8 String Guitar Bass For Sale (2024 Update)

Top für den Preis, super Verarbeitet und das Beste – der Bass rauscht und brummt nicht, das haben andere Hersteller einfach nicht hinbekommen- Kaufempfehlung!

I've been a Precision Bass player since I started playing bass years ago. This is my first "real" Fender bass however, after playing several different Squier basses over the years. While Squier makes great instruments at a fair price point, this Vintera Precision is like a different world compared to my previous basses. You can feel the overall quality of the parts, the fit & finish, and the materials just by picking up the bass and playing around on it. I received it in the mail almost perfectly set up by Music Store. Only the action was too high for me, but that was an easy adjustment. The bass has a wide, not too thin neck profile that is not very deep. Super comfortable to play. The nut width is slightly larger than on other modern P-Basses which is nice if you like the extra space. I really like the way this forces you to play a little bit different compared to a narrower fretboard, like for example on a Jazz Bass. The difference compared to a regular P-Bass is pretty small. You just get a feeling of more space for fretting. The fretboard radius is also a bit smaller than on a modern P-Bass. This makes for a very balanced playing feel in my opinion. These differences are all nice touches and make for a slightly different playing feel, but don't make it any harder to play than a regular P-Bass. The sound is absolutely wonderful. The 50s-style pickups have a slightly compressed sound that sound great on its own, plugged directly into a DI box or an interface. I replaced the factory set of strings with .045-.105 LaBella flatwounds which is a perfect fit for this pass. The low-mids are greatly enhanced by putting a set of flats on this bass. It sits beautifully in the mix and is never weak or overpowering – always perfectly balanced. The fit and finish of this bass is great. I'm not one to go looking for faults in the paint or anything like that, but I absolutely have not spotted any quality control issues with my bass. The hardware is absolutely fine and does the job. You don't get a massive bridge or fancy hardware here, because everything is done to vintage specs. You can, of course, modify these parts later on, but I really don't think that's in the spirit of this vintage-focused instrument. If you want to put a more massive bridge on the bass and modify it in other ways, I would choose a Fender Player Series P-Bass instead which is a bit cheaper – you can spend the difference on your mod parts. The bass is surprisingly light. If you have back issues or generally dislike heavy instruments, I would definitely recommend this one! The lack of weight does not impact the sound quality at all. The only drawback is that, in some positions, it can have a little bit of neck dive, not to a point where it really becomes a problem, however. I always wear a strap even when sitting down, and that takes care of the very slight neck dive very easily. One thing to keep in mind is that the hardware, specifically the bridge and trussrod, are truly built to vintage spec. This means that the string height adjusters on the bridge do not have tiny hexagonal screws but small slotted screws instead. You will need a very small slotted screwdriver to access these screws. The trussrod can only be adjusted at the base of the neck which can be annoying. You need to remove the neck in order to adjust the trussrod. Here, again, there is no hexagonal screw but rather a large philipps screw to adjust. Small minus points for these features that could have been left out in favor of more modern solutions. I guess the placement and types of screws used make it more true to the vintage specs, but I would much prefer if they had just chosen the modern versions instead. Overall, this is a very beautiful and great-sounding bass that I can only recommend if you like P-Basses, vintage sound, and flatwounds. The build quality is fantastic and I have no doubt that this bass will stay in great shape for a long, long time.

This guitar hits a real sweet spot! If you're looking to get into a seven string on a budget, but want to guarantee you're getting a trustworthy guitar, this is the one! The quality is unbelievably good for the price. For an entry level purchase, you're getting some of the best components that Schecter has to offer; borrowing its design and some features from the iconic Hellraiser series. Side-by-side, the Omen is just as nice – almost indistinguishable in build quality and overall appearance. The guitar also came perfectly set up and ready to play from Sweetwater. Nice low action, fast neck, responsive and strong sounding pickups. I bought this guitar because I was a little hesitant to try some of the cheaper options like Harley-Benton and cheap Jacksons. I do not regret this decision one bit! The Schecter is much classier looking, has a great feel to it, and will likely last a very long time with minimal maintenance. My only real complaint with the guitar is that Schecter switched to a more swirly-patterned quilted maple finish on their newer models and I was hoping for more of the woodgrain / tiger stripe appearance that the older ones seemed to have. It's not a dealbreaker though, the finish still looks great in person! Overall I am extremely pleased. Playing 7-string is so much fun and this was the best way to get involved without risking a huge investment.

