside a little for the big pull bake on my big block floyd upgrade… its an awesome guitar if you are a floyd guy and a les paul guy this guitar is a winnerjampatgal2012
Epiphone's Standard Left-handed Les Paul, while not perfect, is well-worth your money. If you're looking at a Gibson, but don't want to fork over the cash, it wouldn't be a bad idea to consider this instead. I agree with the previous reviews I've read that describe the guitar needing some setup work and attention to the action. But I also agree that it's a solid product, overall and well-worth your money. I purchased my guitar over 10 years ago, and noticed about 4 years back that it started having intermittent problems with the neck pickup. Sometimes it would work, sometimes not. It might be a good idea to invest in a soldering kit and a pickup selector switch for later on down the road. Do not let someone try to sell you a replacement pickup without first replacing the switch. It's a quick fix and much cheaper than a brand new humbucker, so long as you're not afraid to bust out that soldering iron. All in all, some setup work might be needed as well as some future-maintenance to the electronics, but it's worth it. This is a great sounding guitar with solid craftsmanship and it's a lot of fun to play.JT
GREAT LOOK AND FEEL! THIS IS A BEAUTIFUL GUITAR AND IS A QUALITY INSTURMENT. I PURCHASED THE EPIPHONE LES PAUL STANDARD ELECTRIC GUITAR AFTER DOING MY HOMEWORK AND HAVING SOME 40+ YEARS OF PLAYING AND I SING AND PLAY IN MY HARDCORE ROCK N ROLL BAND! DONT HESITATE THIS IS A BEAUTIFUL GUITAR AND IT PLAYS AND SINGS LIKE AN ANGEL. IM IN NO HURRY TO REPLACE THE PUPS YET. THIS IS A PROFESIONAL TOOL. I RECOMMEND THIS GUITAR FOR WORK AND GARAGE OR YOUR BEDROOM. I EVEN SOUND LIKE I KNOW WHAT IM PLAYING LOL! THE REASON I PURCHASED THIS LMT.ED.2014 RED ROYALE RED PEARL GLOSS FINISH WASBECAUSE IT WAS THE DEAL OF THE DAY WHEN I WENT TO ORDER A EBONY BLACK STANDARD EPIPHONE LES PAUL AND INSTEAD I SNAGGED THIS BRAND NEW EPI FANCY GLOSSY GUITAR FOR 299.99💰DEAL OF THE DAY. WAY NICE AND I AM VERY HAPPY AND SATISFIED WHAT A DEAL! BEST MONEY EVER SPENT. BESIDES THE BEAUTIFUL SHINEY HIGH GLOSS FINISH, THE ELECTRONICS AND HARDWARE ALONG WITH THE D TAPERED NECK AND NICE FRET BOARD IS OUT OF THIS WORLD. VERY NICE AND COMPAREABLE TO MY GIBSON LES PAUL STANDARD 👍. I AM NOT CHANGING A THING ON THIS GUITAR BUT TO HAVE A PROFESIONAL TUNE,TWEEK, AND SET IT UP FOR ME. NOT TO KEEP SOUNDING LIKE A EPIPHONE SALES PERSON BUT IT REALLY DID COME OUT OF THE BOX BASICALLY ALLREADY SET UP AND TUNED.REALLY! IM GOING TO STILL BUY ANOTNER EPI STANDARD LES PAUL NEXT MONTH. I AM GOING TO GET THE REGULAR EPIPHONE EBONY BLACK COLOR LES PAUL STANDARD OR….A EPIPHONE EBONY "BLACK BEAUTY"- THE HIGH GLOSS BLACK FINISH WITH THREE PRO BUCKERS! REMINDS ME OF SEEING ACE PLAY HIS VINTAGE GIBSON WITH THREE PICKUPS BACK IN 1976 IN PORTLAND OREGON @ THE VETERANS MEMORIAL COLLISIUM.JOEY VOMIT
13. Gibson Les Paul Studio Left-Handed Electric Guitar (Wine Red)
Product Details:
The gibson les paul studio left-handed, finished in wine red, is perfect for the stage and the studio, with all the quintessential les paul components, plus a host of modern upgrades which enhance playability and sonic versatility. a mahogany body with a maple cap, set up the basis for classic les paul tone. ultra-modern weight relief maintains this tone, while reducing the weight of the guitar, thanks to its high-tech design which offsets relief chambers around the body perimeter, and maintains a solid core through the centre. a slim taper mahogany neck, and a rosewood fretboard with 22 medium jumbo frets, provide super fast playability and comfort. a 490r neck, and 498t bridge humbucker pump out tight, crunchy high-output tone, while two push-pull coil-tapping pots and a three-way pickup selector switch add a huge range of sonic versatility.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | 490R |
| Bridge | 498T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push/pull coil taps |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
