Are you looking for the 12 String Guitar Epiphone? If so, you’ve come to the right place.
Choosing the 12 String Guitar Epiphone can be difficult as there are so many considerations, such as Fender, Ibanez, Epiphone, Jackson, Taylor, Gretsch, Takamine. We have done a lot of research to find the top 20 12 String Guitar Epiphone available.
The average cost is $753.86. Sold comparable range in price from a low of $179.00 to a high of $3699.00.
Based on the research we did, we think Epiphone DR-212 12-String Acoustic Guitar Natural is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling 12 String Guitar Epiphone (20 Sellers)
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Reviewers Noted:
Good sound quality . Well made . Attractive . Durability . Lightweight
Features:
- Tested and plays easy with no buzzing out.
- Electronics work good.
- Frets look good.
$599.99
4.7
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Heavy
Features:
- The j-200 ec from epiphone pays homage to the classic gibson sj-200, also known as the king of the flattops. this limited-edition 12-string version features a super jumbo body with…
$764.95
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Heavy
Features:
- A battery is not included. to power your pickup, you will need a 9-volt battery.
- Square shoulder dreadnought.
- Body material.
$999.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Heavy
Features:
- All hail the king!
- Detailed specifications.
- Super jumbo non-cutaway.
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durable
Features:
- The world-renowned casino of epiphone
- Warm and rich vintage sound
- Stylish, iconic and comfortable quality guitar
$329.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$699.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durable
Features:
- Description
- Specification
- Dimensions: h: 110.5 x w: 45 x d: 12 cm
$179.00
4.4
Reviewers Noted:
Sound quality . Attractive . Lightweight . Well made . Durability
Features:
- Basswood body
- Bolt-on mahogany neck
- Rosewood fretboard
$3699.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship . Durability
Features:
- Solid sitka spruce top
- Solid figured maple back and sides
- Round c profile mahogany neck
$568.09
4.8
Reviewers Noted:
Good sound quality . Well made . Durable . Attractive
Features:
- Used epiphone j-45 ec acoustic guitar sunburst with a small dent close to the pickguard.
- This guitar has been tested, and it is fully working.
- It does not include case.
$749.00
4.8
Reviewers Noted:
Good sound quality . Well made . Durable . Attractive
Features:
- Very good condition
- There is a ding on the back of the neck, near the heel (see photos)
- Fishman sonicore pickup
$999.00
4.6
Reviewers Noted:
Sound quality . Craftsmanship . Visual appeal
Features:
- The legendary guns n' roses guitarist didn't only take on the rock world with a les paul, you know.
- Celebrating one of the most prolific names in rock, slash and epiphone have created an acoustic to inspire.
- Epiphone slash collec…
$1299.00
4.6
Reviewers Noted:
Attractive . Sound quality . Weight . Craftsmanship
Features:
- 5-ply layered maple body.
- Mahogany neck with indian laurel fingerboard.
- Gibson burstbucker pickups.
$1057.29
4.3
Reviewers Noted:
Good sound quality . Heavy . Attractive . Durability . Well made
Features:
- Made in korea 2000
- Fitted with seymour duncan jb & jazz pickups on both side
- Pots and capacitors also upgraded
$699.99
4.2
Reviewers Noted:
Sound quality . Visual appeal . Weight
Features:
- Solid body classical guitar with chambered body revolutionary shadow panoramic pickup system-no feedback when plugged in
- Controls include headphone and aux input, eq controls for high and low strings
- Ebony fingerboard, ebony bridge and graphtech nut
$269.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- This is an example of the guitar you will receive. epiphone presents the new les paul studio e1, an incredible introduction to the worlds greatest electric guitar that is affordable…
$649.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Selling my lp. i just don t play it nearly as much as it should be, and want to send it to a good home where it ll get some…
$179.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Lightweight
Features:
- Epiphone les paul special-i limited-edition electric guitar worn pelham blue – this is a limited-edition version of epiphone's number-one-selling model now available with choice "worn" finishes. the epiphone les paul…
$250.00
Features:
- As you can see, this epiphone 12 looks like it has been through some repairs. i don't quite know what the story is here but it looks like at one…
$299.99
Features:
- For sale: a signed epiphone pr 350 12 e. this guitar is in very good condition, there are some minor bumps and scratches are shown in the photos above, but…
1. Epiphone Dr-212 12-String Acoustic Guitar Natural
Product Details:
Mahogany body select spruce top 25.5 scale epiphone dr-212 12-string dreadnought acoustic guitar, natural. the dr-212 is a true 12-string acoustic guitar with the big sound and fine engineering you expect from epiphone. the dr-212 is not just a dreadnought with 6 extra strings. epiphone designed the dr-212 to take the stress of extra strings and not just support the spruce top but provide the proper bracing so what you hear is a balanced, cutting, and attention-getting tone. the 12-string dreadnought has often been thought of as the classic-go to guitar for blues, folk, rock, country, and everything in-between. epiphone know you want your 12-string acoustic guitar tone to be distinctive and for your instrument to not come unglued. a lot of 12-string guitar makers expect you to be satisfied with an ok sound hoping that the novelty of having a 12-string will detract from the fact it sounds thin.
Specifications:
Product Dimensions | 44 x 19 x 5.75 inches |
Is Discontinued By Manufacturer | No |
Back Material | Mahogany |
Color Name | Natural |
Fretboard Material | Pau Ferro |
Scale Length | 25.50 |
Top Material | Spruce |
Neck Material Type | Mahogany |
Number of Strings | 12 |
Fretboard Material Type | Pau Ferro |
Hand Orientation | Ambidextrous |
Reviews:
I ordered this instrument as I was curious as to how I'd get along with 12 strings, and to see if it would be worth future investment. I've ordered and played an Epiphone EJ-200 before and was surprised by the brilliant quality I was getting for such a low cost, so on this occasion I followed Epiphone again for my foray into 12 string playing. The instrument is well crafted for the price point with only a few small QC issues slipping through, but nothing I can't live with. I was hoping for a larger sound as the small dreadnought body doesn't quite articulate as well as a bigger instrument would. It's got that jangle sound you want, although it feels like it's a little suppressed with the mahogany build and body shape & size. That being said, the instrument handles very well, and for me it was an easy adaption to play with the much thicker and wider neck. It holds tuning well and was set up pretty nicely – I didn't have to make any adjustments out of the box. For a first 12 string I'd recommend this above most others at the price point.
This is my Long Term Review. I have had this guitar for a bit over two years now and can give a more complete picture of it. First, the good. This is a very well made guitar. Under the pros, you will notice I mentioned Good Construction. This is particularly important in a 12 string. The biggest issue with all 12's is that they tend to come apart very quickly. You will have bowing, warping, separation of glueing, etc. All this is because of the tremendous extra pressure 12's suffer. After 2+ years, this guitar is still solid as a rock, and I leave it strung all the time. So I would say construction and bracing are very good on this instrument. Along with this is the fact that it Stays In Tune. This is another major issue with all 12's. Again, that extra force tends to make them go out of tune quickly. This one holds tune very well, and that is important as tuning a 12 takes some time. As for sound, I would say Not too Bad overall, and Really Good for an budget level guitar. It is a little thin for my taste, but there are ways around that. First, throw on a set of decent strings. I prefer Martin Marquise on mine, but personal choice. Second, I like to play through an acoustic amp, and I put a Seymour Ducan Woody on mine. When adjusted correctly, I can get a really decent, full bass sound, lots of body and still keep a nice jangle expected from a 12. Will it sound like a Martin or Gibson, no, but it gives a really nice sound for such a low price. As for the negatives, very few. First, keep in mind when Epiphone says "Select Spruce Top," they really mean laminated, not solid. But I suppose there varying qualities of laminated woods as well, and this one is great – really good resonance and sustain. It could maybe do with a better set of tuners, but as said before, it holds tune exceptionally well. Overall, for the price, Epiphone makes a really nice and playable guitar. Now am just praying they come out with a Masterbilt version of it.kdw
As usual with AMS, my order process was very easy,. The order arrived exactly when it was supposed to. However that’s when it all went South….! Exited to see and play my new 12 string, I unboxed it’s and sat down to play it. There was a single string in tune, not a one. A first I might add from AMS. I spent the rest of the day attempting to tune the guitar, although I never did. The tuners were difficult to turn, as if there was a bind of some type. I would get the note close only to have it go flat or sharp. I never was able to get it right. I called a friend of mine who’s been playing over 50 years and he was unable to get it in tune as well. Unfortunately I did return it to AMS, without issue. I must add, I have 2 other Epiphone guitar, electric and acoustic and they both came out of the box nearly perfect. I have never had a negative issue with AMS, and even the call to Customer Service was very positive and the agent could not have been nicer and even apologetic. I’m guessing this was just a lemon, but for now I’m going to do a little more research before I decide which 12 string I order, at this particular price point.
