Are you looking for the Build Tube Guitar Amp? If so, you’ve come to the right place.
Choosing the Build Tube Guitar Amp can be difficult as there are so many considerations, such as Orange Amplifiers, Revv Amplification, Marshall, Fender, Peavey, VOX, Blackstar, Laney. We have done a lot of research to find the top 20 Build Tube Guitar Amp available.
The average cost is $647.72. Sold comparable range in price from a low of $29.95 to a high of $2751.50.
Based on the research we did, we think Kit-MOD 102 DIY Guitar Amplifier is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Build Tube Guitar Amp (20 Sellers)
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Reviewers Noted:
Quality build . Ease of use . Sound quality . Visual appeal
Features:
- All tube design (solid-state diodes used only for full-wave rectification)
- 5w output power into 8 ohm
- Vintage channel controls: bass, treble and volume
$955.02
5.0
Reviewers Noted:
Ease of use
Features:
- Please note: due to covid-19 related supply chain issues, this kit is back-ordered. this kit is perfect for the amp builder looking for more output wattage and a more challenging…
$726.18
5.0
Reviewers Noted:
Ease of use
Features:
- This is the perfect kit for both a first project as well as for the seasoned builder. this kit, which includes everything you'll need to complete the amp, can be…
Features:
- Buyers and sellers of tube guitar amps who need a better understanding of tube technology.
- Electronic technicians and engineers familiar with solid state devices and amps, who want to expand their knowledge of tubes and their circuits.
- Anyone who wants to learn how to design, build, test, fix, or upgrade tube guitar amps.
$574.89$399.99
4.8
Reviewers Noted:
Good sound quality . Quality build . Easy to use . Weight . Attractive
Features:
- Fully tested
- 100% functional
- See photos for cosmetic condition
Reviewers Noted:
Good sound quality . Attractive . Quality build . Easy to use . Portable
Features:
- Great combo, 5w 2,5w or 0,5w makes your tubes scream even with a domestic volume!
- As new, never brought out of home.
- I could consider exchange with a marshal tube combo.
Reviewers Noted:
Good sound quality . Portable . Powerful . Ease of use . Build quality
Features:
- 50 watts; only 1.1 lbs!
- 100% analog pre-amp design featuring korg nutube.
- Speaker & line/headphone outputs with cabinet simulation.
Reviewers Noted:
Easy to use . Good sound quality . Attractive . Portable . Quality build
Features:
- One of the best desktop/practice amp in the market.
- The bluetooth connectivity and the app are serious upgrades.
- The speakers quality on this thing is just phenomenal and they sound almost like my professional monitors.
$219.99
4.7
Reviewers Noted:
Good sound quality . Portable . Powerful . Ease of use . Build quality
Features:
- Fully tested
- 100% functional
- Very good condition
$1399.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Quality build . Easy to use . Portable
Features:
- The tones you need for any gig
- Huge fender tones from clean to scream
- Four-channel footswitch for instant control
$749.99
4.7
Reviewers Noted:
Good sound quality . Easy to use . Attractive . Quality build . Portability
Features:
- 50 watt all tube head
- Switchable high, medium, & low power output section
- Tilt control blends bright & normal sounds
Reviewers Noted:
Good sound quality . Attractive . Quality build . Heavy . Portability
Features:
- Fully tested
- 100% functional
- Very good condition
$119.00
4.8
Reviewers Noted:
Good sound quality . Ease of use . Portability . Visual appeal . Build quality
Features:
- The bluejay from joyo’s bantamp series is a compact and portable 20 watt head.
- The amp operates with a single 12ax7 tube in the preamp and uses a solid state power amp.
- The amp has a speaker out rated at 8ω, but can also be operated at 16ω with less power.
$2751.50
4.9
Reviewers Noted:
Good sound quality . Ease of use . Build quality
Features:
- Great condition
- Head road case included
- Toured with many times
$799.99
4.7
Reviewers Noted:
Sound quality . Ease of use . Power
Features:
- Power: 15 w
- Preamp tubes: 3 x 12ax7
- Power tubes: 2 x el84
$1499.00
4.8
Reviewers Noted:
Good sound quality . Quality build . Easy to use . Visual appeal . Weight
Features:
- The amplifier head pictured is the actual amp you will receive!
- Just in on trade!
- The xlr-di out also features a ground lift switch is a…
$1169.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Quality build . Weight . Ease of use
Features:
- Equipment: 1x 12" celestion heritage g12h 70th anniversary loudspeaker
- Tube: 1x el84
- Controls for clean volume, drive, drive volume, 3-band eq, reverb and tone
Reviewers Noted:
Good sound quality . Quality build . Ease of use . Power . Weight
Features:
- 50‑watt amps using two 6l6 tubes
- 2‑channel design with independent volume and eq
- Effects loop
Reviewers Noted:
Good sound quality . Easy to use . Quality build . Portability . Visual appeal
Features:
- Footswitchable voices for clean and overdrive
- Usb audio out
- Newly-voiced studio quality reverb
Features:
- A complete yet easy-to-understand technical description of tube guitar amplifiers, intended for musicians and amplifier designers and builders….
1. Kit-Mod 102 Diy Guitar Amplifier
Product Details:
Mod 102 guitar amp kit features: all tube design (solid-state diodes used only for full-wave rectification). 5w output power into 8 ohm. 1 channel vintage channel. controls: bass, treble and volume. vintage pilot lamp and screw-on jewel cover for power-on indication output impedance: 8 ohm tubes included: one 12ax7 (preamp), one el84 (jj electronic brand) hammond mfg 269ex power transformer and p-t31 single ended output transformer cathode biased class a power tube operation (no bias adjustment needed). point to point hand wiring using terminal strips. carbon film resistors metalized polyester coupling caps pre-punched steel chassis. assembled kit weight: 4.25 lbs. assembled kit dimensions: 10" width x 6" depth x 5-&frac 18;" height mod 102 instructional features: detailed, easy to follow instructions include high resolution computer drawings for parts list and every step of assembly.
Specifications:
| Vintage channel controls | bass, treble and volume |
| Output Impedance | 8 Ohm |
| Tubes included | one 12AX7 (preamp), one EL84 (JJ Electronic brand) |
| Assembled Kit Weight | 4.25 lbs. |
| Assembled Kit Dimensions | 10" Width x 6" Depth x 5-⅛" Height |
Reviews:
I just completed my Mod 102 kit. An excellent experience! I was delighted with the quality of components, clarity of instructions, and, perhaps most importantly, the sound of the amp. It is very loud – currently running into my Fender Twin Reverb cab (2×12) and very sweet! I will be running it into a new 1×12 cab with a new Celestion G12 M Heritage 'Greenback' when I get a case for the speaker (on order). My only criticism (and something to look out for) is that the chassis is very nicely painted in gray gunmetal paint. Even following the directions to file all the holes, it is very hard to get a good ground connection at every point a terminal strip connects. I worried about this, and about 1/3rd of the way through the build, took an ohm meter to check all the connections, and as I had suspected, some of the connections were not great (9-10 ohms or so!) So I removed the terminal strips (with the components I had already soldered still attached) and scraped away the paint under the tabs of the strips to ensure a good connection. Re-testing showed virtually zero resistance. I'd strongly recommend scraping the paint away at all holes under the chassis before getting started on the build. Even better, suggest that Amplified Parts leave the inside chassis unpainted (at least around the important holes). Aside that one criticism, I am delighted with the kit and with Amplified Parts. Everything was delivered promptly and they are a class outift. I'll probably try some of their other kits soon.vpmerlyn
I spent three evenings building the MOD102. The instructions are very easy to understand and the amp has a great Fender sound. I had one grounding issue that was easily fixed with a little help from tech support, which was excellent. If you're good at following step by step instructions and can solder well this is a fun little amp to build. Only small issue is the labels. They could stand an improvement.Brandon
I just finished this amp build and it sounds fantastic! I also just finished a Marshall 18 Watt clone and I have to say that the Mod102+ holds its own very nicely alongside the Marshall. In fact, I will probably use the Mod102+ for recording because it sounds amazing at lower volumes (the Marshall is loud AF). Honestly, if I were only going to build one of them today, it would be the Mod. I'm blown away by the tone! Great kit with excellent instructions. Great bang for the buck. The parts all seem to be top quality. I love the old style cloth solid core wire, too. I find it much easier to work with than modern stranded wire. The labels are a bit lame but I covered them with packing tape as suggested before cutting them out and they look fine. If you're thinking about building an amp, build this one.danjbeckett
2. Classic British Jtm45+ Tube Guitar Amp Kit – Head
Product Details:
Please note: due to covid-19 related supply chain issues, this kit is back-ordered. this kit is perfect for the amp builder looking for more output wattage and a more challenging build. this kit includes everything you'll need to complete your own 45w or 50w amp in four or five evenings … and the results are amazing. with turret board, point-to-point construction, quality components, and just a touch of american upgrading, this kit is ready to become your sound. for a detailed list of what is included, download the manual below. this great kit can be customized by you with upgraded parts and can be ordered without the cabinet and / or speaker. give us a call and let us give you a quote on the kit just how you want it.
