Are you looking for the Best Acoustic Bass Guitar Brands? If so, you’ve come to the right place.
Choosing the Best Acoustic Bass Guitar Brands can be difficult as there are so many considerations, such as Glarry, Tacoma, Harmonia, Fender, Ibanez, Martin, Taylor, Yamaha, Boulder Creek. We have done a lot of research to find the top 20 Best Acoustic Bass Guitar Brands available.
The average cost is $487.94. Sold comparable range in price from a low of $99.99 to a high of $2199.00.
Based on the research we did, we think Fender CB-60SCE Acoustic-Electric Bass Black is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Acoustic Bass Guitar Brands (20 Sellers)
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Reviewers Noted:
Good sound quality . Well made . Attractive . Lightweight . Durability
Features:
- Table: spruce (spruce)
- Base / binding: mahogany
- Colour: black
$550.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Weight
Features:
- Has normal light wear and scratches from being played.
- More information and pictures available on request.
- Sold as-is.
$599.99
4.9
Reviewers Noted:
Good sound quality . Attractive . Weight
Features:
- Solid spruce top with laminated mahogany back and sides
- C shape neck profile with 34" scale length
- Pau ferro 20 fret fingerboard with 9.5" radius
$479.00
4.6
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Decades later, these vintage features are back with our b-240e, offering bassists a workhorse acoustic instrument with big tone that plays with ease
- Built with a solid sitka spruce top over an arched mahogany back and mahogany sides, the b-240e will hold its own in acoustic jams
- It can also be easily amplified through an onboard guild/fishman bass sonitone bass system
$539.00
4.6
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Affordable fretless acoustic bass with incredible sound quality
- Extremely loud and powerful
- 17' inches across the lower bout provides plenty of thump
$444.00
4.6
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$539.00
4.6
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Solid spruce top
- Arch mahogany back (mild arch)
- 30 3/4" scale
$239.95
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durability
Features:
- Maple neck features a well-balanced tonal character from low to high end.
- Nandu wood fretboard & bridge.
- Nandu wood produces a rich mid range with a crisp high end.
Reviewers Noted:
Attractive . Good sound quality . Well made . Lightweight . Durable
Features:
- Made in: china
- Handedness: right handed
- Original colour by producer: natural high gloss
$399.99
4.6
Reviewers Noted:
Sound quality . Attractive . Well made . Durable . Weight
Features:
- Mahogany neck, back, and sides; spruce top; fishman sonicore pickup and sst preamp.
- Rosewood fretboard and bridge.
- Pearl dot inlays.
$299.00
4.2
Reviewers Noted:
Good sound quality . Well made . Attractive . Durability . Weight
Features:
- Made in: indonesia
- Handedness: right handed
- Original colour by producer: classic black
$269.99
4.3
Reviewers Noted:
Good sound quality . Attractive . Craftsmanship . Lightweight . Durability
Features:
- This item is in very good condition
- This item has been tested and is fully functional
- Please message us with any questions
Reviewers Noted:
Good sound quality . Well made . Lightweight . Attractive . Durability
Features:
- Parlor body style projects balanced tone and is comfortable to play
- Okoume top, back, and sides deliver warm tone
- Ibanez under-saddle pickup, aeq-2t preamp
Reviewers Noted:
Visual appeal
Features:
- The laurel fretboard provides a rich and warm tone.
- Okoume top delivers a warm, full tone.
- The ibanez t-bar undersaddle pickup accurately translates that full sound to whatever amplification system you plug it into.
Reviewers Noted:
Visual appeal
Features:
- Walnut fretboarda walnut fretboard features a well-balanced tonal character from low to high end.
- Sapele topthe sapele top delivers a warm, full tone.
- Sapele back and sidessapele back and sides offer a full-bodied and warm mid-range and a bright tone.
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- Acoustic-electric bass: equipped with a 4-band eq-7545r guitar preamp to produce high-quality sound for beginners and pros alike
- Rich, resonant sound: the wood composition creates a beautiful sound, great for unplugged jam sessions or performances
- 4-band preamp: built-in volume control, a 4-band equalizer adjusts bass, middle, treble, and presence
Features:
- East indian rosewood back and sides
- Select hardwood neck
- Ebony fingerboard
Reviewers Noted:
Good sound quality . Lightweight . Attractive . Well made . Durability
Features:
- Has light wear and scratches from being played.
- Has some white paint on top edge of headstock.
- Has one tuner with a scratch in the paint.
Reviewers Noted:
Sound quality
Features:
- Flame maple back, sides, binding, back center stripe, & neck cap, ebony fretboard & bridge, maple c-shaped neck
- 34" scale length, 24 frets, 43mm width bone nut, 12" fretboard radius, custom sawtooth inlays
- Fishman presys ii electronics, antique finished tuners & strap buttons, 2 way truss rod
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- Active eq circuitry
- Bolt-on neck joint
- Colour: mist green
1. Fender Cb-60sce Acoustic-Electric Bass Black
Product Details:
Body and neck the cb-60sce has a concert body shape which is on the smaller side of mid-sized acoustic shapes. the concert body is really comfortable to play as it feels less cumbersome than other acoustic body shapes. there’s also a cutaway for easy access to those upper frets. the body itself is made from laminate mahogany with a solid spruce top for a resonant and balanced tone. the neck is made from mahogany and utilises fender’s “easy-to-play” shape. the easy-to-play neck does what it says on the tin, it’s an accessible shape with rolled fingerboard edges that’s comfortable for beginner and experienced players alike. the 12” radius laurel fingerboard is smooth, natural-feeling, and easy to fret notes on. built-in electronics to ensure you’re heard, the cb-60sce comes with built-in fishman electronics. the preamp features an onboard tuner, as well as volume, bass, and treble controls for shaping your tone. with the built-in electronics in the cb-60sce, you can take it straight out the box and jump right into performing live or recording.
Specifications:
| Wood | Mahogany |
| Neck joint | Set |
| Scale length | 32" |
| Truss rod | Dual-action |
| Finish | Gloss |
| Active or passive pickups | Passive |
| Pickup configuration | Piezo bridge |
| Active preamp | Fishman |
| Number of frets | 22 |
| Inlays | Dot |
| Nut material | Plastic |
| Nut width | 1.69" (43 mm) |
| Cutaway | Single cutaway |
| Construction | Hollow body |
| Body wood | Mahogany |
| Top wood | Spruce |
| Body finish | Gloss |
| Orientation | Right handed |
| Control layout | Master volume, 3-band EQ |
| Bridge type | Fixed |
| Bridge design | 4-pin |
| Tuning machines | Die-cast |
| Number of strings | 4 |
| Pickguard | Yes |
Reviews:
The Fender CB-60SCE Black Solid Spruce Top Acoustic/Electric Bass Guitar is an excellent buy. Mine's a demo, which cut another $100 off the price! The built-in tuner is what every guitar needs. the 12-volt battery compartment is easily successible at the plug-input port — no more cramping your hand to reach past the strings inside the tone-hole. The intonation is perfect, with no fret buzz all the way up the neck. Most impressive is the volume! This acoustic bass holds its own even without amplification. Add an amp and the built-in tone controls and you have a great electric bass as well. The black lacquer throughout gives the Fender CB-60SCE a classic look. It is light and powerful, a high-quality instrument. It's a worthy bearer of the Fender name!joeltucker
I recently started playing bass guitar. My 12 yr old daughter plays the acoustic guitar, and my wife plays the harp. I chose an acoustic electric bass as my starter so we could all play together and have better cohesion and continuity in our sound in addition to the simplicity and flexibility an acoustic electric bass gives for playing/practicing. I am able to practice quietly, and it is extremely portable and very playable just about anywhere. I did some research and chose this one as "the one" to start on and very glad I did. The quality is outstanding, the sound is beautiful, and i just outright enjoy playing it. Plus I got it in black and love the look of it. I am very happy with this bass. I do intend to also buy an electric bass (or two) but have found this acoustic bass to be a high quality instrument and a great purchase.Phillip
This bass is perfect for just grabbing off the stand and playing whenever the mood strikes me, practicing while everyone else is sleeping (without need of sweaty headphones), or sitting out in the yard playing. I ordered it on a Sunday and it arrived that Thursday set up with about a millimeter of neck relief and about a 5 mm action, tuned down one step from standard. The onboard Fishman tuner is super handy and it agrees perfectly with my Snark Super Tight. It has a nice, rich tone across the spectrum both plugged in and unplugged. A word of caution if you do plug it in, though: have plenty of cable and make sure your muting technique is on point; it is LOUD! (In a good way!) I've only had it about 3 weeks at this point but I can foresee a long, lovely relationship with this beautiful bass!Vic B.
2. Fender Kingman Bass Sce Acoustic-Electric Bass Natural
Product Details:
Awesome deal on a used fender kingman acoustic/electric bass natural! this awesome bass provides delivers the full, deep acoustic projection and comfortable playing feel, also with on-board electronics designed for working musicians, making it a great bass you shouldn't miss! this bass is used and in player-grade cosmetic condition. pickguard has been removed from it, it plays and sounds awesome. please check pics for full cosmetic details. serialized 201101227 no case or bag included.
Specifications:
| Body Shape | Dreadnought |
| Body Finish | Gloss |
| Body Back | Laminated Mahogany |
| Body Top | Solid Spruce |
| Neck Material | Maple |
| Neck Shape | "C" Shape |
| Neck Binding | Aged White |
| Scale Length | 34" (864 mm) |
| Fingerboard Radius | 9.5" (241 mm) |
| Number of Frets | 20 |
| Fret Size | Medium Jumbo |
| Neck Finish | Gloss |
| Position Inlays | Block |
Reviews:
Beautiful full sound, with cool looks. Fret board is smooth and the bobd is comfortable to hold. Love it.Mark U.
