Are you looking for the Gibson Electric Acoustic Guitar? If so, you’ve come to the right place.
Choosing the Gibson Electric Acoustic Guitar can be difficult as there are so many considerations, such as Fender, Gibson, Ibanez, Martin, Epiphone, Taylor, Yamaha. We have done a lot of research to find the top 20 Gibson Electric Acoustic Guitar available.
The average cost is $3305.30. Sold comparable range in price from a low of $1350.00 to a high of $5299.00.
Based on the research we did, we think Gibson J-45 '50s Faded Acoustic-Electric Guitar Vintage Sunburst is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Electric Acoustic Guitar (20 Sellers)
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$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- J-45 material
- Mahogany back & sides
- Mahogany top
$1350.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability
Features:
- Original stap button hole has been plugged and moved to bottom of heel. (see pics).
- Has light wear and scratches from being played.
- More information and pictures available on request.
$1824.00
4.8
Reviewers Noted:
Good sound quality . Durability . Visual appeal
Features:
- The j-35 evolved from the jumbo in 1936, a time when the great depression was still wreaking havoc on americans.
- The pre-war classic with a beautiful faded finish.
- Body styles.
$1599.00
4.7
Reviewers Noted:
Sound quality . Visual appeal . Craftsmanship
Features:
- Gibson generation series g-writer ec acoustic-electric guitar natural
- From dexter music center
- Gibson dealer and service center
$3499.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Gibson sj-200 studio walnut jumbo
- Serialized 21280033
$3699.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- The unmistakable gibson hummingbird is followed by the masses as one of the most remarkable acoustic guitars ever built.
- The new hummingbird faded blends vintage appointments and today's modern, high-quality build construction.
- The hummingbird faded is outfitted with gold gotoh keystone tuners, a traditional hummingbird truss rod cover, and a bone nut and saddle.
$3499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Call or visit us in store to learn more about this guitar!
- Used* gibson slash signature j-45 acoustic / electric guitar november burst finish w/ case.
- An iconic guitar shaped by an iconic player.
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- 2022 original 50's j 45.
- Never registered with gibson.
- K&k pure mini (passive) installation, pickguard and orange label removal done professionally.
$3149.00
4.8
Reviewers Noted:
Good sound quality . Well made . Attractive . Weight
Features:
- Gibson songwriter standard rosewood antique natural acoustic guitar.
- A rosewood square shoulder powerhouse.
- Featuring beautiful rosewood back and sides paired with a sitka spruce top.
$3999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- Classic acoustic-electric guitar built for today's player
- Sitka spruce top for clear tone and powerful projection
- Solid mahogany back and sides offer warm, round sound
$2849.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from us are in our shibuya store in tokyo…
$5299.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Corner music is an authorized gibson dealer and nashville's only gibson 5-star acoustic dealer. all photos are the actual guitar.
- Body style super jumbo.
- Top sitka spruce.
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The classic acoustic workhorse, primed for live performance.
- Solid sitka spruce top offers great projection and tone.
- Solid mahogany back and sides offer warm, round sound.
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The world-famous workhorse, now in cherry
- Serialized 21041094
- Body material
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- 1 3/4" scale length: 628 mm.
- 24 3/4" string spacing: 55,5 mm.
- 2 3/16" bridge: rosewood.
$4999.00
4.8
Reviewers Noted:
Good sound quality . Durability . Visual appeal
Features:
- Detailed specifications
- Advanced jumbo
- Thermally aged red spruce
$5299.00
4.8
Features:
- The undisputed king of the flat-tops.
- Exquisitely crafted tonewoods deliver a full-bodied voice.
- Gibson's sj-200 standard is part of the manufacturer's storied line of super jumbo acoustic guitars, all of which feature an uncompromisin…
$3249.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Acoustic / electric guitars
- Antique natural
$3749.00
5.0
Reviewers Noted:
Sound quality
Features:
- A jumbo with unparalleled tonal balance.
- Includes gibson hard shell case.
- This is an example of the guitar you will receive.
$4499.00
4.8
Reviewers Noted:
Attractive . Durable . Good sound quality . Well made . Weight
Features:
- Gibson smaller-scaled lg-2 body shape.
- Thermally aged red spruce top with mahogany back and sides.
- Mahogany neck in a gibson historic profile.
1. Gibson J-45 '50s Faded Acoustic-Electric Guitar Vintage Sunburst
Product Details:
The world-famous workhorse with a beautiful faded finishthe j-45 is gibson’s best-selling acoustic of all time. nicknamed “the workhorse” and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. world-renowned for its full, balanced expression, warm bass, and excellent projection, the j-45 has been refined to carry this legacy to new heights. the gibson j-45 faded 50s delivers full-spectrum sound with incredible dynamic range; warm mids; and tight, punchy bass. now available with a faded satin nitrocellulose lacquer finish that accentuates the guitar’s vintage vibe, and equipped with a modern lr baggs pickup and electronics package for studio and stage use. a hard shell case is also included.