2. Epiphone J-200 Studio Limited-Edition 12-String Acoustic-Electric Guitar Vintage Sunburst
Product Details:
The j-200 ec from epiphone pays homage to the classic gibson sj-200, also known as the king of the flattops. this limited-edition 12-string version features a super jumbo body with maple back and sides, a solid spruce top for outstanding tone and a hard maple neck with a slim – taper d profile for optimal comfort and playability regardless of skill level. equipped with a fishman sonicore under-saddle pickup and presys preamp, the j-200 ec also includes a bridge with the legendary mustache shape and a pickguard highlighted by iconic j-200 graphics. solid spruce top and maple body – maple neck with 1960s slim – taper "d" profile – pau ferro fingerboard and bridge – fishman sonicore undersaddle pickup and presys preamp | epiphone j-200 studio limited-edition 12-string acoustic-electric guitar vintage sunburst
Specifications:
Body type | Super Jumbo |
Top wood | Solid spruce |
Neck shape | Slim Taper D |
Nut width | 1.68" |
Fingerboard | Pau Ferro |
Neck wood | Maple |
Scale length | 25.5" |
Number of frets | 20 |
Bridge | Pau ferro |
Pickup/preamp | Fishman Undersaddle pickup |
Tuning machines | Sealed high-ratio |
Orientation | Right-handed |
Number of strings | 12 string |
Country of origin | Indonesia |
Reviews:
I play solo gigs three nights per week in the spring/summer/fall in a small Colorado mountain town. Guitar, harmonica, and vocals through two matching Fishman Loudbox Artist amps. I bought my first Epiphone EJ200 in ebony in 2014 thinking that in the event it didn't play well, it would look fantastic on the wall. I took it along with my Gibson Super Jumbo 200 to the next Friday's gig. I got halfway through with the Gibson, and decided to try the new ebony Epiphone EJ200. I was astounded. I have since used the ebony, "Black Dog" for 95% of my performances since. "Oh, I thought it was a Gibson. It's only an Epiphone."—"Right. The Gibson is in the gig bag. It's my backup." I have since purchased two more Epiphone EJ200s. I saw this 12 string offered last week asd a "limited edition" and ordered it immediately. I have owned an Ovation Custom Legend 12 string for over fifteen years, gorgeous and gig worthy, and well as a Rickenbacker 360 12 string for two decades which is also a dandy. I have had two 30 minute sessions both unplugged and plugged in with this new Epiphone EJ 200 12 string, and like the original ebony 6 string, "Black Dog", this new EJ200 12 is astounding. It is visibly gorgeous. Ir frets more easily and more naturally than some of my 6 string guitars. (I own 15—"tools" that pay for themselves) And the sound both unplugged and plugged in is angelic, or at least remarkable. I think I've found another "Oh, I thought it was a Gibson" incredible instrument by Epiphone. I've been performing gigs for about three decades now. It would have been nice to have owned this baby years ago. Thank you Epiphone, and thank you Guitar Center for getting this thing where it belongs, strapped around my neck and in my hands. Wonderful guitar!!!!Daniel B
Sound: The Epiphone Inspired by Gibson J-200 seems to compliment my voice the best out the ones I've mentioned. Don't get me wront this Gibson G-45 Studio is a very sweet sounding acoustic. I replaced the sonitone p/u with a Dimarzio[sic] Dark Angel and it seems to have warm up the sound, a bit more mellow. I really love the way the Sonitone sounds in the J-200 and will be keeping it like it is. I may make a big upgrade for a new chorus pedal though, I am sure I will. Features: The J-200 with Sonitone system is pretty easy to use. I have plenty of different pedals, a lot of different chorus pedals. Right now I think I will splurge with something a little more expensive. My most expensive chorus pedal right now is the Boss pedal and I have had quite a while. This J-200 sounds great with just a touch of reverb. I really like all of these Epi's. But the most recent one really has my undivided attention. Ease of Use: It is very playable. The set up could not be better. I'm sure I wil tinker with it some, by that I mean try a few different pedal etc. This J-200 does not need to be tinkered with too much. As a matter fact it a very solid axe. Quality: It will last a life time, but I still want the Vintage Sunburst versionas soon as it is available. Value: Most definetly and then some. Manufacturer Support: I have not had to reach them. The Wow Factor: I can make good music with out it, but I'd just a soon stick with this one. Thank you I love this guitar! I'm hooked. Overall: I own the Epiphone Inspired by Gibson J-200 in the Antique Natural and it is one of the finest guitars In my collection. Which includes 3 EJ-200 acoustic-electrics, 3 EJ-160E acoustic-electrics and a Gibson G-45 Studio. I would rate them all 5 stars. I own several other acoustic -electrics as well, but plan on sell ing them and going for Epiphone Inspired by Gibson all the way around. I'm hooked. These guitars are top notch. Hard to beat the price and quality craftmanship.Michael
Let me start by saying I really like this guitar! I have a lot of acoustics including Martin, Taylor and Gibsons. I wanted a J-200 copy after making a mistake and selling my EPI J-200 Elite many years ago. The Masterbilt J-200 is nowhere close to the Elite series sound or quality and it's not a Gibson. I received the Masterbilt J-200 this week and did a complete set up including reshaping and lowering the bone saddle and adjusting the bow out of the neck with the truss rod. (easy to do). I also treated the neck with a concoction of Guitar Honey and Minwax mahogany to seal and treat the neck. I took off the 12 – 53 strings (wimpy sounding) and put on 12.5 – 55 Martin SP strings which made a huge improvement in loudness and tone. The overall workmanship is good and minimum flaws noticed. Observations: Heavy guitar (just like my other Epi Masterbilts) They plane the wood down only so thin to add strength and rigidity but it does NOT vibrate like a quality guitar. The spruce top is just too darn thick. The top measures .160" thick. many of my guitars are .120" – .125" thick. The X bracing on this guitar is huge in comparison to other Jumbos I have and that adds a lot of weight to the guitar. This also keeps the top from vibrating effectively. The "Gloss" finish advertised is really more of a "satin" and not a nice high gloss. I have used paste wax and buffed the top twice to improve the gloss finish. I wish Epiphone would not use this satin finish. I am not a fan. The frets are nice and the guitar appears to have been Pleked! They are very consistent down the neck and allowing for a nice low action without fretting out. Electronics sound fine and do a nice job. Overall this is a nice guitar and a real step up from the EJ-200 laminated guitar. As a solid wood guitar in in this price range I would say it is a good buy. It is fun to play with nice tone and OK volume. If Epiphone would plane the top, sides and back wood a bit thinner it would improve,Monte
3. Epiphone Hummingbird 12-String – Aged Cherry Sunburst
Product Details:
Epiphone hummingbird 12-string (all solid wood; fishman sonitone) aged cherry sunburst gloss inspired by the iconic gibson hummingbird acoustic, the epiphone inspired by gibson hummingbird 12-string produces a clear, bright tone with a beautifully balanced sonic range and comes equipped with a unique hummingbird pickguard. the epiphone inspired by gibson hummingbird 12-string has a solid spruce top, solid mahogany back and sides, dovetail neck joint, bone nut and saddle, fishman sonitone pickup system, and an aged vintage gloss finish. hardshell case or epilite case sold separately.a battery is not included. to power your pickup, you will need a 9-volt battery.
Specifications:
Body Shape | Square Shouldered Dreadnought |
Back | Solid Mahogany |
Side | Solid Mahogany |
Bracing | Quarter Sawn Spruce |
Binding | Ivory and Black 6-ply (top) and 4-ply (back) |
Finish | Aged Gloss |
Neck Material | Mahogany |
Scale Length | 24.724" |
Fingerboard Material | Indian Laurel, Antique Ivory binding |
Fingerboard Radius | 12.01" |
Number Of Frets | 20 |
Frets | Medium Jumbo |
Nut Material | Bone |
Nut Width | 1.875" |
End of Board Width | 2.461" |
Inlays | Mother of Pearl Split Parallelogram |
Joint | Glued in, Tapered Dovetail Set Neck |
Hardware Finish | Nickel |
Tuner Plating | Nickel |
Bridge | 12-String, Reverse Bell |
Saddle Material | Bone |
Tuning Machines | Grover Mini Rotomatic |
Pickguard | Hummingbird Shape with Hummingbird Graphics |
Truss Rod | Dual Action |
Truss Rod Cover | 2-Ply, HUMMINGBIRD in white |
Bridge Pins | Ivory |
Strap Buttons | 2 – end pin jack and side of heel |
Under Saddle Pickup | Fishman Sonicore |
Output Jack | 1/4" Endpin Jack |
Preamp | Fishman Sonitone |
Reviews:
I've been looking for a particular sound from an acoustic to replace my Ibanez. I went into to the GC to get strings for my other axes and try out a white Tele they had. Tele wasn't quite what I was looking for so I went into the accoustic room and this just stood out and I had to tryit. I was sold after one strum of Dm-A-G. That was the sound I wanted. Mids somewhere between a J45 and a Taylor. Highs have just the right amount of brilliance without stealing the show. Exactly what I was looking for. It has a bone nut and saddle so this thing rings out so well. The only thing I can think of negative is the Epiphone Deluxe tuners feel cheap. I'm just going to order some Gibson Deluxe's, other than that this is a beaut!JR
This guitar is beautiful. I've played many guitars, but none are more pretty than this. I have the Cherry Burst, wow! The fretboard material is Laural Wood. It plays nicely with bended notes, nice and firm. This guitar has good "weight." It is one of the heavier acoustics I've played. I like that too, it feels like great quality. Mine is not made in China. It was manufactured in Indonesia. These Asian manufacturers are doing a great job and I like it that mine is from Indonesia, too. There is good balance in sound from string to string, too. It's nice that it came with a sound hole cover, but such a nice (and fairly pricey) guitar should come with a gig bag or case.Boomer
Overall: Ok let me first say that I have been playing guitar since 1964. I have so many guitars since then I can't even remember them.In my experience Epiphone guitars have always been a solid platform for someone who is first starting and novice and intermediate level players.After reading about these " Inspired By Gibson" series Masterbilt guitars I thought I'd give one a try to see how close to a real Hummingbird it is.It caught me off guard. The fit and finish is outstanding. The playability was absolutely perfect out of the box.The original 1960's Headstock makes it look really nice. Not that deeply scalloped extended swelled at the top one usually find on an Epiphone. Nice touch Epiphone !The tulip Keystone vintage tuners are excellent. Smooth and tight. Fret work was amazing for a guitar in this price point as well as getting a guitar with beautiful solid mahogany and Sitka spruce that is finished in an accurate vintage toner. The real Mother of Pearl inlays are a really nice touch.At this price point getting an instrument with a one piece mahogany neck with no seperate heel is almost unheard of. I am tempted to say this Epiphone is so close to the Gibson model it amazed me that Gibson would allow Epiphone to produce something this close to their high dollar Hummingbird.In conclusion…. BUY IT !! You will not be sorry. zZounds is the best out there for sales, service and amazing one day delivery.Ed
4. Epiphone J-200 Acoustic Guitar – Aged Natural Antique Gloss
Product Details:
This item is in very good condition. comes with original hard case. this item has been tested and is 100% functional please message us with any questionsbuy with confidence from our burnsville and roseville locations! all of our equipment has been fully tested and is 100% functional. instruments are guaranteed to arrive in playable condition. as instrument setups can vary, additional adjustments may be needed to suit individual player preferences. questions your e-commerce purchase may be subject to state and/or local sales and use tax reporting and remittance. please consult your state s sales and use tax requirements for your potential sales or use tax obligations for this e-commerce transaction.
Specifications:
Body Shape | Super Jumbo Non-Cutaway |
Back | Solid Figured Maple with center strip |
Side | Solid Figured Maple |
Bracing | Quarter Sawn Spruce |
Binding | 6-ply (top) and 4-ply (back) |
Scale Length | 25.551" |
Fingerboard Material | Indian Laurel |
Fingerboard Radius | 12.01" |
Number Of Frets | 20 |
Frets | Medium Jumbo |
Nut Material | Bone |
Nut Width | 1.693" |
End of Board Width | 2.258" |
Inlays | Mother of Pearl Graduated Crowns |
Joint | Tapered Dovetail |
Tuner Plating | Gold |
Bridge | J-200 Moustache |
Saddle Material | Bone |
Pickguard | J-200 Style Tortoise Shell with 2 Color Graphics |
Truss Rod Cover | 2-ply Bell |
Reviews:
I play solo gigs three nights per week in the spring/summer/fall in a small Colorado mountain town. Guitar, harmonica, and vocals through two matching Fishman Loudbox Artist amps. I bought my first Epiphone EJ200 in ebony in 2014 thinking that in the event it didn't play well, it would look fantastic on the wall. I took it along with my Gibson Super Jumbo 200 to the next Friday's gig. I got halfway through with the Gibson, and decided to try the new ebony Epiphone EJ200. I was astounded. I have since used the ebony, "Black Dog" for 95% of my performances since. "Oh, I thought it was a Gibson. It's only an Epiphone."—"Right. The Gibson is in the gig bag. It's my backup." I have since purchased two more Epiphone EJ200s. I saw this 12 string offered last week asd a "limited edition" and ordered it immediately. I have owned an Ovation Custom Legend 12 string for over fifteen years, gorgeous and gig worthy, and well as a Rickenbacker 360 12 string for two decades which is also a dandy. I have had two 30 minute sessions both unplugged and plugged in with this new Epiphone EJ 200 12 string, and like the original ebony 6 string, "Black Dog", this new EJ200 12 is astounding. It is visibly gorgeous. Ir frets more easily and more naturally than some of my 6 string guitars. (I own 15—"tools" that pay for themselves) And the sound both unplugged and plugged in is angelic, or at least remarkable. I think I've found another "Oh, I thought it was a Gibson" incredible instrument by Epiphone. I've been performing gigs for about three decades now. It would have been nice to have owned this baby years ago. Thank you Epiphone, and thank you Guitar Center for getting this thing where it belongs, strapped around my neck and in my hands. Wonderful guitar!!!!Daniel B
Sound: The Epiphone Inspired by Gibson J-200 seems to compliment my voice the best out the ones I've mentioned. Don't get me wront this Gibson G-45 Studio is a very sweet sounding acoustic. I replaced the sonitone p/u with a Dimarzio[sic] Dark Angel and it seems to have warm up the sound, a bit more mellow. I really love the way the Sonitone sounds in the J-200 and will be keeping it like it is. I may make a big upgrade for a new chorus pedal though, I am sure I will. Features: The J-200 with Sonitone system is pretty easy to use. I have plenty of different pedals, a lot of different chorus pedals. Right now I think I will splurge with something a little more expensive. My most expensive chorus pedal right now is the Boss pedal and I have had quite a while. This J-200 sounds great with just a touch of reverb. I really like all of these Epi's. But the most recent one really has my undivided attention. Ease of Use: It is very playable. The set up could not be better. I'm sure I wil tinker with it some, by that I mean try a few different pedal etc. This J-200 does not need to be tinkered with too much. As a matter fact it a very solid axe. Quality: It will last a life time, but I still want the Vintage Sunburst versionas soon as it is available. Value: Most definetly and then some. Manufacturer Support: I have not had to reach them. The Wow Factor: I can make good music with out it, but I'd just a soon stick with this one. Thank you I love this guitar! I'm hooked. Overall: I own the Epiphone Inspired by Gibson J-200 in the Antique Natural and it is one of the finest guitars In my collection. Which includes 3 EJ-200 acoustic-electrics, 3 EJ-160E acoustic-electrics and a Gibson G-45 Studio. I would rate them all 5 stars. I own several other acoustic -electrics as well, but plan on sell ing them and going for Epiphone Inspired by Gibson all the way around. I'm hooked. These guitars are top notch. Hard to beat the price and quality craftmanship.Michael
Let me start by saying I really like this guitar! I have a lot of acoustics including Martin, Taylor and Gibsons. I wanted a J-200 copy after making a mistake and selling my EPI J-200 Elite many years ago. The Masterbilt J-200 is nowhere close to the Elite series sound or quality and it's not a Gibson. I received the Masterbilt J-200 this week and did a complete set up including reshaping and lowering the bone saddle and adjusting the bow out of the neck with the truss rod. (easy to do). I also treated the neck with a concoction of Guitar Honey and Minwax mahogany to seal and treat the neck. I took off the 12 – 53 strings (wimpy sounding) and put on 12.5 – 55 Martin SP strings which made a huge improvement in loudness and tone. The overall workmanship is good and minimum flaws noticed. Observations: Heavy guitar (just like my other Epi Masterbilts) They plane the wood down only so thin to add strength and rigidity but it does NOT vibrate like a quality guitar. The spruce top is just too darn thick. The top measures .160" thick. many of my guitars are .120" – .125" thick. The X bracing on this guitar is huge in comparison to other Jumbos I have and that adds a lot of weight to the guitar. This also keeps the top from vibrating effectively. The "Gloss" finish advertised is really more of a "satin" and not a nice high gloss. I have used paste wax and buffed the top twice to improve the gloss finish. I wish Epiphone would not use this satin finish. I am not a fan. The frets are nice and the guitar appears to have been Pleked! They are very consistent down the neck and allowing for a nice low action without fretting out. Electronics sound fine and do a nice job. Overall this is a nice guitar and a real step up from the EJ-200 laminated guitar. As a solid wood guitar in in this price range I would say it is a good buy. It is fun to play with nice tone and OK volume. If Epiphone would plane the top, sides and back wood a bit thinner it would improve,Monte
5. Epiphone Casino Worn Electric Guitar Worn Olive Drab
Product Details:
Mint condition with 6 month alto music warrantysince 1961, the legendary casino has been epiphone s best-selling archtop and a rock n roll standard. first introduced in 1961, the casino was just one of several new thinline archtops designed and produced at the company s adopted new factory in kalamazoo, michigan that it shared with one-time competitor and new partner, gibson. the casino was first adopted by keith richards of the rolling stones who used a casino to record the demo for satisfaction at chess records in chicago. howlin' wolf took a casino on his first tour of the uk, appearing on thank your lucky stars. shortly afterwards, john lennon and george harrison bought casinos for the beatles 1966 world tour. featuring dogear p-90t classic pickups and a 5-ply maple body with basswood top bracing.