Absolutely belting and beautiful acoustic bass, lovely to play, great sound and lovely to look at. Acoustic basses are great if you’re time and space limited and just need something to pick up and play without the faff of plugging in and finding headphones etc (which i find a bit anti social for my partner and kids). I’ve tried a few acoustic basses and this is the best and it has a surprisingly good slap sound, which I hadn’t expected from an acoustic bass! All in all if you want something to play at home this is the best. I can’t comment on the electric sound (this has a preamp) as I haven’t used it yet and it’s not what I bought it for.D R. M.
This is a great bass! I've owned and played a handful of acoustic basses from different companies in my time and i like this one the best. Let me state first, I'm not a fender guy but…I've always loved the sound of an acoustic bass and I always wanted one, so i shopped around for a while and went through a few different models to arrive at this one. I've had it for a year now and i grow to love it more all the time! The pictures on GC dont do it justice…The high gloss black finish on the body and headstock is sleek and sexy and the bold block inlays coupled with the jazz bass neck and headstock give this beauty a different attitude compared to other acoustic basses and it plays smooth and sounds great! The biggest thing I noticed with this model compared to the other acoustic basses I've had is that this one really projects well and has great tone plugged or unplugged! I travel a lot and this bass has gone a lot of places with me and it's always sure to turn heads. I live in a place where i wouldn't want to crank my amps to play electric so this has become the main bass i use to practice with and i have a lot of fun with it. It looks and sounds great, it's built and finished well, it's fun and smooth to play, it holds its tuning and the electronics don't drain batteries…what more could you ask for? I would definitely recommend this bass, especially for the price point.Ray
3. Fender Kingman V2 Sce Acoustic-Electric Bass 3-Color Sunburst
Product Details:
Fender's deeply resounding kingman bass sce has been upgraded for discerning acoustic bassists. new features include a vintage-inspired three-ply gold pickguard, bone nut and vintage-style fender “viking” bridge with compensated bone saddle, in addition to the classic fender jazz bassheadstock, tuners, neck profile and strap buttons that make it such a distinctive instrument. other premium features include a cutaway body with solid spruce top, scalloped "x"-bracing and mahogany back and sides for defined and resonant bass sound, stylish body binding and checkerboard rosette, maple neck, 20-fret fingerboard with block position inlays and aged binding, forward strap button with internal block reinforcement, chrome hardware, gloss neck and body finish and fishman presys pickup system with active onboard preamp and tuner for loud and clear amplified sound.
Specifications:
Reviews:
Beautiful full sound, with cool looks. Fret board is smooth and the bobd is comfortable to hold. Love it.Mark U.
Absolutely belting and beautiful acoustic bass, lovely to play, great sound and lovely to look at. Acoustic basses are great if you’re time and space limited and just need something to pick up and play without the faff of plugging in and finding headphones etc (which i find a bit anti social for my partner and kids). I’ve tried a few acoustic basses and this is the best and it has a surprisingly good slap sound, which I hadn’t expected from an acoustic bass! All in all if you want something to play at home this is the best. I can’t comment on the electric sound (this has a preamp) as I haven’t used it yet and it’s not what I bought it for.D R. M.
This is a great bass! I've owned and played a handful of acoustic basses from different companies in my time and i like this one the best. Let me state first, I'm not a fender guy but…I've always loved the sound of an acoustic bass and I always wanted one, so i shopped around for a while and went through a few different models to arrive at this one. I've had it for a year now and i grow to love it more all the time! The pictures on GC dont do it justice…The high gloss black finish on the body and headstock is sleek and sexy and the bold block inlays coupled with the jazz bass neck and headstock give this beauty a different attitude compared to other acoustic basses and it plays smooth and sounds great! The biggest thing I noticed with this model compared to the other acoustic basses I've had is that this one really projects well and has great tone plugged or unplugged! I travel a lot and this bass has gone a lot of places with me and it's always sure to turn heads. I live in a place where i wouldn't want to crank my amps to play electric so this has become the main bass i use to practice with and i have a lot of fun with it. It looks and sounds great, it's built and finished well, it's fun and smooth to play, it holds its tuning and the electronics don't drain batteries…what more could you ask for? I would definitely recommend this bass, especially for the price point.Ray
4. Guild B-240e Acoustic Bass – Natural
Product Details:
This was new when i bought this, damage was done at the music store. have no idea how. top is cracked. bracing is still intact. the input jack was also "jacked up". so i'm including a new guild input assembly and set of d'addario strings. i just don't have time to repair and restore this. it's a very nice sounding acoustic bass as well as plugged in. even in this condition. solid spruce top & lam. mahog. back and sides.
Specifications:
Reviews:
Despite the neck being described as a slim c it is thicker than my Taylor, Yamaha and fender. It's a little difficult to wrap my hand around but I am a woman. A man probably won't have that problem. I bought it to be a beater, something lightweight I can take around with me that I don't care about getting damaged. I actually wish I got the Taylor GS now because the neck will probably be what I am used to but I already have two Taylor's and wanted a different guitar, I like having different brands. The pick guard looks surprisingly cheap in person. Idk maybe other people like that look. I like a tortoise shell pick guard but this guild one just looks kinda faded out or something and the tortoise colors aren't blended well. It doesn't come with a gig bag anymore I guess, some people got one, maybe that is in other countries outside the US idk. The sound is what you would expect from a small guitar. The action is ok, a tad bit high which I might get lowered in the future. Doesn't bother me actually. The guitar is VERY lightweight.Jayjay L
I've been playing a recording king dirty 30s OOO for three years, and this is a whole new galaxy of guitar quality. Fit, finish, and setup are all great for the price range. The neck profile is very comfy if you like chunkier necks (I do). The satin finish is fast but not slick and sweaty feeling. Good balanced sound at the low end of the fretboard, a little weaker at the high end, but not enough to bother me. It's very responsive to attack: it sounds great with bare fingers but doesn't get muddy or brassy when I bang on it with a pick. The pickup is exactly what I was hoping for: good sound reproduction, no frills no fuss. It's not my dad's vintage J-45 or even his GS-mini, but it holds its own.
The extra time at home during the pandemic has found me exploring short scale guitars and working on my finger-picking. I've acquired a Martin 000 Jr, and an all-mahogany Martin Dreadnought Jr. When I came across Guild's Jumbo Jr., I said, well, of course. How could I not? I thought a maple guitar would be a good addition to the Junior arsenal, and I wasn't disappointed. These Jumbo Juniors are beautiful, well made little instruments, fit and finish are superb. Mine has a couple bear claw inclusions on a very nicely book-matched solid Sitka spruce top, figured maple sides, and a bookmatched arched back of gorgeous, flamey, figured maple. The back and sides are laminates, but are very well chosen for their figuring. I thought the factory 13s were a bit too stiff, and the action a smidge high, so I had some nut and saddle work done, put a set of Martin Flexible Core 12s on, and just love this thing now. I think the factory idea behind the heavier strings is two-fold; to tighten up string tension that's inherently light due to the scale length, and to give it more low end. I think they just made it difficult to play. I haven't noticed any difference in tone switching to 12s, and the flexible core Martin strings have lighter string tension, enhancing playability. Given it's size, and that maple as a tone wood is on the bright side, you're not going to get a booming low end from this guitar – you might be better served in that regard by one of the mahogany bodied versions, but that's not what I was looking for. This guitar does have a fairly full and well balanced sound, nicely articulate with sparkling upper end resonance and great sustain. It plays well with the Martin Juniors, and has plenty of projection to keep up with the full-size boys, too. Great guitar!Rex K.
5. Guild B-240e Fretless Acoustic-Electric Bass Guitar Natural
Product Details:
In the mid-1970s, guild pioneered acoustic bass guitar design with the introduction of the b-50 model, which featured a jumbo body shape, arched mahogany back, and an easy to play, 30 3/4” scale length. guild has reintroduced these vintage features with the new westerly collection b-240ef, offering bassists a workhorse acoustic instrument with big tone that plays with ease. built with a solid sitka spruce top over an arched mahogany back and mahogany sides, the b-240ef boasts an impressively loud tone that will hold its own during most acoustic jams. it can also be easily amplified with its onboard guild/fishman bass sonitone system. the b-240ef features a fretless pau ferro fingerboard with maple fret lines, providing a spectrum of sounds ranging from a mellow upright bass vibe to bright and growly jazz fusion tones. this model also features a pau ferro bridge, slim c shape neck profile, 1 5/8” bone nut and bone saddle, tortoiseshell pickguard, and a mother-of-pearl rosette.
Specifications:
| Body Shape | Jumbo Bass |
| Body Top | Solid Sitka Spruce |
| Top Bracing Pattern | Scalloped X |
| Soundhole Diameter | 3 7/8" (98mm) |
| Rosette | Mother-Of-Pearl / ABS |
| Top Purfling Inlay | Black/White/Black ABS |
| Body Sides | Mahogany |
| Body Back | Arched Mahogany |
| Body Binding | Ivory ABS |
| Neck Material | Mahogany |
| Scale Length | 30 3/4" (781mm) |
| Neck Shape | C Shape |
| Nut Width | 1 5/8" (41mm) |
| Neck Thickness 1st Fret | 22mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Pau Ferro |
| Fingerboard Radius | 16" (406mm) |
| Fingerboard Inlays | 5mm Dots – Mother-Of-Pearl |
| Frets Total | 23 |
| Finish | Satin Polyurethane |
| Finish – Top | Satin Polyurethane in Natural |
| Finish – Back and Sides | Satin Polyurethane in Natural |
| Finish – Neck | Satin Polyurethane in Natural |
| Bridge Material | Pau Ferro |
| Bridge String Spacing | 2 1/8" (54mm) |
| Bridge Pins | Ivory Colored Plastic with Black Dot |
| Saddle Material | Bone |
| Hardware Finish / Plating | Nickel Plated |
| Nut Material | Bone |
| Tuning Machines | Guild Bass Closed-Gear Fishtail |
| Endpin | Nickel Strap Button |
| Pickguard | Tortoiseshell |
| Upper Bout Width | 12 5/8" (321mm) |
| Lower Bout Width | 17" (432mm) |
| Body Depth Upper Bout | 3 7/8" (99mm) |
| Body Depth Lower Bout | 5 1/4" (133mm) |
| Body Length | 20 5/8" (524mm) |
Reviews:
Despite the neck being described as a slim c it is thicker than my Taylor, Yamaha and fender. It's a little difficult to wrap my hand around but I am a woman. A man probably won't have that problem. I bought it to be a beater, something lightweight I can take around with me that I don't care about getting damaged. I actually wish I got the Taylor GS now because the neck will probably be what I am used to but I already have two Taylor's and wanted a different guitar, I like having different brands. The pick guard looks surprisingly cheap in person. Idk maybe other people like that look. I like a tortoise shell pick guard but this guild one just looks kinda faded out or something and the tortoise colors aren't blended well. It doesn't come with a gig bag anymore I guess, some people got one, maybe that is in other countries outside the US idk. The sound is what you would expect from a small guitar. The action is ok, a tad bit high which I might get lowered in the future. Doesn't bother me actually. The guitar is VERY lightweight.Jayjay L
I've been playing a recording king dirty 30s OOO for three years, and this is a whole new galaxy of guitar quality. Fit, finish, and setup are all great for the price range. The neck profile is very comfy if you like chunkier necks (I do). The satin finish is fast but not slick and sweaty feeling. Good balanced sound at the low end of the fretboard, a little weaker at the high end, but not enough to bother me. It's very responsive to attack: it sounds great with bare fingers but doesn't get muddy or brassy when I bang on it with a pick. The pickup is exactly what I was hoping for: good sound reproduction, no frills no fuss. It's not my dad's vintage J-45 or even his GS-mini, but it holds its own.