Reviews:
I got this as a Christmas gift. I never built an amp before but I do have good solder experience and general electrical knowledge. The amp worked perfectly on the first build. After following all the testing procedures I plugged in and it worked perfectly. I am extremely pleased with the sound quality. I have owned 2 other tube amps and neither sounded this good. It is surprising how low the noise is and how great it sounds. The other interesting thing is the pedals I have sound better in front of this amp versus any amp I have ever used them on. My tube screamer pedal sounds amazing in front of this amp. The gain is all there with less noise and better voicing. I have no idea why that is but I could not be happier.
I recently completed the British 18W head kit from Tube Depot, and can't say enough good things about it! From start to finish, the kit exceeded my expectations. Ordering, shipping, and customer service were top-notch. No issues with components. The instructions and documentation were amazing, worth their weight in gold. The end result was an amplifier that sounds incredible! I incorporated a few of the suggested options- PPIMV, Tremolo HI/LO sw., Tube/SS Rectifier sw., and choke. The sound is amazing, I'm finding it very difficult turning the amp off- once I start playing through the amp I don't want to stop. I would absolutely recommend Tube Depot for anyone interested in building a guitar amplifier. The clear, well-written instructions really made this an enjoyable project. This was my first amplifier build, and I had no issues thanks to the great documentation.Dave R
I ordered this kit with a mod to use KT 66 power tubes. The changes were easy to make and it sounds fantastic. The classic JTM 45 tone at a manageable volume level with the master volume control. Just to test it out I've used a power soak and the tone is exactly the same using the master volume. A couple of real nice features of the design are the negative feedback switch and the ability to switch between solid state and tube ratification (the tube sounds better to my ears). Great product!Clint
3. Classic British 18w Tube Guitar Amp Kit – Head Type: Assembled
Product Details:
This is the perfect kit for both a first project as well as for the seasoned builder. this kit, which includes everything you'll need to complete the amp, can be constructed in three to four evenings with astounding results. with turret board, point-to-point construction, quality components, and just a touch of american upgrading, this kit is ready to become your sound. for a detailed list of what is included, download the manual below. this great kit can be customized by you with upgraded parts. or it can be ordered without the cabinet and / or speaker. let us give you a quote.
Reviews:
I got this as a Christmas gift. I never built an amp before but I do have good solder experience and general electrical knowledge. The amp worked perfectly on the first build. After following all the testing procedures I plugged in and it worked perfectly. I am extremely pleased with the sound quality. I have owned 2 other tube amps and neither sounded this good. It is surprising how low the noise is and how great it sounds. The other interesting thing is the pedals I have sound better in front of this amp versus any amp I have ever used them on. My tube screamer pedal sounds amazing in front of this amp. The gain is all there with less noise and better voicing. I have no idea why that is but I could not be happier.
I recently completed the British 18W head kit from Tube Depot, and can't say enough good things about it! From start to finish, the kit exceeded my expectations. Ordering, shipping, and customer service were top-notch. No issues with components. The instructions and documentation were amazing, worth their weight in gold. The end result was an amplifier that sounds incredible! I incorporated a few of the suggested options- PPIMV, Tremolo HI/LO sw., Tube/SS Rectifier sw., and choke. The sound is amazing, I'm finding it very difficult turning the amp off- once I start playing through the amp I don't want to stop. I would absolutely recommend Tube Depot for anyone interested in building a guitar amplifier. The clear, well-written instructions really made this an enjoyable project. This was my first amplifier build, and I had no issues thanks to the great documentation.Dave R
I ordered this kit with a mod to use KT 66 power tubes. The changes were easy to make and it sounds fantastic. The classic JTM 45 tone at a manageable volume level with the master volume control. Just to test it out I've used a power soak and the tone is exactly the same using the master volume. A couple of real nice features of the design are the negative feedback switch and the ability to switch between solid state and tube ratification (the tube sounds better to my ears). Great product!Clint
4. Tube Guitar Amplifiers Volume 2: How To Repair, Modify & Build Guitar Amps [Book]
Product Details:
Volume 2 of the most complete and practical modern reference on tube guitar amplifiers out of necessity, volume 1 was a bit more theoretical of the two. understanding operational principles and design & analysis tools is necessary to fully master the hands-on stuff, so you will know not only what should be done and how, but also why or why not. – the first two chapters of this volume deal with the final stages in the amplification chain, namely output transformers, loudspeakers, attenuators and headphone/line out circuitry. – chapter 3 covers the basic troubleshooting and amplifier repair tools and methods. – chapter 4 discusses practical wiring, soldering and circuit modification issues seldom or never mentioned in other books. – although numerous circuit modifications and improvements have been dispersed throughout both volumes, chapters 5 and 6 cover two specific areas where mods are particularly effective and noticeable, namely in power supplies and in tone changes through simple changes such as tube and component substitutions. – chapter 7 is a review and analysis of a few modern push-pull amplifiers such as orange tiny terror, jet city jca20h, fender excelsior and epiphone electar century. these case studies illustrate common issues and improvement options. – the diy project section (last five chapters) will take you through a dozen or so unique amplifier designs, some single-ended, other of push-pull, using different preamp and less common output tubes, such as 12fq8, 12a6, 5687, 12au7, 6sn7, 6ar6, 6bx7, 6em7, ecl86 and pl508. – this practical diy manual is richly and professionally illustrated with photographs of tubes, components and amplifiers, circuit diagrams, tube pinouts, curves and loadlines, graphs and charts. these valuable illustrations make it faster and easier to comprehend issues, a picture is truly worth a thousand words! all the information required to design and build tube guitar amplifiers is compiled in one place. – who is this book for? -guitar players wanting to learn how tubes and tube amplifiers work.- diy constructors who want to build, service or modify tube guitar amps.- buyers and sellers of tube guitar amps who need a better understanding of tube technology.- electronic technicians and engineers familiar with solid state devices and amps, who want to expand their knowledge of tubes and their circuits.- anyone who wants to learn how to design, build, test, fix, or upgrade tube guitar amps. – contents of volume 2: – output and interstage transformers for tube guitar amps- loudspeakers, output attenuators & headphone circuits- troubleshooting and repairing tube guitar amplifiers- wiring, soldering & modification practices- power supply modifications and improvements- tone tweaks- modern push-pull amps- diy projects: converting solid state guitar amps to tubes- diy projects: ultra-small amps- rebulding commercial amps in a handwired (point-to-point) fashion- diy projects: quirky & unusual designs- converting vintage tube gear into guitar amps
Reviews:
I've read quite a few books on negotiation but this one is by far the best and I don't say that lightly. It is not just comprehensive covering any negotiating angle or issue you can possibly think off but I liked the author's quirky style and cynical sense of humor. The one-liners are especially useful for the time challenged readers. They are summarized after every chapter as WINNING TIPS: What I Wish I Knew Twenty Years Ago" and then again at the end of the book as "101 Rules & Ruminations". An example called The Shaft-or-Be-Shafted Rule: Conventional "wisdom": Don't get mad get even. Igor's wisdom: Don't get mad or get even just get what you want. The only negative (if you can consider being over ambitious a negative) is that the book crams so much information into 240 or so pages that one needs days if not weeks to absorb it all but I can assure you it will be worth your time and effort. This is a goldmine of practical and poignant information! "alexduvall
Great book on trannys and building amps but not much on actual troubleshooting,diagnostics and repair.ridgep
5. Egnater Tweaker 15-Watt Tube Head Guitar Amp
Product Details:
The 15 w egnater tweaker amp head is ultracompact and amazingly versatile. the all-tube egnater amp head offers unique and sophisticated tone with seemingly endless variations via the onboard tweaker selector switches. powered by a pair of 6v6 power tubes, the tweaker is a perfect micro amp for gigging. the amp head's gain, eq, and master sections each have a tweaker switch providing a wide range of tones from the ultra smooth and satisfying to fully over-saturated lead tones. hidden inside the egnater tweaker head is a vast array of tones not usually found in amps with such a compact design. each of the five toggle switches on the front changes the amp head's character. the tight and bright switches shape the low and high end from soft and smooth to punchy and aggressive. the gain switch goes from sparkly clean to an all-out high-gain assault. the eq switch selects from pristine american to classic brit and even the illusive vx ac sound. the classic/modern voicing switch dials up either soft and smooth or hard and edgy power-tube tone. the egnater 15 w amp head makes sure it's all in there to satisfy the ultimate tweaker.