When I first opened the box what I saw was a work of art, I only hoped it was as great as it looked. I pushed the power button on the G-Foece Tuners and the G string light up red, I picked the G and all ways in tune. I checked it with my Petersen Strobe Tuner, and yes it was spot on. I plugged into a Vox AC30 HW, the notes that came out of the speakers seem to bloom with harmonics I've never heard before. The fit and finish looked like someone went through the Les Paul with a fine tooth comb, I figured the Les Paul being a 2016 would need a set of fresh strings. The instruction for the G-Force Tuners states to do one string at a time, so the G-Force would not need to be recalibrate. So I set up the windup wind down menu on the G-Force unwound the low E. The rewind confused me a bit, usually i cut the string about 1 1/2 past the next tuner, not so with the G-Force only cut the string to the next tuner inline, too much string will cause the G-Force to lock up due to too many winds on the post. When you get to the G-B-E Strings 1 1/2 will work better so the Strings don't slip on the post and cause tuning issues. The 490R & 498T pickups really surprised me. The 490R is very articulate not muddy in any way, if fact I use it more that I've ever used a neck pickup…the middle position is great for Lead or Rhythm, I've heard Jimmy Page uses this position a lot now I understand why. The 498T is very hot 13.7 ohms as opposed to the 7.6 ohms neck. Even though the ohms are far apart they work well together. I set my Neck volume about 6 for a nice clean rhythm sound and the bridge I set at 8-9 so when I want that little more bark it's there. So to sum it all up this Les Paul is all I need to get the tones I need. This is my Desert island Guitar.Huncy Sound Studio
I just bought a nice Candy Apple Deluxe Fender Strat a while back to upgrade to a REAL guitar, so a Les Paul was next on my list of guitars to get…someday down the road. Went to GC and traded in my bass to upgrade to a new one. On the wall I saw this deep cobalt blue Les Paul for under 2K. After 2 weeks I could not resist, said YOLO and ordered it online for store pickup. A wonderful instrument and offers a much different sound in contrast with the Strat, no regrets. I often just stare at it because it is a work of art, looks so nice next to my new strat and bass 🙂Anthony
While I still feel that the lower-end Epiphone Les Paul's (I had a Special II as my first electric) are great for the money, I decided to move up to my first actual Gibson Les Paul. The weight relief is what immediately caught my attention and I find this guitar a lot more comfortable to play. I'm also blown away by how much sustain it has over my previous Epiphone not to mention the overall finish and the ability to split the humbuckers. I went for the Cherry Burst but it wasn't easy to choose as the Midnight in Manhattan (blue) looked just as beautiful.Lloyd
14. Epiphone Les Paul Custom Pro Left Handed Electric Guitar – Ebony
Product Details:
The king of solid body guitars, the les paul custom made its debut in 1954 after the initial success of the les paul goldtop. les paul himself suggested black as a great color for a new les paul because it looked "classy" and went well with a tuxedo on stage. now with its ebony or antique white finish, the les paul custom has often been referred to as the "tuxedo" les paul. and with its gold appointments, fully bound body, neck and headstock and mother-of-pearl inlays, we think you'll agree that the epiphone les paul custom is "dressed to kill". now featuring probucker 2 and probucker 3 humbucking pickups with coil-split, gold hardware, multi-binding on body (top and back), neck and headstock as well as split-diamond mother-of-pearl headstock and fretboard inlays, it's as gorgeous as it is deadly. case sold seperately.
Specifications:
| Finish | Alpine White |
| Year | 2012 – 2019 |
| Made In | China |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Epiphone Les Paul Custom |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Left Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Opaque |
Reviews:
Overall: My 13th Epiphone L.P. since 2006, and second of the new "Inspired by Gibson" series (first was the Standard 50's). I am blown away by these next-level Epi LPs – my 50s was astonishingly similar sitting next to my Gibson Original series 50s goldtop, both asthetically, AND sonically speaking, with only slight pickup characteristic differences. This is also my first SlimTaper neck. Thankfully it wasn't an earth shattering change – we'll adapt just fine. My new tuxedo custom came in at a perfect 8lb 13oz – my ideal weight range for a Paul – especially considering these guitars are coming in with about 1.5# weight swings. Got lucky there. Absolutely no build or quality issues, looks incredible, and is appointed well. It is leaps ahead of the very disappointing Frampton signature Epi I bought last year – my only truly lousy Epiphone. NEVER AGAIN will I buy a chambered Les Paul, in ANY form – all the tone gets totally sucked out! Guitar also came in with a perfect setup, which is rare (even though my setup guy always does a once-over on all my guitars). Some fret polishing couldn't hurt, though. Only concern with this purchase was with the final shipment packaging from zZounds – no packing material in the final carton, just loose box in a box. I think that's a first.
