Are you looking for the 4 String Acoustic Bass Guitar? If so, you’ve come to the right place.
Choosing the 4 String Acoustic Bass Guitar can be difficult as there are so many considerations, such as Glarry, TOBIAS, Fender, Ibanez, Taylor, Yamaha, Johnson, Boulder Creek. We have done a lot of research to find the top 20 4 String Acoustic Bass Guitar available.
The average cost is $531.14. Sold comparable range in price from a low of $99.99 to a high of $2199.00.
Based on the research we did, we think Fender CB-60SCE Acoustic-Electric Bass Black is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling 4 String Acoustic Bass Guitar (20 Sellers)
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Reviewers Noted:
Good sound quality . Well made . Attractive . Lightweight . Durability
Features:
- Table: spruce (spruce)
- Base / binding: mahogany
- Colour: black
$599.99
4.9
Reviewers Noted:
Good sound quality . Attractive . Weight
Features:
- Solid spruce top with laminated mahogany back and sides
- Gloss black finish
- Mahogany neck
$444.00
4.6
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$299.00
4.2
Reviewers Noted:
Good sound quality . Well made . Attractive . Durability . Weight
Features:
- Made in: indonesia
- Handedness: right handed
- Original colour by producer: classic black
Reviewers Noted:
Visual appeal
Features:
- Walnut fretboarda walnut fretboard features a well-balanced tonal character from low to high end.
- Sapele topthe sapele top delivers a warm, full tone.
- Sapele back and sidessapele back and sides offer a full-bodied and warm mid-range and a bright tone.
$599.99
4.9
Reviewers Noted:
Good sound quality . Attractive . Weight
Features:
- Solid spruce top with laminated mahogany back and sides
- C shape neck profile with 34" scale length
- Pau ferro 20 fret fingerboard with 9.5" radius
$550.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Weight
Features:
- Has normal light wear and scratches from being played.
- More information and pictures available on request.
- Sold as-is.
$479.00
4.6
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Decades later, these vintage features are back with our b-240e, offering bassists a workhorse acoustic instrument with big tone that plays with ease
- Built with a solid sitka spruce top over an arched mahogany back and mahogany sides, the b-240e will hold its own in acoustic jams
- It can also be easily amplified through an onboard guild/fishman bass sonitone bass system
$269.99
4.3
Reviewers Noted:
Good sound quality . Attractive . Craftsmanship . Lightweight . Durability
Features:
- This item is in very good condition
- This item has been tested and is fully functional
- Please message us with any questions
$539.00
4.6
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Affordable fretless acoustic bass with incredible sound quality
- Extremely loud and powerful
- 17' inches across the lower bout provides plenty of thump
$479.00
4.6
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Small-body, archback
- Solid sitka spruce top
- Mahogany band and sides
$539.00
4.6
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Solid spruce top
- Arch mahogany back (mild arch)
- 30 3/4" scale
$599.99
4.4
Reviewers Noted:
Lightweight . Sound quality . Visual appeal . Craftsmanship
Features:
- Mahogany body
- 25 1/2" scale
- Aquila rubber strings
$119.99
4.3
Reviewers Noted:
Good sound quality . Well made . Attractive . Lightweight . Durability
Features:
- Acoustic-electric bass: equipped with a 4-band eq-7545r guitar preamp to produce high-quality sound for beginners and pros alike
- Rich, resonant sound: the wood composition creates a beautiful sound, great for unplugged jam sessions or performances
- 4-band preamp: built-in volume control, a 4-band equalizer adjusts bass, middle, treble, and presence
Features:
- East indian rosewood back and sides
- Select hardwood neck
- Ebony fingerboard
Reviewers Noted:
Visual appeal
Features:
- The laurel fretboard provides a rich and warm tone.
- Okoume top delivers a warm, full tone.
- The ibanez t-bar undersaddle pickup accurately translates that full sound to whatever amplification system you plug it into.
Reviewers Noted:
Good sound quality . Well made . Lightweight . Attractive . Durability
Features:
- Parlor body style projects balanced tone and is comfortable to play
- Okoume top, back, and sides deliver warm tone
- Ibanez under-saddle pickup, aeq-2t preamp
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- Full-size acoustic electric bass guitar crafted from wood for high-quality sound
- 4-band preamp allows for bass, middle, treble, and presence control for versatility
- For beginners or pros, ready to use right out of the box
Features:
- Vizcaya full-size electric acoustic bass guitar is made to produce high-quality sound for beginners and pros alike. you can play bass guitar with or without an amp. featuring a gorgeous…
Features:
- This journey instruments ob660m combines new materials and construction techniques for a truly amazing instrument. the body and neck are connected via a patented fast-release joint that allows for easy…
1. Fender Cb-60sce Acoustic-Electric Bass Black
Product Details:
Body and neck the cb-60sce has a concert body shape which is on the smaller side of mid-sized acoustic shapes. the concert body is really comfortable to play as it feels less cumbersome than other acoustic body shapes. there’s also a cutaway for easy access to those upper frets. the body itself is made from laminate mahogany with a solid spruce top for a resonant and balanced tone. the neck is made from mahogany and utilises fender’s “easy-to-play” shape. the easy-to-play neck does what it says on the tin, it’s an accessible shape with rolled fingerboard edges that’s comfortable for beginner and experienced players alike. the 12” radius laurel fingerboard is smooth, natural-feeling, and easy to fret notes on. built-in electronics to ensure you’re heard, the cb-60sce comes with built-in fishman electronics. the preamp features an onboard tuner, as well as volume, bass, and treble controls for shaping your tone. with the built-in electronics in the cb-60sce, you can take it straight out the box and jump right into performing live or recording.
Specifications:
| Wood | Mahogany |
| Neck joint | Set |
| Scale length | 32" |
| Truss rod | Dual-action |
| Finish | Gloss |
| Active or passive pickups | Passive |
| Pickup configuration | Piezo bridge |
| Active preamp | Fishman |
| Number of frets | 22 |
| Inlays | Dot |
| Nut material | Plastic |
| Nut width | 1.69" (43 mm) |
| Cutaway | Single cutaway |
| Construction | Hollow body |
| Body wood | Mahogany |
| Top wood | Spruce |
| Body finish | Gloss |
| Orientation | Right handed |
| Control layout | Master volume, 3-band EQ |
| Bridge type | Fixed |
| Bridge design | 4-pin |
| Tuning machines | Die-cast |
| Number of strings | 4 |
| Pickguard | Yes |
Reviews:
The Fender CB-60SCE Black Solid Spruce Top Acoustic/Electric Bass Guitar is an excellent buy. Mine's a demo, which cut another $100 off the price! The built-in tuner is what every guitar needs. the 12-volt battery compartment is easily successible at the plug-input port — no more cramping your hand to reach past the strings inside the tone-hole. The intonation is perfect, with no fret buzz all the way up the neck. Most impressive is the volume! This acoustic bass holds its own even without amplification. Add an amp and the built-in tone controls and you have a great electric bass as well. The black lacquer throughout gives the Fender CB-60SCE a classic look. It is light and powerful, a high-quality instrument. It's a worthy bearer of the Fender name!joeltucker
I recently started playing bass guitar. My 12 yr old daughter plays the acoustic guitar, and my wife plays the harp. I chose an acoustic electric bass as my starter so we could all play together and have better cohesion and continuity in our sound in addition to the simplicity and flexibility an acoustic electric bass gives for playing/practicing. I am able to practice quietly, and it is extremely portable and very playable just about anywhere. I did some research and chose this one as "the one" to start on and very glad I did. The quality is outstanding, the sound is beautiful, and i just outright enjoy playing it. Plus I got it in black and love the look of it. I am very happy with this bass. I do intend to also buy an electric bass (or two) but have found this acoustic bass to be a high quality instrument and a great purchase.Phillip
This bass is perfect for just grabbing off the stand and playing whenever the mood strikes me, practicing while everyone else is sleeping (without need of sweaty headphones), or sitting out in the yard playing. I ordered it on a Sunday and it arrived that Thursday set up with about a millimeter of neck relief and about a 5 mm action, tuned down one step from standard. The onboard Fishman tuner is super handy and it agrees perfectly with my Snark Super Tight. It has a nice, rich tone across the spectrum both plugged in and unplugged. A word of caution if you do plug it in, though: have plenty of cable and make sure your muting technique is on point; it is LOUD! (In a good way!) I've only had it about 3 weeks at this point but I can foresee a long, lovely relationship with this beautiful bass!Vic B.
2. Fender Kingman Acoustic Bass – Black
Product Details:
Decked out in the electric-inspired style of fender's california player series, the kingman bass delivers the full, deep acoustic projection and comfortable playing feel you expect from fender. named for a famous stop along us route 66, the short-scale kingman bass offers a gloss black finish, smooth-playing mahogany jazz bass neck and convenient cutaway for easy access to the upper reaches of the fingerboard. this bass is built for one thing, and one thing only—to rock. designed for players, this 30”-scale bass is slightly shorter than others, giving it a slinkier playing feel while simultaneously making it easier to play seated or take out on the road. the kingman bass features optimized scalloped “x”-bracing under the solid spruce top for reduced mass and superior resonance, a graph tech nubone nut and saddle for greater sustain and a fishman preamp system that makes it easy to plug in without sacrificing the bass's natural acoustic tone. the lightweight mahogany jazz bass neck features a comfortable, easy-to-play, slim-taper "c"-shaped profile that’s suitable for any playing style, and its walnut fingerboard and bridge further augment this instrument's vibrant tone. with its superb playability, distinctive looks and unmistakable fender vibe, the kingman bass is an instrument for a new generation of bassists.