Specifications:
| Finish | Faded Sunburst |
| Year | 2022 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Dreadnought |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Mahogany |
| Top Material | Spruce |
| Wood Top Style | Plain |
| Shape | J-45 |
| Binding | Multi-ply Top, Single-ply Back |
| Neck | Mahogany |
| Nut width | 1.75"/43.815mm |
| Fingerboard | Rosewood |
| Scale length | 24.75"/628.65mm |
| Number of frets | 20 |
| Nut | Bone |
| Inlay | Mother of Pearl Dots |
| Bridge | Traditional Belly Up, Rosewood |
| Tuners | Gotoh White Button |
| Under Saddle pickup | LR Baggs VTC |
| Controls | Soundhole Mounted Volume and Tone |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
2. Gibson J-15 Acoustic Electric Guitar
Product Details:
The j-15 features the same round-shoulder body shape of gibson's j-45, aka "the workhorse", an incredibly popular acoustic that has been one of gibson's best-selling guitars since it's introduction in 1942. with it's electronics and high-quality body construction, the j-15 can easily become your new workhorse as it can handle the demands of both intimate settings and larger venues. – handcrafted exclusively at gibson's bozeman, montana facility, the j-15 is all about north american solid tonewoods, with a sitka spruce top which provides you with ample velocity, and sustainable american walnut back and sides which possesses some of the warmth of rosewood while adding a dash of mahogany's presence, all without the extra weight. this 24.75" scale acoustic-electric also features a neck-to-body dovetail joint secured with hide glue to ensure the resonance transfer from strings to body stays at a premium level throughout the life of the guitar. the j-15's radiused body with scalloped x-bracing provides the kind of projection and clarity that you expect in a more expensive model. the hand-sprayed nitrocellulose lacquer finish not only lets the tone of the j-15 to mature with age,body style: j-45 round-shoulder – wood: sitka spruce top, walnut back & sides – binding: mutli-ply top, single-ply back, abalone rosette – finish: antique natural cure textured high-gloss – neck: maple, 1.725" tusq nut – neck-to-body: compound dovetail secured with hide glue at the 14th fret – bracing: gibson standard xfingerboard: 12" radius walnut with 1/4" mother-of-pearl dot inlay – scale: 24-3/4"bridge: rectangular walnut – pickguard: teardrop tortoise – tuning machines: mini grovers 14:1strings: gibson light gauge .012 – .053electronics: l.r. baggs element100% american-made, handcrafted in bozeman, montana – includes case
Specifications:
| Finish | Antique Natural |
| Year | 2014 – 2019 |
| Made In | United States |
| Back Material | Walnut |
| Body Shape | Dreadnought |
| Fretboard Material | Walnut |
| Neck Material | Maple |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Sides Material | Walnut |
| Top Material | Spruce |
Reviews:
I've been playing guitar for about 16 years now, and I have owned several great guitars. I generally prefer Martin guitars (an HD-28 vintage series is my current "favorite" guitar), but I also have plenty of experience with Taylor, Takamine, Larrivee… guitars. I was recently in the market for a good guitar that wasn't too terribly expensive so that when I left it on stage, or allowed others to borrow it on stage I wouldn't worry about it like I do with my Martin. I've always wanted a Gibson, but in the past I've always found their sound lacking, and because of that I always purchased different guitars (often Martin or Taylor). Long story short, after playing a lot of Gibson, Martin and Taylor guitars at my local music store, this is the one I came home with and I couldn't be happier. This guitar is incredibly versatile! I play primarily country, southern gospel, contemporary christian, and a little bluegrass, but no matter what I use this guitar for it never disappoints me. Compared to my HD-28 I would say the J15 is more balanced, but it still provides plenty of bass for rhythm, and a very warm sound overall. The J15 is not as responsive as my HD-28, but every guitar is different, and this one definitely has its place. My only complaint is with tuning. When I initially bought this guitar it was VERY hard to get tuned, and it wouldn't stay in tune well at all. After a few months of playing this guitar, it now stays in tune very well once you get it dialed in, but I still find it harder to tune than other quality guitars that I have owned in the past. I may change out the tuners down the road, but they do work which is why I didn't deduct for this… It just takes a little more time to tune than normal which is a bit annoying when you are on stage. Nonetheless this is a GREAT guitar! This guitar has become my go-to, and I don't see that changing anytime soon. If you are looking for a great guitar under $2500… this is it! Well done Gibson.Slim Jim
Bought mine in October '14, play her every day. I had about $1500 to spend on a new acoustic, and the J15 was by far the most guitar at this price point. Plus, I wanted a short scale with a wider and fatter fingerboard/neck. Plusses: Plays like a dream, intonation spot on, booming bass, beautiful woods and finish. Love the round shoulder body. Minuses: Sounded tinny at first, especially compared to a comparable Martin. However, in 2 1/2 years and lots of playing, the woods have mellowed and the tone is rich and balanced, not to mention LOUD! I replaced the cheapo plastic bridge pins with Tusq pins and noticed a difference in tone right away. I don't like piezo pickups in general, and the Baggs Element pu had lower output from both the E strings. Replaced it with a Baggs Lyric mic pu. The mini Grovers work fine, but I had a set of full size 18:1 Rotomatics, so I put them on.blargo49
Have owned this guitar for over 9 months. Extremely pleased with this guitar! Mine had no cosmetic issues. In fact it's beautiful. As far as the smell of the wood and lacquer, love it. I played this guitar before I purchased it so no surprises. I have average sized hands with thick fingers. The neck is very smooth and easy to play. The sound is full and articulate. I have played this guitar live every week since I have purchased it. Nothing but compliments on the sound and tone of this guitar. Highly recommend. Great guitar for the money. Pick guards and etched truss rod covers make absolutely no difference to me. How it plays and sounds does. Good job Gibson.Brad
3. Gibson J-35 '30s Faded Acoustic-Electric Guitar Natural
Product Details:
The gibson j-35 is one of the most iconic acoustic guitars of all time. since its release back in 1936, it has developed a reputation as the finest workhorse acoustic around; with its full, rich tone and effortless playability it's easy to understand why. it delivers a full spectrum sound with incredible dynamic range! the gibson 30's j-35 faded features a mahogany body and sitka spruce top for not only a tonally rich but visually stunning guitar. the faded satin nitro lacquer really adds to the guitars vintage vibe. with an organic and beautifully balanced tone, mahogany offers a unique warm and well-rounded sound with great harmonic overtones. it's a real beauty, with a real vintage inspired vibe.the mahogany neck is super comfortable and great for both bold chordal work and subtle fingerstyle playing. the rosewood fingerboard is smooth and feels great underhand.featuring an lr baggs vtc pickup system, this gibson 30's j-35 gives you complete control over your sound. perfect for stage or studio, it's the same incredible workhorse guitar it's always been!
Specifications:
| Finish | Natural |
| Year | 2022 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Dreadnought |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Material | Mahogany |
| Number of Frets | 19 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Mahogany |
| Top Material | Spruce |
| Wood Top Style | Plain |
Reviews:
I love this guitar, but I got mine for a killer price, so… I probably like it 5x better than had I paid full price. I'm marking it not a good value because the new prices are ridiculous. But I am extremely happy with the price I got it for. Plays great, sounds great, looks great. It's got that awesome vintage vibe but has excellent playability all the way up and down the neck. Great for strumming and fingerstyle, and least for anything I want to do with it. The mic on the LR Baggs Anthem blender doesn't get much use because it feeds back. Run it through a Fishman Aura Spectrum DI, and you will love it.martin_gibson
Overall: Ordering an acoustic without being able to play and hear it first is pretty scary. After watching numerous comparison videos, I landed on the Southern Jumbo. I am thrilled to say I am absolutely blown away by this guitar. The fit and finish is flawless, and is drop dead gorgeous in person. Most importantly though is that it’s easily the best sounding acoustic I’ve ever had the pleasure of playing. The sound is lush, rich and complex, with dynamic range for days. The neck feels pretty similar to a slim taper on a 60s Les Paul. It’s got enough girth to grip, but is still easy to move around. I can’t recommend this guitar enough.