The extra time at home during the pandemic has found me exploring short scale guitars and working on my finger-picking. I've acquired a Martin 000 Jr, and an all-mahogany Martin Dreadnought Jr. When I came across Guild's Jumbo Jr., I said, well, of course. How could I not? I thought a maple guitar would be a good addition to the Junior arsenal, and I wasn't disappointed. These Jumbo Juniors are beautiful, well made little instruments, fit and finish are superb. Mine has a couple bear claw inclusions on a very nicely book-matched solid Sitka spruce top, figured maple sides, and a bookmatched arched back of gorgeous, flamey, figured maple. The back and sides are laminates, but are very well chosen for their figuring. I thought the factory 13s were a bit too stiff, and the action a smidge high, so I had some nut and saddle work done, put a set of Martin Flexible Core 12s on, and just love this thing now. I think the factory idea behind the heavier strings is two-fold; to tighten up string tension that's inherently light due to the scale length, and to give it more low end. I think they just made it difficult to play. I haven't noticed any difference in tone switching to 12s, and the flexible core Martin strings have lighter string tension, enhancing playability. Given it's size, and that maple as a tone wood is on the bright side, you're not going to get a booming low end from this guitar – you might be better served in that regard by one of the mahogany bodied versions, but that's not what I was looking for. This guitar does have a fairly full and well balanced sound, nicely articulate with sparkling upper end resonance and great sustain. It plays well with the Martin Juniors, and has plenty of projection to keep up with the full-size boys, too. Great guitar!Rex K.
6. Guild Jumbo Junior Acoustic-Electric Bass Flame Maple
Product Details:
Guild now offers its classic jumbo shape in an affordable smaller size. whether on the couch, in the studio or on the go, the guild jumbo junior's compact design allows you to have a guild by your side at all times. fun and comfortable to play, the jumbo junior's warm tone and surprising volume will inspire many memories, group sing-alongs, and weekend jam sessions. featuring a solid sitka spruce top and an arched mahogany back, the jumbo junior offers guild's classic aesthetic for those who love the look of a jumbo, but may not love the size. top it off with guild's ap-1 pickup, and the jumbo junior is ready to go whenever you need to get your guild on.
Specifications:
| Body Top | Solid Sitka Spruce |
| Body Back | Layered Flamed Maple |
| Body Sides | Layered Flamed Maple |
| Body Shape | Jumbo Junior |
| Bracing | Scalloped Sitka Spruce |
| Rosette | MOP and ABS Ring |
| Finish | Satin polyurethane |
| Body Depth Upper Bout | 85mm / 3.3′′ |
| Body Depth Lower Bout | 105mm / 4.1′′ |
| Body Length | 17 1/4′′ / 438mm |
| Body Width Lower Bout | 14 1/2′′ / 368mm |
| Body Width Upper Bout | 10 1/2′′ / 267mm |
| Overall Guitar Length | 37′′ (940mm) |
| Body Binding | Cream ABS |
| Top Purfling | Black and White ABS |
| Neck Material | Maple |
| Scale Length | 23 3/4′′ / 603mm |
| Nut Width | 1 5/8′′ / 41mm |
| Nut Material | Bone |
| Fingerboard Material | Ebony |
| Fingerboard Radius | 16′′ |
| Fingerboard Inlays | 5mm MOP Dots |
| Hardware Finish/Plating | Chrome |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Bridge | Ebony |
| Bridge String Spacing | 2 1/8′′ / 54mm |
| Saddle | Bone |
| Bridge Pins | Ivory Colored Plastic with Black Dot |
| Endpin | Endpin Jack |
| Pickguard | Tortoiseshell |
| Pickup | Guild AP-1 Active Acoustic Piezo Pickup |
Reviews:
Despite the neck being described as a slim c it is thicker than my Taylor, Yamaha and fender. It's a little difficult to wrap my hand around but I am a woman. A man probably won't have that problem. I bought it to be a beater, something lightweight I can take around with me that I don't care about getting damaged. I actually wish I got the Taylor GS now because the neck will probably be what I am used to but I already have two Taylor's and wanted a different guitar, I like having different brands. The pick guard looks surprisingly cheap in person. Idk maybe other people like that look. I like a tortoise shell pick guard but this guild one just looks kinda faded out or something and the tortoise colors aren't blended well. It doesn't come with a gig bag anymore I guess, some people got one, maybe that is in other countries outside the US idk. The sound is what you would expect from a small guitar. The action is ok, a tad bit high which I might get lowered in the future. Doesn't bother me actually. The guitar is VERY lightweight.Jayjay L
I've been playing a recording king dirty 30s OOO for three years, and this is a whole new galaxy of guitar quality. Fit, finish, and setup are all great for the price range. The neck profile is very comfy if you like chunkier necks (I do). The satin finish is fast but not slick and sweaty feeling. Good balanced sound at the low end of the fretboard, a little weaker at the high end, but not enough to bother me. It's very responsive to attack: it sounds great with bare fingers but doesn't get muddy or brassy when I bang on it with a pick. The pickup is exactly what I was hoping for: good sound reproduction, no frills no fuss. It's not my dad's vintage J-45 or even his GS-mini, but it holds its own.
The extra time at home during the pandemic has found me exploring short scale guitars and working on my finger-picking. I've acquired a Martin 000 Jr, and an all-mahogany Martin Dreadnought Jr. When I came across Guild's Jumbo Jr., I said, well, of course. How could I not? I thought a maple guitar would be a good addition to the Junior arsenal, and I wasn't disappointed. These Jumbo Juniors are beautiful, well made little instruments, fit and finish are superb. Mine has a couple bear claw inclusions on a very nicely book-matched solid Sitka spruce top, figured maple sides, and a bookmatched arched back of gorgeous, flamey, figured maple. The back and sides are laminates, but are very well chosen for their figuring. I thought the factory 13s were a bit too stiff, and the action a smidge high, so I had some nut and saddle work done, put a set of Martin Flexible Core 12s on, and just love this thing now. I think the factory idea behind the heavier strings is two-fold; to tighten up string tension that's inherently light due to the scale length, and to give it more low end. I think they just made it difficult to play. I haven't noticed any difference in tone switching to 12s, and the flexible core Martin strings have lighter string tension, enhancing playability. Given it's size, and that maple as a tone wood is on the bright side, you're not going to get a booming low end from this guitar – you might be better served in that regard by one of the mahogany bodied versions, but that's not what I was looking for. This guitar does have a fairly full and well balanced sound, nicely articulate with sparkling upper end resonance and great sustain. It plays well with the Martin Juniors, and has plenty of projection to keep up with the full-size boys, too. Great guitar!Rex K.
7. Guild B-240e Acoustic-Electric Bass Guitar Natural
Product Details:
Guild pioneered acoustic bass guitar design in the mid-1970s with the b-50, which featured a jumbo body shape, arched mahogany back, and an easy to play, 30 3/4 scale length. decades later, these vintage features are back with the b-240e, offering bassists a workhorse acoustic instrument with big tone that plays with ease. built with a solid sitka spruce top over an arched mahogany back and mahogany sides, the b-240e will hold its own in acoustic jams. it can also be easily amplified through an onboard guild/fishman bass sonitone bass system. the b-240e features a pau ferro fingerboard and bridge, slim c shape neck profile, 1 5/8 bone nut and bone saddle, tortoiseshell pickguard, and a mother-of-pearl rosette. available in natural satin finish. also available fretless (b-240ef). comes with guild branded padded gig bag.