I am both surprised and please with this guitar I purchased this guitar at GC Nashville after returning a Gibson Les Paul Classic that I bought online. (lesson learned, don't buy from GC online.) The staff there were great and had no issues with me returning a $2200 guitar that I bought online. Even more supportive in helping me pick out a much less expensive guitar. Great people. This Epiphone is awesome. The fit and finish are great. The action is low and no buzz. The tone is great and It is lighter and easier to handle than the Gibson . The best part is it cost a third of the one I returned. I really wanted a Gibson but I am so glad I picked up this Epiphone. A word of caution. I looked at and played several guitars at GC before choosing this one. I even played a couple of other Epiphone Les Paul Customs. No two were the same. One had razors for frets, one had an action you could drive a truck under and this one was just right. Go in an play them before buying.Mike
I'm in a Fleetwood Mac tribute band. I wanted a period-correct guitar but could not afford a Turner or a Gibson Les Paul so I settled for the Epiphone. I was pretty happy with the guitar the first month….until at rehearsal, I "lost" my high E string. At first, it appeared to have disappeared off the fretboard. But upon careful examination, I found the string caught under the 5th fret 'tang'(?). The fret itself was not perfectly flush with the fretboard, leaving just enough of a tiny gap to catch the string as it rolled off the fretboard during playing with finger vibrato. Upon further examination, it looked like frets 4, 6 and 7 were not quite flush either. I remedied the situation somewhat by purchasing a Stew-Mac roller bridge that allowed me to slightly shift the string positions further in and away from the fretboard edge. I had previously attempted to pressure-seat the offending frets with a woodblock and hammer, but they would not budge. The roller bridge seemed to help somewhat. But today at rehearsal, I felt some stinging irritation on the inside of my left thumb near the 'web' between thumb & forefinger when I moved my hand quickly up and down the neck. Looking closely at the frets, I noticed that the end edges were extremely sharp as if having never been dressed properly. All that said, I realize this instrument is a 'budget' one when compared to American-made Gibson / Fender / PRS products. I'd read some great reviews on this guitar and made the purchase on that basis. But, once again, it is the same old story – "you get what you pay for". I should not have expected the same build quality and attention to detail like that found on instruments costing four times as much. I suppose a refret is the only solution now. Buyer beware.CHUCK
15. Gibson Les Paul Standard '60s Left-Handed Bourbon Burst
Product Details:
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Bourbon Burst |
| Finish Type | Nitrocellulose |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Left-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Type | Fixed |
| Nut Material | Graph Tech |
| Nut Width | 1.69" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | Burstbucker 61T |
| Neck Pickup | Burstbucker 61R |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Nickel |
| Case Included | Hard Case |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
16. Epiphone – Les Paul 50s Standard – Left-Handed Electric Guitar – Metallic Gold
Product Details:
Epiphone’s new inspired by gibson collection proudly presents the left handed les paul standard 50s! this guitar lovingly recreates the feel and tone of the 1950s era les pauls. the guitar is crafted with a mahogany body, maple cap (aaa veneer on figured tops), bound 50s shaped mahogany neck with long neck tenon, indian laurel fingerboard with classic trapezoid inlays, epiphone's new vintage deluxe tuners, a pair of critically acclaimed epiphone probucker humbuckers, and gold top hat knobs with dial pointers. this epiphone inspired by gibson original model also has the kalamazoo headstock, rolled neck for a comfortable feel, graph tech nubone nut, era-appropriate wiring, and cts pots. optional hardshell or epilite case is available. epiphone’s long friendship with mr. les paul began in 1940 when les built one of the world’s first solidbody electric guitars while working nights at the original epiphone factory in manhattan. les’ first solidbody guitar, nicknamed “the log”, would go on to inspire the les paul standard, which many consider the greatest electric guitar ever made.