This is a unique Gibson. With the Rosewood sides and back and long scale it sounds a bit like my Martin HD-28. This guitar though, with the Rosewood bridge seems to have a little more clarity and punch. Unlike short scale Gibsons this guitar has a nice tight sound. Fit and finish is really good. I am very pleased to add this Gibson to my growing guitar collection.Victory Pete
4. Gibson Generation G-Writer Ec Acoustic-Electric Guitar, Natural
Product Details:
Gibson g-writer generation collection acoustic-electric guitar – natural the g-writer ec is equipped with a gibson player port. the player port is an original gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. the gibson player port allows you to hear the guitar as you're playing it like you've never heard it beforethe same way your audience hears itmaximizing the sonic impact for an immersive playing and listening experience. the g-writer ec is part of the generation collection. like all models in this collection, it is made in bozeman, mt, by the same highly skilled craftspeople who make all gibson acoustics. it features a solid sitka spruce top and beautiful solid walnut back and sides for tone that sounds crisp and resonant. you'll find that the slightly thinner cutaway body is more comfortable to play, and provides effortless access to the upper frets. the tusq nut and saddle, along with the grover mini rotomatic tuners deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing advanced response neck profile is so comfortable you won't want to put it down. it also comes equipped with an lr baggs element bronze pickup system, so your g-writer ec will sound as good to your audience as it does to you. a gig bag is also included.
Specifications:
| Body Shape | Songwriter |
| Back | Walnut |
| Side | Walnut |
| Bracing | Traditional Scalloped X-bracing |
| Finish | Satin Nitrocellulose Lacquer |
| Neck Material | Utile |
| Scale Length | 25.5" |
| Fingerboard Material | Striped Ebony |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | TUSQ |
| Nut Width | 1.725" |
| Inlays | G-Collection Single Bar |
| Hardware Finish | Chrome |
| Tuner Plating | Chrome |
| Bridge | Belly Down, Closed Slot, Striped Ebony |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Mini Rotomatic |
| Pickguard | Black |
| Truss Rod | Adjustable |
| Truss Rod Cover | Walnut Laminate |
| Bridge Pins | Black |
| Strap Buttons | 2 |
| Under Saddle Pickup | LR Baggs Element Bronze |
| Controls | Soundhole Mounted Volume |
| Output Jack | 1/4" Endpin Jack |
| Preamp | LR Baggs Element Bronze |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
I have several acoustic guitars. Yamahas, Taylor's, Gretch, Fender and others. I played this in the show room and it not only sounded great!, But, it asked me to take it home! I love this guitar. Sounds great, has great electronics on board and bonded with instantly. Yes, I took it home!Matt T.
5. Gibson Sj-200 Studio Walnut Acoustic-Electric Guitar Walnut Burst
Product Details:
Hand built using beautiful sitka spruce and walnut, this gibson sj-200 studio is sure to please the eye and the ear. utilising gibson's advanced response neck profile and slim body depth body design this is the most comfortable super jumbo they've ever built, without any sacrifice in tone. outfitted with a fishman sonitone pickup for easy plug and play anywhere you perform.
Specifications:
| Neck Material | Mahogany |
| Scale Length | 25.5" |
| Fingerboard Material | Walnut |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Tusq |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Graduated Crowns |
| Joint | Compound Dovetail Neck-to-body |
| Body Shape | SJ-200 |
| Back | Walnut |
| Side | Walnut |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Tuner Plating | Nickel |
| Bridge | Moustache, no inlay |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatic w/ kidney buttons |
| Pickguard | SJ-200, no stamp |
| Truss Rod Cover | Studio |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs Element Bronze |
| Controls | Volume and Tone Controls |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
6. Gibson Hummingbird Faded Acoustic-Electric Guitar Natural
Product Details:
The unmistakable gibson hummingbird is followed by the masses as one of the most remarkable acoustic guitars ever built. the hummingbird faded blends vintage appointments and today's modern, high-quality build construction. the hummingbird faded is outfitted with gold gotoh keystone tuners, a traditional hummingbird truss rod cover, and a bone nut and saddle. the built-in lr baggs vtc electronics make this guitar stage and studio-ready, right out of the included hardshell case.
Specifications:
| Finish | Natural |
| Year | 2022 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Dreadnought |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Mahogany |
| Top Material | Spruce |
| Wood Top Style | Plain |
Reviews:
I received this today. I got home as the UPS driver was leaving it at my door. I quickly unboxed this and just looked at it. The case is considerably heavy, and the guitar is very light relatively speaking. The smell of the natural wood is present and pleasant. The rich sound is amazing. I love it. I immediately tuned it and played a few bits of songs I know. It is a wonderful guitar that is pleasing to the eye and even more delightful to the ear. This is making me long to learn more music and master my STP favorites. Very happy with my purchase.Michael
I've been looking for a pro instrument, something I would keep for a lifetime, to replace my entry-level Takamine acoustic. Maybe 20+ years ago I had played a Gibson Hummingbird in a store and I fell in love. But I couldn't afford it at the time. Still, I was open to other brands when shopping, and I tried a lot of them. But the Hummingbird Studio Walnut wound up being exactly I was looking for. Above all, an acoustic has to sound right for you. The "right" sound can be different for everyone, and it can also depend on what style of music you play. If you are a singer, some guitars might compliment your voice better than others. This Hummingbird Studio has a very balanced sound across the entire range. It has a confident low end, but not "boomy". The high strings are never spikey – they are smooth, clear, and blend sweetly within chords. The Walnut back and sides seem to contribute to this "smooth and even" sound. There's a Rosewood version too, which sounded a bit brighter and stiffer to me. The Walnut responds very well to light or heavy playing, with plenty of overtones while still maintaining note definition. The body of this Studio version is slightly less deep than a traditional Hummingbird (by about 0.75 of an inch). While I'm sure that equates to a difference in sound on some level, I prefer to simply evaluate this guitar based on how it sounds on its own – which to me is wonderfully smooth and rich. It seems much easier for me to get a good recorded sound out of this compared to my cheaper acoustic. I'm using a microphone in my home studio (Rode NT1). I haven't even tried the built-in electronics, so I can't comment on that. The feel of a guitar is just as important as sound to me. I do admit that I'm a Gibson fan in general, also owning a Les Paul Studio. The neck on the Hummingbird Studio just fits me perfectly, and it makes me want to pick it up and play it every time I walk past it hanging on the wall in my home. Another thing I really like about the Studio series is the lack of binding on the neck. That's just a personal preference, but I like to see the bare neck and fretboard wood instead of plastic binding. To each their own. I compared this to a few Taylors – all great guitars, but the Taylors have a brighter, more modern sound that didn't quite suit me. The other contender was a nice Martin D-16E which sounded great, but just didn't quite feel right in my hands. In the end, the Hummingbird Studio just said "welcome home" every time I picked it up. And that's worth waiting for.Brock