Specifications:
| Output power | 15W RMS cathode-biased |
| Input impedance | 1 mOhm |
| Output impedance | 4 ohms, 8 ohms or 16 ohms switch selectable |
| Effects loop send impedance | 600 ohms |
| THD | 5% at rated output |
| Tubes | 2 Egnater premium selected 12AX7 |
| Switches – vintage/modern | +4dB @ 120Hz +4dB @ 3.6kHz |
| USA/AC/Brit | selects American, VX, British tone stack |
| Clean/hot switch | +9dB Gain boost |
| Tight switch | -6dB @ 180Hz |
| Bright switch | +8dB @ 4kHz max |
| Dimensions (WxHxD) | 14" x 7-1/2" x 8" |
Reviews:
Overall: Recieved this amp on saturday. Took it out of the box, looked great. plug in to 4*12 marshall cabinet and turned on to standby. Plugged in my Westbury custom to test. From the very beginning to was cracking, snapping then full blown static. I played all of two minutes before it started picking up radio signals and static was loud. No guitar signal was heard. Im not sure if its inherent in these amps but I am returning and not wanting another egnater productsVito
My Tweaker 15 half stack is my primary gigging amp. I don't like a ton of stage volume, and in any case this little rig is a lot louder than you'd expect from 15 watts. Using an angled-back stand for the cab, I can point it at my ear level and hear myself just fine w/o having to have guitar in the monitors. Hang an e906 in front of the speaker, and good to go. This rig's best feature is the broad range of useful tones. The various toggles and knobs actually DO something. Since I switch up between twp very different guitars (ES-335 to G&L SC2) in our current live sets, making a couple-three quick changes gets each guitar into its sweet spot and at the right volume easily. Foot-switchability would be even better, but it's quick enough. The gain control is particularly well done. There's some real range, not the "all or nothing" thing that a lot of amps' gain controls give. The Vintage/Modern voicing toggle offers distinct differences, as well. This rig takes pedals nicely. I use both individual stompboxes (recording) and an M13 (live…don't hate!), and both sound good. The one thing I dinged it a little on was that the lower ranges on the Master Volume aren't as useful as I hoped they would be when using the Gain. There's a big, non-linear jump in volume in the first quarter of the dial's movement. Not only does this jump bypass the volume I really wanted (for apartment playing), but the tone on the low side of that volume jump isn't nearly as good as the tone AFTER the jump. Not a problem on stage or even recording, but for those who have to be concerned about volume at times, it's not an ideal practice amp. Bottom line: a lot of great tones at a price that makes touring with it less nerve-wracking.David K
This amp provides a much better value than similarly designed amps by the top manufacturers. I was looking for small wattage amp to get natural tube break-up (previously playing 100 watt fender twin) at small room club-approved volume. I was down to this amp vs. Mesa Express 25 watt. Although the small Mesa's like the Express and TA models have more channels, I just really felt that the 2 channels of the Egnater were more versatile and responsive. I truly feel this amp does the best job of getting a Fender-ish clean and a Marshall-y overdrive in 1 amp. The overdrive channel is what really sold me. The dynamics make it really fun to play. It can get very saturated without sounding metal, and it compresses naturally. I've used on a couple recordings and can't believe the sound is coming from one 12" speaker and a 30 watt head. Sounds way bigger. This channel can also be used as more of a dirty clean channel. That is my one major qualm with this amp though… I like that the new 2 channel tweaker has a gain knob on both channels. I wish I could get a Stones-ish breakup sound using the clean channel on this amp without turning up to 10. So i'm forced to use a pedal and that's just not the same. Oh well, can't have everthing. I still wouldn't get the 2 channel tweaker because this overdrive channel is better to my ears – way more dynamic and responsive. The clean channel is stll great and I can turn it up to like 6 on gigs and get warm sounds. It can still get me the Fender cleans that I need – or close to them while still having a solid overdrive sound at the same time. That's the big win here. I agree with most that the wattage knobs are pratically useless – but to me, having both set of tubes is so cool. Clean channel can truly sound either Fender or Vox on 6V6 vs. EL84. I love being able to get Stratty Fender sounds with 6V6 and then flip to EL84 and get my Tom Petty sounds going. The distortion is slightly creamier with 6V6 but I like the feel changes depending on what guitar I'm playing. In general, it's nice to have 6V6 for strats and EL84's for Les Pauls all in 1 amp. I've had no issues with this amp (knock on wood) and have played steadily for over a year. Overall, this amp has 2 great channels instead of 4 decent channels. That's how I feel about it. Again, I wish they would have thrown a gain knob on the cleans for a slight break-up at low volume, but that is my only qualm. However, I'll gladly find a pedal solution for that instead of paying a lot on a bigger name brand. Thanks Egnater!WarrenHaynes4Prez
6. Bugera Vintage V5 Infinium Tube Combo Amplifier
Product Details:
The timeless design and sound of the all-tube amp has made its indelible mark on countless beloved tracks spanning the history of the electric guitar. with the ultimate pursuit of those wonderfully saturated and buttery vintage tones in mind, bugera proud – power: 5w (tube)built-in 2-way attenuator – tubes: one 12ax7 (preamp); one el84 (power amp)single channel – speaker: 1×8" turbosound – controls: tone, gain, volume, reverb – built-in reverb – infinium tube-life multiplier, which extends the life of power-amp tubes up to 20 times
Specifications:
| Product Type | Combo amplifier |
| Amplifier Type | Tube |
| Cabinet Type | Open-back |
| Total Output Power | 5 Watt |
| Controls | Volume, tone, reverb, gain |
| Features | LED indicator lights, 2-way power attenuator, Class A power amplifier, Infinium Tube Life Multiplier technology, 2-channel preamplifier design |
| Speakers Included | 1 x speaker – 4 Ohm |
| Driver Details | Speaker: 1 – 8" – Turbosound |
| Connections | Audio input Phone line output Amplifier output Power input |
| Warranty | 3 years |
Reviews:
I bought this amp based on the good print reviews and the way it sounded in you Tube reviews. I did a lot of homework and finally placed my order. I was excited when it showed up at my house and plugged my Jay Turser Les Paul copy right in. Boy, is this thing dark! I turned all the tone controls to 10. I changed the strings. I removed the covers from my pickups- that just made it dark and tinny. After three days I decided that I had to either send it back or make some changes. I took the speaker from a Squier 15 amp and installed it in the Bugera. Right away there was more life and clarity to the sound, though it still sounded tinny (because it's a speaker from a Squier 15), but it was some progress. Next I pulled tubes from a circa 1959 Curtis-Mathes console stereo and swapped them into the Bugera. Now we were getting somewhere- the overtones, the reason we use tubes, were now present and accounted for. The same console is full of Oxford speakers, which are a Jensen knockoff and well respected. I took an 8" from that and installed it in the V5. OH YEAH! Now this is a great little amp. The clean tones are super sweet, clear, full and bell-like with tons of sustain. The overdrive has a huge range of grit, and the reverb is better than any other amp I've had. So after installing a set of +/- 60 year old tubes and speaker, it sounds great. But out-of-the-box stock, I would have sent it back, no question. If you have a too-bright guitar or are willing to make upgrades, this amp is a super value. My one complaint about build quality is that the wattage selector switch is extremely touchy- it goes from .1 to 5 watts and has to be fiddled with to get it to stay on the 1 watt setting.Farmhand
This week I bought a duellist overdrive pedal from king of Tone, the Revival Drive from Origin Effects and this lovely little amp. The two pedals cost nearly £700 between them and the Bugera only £189 but my favourite tone comes from the Bugera itself largely because the built in attenuator allows you to really cook the single valves at pre amp and power amp stage without annoying the neighbours. This makes the Bugera a lot of fun. It’s tone control could be improved to raise the brightness but for the price I’m not complaining. This is definitely more of a British than an American tweed sound. And the addition of pedals – which it takes well – can potentially increase the brightness. The onboard 8 inch speaker is fine for practice and the amp is just about portable enough to use for travel. The speaker jack is accessible on the back panel, so it can be swapped easily for a guitar cabinet if you wanted to gig this machine or open up the sound (it’s 5 watts can still be loud enough for small venues). If, like me, you have been dependent on fender amps for home playing and you want a good alternative ‘Marshall’ sound at bedroom levels, then look no further!
Perfect at home tube amp. I generally use 1 watt mode. Great tone whether clean or breakup. Loves my telecaster and Boss BD-2 into it, and takes pedals great in general. Couldn’t get over how nice it looked when I unboxed mine, either. Beautiful looking amp on top of sounding great. Really an incredible value. Can’t recommend this one enough if you’re looking for a home use valve amp.Grandaddy Jeff
7. Vox Mv50 50w Nutube Guitar Amplifier Head – Clean
Product Details:
An ultra-compact 50w head amp that you can easily carry in one hand. the preamp features nutube, the new vacuum tube that utilizes vacuum fluorescent display technology. inspired by classic american amplifiers, the mv50 clean provides natural clean tones and plenty of headroom from warm, natural cleans to dynamic overdrives, this power amp has been engineered to respond to the nuances of your guitar an excellent match with vox’s speaker cabinets, the bc108 and bc112.