Specifications:
Body Shape | Casino |
Back | Layered Maple |
Side | Layered Maple |
Bracing | Spruce Contour Brace |
Binding | Single ply cream – top, back and fretboard |
Finish | Worn |
Neck Material | Mahogany |
Scale Length | 24.724" |
Fingerboard Material | Indian Laurel |
Fingerboard Radius | 12.01" |
Number Of Frets | 22 |
Frets | Medium Jumbo |
Nut Material | Graph Tech NuBone |
Nut Width | 1.693" |
Inlays | Trapezoid |
Joint | Set Neck |
Hardware Finish | Nickel |
Tuner Plating | Nickel |
Bridge | Epiphone LockTone Tune-O-Matic |
Tailpiece | Diamond Trapeze |
Pickguard | Casino with "E" logo, 3-ply |
Truss Rod | Dual Action |
Truss Rod Cover | 2-Ply Crescent Bullet with "E" logo |
Control Knobs | Gold Top Hats with metal inserts and dial pointers |
Switch Tip | Cream |
Strap Buttons | 2 – bottom and back of heel |
Pickup Covers | Nickel Dogear |
Neck Pickup | Epiphone PRO P-90 |
Bridge Pickup | Epiphone PRO P-90 |
Controls | 2 Volume, 2 Tone, CTS Potentiometers |
Pickup Selector | 3-way Epiphone toggle |
Output Jack | Epiphone heavy duty 1/4" output jack |
Reviews:
I love this Casino. I knew I wanted a P-90, and I really wanted a fully hollow body. I wanted to see if I could replicate a I've been agonizing over the purchase for months, looking for every possible solution, and was almost ready to pull the trigger on the Epi USA version, and after MUCH research, finally decided to go with the regular Epiphone. The construction, from everything I read, is excellent, and I knew that if necessary, I could always switch out the pups. Well, I can't say enough about how good this guitar is! I am extremely fussy on setups (I do setups on my own guitars and for other people) and this thing was ready to play right out of the box! I literally didn't touch a thing except to tune it up. I won't even have to dress the frets. I may touch them up just a bit (again, I'm really fussy) but they feel better than most guitars that cost three times as much. It is really beautiful. I love the vintage sunburst. The finish is flawless. Now for the important part – it plays like a dream. The neck profile is extremely comfortable. I can move up and down the neck as fluidly as on any guitar I own. And the sound! I was amazed at how present it is, even before plugging it in. I see this little sweetheart spending a lot of evenings on the couch with me. Soft enough not to overly bother my wife, but again – very present. Plugged in – well lets just say I won't be replacing these pups. It is exactly the sound I was hoping for. I'm no Grant Green, but I can certainly understand why he loved this guitar. Would I recommend it? Heck yeah! Country? Check. Classic rock? Check. Rockabilly, surf, blues and even jazz? Check, check, check, and check.Jess
This thing is easily worth 4 times the price. The build quality is impeccable. The binding is perfectly flush, the finish is beautiful and evenly applied and the intonation was extremely close out of the box (I only had to move the G string saddle back a bit to set it, all the other strings were perfect). The headstock has a nice molded profile to the sides – this is something I haven't seen on other Epiphone guitars. The PRO p90 pickups are fantastic. I have 11 other electrics from an epi 335 to a Gibson Les Paul Traditional to modded teles and strats and I never could quite find that classic clear tone with a thick rich drive when you dig into it that I've been looking for – this Casino has that sound! Every website/listing likes to talk about the Beatles… that comparison doesn't speak to what this guitar is capable of. This is more in line with Gary Clark Jr., The Black Crowes, Jack White and The Allman Brothers Band sounds. Think rich, bluesy rock. It's much cooler than "the Beatles guitar". Plug this sucker into a Vox and you're in business. The C shape neck is very comfortable- it has a flat back with rounded sides. Plus, with the satin finish your hand moves more freely up and down the neck. It's nice to play unplugged too, it's fully hollow so it plays/sounds like a quieter acoustic unplugged. The knobs/pots are really cool looking and work great with no scratching. They have even adjustments – no quick falls after a certain number like you see with others in this price range. They have a cool old school tab to show where you are on the dial (no pictures show this little detail). All in all – super cool vintage vibe, sweet clean tone with a fun roaring bite on the gain – excellent guitar.
Had the money to buy any guitar in the shop. Liked the looks of the SG, worn ebony with rosewood fingerboard and the Gibson speed knobs. Having only played guitars with 9.5 radius, I found the 14 radius was better for bar chords. The craftsmanship is excellent, can find no flaws the body or neck. The truss rod was out of adjustment, considerable back-bow. I fixed that, and set the action low. The intonation was spot on. Frets were polished with no sharp edges. I plan to upgrade the cheap electronics with new pots. As for the pickups, they sound ok. Since I use a modeling amp, not a big issue for me. The nut is a GraphTech synthetic bone. Nice touch for an inexpensive guitar, since i do not like changing them out…too much risk of damage. I have fender Strat and Tele, but have not put this down since purchasing it. Once I upgrade the electronics, this will be a very solid guitar.Jeff
6. Epiphone Hummingbird Pro Acoustic-Electric Guitar – Faded Cherry
Product Details:
The epiphone hummingbird pro acoustic/electric guitar brings the legendary country/rock "hummingbird" into the 21st century with the new shadow eperformer preamp and shadow nanoflex pickup system. first introduced in 1960, the square shouldered hummingbird quickly became a classic thanks to keith richards of the rolling stones, who used a hummingbird for rhythm on early stones hits like "satisfaction," "play with fire," and "under my thumb." there are also many classic photographs of keith using a hummingbird on sessions for exile on main street, goat's head soup, and sticky fingers. today, the hummingbird is still a go-to acoustic for rockers like noel gallagher, sheryl crow, and kid rock when they need a rhythm guitar with smooth action and superb "woody" tone that's full of character. on its own, the hummingbird pro acoustic/electric can drive an all-acoustic band or be front and center at a picking party with its sweet, balanced tone. now with the shadow eperformer preamp and shadow nanoflex pickup system. the hummingbird pro can plug-in and hold its own on any size stage. body: select mahogany. neck: select mahogany. neck profile: slimtaper "d" profile. fingerboard: rosewood. fingerboard: radius 12". truss rod: adjustable. binding: fingerboard 1-ply (white), body top 5-ply (white/black), body back 1-ply (white). fingerboard inlay: pearloid parallelogram. scale: 24.75". frets: 20, medium frets. nut: 1.68". bridge: rosewood, reverse belly. saddle: compensated, imitation bone. pickguard: imitation tortoise with traditional hummingbird artwork. hardware: nickel. machine heads: grover 14:1. electronics: shadow eperformer preamp. controls: master volume, treble eq, bass eqcase sold separately.
Specifications:
Product Dimensions | 44 x 6 x 19 inches |
Batteries | 2 CR2 batteries required. |
Is Discontinued By Manufacturer | No |
Back Material | Select Mahogany |
Color Name | Faded Cherry |
Fretboard Material | Pau Ferro |
Guitar Pickup Configuration | Piezoelectric |
Scale Length | 24.75" |
Top Material | Solid Spruce |
Neck Material Type | Select Mahogany |
Number of Strings | 6 |
Guitar Bridge System | Rosewood; Reverse-belly |
Battery type | Alkaline |
Voltage | 9 Volts |
Fretboard Material Type | Pau Ferro |
Hand Orientation | Right |
Reviews:
Bought without trying it out because I had seen a photo and decided I would like to try it but was out of stock for many months. Then it became available for $79 off and I jumped. – It came well packaged and in perfect condition. 'Played as well as it looked and it looks even better than the photos show it. The finish is as deep and glossy as any I have seen, and even the fretboard is bound. It seemed a tad bass shy at first but over the last few weeks has bloomed and now sounds beautifully balanced with tight well defined tones throughout the octaves and plenty of shimmer up high. 'Have not plugged in yet but it projects well without amplification and should be just fine for a small stage like a church or coffee house. I highly recommend this guitar to any enthusiast.Steven
I went to the GC in Palm Desert CA with a five-hundred dollar budget for a new acoustic/electric. There were three guitars that I had to play, but I was open to checking out others. I didn't see the Hummingbird in the room so I asked the clerk to check for me … he found one. Before he got back with the Epiphone, I had a chance to play the Guild and a Fender that were on my list, as well as a few that were not. The Fender was winning … until the clerk showed up with the Epiphone. The craftsmanship/fit and finish, the feel of the neck/action, the sound projection/tone … Everything about the guitar was perfect for me! I could not be happier!John
For the price it is exceptional value. Beautiful looking musical instrument. For me there are just two reservations. 1. There is no built tuner. 2. The pick up doesn’t work with my Xvive U2 wireless system. I have another electro acoustic, also with Fishman electronics, which does work with the Xvive U2 wireless system so I was sort of expecting this would to. Apart from that it is jewel of a guitar and punches well above its price tag.