This is a beautiful guitar and I loved everything about it until I started having problems with the output jack. I don't know if the construction issues were just related to my guitar or if anyone else has had the same issues. Nonetheless I had to bring it back to GC to have it repaired. One week later, I had the same issue, loose output jack with just normal use. I contacted Gibson directly and shipped my guitar to them to be repaired and they completely replaced the jack with a new and different one. So no more issues with loose jack after that, BUT something with the wiring must have been damaged in the process. When It was plugged in the sound would come and go or I would get a crackly sound. I changed batteries and tried multiple different cables thinking maybe it was the cable. No, it wasn't. At this point, with the price of this guitar and the expectation that Gibson would put out a quality product, I was frustrated and just opted to either exchange or return it. I will say my local GC was very supportive and helpful and allowed me to exchange for a different guitar. I went with another brand and am very pleased with my new guitar! I'm really sad that it didn't work out with this. Hopefully it was just my specific guitar, and that others who have purchased this or plans to purchase this does not have the same issues.Vanessa
7. Gibson Slash J-45 Acoustic-Electric Guitar November Burst
Product Details:
Gibson and slash are proud to present the slash collection gibson j-45 standard. it represents influential gibson guitars slash has used during his career, inspiring multiple generations of players around the world. the slash collection of gibson guitars can be seen live on stage with slash today. each slash collection gibson j-45 standard features a blend of traditional appointments and modern features including a custom slash rounded c-neck profile, a flatter and more modern 16" fingerboard radius, and a versatile custom lr baggs vtc pickup for natural acoustic sound. exclusive to the slash's are a "scully" signature drawing on the back of the headstock, slash's signature on the truss rod cover with a blank truss rod cover in the case, and four slash jim dunlop tortex# picks. the slash collection gibson j-45 standard is available in november burst and a limited edition vermillion burst.
Specifications:
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Width | 1.725" |
| Inlays | Mother-of-Pearl dots |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatics |
| Truss Rod Cover | Slash Signature |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone Controls |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
8. Gibson '50s J-45 Original Acoustic Guitar – Ebony
Product Details:
A decade of iconic silky blues and era-defining rock 'n' roll can't possibly be resonated in just one instrument. can it? the gibson j-45 original 50s could be the answer. equipped with the traditional materials of a sitka spruce top and mahogany body that produce such a rich and recognisable tone – this guitar is an absolute legend to play. the look and feel of the 50s are in the palm of your hand. subtly antiqued, the top and back binding give the sense of a seasoned gibson acoustic. a classic instrument that has been modified to upgrade the way vintage music is heard. feed this tradition to the masses. the lr baggs vtc pickup produces a beautifully natural and earthy tone when you need to amplify to a larger crowd. embrace a golden era of music.
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Bone |
| Nut Width | 1.725" |
| Inlays | Mother-of-Pearl dots |
| Joint | Compound Dovetail Neck-to-body |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Traditional Belly Up |
| Saddle Material | Bone |
| Tuning Machines | Grover Strap Cream Button |
| Pickguard | 50's, Tortoise |
| Truss Rod Cover | Black |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone Controls |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
9. Gibson Acoustic Songwriter – Antique Natural
Product Details:
Distinctive. iconic. and ready for professionals. the gibson songwriter 2019 is a stunning electro acoustic guitar that'll delight professional performers, troubadours, and gibson collectors everywhere. it's loaded with all of gibson's renowned tonal brilliance. rosewood, sitka spruce, and mahogany tonewoods combine to create excellent sonic range, giving you full, all-encompassing sound.this is a guitar that's destined to drive you to greatness. because it's tailor-made for the stage, too. lr baggs electronics provide superb clarity to your live playing, allowing you to play at high volumes without sacrificing sound quality. a comfortable rounded neck profile will let you play on for hours, so you can dedicate as much time as you like to composing your next classic. discover unparalleled excellence.
Specifications:
| Body Shape | Square Shoulder |
| Back and Side Wood | Rosewood |
| Bracing | Traditional hand-scalloped Advanced X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Neck Profile | Round |
| Scale Length | 25.5'' |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12'' |
| Number of Frets | 20 |
| Frets | Standard |
| Nut Material | Tusq |
| Nut Width | 1.725'' |
| Inlays | Mother-of-pearl Parallelogram |
| Neckjoint | Compound dovetail neck-to-body joint |
| Tuner Plating | Gold |
| Bridge | Custom Line |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatic w/ Kidney Buttons |
| Pickguard | Custom Line |
| Truss Rod Cover | B/W |
| Bridge Pins | Tusq |
| Controls | Volume and Tone controls in soundhole |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
Pictures just do not capture the beauty of this guitar. When I opened the case, I swear there was an aura surrounding this beauty. I was almost afraid of touching it! So after mustering up the courage to take it for a test drive….. Holy Smokes!, this guitar is on another level! It feels so solid compared to my other dreadnaught acoustics. Its like an Acoustic Les Paul Custom. The neck is great, plays like a dream and the pickup really does sound much better than those active p/u's I've played on other guitars. All in all, I couldn't be more happy with this instrument….. Truly an awesome spectacle
I played a Gibson J-45 previously. I was looking for a smaller body size to make it easier to play and write at the same time. l laso wanted a cut away body for higher fret action. The G-Force tuner was an interesting plus. the tuner works nice for studio and stage tuning in standard tuning. Using the G-Force to tune other than standard tuning is really to complex in terms of the multiple buttons you have to press in specific sequence to make the use impractical. The G-Force tuner also requires some very specific steps to restring the guitar. I really, really like the sound. You might think with shallow body depth and body cut away that the sound may be less than a full dreadnought sound. This sound is better than the J-45 I have played for years. The appearance and workmanship is impeccable. There is a special insert included to store the guitar in a standard dreadnought case. This is a nice feature by Gibson, as the guitar shallow body would make it bounce around in a standard dreadnought case. I grew up in Kalamazoo Michigan, the home of Gibson guitars. A number of my family members worked at the Gibson plant. I played Epiphone and Gibson guitars from the Kalamzoo Parson Street factory since I was a kid. This is the best Gibson I have ever played.Lorenzo
I have been playing for 30 years. I own several J45s, none of them rosewood.. Interesting that the Songwriter comes in a J45 case. I have truly enjoyed the tonal quality of this guitar. It has a nice clarity and truly excels when played in the finger picking style The Fishman electronics give this guitar some additional range to dial in the tone you want. It sounds great plugged as well. I wish I had bought one of these 10 years ago.Philip S
10. Gibson Hummingbird Standard Vintage Sunburst
Product Details:
Much of the hummingbirdu2019s appeal lies in its versatility. no matter how you attack this flat-top, it pumps out rich, deep tones, and is equally at home strumming first-position chords as it is taking the spotlight for picking lead lines. its spacious mahogany body and sweet, select sitka spruce top are more than capable of nailing down the rhythm in the hands of a rock and roll sideman or accompanying the most nuanced performance under the fingers of todayu2019s alternative singer-songwriter. the hummingbird's mahogany neck has a comfortable rounded profile and mother of pearl parallelogram inlays. this 'bird has a tusq nut, saddle, and bridge pins, grover rotomatic tuners, the iconic hummingbird graphics on the pickguard, and is equipped with lr baggs vtc electronics, so it's ready to plug in on stage or in the studio. a gibson hardshell case is included.