Specifications:
| Headstock Shape | 1960 Kalamazoo |
| Brand Logo | Modern Epiphone in MOP HS |
| Center Logo | "Les Paul Model" Gold Silkscreen |
| Truss Rod Cover | 2-Ply, "Standard" |
| Neck Material | Mahogany |
| Nut | 43mm Graphtech White |
| Neck Profile | 59 Rounded Medium C |
| Neck Joint | Set Neck, Long Tenon |
| Finish | Cherry Gloss |
| Fingerboard Material | Indian Laurel |
| Binding | 1.5mm Cream |
| Scale Length | 24.75, (629mm) |
| Radius /Number of Frets | 12", 22 (2.4mm x 1.1mm) |
| Body Style / Shape | Les Paul, Single Cutaway |
| Neck Pickup | Epiphone Probucker 1 PB1NHCN-C |
| Bridge Pickup | Epiphone Probucker 2 PB2NHCB-C |
| P/U Mounting Rings | Cream |
| Switch Type | 3 Way Epiphone, cream toggle Cap |
| Control Assembly | 2 Vol/2 Tone/ 3 Way 50s Wiring |
| Potentiometers | CTS |
| Capacitors | .022uF V/T |
| Toggle Washer | Cream with Gold Text |
| Output | Cream plastic |
| Pickguard | Les Paul, Cream |
| Back Plates | Black |
| Hardware Plating | Nickel |
| Tail Piece Type | LockTone Stop Bar |
| Bridge | LockTone ABR |
| Strap Button | 2, Butt and Shoulder |
Reviews:
My first electric. Got it in a combo kit with amp and bag. Hook it into my computer now and rarely use the amp for anything. That being said, as many people have mentioned the bridge. If this isn't your first guitar, or you are looking for a second guitar – don't get this one. I learned about intonation and action and all that while having this guitar. You can only set the intonation on the outside E's and everything else is just what you get. My the height of my bridge for medium action on the low E is maybe a 1/16 from bottoming out, any lower it will buzz more. To get the same range of action on my high E my bridge is almost a 1/4" in the air. I do not know enough to get into shimming the neck to get it leveled out more, I just know enough to assume a 1/4" rise over 3" space probably isn't a good thing. However! I've learned plenty on it over these last 6 months. I bought this guitar because I did not want to invest a lot of money into it if I wasn't going to stick with it. I bought this in February of 22. The first 5 months I probably played on it maybe 50-60 hours. These last 4 months I've probably played on it 1-3 hours a day. I started using apps to learn and being able to plug it directly into my computer has been amazing. It's served it's purpose, I'm now getting to the level of playing where I'd like a better quality instrument and am looking in the $400-$500 range. For a first guitar, and you're not sure if you're going to stay with it, this was great for me and I will pass it on to someone else to get started with. Other than the bridge intonation and probably not flat fret board, I have had 0 mechanical issues with it.Jay
Been looking for a nice explorer for a while and once I saw this model some time ago, I fell in love with this amazing guitar. I was for a while very, very doubtful due to the complicated and demanding Floyd Rose bridge I never had before. A couple of good tutorials on the system were enough to take this fear away. After a thorough check, the guitar is a dream, works perfectly and love it so far. No scratches nor color changes on the mat neck and back, veneer looks pristine, and mechanics work just fine, lovely Gibson Pup sound with split coils and the fret-board looks great, 12th fret’s spaceship inlay aside which is also a very nice touch there. No challenges with neck profile, just a bit of a welcomed change to a thinner neck from my husky Les Paul ones I have. This is a really nice and balanced guitar! Ok, it's on the slightly heavier side but very manageable still. As mentioned earlier, It’s my first Floyd Rose guitar and surprisingly, I managed to adjust it to perfect balance and tuning on my first try in less than an hour with the help of some wood wedges to block back of the springs with, that I made during that estimated time, and of course a ton of online tutorials the weeks prior. Next step is changing to Paradigm Ernie Ball 11s half a step down and adjusting float again….but this will have to wait a bit and maybe a fourth spring will be in order, we will see. If doubting on Floyd Rose, trust me, I am really not a technical person but this was a piece of cake, once you understand the basics and foremost, make a nice wedge, rest is just a walk in the park. It also comes with a case which is always a plus for getting it home in the best possible condition though I would have preferred a hard case or actual guitar contour shaped foam on the included case, to make it extra safe. and not moving whist transporting For those Brendan small fans out there, it is even more of a desirable item. For those not following his work, still a really nice guitar and a steal for what you get. This guitar will make you happy no matter if you know artist or not Last but not least, there is a shop that actually checks guitars before shipping and that is Music Store….Big, big thanks for making sure I got the guitar I wanted and expected. Big thanks to the entire team!