7. Epiphone Les Paul Prophecy Electric Guitar (Olive Tiger Aged Gloss)
Product Details:
Fantastic example of a fantastic instrument. i got this on trade in mint condition and have only played it for about two weeks, at home (smoke-free). the plastic wrap is still on the rear access panels. one of the few lps with a belly cut, this is almost as comfortable to play as a strat. comes from the factory with fishman fluence pickups, locking grovers, push/pull tone and volume pots, bound body, neck, and (newly redesigned) headstock features abound. i really like this guitar, but 1. i m just not a fishman guy and 2. i just don t have room for it.
Specifications:
Body Type | Single Cutaway Solid Body |
Top wood | Flame Maple |
Body wood | Mahogany |
Body finish | Aged Gloss |
Neck shape | Asymmetric |
Neck wood | Mahogany |
Joint | Set-in |
Scale length | 24.75" |
Truss rod | Standard |
Neck finish | Aged Gloss |
Radius | 12" |
Fret size | Jumbo |
Number of frets | 24 |
Inlays | Pearloid Abalone |
Nut width/material | 1.69 in. (43 mm) GraphTech |
Configuration | HH |
Neck | Fishman Humbucker |
Bridge | Fishman Humbucker |
Control layout | Master volume Master tone |
Pickup switch | 3-Way |
Special electronics | Coil-tap Coil-split |
Bridge type | Fixed Bridge |
Bridge design | Individual saddle |
Tailpiece | Stopbar |
Tuning machines | Vintage-style Locking |
Number of strings | 6 String |
Orientation | Right Handed |
Country of Origin | China |
Reviews:
I am basically play for my own entertainment, and this LP Modern is rapidly becoming my favorite, even though I also really like my G&L Tele and Strat models. The shorter scale makes a difference and I find the neck fits my hand really nicely. The sound is great, as is the finish. Having said that, I would have given it 5 stars, but my guitar came with 5 areas of light scratches and scuffs, including under the protective plastic on the pick guard, but I was able to polish all of them out to where all but one area is completely gone. The worst spot was by the toggle switch, which is all but disappeared and probably with a little more polishing, would go away completely. I didn't want to take the chance of going thru the clear, but am happy with the results. Someone else who is uncomfortable with that process may find it unacceptable, but I doubt those issues are common on Epiphones and MF's return/exchange policy would certainly cover that as I was assured if I wished to do so. The Sparkling Burgandy finish is a real eye catcher and now it makes me want to pick up the guitar and play it, which is the whole point. The added weight relief makes it enjoyable hanging on your shoulder. This is a very nice guitar for the price and then some. And Devan Miller has been great during the whole process and follow up. Very knowledgeable, patient, and extremely helpful in answering all my questions. Highly recommend him as a rep.Steve R
Overall: The Epiphone Les Paul Modern sounds great and looks amazing. The new/old Kalamazoo headstock is a game changer for the overall look of the instrument. With push/pull coil split and phase switching there are a wide variety of useful sounds over and above the traditional Les Paul. Any differences between Epiphone and Les Paul pickups can be compensated for with EQ, especially while using overdrive. There is a bit of noise similar to single coils when using the coil split function.The guitar came with a great setup from the factory. Action and intonation are about the best I have seen of any of the dozen or so guitars I have owned. Tuning stability is exceptional. This is noteworthy for an Epiphone as there are often issues with tuning stability on Gibson LP's due to the angle of the headstock being greater than the Epiphones. The locking tuners are an excellent upgrade, and should be standard on most guitars these days. Regarding quality control, I identified three high frets that are causing some minor fret buzz, but not enough to send it back. Some minor fret work will resolve this, but you should take this into consideration if you are not inclined to spend extra money on a brand new guitar for fret leveling. I have read that this is a common issue with 2020-2021 Epiphones. Fret ends have some sharpness to them. The black pickguard has a gap around the neck pickup. Not very noticeable unless you are looking for it, but I am not sure why this is an issue. I have seen it on other guitars of this model. Though it is an Epiphone, this seems to be one area that would not be difficult to fix in design. Finally, there are minor quality control issues on the finish mostly around the binding with paint bleed or similar. Overall, at this price point, the guitar is a great purchase for the hobbyist, considering the Gibson version will cost about $3,000. However, with so many quality guitar choices in the $1,000 price range, I am not sure I would pay much more for an Epiphone, and am glad they kept the price point in this range.Shanon
Overall: The Good: took a chance to save some money on a "blemished" deal. Have had good luck with these in the past with zZounds, and as before, could not find any blemishes in regard to the finish. The setup, however, was abyssal. Once setup, the guitar is fantastic. Lighter weight than my other Epi, and.my.Gibson. The Probuckers are amazing. Great clarity and I see or hear no reason to replace them. Liking them better than my 57+ classics. Black guitars and me don't get along, as I have always sold them off. The graphite black and plain back on this guitar is gorgeous. Most likely a keeper. Neck feel is perfect. Coil split and tone controls really make a difference. Many sounds can be had. May soon become my #1 guitar. Plays effortlessly. The Bad: guitar setup was non existent. Tuners were crooked, nut slots too high, pickup height too low, pick guard installed incorrectly, uneven frets, action set for limbo, and scratchy pots. After cutting deeper nut slots, leveling and crowning the frets, lowering the action, adjusting truss rod, readjusting tuning pegs and pick guard, spraying the pots, and installing quality knobs, the guitar is now fantastic. I can understand why it was returned as it took a lot of work to get it playable. Luckily, I do that all myself so no extra $. Sadly, although great luck with zZounds in the past, this will be my last order until either:1) zZounds offers shipping options other than FedEx. Or2) Fedex gets their s**t together and figures out how to deliver packages to the correct address, with accurate tracking, and without damage.
8. Epiphone Limited Edition Les Paul Special-I Electric Guitar, Worn Cherry
Product Details:
This is a limited edition version of epiphone's number one selling model available with a choice of "worn" finishes. the epiphone ltd ed special-i is a great way for beginners to get started on guitar with real les paul tone and feel. but seasoned pros love the special-i also because it's a great-sounding, workhorse guitar that lets them leave their more expensive axes at home. the authentic lp power starts with an basswood, trademarked les paul body with a bolted-on "1960's" slim taper mahogany.
Specifications:
Covered, 14 | 1 die-cast tuners |
Reviews:
My first electric. Got it in a combo kit with amp and bag. Hook it into my computer now and rarely use the amp for anything. That being said, as many people have mentioned the bridge. If this isn't your first guitar, or you are looking for a second guitar – don't get this one. I learned about intonation and action and all that while having this guitar. You can only set the intonation on the outside E's and everything else is just what you get. My the height of my bridge for medium action on the low E is maybe a 1/16 from bottoming out, any lower it will buzz more. To get the same range of action on my high E my bridge is almost a 1/4" in the air. I do not know enough to get into shimming the neck to get it leveled out more, I just know enough to assume a 1/4" rise over 3" space probably isn't a good thing. However! I've learned plenty on it over these last 6 months. I bought this guitar because I did not want to invest a lot of money into it if I wasn't going to stick with it. I bought this in February of 22. The first 5 months I probably played on it maybe 50-60 hours. These last 4 months I've probably played on it 1-3 hours a day. I started using apps to learn and being able to plug it directly into my computer has been amazing. It's served it's purpose, I'm now getting to the level of playing where I'd like a better quality instrument and am looking in the $400-$500 range. For a first guitar, and you're not sure if you're going to stay with it, this was great for me and I will pass it on to someone else to get started with. Other than the bridge intonation and probably not flat fret board, I have had 0 mechanical issues with it.Jay
I was quite lucky to get the last Worn Yellow in stock online (for now). It arrived the next day. After some easy setting and adjusting it started to play very nicely. The sounding is quite pleasant and the playability is great. I'm an acoustic player who is very picky on the sounding of a guitar, now owning an all-solid Yamaha which sounds great. And I'm happy to have this Epiphone to try some new types of sounding. Overall, a great buy at this price! Highly recommended!David
Went in-store and purchased this blue beauty, got it home tuned her up plugged her in and on my VOX VT20X this Les Paul sounds amazing!! I also own a D'Angelico SS and a Squire fat Strat and obviously none of them will sound exactly the same however the LP for the price sounds far better than I expected. This is my practice guitar and who knows maybe even a couple of upgrades and it will be my travelling guitar. Well balanced lightweight even the factory strings worth keeping for a while. Definitely a good buy.jason
9. Epiphone Usa Frontier Acoustic-Electric Guitar Frontier Burst
Product Details:
Gibson manufactured the original epiphone frontier in its kalamazoo factory from 1958 until 1970. now the ft-110 frontier is being made in the usa once again, and is proudly handcrafted in bozeman, montana by gibson's finest acoustic luthiers. the frontier features a solid sitka spruce top and solid figured maple back and sides, indian rosewood fretboard, traditional hand-scalloped x-bracing, gold-plated gotoh keystone tuners, the iconic "lariat and cactus" themed pickguard, and a 25.5" scale length for a powerful tone. it comes equipped with an l.r. baggs vtc pickup, so it is stage and studio-ready, right out of the hardshell case which is included. available in antique natural and frontier burst.
Specifications:
Back | Solid Figured Maple |
Side | Solid Figured Maple |
Bracing | Traditional hand-scalloped X bracing |
Binding | Multi-ply Top and Back |
Neck Material | Mahogany |
Scale Length | 25.5" |
Fingerboard Material | Indian Rosewood |
Fingerboard Radius | 12" |
Number Of Frets | 20 |
Frets | Legend |
Nut Material | Bone |
Nut Width | 1.725" |
Inlays | Mother of Pearl Slotted Rectangle |
Hardware Finish | Gold |
Tuner Plating | Gold |
Bridge | Indian Rosewood; Belly Up |
Saddle Material | Bone |
Tuning Machines | Gotoh Keystone |
Truss Rod | Adjustable |
Truss Rod Cover | "Bullet" shaped; 2-layer (B/W) |
Bridge Pins | Tusq |
Strap Buttons | Cream |
Under Saddle Pickup | LR Baggs VTC |
Controls | 1 Volume, 1 Tone, Soundhole-mounted |
Output Jack | 1/4" Endpin |
Year | 2021 |
Back Material | Maple |
Finish Style | Gloss |
Fretboard Material | Rosewood |
Fretboard Radius | 12" |
Number of Frets | 20 |
Number of Strings | 6-String |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Sides Material | Maple |
Top Material | Spruce |
Wood Top Style | Plain |
Reviews:
Overall: I ordered this from Sweetwater back on May 4th and was supposed to get delivery mid-June to only find out (after trying to contact them for weeks) at best it may be August when I get this guitar. I cancel my order last night and reordered at 5 pm from zZounds and it was on my doorstep the next morning at 11am. Truly amazing. This this is an absolutely beautiful looking guitar with amazing tones with the maple construction. This is a steal at this price.John
So disappointed in this model. Having owned several "Masterbuilts", I was expecting the same level of craftsmanship that I've enjoyed from Epi over the years. I purchased 2 of these from MF and both were sent back. The first one had issues with the pick guard being loose and high frets. The second had terrible fret dressing and the nut and saddle were too high and the neck was warped. I really love the "rope n cactus" and hope that maybe I'll stumble across a good one someday.James
Overall: First off, I have to say I am extremely pleased with the quick and efficient service at zZounds. After researching that the Masterbilt Frontier model is still waitlisted from another well-known music store for an unspecified amount of time, I saw that this was in stock and quickly ordered it. I received it in two days, which is amazing. Out of the box, the action is slightly higher than I would like but still playable. It came with Gibson strings. Overall, the tone is superb, with good clarity, and the fit and finish of the guitar is great. This guitar is definitely in keeping with the notion that Masterbilt guitars punch above their price range in terms of value. Looking forward to the music of this guitar and doing business with zZounds again in the future.