Specifications:
| Body Shape | Jumbo Bass |
| Body Top | Solid Sitka Spruce |
| Top Bracing Pattern | Scalloped X |
| Soundhole Diameter | 3 7/8" (98mm) |
| Rosette | Mother-Of-Pearl / ABS |
| Top Purfling Inlay | Black/White/Black ABS |
| Body Sides | Mahogany |
| Body Back | Arched Mahogany |
| Body Binding | Ivory ABS |
| Finish | Satin Polyurethane |
| Finish – Top | Satin Polyurethane in Natural |
| Finish – Back and Sides | Satin Polyurethane in Natural |
| Neck Material | Mahogany |
| Scale Length | 30 3/4" (781mm) |
| Neck Shape | C Shape |
| Nut Width | 1 5/8" (41mm) |
| Neck Thickness 1st Fret | 22mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Pau Ferro |
| Fingerboard Radius | 16" (406mm) |
| Fingerboard Inlays | 5mm Dots – Mother-Of-Pearl |
| Frets Total | 23 |
| Bridge Material | Pau Ferro |
| Bridge String Spacing | 2" (52mm) |
| Bridge Pins | Ivory Colored Plastic with Black Dot |
| Saddle Material | Bone |
| Hardware Finish / Plating | Nickel Plated |
| Nut Material | Bone |
| Tuning Machines | Guild Bass Closed-Gear Fishtail |
| Endpin | Nickel Strap Button |
| Pickguard | Tortoiseshell |
| Upper Bout Width | 12 5/8" (321mm) |
| Lower Bout Width | 17" (432mm) |
| Body Depth Upper Bout | 3 7/8" (99mm) |
| Body Depth Lower Bout | 5 1/4" (133mm) |
| Body Length | 20 5/8" (524mm) |
| Overall Length | 47 7/8" (1216mm) |
Reviews:
Despite the neck being described as a slim c it is thicker than my Taylor, Yamaha and fender. It's a little difficult to wrap my hand around but I am a woman. A man probably won't have that problem. I bought it to be a beater, something lightweight I can take around with me that I don't care about getting damaged. I actually wish I got the Taylor GS now because the neck will probably be what I am used to but I already have two Taylor's and wanted a different guitar, I like having different brands. The pick guard looks surprisingly cheap in person. Idk maybe other people like that look. I like a tortoise shell pick guard but this guild one just looks kinda faded out or something and the tortoise colors aren't blended well. It doesn't come with a gig bag anymore I guess, some people got one, maybe that is in other countries outside the US idk. The sound is what you would expect from a small guitar. The action is ok, a tad bit high which I might get lowered in the future. Doesn't bother me actually. The guitar is VERY lightweight.Jayjay L
The extra time at home during the pandemic has found me exploring short scale guitars and working on my finger-picking. I've acquired a Martin 000 Jr, and an all-mahogany Martin Dreadnought Jr. When I came across Guild's Jumbo Jr., I said, well, of course. How could I not? I thought a maple guitar would be a good addition to the Junior arsenal, and I wasn't disappointed. These Jumbo Juniors are beautiful, well made little instruments, fit and finish are superb. Mine has a couple bear claw inclusions on a very nicely book-matched solid Sitka spruce top, figured maple sides, and a bookmatched arched back of gorgeous, flamey, figured maple. The back and sides are laminates, but are very well chosen for their figuring. I thought the factory 13s were a bit too stiff, and the action a smidge high, so I had some nut and saddle work done, put a set of Martin Flexible Core 12s on, and just love this thing now. I think the factory idea behind the heavier strings is two-fold; to tighten up string tension that's inherently light due to the scale length, and to give it more low end. I think they just made it difficult to play. I haven't noticed any difference in tone switching to 12s, and the flexible core Martin strings have lighter string tension, enhancing playability. Given it's size, and that maple as a tone wood is on the bright side, you're not going to get a booming low end from this guitar – you might be better served in that regard by one of the mahogany bodied versions, but that's not what I was looking for. This guitar does have a fairly full and well balanced sound, nicely articulate with sparkling upper end resonance and great sustain. It plays well with the Martin Juniors, and has plenty of projection to keep up with the full-size boys, too. Great guitar!Rex K.
I needed a smaller bodied guitar as a backup guitar for gigs. The neck is good and sound is decent. Just to suit my liking, I did sand down the saddle a bit and changed the strings to elixirs. It’s as good as any Taylor 100 or 200 series. I used on 2 outside gigs and it worked fine. I haven’t had the guitar more than couple months. But I own 7 other guitars and been performing professionally for many years. So, I can recommend this guitar for most situations. Especially doing outside gigs that an all solid wood guitar could have issues. It’s a good little workhorse!Cactus Willie
8. Ibanez Pcbe12mh Acoustic-Electric Bass – Open Pore Natural Guitar
Product Details:
The ibanez pcbe12mh is grand concert body style acoustic electric bass with mahogany top, back and sides for a warm, full tone. while the open pore natural finish enhances the instrument’s natural beauty, it also contributes to the sound quality. thick finishes can impede the vibration of a guitar’s body, choking the instruments tone and projection. the lightly applied open pore finish optimizes sound vibration and allows the bass to realize its full sound potential. the ibanez aeq -202t preamp is specifically set to tailor the frequencies of a bass and allows operation of the built-in tuner without the instrument being plugged in. the pcbe12mhopn also features a tortoise rosette, chrome die cast tuners, rosewood fingerboard and bridge, with ibanez advantage bridge pins for improved tuning stability. ibanez pcbe12mh acoustic electric bass features:- grand concert body. mahogany top. mahogany back and sides. rosewood fingerboard. ibanez aeq-202t preamp w/ onboard tuner.
Reviews:
Overall: Overall, it has great tone for its size; however, out of the box, the frets were extremely sharp at the neck's edge. and I had to do a little filing of my own. Also, I had to put a chrome plate around the 1/4" jack. It was my fault for leaving a cord plugged in while placing it on a stand for the first time. Doing so, caused the jack to press into the body and slightly crack it. The aftermarket plate corrected my issue.Thomas
Overall: Ordered through zZounds, first one came in damaged. Easy return policy made getting a replacement simple and painless. Now on to the bass itself. Right out of the box, it has a nice playable action. No fret buzz problems anywhere on the neck. Notes ring out clean and clear. I purchased it just to add some sound into casual campfire type jam circles. It can project enough to match an acoustic guitar if you pluck it good enough. Honestly projects a little less than I had hoped for, but it does the job none the less. Not the smoothest playing instrument I’ve ever picked up, but it’s comfortable enough to play. Built in tuner is super convenient and accurate. I would highly recommend it for any casual setting, and it’s even come in handy for recording little songs at home without having to invest in a bass amp.Josh
9. Ibanez Aeb105e Acoustic-Electric 5-String Bass Gloss Natural
Product Details:
There is something truly unique about the sound of an acoustic bass pure, low, and full. ibanez has that uniqueness in mind as it offers the aeb105e acoustic-electric 5-string bass. featuring an aeb-style body, this acoustic bass has the feel of a guitar, offering a comfortable playability that suits any style. the aeb105e's spruce top, sapele back and sides, and maple neck are tonewoods that produce a stellar low end with a touch of punchy midrange coloring. a purpleheart bridge and fingerboard also add to the tonal quality of this fine instrument and its beautiful response and feel. a fishman sonicore pickup and ibanez aeq-sp2 preamp with onboard tuner deliver great amplified sound. bassists here at gearnuts love the playability and tone of this great 5-string acoustic-electric bass.
Specifications:
| Cutaway | Single |
| Top wood | Spruce |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | Standard carve |
| Nut width | 47mm |
| Fingerboard | Purpleheart |
| Neck wood | Maple Maple |
| Scale length | 32 |
| Number of frets | 22 |
| Neck finish | Gloss |
| Pickup/preamp | Yes |
| Preamp EQ | 3-band |
| Feedback filter | Not specified |
| Tuner | Yes |
| Headstock overlay | Ebony |
| Tuning machines | Chrome |
| Bridge | Purpleheart |
| Saddle nut | Bone |
| Number of strings | 5 |
| Country of origin | China |
Reviews:
. Now let me set the scene… I am a guitar lover (I can even play a little too) and a quality professional so My expectations are somewhat higher than most looking at this product. An absolutely beautiful instrument, this is my second SA360 and although they are no longer. Made in Japan, be assured they have not lost any of the build quality or attention to detail. The guitar was really well set up, is great to play, feels good in the hand and sounds the bee’s knee’s. If you are looking to start out in guitar playing get yourself an Ibanez Gio to start as a first upgrade from that, then the SA series is where you want to be at.Timbo
Overall: For 100 bucks less than a Japanese made RG550 I'll say the quality of this Indonesian assembled guitar is sub-par albeit correctable. All hardware was loose. Blase switch wast rubbing against finish. Tone and volume pots were pushed down into contact with body. Gold playing on bridge pick-up shows nickel plating already. Action was set so low that it was unplayable. Some frets are razor sharp at the edge of the fretboard. Neck and fretboard are dry as a bone, and need to be sanded and sealed. The grain was raised when I unboxed. Which basically tells me that there was very little if any polyurethane applied to the neck or fretboard. As with all Indonesian guitars ai take this as an opportunity to fix these little things on my own, but you are better off getting an RG550 Genesis. The quality is far superior. Also the paint is awful, and the plating on all gold plated surfaces are sure to deteriorate quickly. One note: Sounds has nothing to do with these inadequacies or defects. Ibanez should just seize operations in Indonesia, as should all other guitar manufactures. Indonesian guitars are ok enough to correct, but even at the 800 dollar mark you should get a 100% gigable axe. This is not at that level.
I've owned this guitar for a year. I own more than a few Ibanez, with about half of them being Prestige and the others being 80's/90's Fujigen Ibby's, 2010's Iron Labels and Premium. I love this RGA and it's remarkably well spec'ed for most anything a diverse player will want. What it isn't: it isn't a prestige and it doesn't feel like it. That's not a bad thing; the roasted maple neck is amazing, feels comfortable, but the fingerboard does feel a little different (given the wood type). The only real negative I find is that the finish (the actual finish) feels like it's very delicate. I can see this finish cracking easily with an everyday bump. I hang my guitars and pull them just to record, so not a n issue for me, but it definitely feels very delicate. The only other reasonable complaint is that for the pricepoint, it should include at least a gig bag. This is basically a 1,000 dollar guitar.
10. Ibanez Aeb10e Acoustic Electric Bass Guitar Dark Violin Sunburst
Product Details:
The ibanez aeb10e delivers real, punchy low end, amplified or not. as an unplugged acoustic bass, the mahogany body/spruce top aeb10e has the quality wood and construction to create a warm sounding bottom that can be felt as well as heard. when amplified, the aeb10e utilizes fishman sonicore pickups and ibanez aeq-sst shape shifter preamps to pump the tones up and offer the thump you need at whatever volume. the addition of an ibanez aeb10e in any musical situation adds a layer of warm, low-end resonance that makes songs come alive and arrangements sound more fleshed out. the ibanez aeb10e, available in black high gloss, natural high gloss and dark violin sunburst finishes, delivers full sounding, round low end, acoustic or plugged in.