I'm reviewing the gold top model. I own a lot of guitars but I didn't have a gold top Les Paul and always wanted one. This is an amazing guitar for the price! Fit and finish are perfect. It sounds and plays great. I love it. Note, always put a new set of strings on a guitar that comes with strings on it. It's a simple fix for a lot of problems you thought you had, but don't. Who knows how long they've been on or what brand they are. Now, the details. Frets were perfectly level, no sharp ends. Slight amount of oxidization. I polished the crowns and ends with Micro-Mesh pads. I used 6000>8000>12,000 grit pads. I wasn't taking metal off, just polishing them to a jewelery finish. Really makes bends and vibrato silky and smooth. I do that to all my guitars. I like the Indian laurel fingerboard. It's a good alternative to rosewood. I cleaned it with alcohol, then applied a very light amount of fingerboard oil/conditioner. Let it sit a few minutes then wiped it dry. It has a beautiful look and feel now. As for setup, the only thing that was set correctly was the intonation. So I lowered the bridge to the (low) action I like, and it was pretty clean, a little buzz on the upper frets. The neck was trussed completely flat, so I loosened the truss rod about 1/4 turn and that gave it the right amount of relief. No more buzz. Next, I filed the nut slots slightly wider and deeper. Action was too high off the nut. I use XL strings (9-42) and the slots were even too tight for them! That was the only real glaring problem on this guitar. Tight nut slots cause tuning issues and your average customer isn't going to have the tools or skills to fix that. I have a set of precision nut slotting files and feeler gauges to cut them to the proper depth. Man, that was the magic touch. The action is amazing now, all the way up the neck. No problems with tuning stability. And that's all I needed to do. It plays like a dream. I thought I would need to swap out the pickups but I like these. I'm old and play mostly classic rock, and these sound just right for the Les Pauls of that era. I get that sound that Gary Richrath (REO Speedwagon), early Joe Walsh, Duane Allman, Dicky Betts, Joe Perry, Page, Billy G, had in the late 60's – 70's. I ran it through a Goat distortion simulator and got Tom Scholtz Boston sound perfectly. It was actually better than another LP I have with DiMarzio super distortion pups. Easier to control the overdrive. All in all, Epiphone has really raised their bar. If you have typical electric guitar setup skills, you'll make this a sweet playing guitar. If you don't, it's worth it to find someone who does. Just a few minor adjustments and you'll have a fine axe to play.Rich
17. Gibson Les Paul Junior 2018 Left-Handed – Vintage Sunburst Guitar
Product Details:
About guitar: this special edition les paul junior guitar represents an enduring favorite with vintage looks and tones along with improved modern playability. featuring a resonant solid mahogany body in a historic vintage sunburst finish, the historic gibson script logo on the headstock, a nickel-plated wraparound bridge and a powerful single dog-ear p-90 pickup for rich tones. this les paul junior delivers a perfect playing feel via a mahogany neck with '50s profile and unbound rosewood fingerboard.
Specifications:
| Finish | Sunburst |
| Year | 2018 |
| Made In | United States |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Junior |
| Number of Strings | 6-String |
| Body Shape | Single Cutaway |
| Offset Body | No |
| Bridge/Tailpiece Type | Wrap-Around |
| Body Type | Solid Body |
| Right / Left Handed | Left Handed |
| Number of Frets | 22 |
Reviews:
Ease of Use: Easy to get good sounds. Combines well with pedals. Very playable. Quality: Feels very well constructed. The Wow Factor: It looks amazing. Overall: I have owned this guitar for 5 months and I love it. I have to admit I have not played many guitars (I was drawn to this one because of Lukas Nelson and the sound he has). I really like the P90 pickup and how this guitar has nice simplicity and yet versatility at the same time. You can really make different tones despite having one pickup. It combines very well with the pedals I like to use, and when also adjusting the tone knob you can really do a lot of things to adjust your tone. It's an awesome guitar to hold and feels very high quality. It came set up well and was ready to go right out of the box. Overall I'm a big fan and I'm really glad to have this guitar which I foresee as my go-to for years to come.Nathan
Overall: This is my second Gibson. I had a gold top a few years ago that I just couldn't bond with. Being a "Telecaster guy" I loved the idea of one pickup and two knobs, like an Esquire without the switch. The shorter scale made it more enticing.The fit and finish is perfect. What I thought was black around the tobacco center and back is actually a maroon tinted mahogany. I didn't notice this until I took it outside in direct sunlight.The fretwork and tuners feel very nice as does all of the hardware. The case is very solid and there is a nice Gibson strap and multi-tool inside.Shipping was next day and free! I didn't leave a Manufacturer Support rating as I just recently received the guitar, and to be honest, I don't think I'll ever need it.Submitting the review I was notified that I needed a Manufacturer Support rating, so I'll give it one star.Tim
18. Epiphone Les Paul Special Electric Guitar, Left-Handed, Tv Yellow
Product Details:
The epiphone les paul special left handed succeeds in thrusting the rock sound of the 50s gibson les paul special to the forefront once again. it's a timeless gift that keeps on giving. there's something about '50s rock that just makes you sit up and listen, whether it be the sweet and slick tone from the p-90 pickups or the distinctive sleek style. epiphone set out to recreate this wonderfully nostalgic aura with this model which delivers power chords with steamy attack and allows riffs to stun anyone who dares to listen. demand attention and retain it. practical and stylish. with the traditional single-cutaway for higher fret access, excellent durability of the mahogany neck and body and fast playability of the indian laurel fretboard – it's hard to find a reason not to love this instrument. hear your signature sound scream out of p-90 pro soap bar single-coil pickups. be iconic.