10. Epiphone J-45 Ec Acoustic Guitar – Aged Vintage Sunburst Gloss
Product Details:
The legendary gibson j-45 has been a favorite of musicians ever since it was first introduced in 1942. now epiphone has released a new inspired by gibson j-45 cutaway that gives players improved access to the upper frets while retaining all of the features that make the j-45 special to begin with, including the sloped shoulder body with a solid sitka spruce top and solid mahogany back and sides, a comfortable rounded c neck profile, fishman sonicore under-saddle pickup and fishman presys ii preamp with volume and tone controls, and a beautiful aged vintage sunburst finish. optional hardshell or epilite case available separately. a battery is not included. to power your pickup, you will need a 9-volt battery.
Specifications:
Body Shape | Sloped Shouldered Dreadnought Cutaway |
Back | Solid Mahogany |
Side | Solid Mahogany |
Bracing | Quarter Sawn Spruce |
Binding | Top – 4-ply Ivory and Black; Back – 1-ply Ivory |
Neck Material | Mahogany |
Scale Length | 24.724" |
Fingerboard Material | Indian Laurel |
Fingerboard Radius | 12.01" |
Number Of Frets | 20 |
Frets | Medium Jumbo |
Nut Material | Bone |
Nut Width | 1.693" |
Inlays | Mother of Pearl Dots |
Joint | Tapered Dovetail |
Tuner Plating | Nickel |
Bridge | Reverse Belly, Indian Laurel |
Saddle Material | Bone |
Pickguard | Tortoise Shell Tear Drop, Epoxy Style |
Truss Rod | Dual Action |
Truss Rod Cover | 2-ply Bell |
Bridge Pins | Ivory |
Strap Buttons | 2 – end pin jack and back of heel |
Under Saddle Pickup | Fishman Sonicore |
Output Jack | End pin Jack |
Preamp | Fishman Presys II |
Reviews:
You're either in the market for a $3k guitar or a more reasonably priced guitar. If you're in the market for the prior, then by all means, check out the Gibson J45 (I would). But…. I'd suggest you look at this Epiphone J45 first. I own a Martin HD 28 and love it. It will never leave me. But it's not the guitar that I just want to knock around everywhere. And I decided I wanted a gibson strummer for when I sit out on deck in the high heat/summer humidity and tool around on. Then I decided I did not want to have $6k invested in two guitars for which neither should be exposed to extreme elements. So I decided to look at the epiphone strictly bc of price. Wow…what a secret weapon this guitar is. It just sounds amazing. The all solid wood construction is apparent from feel and sound. The aged finish (although poly) looks great and gives an immediate mojo look. But the real deal is that I find myself playing this guitar much more than my martin. Just bc I spend most good weather outside. And it sounds every bit as good to me. And I'm not worried about one single scratch or dent. And out of the box, the action was perfect, neck was perfect. Flawless finish. Anybody who tests this blind against a gibson j45 and says that they know it's not the true feel of a gibson is already biased bc they will know immediately what they are holding bc of the poly vs nitro finish. That's all nonsense. This epiphone holds up to not only its gibson counterpart, but other American manufacturers like Martin and Taylor (own a Taylor as well). This epiphone J45 is my most played guitar, although I did not intend it to be. And I have 12 guitars.
I’m real happy with is guitar but don't be fooled by some guy claiming on YouTube he never played a Gibson that sounds as good. That guy needs to play a new Gibson J45 to fix that! Neck feels great and is fast. Good bright tone focused on the mids. After the honeymoon is over you will find the treble strings sound slightly muted and I’m hearing this on all them. I think it’s from the under saddle Fishman pickup, but cant be sure until I remove it. The bone nut and saddle are made perfect and tuners work well with guitar staying in tune with stock strings. Fret work and intonation perfect on mine. The finish very good, but not perfect. This guitar is real good for bluegrass, but also a very good finger picker! Im thinking its the best acoustic out there for the price. Don’t be fooled, Gibson would never have a guitar built for them in Indonesia to out perform there branded J45 for a 3rd of the price lol I have no regrets, don’t hesitate, buy it!Mountain Rock
While the fit and finish is not at the Gibson J-45 level and the sound may not be exactly that of the Gibson variant, I did find the tone to be within the J-45 range. There is some glue smear at the bottom of the neck near the sound hole. The flatness of the sound board is ever-so-slightly wavy in a couple spots, maybe I'm just being overly picky. The rosette ring around the sound hole looks like it could be a sticker or painted on. I was surprised at how well the IBG J-45 sounded – clear articulate bass with slightly rolled off high frequency and excellent sustain. Many complain about the Fishman pickup, I thought it sounded rather good connected to my Boss Acoustic Singer Live. In playing back to back with my other brand ($3500) guitar, the sound from the IBG J-45, left me saying, "Hmm…" It sounds that good to me. The only question that may remain is – can one get over the logo on the headstock? You'll have to decide for yourself, but if it's the quality of sound, then rest assured that the IBG Epiphone J-45 delivers. If you don't believe me, swing by your local guitar shop and hear it with your own ears. 5-stars in sound, 3.5 stars in fit and finish. My overall score is a solid 4-stars.Norman
11. Epiphone J-45 Acoustic Guitar – Aged Vintage Sunburst Gloss
Product Details:
Epiphone's latest rendition of the iconic workhorse the classic j-45 has been the choice of legendary musicians ever since it was first introduced in 1942. known as the workhorse, it is gibson's most famous and most popular acoustic guitar model. now epiphone has released a new inspired by gibson j-45 with all of the features players want, including all solid wood construction, a comfortable rounded c neck profile, 20 medium jumbo frets, the 60s style kalamazoo headstock shape and a gorgeous aged vintage sunburst finish. the fishman sonicore under-saddle pickup and sonitone preamp make this workhorse stage-ready too. optional hardshell or epilite case available separately. a battery is not included. to power your pickup, you will need a 9-volt battery.
Specifications:
Body Shape | Sloped Shouldered Dreadnought |
Back | Solid Mahogany |
Side | Solid Mahogany |
Bracing | Quarter Sawn Spruce |
Binding | Top – 4-ply Ivory and Black; Back – 1-ply Ivory |
Finish | Aged Gloss |
Neck Material | Mahogany |
Scale Length | 24.724" |
Fingerboard Material | Indian Laurel |
Fingerboard Radius | 12.01" |
Number Of Frets | 20 |
Frets | Medium Jumbo |
Nut Material | Bone |
Nut Width | 1.693" |
End of Board Width | 2.258" |
Inlays | Mother of Pearl Dots |
Joint | Tapered Dovetail |
Hardware Finish | Nickel |
Tuner Plating | Nickel |
Bridge | Reverse Belly, Indian Laurel |
Saddle Material | Bone |
Pickguard | Tortoise Shell, J-45 Shape |
Truss Rod | Dual Action |
Truss Rod Cover | 2-ply, Bell |
Bridge Pins | Ivory |
Strap Buttons | 2 – side of heel and endpin jack |
Under Saddle Pickup | Fishman Sonicore |
Controls | Fishman Sonitone Soundhole mounted Volume and Tone |
Output Jack | Endpin Jack |
Preamp | Fishman Sonitone |
Reviews:
You're either in the market for a $3k guitar or a more reasonably priced guitar. If you're in the market for the prior, then by all means, check out the Gibson J45 (I would). But…. I'd suggest you look at this Epiphone J45 first. I own a Martin HD 28 and love it. It will never leave me. But it's not the guitar that I just want to knock around everywhere. And I decided I wanted a gibson strummer for when I sit out on deck in the high heat/summer humidity and tool around on. Then I decided I did not want to have $6k invested in two guitars for which neither should be exposed to extreme elements. So I decided to look at the epiphone strictly bc of price. Wow…what a secret weapon this guitar is. It just sounds amazing. The all solid wood construction is apparent from feel and sound. The aged finish (although poly) looks great and gives an immediate mojo look. But the real deal is that I find myself playing this guitar much more than my martin. Just bc I spend most good weather outside. And it sounds every bit as good to me. And I'm not worried about one single scratch or dent. And out of the box, the action was perfect, neck was perfect. Flawless finish. Anybody who tests this blind against a gibson j45 and says that they know it's not the true feel of a gibson is already biased bc they will know immediately what they are holding bc of the poly vs nitro finish. That's all nonsense. This epiphone holds up to not only its gibson counterpart, but other American manufacturers like Martin and Taylor (own a Taylor as well). This epiphone J45 is my most played guitar, although I did not intend it to be. And I have 12 guitars.
I’m real happy with is guitar but don't be fooled by some guy claiming on YouTube he never played a Gibson that sounds as good. That guy needs to play a new Gibson J45 to fix that! Neck feels great and is fast. Good bright tone focused on the mids. After the honeymoon is over you will find the treble strings sound slightly muted and I’m hearing this on all them. I think it’s from the under saddle Fishman pickup, but cant be sure until I remove it. The bone nut and saddle are made perfect and tuners work well with guitar staying in tune with stock strings. Fret work and intonation perfect on mine. The finish very good, but not perfect. This guitar is real good for bluegrass, but also a very good finger picker! Im thinking its the best acoustic out there for the price. Don’t be fooled, Gibson would never have a guitar built for them in Indonesia to out perform there branded J45 for a 3rd of the price lol I have no regrets, don’t hesitate, buy it!Mountain Rock
While the fit and finish is not at the Gibson J-45 level and the sound may not be exactly that of the Gibson variant, I did find the tone to be within the J-45 range. There is some glue smear at the bottom of the neck near the sound hole. The flatness of the sound board is ever-so-slightly wavy in a couple spots, maybe I'm just being overly picky. The rosette ring around the sound hole looks like it could be a sticker or painted on. I was surprised at how well the IBG J-45 sounded – clear articulate bass with slightly rolled off high frequency and excellent sustain. Many complain about the Fishman pickup, I thought it sounded rather good connected to my Boss Acoustic Singer Live. In playing back to back with my other brand ($3500) guitar, the sound from the IBG J-45, left me saying, "Hmm…" It sounds that good to me. The only question that may remain is – can one get over the logo on the headstock? You'll have to decide for yourself, but if it's the quality of sound, then rest assured that the IBG Epiphone J-45 delivers. If you don't believe me, swing by your local guitar shop and hear it with your own ears. 5-stars in sound, 3.5 stars in fit and finish. My overall score is a solid 4-stars.Norman
12. Epiphone Slash – J-45 – Acoustic Guitar – Vermillion Burst
Product Details:
Introducing the slash j-45 guitar! part of the inspired by gibson collection, it celebrates influential guitars slash has used during his career, inspiring multiple generations of players around the world. epiphone and slash are proud to present the slash collection. perfect for every stage and players of all levels, the epiphone slash j-45 features all solid wood construction with solid mahogany back and sides, a solid sitka spruce top with a 50s-style pickguard, grover rotomatic tuners, graph tech tusq nut and saddle, and slash’s personal touches including a c-shape neck profile, a flatter, more modern 16" fretboard radius, and an lr baggs vtc preamp and under-saddle pickup for natural acoustic sound when plugged in. exclusive to the slash collection are slash's “skully” signature drawing on the back of the headstock and slash’s signature on the truss rod cover. a custom hardshell case with slash's "skully" logo is also included.