Specifications:
| Handedness | Right-Handed |
| Body Shape | AEB body |
| Bracing | X Bracing |
| Neck | Mahogany |
| Fretboard | Purpleheart |
| Bridge | Purpleheart |
| Body Binding | Ivory |
| Back Strip Inlay | Multi |
| Soundhole Rosette | Abalone rosette |
| Tuning Machine | chrome Die-cast tuners |
| Number of Frets | 22 |
| Saddle Material | Plastic saddle |
| Bridge Pins | Black with white dot |
| Pickup | Fishman Sonicore pickup |
| Preamp | Ibanez AEQ-SP2 preamp w/Onboard tuner |
| Output jack | Balanced XLR & 1/4" outputs |
| Battery | 9V Battery |
| Finish Top | Gloss |
| Finish Back and Sides | Gloss |
| Finish Neck Back | Gloss |
| Battery Info | Optional, Not included |
| Battery Quantity | 0 |
| Battery Type | 9V |
| Neck Scale | 32" (812.8mm) |
| Neck Width at Nut | 43mm |
| Neck Width at 14th Fret | 58mm |
| Neck Thickness at 1st | 23.5mm |
| Neck Thickness at 7th | 25.5mm |
| Radius | 400mmr |
Reviews:
After reading so many glowing reviews, I was very excited to buy my own Ibanez AEB10E. The violin finish is beautiful and the fit was outstanding, for the most part. My only complaint was the frets and how sharp they were/are…Since string height is subjective, I will only say that I liked the way mine was setup-high enough that there were no fret buzzes. I like the organic tone and wish it were louder acoustically but when amped through my Fender Rumble 25 or 200, the sound still maintains the acoustic qualities I wanted it for. I'm still in the 45 day window to decide but right now, it's a keeper!Hoss
Overall: About 30 years ago, I placed an order for a custom bass. It looked absolutely beautiful but it didn't play well at all. So I sent it back for two adjustments that I knew they wouldn't be able to correct and I ended up getting my money back. I say all this to point out I vowed to never take a chance ordering instruments via mail. So I'm cautious because I've wanted an acoustic bass for quite some time and when I saw the Ibanez AEB10E and it low price, I decided to break my VOW and order that damn bass…lol. So now I'm hopeful because their were a lot of people who wrote great reviews, which nudged me to make the purchase. Now that I've had it for more than two weeks, I'm pleasantly surprised because this plays extremely well, I have a little fret buzz but I can tell that it's not going to take much effort to adjust the truss rod!!!!Joseph
I bought this bass a little over a year ago when I found a great deal on it online. I have an electric bass, but wanted something to sit on the couch with and play along with something I could potentially use to record some cool bass licks to use for some of the music I produce. I have to say, given that I didn't play the bass beforehand and just ordered it online, I got extremely lucky and landed on the exact bass I was looking for. The first thing I noticed is how easy it is to play. I feel like even though I'm not a very experience bass player it's not too much of a challenge to play the licks I'm trying to play. Just the way it is setup by default makes it easy for me and my big hands to hit the notes I want without accidentally striking or muting a string next to what I'm going for. The second thing I noticed is how great it sounds. I'm sure it would depend on the venue and type of ensemble, but I feel like this bass produces enough volume to be viable for playing unplugged next to a nice guitar that also has a good bit of volume. The tone is pretty well balanced too, I think the spruce top gives it a little more upper harmonics than you might expect, which is nice since it seems to have a little more presence as a result. I'm sure you probably don't need to hear this but the whole bass screams quality. It's gorgeous, and yes, the wood is lighter than it looks in the pic, but that's not a bad thing. There's no real imperfections anywhere in mine, every part of it looks and feels great. There are much better acoustic basses out there of course, but if you're just looking for one that plays well, looks great and is great quality, you can't go wrong with this one.Dr. Technology Man 504
11. Dean Eab Acoustic-Electric Bass Black
Product Details:
With its eab acoustic-electric bass, has put together a topnotch fretless acoustic-electric bass guitar for an incredibly low price. it's just the right instrument if you're been wanting to add a fretless to your arsenal but have a tight budget. the eab fretless bass has lines to mark fret positions which help you learn to place your fingers correctly. its 34"-scale neck and large body deliver a deep, full unplugged tone and its preamp with eq and built-in tuner lets you plug in and dial it up. case sold separately.
Specifications:
| Handedness | Right-Handed |
| Dexterity | Right Handed |
| Top Material | Spruce |
| Top Contour | Flat Top |
| Neck Material | Mahogany |
| Scale Length | 34" (863mm) |
| Construction | Set Neck |
| Neck Shape | C |
| Fretboard Material | Rosewood |
| Inlays | Pearl Dot |
| Number of Frets | 24 |
| Fretboard Radius | 14" (356mm) |
| Nut | Urea (OEM) |
| Nut Width | 1 5/8" (41mm) |
| Tuners | Sealed Die Cast |
| Knobs | No |
| Bridge | Rosewood |
| Pickup (Bridge) | Piezo |
| Binding | Multi Ply 5 W/B/W/B/W |
| Finish | Classic Black |
| Case Options | DHS AB / AB AB |
| Truss Rod | Dual Action |
| Pre-amp Type | Dean PS-900 Passive |
| Controls | Built-In EQ |
Reviews:
This popped up on Stupid Deal of the Day and I am not in the least disappointed. It was well packaged, box in a box, from Dean. My intended use will be jamming with friends at the park, campground, or beach. But, it could see small venue use as well. It is big (it is a bass after all): 34", 24 fret scale with the neck joint at the 17th fret. The lower bout is 18" wide and just shy of 5" deep. If you really feel the need to go above the 17th fret…get the cutaway. Because of its size it has a decent acoustic tone. Set up, including intonation, was very good considering it was last touched at the factory. It is strung with D'Addario EXP 45-100 lights. The strings showed some age (string cleaner should take care of it) but still have decent tone, especially for my intended use. All the electronics work as they should. The battery box and input jack are a single unit located on the lower bout. It appears to be a sturdy unit that does not require any tools for 9V battery replacement. Using the onboard tuner silences the pickup. The top is book matched and looks better than some of my solid top guitars. The Dean Playmate EAB Gig Bag (SKU 548316 000000000) does fit. I'm so glad that neither the bass or gig bag are emblazoned with "Playmate" anymore. Seriously, if so, I would not have purchased them. Overall, I am very pleased and believe it is money well spent.Vintage Bassist
The action is easily correctable by lowering the saddle. Sadly, it is not very loud if you finger pick while in the acoustic mode. It is however loud enough to practice alone in a quiet room with soft backing track. Electrically, it is like most EA guitars and you have to watch which way you're standing in relation to your amp. The tone is pretty bright acoustically but can be dialed back in the electric mode for that bassier sound most bassists are looking for. I would consider playing out with this bass for a folk gig. I got this bass on a "stupid deal of the day" promotion and I still can't believe Musicians Friend could make any money at all with a price like that.CA$H
The band I'm in decided that we were going to do an acoustic show for a big fundraiser called Gettysburg Rocks. Great! But one major problem I didn't have an acoustic bass, so I had to get one for this show. After doing extensive research and considering the budget I chose this model. When I got the bass there were a lot of high frets which caused major undesirable fret buzz. The strings that were on it from dean were horrible so I took the bass to my local guitar shop and had it restrung and set up. After this was done this bass played amazing and had great tone unplugged. Then I plugged it in to my di box and it sounded pretty bad through the pa. The electronics in this bass didn't sound good because The strings were not evenly voiced. In my particular case the e string was the loudest and over powered the a d and g strings. I had 4 days before the show and had to figure something out quick. My solution was to run a limiter pedal. Once I had the limiter dialed in I was able to get a very good sound out of the bass, And through eq settings I was able to make the bass sound great. Then the night of the show came around and I had all the kinks figured out . The bass sounded great and the show went beautifully. This bass is by no means a high end bass but with a little tweaking itcan be made to sound really good. I've noticed that I will grab this bass and just start playing it when I'm trying to learn new songs and licks because it sounds so good and it is nice to not always be tethered to an amp. This bass is great to practice with but in a band setting it will need to be amped if you want to be heard with more than one acoustic guitar. Overall I am very pleased with this instrument and would buy another if it broke. I was apprehensive at first thinking that this would sound like $150 bass. Looking back I'm glad I got this model. I hope this helps anyone who is on the fence about buying this bass.v1637
12. Ibanez Aeb5e Acoustic-Electric Bass Black
Product Details:
The ibanez aeb5e acoustic-electric bass delivers a punchy low end, whether amplified or not. as an unplugged acoustic bass, its agathis body and sides give it a warm tone. – the ibanez piezo pickup and ibanez aeq-202t preamp with 2-band eq and onboard tuner allows quick tuning and easy amplification with a natural acoustic sound. – acoustic bass adds a tasty layer of warm, low-end resonance that makes songs come alive and arrangements sound more fleshed-out. when amplified, the ibanez aeb5e bass guitar uses its pickup and preamp to pump the tone and offer the thump you need at whatever volume. – case sold separately. – agathis back and sides – chrome die-cast tuners – ibanez piezo pickup – ibanez aeq-202t 2-band preamp with onboard tuner – rosewood bridge and fretboard – ivorex ii nut and saddle – case sold separately.