Specifications:
| Body Back | Laminated Mahogany |
| Body Sides | Laminated Mahogany |
| Body Top | Solid Spruce |
| Body Finish | Gloss Poly |
| Body Shape | Concert Bass |
| Body Binding | Aged White |
| Bracing | Forward Shifted Scalloped X |
| Rosette | 2-ring B/W/B |
| Neck Material | Mahogany |
| Neck Binding | Aged White |
| Neck Finish | Satin Urethane |
| Neck Shape | Jazz Bass |
| Scale Length | 30.3" (770 mm) |
| Fingerboard Material | Walnut |
| Number of Frets | 20 |
| Nut Material | Graph Tech NuBone |
| Nut Width | 1.5" (38.1 mm) |
| Position Inlays | Block |
| Bridge | Modern Viking |
| Bridge Pins | Cream Colored with Black Dots |
| Hardware Finish | Nickel |
| Tuning Machines | Open-Back Geared |
| Pickguard | 3-Ply Gold |
| Strings | Fender Phosphor Bronze Bass (.045-.100 Gauges) |
Reviews:
Beautiful full sound, with cool looks. Fret board is smooth and the bobd is comfortable to hold. Love it.Mark U.
Absolutely belting and beautiful acoustic bass, lovely to play, great sound and lovely to look at. Acoustic basses are great if you’re time and space limited and just need something to pick up and play without the faff of plugging in and finding headphones etc (which i find a bit anti social for my partner and kids). I’ve tried a few acoustic basses and this is the best and it has a surprisingly good slap sound, which I hadn’t expected from an acoustic bass! All in all if you want something to play at home this is the best. I can’t comment on the electric sound (this has a preamp) as I haven’t used it yet and it’s not what I bought it for.D R. M.
This is a great bass! I've owned and played a handful of acoustic basses from different companies in my time and i like this one the best. Let me state first, I'm not a fender guy but…I've always loved the sound of an acoustic bass and I always wanted one, so i shopped around for a while and went through a few different models to arrive at this one. I've had it for a year now and i grow to love it more all the time! The pictures on GC dont do it justice…The high gloss black finish on the body and headstock is sleek and sexy and the bold block inlays coupled with the jazz bass neck and headstock give this beauty a different attitude compared to other acoustic basses and it plays smooth and sounds great! The biggest thing I noticed with this model compared to the other acoustic basses I've had is that this one really projects well and has great tone plugged or unplugged! I travel a lot and this bass has gone a lot of places with me and it's always sure to turn heads. I live in a place where i wouldn't want to crank my amps to play electric so this has become the main bass i use to practice with and i have a lot of fun with it. It looks and sounds great, it's built and finished well, it's fun and smooth to play, it holds its tuning and the electronics don't drain batteries…what more could you ask for? I would definitely recommend this bass, especially for the price point.Ray
3. Guild Jumbo Junior Acoustic-Electric Bass Flame Maple
Product Details:
Guild now offers its classic jumbo shape in an affordable smaller size. whether on the couch, in the studio or on the go, the guild jumbo junior's compact design allows you to have a guild by your side at all times. fun and comfortable to play, the jumbo junior's warm tone and surprising volume will inspire many memories, group sing-alongs, and weekend jam sessions. featuring a solid sitka spruce top and an arched mahogany back, the jumbo junior offers guild's classic aesthetic for those who love the look of a jumbo, but may not love the size. top it off with guild's ap-1 pickup, and the jumbo junior is ready to go whenever you need to get your guild on.
Specifications:
| Body Top | Solid Sitka Spruce |
| Body Back | Layered Flamed Maple |
| Body Sides | Layered Flamed Maple |
| Body Shape | Jumbo Junior |
| Bracing | Scalloped Sitka Spruce |
| Rosette | MOP and ABS Ring |
| Finish | Satin polyurethane |
| Body Depth Upper Bout | 85mm / 3.3′′ |
| Body Depth Lower Bout | 105mm / 4.1′′ |
| Body Length | 17 1/4′′ / 438mm |
| Body Width Lower Bout | 14 1/2′′ / 368mm |
| Body Width Upper Bout | 10 1/2′′ / 267mm |
| Overall Guitar Length | 37′′ (940mm) |
| Body Binding | Cream ABS |
| Top Purfling | Black and White ABS |
| Neck Material | Maple |
| Scale Length | 23 3/4′′ / 603mm |
| Nut Width | 1 5/8′′ / 41mm |
| Nut Material | Bone |
| Fingerboard Material | Ebony |
| Fingerboard Radius | 16′′ |
| Fingerboard Inlays | 5mm MOP Dots |
| Hardware Finish/Plating | Chrome |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Bridge | Ebony |
| Bridge String Spacing | 2 1/8′′ / 54mm |
| Saddle | Bone |
| Bridge Pins | Ivory Colored Plastic with Black Dot |
| Endpin | Endpin Jack |
| Pickguard | Tortoiseshell |
| Pickup | Guild AP-1 Active Acoustic Piezo Pickup |
Reviews:
Despite the neck being described as a slim c it is thicker than my Taylor, Yamaha and fender. It's a little difficult to wrap my hand around but I am a woman. A man probably won't have that problem. I bought it to be a beater, something lightweight I can take around with me that I don't care about getting damaged. I actually wish I got the Taylor GS now because the neck will probably be what I am used to but I already have two Taylor's and wanted a different guitar, I like having different brands. The pick guard looks surprisingly cheap in person. Idk maybe other people like that look. I like a tortoise shell pick guard but this guild one just looks kinda faded out or something and the tortoise colors aren't blended well. It doesn't come with a gig bag anymore I guess, some people got one, maybe that is in other countries outside the US idk. The sound is what you would expect from a small guitar. The action is ok, a tad bit high which I might get lowered in the future. Doesn't bother me actually. The guitar is VERY lightweight.Jayjay L
I've been playing a recording king dirty 30s OOO for three years, and this is a whole new galaxy of guitar quality. Fit, finish, and setup are all great for the price range. The neck profile is very comfy if you like chunkier necks (I do). The satin finish is fast but not slick and sweaty feeling. Good balanced sound at the low end of the fretboard, a little weaker at the high end, but not enough to bother me. It's very responsive to attack: it sounds great with bare fingers but doesn't get muddy or brassy when I bang on it with a pick. The pickup is exactly what I was hoping for: good sound reproduction, no frills no fuss. It's not my dad's vintage J-45 or even his GS-mini, but it holds its own.
The extra time at home during the pandemic has found me exploring short scale guitars and working on my finger-picking. I've acquired a Martin 000 Jr, and an all-mahogany Martin Dreadnought Jr. When I came across Guild's Jumbo Jr., I said, well, of course. How could I not? I thought a maple guitar would be a good addition to the Junior arsenal, and I wasn't disappointed. These Jumbo Juniors are beautiful, well made little instruments, fit and finish are superb. Mine has a couple bear claw inclusions on a very nicely book-matched solid Sitka spruce top, figured maple sides, and a bookmatched arched back of gorgeous, flamey, figured maple. The back and sides are laminates, but are very well chosen for their figuring. I thought the factory 13s were a bit too stiff, and the action a smidge high, so I had some nut and saddle work done, put a set of Martin Flexible Core 12s on, and just love this thing now. I think the factory idea behind the heavier strings is two-fold; to tighten up string tension that's inherently light due to the scale length, and to give it more low end. I think they just made it difficult to play. I haven't noticed any difference in tone switching to 12s, and the flexible core Martin strings have lighter string tension, enhancing playability. Given it's size, and that maple as a tone wood is on the bright side, you're not going to get a booming low end from this guitar – you might be better served in that regard by one of the mahogany bodied versions, but that's not what I was looking for. This guitar does have a fairly full and well balanced sound, nicely articulate with sparkling upper end resonance and great sustain. It plays well with the Martin Juniors, and has plenty of projection to keep up with the full-size boys, too. Great guitar!Rex K.
4. Dean Eab Acoustic-Electric Bass Black
Product Details:
With its eab acoustic-electric bass, has put together a topnotch fretless acoustic-electric bass guitar for an incredibly low price. it's just the right instrument if you're been wanting to add a fretless to your arsenal but have a tight budget. the eab fretless bass has lines to mark fret positions which help you learn to place your fingers correctly. its 34"-scale neck and large body deliver a deep, full unplugged tone and its preamp with eq and built-in tuner lets you plug in and dial it up. case sold separately.