Specifications:
Body Shape | J-45 |
Back | Solid Mahogany |
Side | Solid Mahogany |
Binding | 4-ply Top, 1-ply Back |
Finish | Gloss |
Neck Material | Mahogany |
Scale Length | 24.75" |
Fingerboard Material | Indian Laurel |
Fingerboard Radius | 16" |
Number Of Frets | 20 |
Nut Material | Graph Tech TUSQ |
Nut Width | 1.693" |
Inlays | Mother of Pearl Dots |
Joint | Tapered Dovetail; Glued-In |
Hardware Finish | Nickel |
Tuner Plating | Nickel |
Bridge | Reverse Belly, Indian Laurel |
Saddle Material | Graph Tech TUSQ |
Tuning Machines | Grover Rotomatic |
Pickguard | Tortoise Shell, 50s J-45 Shape |
Truss Rod | Dual Action |
Truss Rod Cover | 2-ply Bell with Slash Signature |
Bridge Pins | Ivory |
Strap Buttons | 2 – Side of Heel and Endpin Jack |
Under Saddle Pickup | LR Baggs VTC |
Controls | Soundhole mounted Volume and Tone |
Output Jack | 1/4" Endpin Jack |
Preamp | LR Baggs VTC |
Strings Gauge | .012 .016 .024 .032 .042 .053 |
Reviews:
I have small hands and was afraid the neck would be too wide however it is very comfortable. After a week the guitar opened up and sings like an angel. Has a great low end as well. The neck needed a slight adjustment by my luthier, no problem. I'm happy with the purchase. It's a beautiful guitar and a keeper.PD
I really liked this guitar, but not right away. I don't know why, maybe there was something wrong with my hearing, or maybe because before that I played the Yamaha with scalloped bracing (but not completely made of solid wood), but at first it sounded like a tin can. But after a few days I completely fell in love with her, finally I started hearing what I heard on numerous YouTube videos. As for the workmanship, everything is fine, but there is one negative point: the guy who installed the strings on this guitar must really dislike his job, because otherwise I don't understand how it can be done so badly. Bridge pins were inserted into the holes so that their grooves were not directed in the direction of the strings. One of them was directed almost perpendicular to the strings. Because of this, even the distance between the strings was not as it should be and not symmetrical. And also now there are unnecessary dents from the strings on the bridge, where they should not be, which I tried to capture on video.
13. Epiphone Joe Bonamassa 1962 Es-335 (Sixties Cherry)
Product Details:
An old friend comes home some guitars are more special than others, even when that guitar is owned by a world-famous guitarist and guitar collector like joe bonamassa. in 1996, he purchased a red 1962 gibson es-335 and used it on his first solo album, a new day yesterday. in 2001, he regrettably sold the guitar to help fund his move from new york to la. as the 20th anniversary of joe's first record approached, a strange twist of fate and an unexpected phone call resulted in joe being reunited with his old friend, the red es-335 that propelled him through his first solo effort and launched him into a new life on the west coast. feeling fortunate to get his old guitar back, joe promised that this important instrument would stay with him for the rest of his days. the epiphone joe bonamassa 1962 es-335 is a tribute to a legendary guitarist and one of his cherished instruments. it features a one-piece mahogany neck with an indian laurel fretboard and a comfortable rounded c profile, gibson burstbucker 2 and 3 pickups wired to cts potentiometers and mallory capacitors, a switchcraft pickup selector toggle switch and output jack, and a maestro vibrola. a custom hardshell case with epiphone and joe bonamassa graphics and a certificate of authenticity are also included.
Specifications:
Serial Number / Weight | Factory Set Up |
Electric Guitar Type | Semi-Hollow Body Electric Guitar |
Finish | Cherry Red |
Electric Guitar Body Style | ES |
Body Construction | Set Neck |
Orientation | Right-Handed |
Number of Frets | 22 |
Scale Length | 24.75" |
Top Material | Maple |
Neck Material | Mahogany |
Fingerboard Material | Rosewood |
Bridge Material | Steel |
Bridge Type | Tremolo |
Nut Material | Graph Tech |
Nut Width | 1.69" |
Number of Pickups | 2 |
Pickup Configuration | H-H |
Bridge Pickup | Gibson BurstBucker 3 |
Neck Pickup | Gibson Burstbucker 2 |
Controls | 2 x Volume & 2 x Tone |
Switch | 3-way Toggle Switch |
Coil Tapping | No |
Case Included | Hard Case |
Reviews:
Incredible value! This guitar captures the early 60s feel and playability. Came well set up.John
I bought mine a few days ago from Ron at the Guitar Center here in Cincinnati. I don't have a single complaint about this baby. Outstanding play-ability, sharp looks with that 1960's Cherry Red finish, and all US made electronic components make one one truly great guitar. I cannot praise this beast enough. I've played it through a Fender Twin, a Vox AC-30-HW and my practice Spark amp. It just sounds phenomenal on EVERYTHING, even when its not plugged in, it still rings.Dean
This is a very well-built guitar.. it is very resonant and the burst bucker two and three pickups sound great they have a very true paf sound.. stays in tune .. beautiful cherry finish with a gloss at this price range is an excellent buy.. I have had no regrets or second thoughts since buying it.. no scarf joints on the neck a plus.. for a non Gibson semi-hollow I think this is the best bang for the buck out there.. very pleased with purchase.. I have no issue with the tremola height.. everything necessary for a great guitar pickups are correct for this guitar nothing else is needed..Gregg
14. Epiphone Limited Edition G-1275 Double Neck Electric Guitar Cherry
Product Details:
Save big when you buy today! body: mahogany – top: flame maple – necks: mahogany, glued-in (6-and 12-string)scale: 24.75" (12-string), 24.75" (6-string)neck profiles: slim – taper "d" (6-and 12-string)nut width: 12-string: 1.85" / 6-string: 1.68"fingerboard: rosewood medium jumbo frets with pearloid parallelogram (6-and 12-string)fingerboard radius: 12" (6-and 12-string)pickup (12-string) neck: alnico classic humbucker/bridge: alnico classic plus humbucker – pickup (6-string) neck: open coil alnico classic humbucker /bridge: open coil alnico classic plus humbucker – bridge: lock – tone tune-o-matic (6-and 12-string)tailpiece: claw/abs style (6-and 12-string)controls: neck pickup (6-and 12-string): 1-volume, 1-tone /bridge pickup(6-and 12-string): 1-volume, 1-tone individual 3-way toggle switch for 6-string and 12-string bodies master 3-way toggle activates 6-string, 12-string, or combination 6-and 12-string. all controls feature full-size 500k ohm potentiometers – hardware: nickel – case sold separately
Specifications:
Finish | Alpine White |
Year | 1996 – 2019 |
Made In | Korea, Republic of |
Body Shape | Double Cutaway |
Body Type | Solid Body |
Bridge/Tailpiece Type | Stop-Bar |
Finish Style | Gloss |
Fretboard Material | Rosewood |
Neck Construction | Set-Neck |
Neck Material | Mahogany |
Number of Frets | 20 |
Offset Body | No |
Pickup Configuration | HH |
Right / Left Handed | Right Handed |
Wood Top Style | Plain |
Reviews:
The reason for four stars instead of 5 is because of the lack of having a fully accessible 2 octave reach to those upper frets, and particularly on the "lead" neck. (Epi really needs to fix that — just stretch that neck out there another 3-4 inches on the new model.) Otherwise … I've had this guitar about 4 years now (the white one). Everything except those upper frets are stellar — but that is a critical concern when reaching for certain leads. I do a one-man-band thing. About 1/3 of the night I'm needing the 12 string on rhythm parts, and about 2/3 of those songs require jumping to the 6 string for the lead parts. This one guitar has REALLY honed my playing skills. The material ranges the spectrum of genres (Bob Dylan to AC/DC to Styx to BOC & everything in between.) I played rhythm & sang behind dynamite lead players over the years, and never developed my own lead skills till starting the OMB thing, and having this doubleneck in particular. WOW. I'm a different guitarist (and singer) at this point. I knew that by using backing tracks, singing (even harmonies with a splitter), and doing such a range of styles (and often two guitar parts) would require either a '5 song per night' acoustic or a double neck for more flexibility. The 12 string aspect fills in things perfectly when you are the only guitar on stage. It's great for many of the "clean" songs on the list. I went with Epi over the Gibson for budget and an obvious "fear factor." (I can't imagine taking a $5k guitar into the average bar or coffee house to get stolen or banged up.) After years of playing it, I really doubt there is 10 cents difference in quality, which really surprized me. This is not the 'generic equivalent' of the Gibson. It is a precision instrument, right down to the feel of the frets (and I own and have played primarily Gibson all my life — a V-2, a standard V, a LP custom, a LP studio, and an SG). The 6 neck feels just like an SG — fast and tight. The 12 is just as great under my smaller fingers — yet another surprize. With a padded strap, it is tolerable through an entire set, and I only weigh 'a buck thirty-five soaking wet.' Many 2 neckers are back breakers. It's heavy — but not quite as bad as some of the guitar-shaped concrete blocks I have tried out. Also, I had to make my own customized stand for on stage. Pick up a standard one, get some angle iron and a pair of the wall mount guitar hangers, drill and tap the angle iron, mount the hangers adjusted to the neck spacing, then mount that bar to the head of the stand. Seemed the best option at the time, and it works. For sound, the original rig is/was a Digitech multi-effect unit on the floor into a 100w Marshall. The Digitech is a bit light on acoustic modeling, so I am about to make a change. By putting a dual 1/4" adapter on the existing output, I can split things into two chains. For the 12 string neck, I'll have that route into a more robust acoustic modeling floor FX unit (like the Boss AD-8), then into a Marshall AS100D acoustic amp. When I flip the switch to the lead neck, that will go to the existing rig (love the available options on the Digitech for that). So I'll be able to go from the bright rhythm parts of "Take it on the run" (REO Speedwagon) to the crunch leads, and back. There might be a bit more footwork involved, but with an OMB situation, I'm beyond noticing how much I play with gadgets under my feet. The point in having a 2 necker is flexibility. If that's what you want, and can live either without the upper few frets — or have longer fingers than I, then THIS is the guitar you probably want. (For the other 2/3 of the night, when I am on harder-edge material and absolutely require the end of the 2nd octave, I grab either my V or Strat. Either goes into the lead side of my FX chain, and that's that.) I strongly recommend looking at amplification as a first concern. If you can have two amps on stage — one for really tweaked-out 12 string dynamics and even acoustic modeling, and another for the hot side of the 6 string — DO IT that way. Just plan on it. You won't regret it. The heat of those lead pickups will have you crazy trying to balance one neck against the other on the volumes. Fact is, the lead neck on this guitar has the HOTTEST pickups of my entire collection (im guessing about a +15db boost). Period. It screams, and just loves the hard rock/metal. Without missing a beat, the quality of the 12 string side is absolutely higher than any acoustic I've ever owned. With modern FX units, and any skill at all — well, if I had to downsize to only one axe, this would be the one I'd keep. No doubt about it.Aaron-4M-5X
Alpine White is back! If you wanted one of these in something other than Heritage Cherry nows the time to buy one. Overall this is a well made Gibson EDS style double neck. With better pickup selection choices vs the Gibson. Three switches are better than two. I've got a Norlin era EDS 1275 ala Felder. And this compares favorably. Slightly lighter and seems more resonant. The resonence may be due to to the revised Page spec tail peice location. while it's personal preference I much prefer the ProBucker 2-3 over the Alnico Classic Pro pickups this ships with. Having a pair for some added punch on at least the 6 string side would be nice. Wheather your playing originals or covers, live or in the studio this is a fabulous way to add some 12 string girth, chime and jangle to your sound. If your doing covers in a band having one of these opens up a whole bunch of material. And playing it on a double neck is twice as much fun. I own this And a Gibson EDS. I highly recommend the Epiphone version. At the price point it's hard to beat and if you like the sound of a electric 12 string they are fun to play and add the sonic charactor only a 12 string brings.Scott from Cleveland
It seems every Epiphone guitar I've owned always has a few bugs to be worked out. However once they're fixed they're very nice guitars to play. This double neck was no exception as the 12 string neck cut out on me due to some wiring issues. Musicisnsfriend was very cool about the issue and sent me a replacement that's had no major issues so far. Given it's size you would think I guitar like this would be difficult to play both awkward and heavy. However I was pleasently surprised how comfortable the guitar felt. The guitar is actually a bit lighter than my Les Paul. Both necks are easy to access. Switching back and forth takes a bit of practice if your new to owning a double neck. This guitar features a three way switch to switch between the 12, the 6 or both at the same time. I find having both necks lowers the output of the pickups a bit. I prefer to switch between one or the other personally I seldom use them at the same time. In addition to the three between the necks, each neck gets it's own 3 way tone. There are two volume and two tone knobs that control both necks as well. As states earlier the necks are very nice to play. I find the action very comparible to a Les Paul. The pickups are very well balanced providing enough output for great lead from a good crunch up to a high gain metal. But the pickups aren't too hot to give it very clean tone when needed as well. As with the neck the tone also is very comparible to that of a Les Paul. I've not played many 12 string guitars prior to buying this one, so it's difficult to compare the top neck to another. It plays very nice. The action was just right out of the box with no setup needed. The only minor complaint I would make with this guitar is the access to the higher notes on 19th fret and on. Each neck only features a 20 fret neck which limits you a bit if you play lead using higher notes. The sg body doesn't have as deeper of a cut away body as some guitars so access to the 19th and 20th fret can be hardZack
15. Epiphone Ce Coupe Nylon String Acoustic-Electric Guitar Ebony
Product Details:
An electroacoustic classical guitar with cutaway and massive, chambered body. the body is made of mahogany with a spruce top. the mahogany neck with 1960’s slimtaper d, is fitted with an ebony fingerboard with 19 medium frets. the guitar is also equipped with a graphtech nut, ebony bridge and epiphone premium classical tuning mechanism. in addition, it offers shadow panoramic sh-148-hd electronics with shadow panaflex h under saddle pickup. the sound is adjusted using the master volume, eq, pan, phase and chromatic tuner with 7-segment display. the guitar is made with ebony finish.