Specifications:
| Finish | Original finish |
| Body Details | Agathis back, sides, and top |
| Neck Material | Mahogany Neck |
| Neck Profile | Medium C |
| Neck Thickness (IN) | 1st – 0.90" 12th – 1.01" |
| Fingerboard Radius | 16.00" |
| Scale Length | 32 |
| Electronics | Original Ibanez AEQ2T electronics |
| Pickup Measurements | No (active) |
| Case Details | Hardshell case |
Reviews:
The strings and sound of this bass are great, when it stays in tune. It turns out, the holes drilled for the tuning pegs are too big, so the pegs slip and cause the bass to fall out of tune with almost no use. We only found this out because we thought the pegs were bad, but upon taking them off to install new ones, we realized this fault. If you want a good bass for practice, this one will do fine. I would not recommend it for professionals, unless you want to spend the extra money to drill the holes out further to put in fittings for the pegs.Ryan
Being that there arent any very popular (or effective) battery operated bass amps out there, an Acoustic Bass is really the only option for someone who doesn't have access to a wall outlet, or doesn't want to carry a heavy amp with them. I was hoping to pick one up, but very few were in a price range that I, as a college student, could afford. That is when I found this little gem. The general rule I have found when buying a bass, at least as far as my experiences go, that anything under 300 that you buy will have to have something taken out of it; you can only make an instrument so cheap before it becomes more of a hassle than your time is worth. However, Ibanez has found a way to break this rule time and time again. Starting with the downsides: Do not get this bass expecting it to stand up against the drums and electric guitar unamplified. There isn't an acoustic bass on earth that can pull that off, and if there is, it is way to big to bother with. The pre-amp is OK, but only OK. The output jack is in an odd place. and the wiring would be a pain to deal with as you would have to reach down into the body to get to it. And now for the many, many upsides: It is a bit fat in size, but is very light weight. I usually play an 11 1/2 lb jazz bass, and this thing is such a literal weight off my back (at least a whole 4 lbs). It has an amazing, earthy tone that you just cant get out of a solid body bass. the body is very study, braced very heavily on the inside. As far as Acoustic basses go, this is one of the loudest I have played. The tuner is surprisingly accurate, and very useful. It is also very comfortable to play standing up, and won't strain your back. And the Icing on the cake is that it allow you to practice anywhere, any time, without the need for power. In short, It is very nice, and should be part of your arsenal today. Do not hesitate on this purchase ^_^Koren Rain
This bass exceeded expectations by a country mile. I've had acoustic basses before, and this one plays and projects far better than others I've had that cost a lot more. The Ibanez name tells me that the unit will remain stable and that the company will stand behind it. The factory set-up is fine. Ibanez supplies a higher bridge and hex wrench for neck adjustment, but neither were necessary. Other reviews point to action, "buzz" and low volume. In some cases, these reports may be accurate, but I suspect a lot of folks buy these instruments with unrealistic expectations. Simply stated, acoustic instruments slap, squeak and generally misbehave. This goes for Martins, Ibanez, Guilds…you name it. It is part of the charm of playing acoustic music. Bass strings move more across a long scale length, so you are going to get this in spades. Raising string height to stratospheric levels to overcome these natural traits seems to be something like training a wolf to herd sheep. To me, random tonal excursions are part of the package. Frankly its why I bought the thing and even at that, this bass is pretty well behaved. If you want perfect tones, perhaps a Fender Precision or even a MIDI synthesizer is a better choice for you. As for volume, well, lower tones need far more amplification to carry than their higher pitched cousins. 100 watts out of your Strat needs to be matched by some 400 watts from the accompanying bass. That's simple physics. This bass projects amazingly well, but if you are going to jam in a large group or hall, consider adding a small combo amp. That would go both for this bass or a $2000 custom instrument. Overall, I love the thing. I would buy it again, and I would recommend it without reservation.Ankeny Picker
13. Ibanez Pnb14e Parlor Acoustic Electric Bass Guitar, Open Pore, Natural
Product Details:
The pnb14e parlor acoustic-electric bass guitar is a short scale acoustic bass guitar that utilizes a parlor body shape. this compact instrument is ideal for situations such as playing on the couch, outdoors, as well as more informal occasions. however, the pbn14e parlor acoustic-electric bass is also a valuable onstage tool. since the 24.7" short scale is similar in feel to a regular guitar, it is more comfortable for both guitarists and electric bassists to play than a full-size acoustic bass. the shorter scale and compact parlor body also make it a more user-friendly platform for beginners. despite the compact body size, the pnb14e parlor bass guitar has an impressively powerful acoustic volume. the "open pore" finish, as well as the african mahogany top, back and sides, contribute greatly to the overall tone. the neck joint being located at the 12th fret means the bridge connects at the center of the lower bout, which maximizes sonic resonance. the "open pore" finish creates a more vintage feel, allowing the natural texture of the wood to be felt. the satin finish of the mahogany neck helps facilitate fast and smooth position changes. the ibanez under saddle pickup accurately reproduces the acoustic nature of the bass, while the ibanez aeq-sp2 preamp provides the extra punch of onboard eq, and the convenience of an easy-to-read digital tuner located on the upper bout.
Specifications:
| Body type | Parlor |
| Cutaway | No |
| Top wood | African mahogany |
| Bracing pattern | X |
| Body finish | Open pore |
| Orientation | Right handed |
| Neck shape | PNB |
| Nut width | 1.65" (42 mm) |
| Fingerboard | Laurel |
| Neck wood | Mahogany |
| Scale length | 24.7" |
| Number of frets | 18 |
| Neck finish | Open pore |
| Pickup/preamp | Yes |
| Configuration | Ibanez Under Saddle Pickup |
| Preamp EQ | 2-band |
| Feedback filter | No |
| Tuner | Yes |
| Headstock overlay | Not specified |
| Tuning machines | Chrome die-cast |
| Bridge | Laurel |
| Number of strings | 4 |
| Country of origin | China |
Reviews:
As a bass player of nearly 50 years I have long regretted swapping my first, short scale electric bass for a full scale model. At the time (and while still a teenager) only a full scale bass seemed the way forward. More recently I have been wanting to get hold of an acoustic base for both the sound and, to be honest, the reduced weight (I love my DeArmond JetStar but it rests heavy on my thigh after sitting for a while and demands a lot from my poor old fingers in achieving span and pressure – don't even ask about standing). The Ibanez PBN 14 E satisfies all requirements at a surprisingly affordable price. It works well acoustically for practice and plugged it can cope perfectly well in a full band setting through my Peavey combo. The tone and volume controls are more than adequate and I've found the built in tuner really useful and easy to use. If you try one and don't like it, then it's certainly short scale acoustic bases that aren't for you, not the Ibanez.
I've bought three of these so far. The first one I gave to my bass player. When I decided I wanted one for myself, I ordered another one. Like the first one, it was attractive, with no obvious manufacturing defects. However, the D string had a bad buzz. It wasn't fret buzz or sympathetic vibration, because it happened wherever I fretted the D string, but would not buzz when I played D on the A string. I determined it must be a problem in or under the bridges. I loosened and reset the bridge pin for the D string and it didn't help. I called Ibanez, and they told me to try the things I'd already tried, then told me to send it back. The MF customer service fellow was EXTREMELY helpful, so no complaints there. But the one I ordered in it's place had the EXACT same problem. Since nobody else makes a bass in this class, I'll keep this one and troubleshoot it myself. Just saying, if you buy one of these be sure and check it out immediately.Paul
Instrument was ordered and delivered very quickly. Only took about 4 or 5 days to arrive. Pros: The bass feels pretty good right out of the box. Only thing is that the washers on the tuning machines were loose which just needed to be tightened. The smaller size makes for more of a guitar feel to the frets which is great for jamming out. The intonation of the instrument seems good. All notes across seem well in tune and ring well. The harmonic at the 12th fret is in tune to the open string. The frets don't protrude off the neck and seem to be sanded down well. The pickups sound fine. All the frequencies come through the amp very well. The built in tuner works well. Sometimes it has to think about the low E but that's understandable. Cons: The strings are extremely flexible and slinky which causes the string to go under the frets. If you strike very heavily and are digging into the strings when playing on the first three strings then some buzz occurs. My guess is that the harsh vibration of the strings touches the other frets which might occur because they are long scale bass strings. A friend mentioned that the GS Mini strings from taylor might fix that up which makes sense though I am doubtful. Good luck finding a bag for this instrument. The size is close to a guitar in length, however, the body is just a bit thicker than an acoustic guitar. I think a dreadnought body is similar though might not be thick enough. Maybe the acoustic guitar roadrunner bags might work but I haven't had a chance to try it. TL,DR: it's aight.Vic the Butcher
14. Ibanez Pcbe14mh Acoustic-Electric Bass – Weathered Black
Product Details:
This bass features onboard ibanez electronics for natural tone, easy gigging, and recording straight into an interface. the built-in tuner is a lifesaver for moments when external tuners aren't available. the all-okoume body projects a deep, mahogany-like tone with gobs of resonance. you'll enjoy breezy playability, courtesy of the maple neck and laurel fingerboard. if you need an acoustic bass that can keep up with you when you take the stage, then grab the ibanez pcbe14mh. the pcbe14mh is made from okoume to deliver a robust and resonant tone. okoume, one of the most popular tonewoods in the ibanez acoustic lineup, is incredibly similar to mahogany both sonically and visually. the warmth and balance of okoume pairs excellently with singers and songwriters. whether you're playing solo, unplugged with your friends, or holding down the groove onstage, the ibanez pcbe14mh's tonewoods will be right at home.