Specifications:
| Handedness | Right-Handed |
| Dexterity | Right Handed |
| Top Material | Spruce |
| Top Contour | Flat Top |
| Neck Material | Mahogany |
| Scale Length | 34" (863mm) |
| Construction | Set Neck |
| Neck Shape | C |
| Fretboard Material | Rosewood |
| Inlays | Pearl Dot |
| Number of Frets | 24 |
| Fretboard Radius | 14" (356mm) |
| Nut | Urea (OEM) |
| Nut Width | 1 5/8" (41mm) |
| Tuners | Sealed Die Cast |
| Knobs | No |
| Bridge | Rosewood |
| Pickup (Bridge) | Piezo |
| Binding | Multi Ply 5 W/B/W/B/W |
| Finish | Classic Black |
| Case Options | DHS AB / AB AB |
| Truss Rod | Dual Action |
| Pre-amp Type | Dean PS-900 Passive |
| Controls | Built-In EQ |
Reviews:
This popped up on Stupid Deal of the Day and I am not in the least disappointed. It was well packaged, box in a box, from Dean. My intended use will be jamming with friends at the park, campground, or beach. But, it could see small venue use as well. It is big (it is a bass after all): 34", 24 fret scale with the neck joint at the 17th fret. The lower bout is 18" wide and just shy of 5" deep. If you really feel the need to go above the 17th fret…get the cutaway. Because of its size it has a decent acoustic tone. Set up, including intonation, was very good considering it was last touched at the factory. It is strung with D'Addario EXP 45-100 lights. The strings showed some age (string cleaner should take care of it) but still have decent tone, especially for my intended use. All the electronics work as they should. The battery box and input jack are a single unit located on the lower bout. It appears to be a sturdy unit that does not require any tools for 9V battery replacement. Using the onboard tuner silences the pickup. The top is book matched and looks better than some of my solid top guitars. The Dean Playmate EAB Gig Bag (SKU 548316 000000000) does fit. I'm so glad that neither the bass or gig bag are emblazoned with "Playmate" anymore. Seriously, if so, I would not have purchased them. Overall, I am very pleased and believe it is money well spent.Vintage Bassist
The action is easily correctable by lowering the saddle. Sadly, it is not very loud if you finger pick while in the acoustic mode. It is however loud enough to practice alone in a quiet room with soft backing track. Electrically, it is like most EA guitars and you have to watch which way you're standing in relation to your amp. The tone is pretty bright acoustically but can be dialed back in the electric mode for that bassier sound most bassists are looking for. I would consider playing out with this bass for a folk gig. I got this bass on a "stupid deal of the day" promotion and I still can't believe Musicians Friend could make any money at all with a price like that.CA$H
The band I'm in decided that we were going to do an acoustic show for a big fundraiser called Gettysburg Rocks. Great! But one major problem I didn't have an acoustic bass, so I had to get one for this show. After doing extensive research and considering the budget I chose this model. When I got the bass there were a lot of high frets which caused major undesirable fret buzz. The strings that were on it from dean were horrible so I took the bass to my local guitar shop and had it restrung and set up. After this was done this bass played amazing and had great tone unplugged. Then I plugged it in to my di box and it sounded pretty bad through the pa. The electronics in this bass didn't sound good because The strings were not evenly voiced. In my particular case the e string was the loudest and over powered the a d and g strings. I had 4 days before the show and had to figure something out quick. My solution was to run a limiter pedal. Once I had the limiter dialed in I was able to get a very good sound out of the bass, And through eq settings I was able to make the bass sound great. Then the night of the show came around and I had all the kinks figured out . The bass sounded great and the show went beautifully. This bass is by no means a high end bass but with a little tweaking itcan be made to sound really good. I've noticed that I will grab this bass and just start playing it when I'm trying to learn new songs and licks because it sounds so good and it is nice to not always be tethered to an amp. This bass is great to practice with but in a band setting it will need to be amped if you want to be heard with more than one acoustic guitar. Overall I am very pleased with this instrument and would buy another if it broke. I was apprehensive at first thinking that this would sound like $150 bass. Looking back I'm glad I got this model. I hope this helps anyone who is on the fence about buying this bass.v1637
5. Ibanez Aegb24e Acoustic-Electric Bass Guitar Black Gloss
Product Details:
The aegb series' slender, single-cutaway bodies deliver powerful and balanced acoustic sound, unplugged or through an amp or pa system. these guitars combine easy playability, classic solid and sunburst finishes, and intuitive electronics to create a quality, workhorse acoustic bass that will rise to any occasion. high quality ibanez under-saddle pickups and ibanez preamps with onboard tuners provide sparkling tones that sound great in any environment. the ibanez aegb24e bkh acoustic bass, finished in black high gloss, features a 3pce nyatoh/maple neck, walnut fretboard, and sapele top, back and sides. this combination of tonewoods delivers a well-balanced tone, with great resonance and an especially rich mid-low end and pleasantly bright high-end. an ibanez undersaddle pickup, combined with ibanez aeq-2t preamp w/onboard tuner, ensures your aegb24e sounds as good plugged in as it does acoustically.
Specifications:
| Number of strings | 4 |
| Neck type | AEGB |
| Neck joint | Dovetail |
| Neck joint position | 16th fret joint |
| Neck material | 3pc Nyatoh/Maple |
| Neck finish | Satin Polyurethane |
| Neck thickness (1st fret, mm) | 21 |
| Neck thickness (7th fret, mm) | 22.5 |
| Scale (inch) | 32.09 |
| Scale (mm) | 815 |
| Nut width (inch) | 1.69 |
| Nut width (mm) | 43 |
| End width (mm) | 58mm at 14F |
| Number of frets | 21 |
| Fretboard | Walnut |
| Fretboard radius (inch) | 15.75 |
| Fretboard radius (mm) | 400 |
| Inlay | White dot |
| Body shape (for acoustic) | AEG |
| Body top material (for acoustic/hollow) | Sapele |
| Body sides Material (for acoustic/hollow) | Sapele |
| Body back material (for acoustic/hollow) | Sapele |
| Body depth (for hollow) | 3.75 |
| Body width (for hollow) | 15 |
| Body length (for hollow) | 19.375 |
| Soundhole rosette | Acrylic |
| Body depth at joint | 85 |
| Body depth at end | 95 |
| Body finish | Gloss Polyurethane |
| Total length (mm) | 1170 |
| Body thickness (mm) | 95 |
| Body length (mm) | 490 |
| Body width (mm) | 380 |
| Bridge | Walnut |
| Bridge pins | Black with white dot |
| Saddle material | Plastic |
| String spacing (mm) | 19 |
| Nut | Plastic |
| Machine head | Black Die-cast tuners |
| Other pickup | Ibanez Undersaddle |
| Preamp (for acoustic) | Ibanez AEQ-2T preamp w/Onboard tuner |
| Controls, pickup selector | 1 Volume, Bass, Treble |
| Other swtiches | Tuner on/off switch |
| Output jack | 1/4-inch output |
| String gauges (from top to bottom) | .040/.060/.075/.095 |
| Special strings | Ibanez IABS4XC32 Carbon coated |
| Color name | Black High Gloss |
Reviews:
Bellissimo strumento, consegna puntualissima e senza difetti!!
I really like this Bass! It is just lovely to play. The neck is beautifully shaped and makes a big difference. Also, the slightly shorter length allows one to make chords far more easily (shorter frets) and to keep one finger on a root note while dancing around with the others- something I could never do so easily with a longer necked Bass. I couldn't put it down for days!George W.
6. Fender Kingman V2 Sce Acoustic-Electric Bass 3-Color Sunburst
Product Details:
Fender's deeply resounding kingman bass sce has been upgraded for discerning acoustic bassists. new features include a vintage-inspired three-ply gold pickguard, bone nut and vintage-style fender “viking” bridge with compensated bone saddle, in addition to the classic fender jazz bassheadstock, tuners, neck profile and strap buttons that make it such a distinctive instrument. other premium features include a cutaway body with solid spruce top, scalloped "x"-bracing and mahogany back and sides for defined and resonant bass sound, stylish body binding and checkerboard rosette, maple neck, 20-fret fingerboard with block position inlays and aged binding, forward strap button with internal block reinforcement, chrome hardware, gloss neck and body finish and fishman presys pickup system with active onboard preamp and tuner for loud and clear amplified sound.
Specifications:
Reviews:
Beautiful full sound, with cool looks. Fret board is smooth and the bobd is comfortable to hold. Love it.Mark U.
Absolutely belting and beautiful acoustic bass, lovely to play, great sound and lovely to look at. Acoustic basses are great if you’re time and space limited and just need something to pick up and play without the faff of plugging in and finding headphones etc (which i find a bit anti social for my partner and kids). I’ve tried a few acoustic basses and this is the best and it has a surprisingly good slap sound, which I hadn’t expected from an acoustic bass! All in all if you want something to play at home this is the best. I can’t comment on the electric sound (this has a preamp) as I haven’t used it yet and it’s not what I bought it for.D R. M.
This is a great bass! I've owned and played a handful of acoustic basses from different companies in my time and i like this one the best. Let me state first, I'm not a fender guy but…I've always loved the sound of an acoustic bass and I always wanted one, so i shopped around for a while and went through a few different models to arrive at this one. I've had it for a year now and i grow to love it more all the time! The pictures on GC dont do it justice…The high gloss black finish on the body and headstock is sleek and sexy and the bold block inlays coupled with the jazz bass neck and headstock give this beauty a different attitude compared to other acoustic basses and it plays smooth and sounds great! The biggest thing I noticed with this model compared to the other acoustic basses I've had is that this one really projects well and has great tone plugged or unplugged! I travel a lot and this bass has gone a lot of places with me and it's always sure to turn heads. I live in a place where i wouldn't want to crank my amps to play electric so this has become the main bass i use to practice with and i have a lot of fun with it. It looks and sounds great, it's built and finished well, it's fun and smooth to play, it holds its tuning and the electronics don't drain batteries…what more could you ask for? I would definitely recommend this bass, especially for the price point.Ray
7. Fender Kingman Bass Sce Acoustic-Electric Bass Natural
Product Details:
Awesome deal on a used fender kingman acoustic/electric bass natural! this awesome bass provides delivers the full, deep acoustic projection and comfortable playing feel, also with on-board electronics designed for working musicians, making it a great bass you shouldn't miss! this bass is used and in player-grade cosmetic condition. pickguard has been removed from it, it plays and sounds awesome. please check pics for full cosmetic details. serialized 201101227 no case or bag included.
Specifications:
| Body Shape | Dreadnought |
| Body Finish | Gloss |
| Body Back | Laminated Mahogany |
| Body Top | Solid Spruce |
| Neck Material | Maple |
| Neck Shape | "C" Shape |
| Neck Binding | Aged White |
| Scale Length | 34" (864 mm) |
| Fingerboard Radius | 9.5" (241 mm) |
| Number of Frets | 20 |
| Fret Size | Medium Jumbo |
| Neck Finish | Gloss |
| Position Inlays | Block |
Reviews:
Beautiful full sound, with cool looks. Fret board is smooth and the bobd is comfortable to hold. Love it.Mark U.