Specifications:
| Weight | 1.19 lb |
Reviews:
I just received the MV50 Clean, to be used as a backup to my Carvin Nomad guitar amp, and I carefully unpacked it because I assumed it was not going to be powerful enough. Well holy crap – I was wrong. Connected to the 1×12 Celestion Neo Creamback in my Carvin amp (8 ohm), it was loud. I set all controls at mid-point and the deep switch on and I was amazed. The tonal quality surprised as did the volume it kicked out. I then added an extension cabinet (with an 8 ohm Eminence 10" Alpha speaker) so I could load this little dynamo with 4 ohms, and, again, I was taken aback. Loud, yes, but also full sounding and clean. I cannot find any faults with it so far. Using it as a backup amp – sure. Using it as a main amp – it can do it! It is a keeper.
I'm running this through a 1×12 Bugera cab (which to my ear is a pretty neutral speaker, but sounds great). Unless your band plays way too loud this amp should give you enough volume for gigging (even at 25 watts through an 8 ohm speaker). Takes pedals well – all of my drive pedals sound great. The MV50 reacts like my tube amps with a boost pedal in front (Fulltone & Xotic). I really like the attenuator, and at home I play at 1/100 power with the volume at about noon. While this amp has a lot of clean headroom you will start to get some hair when you push it, but in a good way. It's the kind of sound where you can play clean by picking lightly but if you hit it hard you'll hear that you're on the edge of breakup. Not surprising for a Vox, this is not a mid-scooped Fender clean. Mids are present, but not pushed. It is a warm clean, not sterile or spikey at all to my ear. I've been playing this primarily with a Boss Fender reverb pedal and the tone really is glorious. I don't feel like I'm missing anything from my tube amps. Not a thing. I wish I'd had this thing years ago when I was throwing my back out moving 60lb tube amps to and from gigs. What I don't like. The unit feels very solid, seems like a quality piece of gear, but the mini chicken head knobs on the front feel cheap (a minor complaint). Mainly I don't like how much they have crammed on the back panel. You've got tiny switches for power, flat/deep, eco (shuts it off after 15 min. of non-use) and the attenuator, as well as headphone/line out & speaker out. Once you get a speaker cable plugged in it feels very cramped. I'd much rather that the power switch was on the front. Lastly, I wish I could get 50 watts @ 8 ohms, just for the headroom. This is giggable for me at 25 watts into 8 ohms & still gives you good headroom, but YMMV. I primarily use single coils. With hot humbuckers I don't know if you'd run out of clean headroom or not. With all 50 watts you'd be fine, I'm sure.NE Guy
First – let me say that this is a good, tiny pedal-platform amp, if that's what you're looking for. It has a very good base clean tone and it takes pedals well. I think most players looking to downsize would find this usable. If all you need is a good clean tone – for jazz, say – take a listen to one of these. I find the 4 ohm thing a bummer. I don't own any 4 ohm cabs, and after thinking about jumping through hoops to get all 50w available to me, I decided it wasn't worth it. This amp sounds really good, but at the very least for clean headroom, anyone looking for a pedal platform usually wants to control where the edge of breakup is, or have it totally clean. Beyond that, there's just too much crammed onto the (very small) back of the amp. Tiny switches plus the speaker out jack just mean it's hard to find the on/off switch, etc. Put the power switch on the front so I don't have to hunt for it. After having the MV50 a while I decided to try a DV Mark Micro 50 – and I like it better than the Vox. It's more versatile with 3 band EQ, and I have a full 50w to play with. Overall I prefer the DV Mark – I just feel it suits my clean & light OD tones better than the Vox. But if I had to gig with the Vox I'd be OK with it. Having said that, several months ago I came across a great deal on a Blues Cube Hot EL84 (more Vox-ish tone than the standard) and frankly, it blows the other two away. It's a combo, of course. So I'm keeping the DV Mark as a backup. The Vox has gone. Anyone looking to downsize should give one of these a listen. There is good to great tone in there, depending on your needs. Again – the 4 ohm load to get 50w is a bummer. But not everyone needs that much power. The small box is pretty cute and a cool conversation starter – but for practical purposes something slightly larger would've been a better idea, IMO.Mr. Joe
8. Yamaha Thr10ii 20-Watt 2×3" Desktop Guitar Combo Amplifier
Product Details:
Specifications:
| Amplifier Type | Solid State Guitar Amplifier |
| Application | Practice |
| Power | 20 Watts |
| Speaker Size | 3" |
| Number of Speakers | 2 |
| Stereo | Yes |
| HF Driver | No |
| Channels | 1 |
| Compressor | No |
| Effects | Multiple Effects |
| Effects Loop | No |
| Direct Output | No |
| USB | Yes |
| Bluetooth | Yes |
| Aux Input | Yes |
| Headphone Output | Yes |
| Footswitch Input | No |
| Footswitch Included | No |
| Cover Included | No |
| Display | No |
| Power Supply | External |
Reviews:
I have played through the almost decade old THR10c, which is a fantastic little amp. Through a SM57 in front of it and out to the PA and you can sound great. But I thought that by now, with Yamaha buying Line 6 about 5 years ago, the newest version of this little amp would have some state of the art effects. Wrong! The effects, and the apps that control it are seriously out of date. I mean, the reverb, tremolo and chorus are fine. But they remain exactly as they did ten years ago. No upgrades and nothing fancy. The app is poorly designed and not that easy to use. and there is no way that I have found access the THR10C classic blues models all in one place. So its actually hard to get the classic blues and country sounds that I need all in one place. I went back to my THR10c and sold the new one.Bruce
dial in your sound in seconds not minutes, I look at it and then I want to play my best, those amp lights man, wow, dim the lights you will see. No instructions needed. if you need to move some Air for clubs shows or band practice this is not the one for you. What it does is creates a killer vibe for personal guitar growth, very organic and the tones? Man, you have got to play through it to believe it. It will cover any genre and crash most all the competition in the personal practice amp catagory. its about quality tones at lower DBI, it's not a marshal and it doesn't want to be. You can boot this sting up 3 at night and sound like your at an arena in your bedroom without waking up the neighbors and your flat-mates. No getting up or leaning over the amp to adjust setting like a marshal. No LCD's to mess with with or crummy menu diving. Traditional Bluetooth audio is pretty decent for using the amp speaker for guitar youtube vids and playing along instrumental tracks. Someone else said terrible sound, what??? you have got to be kidding me, id call that person an amateur guitarist. the biggest stars have these in the studio, tour buss and green room, hotel room. amazing for writing sounds, its the sound you have always wanted without going deaf sounds good anywhere. saves your hearing from the ringing. if you want to expand this sound on stage get the 30 which has proper outs for studio and stage, and re-amp it. leave it on a partially cleanish tone for your genre, then output to normal amp setup, the smiles will come. Of course many are still going to need their volume pedals but in a lot of situations, if you know how to gain control and then crank it for a lead/ chorus, (id drive it out to the mains / monitors for ramp) but it sounds amazing as you turn it up, the character truly changes, for the better. it's pretty wild. its pretty good about feedback. iv heard people hook these up on tour or use them in the greenroom preshow, it's that good. stick with the new models that are lighter and sound better. these are industry standard personal practice amps. again, if you are gigging you will need some sound reinforcement, but I would find a way myself, it's just not that hard to figure out. it's never fed back at me once and I'm jamming right infant of the cab on me desk. no surprise loud feedback sounds like other amps. small, light goes anywhere. probably need that case if you travel a lot. metal, country, hard rock, pop, blues jazz, hip hop, it nails it. the 30 could drive your current big amp. whatever magic is going on with the sound, full gain w guitar at full gain, is something that has to be heard not seen.J
Upgraded from the original cream colored THR10 after finding out that all three of the original THR10 amps (boutique, classic, and high gain) were consolidated in one amp and that the speakers underwent an upgrade (10W->20W). Sonically, the tones in this amp are superior to those of the original THR10, which makes practicing and playing very satisfying and inspiring. Note: Boutique and high gain amps can only be accessed through the desktop or mobile THR remote app. This isn't the case with the larger THR30 amp. All amp models can be access through the unit. The remote app also allows the user to change cabinets to further tweak tone. Here is why I rated this product 4 stars. * Mobile THR remote app crashes all the time. I've been using the remote app on my laptop exclusively. Yamaha rep informed me that this tends to be the case with iPhone users. Doesn't seem like they plan on fixing this anytime soon. * Setting the unit up as an audio interface was not clear at all. The original THR amps required downloading the yamaha steinberg usb driver and selecting this as your driver in your DAW. After configuring your MIDI and audio source in the DAW, you would then get sound. Well, that's not how it works on this amp. I reached out to yamaha after repeatedly getting errors from my DAW about the yamaha steinberg usb driver. Long story short, tech service couldn't figure out the issue and told me to request an exchange for a new unit at GC. After hooking up the new replacement, I got the same error. Turns out you have to download the ASIO THR10ii/30 driver on yamaha's site, not the most current yamaha steinberg usb driver. Select this driver in your DAW. Then you have to go into the app's settings and check the box for "record dry." Now you can configure your MIDI and audio source. I'm baffled about how yamaha's own techs did not know that the steinberg usb driver is not compatible with the THR10ii/30 amp.Ben G.