Specifications:
| Strings | 4 String |
| Handedness | Right-Handed |
| Number of Strings | 4 |
| Neck Type | PCBE |
| Neck Joint | Dovetail |
| Neck Joint Position | 15th fret joint |
| Neck Material | Maple |
| Neck Finish | Open Pore Polyurethane |
| Number of Frets | 20 |
| Fretboard | Laurel |
| Fretboard Radius | 400mm |
| Inlay | White dot |
| Body Shape | Grand Concert (For Acoustic) |
| Body Top Material | Okoume (For Acoustic/Hollow) |
| Body Sides Material | Okoume (For Acoustic/Hollow) |
| Body Back Material | Okoume (For Acoustic/Hollow) |
| Soundhole Rosette | Tortoiseshell |
| Body Finish | Open Pore Polyurethane |
| Bridge | Laurel |
| Bridge pins | Black with white dot |
| Saddle material | Plastic |
| String Spacing | 19mm |
| Nut | Plastic |
| Machine Head | Chrome Die-cast tuners |
| Other Pickup | Ibanez Undersaddle |
| Preamp (for Acoustic) | Ibanez AEQ-2T preamp w/Onboard tuner |
| Controls, Pickup selector | 1 Volume, Bass, Treble |
| Other Swtichs | Tuner on/off switch |
| Output Jack | 1/4" output |
| String Gauges (from top to bottom) | .040/.060/.075/.095 |
| Special Strings | Ibanez IABS4XC32 Carbon coated |
| Tuning (from top to bottom) | 1G, 2D, 3A, 4E |
| Scale | 32" (810mm) |
| Neck Thickness | 0.82" (21mm) at 1F 0.94" (24mm) at 7F |
Reviews:
Looks and sounds amazing for the price band, so comfortable and easy to use.Reviewed by Andertons Music Co.
Bin absoluter Neueinsteiger und finde den Bass super.
Globalement satisfait, quelques infimes details ne me font pas mettre 5 etoiles. Mais qualité/prix au top
15. Ibanez Aegb24e Acoustic-Electric Bass Guitar Black Gloss
Product Details:
The aegb series' slender, single-cutaway bodies deliver powerful and balanced acoustic sound, unplugged or through an amp or pa system. these guitars combine easy playability, classic solid and sunburst finishes, and intuitive electronics to create a quality, workhorse acoustic bass that will rise to any occasion. high quality ibanez under-saddle pickups and ibanez preamps with onboard tuners provide sparkling tones that sound great in any environment. the ibanez aegb24e bkh acoustic bass, finished in black high gloss, features a 3pce nyatoh/maple neck, walnut fretboard, and sapele top, back and sides. this combination of tonewoods delivers a well-balanced tone, with great resonance and an especially rich mid-low end and pleasantly bright high-end. an ibanez undersaddle pickup, combined with ibanez aeq-2t preamp w/onboard tuner, ensures your aegb24e sounds as good plugged in as it does acoustically.
Specifications:
| Number of strings | 4 |
| Neck type | AEGB |
| Neck joint | Dovetail |
| Neck joint position | 16th fret joint |
| Neck material | 3pc Nyatoh/Maple |
| Neck finish | Satin Polyurethane |
| Neck thickness (1st fret, mm) | 21 |
| Neck thickness (7th fret, mm) | 22.5 |
| Scale (inch) | 32.09 |
| Scale (mm) | 815 |
| Nut width (inch) | 1.69 |
| Nut width (mm) | 43 |
| End width (mm) | 58mm at 14F |
| Number of frets | 21 |
| Fretboard | Walnut |
| Fretboard radius (inch) | 15.75 |
| Fretboard radius (mm) | 400 |
| Inlay | White dot |
| Body shape (for acoustic) | AEG |
| Body top material (for acoustic/hollow) | Sapele |
| Body sides Material (for acoustic/hollow) | Sapele |
| Body back material (for acoustic/hollow) | Sapele |
| Body depth (for hollow) | 3.75 |
| Body width (for hollow) | 15 |
| Body length (for hollow) | 19.375 |
| Soundhole rosette | Acrylic |
| Body depth at joint | 85 |
| Body depth at end | 95 |
| Body finish | Gloss Polyurethane |
| Total length (mm) | 1170 |
| Body thickness (mm) | 95 |
| Body length (mm) | 490 |
| Body width (mm) | 380 |
| Bridge | Walnut |
| Bridge pins | Black with white dot |
| Saddle material | Plastic |
| String spacing (mm) | 19 |
| Nut | Plastic |
| Machine head | Black Die-cast tuners |
| Other pickup | Ibanez Undersaddle |
| Preamp (for acoustic) | Ibanez AEQ-2T preamp w/Onboard tuner |
| Controls, pickup selector | 1 Volume, Bass, Treble |
| Other swtiches | Tuner on/off switch |
| Output jack | 1/4-inch output |
| String gauges (from top to bottom) | .040/.060/.075/.095 |
| Special strings | Ibanez IABS4XC32 Carbon coated |
| Color name | Black High Gloss |
Reviews:
Bellissimo strumento, consegna puntualissima e senza difetti!!
I really like this Bass! It is just lovely to play. The neck is beautifully shaped and makes a big difference. Also, the slightly shorter length allows one to make chords far more easily (shorter frets) and to keep one finger on a root note while dancing around with the others- something I could never do so easily with a longer necked Bass. I couldn't put it down for days!George W.
16. Best Choice Products Natural Acoustic Electric Bass Guitar With Equalizer Solid Construction
Product Details:
It features an attractive cutaway design for easy access to the upper notes. its great for beginners, and with practice and dedication, you can play your favorite tunes weather it be jazz, funk, rock, gospel or alternative. features: full size. bass 4-band equalizer. beautiful inlay. mahogany back & sides. rosewood fingerboard. 22 frets. die cast (schaller style) chrome machine head, super slim comfortable neck, with adjustable truss rod. natural high gloss finish. pick and amp cord not included.
Reviews:
I brought this for a signature book for our wedding, we wanted a playable momento, but didn't want to spend a lot of money. It's a great $88 guitar, we have guitars upwards of $500 so of course it would not be as good. Well built, tunes easily, buy needs frequent tuning. I think if we replace with high quality strings we would definitely take this guitar up a notch. Good for beginners and will definitely teach them tuning skills.Tasha S.
I purchase this bass being motivated by its price and rave reviews. Let me just say that when I received my bass today I was blown over at the fit and finish on this bass. It looks like a $500.00+ guitar! I've been playing it for hours and the deep bass is so sweet. The action is a tad high but I kind of like it that way. The great sound projection from this bass made me chuckle while I was playing because the bass made a silver cup I have on a wall mounted shelf rattle! Now that's impressive sound projection! I can't wait to plug in this bass to my friend's Ampeg that's a 1X15 ported bass amp. It should be wild! For the money this Best Choice acoustic had got to be the deal of a lifetime if you're in the market for an acoustic bass guitar.Jason
This is a great acoustic-electric bass. I originally purchased it to use as an alternative to plugging in my electric bass. I instantly fell in love with it. It stays in tune. The nut is of appropriate measurements and the frets are greatly positioned. I changed the factory installed strings with some acoustic bass strings and it sounded so nice! For the price, I didn't expect to get a good value, but I was surprised once I immediately opened the box. Good job Best Choice products!consumer
17. Martin Bc-16e Acoustic Bass
Product Details:
Kept in a humidity controlled environment. the bc-16e includes a solid sitka spruce top, east indian rosewood back and sides, and forward shifted scalloped bracing to deliver deep, thumping martin tone whether you are plugged in or using the built-in fishman electronics. it also includes a fast, comfortable neck so you can keep the rhythm section tight. the bc-16e is strung with martin authentic acoustic bass strings.
Specifications:
| Edition Size | Open |
| Construction | Simple Dovetail Neck Joint |
| Body Size | M-14 Fret Cutaway (0000-14 Fret Cutaway) |
| Top Material | Sitka Spruce |
| Rosette | Bold Herringbone with Multi-Stripe |
| Bracing Pattern | Forward Shifted X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back Material | East Indian Rosewood |
| Side Material | East Indian Rosewood |
| Binding | Antique White |
| Top Inlay Material | Multi-Stripe |
| Back Inlay Material | Black Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Bass |
| Neck Taper | Standard Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid |
| Headplate Material | East Indian Rosewood |
| Headplate Logo Style | Script Old Style Overlay |
| Heelcap | Antique White |
| Fingerboard Material | Ebony |
| Scale Length | 34'' |
| Neck Joins Body At | 17th Fret |
| Number of Frets Total | 23 |
| Fingerboard Width at Nut | 1.58" |
| Fingerboard Width at 12th Fret | 2.18'' |
| Side Dots | White |
| Back and Side Finish | Satin |
| Finish Top | Gloss |
| Top Color | Clear |
| Finish Neck | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | Ebony |
| Bridge Style | Belly – Drop in Saddle |
| Bridge String Spacing | 2 1/8'' |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Black Enclosed Gear Bass |
| Recommended Strings | Authentic Acoustic Bass (SMA4800) |
| Knob | Black |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Tortoise Pattern |
| Electronics | Fishman Matrix VT Enhance NT2 |
Reviews:
Overall: I purchased my first bass in 1976. I have owned many of the top notch, well known electric basses and a few acoustic basses.After I sold my last acoustic bass a couple years ago, I was in the market for another and decided to throw all in and purchase this Martin, sight unseen. I was expecting at least decent quality, and I knew if I found the bass lacking, at least I tried. I knew if I bought another "lesser" bass I would be left wondering "what if?"I received this bass mid January. Looking it over it was pretty much everything you would expect from a USA built Martin. I gave it 5 stars in every category except quality, which I gave 4 1/2.I attribute this to the fact the string height was high, and I mean way high. Like cheap pawn shop guitar high. Like had to go out if tune just fretting a string, especially higher up the neck.After careful consideration, I went ahead and pulled the Tusq saddle and gave it the sandpaper treatment to lower the string height. Damn the warranty, I am accustomed to doing most all my work anyway. In fact I've never had one of my personal instruments in a repair shop. To me it's like a soldier and his rifle, you need to know and understand your equipment.Anyway, now to the good part:After the strings were situated closer to the fretboard where they needed to be, I began playing and enjoying this fine instrument. In the couple of weeks I've had it, I can honestly say it's the finest bass or guitar I have ever played let alone owned. If I had to pick just one instrument to keep this would be it, hands down. Currently I have Gibson's, Rickenbackers and Fenders among others (no crazy ultra high end stuff). I would give up any or all just to keep this bass. Why?The ease of play and the sound of this bass, especially unplugged is unlike anything I have ever played. This bass is like a triple shot of adrenaline straight into my psyche. I am doing things with this bass I have never done with any instrument, let alone bass I have ever played.It is such a joy to play, after all these years of not having anything like this I can't imagine not having it. I will never part with this bass.Did I just get lucky with this one? Yes and no. I imagine all of Martin's basses must be this good.As far as the action, I suppose if you bought one from a brick and mortar Martin dealer they would have taken care of the action upon delivery.By the way, the action, the set up at the nut was perfect and I did not have to touch the truss rod adjustment at all.So if you will excuse me, I have to wrap up this review so I can spend some time with my new best friend… my Martin bass…
18. Ibanez Gsr200b Gsr Bass Guitar, Walnut Flat
Product Details:
Ibanez gsrs offer the famous soundgear sleekness, comfort, tone, and playability at prices that will astound. not only do gsr soundgears look and play better than everything else in their price range, every gsr gets the same warranty, rigorous set-up and inspection of ibanez’s more expensive models. phat ii active bass boost offers additional low-end power on all gsr200 models. case sold separately. specifications; body type: soundgear 4 string. body wood: agathis. fingerboard: rosewood. finish: walnut black.