Absolutely belting and beautiful acoustic bass, lovely to play, great sound and lovely to look at. Acoustic basses are great if you’re time and space limited and just need something to pick up and play without the faff of plugging in and finding headphones etc (which i find a bit anti social for my partner and kids). I’ve tried a few acoustic basses and this is the best and it has a surprisingly good slap sound, which I hadn’t expected from an acoustic bass! All in all if you want something to play at home this is the best. I can’t comment on the electric sound (this has a preamp) as I haven’t used it yet and it’s not what I bought it for.D R. M.
This is a great bass! I've owned and played a handful of acoustic basses from different companies in my time and i like this one the best. Let me state first, I'm not a fender guy but…I've always loved the sound of an acoustic bass and I always wanted one, so i shopped around for a while and went through a few different models to arrive at this one. I've had it for a year now and i grow to love it more all the time! The pictures on GC dont do it justice…The high gloss black finish on the body and headstock is sleek and sexy and the bold block inlays coupled with the jazz bass neck and headstock give this beauty a different attitude compared to other acoustic basses and it plays smooth and sounds great! The biggest thing I noticed with this model compared to the other acoustic basses I've had is that this one really projects well and has great tone plugged or unplugged! I travel a lot and this bass has gone a lot of places with me and it's always sure to turn heads. I live in a place where i wouldn't want to crank my amps to play electric so this has become the main bass i use to practice with and i have a lot of fun with it. It looks and sounds great, it's built and finished well, it's fun and smooth to play, it holds its tuning and the electronics don't drain batteries…what more could you ask for? I would definitely recommend this bass, especially for the price point.Ray
8. Guild B-240e Acoustic Bass – Natural
Product Details:
This was new when i bought this, damage was done at the music store. have no idea how. top is cracked. bracing is still intact. the input jack was also "jacked up". so i'm including a new guild input assembly and set of d'addario strings. i just don't have time to repair and restore this. it's a very nice sounding acoustic bass as well as plugged in. even in this condition. solid spruce top & lam. mahog. back and sides.
Specifications:
Reviews:
Despite the neck being described as a slim c it is thicker than my Taylor, Yamaha and fender. It's a little difficult to wrap my hand around but I am a woman. A man probably won't have that problem. I bought it to be a beater, something lightweight I can take around with me that I don't care about getting damaged. I actually wish I got the Taylor GS now because the neck will probably be what I am used to but I already have two Taylor's and wanted a different guitar, I like having different brands. The pick guard looks surprisingly cheap in person. Idk maybe other people like that look. I like a tortoise shell pick guard but this guild one just looks kinda faded out or something and the tortoise colors aren't blended well. It doesn't come with a gig bag anymore I guess, some people got one, maybe that is in other countries outside the US idk. The sound is what you would expect from a small guitar. The action is ok, a tad bit high which I might get lowered in the future. Doesn't bother me actually. The guitar is VERY lightweight.Jayjay L
I've been playing a recording king dirty 30s OOO for three years, and this is a whole new galaxy of guitar quality. Fit, finish, and setup are all great for the price range. The neck profile is very comfy if you like chunkier necks (I do). The satin finish is fast but not slick and sweaty feeling. Good balanced sound at the low end of the fretboard, a little weaker at the high end, but not enough to bother me. It's very responsive to attack: it sounds great with bare fingers but doesn't get muddy or brassy when I bang on it with a pick. The pickup is exactly what I was hoping for: good sound reproduction, no frills no fuss. It's not my dad's vintage J-45 or even his GS-mini, but it holds its own.
The extra time at home during the pandemic has found me exploring short scale guitars and working on my finger-picking. I've acquired a Martin 000 Jr, and an all-mahogany Martin Dreadnought Jr. When I came across Guild's Jumbo Jr., I said, well, of course. How could I not? I thought a maple guitar would be a good addition to the Junior arsenal, and I wasn't disappointed. These Jumbo Juniors are beautiful, well made little instruments, fit and finish are superb. Mine has a couple bear claw inclusions on a very nicely book-matched solid Sitka spruce top, figured maple sides, and a bookmatched arched back of gorgeous, flamey, figured maple. The back and sides are laminates, but are very well chosen for their figuring. I thought the factory 13s were a bit too stiff, and the action a smidge high, so I had some nut and saddle work done, put a set of Martin Flexible Core 12s on, and just love this thing now. I think the factory idea behind the heavier strings is two-fold; to tighten up string tension that's inherently light due to the scale length, and to give it more low end. I think they just made it difficult to play. I haven't noticed any difference in tone switching to 12s, and the flexible core Martin strings have lighter string tension, enhancing playability. Given it's size, and that maple as a tone wood is on the bright side, you're not going to get a booming low end from this guitar – you might be better served in that regard by one of the mahogany bodied versions, but that's not what I was looking for. This guitar does have a fairly full and well balanced sound, nicely articulate with sparkling upper end resonance and great sustain. It plays well with the Martin Juniors, and has plenty of projection to keep up with the full-size boys, too. Great guitar!Rex K.
9. Ibanez Aeb5e Acoustic-Electric Bass Black
Product Details:
The ibanez aeb5e acoustic-electric bass delivers a punchy low end, whether amplified or not. as an unplugged acoustic bass, its agathis body and sides give it a warm tone. – the ibanez piezo pickup and ibanez aeq-202t preamp with 2-band eq and onboard tuner allows quick tuning and easy amplification with a natural acoustic sound. – acoustic bass adds a tasty layer of warm, low-end resonance that makes songs come alive and arrangements sound more fleshed-out. when amplified, the ibanez aeb5e bass guitar uses its pickup and preamp to pump the tone and offer the thump you need at whatever volume. – case sold separately. – agathis back and sides – chrome die-cast tuners – ibanez piezo pickup – ibanez aeq-202t 2-band preamp with onboard tuner – rosewood bridge and fretboard – ivorex ii nut and saddle – case sold separately.
Specifications:
| Finish | Original finish |
| Body Details | Agathis back, sides, and top |
| Neck Material | Mahogany Neck |
| Neck Profile | Medium C |
| Neck Thickness (IN) | 1st – 0.90" 12th – 1.01" |
| Fingerboard Radius | 16.00" |
| Scale Length | 32 |
| Electronics | Original Ibanez AEQ2T electronics |
| Pickup Measurements | No (active) |
| Case Details | Hardshell case |
Reviews:
The strings and sound of this bass are great, when it stays in tune. It turns out, the holes drilled for the tuning pegs are too big, so the pegs slip and cause the bass to fall out of tune with almost no use. We only found this out because we thought the pegs were bad, but upon taking them off to install new ones, we realized this fault. If you want a good bass for practice, this one will do fine. I would not recommend it for professionals, unless you want to spend the extra money to drill the holes out further to put in fittings for the pegs.Ryan
Being that there arent any very popular (or effective) battery operated bass amps out there, an Acoustic Bass is really the only option for someone who doesn't have access to a wall outlet, or doesn't want to carry a heavy amp with them. I was hoping to pick one up, but very few were in a price range that I, as a college student, could afford. That is when I found this little gem. The general rule I have found when buying a bass, at least as far as my experiences go, that anything under 300 that you buy will have to have something taken out of it; you can only make an instrument so cheap before it becomes more of a hassle than your time is worth. However, Ibanez has found a way to break this rule time and time again. Starting with the downsides: Do not get this bass expecting it to stand up against the drums and electric guitar unamplified. There isn't an acoustic bass on earth that can pull that off, and if there is, it is way to big to bother with. The pre-amp is OK, but only OK. The output jack is in an odd place. and the wiring would be a pain to deal with as you would have to reach down into the body to get to it. And now for the many, many upsides: It is a bit fat in size, but is very light weight. I usually play an 11 1/2 lb jazz bass, and this thing is such a literal weight off my back (at least a whole 4 lbs). It has an amazing, earthy tone that you just cant get out of a solid body bass. the body is very study, braced very heavily on the inside. As far as Acoustic basses go, this is one of the loudest I have played. The tuner is surprisingly accurate, and very useful. It is also very comfortable to play standing up, and won't strain your back. And the Icing on the cake is that it allow you to practice anywhere, any time, without the need for power. In short, It is very nice, and should be part of your arsenal today. Do not hesitate on this purchase ^_^Koren Rain
This bass exceeded expectations by a country mile. I've had acoustic basses before, and this one plays and projects far better than others I've had that cost a lot more. The Ibanez name tells me that the unit will remain stable and that the company will stand behind it. The factory set-up is fine. Ibanez supplies a higher bridge and hex wrench for neck adjustment, but neither were necessary. Other reviews point to action, "buzz" and low volume. In some cases, these reports may be accurate, but I suspect a lot of folks buy these instruments with unrealistic expectations. Simply stated, acoustic instruments slap, squeak and generally misbehave. This goes for Martins, Ibanez, Guilds…you name it. It is part of the charm of playing acoustic music. Bass strings move more across a long scale length, so you are going to get this in spades. Raising string height to stratospheric levels to overcome these natural traits seems to be something like training a wolf to herd sheep. To me, random tonal excursions are part of the package. Frankly its why I bought the thing and even at that, this bass is pretty well behaved. If you want perfect tones, perhaps a Fender Precision or even a MIDI synthesizer is a better choice for you. As for volume, well, lower tones need far more amplification to carry than their higher pitched cousins. 100 watts out of your Strat needs to be matched by some 400 watts from the accompanying bass. That's simple physics. This bass projects amazingly well, but if you are going to jam in a large group or hall, consider adding a small combo amp. That would go both for this bass or a $2000 custom instrument. Overall, I love the thing. I would buy it again, and I would recommend it without reservation.Ankeny Picker
10. Guild B-240e Fretless Acoustic-Electric Bass Guitar Natural
Product Details:
In the mid-1970s, guild pioneered acoustic bass guitar design with the introduction of the b-50 model, which featured a jumbo body shape, arched mahogany back, and an easy to play, 30 3/4” scale length. guild has reintroduced these vintage features with the new westerly collection b-240ef, offering bassists a workhorse acoustic instrument with big tone that plays with ease. built with a solid sitka spruce top over an arched mahogany back and mahogany sides, the b-240ef boasts an impressively loud tone that will hold its own during most acoustic jams. it can also be easily amplified with its onboard guild/fishman bass sonitone system. the b-240ef features a fretless pau ferro fingerboard with maple fret lines, providing a spectrum of sounds ranging from a mellow upright bass vibe to bright and growly jazz fusion tones. this model also features a pau ferro bridge, slim c shape neck profile, 1 5/8” bone nut and bone saddle, tortoiseshell pickguard, and a mother-of-pearl rosette.