I've been a Precision Bass player since I started playing bass years ago. This is my first "real" Fender bass however, after playing several different Squier basses over the years. While Squier makes great instruments at a fair price point, this Vintera Precision is like a different world compared to my previous basses. You can feel the overall quality of the parts, the fit & finish, and the materials just by picking up the bass and playing around on it. I received it in the mail almost perfectly set up by Music Store. Only the action was too high for me, but that was an easy adjustment. The bass has a wide, not too thin neck profile that is not very deep. Super comfortable to play. The nut width is slightly larger than on other modern P-Basses which is nice if you like the extra space. I really like the way this forces you to play a little bit different compared to a narrower fretboard, like for example on a Jazz Bass. The difference compared to a regular P-Bass is pretty small. You just get a feeling of more space for fretting. The fretboard radius is also a bit smaller than on a modern P-Bass. This makes for a very balanced playing feel in my opinion. These differences are all nice touches and make for a slightly different playing feel, but don't make it any harder to play than a regular P-Bass. The sound is absolutely wonderful. The 50s-style pickups have a slightly compressed sound that sound great on its own, plugged directly into a DI box or an interface. I replaced the factory set of strings with .045-.105 LaBella flatwounds which is a perfect fit for this pass. The low-mids are greatly enhanced by putting a set of flats on this bass. It sits beautifully in the mix and is never weak or overpowering – always perfectly balanced. The fit and finish of this bass is great. I'm not one to go looking for faults in the paint or anything like that, but I absolutely have not spotted any quality control issues with my bass. The hardware is absolutely fine and does the job. You don't get a massive bridge or fancy hardware here, because everything is done to vintage specs. You can, of course, modify these parts later on, but I really don't think that's in the spirit of this vintage-focused instrument. If you want to put a more massive bridge on the bass and modify it in other ways, I would choose a Fender Player Series P-Bass instead which is a bit cheaper – you can spend the difference on your mod parts. The bass is surprisingly light. If you have back issues or generally dislike heavy instruments, I would definitely recommend this one! The lack of weight does not impact the sound quality at all. The only drawback is that, in some positions, it can have a little bit of neck dive, not to a point where it really becomes a problem, however. I always wear a strap even when sitting down, and that takes care of the very slight neck dive very easily. One thing to keep in mind is that the hardware, specifically the bridge and trussrod, are truly built to vintage spec. This means that the string height adjusters on the bridge do not have tiny hexagonal screws but small slotted screws instead. You will need a very small slotted screwdriver to access these screws. The trussrod can only be adjusted at the base of the neck which can be annoying. You need to remove the neck in order to adjust the trussrod. Here, again, there is no hexagonal screw but rather a large philipps screw to adjust. Small minus points for these features that could have been left out in favor of more modern solutions. I guess the placement and types of screws used make it more true to the vintage specs, but I would much prefer if they had just chosen the modern versions instead. Overall, this is a very beautiful and great-sounding bass that I can only recommend if you like P-Basses, vintage sound, and flatwounds. The build quality is fantastic and I have no doubt that this bass will stay in great shape for a long, long time.

Bridge pickup: fat and loud. This produces a very noisy rock/metal sound that fits perfectly for bands such as Rage Against The Machine and Black Sabbath. No hiss and very useable. Middle pickup: Clear. Essentially the acoustic sounding pickup. Very very effective for chordal work. Sounds great for acoustic work such as certain Babyshambles, Libertines, Oasis and the like. Does get a hiss occasionally, but not too huge. Probably isn't aided by my old amp. Neck pickup: bright. Extremely sweet sounding pickup for solo work beyond the 12th fret. It does sound a little muddy playing 1-5th frets on occasion, but the tone and sound at the other end of the neck is beautiful. Sounds fantastic playing Hendrix, Kravitz and solo's from Strokes etc. Have also used it to good effect on some Clapton tracks. There is the option to mix pickups (such as half neck humbucker, half single pickup) but I generally find these too weak and in-distinctive to be used effectively.