Specifications:
| Maaterial | Mahogany |
| Neck | Mahogany single |
| Nut width | 1.693"/43mm |
| Fingerboard | Indian Laurel |
| Scale length | 24.75"/628.65mm |
| Number of frets | 22 |
| Inlay | Pearloid Dot |
| Bridge | Lightning Bar Wrap Around |
| Knobs | Black Top Hats |
| Tuners | Vintage style Deluxe Tuners with Ivory Buttons |
| Plating | Nickel |
| Neck Pickup | P-90 PRO Soap Bar |
| Bridge Pickup | P-90 PRO Soap Bar |
| Orientation | Left Handed |
Reviews:
My first electric. Got it in a combo kit with amp and bag. Hook it into my computer now and rarely use the amp for anything. That being said, as many people have mentioned the bridge. If this isn't your first guitar, or you are looking for a second guitar – don't get this one. I learned about intonation and action and all that while having this guitar. You can only set the intonation on the outside E's and everything else is just what you get. My the height of my bridge for medium action on the low E is maybe a 1/16 from bottoming out, any lower it will buzz more. To get the same range of action on my high E my bridge is almost a 1/4" in the air. I do not know enough to get into shimming the neck to get it leveled out more, I just know enough to assume a 1/4" rise over 3" space probably isn't a good thing. However! I've learned plenty on it over these last 6 months. I bought this guitar because I did not want to invest a lot of money into it if I wasn't going to stick with it. I bought this in February of 22. The first 5 months I probably played on it maybe 50-60 hours. These last 4 months I've probably played on it 1-3 hours a day. I started using apps to learn and being able to plug it directly into my computer has been amazing. It's served it's purpose, I'm now getting to the level of playing where I'd like a better quality instrument and am looking in the $400-$500 range. For a first guitar, and you're not sure if you're going to stay with it, this was great for me and I will pass it on to someone else to get started with. Other than the bridge intonation and probably not flat fret board, I have had 0 mechanical issues with it.Jay
Been looking for a nice explorer for a while and once I saw this model some time ago, I fell in love with this amazing guitar. I was for a while very, very doubtful due to the complicated and demanding Floyd Rose bridge I never had before. A couple of good tutorials on the system were enough to take this fear away. After a thorough check, the guitar is a dream, works perfectly and love it so far. No scratches nor color changes on the mat neck and back, veneer looks pristine, and mechanics work just fine, lovely Gibson Pup sound with split coils and the fret-board looks great, 12th fret’s spaceship inlay aside which is also a very nice touch there. No challenges with neck profile, just a bit of a welcomed change to a thinner neck from my husky Les Paul ones I have. This is a really nice and balanced guitar! Ok, it's on the slightly heavier side but very manageable still. As mentioned earlier, It’s my first Floyd Rose guitar and surprisingly, I managed to adjust it to perfect balance and tuning on my first try in less than an hour with the help of some wood wedges to block back of the springs with, that I made during that estimated time, and of course a ton of online tutorials the weeks prior. Next step is changing to Paradigm Ernie Ball 11s half a step down and adjusting float again….but this will have to wait a bit and maybe a fourth spring will be in order, we will see. If doubting on Floyd Rose, trust me, I am really not a technical person but this was a piece of cake, once you understand the basics and foremost, make a nice wedge, rest is just a walk in the park. It also comes with a case which is always a plus for getting it home in the best possible condition though I would have preferred a hard case or actual guitar contour shaped foam on the included case, to make it extra safe. and not moving whist transporting For those Brendan small fans out there, it is even more of a desirable item. For those not following his work, still a really nice guitar and a steal for what you get. This guitar will make you happy no matter if you know artist or not Last but not least, there is a shop that actually checks guitars before shipping and that is Music Store….Big, big thanks for making sure I got the guitar I wanted and expected. Big thanks to the entire team!