Specifications:
| Body Shape | Jumbo Bass |
| Body Top | Solid Sitka Spruce |
| Top Bracing Pattern | Scalloped X |
| Soundhole Diameter | 3 7/8" (98mm) |
| Rosette | Mother-Of-Pearl / ABS |
| Top Purfling Inlay | Black/White/Black ABS |
| Body Sides | Mahogany |
| Body Back | Arched Mahogany |
| Body Binding | Ivory ABS |
| Neck Material | Mahogany |
| Scale Length | 30 3/4" (781mm) |
| Neck Shape | C Shape |
| Nut Width | 1 5/8" (41mm) |
| Neck Thickness 1st Fret | 22mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Pau Ferro |
| Fingerboard Radius | 16" (406mm) |
| Fingerboard Inlays | 5mm Dots – Mother-Of-Pearl |
| Frets Total | 23 |
| Finish | Satin Polyurethane |
| Finish – Top | Satin Polyurethane in Natural |
| Finish – Back and Sides | Satin Polyurethane in Natural |
| Finish – Neck | Satin Polyurethane in Natural |
| Bridge Material | Pau Ferro |
| Bridge String Spacing | 2 1/8" (54mm) |
| Bridge Pins | Ivory Colored Plastic with Black Dot |
| Saddle Material | Bone |
| Hardware Finish / Plating | Nickel Plated |
| Nut Material | Bone |
| Tuning Machines | Guild Bass Closed-Gear Fishtail |
| Endpin | Nickel Strap Button |
| Pickguard | Tortoiseshell |
| Upper Bout Width | 12 5/8" (321mm) |
| Lower Bout Width | 17" (432mm) |
| Body Depth Upper Bout | 3 7/8" (99mm) |
| Body Depth Lower Bout | 5 1/4" (133mm) |
| Body Length | 20 5/8" (524mm) |
Reviews:
Despite the neck being described as a slim c it is thicker than my Taylor, Yamaha and fender. It's a little difficult to wrap my hand around but I am a woman. A man probably won't have that problem. I bought it to be a beater, something lightweight I can take around with me that I don't care about getting damaged. I actually wish I got the Taylor GS now because the neck will probably be what I am used to but I already have two Taylor's and wanted a different guitar, I like having different brands. The pick guard looks surprisingly cheap in person. Idk maybe other people like that look. I like a tortoise shell pick guard but this guild one just looks kinda faded out or something and the tortoise colors aren't blended well. It doesn't come with a gig bag anymore I guess, some people got one, maybe that is in other countries outside the US idk. The sound is what you would expect from a small guitar. The action is ok, a tad bit high which I might get lowered in the future. Doesn't bother me actually. The guitar is VERY lightweight.Jayjay L
I've been playing a recording king dirty 30s OOO for three years, and this is a whole new galaxy of guitar quality. Fit, finish, and setup are all great for the price range. The neck profile is very comfy if you like chunkier necks (I do). The satin finish is fast but not slick and sweaty feeling. Good balanced sound at the low end of the fretboard, a little weaker at the high end, but not enough to bother me. It's very responsive to attack: it sounds great with bare fingers but doesn't get muddy or brassy when I bang on it with a pick. The pickup is exactly what I was hoping for: good sound reproduction, no frills no fuss. It's not my dad's vintage J-45 or even his GS-mini, but it holds its own.
The extra time at home during the pandemic has found me exploring short scale guitars and working on my finger-picking. I've acquired a Martin 000 Jr, and an all-mahogany Martin Dreadnought Jr. When I came across Guild's Jumbo Jr., I said, well, of course. How could I not? I thought a maple guitar would be a good addition to the Junior arsenal, and I wasn't disappointed. These Jumbo Juniors are beautiful, well made little instruments, fit and finish are superb. Mine has a couple bear claw inclusions on a very nicely book-matched solid Sitka spruce top, figured maple sides, and a bookmatched arched back of gorgeous, flamey, figured maple. The back and sides are laminates, but are very well chosen for their figuring. I thought the factory 13s were a bit too stiff, and the action a smidge high, so I had some nut and saddle work done, put a set of Martin Flexible Core 12s on, and just love this thing now. I think the factory idea behind the heavier strings is two-fold; to tighten up string tension that's inherently light due to the scale length, and to give it more low end. I think they just made it difficult to play. I haven't noticed any difference in tone switching to 12s, and the flexible core Martin strings have lighter string tension, enhancing playability. Given it's size, and that maple as a tone wood is on the bright side, you're not going to get a booming low end from this guitar – you might be better served in that regard by one of the mahogany bodied versions, but that's not what I was looking for. This guitar does have a fairly full and well balanced sound, nicely articulate with sparkling upper end resonance and great sustain. It plays well with the Martin Juniors, and has plenty of projection to keep up with the full-size boys, too. Great guitar!Rex K.
11. Guild Jumbo Junior Bass – Natural Guitar
Product Details:
The jumbo junior bass, a compact four-string that checks the boxes for robust acoustic bass tone and portability. guild chose a solid sitka spruce top and arched flamed maple back to mirror the tonewoods that have been used in upright bass construction for centuries, resulting in a clear, tight bass tone that is impressive for its reduced size. the back, sides and neck are finished in a satin antique blonde finish, which adds a rich depth and unique character to the woods figure. the jumbo junior basss deep voice can be amplified or recorded using its onboard guild ap-1 active acoustic piezo pickup system with built in volume and tone controls. other standout features include an ebony fingerboard and bridge, bone nut and saddle, mother-of-pearl rosette and guild peak headstock logo, tortoiseshell pickguard, and nylon-core phosphor bronze strings. a guild deluxe padded gig bag is included.
Specifications:
Reviews:
Despite the neck being described as a slim c it is thicker than my Taylor, Yamaha and fender. It's a little difficult to wrap my hand around but I am a woman. A man probably won't have that problem. I bought it to be a beater, something lightweight I can take around with me that I don't care about getting damaged. I actually wish I got the Taylor GS now because the neck will probably be what I am used to but I already have two Taylor's and wanted a different guitar, I like having different brands. The pick guard looks surprisingly cheap in person. Idk maybe other people like that look. I like a tortoise shell pick guard but this guild one just looks kinda faded out or something and the tortoise colors aren't blended well. It doesn't come with a gig bag anymore I guess, some people got one, maybe that is in other countries outside the US idk. The sound is what you would expect from a small guitar. The action is ok, a tad bit high which I might get lowered in the future. Doesn't bother me actually. The guitar is VERY lightweight.Jayjay L
I've been playing a recording king dirty 30s OOO for three years, and this is a whole new galaxy of guitar quality. Fit, finish, and setup are all great for the price range. The neck profile is very comfy if you like chunkier necks (I do). The satin finish is fast but not slick and sweaty feeling. Good balanced sound at the low end of the fretboard, a little weaker at the high end, but not enough to bother me. It's very responsive to attack: it sounds great with bare fingers but doesn't get muddy or brassy when I bang on it with a pick. The pickup is exactly what I was hoping for: good sound reproduction, no frills no fuss. It's not my dad's vintage J-45 or even his GS-mini, but it holds its own.
The extra time at home during the pandemic has found me exploring short scale guitars and working on my finger-picking. I've acquired a Martin 000 Jr, and an all-mahogany Martin Dreadnought Jr. When I came across Guild's Jumbo Jr., I said, well, of course. How could I not? I thought a maple guitar would be a good addition to the Junior arsenal, and I wasn't disappointed. These Jumbo Juniors are beautiful, well made little instruments, fit and finish are superb. Mine has a couple bear claw inclusions on a very nicely book-matched solid Sitka spruce top, figured maple sides, and a bookmatched arched back of gorgeous, flamey, figured maple. The back and sides are laminates, but are very well chosen for their figuring. I thought the factory 13s were a bit too stiff, and the action a smidge high, so I had some nut and saddle work done, put a set of Martin Flexible Core 12s on, and just love this thing now. I think the factory idea behind the heavier strings is two-fold; to tighten up string tension that's inherently light due to the scale length, and to give it more low end. I think they just made it difficult to play. I haven't noticed any difference in tone switching to 12s, and the flexible core Martin strings have lighter string tension, enhancing playability. Given it's size, and that maple as a tone wood is on the bright side, you're not going to get a booming low end from this guitar – you might be better served in that regard by one of the mahogany bodied versions, but that's not what I was looking for. This guitar does have a fairly full and well balanced sound, nicely articulate with sparkling upper end resonance and great sustain. It plays well with the Martin Juniors, and has plenty of projection to keep up with the full-size boys, too. Great guitar!Rex K.