Specifications:
| Body Shape | Hummingbird |
| Back | Mahogany |
| Side | Mahogany |
| Binding | 5-ply Top, 3-ply Back, Single ply Fingerboard |
| Finish | Gloss Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | TUSQ |
| Nut Width | 1.725" |
| Inlays | Mother of Pearl Parallelograms |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Reverse Belly, Rosewood |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Rotomatic |
| Pickguard | .060'' Hummingbird |
| Truss Rod | Adjustable |
| Truss Rod Cover | 2-ply Bell, Black and White |
| Bridge Pins | TUSQ |
| Strap Buttons | 2 |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Soundhole Mounted Volume and Tone |
| Output Jack | 1/4" Endpin Jack |
| Preamp | LR Baggs VTC |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
I received this today. I got home as the UPS driver was leaving it at my door. I quickly unboxed this and just looked at it. The case is considerably heavy, and the guitar is very light relatively speaking. The smell of the natural wood is present and pleasant. The rich sound is amazing. I love it. I immediately tuned it and played a few bits of songs I know. It is a wonderful guitar that is pleasing to the eye and even more delightful to the ear. This is making me long to learn more music and master my STP favorites. Very happy with my purchase.Michael
I've been looking for a pro instrument, something I would keep for a lifetime, to replace my entry-level Takamine acoustic. Maybe 20+ years ago I had played a Gibson Hummingbird in a store and I fell in love. But I couldn't afford it at the time. Still, I was open to other brands when shopping, and I tried a lot of them. But the Hummingbird Studio Walnut wound up being exactly I was looking for. Above all, an acoustic has to sound right for you. The "right" sound can be different for everyone, and it can also depend on what style of music you play. If you are a singer, some guitars might compliment your voice better than others. This Hummingbird Studio has a very balanced sound across the entire range. It has a confident low end, but not "boomy". The high strings are never spikey – they are smooth, clear, and blend sweetly within chords. The Walnut back and sides seem to contribute to this "smooth and even" sound. There's a Rosewood version too, which sounded a bit brighter and stiffer to me. The Walnut responds very well to light or heavy playing, with plenty of overtones while still maintaining note definition. The body of this Studio version is slightly less deep than a traditional Hummingbird (by about 0.75 of an inch). While I'm sure that equates to a difference in sound on some level, I prefer to simply evaluate this guitar based on how it sounds on its own – which to me is wonderfully smooth and rich. It seems much easier for me to get a good recorded sound out of this compared to my cheaper acoustic. I'm using a microphone in my home studio (Rode NT1). I haven't even tried the built-in electronics, so I can't comment on that. The feel of a guitar is just as important as sound to me. I do admit that I'm a Gibson fan in general, also owning a Les Paul Studio. The neck on the Hummingbird Studio just fits me perfectly, and it makes me want to pick it up and play it every time I walk past it hanging on the wall in my home. Another thing I really like about the Studio series is the lack of binding on the neck. That's just a personal preference, but I like to see the bare neck and fretboard wood instead of plastic binding. To each their own. I compared this to a few Taylors – all great guitars, but the Taylors have a brighter, more modern sound that didn't quite suit me. The other contender was a nice Martin D-16E which sounded great, but just didn't quite feel right in my hands. In the end, the Hummingbird Studio just said "welcome home" every time I picked it up. And that's worth waiting for.Brock
This is a beautiful guitar and I loved everything about it until I started having problems with the output jack. I don't know if the construction issues were just related to my guitar or if anyone else has had the same issues. Nonetheless I had to bring it back to GC to have it repaired. One week later, I had the same issue, loose output jack with just normal use. I contacted Gibson directly and shipped my guitar to them to be repaired and they completely replaced the jack with a new and different one. So no more issues with loose jack after that, BUT something with the wiring must have been damaged in the process. When It was plugged in the sound would come and go or I would get a crackly sound. I changed batteries and tried multiple different cables thinking maybe it was the cable. No, it wasn't. At this point, with the price of this guitar and the expectation that Gibson would put out a quality product, I was frustrated and just opted to either exchange or return it. I will say my local GC was very supportive and helpful and allowed me to exchange for a different guitar. I went with another brand and am very pleased with my new guitar! I'm really sad that it didn't work out with this. Hopefully it was just my specific guitar, and that others who have purchased this or plans to purchase this does not have the same issues.Vanessa
11. Gibson Acoustic J-45 Standard – Vintage Sunburst
Product Details:
Excellent condition. a few minor blemishes which have been shown in the photos. gibson j-45 standard vintage sunburst acoustic electric j-45 is gibson's best-selling acoustic of all time. nicknamed "the workhorse" and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. world renowned for its full, balanced expression, warm bass and excellent projection, the j-45 has been refined to carry this legacy to new heights. this 2011 model delivers a sound with incredible dynamic range, warm mids, and a tight punchy bass product specs condition excellent (used) excellent items are almost entirely free from blemishes and other visual defects and have been played or used with the utmost care.