9. Vox Mv50 High Gain 50w Guitar Amplifier Head
Product Details:
Equipped with the next-generation vacuum tube nutube, and featuring a stunningly light-weight design of only 540 grams (1.1 lbs.), the mv50 high gain amp head boasts a high 50w of output power. as its name implies, the sound of the mv50 high gain is optimized for high gain, and features a nutube preamp for rich tube tone in a smaller platform. equipped with a mid control switch that boosts or cuts the mid-frequency range, the mv50 high gain gives you a versatile range, delivering edgy sounds with a boosted high and low end that are perfect for riffing or a thick lead sound. the speaker-emulated output delivers high-quality cab tones for direct recording and silent practice. and it also offers incredible portability, as it weighs just 1.1 lb., and can fit in a gig bag.
Specifications:
| Weight | 1.19 lb |
Reviews:
I just received the MV50 Clean, to be used as a backup to my Carvin Nomad guitar amp, and I carefully unpacked it because I assumed it was not going to be powerful enough. Well holy crap – I was wrong. Connected to the 1×12 Celestion Neo Creamback in my Carvin amp (8 ohm), it was loud. I set all controls at mid-point and the deep switch on and I was amazed. The tonal quality surprised as did the volume it kicked out. I then added an extension cabinet (with an 8 ohm Eminence 10" Alpha speaker) so I could load this little dynamo with 4 ohms, and, again, I was taken aback. Loud, yes, but also full sounding and clean. I cannot find any faults with it so far. Using it as a backup amp – sure. Using it as a main amp – it can do it! It is a keeper.
I'm running this through a 1×12 Bugera cab (which to my ear is a pretty neutral speaker, but sounds great). Unless your band plays way too loud this amp should give you enough volume for gigging (even at 25 watts through an 8 ohm speaker). Takes pedals well – all of my drive pedals sound great. The MV50 reacts like my tube amps with a boost pedal in front (Fulltone & Xotic). I really like the attenuator, and at home I play at 1/100 power with the volume at about noon. While this amp has a lot of clean headroom you will start to get some hair when you push it, but in a good way. It's the kind of sound where you can play clean by picking lightly but if you hit it hard you'll hear that you're on the edge of breakup. Not surprising for a Vox, this is not a mid-scooped Fender clean. Mids are present, but not pushed. It is a warm clean, not sterile or spikey at all to my ear. I've been playing this primarily with a Boss Fender reverb pedal and the tone really is glorious. I don't feel like I'm missing anything from my tube amps. Not a thing. I wish I'd had this thing years ago when I was throwing my back out moving 60lb tube amps to and from gigs. What I don't like. The unit feels very solid, seems like a quality piece of gear, but the mini chicken head knobs on the front feel cheap (a minor complaint). Mainly I don't like how much they have crammed on the back panel. You've got tiny switches for power, flat/deep, eco (shuts it off after 15 min. of non-use) and the attenuator, as well as headphone/line out & speaker out. Once you get a speaker cable plugged in it feels very cramped. I'd much rather that the power switch was on the front. Lastly, I wish I could get 50 watts @ 8 ohms, just for the headroom. This is giggable for me at 25 watts into 8 ohms & still gives you good headroom, but YMMV. I primarily use single coils. With hot humbuckers I don't know if you'd run out of clean headroom or not. With all 50 watts you'd be fine, I'm sure.NE Guy
First – let me say that this is a good, tiny pedal-platform amp, if that's what you're looking for. It has a very good base clean tone and it takes pedals well. I think most players looking to downsize would find this usable. If all you need is a good clean tone – for jazz, say – take a listen to one of these. I find the 4 ohm thing a bummer. I don't own any 4 ohm cabs, and after thinking about jumping through hoops to get all 50w available to me, I decided it wasn't worth it. This amp sounds really good, but at the very least for clean headroom, anyone looking for a pedal platform usually wants to control where the edge of breakup is, or have it totally clean. Beyond that, there's just too much crammed onto the (very small) back of the amp. Tiny switches plus the speaker out jack just mean it's hard to find the on/off switch, etc. Put the power switch on the front so I don't have to hunt for it. After having the MV50 a while I decided to try a DV Mark Micro 50 – and I like it better than the Vox. It's more versatile with 3 band EQ, and I have a full 50w to play with. Overall I prefer the DV Mark – I just feel it suits my clean & light OD tones better than the Vox. But if I had to gig with the Vox I'd be OK with it. Having said that, several months ago I came across a great deal on a Blues Cube Hot EL84 (more Vox-ish tone than the standard) and frankly, it blows the other two away. It's a combo, of course. So I'm keeping the DV Mark as a backup. The Vox has gone. Anyone looking to downsize should give one of these a listen. There is good to great tone in there, depending on your needs. Again – the 4 ohm load to get 50w is a bummer. But not everyone needs that much power. The small box is pretty cute and a cool conversation starter – but for practical purposes something slightly larger would've been a better idea, IMO.Mr. Joe
10. Fender Super Sonic 22 Tube Guitar Amplifier Head – 22w – Black
Product Details:
The fender super-sonic 22 guitar amp head is built on the classic deluxe reverb power platform. it offers the same feature set as the popular combo version. this toneful mid-powered head mates well with the super-sonic 212 enclosure or other quality speaker cabs. it's a great tool to create glorious fender cleans, overdriven tones and expressive modern high-gain distortion with. vintage and burn channels (vintage channel has two switchable voices). volume, treble, bass and voicing switch (normal/fat) controls on the vintage channel. gain 1, gain 2, treble, bass, middle, volume and master. reverb controls on the burn channel. 3/4" birch/maple plywood. long-spring reverb, ivory "radio" knobs, four button foot switch, three 12ax7 and two 12at7 preamp tubes, two 6v6 power tubes.
Specifications:
| Amplifier Type | Tube Guitar Amplifier |
| Application | Performance |
| Power | 22 Watts |
| Impedance | 8 ohms |
| Stereo | No |
| HF Driver | No |
| Channels | 2 |
| Compressor | No |
| Effects | Reverb Only |
| Effects Loop | Yes |
| Direct Output | No |
| USB | No |
| Bluetooth | No |
| Aux Input | No |
| Headphone Output | No |
| Footswitch Input | Yes |
| Footswitch Included | Yes |
| Cover Included | Yes |
| Display | No |
Reviews:
I got this to play at gigs and fill in to gaps for 60s and 70s classic rock numbers. It sounded great mic's with just enough stage sound for sustain. I especially liked the foot switch layout to flip between clean and dirty numbers when covering Stones, Bowie, Mott The Hoople, Doobie Bros and stuff, but needed help with a pedal with early metal sounds. Still, found it a very flexible amp overall. About eight months in it got a hissing sound and was useless as a mic'd amp through the PA. It was still under warranty, and – long story short – they repaired the hiss by replacing some circuit components, but after a few weeks it came back. The is the one time I wished I got the replacement warranty. I ended up giving it away to a friend who tinkers in electronics. Do and internet search and you'll see this amp has a long history of hiss and other noise problems that are hard to isolate. That said, I know of some players who liked this amp very much and it never let them down, so I'm not hating on Fender. I like the Fender sound and own a very reliable 65' Twin two Blues Deluxe Issues. If you really must have this amp, I'd recommend getting the full replacement warranty.RJ
Overall: So.. I am very very pleased with the Fender Super Sonic amp head It is quite versatile for almost all genres of music.. but if your looking for metal tones.. look elsewhere.. but other than that.. this amp has it all! I am totally blown away!I have owned many amps throughout my musical journey and I will say that this amp beats them all in regards to tone and responsiveness. You can dial any tone you want easily.. like I said.. it's extremely versatile. I had purchased 2 Fender Hot Rod Deluxe 112 Guitar Speaker Cabinet (80 Watts, 1×12") speaker cabinets to use with the Super Sonic head. It was great as it was but then I replaced the 50 watt speakers with 2 Jensen C12 22 watt speakers. OMG!! Unbelievable!! This thing is even more of a total TONE MONSTER than with the 50 watt Celestions. It is loud enough for any club gig..as the 22 watts is plenty. The clean is pristine with that traditional Fender sound and reverb…with the overdrive channel so versatile from light breakup (SRV) to hard 80's Rock tones and classic rock. Even has an effects loop! This amp is a winner!!! I can honestly say this amp is hands down the best amp I have ever owned.. and I've owned many vintage and newer Marshall's.. other Fenders and Mesas over the year. I am totally blown away by this setup. It will never leave my collection. I advise anyone to take a chance and buy one of these great amps.. you won't be sorry at all!!