I'm reviewing the gold top model. I own a lot of guitars but I didn't have a gold top Les Paul and always wanted one. This is an amazing guitar for the price! Fit and finish are perfect. It sounds and plays great. I love it. Note, always put a new set of strings on a guitar that comes with strings on it. It's a simple fix for a lot of problems you thought you had, but don't. Who knows how long they've been on or what brand they are. Now, the details. Frets were perfectly level, no sharp ends. Slight amount of oxidization. I polished the crowns and ends with Micro-Mesh pads. I used 6000>8000>12,000 grit pads. I wasn't taking metal off, just polishing them to a jewelery finish. Really makes bends and vibrato silky and smooth. I do that to all my guitars. I like the Indian laurel fingerboard. It's a good alternative to rosewood. I cleaned it with alcohol, then applied a very light amount of fingerboard oil/conditioner. Let it sit a few minutes then wiped it dry. It has a beautiful look and feel now. As for setup, the only thing that was set correctly was the intonation. So I lowered the bridge to the (low) action I like, and it was pretty clean, a little buzz on the upper frets. The neck was trussed completely flat, so I loosened the truss rod about 1/4 turn and that gave it the right amount of relief. No more buzz. Next, I filed the nut slots slightly wider and deeper. Action was too high off the nut. I use XL strings (9-42) and the slots were even too tight for them! That was the only real glaring problem on this guitar. Tight nut slots cause tuning issues and your average customer isn't going to have the tools or skills to fix that. I have a set of precision nut slotting files and feeler gauges to cut them to the proper depth. Man, that was the magic touch. The action is amazing now, all the way up the neck. No problems with tuning stability. And that's all I needed to do. It plays like a dream. I thought I would need to swap out the pickups but I like these. I'm old and play mostly classic rock, and these sound just right for the Les Pauls of that era. I get that sound that Gary Richrath (REO Speedwagon), early Joe Walsh, Duane Allman, Dicky Betts, Joe Perry, Page, Billy G, had in the late 60's – 70's. I ran it through a Goat distortion simulator and got Tom Scholtz Boston sound perfectly. It was actually better than another LP I have with DiMarzio super distortion pups. Easier to control the overdrive. All in all, Epiphone has really raised their bar. If you have typical electric guitar setup skills, you'll make this a sweet playing guitar. If you don't, it's worth it to find someone who does. Just a few minor adjustments and you'll have a fine axe to play.Rich
19. Epiphone Les Paul Standard '50s Left-Handed Vintage Sunburst
Product Details:
Epiphone les paul standard 50s standard lefty in bourbon burst the les paul standard 50s models are part of epiphone's inspired by gibson collection and recreate the sound of 1950s era les pauls. featuring a classic mahogany body with a maple cap and mahogany neck with long neck tenon. powered by probucker humbuckers with 50s style wiring and cts electronics. epiphone's long friendship with mr. les paul began in 1940 when les built one of the world's first solid body electric guitars while working nights at the original epiphone factory in manhattan. les' first solidbody guitar, nicknamed "the log", would go on to inspire the les paul standard, what many consider the greatest electric guitar ever made. this used epiphone les paul is excellent condition with little to no noticeable wear and tear on the instrument. this guitar does not come with a gigbag or case.
Specifications:
| Headstock Shape | 1960 Kalamazoo |
| Brand Logo | Modern Epiphone in MOP HS |
| Center Logo | "Les Paul Model" Gold Silkscreen |
| Truss Rod Cover | 2-Ply, "Standard" |
| Neck Material | Mahogany |
| Nut | 43mm Graphtech White |
| Neck Profile | 59 Rounded Medium C |
| Neck Joint | Set Neck, Long Tenon |
| Finish | Cherry Gloss |
| Fingerboard Material | Indian Laurel |
| Binding | 1.5mm Cream |
| Scale Length | 24.75, (629mm) |
| Radius /Number of Frets | 12", 22 (2.4mm x 1.1mm) |
| Body Style / Shape | Les Paul, Single Cutaway |
| Neck Pickup | Epiphone Probucker 1 PB1NHCN-C |
| Bridge Pickup | Epiphone Probucker 2 PB2NHCB-C |
| P/U Mounting Rings | Cream |
| Switch Type | 3 Way Epiphone, cream toggle Cap |
| Control Assembly | 2 Vol/2 Tone/ 3 Way 50s Wiring |
| Potentiometers | CTS |
| Capacitors | .022uF V/T |
| Toggle Washer | Cream with Gold Text |
| Output | Cream plastic |
| Pickguard | Les Paul, Cream |
| Back Plates | Black |
| Hardware Plating | Nickel |
| Tail Piece Type | LockTone Stop Bar |
| Bridge | LockTone ABR |
| Strap Button | 2, Butt and Shoulder |
Reviews:
My first electric. Got it in a combo kit with amp and bag. Hook it into my computer now and rarely use the amp for anything. That being said, as many people have mentioned the bridge. If this isn't your first guitar, or you are looking for a second guitar – don't get this one. I learned about intonation and action and all that while having this guitar. You can only set the intonation on the outside E's and everything else is just what you get. My the height of my bridge for medium action on the low E is maybe a 1/16 from bottoming out, any lower it will buzz more. To get the same range of action on my high E my bridge is almost a 1/4" in the air. I do not know enough to get into shimming the neck to get it leveled out more, I just know enough to assume a 1/4" rise over 3" space probably isn't a good thing. However! I've learned plenty on it over these last 6 months. I bought this guitar because I did not want to invest a lot of money into it if I wasn't going to stick with it. I bought this in February of 22. The first 5 months I probably played on it maybe 50-60 hours. These last 4 months I've probably played on it 1-3 hours a day. I started using apps to learn and being able to plug it directly into my computer has been amazing. It's served it's purpose, I'm now getting to the level of playing where I'd like a better quality instrument and am looking in the $400-$500 range. For a first guitar, and you're not sure if you're going to stay with it, this was great for me and I will pass it on to someone else to get started with. Other than the bridge intonation and probably not flat fret board, I have had 0 mechanical issues with it.Jay