Specifications:
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | Slim Taper |
| Neck Material | Mahogany |
| Depth at 1st (in) | .866 |
| Depth at 12th (in) | 1.179 |
| Nut Width (in) | 1.727 |
| Nut Material | Graph Tech |
| Scale | 24.75 In |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 20 |
| Finish Type | Gloss Nitro |
| Tuners | Grover |
| Bridge | Acoustic – Traditional Belly Up |
| Strings | .012, .016, .024, .032, .042, .053 |
| Weight (lbs) | 4.35 |
| Finish | Cherry |
| Made In | United States |
| Back Material | Mahogany |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Offset Body | No |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Rosewood |
| Top Material | Spruce |
| Wood Top Style | Plain |
Reviews:
Gibson started making these in 1934. I bought one 20 years ago and it is still my go to guitar. The first time I played it, I thought it was the best sounding guitar I'd ever heard. Something about the Sitka Spruce / Mahogany combination makes for a warm, full sound that nothing else can quite match. The slightly wider neck makes the guitar easy to flat pick, and finger pick. From the factory mine came ready to play. Haven't had to fool with the action yet. Also, the older I get, the more I appreciate how light weight it is, compared to a rosewood guitar, or an electric. It's kinder and gentler to my aging back. If you're looking for a guitar, play one of these 45s. You'll be glad you did!guitar49
Seriously, best guitars ever made. To many people, especially those under the spell of loud booming bluegrass machines, the j45 doesn't stand out. You may find them dull in loud busy guitar shops or next to a canon like a hd28.
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
I purchased a 2018 model through Guitar Center last week, from what I can only assume was New Old Stock. It was a savings of around $400. It arrived today! With the exception of some minor finish issues from someone else handling the guitar (scuffs, mild scratching) it is f*&ing incredible. I have barely been able to set it down. It plays like a dream and sounds even better. It's very consistent up and down the neck and the tonalities between flat-picking and fingerpicking are super noticeable which is EXACTLY the way it should be, in my opinion. Fingerpicking gives the player deeper lows and snaps while flat-picking tends to be more on the side of treble and crispness. It's a dream instrument for me and I know it will be for you as well.Justin
12. Gibson Acoustic Sj-200 Original – Vintage Sunburst
Product Details:
Play it loud, play it proud. the gibson sj-200 original is teeming with quality, from its moustache bridge to its finely carved headstock. based on the same models as those gibson first released in 1937, it has a rich heritage and a stunning sound. flame maple back and sides give this beauty a sparkling, bright, punchy tone which sings with vibrance. and a sitka spruce top helps to enrich the resonance and sustain of this super jumbo guitar. plain sailing. there's a two-piece maple neck adorning this guitar, which offers superb smoothness for easy playing. it also adds even more brightness to this guitar's tone, making it truly stand out in any setting. the sublime rosewood fretboard responds to your playing perfectly, producing a touch of warmth and plenty of sustain for a well-balanced overall tone. the four bar moustache bridge is iconic, adding tonnes of character whilst enhancing tuning stability and resonance. from the stunning looks to the world class sound, this guitar will bring you a lifetime of happiness.
Specifications:
| Finish | Antique Natural |
| Year | 2019 – 2020 |
| Made In | United States |
| Back Material | Maple |
| Body Shape | Jumbo |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Material | Maple |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Sides Material | Maple |
| Top Material | Spruce |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
13. Gibson '50s J-45 Original Vintage Sunburst
Product Details:
A decade of iconic silky blues and era-defining rock 'n' roll can't possibly be resonated in just one instrument. can it? the gibson j-45 original 50s could be the answer. equipped with the traditional materials of a sitka spruce top and mahogany body that produce such a rich and recognisable tone – this guitar is an absolute legend to play. the look and feel of the 50s are in the palm of your hand. subtly antiqued, the top and back binding give the sense of a seasoned gibson acoustic. a classic instrument that has been modified to upgrade the way vintage music is heard. feed this tradition to the masses. the lr baggs vtc pickup produces a beautifully natural and earthy tone when you need to amplify to a larger crowd. embrace a golden era of music.
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75 inches |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 inches |
| Frets | 20 Standard |
| Nut Material | Bone |
| Nut Width | 1.725 inches |
| Inlays | Mother-of-Pearl dots |
| Joint | Compound Dovetail Neck-to-body |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Traditional Belly Up |
| Saddle Material | Bone |
| Tuning Machines | Grover Strap Cream Button |
| Pickguard | 50's, Tortoise |
| Truss Rod Cover | Black |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone Controls |
| Style | Dreadnought |
| Electronics | Yes |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
14. Gibson J-45 Standard Acoustic Guitar – Cherry
Product Details:
A true icon in the world of acoustic instruments, the gibson acoustic j-45 quickly earned the title of "the workhorse" shortly after it was introduced in 1942. this round-shoulder, dreadnought impressed musicians with its full and balanced expression, warm bass, and excellent projection — much of which came through subtle changes to the bracing of its forefather, the j-35. the j-45 standard features a solid sitka spruce top and mahogany back and sides for a mind-blowing blend of punchy treble, midrange heft, and low-end lushness — a truly unique sonic signature that countless performers have fallen in love with! and when you plug in, the active lr baggs vtc pickup system delivers amazing pure acoustic tone. whether you're strumming on the porch or onstage, the j-45 standard is a stunning addition to your guitar collection.
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | Multi-ply Top, Single ply Back |
| Finish | Gloss Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | TUSQ |
| Nut Width | 1.725" |
| Inlays | Mother of Pearl Dots |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Reverse Belly, Rosewood |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Rotomatic |
| Pickguard | Tortoise Teardrop |
| Truss Rod | Adjustable |
| Truss Rod Cover | Bell Shaped, 2-ply Black and White |
| Bridge Pins | TUSQ |
| Strap Buttons | 2 |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Soundhole Mounted Volume and Tone |
| Output Jack | 1/4" Endpin Jack |
| Preamp | LR Baggs VTC |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
15. Gibson J-45 Standard Acoustic-Electric Guitar Heritage Cherry Sunburst
Product Details:
Classic tone, iconic style. the gibson j-45 standard combines time honoured lutherie techniques with famed hand-built tradition. a truly exquisite instrument that oozes world renowned gibson quality. first introduced in 1942, the j-45 earned itself a reputation among many players as the 'workhorse' guitar. and, this standard was inspired by the rich heritage it's left over the years. bringing you that pristine tone, warm bass, and balanced expression the j-45 is known for.born to perform. this j-45 standard features a solid sitka spruce and mahogany construction that sounds even richer with age. explore a classic acoustic sound that can handle whatever you throw at it. play delicate picking, to meaty country licks, or chunky, bluesy chords. it will respond to you, and your playing style beautifully. and, with the distinctive j-45 body, your tone is rich, big, and superbly dynamic. you can also play live thanks to a built-in lr baggs vtc, bringing you a majestic, legendary tone inspired by nashville's greatest studios. it's time to leave your musical legacy – do it with gibson.