12. Guild B-240e Acoustic-Electric Bass Guitar Natural
Product Details:
Guild pioneered acoustic bass guitar design in the mid-1970s with the b-50, which featured a jumbo body shape, arched mahogany back, and an easy to play, 30 3/4 scale length. decades later, these vintage features are back with the b-240e, offering bassists a workhorse acoustic instrument with big tone that plays with ease. built with a solid sitka spruce top over an arched mahogany back and mahogany sides, the b-240e will hold its own in acoustic jams. it can also be easily amplified through an onboard guild/fishman bass sonitone bass system. the b-240e features a pau ferro fingerboard and bridge, slim c shape neck profile, 1 5/8 bone nut and bone saddle, tortoiseshell pickguard, and a mother-of-pearl rosette. available in natural satin finish. also available fretless (b-240ef). comes with guild branded padded gig bag.
Specifications:
| Body Shape | Jumbo Bass |
| Body Top | Solid Sitka Spruce |
| Top Bracing Pattern | Scalloped X |
| Soundhole Diameter | 3 7/8" (98mm) |
| Rosette | Mother-Of-Pearl / ABS |
| Top Purfling Inlay | Black/White/Black ABS |
| Body Sides | Mahogany |
| Body Back | Arched Mahogany |
| Body Binding | Ivory ABS |
| Finish | Satin Polyurethane |
| Finish – Top | Satin Polyurethane in Natural |
| Finish – Back and Sides | Satin Polyurethane in Natural |
| Neck Material | Mahogany |
| Scale Length | 30 3/4" (781mm) |
| Neck Shape | C Shape |
| Nut Width | 1 5/8" (41mm) |
| Neck Thickness 1st Fret | 22mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Pau Ferro |
| Fingerboard Radius | 16" (406mm) |
| Fingerboard Inlays | 5mm Dots – Mother-Of-Pearl |
| Frets Total | 23 |
| Bridge Material | Pau Ferro |
| Bridge String Spacing | 2" (52mm) |
| Bridge Pins | Ivory Colored Plastic with Black Dot |
| Saddle Material | Bone |
| Hardware Finish / Plating | Nickel Plated |
| Nut Material | Bone |
| Tuning Machines | Guild Bass Closed-Gear Fishtail |
| Endpin | Nickel Strap Button |
| Pickguard | Tortoiseshell |
| Upper Bout Width | 12 5/8" (321mm) |
| Lower Bout Width | 17" (432mm) |
| Body Depth Upper Bout | 3 7/8" (99mm) |
| Body Depth Lower Bout | 5 1/4" (133mm) |
| Body Length | 20 5/8" (524mm) |
| Overall Length | 47 7/8" (1216mm) |
Reviews:
Despite the neck being described as a slim c it is thicker than my Taylor, Yamaha and fender. It's a little difficult to wrap my hand around but I am a woman. A man probably won't have that problem. I bought it to be a beater, something lightweight I can take around with me that I don't care about getting damaged. I actually wish I got the Taylor GS now because the neck will probably be what I am used to but I already have two Taylor's and wanted a different guitar, I like having different brands. The pick guard looks surprisingly cheap in person. Idk maybe other people like that look. I like a tortoise shell pick guard but this guild one just looks kinda faded out or something and the tortoise colors aren't blended well. It doesn't come with a gig bag anymore I guess, some people got one, maybe that is in other countries outside the US idk. The sound is what you would expect from a small guitar. The action is ok, a tad bit high which I might get lowered in the future. Doesn't bother me actually. The guitar is VERY lightweight.Jayjay L
The extra time at home during the pandemic has found me exploring short scale guitars and working on my finger-picking. I've acquired a Martin 000 Jr, and an all-mahogany Martin Dreadnought Jr. When I came across Guild's Jumbo Jr., I said, well, of course. How could I not? I thought a maple guitar would be a good addition to the Junior arsenal, and I wasn't disappointed. These Jumbo Juniors are beautiful, well made little instruments, fit and finish are superb. Mine has a couple bear claw inclusions on a very nicely book-matched solid Sitka spruce top, figured maple sides, and a bookmatched arched back of gorgeous, flamey, figured maple. The back and sides are laminates, but are very well chosen for their figuring. I thought the factory 13s were a bit too stiff, and the action a smidge high, so I had some nut and saddle work done, put a set of Martin Flexible Core 12s on, and just love this thing now. I think the factory idea behind the heavier strings is two-fold; to tighten up string tension that's inherently light due to the scale length, and to give it more low end. I think they just made it difficult to play. I haven't noticed any difference in tone switching to 12s, and the flexible core Martin strings have lighter string tension, enhancing playability. Given it's size, and that maple as a tone wood is on the bright side, you're not going to get a booming low end from this guitar – you might be better served in that regard by one of the mahogany bodied versions, but that's not what I was looking for. This guitar does have a fairly full and well balanced sound, nicely articulate with sparkling upper end resonance and great sustain. It plays well with the Martin Juniors, and has plenty of projection to keep up with the full-size boys, too. Great guitar!Rex K.
I needed a smaller bodied guitar as a backup guitar for gigs. The neck is good and sound is decent. Just to suit my liking, I did sand down the saddle a bit and changed the strings to elixirs. It’s as good as any Taylor 100 or 200 series. I used on 2 outside gigs and it worked fine. I haven’t had the guitar more than couple months. But I own 7 other guitars and been performing professionally for many years. So, I can recommend this guitar for most situations. Especially doing outside gigs that an all solid wood guitar could have issues. It’s a good little workhorse!Cactus Willie
13. Gold Tone 25" Scale Acoustic-Electric Microbass Natural
Product Details:
The microbass25, or m-bass25, is a 25" short-scaled acoustic/electric bass guitar that utilizes a dedicated synthetic string and a piezo transducer pickup. the extended scale length greatly improves intonation over similar models and allows for an acoustic volume loud enough to enjoy without plugging into an amplifier. the sloped ergo-glide top makes this instrument extremely comfortable to hold. the microbass features a built-in transducer pickup with a master volume control as well as independent bass and treble tone controls. there is also a built-in electronic tuner with mute function that will aid in quick and accurate pitch adjustments. when the tuner is engaged, the instrument output is muted. when a 1/4" instrument cable is inserted into the output jack, the tuner is automatically engaged and the instrument is muted. by pressing the tuner button, the tuner is disengaged and the bass output will be audible. microbass models feature an active pickup, which means that a battery is required for the pickup to function. the battery and can be accessed in the built-in preamp on the upper bout of the instrument. the microbass uses a 9v battery, which can be accessed under the plastic cover on the backside of the instrument opposite the volume and tone controls. a battery is included with all new microbasses.
Specifications:
| Shape | C |
| Wood | Mahogany |
| Neck joint | Set |
| Scale length | 25" |
| Truss rod | Yes |
| Finish | Satin |
| Active or passive | Active |
| Configuration | Under bridge |
| Fret size | Medium |
| Number of frets | 20 |
| Inlays | Dot |
| Nut material | Bone |
| Nut width | 1-11/16" |
| Style | Small acoustic |
| Construction | Hollowbody |
| Body wood | Mahogany |
| Top wood | Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Control layout | Master volume, 2-band eq |
| Bridge type | Fixed |
| Bridge design | Stoptail |
| Tuning machines | Open-geared |
| Number of strings | 4 |
| Pickguard | No |
| Neck | Mahogany |
| Fingerboard | Rosewood |
| Bridge | Rosewood |
| Back | Mahogany: |
| Sides | Mahogany |
| Wood Finish | Satin: |
| Fingerboard Inlay | Dot |
| Nut | Bone: |
| Tuners | Bass Tuners |
| Strings | Aquila "MicroBass" Strings (Synthetic) |
| Case Options | Heavily Padded Gigbag Incl. (Show in Picture) |
| Scale | 25": |
| Nut Width | 1-11/16": |
| Total Length | 38" |
Reviews:
Way over priced at $450 for the left handed model, does not stay in tune long, and its virtually impossible to lower string height and you will need to do with all but the nylon spaghetti like stock strings. Thin wood veneer over what appears to be plywood though I could be wrong. Cheap tuners, cheap bridge and cheap standard piezo pickup. Basically a triumph of style over substance in my opinion. At $300 give or take for this Asian acoustic bass it would be a decent deal but not for $450, no way. To its credit it is ultra lightweight so good for travel and those with certain physical problems. Keep in mind distributor in the US does not stock replacement parts, a big minus. Same review applies to the 25 in. scale model. Fretted and unfretted.kraigster414
I was looking for a bass to complement recording in a home studio and small venues. I wanted to come as close as possible to a standup but acoustic basses were not doing it for me. Then I found this. I run it through a Roland AC-60 acoustic amp patched through to a Roland KC-100 subwoofer. The deep bass sound is incredible! The fretless model has fret markers to help guys like me who are guitarists by nature. The strings do take a little getting used to for tuning. They stay in tune during playing but will loosen a bit if they sit in the bag for a while. All in all, I'm very pleased. P.S. – Make sure you read the instructions. When you plug it in the preamp automatically defaults to the tuner and mutes the output. You simply have to push the button and switch off the tuner. Says so right in the instructions!Robert
Mediocre sound, hard to set up and with non stock strings action is too high. Buyers remorse. Pass.kraigster414
14. Best Choice Products 22-Fret Full Size Acoustic Electric Bass Guitar With 4-Band Equalizer, Adjustable Truss Rod, Solid Construction – Black
Product Details:
Rock out with a bass guitar made to deliver clear, high-quality sound with every pluck. featuring an attractive inlay and gorgeous glossy finish, this classic instrument is perfect for plucking the bass of your favorite tunes. built-in volume control and a 4-band equalizer will allow you to achieve just the right tone. dimensions: 45.5”(l) x 18.3“(w) x 49“(h).