Just purchased this beautiful blond amp. The clean channel is perfect. Decent gain. Reverb is adequate. Highly recommend purchasing the amp head and the 2X12 cab because you get two Clesetion Vintage 30's vise the single Eminence in the combo. Sound great out of the box even before the tubes are burned in and the speakers broken in. I'll say this again, the clean channel is perfect, Les Paul, Strat, Tele, ES 195 with P90's and effects never sounded better. Gives this bad boy a test drive, you wont be disappointed. If you have never used a tube amp, 22 watts is quite a bit of power compared to solid state, possibly two to three time the power. Yes! this amp can get quite loud. Perfect for small gigs. Highly portable and easy to move and transport.Karl
11. Marshall Ori50h Origin 50-Watt Tube Head
Product Details:
Packed with a generous complement of tubes, the origin ori50h exhibits vintage inspired marshall tone. this amp is powerful in its simplicity. dial in the gain and master controls to get the right amount of crunch, then shape your tone with the presence knob and the 3 band eq. a unique tilt control blends bright and normal sounds, while switchable power enables high output sounds at any volume. a built in fx loop makes integrating your pedalboard a breeze. there s even a footswitchable gain boost for adding extra punch to your solos. the origin ori50h is a no frills gateway to classic marshall tone.
Specifications:
| Number of Channels | Single |
| Total Power | 50W (10W/5W power settings) |
| Preamp Tubes | 3 x ECC83 |
| Power Tubes | 2 x EL34 |
| Inputs | 1 x 1/4" |
| Effects Loop | Yes |
| Footswitch I/O | 1 x 1/4" (gain boost, effects loop) |
| Footswitch Included | Yes, 2-button footswitch |
| Construction Material | Black Tolex |
| Power Source | Standard IEC AC cable |
Reviews:
I picked up a 'B Stock' from PMT great condition/product. Fantastic Amp! great with pedal boards. When the revies say its Loud they're not exaggerating! It's Loud! Really Loud! Ar home running a GX100 through the front at half volume I had to set the Amp to 0.6 (not even 1) at 5W, it has 2 more settings 5/15/50. If your looking for a Loud Amp work great tones without spending £000's this is a great choice. I wanted that classic Marshall tone and power, but love the versatility of the modern effects/pedal boards. After reading lots of reviews from various sources all 4.7/5 4.9/5. I'd agree 4.9/5. The 3 volume settings of the attenuator mean you can use it at home, with drums/SML venues. The clean tones are… to behold, warm buttery smooth. Add a pedal board to the front of the amp it handles ot perfectly. Best in class at this price point.
Great amplifier, especially for the money. First of all it is an amazing pedal platform amp with nice bass and mid response. Everything I've run into it sounds really good, and it's near breakup gain is gain on 10 and boost off. It is most like a JTM45, it has a lot more bass and more active tone controls than later Marshall amplifiers like the JCM900 I previously owned. It doesn't overdrive too much on its own, but if you push it with a booster, it does pretty well. It is loud, even in the low power setting, and to really get it to drive, you need to push the power amp. It also doesn't seem to have as much drive as I remember from trying a 50 watt version, but that may have been the guitar more than the amp. Great value, I would recommend it to anyone looking for what I just described. If you want something that sounds like a Super Lead, Super Bass, or JCM800, this is not the right thing to buy. If you want a great pedal platform or early Marshall sound, you can't beat it.Craig
I've had My Marshall Origin for about 6 months and I've been pleasantly surprised. I've been a Les Paul/Marshall guy for 40 years and I have the hearing loss to prove it but this Marshall has it all. This versatile 20 watt head is the perfect combination of versatility and guts.This Amp is perfect for pedals as it great grand daddies were, I use an J Rockett Archer Ikon Klon clone, An OCD a Tone City King of Blues and an original Electro harmonics LPB-1 booster. I can go from crystal clear bell like tones to Ace's plexi grind to the verge of jCM 800 tones or straight in crank the Gain and get that sweet traditional Marshall tone and attack. Unlike the Marshalls of old the EQ section greatly influences the color of this Head and along with the tilt control which replaces the need to jump channels from the Hi and Lo inputs its all there. The addition of the switchable effects loop is a huge plus as is the gain/Boost control which gives you that little extra edge for leads. Running the amp on full and using your guitars volume and tone controls gives you a lot of versatility as well. The adjustable power out put feature is nice for quiet practice but I prefer to use my Bugera PS-1 attenuator and keep my amp volume on 10, just a personal preference. A suggestion, I've used this head with 1×12 and 2×12 cabinets an it sounds good but when i finally plugged it into a 4×12 this amp took on a whole new personality. The 4×12 let this amp breathe and with the EH LPB-1 driving the front end and a little reverb I had ACE's Kiss alive tone dead on by using the gain boost and a little color from various pedals the tone possibilities a vast. All in all this amp would be a great deal at twice the price, marshall once again did it right.Miggs
12. Bugera T5 Infinium 5 Watt Cage Style Tube Amplifier Head
Product Details:
Get some huge tube tone from the tiny bugera t5 infinium guitar amplifier head. with this head weighing in at under 10 pounds, you can take it from silent headphone practicing in your apartment to the recording studio, or to your next club gig and plug it into a (separately available) cabinet. the simple single-channel design allows you to dial in your tone quickly, while the phat switch adds a gain boost and bypasses the eq section for a more raw sound. onboard reverb completes the package, adding subtle ambience or washy overtones to your sound. aesthetically, the t5 features a vented metal top which shows off the 12ax7 preamp and el84 power amp tubes' glow, along with the other amp components. an orange classic jewel status light shines when the power is on.
Specifications:
| Product Type | Amplifier |
| Designed For | Guitar |
| Amplifier Type | Tube |
| Total Output Power | 5 Watt |
| Controls | Volume, bass, treble, reverb, gain, phat switch |
| Features | LED indicator lights, carrying handle, 2-way power attenuator, Class A power amplifier, Infinium Tube Life Multiplier technology, cage style |
| Connections | Audio input – phone 6.35 mm Headphones – phone 6.35 mm Amplifier output |
| Color | Metallic mirror |
| Warranty | 3 years |
| Width | 8.8 in |
| Depth | 6.5 in |
| Height | 6.1 in |
| Weight | 9.04 lbs |
Reviews:
Not only does this 5 watt lil' monster have enough power to rattle the windows, it also has class! At only 9 lbs. the Bugera T5 Infinium has enough "UMFF" to push your favorite 4X12" cabinet into the stratosphere! It's better having this reverb built into this lil' madman than not having any at all. Just like 9/10 of the other amp heads in its class. The 1 channel, "all tube" head has warm cleans. Push in the PHAT switch and crank the volume and gain and you get saturated distortion that will blow you away! All of that in a 9 lb metal cage like package for only $200! You won't find another 5 W head with all of that for this price. I love my T5 Infinium from Bugera!brmul-8207
What it's not: Not a $1k boutique tube amp. Not a mid-size club amp (unless you have great monitors and a good sound guy). What it is: A well designed, very affordable little monster that will give enough stage volume at 5W for rehearsals in a full rock band or small club, and will also allow you to drive the output stage at that 1W or 1/2W setting for recording at home. The amp sounds best at 5W and driven into either a 4ohm cabinet or two 8ohm cabs. If you use it to drive an 8ohm cab, you are getting only 70% of its potential. I only use el84 based amps. i love their dark, throaty sound, and while this amp doesn't have the punch or snap I get from my 15W custom built el 84 amps, it sounds great for rehearsal or recording. I am a little bit worried about long-term build quality. The input jack is plastic. I have a hard time seeing that surviving a year of rehearsals without breaking. This is a great supplemental amp for rehearsals and recording. Very smartly designed. Good feature set. And if you like the el84 style sound, it delivers it above expectations at this price range. I'm thinking of getting a second one.klktrk
In these days of small solid state, practice amps, this little amp gives you tube tone and more at a very affordable price. A 12ax7 preamp tube and an EL84 power tube provide the tone along with built in reverb, 2 band EQ, gain and a "phat" overdrive switch for added crunch. The three stage attenuator is a nice touch. The stock Bugera tubes are OK but I switched them out with Tung-Sols which provided a rich creamy overdrive more to my liking. Great sound when plugged into my Orange 8" or 12" cab plus headphone jack for late night playing. Great amp for the price!Isom
13. Joyo Bluejay Bantamp 20 Watt Mini Tube Amp
Product Details:
The joyo bluejay is a low cost, very effective, recreation of a fender blues jr. a lightweight, 20 watt amp that has a normal/bright switch, gain/tone/volume controls and an effects loop. it also has bluetooth for playing along with tracks from your phone, tablet or other bluetooth enabled device. the single speaker out is capable of running any speaker 8 ohms or greater. the housing is all metal and has a convenient top mounted handle.i bought this because i didn't have a good clean channel on my evh 5150-3. it works great for home use and does get fairly loud for such a small amp. sounds great with a strat and gets a fantastic pushed-clean tone. it's surprising how good it is for the money.now i have an amp with an effective clean channel and don't really need this one anymore so it's off to a good home. looks and works like new.