the part where subjectivity kicks in (have you noticed how "objective" this review was from the get-go? ). The styles of music I play, as I mentioned earlier, are mostly the Metal subgenres, with an occasional pull of a bluesish pentatonic. To me, this guitar fills every need I might have concerning any and all "heavy" music. It simply molds itself to any need I might have, and fills it in style. Sure, I DO have that Peavey Raptor as well, using it as a practice guitar, but the GRG will remain foremost. If I had had a question to ask before I'd bought it, then that question would irreversibly be: "Does it come as a "2 for 1" special?"… and if it were – forbidden be the thought – lost; or worse – stolen, then I'd definitely get another one. Simply put, this is my guitar. What I love most about it is it's demeanor. I compared it to the Raptor: whilst the latter is an extremely comfortable guitar, quite literally screaming "play me!" (I don't speak "guitar", though, sadly), the Ibanez stands firm, proud and distinguished, with a superior look on it's face; It took me a while before I could subdue and befriend it, unlike the Peavey's "I go with anyone" attitude. Yet that's what the beauty of taming is all about. What do I hate about it? Possibly everything, possibly nothing. But the thing that ticks my nerves, still, is the aforementioned buzzing frets (though, I reiterate, that is not a fault of the builder). And, lastly, my favourite feature of the guitar is, as you might not have guessed, the neck. 24 medium frets of sizzling speed, Ultra-fast picking and high screams, on a fast and responsive neck. That is, ultimately, what the GRG 170 is all about. Versatility and adaptability, all with an affordable price tag.

Overall: I purchased this bass and the darkglass preamp from zZounds as a cheaper alternative to a Dingwall. As far as sound goes, it’s awesome. A ton of midrange and enough bass to shake the house down. Treble is a little harsh at times with the stock preamp. My only complaint is the tuners. They don’t hold as well as I’d like. But overall a solid 4/5.

This bass has many great features and I was suprised by the light weight, the ergodynamics of the bass, the neck wich is amazing and feels great and the sound which is big and very versatile. The only thing I would chande are the sidemarks. In some dark environments you can't see them. They should have been white.

Overall: Just received this guitar and I must say…I thought my PRS was the tonal beast but this guy, wow! It has the nice, jangly AC/DC tone and I can even belt out some bottomy Sabbath riffs through my Randall rig, so hard to put down! I have never been so in love with a finer instrument!

Advertised as a satin blue. Mine was a beautiful gloss. Easy to play jazz feeling neck, and massive tone thanks to EMG humbucker type pickups. Perfectly balanced and comfortable to play, thanks to the neck thru design, cut away back contour, and rounded front body body shape, for your picking hand. With easy financing, and speedy delivery.. I was nothing but smiles the first time plugging in at practice. Thank you American Musical Supply for keeping our spirits up during covid madness!! ????

I caught a glimpse of this instrument in a GC catalog and was stoked at the price! I had been interested in purchasing either a middle-of-the-road 8 string, or an extended scale 7 string. Ibanez is typically my goto brand, but since they don't produce 27"-28" scale 7 strings, and the RGA8, although cheaper, was still out of my cost comfort zone. But then I saw this answer to my prayers! At first, I was skeptical. The market is now flooded with cheapo 8 string models that aren't worth picking up. But I found this one in store and jammed on it. I bought it 2 hours later. This guitar is the Ibanez real deal. First off, It has the same 27" scale length as the RG2228 and RGA8 which was a big grabbing point for me because I've always tuned super low. With fat strings and a longer scale, the attack from the low end tone is so crushing on this beast. And as with any Ibanez, the neck playability is thin, fast, and accessible up high. Plus, there's very little finish on the neck, so your palm doesn't start sticking once your hand is warmed up. The string spacing is perfect, especially for making the first time switch from 7 to 8 strings. Also, I was pleasantly surprised at the performance of the stock "EMG-style" pick ups, since Ibanez stock pick-ups are notoriously bland. Although I only ever use the bridge pick up, it really sounds clear and robust without having to adjust my rig settings or effects. And, I love that the pick up cavities are cut for EMG's! I might throw down for some 808's in the future. It's not much heavier than a seven string and feels comfy sitting or standing. I even like it slung low on the strap, standing. My only 2 gripes are that the bridge piece is an eight string version of the old RG fixed bridge piece (which Ibanez has since replaced with the gibraltar standard bridge), which is a bit of a turn off because it doesn't flow into the body well. I would have preferred that they give it a gibraltar bridge like the other RG's, but that probably would have jacked the price up. Also a few more finish options would be nice. But other than that you can beat this 8 string guitar! The new ESP Cheapo 8 strings are all 25.5" scales which don't sound, or feel suited for the low strings at all, same with Schecter. And I don't like Schecter necks or body styles either. I totally trust this guitar to handle the stage and will be using it to perform, without a doubt. If you want a good 8 string NOW, you can't beat this Ibanez quality, especially at such an affordable price!!!!