Been looking for a nice explorer for a while and once I saw this model some time ago, I fell in love with this amazing guitar. I was for a while very, very doubtful due to the complicated and demanding Floyd Rose bridge I never had before. A couple of good tutorials on the system were enough to take this fear away. After a thorough check, the guitar is a dream, works perfectly and love it so far. No scratches nor color changes on the mat neck and back, veneer looks pristine, and mechanics work just fine, lovely Gibson Pup sound with split coils and the fret-board looks great, 12th fret’s spaceship inlay aside which is also a very nice touch there. No challenges with neck profile, just a bit of a welcomed change to a thinner neck from my husky Les Paul ones I have. This is a really nice and balanced guitar! Ok, it's on the slightly heavier side but very manageable still. As mentioned earlier, It’s my first Floyd Rose guitar and surprisingly, I managed to adjust it to perfect balance and tuning on my first try in less than an hour with the help of some wood wedges to block back of the springs with, that I made during that estimated time, and of course a ton of online tutorials the weeks prior. Next step is changing to Paradigm Ernie Ball 11s half a step down and adjusting float again….but this will have to wait a bit and maybe a fourth spring will be in order, we will see. If doubting on Floyd Rose, trust me, I am really not a technical person but this was a piece of cake, once you understand the basics and foremost, make a nice wedge, rest is just a walk in the park. It also comes with a case which is always a plus for getting it home in the best possible condition though I would have preferred a hard case or actual guitar contour shaped foam on the included case, to make it extra safe. and not moving whist transporting For those Brendan small fans out there, it is even more of a desirable item. For those not following his work, still a really nice guitar and a steal for what you get. This guitar will make you happy no matter if you know artist or not Last but not least, there is a shop that actually checks guitars before shipping and that is Music Store….Big, big thanks for making sure I got the guitar I wanted and expected. Big thanks to the entire team!
I'm reviewing the gold top model. I own a lot of guitars but I didn't have a gold top Les Paul and always wanted one. This is an amazing guitar for the price! Fit and finish are perfect. It sounds and plays great. I love it. Note, always put a new set of strings on a guitar that comes with strings on it. It's a simple fix for a lot of problems you thought you had, but don't. Who knows how long they've been on or what brand they are. Now, the details. Frets were perfectly level, no sharp ends. Slight amount of oxidization. I polished the crowns and ends with Micro-Mesh pads. I used 6000>8000>12,000 grit pads. I wasn't taking metal off, just polishing them to a jewelery finish. Really makes bends and vibrato silky and smooth. I do that to all my guitars. I like the Indian laurel fingerboard. It's a good alternative to rosewood. I cleaned it with alcohol, then applied a very light amount of fingerboard oil/conditioner. Let it sit a few minutes then wiped it dry. It has a beautiful look and feel now. As for setup, the only thing that was set correctly was the intonation. So I lowered the bridge to the (low) action I like, and it was pretty clean, a little buzz on the upper frets. The neck was trussed completely flat, so I loosened the truss rod about 1/4 turn and that gave it the right amount of relief. No more buzz. Next, I filed the nut slots slightly wider and deeper. Action was too high off the nut. I use XL strings (9-42) and the slots were even too tight for them! That was the only real glaring problem on this guitar. Tight nut slots cause tuning issues and your average customer isn't going to have the tools or skills to fix that. I have a set of precision nut slotting files and feeler gauges to cut them to the proper depth. Man, that was the magic touch. The action is amazing now, all the way up the neck. No problems with tuning stability. And that's all I needed to do. It plays like a dream. I thought I would need to swap out the pickups but I like these. I'm old and play mostly classic rock, and these sound just right for the Les Pauls of that era. I get that sound that Gary Richrath (REO Speedwagon), early Joe Walsh, Duane Allman, Dicky Betts, Joe Perry, Page, Billy G, had in the late 60's – 70's. I ran it through a Goat distortion simulator and got Tom Scholtz Boston sound perfectly. It was actually better than another LP I have with DiMarzio super distortion pups. Easier to control the overdrive. All in all, Epiphone has really raised their bar. If you have typical electric guitar setup skills, you'll make this a sweet playing guitar. If you don't, it's worth it to find someone who does. Just a few minor adjustments and you'll have a fine axe to play.Rich
20. Lyxpro 39 Left Hand Electric Guitar Kit For Beginner Green
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