Specifications:
| Finish | Antique Natural |
| Year | 2009 – 2019 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Dreadnought |
| Fretboard Material | Composite |
| Model Sub-Family | Gibson J-45 Standard |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Sides Material | Mahogany |
| Top Material | Spruce |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
16. Gibson 1936 J-35 Vintage Sunburst
Product Details:
The j-35 evolved from the jumbo in 1936, a time when the great depression was still wreaking havoc on americans. gibson developed the j-35 to be a pared down model but still offer musicians a warm and balanced instrument. this custom historic 1936 j-35 delivers the look, feel and sound of our iconic j-35 as a seasoned vintage instrument. the master luthiers in bozeman, montana, have created a beautiful vintage-inspired instrument sure to be coveted by the most discerning of flat-top players. the 1936 j-35 features a thermally aged adirondack red spruce top held by hot hide glue construction, a wide 1.77 nut width, open-slot bridge, bone saddle, and strap cream button tuners.
Specifications:
| Finish | Vintage Sunburst |
| Year | 2020 – 2022 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Dreadnought |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Neck Material | Mahogany |
| Number of Frets | 19 |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Mahogany |
| Top Material | Spruce |
Reviews:
I love this guitar, but I got mine for a killer price, so… I probably like it 5x better than had I paid full price. I'm marking it not a good value because the new prices are ridiculous. But I am extremely happy with the price I got it for. Plays great, sounds great, looks great. It's got that awesome vintage vibe but has excellent playability all the way up and down the neck. Great for strumming and fingerstyle, and least for anything I want to do with it. The mic on the LR Baggs Anthem blender doesn't get much use because it feeds back. Run it through a Fishman Aura Spectrum DI, and you will love it.martin_gibson
Overall: Ordering an acoustic without being able to play and hear it first is pretty scary. After watching numerous comparison videos, I landed on the Southern Jumbo. I am thrilled to say I am absolutely blown away by this guitar. The fit and finish is flawless, and is drop dead gorgeous in person. Most importantly though is that it’s easily the best sounding acoustic I’ve ever had the pleasure of playing. The sound is lush, rich and complex, with dynamic range for days. The neck feels pretty similar to a slim taper on a 60s Les Paul. It’s got enough girth to grip, but is still easy to move around. I can’t recommend this guitar enough.
This is a unique Gibson. With the Rosewood sides and back and long scale it sounds a bit like my Martin HD-28. This guitar though, with the Rosewood bridge seems to have a little more clarity and punch. Unlike short scale Gibsons this guitar has a nice tight sound. Fit and finish is really good. I am very pleased to add this Gibson to my growing guitar collection.Victory Pete
17. Gibson Sj-200 Standard Autumnburst
Product Details:
The legacy of gibson’s “king of the flat-tops” lives on in the sj-200 standard. from its inaugural appearance in 1937, gibson’s sj-200 set an unmatched standard. the sj-200 continues a legacy of the world’s most famous acoustic guitar, and certainly one of the most popular. the body features gorgeous flame maple and is finished in your choice of wine red or autumnburst. it comes equipped with gold grover rotomatic tuners, a tusq nut, saddle, and bridge pins, and it is stage and studio-ready with an internal lr baggs anthem mic/pickup system. a gibson hardshell case is included.
Specifications:
| Body Shape | SJ-200 |
| Back | AAA Flame Maple |
| Side | AAA Flame Maple |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | 5-ply Top, 3-ply Back |
| Finish | Gloss Nitrocellulose |
| Neck Material | 2-piece Maple |
| Scale Length | 25.5" |
| Fingerboard Material | Indian Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | TUSQ |
| Nut Width | 1.725" |
| Inlays | Mother of Pearl Graduated Crowns |
| Hardware Finish | Gold |
| Tuner Plating | Gold |
| Bridge | Two bar SJ-200 Moustache; Rosewood |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Rotomatic |
| Pickguard | SJ-200 Cream Flower with Border and Dots |
| Truss Rod | Adjustable |
| Truss Rod Cover | 2-ply Bell, Black and White |
| Bridge Pins | TUSQ |
| Strap Buttons | Gold |
| Under Saddle Pickup | LR Baggs Anthem |
| Output Jack | 1/4" Endpin Jack |
| Preamp | LR Baggs Anthem |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
geat story , great ending…i purchased from michael mattice a natural sj200 standard. love the look and nice play. about a month after i bought it it started playing funning and did not sound as it should. i took the guitar to my luthier thinking it might need an adjustment. luthier said i can make it better but cannot make it perfect. wah, i called G C Michael mattice explaining. he said let me see what i can do. 2 days later i received a email fro gibson in tennessee. i shipped the guitar with my luthier report asking the to fix the guitar prop or replace. it took 3 months but gibson sent me a new replacement. thanjks gibson..loving the guitar. i have bought many guitars from G C….thanks G C and Gibson for doing the right thing.gregorio r
While description says J-200, my 2020 came in with sticker inside guitar stating SJ-200 so for those of you wondering what the difference is, there is none. Even if tag said J-200, there is no difference other than the model number. This guitar is absolutely wonderful. I got the Vintage Sunburst. The neck on mine came like a very slightly larger slim taper, not as big as the 50/60 ES-339 but just a tad more than a slim taper. But each neck is a bit different due to each one being hand finished. Sound is very full, very even across the strings. Playing single notes on upper neck has a very resonant sound that fills the air and rings out acoustically. Works great both strumming and finger picking and I found all picked strings during hand picking to come out with the same dynamics and sound level. Beautiful tone, beautiful guitar, truly the "King of the flatops".Bassman
18. Gibson Sj-200 Studio Walnut Acoustic-Electric Guitar Antique Natural
Product Details:
Gibson sj-200 studio walnut – antique natural – hand built using beautiful sitka spruce and walnut, this sj-200 studio is sure to please the eye and the ear. utilizing gibson's advanced response neck profile and slim body depth body design this is the most comfortable super jumbo they've ever built, without any sacrifice in tone. outfitted with a fishman sonitone pickup for easy plug and play anywhere you perform.