Specifications:
Top wood | Spruce |
Body finish | Gloss |
Neck shape | Slim D |
Nut width | 1.84" |
Fingerboard | Ebony |
Neck wood | Mahogany |
Scale length | 25.5" |
Number of frets | 19 |
Neck finish | Satin |
Bridge | Ebony |
Pickup/preamp | Undersaddle pickup |
EQ/Tuner | Yes |
Tuning machines | Vintage-style |
Orientation | Right handed |
Number of strings | 6-string |
Reviews:
Im only playing a couple songs on acoustic with my band so I bought this to save wear and tear on my "good" acoustic. you can crank it up without fear of feedback. although it doesn't play or sound as good, its a fair trade off. it is what it is and it performs as I expect.kensoftail
It's a nice looking guitar, solidly built. Pros: Sounds fantastic plugged in, the finish work on the neck is decent for the price range and looks very classy in the gold and black with white binding. The headphone switch is great, wish it had a little built in reverb though. Cons: It only comes with one strap button in the back, you have to add another one to the uppermost curve by the neck if you want to play it standing up. Nobody is going to use one of those stupid acoustic straps that tie on the headstock with this guitar. The nut needs finish work, it comes very high and makes the strings go sharp when you try to play a G to a D. File the nut grooves down and it plays pretty good. It's a little on the heavy side even though it's a chambered body. The fret ends stick out and are sharp, you need t file those down yourself or you'll cut your hand up sliding down the neck. Personal preference, the neck is a bit thick, and I wish it wasn't a painted neck since it slows you down. All in all it's a pretty good deal for the price.rockingjon
Fantastyczny!!! Puki nie wypiję porannej kawy nikt zemną nie zaczyna…hahahaha.Romana S.
16. Epiphone Les Paul Studio E1 Electric Guitar, Ebony
Product Details:
This is an example of the guitar you will receive. epiphone presents the new les paul studio e1, an incredible introduction to the worlds greatest electric guitar that is affordable for everyone. the les paul studio e1 has all the classic les paul features including a carved mahogany top, powerful zebra-coil ceramic humbuckers, and a mahogany neck with an easy-to-play tapered neck joint. available in ebony, heritage cherry sunburst, vintage sunburst, and walnut color finishes. – classic les paul style: the les paul studio e1has everything new players need to get that one-of-a-kind les paul sound without breaking the bank. the all-mahogany body has a carved top and is slightly lighter and slimmer than full-size les pauls so its easy to hold for long practices and gigs. the bolt-on mahogany neck has a les paul scale length of 24.75 with a 1.68 nut, a 2-way adjustable truss rod for a perfect setup, a rosewood fingerboard with pearloid dot inlays, and a smooth tapered neck joint for easy reach to upper frets. the les paul studio lt is available in ebony, heritage cherry sunburst, vintage sunburst, and walnut color finishes. – zebra coil humbuckers: the les paul studio e1's classic les paul power comes from two zebra coil ceramic humbuckers. owners of vintage les pauls often remove their pickup covers for a better bass response and magnetic pull, revealing the black & white (zebra) bobbins underneath. ceramic pickups have a higher output than vintage alnico magnet pickups and are designed to provide a tight low-end response with both a smooth mid-range and a slightly more pronounced top end tone. ceramic magnets have been a favorite of metal and hard rock guitarists for decades. the les paul studio e1 has a 650r in the rhythm position and a 700t in the lead position. controls include volume and tone for each pickup and an all-metal 3-way pickup selector. – rock solid epiphone hardware: the les paul studio e1 features epiphone-designed rock solid all-nickel hardware including the classic les paul bridge combo of a lock – tone tune-o-matic bridge and stopbar tailpiece, a non-rotating output jack, and premium die-cast 14:1 ratio machine heads. featuresbodybody shape: single cutaway – body type: solid body – body material: solid wood – top wood: not applicable – body wood: carved mahogany – body finish: satin – orientation: right handedneckneck shape: '60s slim – taper dneck wood: mahogany – joint: bolt-on – scale length: 24.75 in. – truss rod: standard – neck finish: satinfretboardmaterial: rosewood – radius: 12 in. – fret size: medium jumbo – number of frets: 22inlays: dot – nut width: 1.68 in. (42.67 mm)pickups – configuration: hhneck: zebra coil ceramic – middle: not applicable – bridge: zebra coil ceramic – brand: epiphone – active or passive pickups: passive – series or parallel: series – piezo: no – active eq: no – special electronics: nonecontrolscontrol layout: master volume, tone – pickup switch: 3-way – coil tap or split: no – kill switch: nohardwarebridge type: fixed – bridge design: tune-o-matic – tailpiece: stopbar – tuning machines: die-cast – color: chromeothernumber of strings: 6-string – special features: electronics – case: sold separately – accessories: none – country of origin: china
Specifications:
Body shape | Single cutaway |
Body type | Solid body |
Body wood | Carved Mahogany |
Body finish | Satin |
Orientation | Right handed |
Neck shape | '60s SlimTaper D |
Joint | Bolt-on |
Scale length | 24.75 in |
Neck finish | Satin |
Radius | 12 in |
Fret size | Medium jumbo |
Number of frets | 22 |
Inlays | Dot |
Configuration | HH |
Neck | Zebra coil ceramic |
Hardware Bridge type | Fixed |
Reviews:
I am both surprised and please with this guitar I purchased this guitar at GC Nashville after returning a Gibson Les Paul Classic that I bought online. (lesson learned, don't buy from GC online.) The staff there were great and had no issues with me returning a $2200 guitar that I bought online. Even more supportive in helping me pick out a much less expensive guitar. Great people. This Epiphone is awesome. The fit and finish are great. The action is low and no buzz. The tone is great and It is lighter and easier to handle than the Gibson . The best part is it cost a third of the one I returned. I really wanted a Gibson but I am so glad I picked up this Epiphone. A word of caution. I looked at and played several guitars at GC before choosing this one. I even played a couple of other Epiphone Les Paul Customs. No two were the same. One had razors for frets, one had an action you could drive a truck under and this one was just right. Go in an play them before buying.Mike
This is my second 6 string electric, and I couldn't be HAPPIER with it! My first guitar is an entry level Epiphone SG Special that was a couple hundred bucks back in the day. It got the job done…good frets, good tune, good everything. I recently decided to step it up and get a "mid-range" guitar but still not break the bank with an Epiphone. And I'm not calling Epiphone cheap…they are just more in my price range when compared to Gibsons. Stepping it up is the right description for this guitar!! It is AMAZING! The feel, the tone, the look! It sounds great and feels good in the hands too. I especially love the Silverburst color!! The main reason I wanted this specific guitar. It's Adam Jones from TooL color scheme finish but on an epiphone! They are coming out with his own model of epiphone, but I'm impatient lol. Looks are important to picking out a guitar as much as sound! The inlays on the fretboard look beautiful. The pick guard and finish are beautiful, the trim/binding around the guitar… this guitar has reignited my passion for playing! As of this writing, I have no complaints! Excellent guitar!Matt
I purchased this guitar because a Les Paul was missing from my gear arsenal and I didn't want to drop three grand on a Gibson. I played a wall model at a local GC store and decided to buy, but requested a factory new model sent to me, because the wall model I played had some nicks in the fretboard, a sketchy 3 way switch and had worn strings and the intonation was way off above the 14th fret. I paid for next day air shipping to expedite the process because I tend to want the things I pay for fairly quickly. The shipping tag originated from the same city I live in, meaning they had a factory new either in the warehouse or at the neighboring store about 20 miles away. So I essentially paid 42$ for expedited shipping and could had likely gotten it same day if I asked the right questions I suppose. Shame on me. The next business day my guitar is delivered to my residence, I open it and immediately inspected it for possible shipping damage or factory flaws. It arrives with a broken 3 way switch, all strings tuned nearly 2 steps flat and also needed to make a truss rod adjustment to straighten the neck. Completely unacceptable that these issues left both the factory and GC's "quality control" in the condition it did. Luckily I work at a local small box music store and worked with our own luthier after hours to set it up and correct the problems. All that said, this guitar is absolutely fantastic. It plays and sounds very good and even though the stock pickups aren't top tier, they are excellent performers at a very reasonable price point. Monster value in this guitar. If you can acquire one some where other than Guitar Center, do it. If you do purchase from guitar center, make absolutely certain to have it looked at by a professional before accepting it. 5 stars for the guitar and it's value. 1 star for guitar centers lack of QC shipping items.Dan
17. Epiphone Les Paul Standard '60s Quilt Top Limited-Edition Electric Guitar Faded Cherry Sunburst
Product Details:
Selling my lp. i just don t play it nearly as much as it should be, and want to send it to a good home where it ll get some real use. all electronics work perfectly and have never had any issues. tuners are solid and sustain is ridiculous. action is low and uniform. there is a small dent on the top binding that s been there since i bought it. strings are 2 months old and have less than 2 hours of play on them. make me an offer.