Specifications:
Reviews:
Big punch in a little package. Nice cleans and searing gain. Bluetooth works great. I use it with my 4×12 cabinet and if you didn't see the little mite sitting on top you would never believe it. Accepts the signal from my processor very well. Glad I finally took the plunge and tried it. I now have two. Also got the Meteor. Subtle tonal differences, both seem a necessity. Haven't used the FX loop yet but see no reason it wouldn't work as well.spalev_hvjwt0wt2y
14. Friedman Be-50 Deluxe 50w Tube Guitar Head
Product Details:
Dave friedman has been designing and building guitar rigs for the stars since the early nineties. after two decades of modding amplifiers and consulting for other well-known amplifier companies, dave has finally brought his talent to a new line of production amps under his name friedman amplification.with such a cool roster of amps, it's a pretty big deal when dave freidman claims an amp is the best he has ever made. that is exactly what he considers the new be-50 deluxe. taking the legendary clean channel from the highly revered buxom betty amp, and pairing it with a duo of be and hbe style gain channels, you get a monster tonal palette! it's really easy to sculpt your own tone with this amp thanks to the 3 way gain structure switch, plus controls for saturation, voice and fat. you can dial in your ideal drive and with the bright switch on the clean channel you can mix in some extra delicious spank too! there's also master controls for thump, response and presence, giving you ultimate control and the ability to fine tune your amp to your very requirements. with freidman's completely transparent series fx loop this is a seriously versatile amp.
Specifications:
| Wattage | 50W |
| Tube or Solid State | Tube |
| Number of Preamp Tubes | 4 |
| Preamp Tube Type | 12AX7/ECC83 |
| Number of Power Tubes | 2 |
| Power Tube Type | EL34/6CA7 |
| Number of Channels | 3 |
| Footswitchable | Yes |
| Number of Inputs | 2 |
| Channel 1 | Tone and volume |
| Channel 2 | Three-band EQ, plus gain and volume |
| Channel 3 | Three-band EQ, plus gain and volume |
| Master Volume | Yes |
| Resonance | Yes |
| Presence | Yes |
| Voicing Control | Yes (universal) |
| Footswitch | Yes |
| External Speaker Output | Yes |
| Country of Origin | USA |
Reviews:
3 channels of pure awesomeness. Cleans are heavenly and BE/HBE are just the best moddes Marshall sounds there are.fixerator
I got this used (sorry musicians friend), but this thing rules. Great clean that can get a little dirt if you want, a (pretty much) JCM800 channel but with way more balls and gain, and another channel that sounds like a Dual Rectifier had a baby with the JCM800. You will not need to push this with a screamer, or anything for that matter. You have plenty of voicing choices, along with gain structure, and 'saturation'. Basically the option of introducing clipping diodes, for the nerds out there. So if you want regular rock sounds or stuff that will make your ears bleed you have the options at the flick of one or two switches. If you want the classic Marshall sound on steroids this is your amp (or perhaps the JVM or DSL). Just keep in mind there is going to be that mid range presence, unlike the 'scooped' Mesa sound. You could probably EQ the mids out if you want, though I never tried this. Great clean though. I have an actual JCM800 and the clean blows. You can get Fender tones out of this. Very versatile. I bought it off a guy and he said it was too much amp for him in terms of gain. I wanted to say 'Dude it has a knob for that.' But hey, I love it. One more thing, you don't have to tweak for an eternity to get a good tone. Mesas are like that. Sure there are a lot of tonal options, but it doesn't take forever to dial something good in. I had my brother try it out and he said it is the best amp he ever heard. I do not disagree.Wes
15. Vox Ac15ch Custom 15w Guitar Head
Product Details:
The vox ac15 is the amp that started it all. boasting both a normal and top boost channel, the ac15 custom head is an all-tube, el84 driven workhorse that delivers 15 watts of authentic british tone. the ac15 custom also offers footswitchable spring reverb and classic vox tremolo to enhance the already impressive sound. adored by the biggest names in music for nearly 60 years, the vox ac15 custom carries on the tradition that began in 1958 and offers guitarists the unmistakable sound of vox, with all the refinements of a modern amplifier. included in the ac15 custom head is vox’s new reactive attenuator. this newly designed attenuator that uses vox’s reactor technology optimizes the interaction of the speaker and amp at any volume. this allows the speaker and amp to behave in the same way at stage or bedroom levels, delivering a sense of power and tone that cannot be obtained from conventional attenuators.
Specifications:
| Weight | 33.73 lb |
Reviews:
I’m really enjoying the AC15CH, it’s simple and straight forward and all of the features are really useable i.e the digital verb and tremolo. The attenuator is especially useful if you play either early morning or late at night to drop the amp down from 15 watts to a watt and a half. But I will also point out if you’re a big overdrive/ distortion pedal user, Vox amps might not be the best option for you, as their is an inherent chime to them that makes using pedal gain quite challenging to dial in, not impossible but just a bit of a hassle! So bear that in mind, if you’re thinking about picking one up. Overall I really like this amp and it’s a nice replacement for an old ac30 I’ve had forever that hasn’t been running right for a long time!MR A. J. K.
16. Laney Irt120h Ironheart Tube Guitar Amp Head 120w
Product Details:
The laney ironheart irt120h is a thoroughly modern tube head capable of full on metal tones but offers you far more than other metal oriented amps. it's loaded with four premium tad 6l6 loaded tubes. the feature packed preamp is laid out logically and features three distinct channels (clean, rhythm and lead). each channel features passive 3-band eq with push pull options for deep, mid shift and treble shift which allows you to dial in the exact tone you are after. the master section features an overall dynamics control which allows you to vary the interaction of the amp the drivers. depending on the volume, an overall tone control, a laney custom digital reverb and a watts feature allow you to dial the out put of the amp back to a whisper without destroying your tone. one of the coolest features of the irt120h is a switchable pre-boost facility which functions just like kicking in your favorite boost pedal in front of your amp. this gives your playing more dynamics and feel. the rear panel of the unit features everything you need to connect your outboard gear, a variable level fx loop, a variety of extension speaker sockets and the supplied fs4-irt footswitch connection – footswitchable pre boost – three channels: clean, rhythm and lead – class abbass, middle and treble with push-pull eq shift on each channel – fsr-irt standard footswitch – variable fx loop – master presence – laney designed digital reverb – two speaker connections – two 6l6 tubes – four ecc83 tubes120w
Specifications:
| Boost Switch | Footswitchable PRE BOOST |
| Channels | 3 – Clean,Rhythm & Lead |
| Class | Class AB |
| Packed Carton Dimensions (HxWxD) (mm) | W 678 x H 271 x D 288 |
| FX Loop(s) | Yes – variable level FX loop |
| Inputs | 1 x Jack |
| Master Presence Control | Overall TONE |
| Output Attenuation | VARI WATTS feature |
| Output Valves | 4 x 6L6 |
| Power | 120 Watts |
| Preamp Valves | 4 x ECC83 |
| Reverb | Laney designed Digital reverb |
| Speaker connections | 2 jack sockets – 4,8 or 16 Ohms |
Reviews:
I picked up this head recently and was very surprised with it actually. I own a Mesa Dual Rec, Orange Rockerverb, and a Vox AC50 and they all do their own things very well. I was looking for a reasonably priced backup head with 3 channels and gave the Laney a try. First off, you need to run any tube head through a good cabinet w/good speakers/drivers (Marshall 1960AV, Mesa, Orange, etc…). With that out of the way, this head is extremely versatile. The clean channel shines with lots of headroom. Although it shares the same EQ as the rhythm channel, I didn't have any issues dialing in both (use the tone knob on the guitar if needed as well). The rhythm channel can go from AC/DC to Stoner Rock to Deep thick metal. The lead channel can do all of the above as well, but really shines for newer metal, dropped tunings, and metal core. Or if you're more of a hard/heavy rock player, then it can serve solely for leads (cuts through really well). The pre-boost is okay, but I don't recommend going above 3 or 4 on it max (use an OD pedal if you want more). Where the amp really impressed me is with the dynamics, tone, and watts functions. All three are critical in shaping the sound you want to hear. If you change the settings on your EQs, you must change the DTW settings as well. The amps sounds best at full wattage, but still sounds great with the channel volumes set low. However, as with any tube amp, it really shines at full wattage and when you push the channel volumes past 4 (11 o'clock). Lastly, in terms of the footswitch…it's easy to use. The clean and rhythm share the same button, but when it's green it's clean, when it's not green it's rhythm. Yes, I'd prefer a separate button, but even the village idiot can figure out how to work the pedal.esoteric383
Overall: I bought this back in March, thanks to the play as you pay plan I had it in my hands in 3 days. I played with the settings for a few weeks and finally dialed in a sound that I love. This is my first tube amp, and what I fell in love with about this thing is that it lets the character of each guitar you play shine through. All my guitars have EMG's in them, but there are different wood combinations, and you can really tell a difference between the guitars when I switch them back and forth. The clarity and punch this thing has is AWESOME. Tons of gain on tap. So many features that actually work and shape your tone. I am 100% happy with my purchase and when my friends listen to my guitar tracks, I make sure to tell them that my tone is from the Laney Ironheart. This thing is a BEAST for the price. You can't beat it.Brad