Specifications:
| Neck Material | Mahogany |
| Scale Length | 25.5" |
| Fingerboard Material | Walnut |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Tusq |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Graduated Crowns |
| Joint | Compound Dovetail Neck-to-body |
| Body Shape | SJ-200 |
| Back | Walnut |
| Side | Walnut |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Tuner Plating | Nickel |
| Bridge | Moustache, no inlay |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatic w/ kidney buttons |
| Pickguard | SJ-200, no stamp |
| Truss Rod Cover | Studio |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs Element Bronze |
| Controls | Volume and Tone Controls |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
19. Gibson J-185 Original Acoustic-Electric Antique Natural
Product Details:
First introduced in 1951 as a slightly smaller, less flashy version of the popular j-200, the gibson j-185 quickly became a legend legend of its own among players of the day. now gibson brings you that vintage design and sound with the gibson acoustic j-185 vintage. featuring a solid sitka spruce top and flamed maple back and sides, this acoustic puts out the kind of tone that stops the convos and gets your audience's attention. simply put, the j-185 produces a beautifully balanced, robust tone that spans the full frequency range. in addition to these fine body tonewoods, a gorgeous mahogany neck with rosewood fingerboard on the j-185 offers players impeccable response and playability. and when you are ready to plug this gorgeous instrument in, an lr baggs vtc system delivers mind-blowing, authentic amplified acoustic tone.
Specifications:
| Body Shape | J-185 |
| Back | Flame maple |
| Side | Flame maple |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, multi-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number of Frets | 20 |
| Nut Material | Bone |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Parallelograms |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up |
| Saddle Material | Bone |
| Tuning Machines | Gotoh Keystone |
| Pickguard | J-185 |
| Truss Rod Cover | Black and White |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone controls |
| Strings Gauge | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
So I took my J185 to my trusted luthier, had him do a setup for 10ga. strings with saddle and nut adjustments. I just thought it would be helpful to anyone who read my 1st review to give some follow up once the guitar had a chance to get set up and breath, and for the glue to dry as I had it in my hands within a month or so of its birth at Gibson Bozeman. Some reviews, including my own, are colored by the excitement of having a new a piece of gear, the desire to justify your choice and to convince self that it's the best guitar ever made. With that in mind, I just want to re-confirm that this guitar gets better every time I pick it up. Its tones, overtones, harmonics and sustain/intonation are what I would call perfect, or magic, or a miracle – pick your own favorite word. It gives me more than I had ever expected every time I play it. If you aren't getting everything you want from your acoustic, you should at least try one of these. Your needs/wants may be different than mine, but as someone who has played for 60 years, blues/jazz, R&B this guitar is my all time favorite. Not sure that a country picker would like it more than a great Martin, but my experience says that Gibson Acoustic still makes truly great guitars.
Big sound. Guitar projects well excellant articulation.05t01e19f
20. Gibson 1942 Banner Lg-2 Vintage Sunburst
Product Details:
This gibson lg-2 historic 42 banner reissue was shown at the gibson booth in 2020. you can tellwhy they chose this one. it has stunning grain, and sounds absolutely remarkable. it delivers in very good shape. a few signs of play wear with typical swirling and nitro hazing that comes when writing songs on such an instrument. the only real noticeable ding i saw was above the d string tuning post on the headstock. barely noticeable. you can see it in the photo. it comes with the namm show gibson coa and case. as they say it will be an heirloom that can be passed down for generations. an extra set of merc tuners are in the case if you want something modern looking.
Specifications:
| Finish | Vintage Sunburst |
| Year | 2020 – 2022 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Concert |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Mahogany |
| Top Material | Spruce |
Reviews:
Build quality looks good. Substantial top bracing. Neck feels really good but is difficult to play because of neck curvature which creates high tension on strings – probably been sitting around the Perth shop for an extended period – no one bothered to check before sending. Will have to get it set up (more expense). Could not play with the Gibson strings provided – heavily oxidized – again old strings from a guitar that has been idle in the shop for too long – no one checked this either. Have had to buy low tension strings to play it until set up. Fretboard as dry as a …., but feels better now I have conditioned it a couple of times. Also, there are problems with the inner case lining (lifting) – again blind dispatcher – and the brass finish on the outer case clasps on arrival looking dull) have turned to a burnished silver only after opening the case for a fortnight. Really pretty poor form Manny's not checking the guitar out before shipping 🙁Lindsay A.
Hopefully, this will be a favorite acoustic guitar. The small 00 body size is very comfortable and casual. The neck shape is a described as a soft-V, fits comfortably in hand with a nice wide, flatter fret board that suits my large hands and fingers well. It's a handful where the neck meets the body. Lots of nice construction points on the guitar. The internal bracing is beautifully done. The hand scalloping is obvious, the bracing wood is tight grained and finished smooth. Compliments to Gibson builders on this one. The neck is unbound, the fret ends are polished and fit perfectly. The body finish is consistent and the polishing is perfect. The sound hole rosettes are clean as is the binding on the entire body. The rosewood grain is tight and consistent on the whole body. The Sitka Spruce top is clean, without any wood imperfections or distortions in the grain. Very slight color variations that give a pleasing appearance. The string height along the entire fretboard is consistent. No buzzing. No action adjustment has been needed. What a joy! Pull it out of the case, tune to pitch, play. Amazing. Plays as one would expect from an instrument at this price point. Don't really notice any next tapering, very subtle. How about saying it has a 'lush' midrange. Extremely full sounding. Nice thumping bass, not shrill anywhere. Have not used the electronics but with a complimentary acoustic amp this guitar should fill any recording or live performance roles. Total amateur here. A pro musician will be able to get more out of this instrument for a long, long time. Excellent build quality, great tonal breadth and depth. This is a great Gibson guitar.Kev
Guitar Heaven: it don't get much better then this. I purchased my L-00 over the reviews I read. When it arrived the setup looked good and the neck was perfectly straight. I tuned it and started playing: yuck! The sound sucked and it buzzed!! However, it had never been played!! So, I started playing it: putting quality sound into the body. My L-00 stopped buzzing and started sounding!! I've had it for two days now and every time I pick it up it sounds better and better!! Wow!! Looking forward to spending a lot of quality time with it for the rest of my life!! Dreams do come true!! 5 STARS!!Harold
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