Specifications:
| Number of Strings | 4 |
| Left-/Right-handed | Right-handed |
| Body Shape | SR |
| Body Finish | Satin |
| Neck Material | Maple, Bolt-on |
| Neck Shape | GSR4 |
| Radius | 12" |
| Fingerboard Material | Jatoba |
| Fingerboard Inlay | Dots |
| Number of Frets | 22, Medium |
| Scale Length | 34" |
| Nut Width | 1.614" |
| Nut Material | Plastic |
| Bridge/Tailpiece | B10 |
| Tuners | SR Standard |
| Middle Pickup | PSNDP split single-coil |
| Bridge Pickup | PSNDJ Single-coil |
| Controls | 2 x volume, 1 x master tone, 1 x Phat II EQ |
| Strings | 045-.105 |
Reviews:
Ordered one of these (In Pearl White) because of a good experience with another one. Of course I had to do some set up to alleviate fret buzz, adjust neck, string height etc. Once it was set up to my liking and a fresh set of my gauge strings, this bass was ready for just about anything! I have used it for a couple of outdoor shows with medium and very large P.A support and the sound was very good overall. Through my stage amp, I was able to dial in a very usable sound quickly. The bass is very light weight .(Which helps those of us with back issues.) Yet is still able to get a decent tone. The bass I received was a newer model with a poplar body and a Jatoba fret board which still has the characteristics of rosewood (slightly lighter in color) with a hint of a maple type bite. Personally, I liked the overall sound with this particular fret board. Speaking of which, the fret board is very easy to play (when properly set up) with a smooth, fast neck. The electronics are decent enough although the "bass boost" knob should be used sparingly and judiciously just to add some deep flavor on occasion for certain styles. All in all, a pretty decent machine that can easily be used by beginners and seasoned pro's (ok, it won't match up with a "boutique bass" by any means but still a very usable product!) Very good value for the price!Heard the Bass
This bass is really amazing for the price of it. The neck is so smooth and a bit thinner than other regular bass, perfect for my small hands and the weight wow it is really light. the built quality is top notch. The sound is really good and you've got plenty of sound you can experiment with it. Overall it's an all rounder bass from beginners to pronelson c.
The Ibanez GSR 200 is one of the best "bang for your buck" basses on the market. They are made with excellent quality, lightweight wood, agathis, maple, rosewood. The onboard P/J pickups and electronics sound good. They play good out of the box but they play excellently if set up by a guitar tech. These were choice basses for many of the bass players supporting MWR tours. Musicians would take Ibanez GRS 200 basses on tour and raffle them off to service members on the last gig.matt4717
19. Sawtooth Rudy Sarzo Signature Acoustic-Electric Bass Guitar, Includes Padded Gig Bag
Product Details:
Designed with legendary bassist rudy sarzo, sawtooth delivers this first of its kind acoustic-electric cutaway bass. these gorgeous basses were specifically designed and built for the active player, and sound as beautiful as they look! these basses have a 34 inch scale length with a deep cutaway to allow access to all 24 frets for maximum playability. dual bass clef sound holes and an additional tear-drop shaped side sound hole monitor provide strong projection, as well as a stunning look when combined with the hand rubbed satin violin stain finish. every sawtooth acoustic-electric bass is equipped with a fishman presys ii preamp/tuner, and includes a chromacast pro series 20mm padded gig bag with 7 pockets for all your gigging needs. also available in fretless configuration.
Specifications:
| Product Dimensions | 49.5 x 20 x 7.5 inches |
| Is Discontinued By Manufacturer | No |
| Back Material | Maple |
| Color Name | Fretted Bass |
| Fretboard Material | Ebony |
| Guitar Pickup Configuration | Piezoelectric |
| Scale Length | 34 |
| String Gauge | Light |
| String Material | nickle_steel |
| Top Material | Maple |
| Neck Material Type | Maple |
| Number of Strings | 4 |
| Guitar Bridge System | Fixed Bridge |
| Battery type | Alkaline |
| String Material Type | nickle_steel |
| Finish Type | Polished |
| Instrument | Guitar, Violin |
| Operation Mode | Acoustic, Electric |
Reviews:
Just bought one. Very nice looking, plays well. Bought mine via Walmart for a lower price.Nice gig bag, great Fishman electronics. I have owned Aliens, Ovations and now this one. This one is a keeper. Same feedback issues at higher volumes that almost all acoustic basses seem to have. Just have to rely on a good EQ to get rid of most of it.616jacqdaniels
Bass plays and sounds great looks really good to love itdrwho12345
20. Yamaha Trbx304mgr 4-String Bass Guitar, Mist Green
Product Details:
The trbx304 from yamaha is built for performance with a perfectly balanced, ultra-comfortable solid mahogany body which provides the optimum tonal foundation and a performance eq active circuitry for instant access to perfectly dial-in stage ready tones. trbx’s neck design combines a fast, ultra comfortable profile with 5-pc maple/mahogany laminated construction for outstanding stability and excellent tone. ygd designed m3 pickups feature oversized polepieces and ceramic magnets for a clear, powerful tone with incredible definition and depth. the hum cancelling design ensures your performance clean and noise free while the integral thumb rest provides unrivalled playability. trbx300 models feature yamaha’s exclusive perfomance eq active circuit with five performance tuned full spectrum eq curves optimized to give instant access to essential sounds along with powerful 2-band master equalization to shape and define your tone. trbx uses a precision fitted bolt-on neck joint for maximum adjustability and clear, punchy tone. developed through hundreds of hours of play testing, the refined neck joint shape perfectly balances strength, vibration transfer and upper fret access. a high-mass die-cast bridge efficiently transfers string vibrations to the body for full, rich tone combined with excellent adjustability and road tested durability. 19mm string spacing on the 4-string model offers outstanding playability for technical slap or finger styles.
Specifications:
| Length | 47.83 in |
| Height | 4.13 in |
| Width | 17.91 in |
Reviews:
I had wanted to learn how to play bass guitar since my early 20's so I finally decided to make it happen at age 46. After doing quite a bit of online and in-store research I landed on the Yahama TRBX 304. Rather than explain all the reasons I didn't select a different brand or model I'll tell you why I picked this one. To put it simply, it just felt and sounded right. The neck is smooth and somewhat narrow which is great for my small hands. The frets are mellow with no sharp or jagged edges and the ergonomic pick-ups with the thumb/finger contours fit like a glove. The electronics are amazing as well. Aside from my poor finger placement on the frets I don't get a lot of annoying buzz. The five EQ settings are great for allowing me to find the sounds I'm looking for without investing in a higher end accessories. My only complaint about this guitar would be the aesthetics. While I like the feel and contouring of the base, I wish they had a better color selection. Would love to see this in the old violin sunburst color the 204 comes in but I have no complaints otherwise. Having never really played a guitar of any kind I'm happy to say I've already been able to learn a few easy songs like Seven Nation Army. Yesterday I learned Tool's "46 and 2" and have a basic understanding of The Beatles "Come Together". Overall I couldn't have made a better choice within my $300 – $400 budget.JASON
I have only been playing bass for for 5 months and was looking to purchase a brand new one. I was using a used Ibanez that paid $100 bucks for, however, it was killing my shoulder and neck as it is so heavy!!! Upon my online research, I came across some YouTube video reviews on the Yamaha TRBX304. I was hooked! The weight would be perfect, the thumb rest on the pick ups would be so comfortable, and they offered the bass in the color of Candy Apple Red….to die for literally. One problem I had with my decision to purchase this bass, was being able to afford to, put out all of the money at once. Then I came across American Musical website, where they offer payment plans, and I almost didn't believe it was true. But I took a chance and signed up. I was so excited, I couldn't wait to have my next band rehearsal, after receiving the bass just 3 days later. My bandmates, who are seasoned players, said that this bass has great action, it feels good to play, and the color is stella! I am in love with this model bass and I look forward to my next purchase, hopefully by next Christmas, definitely getting myself another color.
I've owned this instrument for going on seven months. Possibly the most beautiful bass I've ever owned; wherever I play I'm complimented on its jewel-like stunning candy apple red finish. Combined with a superior active EQ system, it's a beauty AND a beast. Great variety of styles through a 5-way switch that actually works! Nicely finished, high-quality rosewood fretboard with a satin neck, a bit on the thin side. Currently it's suffering the dreaded winter season's sharp fret ends, but it's only slight. A feature I appreciate (especially after 4-hour gigs) is the body wood, which is substantial enough, but somehow made lighter, I guess by "chamfering" which is what I call tapering, because it's not chambered. Somewhat beefier bridge than a Fender Std American J-Bass, perfectly aligned to center strings directly over the pole pieces. Easy access to the truss rod. The bass could have benefited from a better nut, but it's serviceable. Pups are designed with a scooped out slot as a thumb rest, which I notice other musicians find beneficial (but I don't, depends on how you prefer to rest your thumb). I often use this for practice/rehearsing and sometimes for gigs when I don't want to risk losing or damaging my G&L Kiloton. This really is the only bass I'd consider gigging with full-time at the price–it's that good.MetroPlexBass
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