I bought this as a 2nd from AMS and the grill was only bent a little, which I fixed easily. I had thee highest of hopes for this AMP and although it does have a lot of features I found my self going back to my old Egnater Vengeance as I found this AMP to be a treble monster that now matter what guitar or setting I used the treble was always too much for my tastes. I wanted the KillSwitch tone, but that was not happening for me. This is just my personal taste and to me the clean channel was not very clear or chimy at all.In the end I ended up totally modding the amp out to match Adam of Killswitch and its just not my cup of tea. I just bought a new 5150 MK11 50W EVH AMP and to me that blows this away for metal…There is nothing wrong with this amp and many of my friends really like it, but to me its a treble monster like I said. Elric Phares – Tech OF Tomorrow
17. Laney Lionheart L5t-112 Tube Guitar Combo Amp 5w
Product Details:
The laney lionheart l5t-112 amp provides the evocative, classic tones of hot tubes pushed hard, but at a volume level your neighbors can live with! featuring the purest of designs: single-ended class a output achieved with a single el84, driven from 3x 12ax7 preamp tubes. the l5t-112 combo amplifier also features gold-plated pcb's and jack sockets. sealed gold contact relays are used in all signal paths for minimum sound coloration, and the l5t-112 amp comes fitted with the renowned "type 4" large spring line reverb for classic guitar reverb sound. each l5t-112 lionheart features a hand stamped build number in the order they come off the laney production line, and a custom made lionheart dust cover. – the lionheart combo amp represents everything learned through 40 years of laney tube heritage, distilled into a single amplifier range. designed to deliver the ultimate tone of a tube being pushed hard – warm and expressive, at an output level that can be used in everyday environments. – power rms: 5 watts – inputs: 2x jack, hi & lo – channels: clean & drive – equalisation: passive bass, middle and treble – bright switch: yes – preamp valves: 3x 12ax7output valves: 1x el84class: class areverb: yes – footswitch: fs2 (included)speaker connections: 2x jacks – fx loop(s): yes – impedance: 4, 8 and 16 ohm – drivers: 1x 12" celestion heritage g12hbaffle: marine grade plywood – cabinet design: marine grade plywood cabinet with retro banding strip, leather strap handle and folding tilt back mechanism
Specifications:
| Baffle | Marine Grade Plywood |
| Bright Switch | Yes |
| Channel Controls | Gain (Clean),Gain & Volume (Drive) |
| Channels | Clean & Drive |
| Class | Class A |
| Cover | Supplied with custom embroidered slip cover |
| Packed Carton Dimensions (HxWxD) (mm) | Width 562 x Height 423 x Depth 253 |
| Drivers | 1x 12" Celestion Heritage G12H |
| Equalisation | Passive Bass,Middle and Treble |
| Footswitch | FS2 (Included) |
| FX Loop(s) | Yes |
| Impedance | 4 and 8 ohm |
| Inputs | 2x Jack,Hi & Lo |
| Master Section | Global EQ,Reverb and Tone controls |
| Output Valves | 1x EL84 |
| Power | 5 Watts |
| Preamp Valves | 3x 12ax7 |
| Reverb | Yes |
| Speaker connections | 2x Jacks |
Reviews:
Best amp i have ever owned, Perfect at bedroom home levels & takes all my pedals really well. Was easy to get great sounds straight out the box and looks really sleek and well made. For a blues/rock amp this was definitely a great choice, some beautiful cleans to be had from this amp too. It is a loud amp when cranked but at lower levels it fits perfectly into my home environment. I tried various reverbs & delays into the FX loop and sculpted the sounds even further, also tried different overdrives straight into the front and got great results but even without added fx i love the core sounds this amp gives.Reviewed by Andertons Music Co.
Overall: Wow. I have a lot of very nice amps, but this little monster is the real deal! Sounds like "your guitar"; not like a Marshall, or like a Fender, or like a 'whatever'…just smooth, accurate, detailed reproduction of what's plugged into it. The clean channel doesn't stay clean except for low volume levels. Love the two channel foot-switch capabilities. Reverb is foot switchable, too. You can dial up nearly any sound straight out of this amp, with no pedals, except for full-on thrash metal. Love it!! It has a very big sound…no "little amp/little speaker" sound here. The 12" speaker really pumps it out. Extremely touch sensitive to pick attack, too.Phil
Overall: This is the tops. 5 watts just does not do it justice. Powerful, yet oh so much tone!! It can give you all the dialed in tones. Pedals in front or not this amp does it all. Reactive to pick attack is an understatement, I have not experienced such a sensitive amp. Laney has this one just right. I own Mashalls (JTM 45 and TSL 60), Fender pro reverb, and Blackstar (which is nice sounding) but the Laney is just the Go To amplifier. You wion't be disappointed, go for it!!Tim
18. Stage Right By Monoprice Sb12 50-Watt All Tube 2-Channel 1×12 Guitar Amp Combo With Reverb
Product Details:
While modern solid state and modeling amplifiers provide valuable versatility, nothing sounds quite as right as a tube amp. preferred by most for their warm, round tone, tube amps can also produce organic sounding distortion that is superior to most, if not all, solid state equivalents. with the sb20 amp head and sb12 combo amp, stage right delivers organic, classic, high gain tube tone in a powerful and hyper affordable package. these are real, professional tube guitar amplifiers for the value minded and/or working musician.
Reviews:
Pleased with this amp awesome tube sound clean channel is very nice. Reverb nothing to brag about but it's there. Speaker is nice prefer v30s or greenbacks will eventually switch out. Takes pedals very well have not used the fx loop yet but I'm sure it's good. Would of been nice if it came with footswitch. All around happy for $357 plus tax well worth it.Heriberto
Firstly, let me say how quickly Monoprice shipped this to me .. ordered on Monday and delivered Wednesday morning to NY! Guess MP is now shipping from Kentucky, which is great .. no more 5 days in transit from CA to NY 🙂 The amp itself? All I can say is WOW!!! Solidly built with classy looking trimming all around, protective metal bumpers on all 8 corners, top handle with sufficient padding that won't cause hand cramps when carried. On to the sound sections: ——————————– I spent around 3 hours toying with the amp using my G&L ASAT (large MFD pups), just going thru the various gain/volume and tone settings on each channel, and overall my impression is that this amp is capable of achieving a wide variety of tones, from bell clean to screaming metal and everything in between. Clean Channel is absolutely gorgeous sounding. Nice three-dimensional timbre which can only be achieved with a tube amp. Tone controls (Treb/Mid/Bass) seem to interact with each other in a pleasant manner, by turning one or another the tone changes dramatically but still subtly, if that makes any sense. /grin … The Bright switch reacts similarly, it's almost as if there are two sets of overall tone in the clean channel, just by switching 'Bright' on or off. Drive Channel is what you'd expect – lots of crunch with the aforementioned Treb/Mid/Bass interactions. I'm not much of a 'metal' type player, so can't really comment on this section with an opinion, but I liked what I heard in "Drive". Monoprice hit it out of the ballpark with this amp, for mid sized gigs or even small gigs, this amp is a clear winner.New User
The only complaint is the speaker used. While I do understand the logic, I still am not a fan of the celestion seventy 80s. Although, it could be addressed by just adjusting the settings. I got mine shipped securely. I updated the speakers to emminence cannibis rex but thats just for my own taste. Wpuld be nice to have different options for the speaker if that is feasible at all for monoprice. Bottom line, its a lot of ampmfor the price. I highly recommend it!Zed Byron Pisec
19. Blackstar Ht-1r Mkii 1w Tube Amplifier Combo
Product Details:
Designed for electric guitar players, the blackstar ht1rh is a combo amplifier capable of driving 1w through its 8" speaker. it's suitable for home practice and small venues. this is a tube amplifier with an ecc83 in the preamp stage and an ecc82 in the power amp stage. the amplifier provides a two-channel operation with switchable voicing. blackstar's isf eq and overdrive are on hand, as is reverb, which can give your sound a sense of space. a 3.5mm input lets you jam along with your media player, while the 3.5mm headphone jack offers opportunities for silent practice. on the rear of the amplifier, you'll find a 1/4" extension output and a 1/4" footswitch input for switching between voices with the tap of your toe. with the amplifier's usb port, you can record straight from the amp to your computer.
Reviews:
Excellent build quality, brilliant sound. Separate tone controls would be better but "ISF" works OK. Only niggle is the OD and Voice buttons are too close to the rotary controls which makes it easy to nudge them accidentally. Encouragement to buy a footswitch I guess! Overall it does the job it was bought for – producing a range of big sounds quietly enough to keep the rest of the house and neighbours happy – very well.thegreens3
What a cracking little amp! Great clean channel, takes pedals well and the overdrive channel with voicings is superb. I’m glad I went for the combo and not the head. I now have a portable amp that I can take around with me or plug in to a 1×12 cab when I want to crank it. Put an Xotic preamp in front and enjoy some amazing tones!!Glen H.
20. Design And Construction Of Tube Guitar Amplifiers [Book]
Product Details:
Specifications:
| Language | English |
| Release Date | September 2009 |
| Length | 149 Pages |
| Dimensions | 0.5" x 7.0" x 10.0" |
Reviews:
I have some more complex amp texts and this one really filled in some holes for me.samowens1911
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