Reviews:
I brought this for a signature book for our wedding, we wanted a playable momento, but didn't want to spend a lot of money. It's a great $88 guitar, we have guitars upwards of $500 so of course it would not be as good. Well built, tunes easily, buy needs frequent tuning. I think if we replace with high quality strings we would definitely take this guitar up a notch. Good for beginners and will definitely teach them tuning skills.Tasha S.
I purchase this bass being motivated by its price and rave reviews. Let me just say that when I received my bass today I was blown over at the fit and finish on this bass. It looks like a $500.00+ guitar! I've been playing it for hours and the deep bass is so sweet. The action is a tad high but I kind of like it that way. The great sound projection from this bass made me chuckle while I was playing because the bass made a silver cup I have on a wall mounted shelf rattle! Now that's impressive sound projection! I can't wait to plug in this bass to my friend's Ampeg that's a 1X15 ported bass amp. It should be wild! For the money this Best Choice acoustic had got to be the deal of a lifetime if you're in the market for an acoustic bass guitar.Jason
So hey. I’m kinda new at this sort of thing. I did grow up playing music in the bands and orchestra. Mostly woodwinds. I did always want to play some strings. So finally I do. I’ve been at the guitar for a little while now. And it’s very exciting to find an opportunity to study bass. This instrument seems very fundamental and good to me. So I’m excited about it. Good deal for starting out. Thing is, as I’ve been practicing,… I just kinda noticed that I can’t seem to get the High A note to speak as well as I’d like. I mean everything sounds great. But I’m going to have my guitar shop buddies take a look at the fret there. Something isn’t quite right. I bet it just needs a little adjustment. That’s a pretty sweet note if you can fit it in a solo. But of course that deep bass and fundamental sound is what it’s really about. !!!Egore
15. Martin Bc-16e Acoustic Bass
Product Details:
Kept in a humidity controlled environment. the bc-16e includes a solid sitka spruce top, east indian rosewood back and sides, and forward shifted scalloped bracing to deliver deep, thumping martin tone whether you are plugged in or using the built-in fishman electronics. it also includes a fast, comfortable neck so you can keep the rhythm section tight. the bc-16e is strung with martin authentic acoustic bass strings.
Specifications:
| Edition Size | Open |
| Construction | Simple Dovetail Neck Joint |
| Body Size | M-14 Fret Cutaway (0000-14 Fret Cutaway) |
| Top Material | Sitka Spruce |
| Rosette | Bold Herringbone with Multi-Stripe |
| Bracing Pattern | Forward Shifted X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back Material | East Indian Rosewood |
| Side Material | East Indian Rosewood |
| Binding | Antique White |
| Top Inlay Material | Multi-Stripe |
| Back Inlay Material | Black Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Bass |
| Neck Taper | Standard Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid |
| Headplate Material | East Indian Rosewood |
| Headplate Logo Style | Script Old Style Overlay |
| Heelcap | Antique White |
| Fingerboard Material | Ebony |
| Scale Length | 34'' |
| Neck Joins Body At | 17th Fret |
| Number of Frets Total | 23 |
| Fingerboard Width at Nut | 1.58" |
| Fingerboard Width at 12th Fret | 2.18'' |
| Side Dots | White |
| Back and Side Finish | Satin |
| Finish Top | Gloss |
| Top Color | Clear |
| Finish Neck | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | Ebony |
| Bridge Style | Belly – Drop in Saddle |
| Bridge String Spacing | 2 1/8'' |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Black Enclosed Gear Bass |
| Recommended Strings | Authentic Acoustic Bass (SMA4800) |
| Knob | Black |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Tortoise Pattern |
| Electronics | Fishman Matrix VT Enhance NT2 |
Reviews:
Overall: I purchased my first bass in 1976. I have owned many of the top notch, well known electric basses and a few acoustic basses.After I sold my last acoustic bass a couple years ago, I was in the market for another and decided to throw all in and purchase this Martin, sight unseen. I was expecting at least decent quality, and I knew if I found the bass lacking, at least I tried. I knew if I bought another "lesser" bass I would be left wondering "what if?"I received this bass mid January. Looking it over it was pretty much everything you would expect from a USA built Martin. I gave it 5 stars in every category except quality, which I gave 4 1/2.I attribute this to the fact the string height was high, and I mean way high. Like cheap pawn shop guitar high. Like had to go out if tune just fretting a string, especially higher up the neck.After careful consideration, I went ahead and pulled the Tusq saddle and gave it the sandpaper treatment to lower the string height. Damn the warranty, I am accustomed to doing most all my work anyway. In fact I've never had one of my personal instruments in a repair shop. To me it's like a soldier and his rifle, you need to know and understand your equipment.Anyway, now to the good part:After the strings were situated closer to the fretboard where they needed to be, I began playing and enjoying this fine instrument. In the couple of weeks I've had it, I can honestly say it's the finest bass or guitar I have ever played let alone owned. If I had to pick just one instrument to keep this would be it, hands down. Currently I have Gibson's, Rickenbackers and Fenders among others (no crazy ultra high end stuff). I would give up any or all just to keep this bass. Why?The ease of play and the sound of this bass, especially unplugged is unlike anything I have ever played. This bass is like a triple shot of adrenaline straight into my psyche. I am doing things with this bass I have never done with any instrument, let alone bass I have ever played.It is such a joy to play, after all these years of not having anything like this I can't imagine not having it. I will never part with this bass.Did I just get lucky with this one? Yes and no. I imagine all of Martin's basses must be this good.As far as the action, I suppose if you bought one from a brick and mortar Martin dealer they would have taken care of the action upon delivery.By the way, the action, the set up at the nut was perfect and I did not have to touch the truss rod adjustment at all.So if you will excuse me, I have to wrap up this review so I can spend some time with my new best friend… my Martin bass…
16. Ibanez Pcbe14mh Acoustic-Electric Bass – Weathered Black
Product Details:
This bass features onboard ibanez electronics for natural tone, easy gigging, and recording straight into an interface. the built-in tuner is a lifesaver for moments when external tuners aren't available. the all-okoume body projects a deep, mahogany-like tone with gobs of resonance. you'll enjoy breezy playability, courtesy of the maple neck and laurel fingerboard. if you need an acoustic bass that can keep up with you when you take the stage, then grab the ibanez pcbe14mh. the pcbe14mh is made from okoume to deliver a robust and resonant tone. okoume, one of the most popular tonewoods in the ibanez acoustic lineup, is incredibly similar to mahogany both sonically and visually. the warmth and balance of okoume pairs excellently with singers and songwriters. whether you're playing solo, unplugged with your friends, or holding down the groove onstage, the ibanez pcbe14mh's tonewoods will be right at home.
Specifications:
| Strings | 4 String |
| Handedness | Right-Handed |
| Number of Strings | 4 |
| Neck Type | PCBE |
| Neck Joint | Dovetail |
| Neck Joint Position | 15th fret joint |
| Neck Material | Maple |
| Neck Finish | Open Pore Polyurethane |
| Number of Frets | 20 |
| Fretboard | Laurel |
| Fretboard Radius | 400mm |
| Inlay | White dot |
| Body Shape | Grand Concert (For Acoustic) |
| Body Top Material | Okoume (For Acoustic/Hollow) |
| Body Sides Material | Okoume (For Acoustic/Hollow) |
| Body Back Material | Okoume (For Acoustic/Hollow) |
| Soundhole Rosette | Tortoiseshell |
| Body Finish | Open Pore Polyurethane |
| Bridge | Laurel |
| Bridge pins | Black with white dot |
| Saddle material | Plastic |
| String Spacing | 19mm |
| Nut | Plastic |
| Machine Head | Chrome Die-cast tuners |
| Other Pickup | Ibanez Undersaddle |
| Preamp (for Acoustic) | Ibanez AEQ-2T preamp w/Onboard tuner |
| Controls, Pickup selector | 1 Volume, Bass, Treble |
| Other Swtichs | Tuner on/off switch |
| Output Jack | 1/4" output |
| String Gauges (from top to bottom) | .040/.060/.075/.095 |
| Special Strings | Ibanez IABS4XC32 Carbon coated |
| Tuning (from top to bottom) | 1G, 2D, 3A, 4E |
| Scale | 32" (810mm) |
| Neck Thickness | 0.82" (21mm) at 1F 0.94" (24mm) at 7F |
Reviews:
Looks and sounds amazing for the price band, so comfortable and easy to use.Reviewed by Andertons Music Co.
Bin absoluter Neueinsteiger und finde den Bass super.
Globalement satisfait, quelques infimes details ne me font pas mettre 5 etoiles. Mais qualité/prix au top
17. Ibanez Pnb14e Parlor Acoustic Electric Bass Guitar, Open Pore, Natural
Product Details:
The pnb14e parlor acoustic-electric bass guitar is a short scale acoustic bass guitar that utilizes a parlor body shape. this compact instrument is ideal for situations such as playing on the couch, outdoors, as well as more informal occasions. however, the pbn14e parlor acoustic-electric bass is also a valuable onstage tool. since the 24.7" short scale is similar in feel to a regular guitar, it is more comfortable for both guitarists and electric bassists to play than a full-size acoustic bass. the shorter scale and compact parlor body also make it a more user-friendly platform for beginners. despite the compact body size, the pnb14e parlor bass guitar has an impressively powerful acoustic volume. the "open pore" finish, as well as the african mahogany top, back and sides, contribute greatly to the overall tone. the neck joint being located at the 12th fret means the bridge connects at the center of the lower bout, which maximizes sonic resonance. the "open pore" finish creates a more vintage feel, allowing the natural texture of the wood to be felt. the satin finish of the mahogany neck helps facilitate fast and smooth position changes. the ibanez under saddle pickup accurately reproduces the acoustic nature of the bass, while the ibanez aeq-sp2 preamp provides the extra punch of onboard eq, and the convenience of an easy-to-read digital tuner located on the upper bout.
Specifications:
| Body type | Parlor |
| Cutaway | No |
| Top wood | African mahogany |
| Bracing pattern | X |
| Body finish | Open pore |
| Orientation | Right handed |
| Neck shape | PNB |
| Nut width | 1.65" (42 mm) |
| Fingerboard | Laurel |
| Neck wood | Mahogany |
| Scale length | 24.7" |
| Number of frets | 18 |
| Neck finish | Open pore |
| Pickup/preamp | Yes |
| Configuration | Ibanez Under Saddle Pickup |
| Preamp EQ | 2-band |
| Feedback filter | No |
| Tuner | Yes |
| Headstock overlay | Not specified |
| Tuning machines | Chrome die-cast |
| Bridge | Laurel |
| Number of strings | 4 |
| Country of origin | China |
Reviews:
As a bass player of nearly 50 years I have long regretted swapping my first, short scale electric bass for a full scale model. At the time (and while still a teenager) only a full scale bass seemed the way forward. More recently I have been wanting to get hold of an acoustic base for both the sound and, to be honest, the reduced weight (I love my DeArmond JetStar but it rests heavy on my thigh after sitting for a while and demands a lot from my poor old fingers in achieving span and pressure – don't even ask about standing). The Ibanez PBN 14 E satisfies all requirements at a surprisingly affordable price. It works well acoustically for practice and plugged it can cope perfectly well in a full band setting through my Peavey combo. The tone and volume controls are more than adequate and I've found the built in tuner really useful and easy to use. If you try one and don't like it, then it's certainly short scale acoustic bases that aren't for you, not the Ibanez.
I've bought three of these so far. The first one I gave to my bass player. When I decided I wanted one for myself, I ordered another one. Like the first one, it was attractive, with no obvious manufacturing defects. However, the D string had a bad buzz. It wasn't fret buzz or sympathetic vibration, because it happened wherever I fretted the D string, but would not buzz when I played D on the A string. I determined it must be a problem in or under the bridges. I loosened and reset the bridge pin for the D string and it didn't help. I called Ibanez, and they told me to try the things I'd already tried, then told me to send it back. The MF customer service fellow was EXTREMELY helpful, so no complaints there. But the one I ordered in it's place had the EXACT same problem. Since nobody else makes a bass in this class, I'll keep this one and troubleshoot it myself. Just saying, if you buy one of these be sure and check it out immediately.Paul
Instrument was ordered and delivered very quickly. Only took about 4 or 5 days to arrive. Pros: The bass feels pretty good right out of the box. Only thing is that the washers on the tuning machines were loose which just needed to be tightened. The smaller size makes for more of a guitar feel to the frets which is great for jamming out. The intonation of the instrument seems good. All notes across seem well in tune and ring well. The harmonic at the 12th fret is in tune to the open string. The frets don't protrude off the neck and seem to be sanded down well. The pickups sound fine. All the frequencies come through the amp very well. The built in tuner works well. Sometimes it has to think about the low E but that's understandable. Cons: The strings are extremely flexible and slinky which causes the string to go under the frets. If you strike very heavily and are digging into the strings when playing on the first three strings then some buzz occurs. My guess is that the harsh vibration of the strings touches the other frets which might occur because they are long scale bass strings. A friend mentioned that the GS Mini strings from taylor might fix that up which makes sense though I am doubtful. Good luck finding a bag for this instrument. The size is close to a guitar in length, however, the body is just a bit thicker than an acoustic guitar. I think a dreadnought body is similar though might not be thick enough. Maybe the acoustic guitar roadrunner bags might work but I haven't had a chance to try it. TL,DR: it's aight.Vic the Butcher
18. Best Choice Products Blue Acoustic Electric Bass Guitar With Equalizer Solid Construction
Product Details:
Reviews:
I brought this for a signature book for our wedding, we wanted a playable momento, but didn't want to spend a lot of money. It's a great $88 guitar, we have guitars upwards of $500 so of course it would not be as good. Well built, tunes easily, buy needs frequent tuning. I think if we replace with high quality strings we would definitely take this guitar up a notch. Good for beginners and will definitely teach them tuning skills.Tasha S.
I purchase this bass being motivated by its price and rave reviews. Let me just say that when I received my bass today I was blown over at the fit and finish on this bass. It looks like a $500.00+ guitar! I've been playing it for hours and the deep bass is so sweet. The action is a tad high but I kind of like it that way. The great sound projection from this bass made me chuckle while I was playing because the bass made a silver cup I have on a wall mounted shelf rattle! Now that's impressive sound projection! I can't wait to plug in this bass to my friend's Ampeg that's a 1X15 ported bass amp. It should be wild! For the money this Best Choice acoustic had got to be the deal of a lifetime if you're in the market for an acoustic bass guitar.Jason
This is a great acoustic-electric bass. I originally purchased it to use as an alternative to plugging in my electric bass. I instantly fell in love with it. It stays in tune. The nut is of appropriate measurements and the frets are greatly positioned. I changed the factory installed strings with some acoustic bass strings and it sounded so nice! For the price, I didn't expect to get a good value, but I was surprised once I immediately opened the box. Good job Best Choice products!consumer
19. Vizcaya Full Size 4 Strings Cutaway Acoustic-Electric Bass Guitar With 4-Band Equalizer,5mm Padding Gig Bag,strap, Picks-Blue
Product Details:
Vizcaya full-size electric acoustic bass guitar is made to produce high-quality sound for beginners and pros alike. you can play bass guitar with or without an amp. featuring a gorgeous construction finished in blue, this bass also boasts a beautiful dot inlay, a 22-frets hardwood fretboard. die cast chrome tuners complete the hardware ensemble, ensuring you stay in tune even when you're plugged in and rocking out. the single-cutaway body style acoustic-electric bass with a basswood linden top, back and sides for a balanced, open tone. abs body bindings,rosewood bridge and fingerboard. this is a comfortable bass that's loud enough for jam sessions, and has the on-board electronics to let you take it right up on stage. 4-band 7545 active equalizer system, and an adjustable truss rod. the eq-7545r bass preamp to produces high-quality sound with built-in volume control and the 4-bands equalizer adjustment of bass, middle, treble, and presence. overall package dimensions: 45.5”(l) x 18.3“(w) x 4.9“(h). the set includes:aoustic-electric bass guitar,5mm padding gig bag,strap,picks. but amp,amp cord,9v battery 6f22 not included. the viz-aeb electric acoustic bass is the perfect starter bass guitar for the beginning bass player. now you can play bass with or without an bass amp! this is a comfortable bass that's loud enough for jam sessions with acoustic guitar players, and has the on-board electronics to let you take it right up on stage. for home recording, an acoustic bass is absolutely perfect because you get an incredible sound and you don't have to spend time finding the sweet spot miking up a speaker cabinet. rock out with a guitar made to deliver high-quality, clear sound with every strum. featuring an attractive inlay, a 22-fret hardwood fretboard, and a gorgeous blue finish, you’ll love to strum your favorite tunes on this classic instrument. play your way with the electric acoustic bass guitar from unique choices products! specifications: boasts a beautiful dot inlay, a 22-frets hardwood fretboard. die cast chrome tuners complete the hardware ensemble, ensuring you stay in tune even when you're plugged in and rocking out. material: composite hardwood,laminated linden top,back and sides; features built-in volume control, 4-band 7545 active equalizer system, and an adjustable truss rod. overall package dimensions: 45.5”(l) x 18.3“(w) x 4.9“(h); weight: 5.5 lbs. it makes a great gift and is a great value for the money. guitar does not include 6f22 model 9v battery, amp cord, or amp; no assembly required.
Specifications:
| Product Dimensions | 44 x 15.5 x 4.2 inches |
| Is Discontinued By Manufacturer | No |
| Back Material | Basswood |
| Color Name | Blue |
| Fretboard Material | rosewood |
| Guitar Pick Thickness | thick |
| Guitar Pickup Configuration | custom-removable-pickups |
| String Gauge | Light |
| String Material | Phosphor Bronze |
| Top Material | Basswood |
| Neck Material Type | maple |
| Number of Strings | 4 |
| Guitar Bridge System | hardtail-bridge |
| Musical Style | world-music |
| Proficiency Level | Intermediate |
| String Material Type | Phosphor Bronze |
| Instrument | Guitar |
| Operation Mode | Acoustic, Electric |
20. Journey Instruments Ob660m Carbon Fiber Acoustic Bass Matte Black
Product Details:
This journey instruments ob660m combines new materials and construction techniques for a truly amazing instrument. the body and neck are connected via a patented fast-release joint that allows for easy packing into the included gig bag. the wedge-shaped body provides a surprising blend of small-body comfort and big-body sound, along with improved ergonomics for an unparalleled playing experience. the proprietary undersaddle pickup system lets you plug in to just about any source for great acoustic tone through a pa, amplifier, or recording console.
Specifications:
| Product Dimensions | 35.5 x 12.5 x 4.64 inches |
| Is Discontinued By Manufacturer | No |
| Back Material | Carbon Fiber |
| Color Name | Black |
| Fretboard Material | Carbon fiber |
| Guitar Pickup Configuration | Piezoelectric |
| Top Material | Carbon Fiber |
| Neck Material Type | Carbon Fiber |
| Number of Strings | 4 |
| Guitar Bridge System | Fixed |
| Finish Type | Matte Black |
| Instrument | Guitar |
| Operation Mode | Acoustic |
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