Specifications:
Body Type | Single-Cutaway Solid Body |
Top wood | Quilted Maple |
Body wood | Mahogany |
Body finish | Gloss |
Neck shape | Slim D |
Neck wood | Mahogany |
Joint | Set-in |
Scale length | 24.75" |
Truss rod | Vintage |
Radius | 12" |
Fret size | Vintage-style |
Number of frets | 22 |
Inlays | Pearloid Block |
Nut width/material | 1.69" (43 mm) GraphTech |
Configuration | HH |
Neck | Proprietary Humbucker |
Bridge | Proprietary Humbucker |
Control layout | Individual volume, Individual tone |
Pickup switch | 3-Way |
Bridge type | Fixed Bridge |
Bridge design | Individual saddle |
Tailpiece | Stopbar |
Tuning machines | Vintage-style |
Number of strings | 6 String |
Orientation | Right Handed |
Reviews:
I have wanted a Les Paul since I was in high school in the 1980s. For my 50th birthday (Jan 2022) I really was determined to get one. But, on a country church pastor's salary, no chance at a Gibson, even Epiphones were pricey for me. Thanks to some generous friends who saw a post of mine on social media about my dream guitar. They took up a collection and told me to buy a guitar! So I did! I purchased the Translucent Blue. It is everything I hoped it would be and dreamed of having since I was in high school. Ordinarily, not a fan of factory strings, usually change strings first thing when I get a guitar. But this sounded fantastic out of the box. It's not very often a product lives up to expectations, much less exceeds them. This Les Paul is everything I hoped and then some. The Translucent Blue is an absolutely GORGEOUS intstrument. It plays great, sounds fantastic. Be warned, Les Pauls are heavy guitars. If you're used to something more lightweight, this may be a surprise. I've played them before, I was expecting it to be heavy. This feature might turn some off, but I'm fine with it. Bottom line, if you're pondering getting this guitar, make the leap! You will be glad you did!!!Pastor Frank
Holy wowzers I'll try to keep this quick. I'm one of those guys that has had TONS of guitars. I currently own 10. I had a Gibson LP but ended up parting with it years ago and have recently started wanting one again. Did a lot of research on just about every LP clone out there including ones from Japan, etc. Why not just get a Gibson you say? Well obviously because of the price tag and how much extra it costs to get the name on the head-stock. In no way do you need to spend triple to quadruple the amount it takes to get a Gibson if you don't feel like it these days. These Epi's are cut using the same exact machine that the Gibsons are cut on here in the USA. The same wood is used. This particular model even has CTS pots, a GraphTech nut, and ProBucker pickups. The major difference is China. Yes, China. I would have balked at that years ago, but I also own a J. Mascis Jazzmaster that is made in China and it is absolutely flawless… just like this Epiphone. As a bonus, the "made in China" is only a sticker. You can just remove it so you'll feel much better about yourself when you look at it haha. Without rambling on and on, I always check Guitar Center online to see what is available at my local stores when I am in the market. This one caught my eye because I'm a sucker for quilt top LP's. I called in and had the local dude confirm it was there and he said it hadn't even been taken out of the box yet. BONUS! I rushed to the store and got to unbox it myself. I always like to see guitars like this in person to make sure the top looks good and there are no glaring QC issues. In this case I was extremely satisfied. It came right out of the box with perfect action and perfect intonation. Literally all I had to do was stretch the strings and tune up and it was ready to rock. Here are a couple more nuggets before I sign off to play it more. The frets on this one are nailed. Smooth and polished. The quilt top is unbelievably gorgeous (just look at the pics). The weight is about right for a LP. Chunky and not too light like a super shredder. I love that. The pickups are exactly what I need in my collection. They will do just about anything but super clean chimey ambient tones but who cares, I have other guitars for that. All of the switches and pots feel excellent so I am feeling like I will not have to change one thing on this guitar making it a steal at this price. If I had to nitpick one thing, I would like to see Gibson "allow" Epiphone to use the same exact head-stock shape that the Gibsons use. Fender does it with Squiers so what's up with that Gibson??? While the new "inspired by" Gibson head-stock is WAY better than the older ones, it is still a shame they are so hard headed and that is yet another reason why I chose to get an Epiphone. Again, that is being extremely nitpicky. In conclusion, the newer mid to upper end Epiphone guitars are worthy of checking out by any level of player. Do yourself a favor and at least pick one up if you get the chance. Now excuse me while I go blow my windows out.Mark
Overall: A couple of weeks ago, I was looking at buying the Gibson les Paul Standard 60's Bourbon Burst for $2,499.00, as I was doing my research checking out reviews when I came across a side by side review of the Gibson verses the Epiphone les Paul standard 60s. The similarities in quality and sound were eye opening, still skeptical I thought to myself, I owe to myself to at lest checkout the Epiphone les Paul standard 60s what's the worst that could happen, if I don't like it ill send it back and order the Gibson. Well I'm here to say I don't JUST like it, I ABSOLUTLY LOVE IT. Right out of the box I was super impressed with the look and feel of this guitar with the flamed maple top to the deep rich cherry back and sides, I sat down tuned it up plugged it into my amp. I went from being impressed to ka-ching I hit the jack pot. You know after I bought this guitar and before it arrived I had that feeling of buyers remorse, thinking that I somehow compromised and I should have bought the Gibson. Well the first few licks on this guitar and all that washed away instantly. This guitar has it all, value, quality, sound, playability and the flamed maple top…. just wow…!!!!! thank you zZounds and Epiphone for this fantastic les Paul.
18. Epiphone Les Paul Special-I Limited-Edition Electric Guitar Worn Pelham Blue
Product Details:
Epiphone les paul special-i limited-edition electric guitar worn pelham blue – this is a limited-edition version of epiphone's number-one-selling model now available with choice "worn" finishes. the epiphone les paul special-i electric guitar great way for beginners to get started on real tone and feel. but seasoned pros also love the because it's great-sounding, workhorse that lets them leave their more expensive axes at home. the authentic lp power starts basswood, trademarked body bolted-on "1960s" slimtaper mahogany neck featuring 21-fret fingerboard dot inlays. voiced by pair hot open-coil 700t 650r humbucker pickups, giving it massive, unmistakable tone. like all guitars, comes standard-equipped 500k potentiometers master volume controls, plus heavy-duty 3-way pickup selector toggle switch exclusive non-rotating output jack. value champ also features nickel hardware, including an intonated, one-piece wraparound bridge stopbar. basswood bodybolt-on neck21 fretsd-shaped profileepiphone humbuckerepiphone humbuckermaster volume, controls3-way switchnickel hardwareintonated, bridge-stopbarcovered, 14:1 die-cast tunerspolyurethane finishcase sold separately guitars, electric guitars, solid body electric guitars
Specifications:
Covered, 14 | 1 die-cast tuners |
Reviews:
My first electric. Got it in a combo kit with amp and bag. Hook it into my computer now and rarely use the amp for anything. That being said, as many people have mentioned the bridge. If this isn't your first guitar, or you are looking for a second guitar – don't get this one. I learned about intonation and action and all that while having this guitar. You can only set the intonation on the outside E's and everything else is just what you get. My the height of my bridge for medium action on the low E is maybe a 1/16 from bottoming out, any lower it will buzz more. To get the same range of action on my high E my bridge is almost a 1/4" in the air. I do not know enough to get into shimming the neck to get it leveled out more, I just know enough to assume a 1/4" rise over 3" space probably isn't a good thing. However! I've learned plenty on it over these last 6 months. I bought this guitar because I did not want to invest a lot of money into it if I wasn't going to stick with it. I bought this in February of 22. The first 5 months I probably played on it maybe 50-60 hours. These last 4 months I've probably played on it 1-3 hours a day. I started using apps to learn and being able to plug it directly into my computer has been amazing. It's served it's purpose, I'm now getting to the level of playing where I'd like a better quality instrument and am looking in the $400-$500 range. For a first guitar, and you're not sure if you're going to stay with it, this was great for me and I will pass it on to someone else to get started with. Other than the bridge intonation and probably not flat fret board, I have had 0 mechanical issues with it.Jay
Been looking for a nice explorer for a while and once I saw this model some time ago, I fell in love with this amazing guitar. I was for a while very, very doubtful due to the complicated and demanding Floyd Rose bridge I never had before. A couple of good tutorials on the system were enough to take this fear away. After a thorough check, the guitar is a dream, works perfectly and love it so far. No scratches nor color changes on the mat neck and back, veneer looks pristine, and mechanics work just fine, lovely Gibson Pup sound with split coils and the fret-board looks great, 12th fret’s spaceship inlay aside which is also a very nice touch there. No challenges with neck profile, just a bit of a welcomed change to a thinner neck from my husky Les Paul ones I have. This is a really nice and balanced guitar! Ok, it's on the slightly heavier side but very manageable still. As mentioned earlier, It’s my first Floyd Rose guitar and surprisingly, I managed to adjust it to perfect balance and tuning on my first try in less than an hour with the help of some wood wedges to block back of the springs with, that I made during that estimated time, and of course a ton of online tutorials the weeks prior. Next step is changing to Paradigm Ernie Ball 11s half a step down and adjusting float again….but this will have to wait a bit and maybe a fourth spring will be in order, we will see. If doubting on Floyd Rose, trust me, I am really not a technical person but this was a piece of cake, once you understand the basics and foremost, make a nice wedge, rest is just a walk in the park. It also comes with a case which is always a plus for getting it home in the best possible condition though I would have preferred a hard case or actual guitar contour shaped foam on the included case, to make it extra safe. and not moving whist transporting For those Brendan small fans out there, it is even more of a desirable item. For those not following his work, still a really nice guitar and a steal for what you get. This guitar will make you happy no matter if you know artist or not Last but not least, there is a shop that actually checks guitars before shipping and that is Music Store….Big, big thanks for making sure I got the guitar I wanted and expected. Big thanks to the entire team!
I'm reviewing the gold top model. I own a lot of guitars but I didn't have a gold top Les Paul and always wanted one. This is an amazing guitar for the price! Fit and finish are perfect. It sounds and plays great. I love it. Note, always put a new set of strings on a guitar that comes with strings on it. It's a simple fix for a lot of problems you thought you had, but don't. Who knows how long they've been on or what brand they are. Now, the details. Frets were perfectly level, no sharp ends. Slight amount of oxidization. I polished the crowns and ends with Micro-Mesh pads. I used 6000>8000>12,000 grit pads. I wasn't taking metal off, just polishing them to a jewelery finish. Really makes bends and vibrato silky and smooth. I do that to all my guitars. I like the Indian laurel fingerboard. It's a good alternative to rosewood. I cleaned it with alcohol, then applied a very light amount of fingerboard oil/conditioner. Let it sit a few minutes then wiped it dry. It has a beautiful look and feel now. As for setup, the only thing that was set correctly was the intonation. So I lowered the bridge to the (low) action I like, and it was pretty clean, a little buzz on the upper frets. The neck was trussed completely flat, so I loosened the truss rod about 1/4 turn and that gave it the right amount of relief. No more buzz. Next, I filed the nut slots slightly wider and deeper. Action was too high off the nut. I use XL strings (9-42) and the slots were even too tight for them! That was the only real glaring problem on this guitar. Tight nut slots cause tuning issues and your average customer isn't going to have the tools or skills to fix that. I have a set of precision nut slotting files and feeler gauges to cut them to the proper depth. Man, that was the magic touch. The action is amazing now, all the way up the neck. No problems with tuning stability. And that's all I needed to do. It plays like a dream. I thought I would need to swap out the pickups but I like these. I'm old and play mostly classic rock, and these sound just right for the Les Pauls of that era. I get that sound that Gary Richrath (REO Speedwagon), early Joe Walsh, Duane Allman, Dicky Betts, Joe Perry, Page, Billy G, had in the late 60's – 70's. I ran it through a Goat distortion simulator and got Tom Scholtz Boston sound perfectly. It was actually better than another LP I have with DiMarzio super distortion pups. Easier to control the overdrive. All in all, Epiphone has really raised their bar. If you have typical electric guitar setup skills, you'll make this a sweet playing guitar. If you don't, it's worth it to find someone who does. Just a few minor adjustments and you'll have a fine axe to play.Rich
19. Epiphone 6834e 12 String Acoustic 70s
Product Details:
As you can see, this epiphone 12 looks like it has been through some repairs. i don't quite know what the story is here but it looks like at one point it was electrified since there's a hole for an output jack. the soundhole must have been pretty warped and it looks like there's been some modification to the neck pocket. there is some belly warp on the guitar and bridge lift. the action at the 12th fret is quite high at approximately 3/16" however, tuned up this guitar rather unexpectedly plays fine in the open position. and because it's got a bolt on neck, i'm assuming you could probably shim it to get the action lower.
20. Epiphone Pr 350 12 E
Product Details:
For sale: a signed epiphone pr 350 12 e. this guitar is in very good condition, there are some minor bumps and scratches are shown in the photos above, but they do not effect the sound of the guitar. it also plays very well. we will also throw in a padded gig bag with your purchase. feel free to message us with any questions you have regarding this product. unfortunately, i have not been able to identify all the signatures, but the ones i have gotten so far are mcbride & the ride little texasmolly & the heymakersrandy travisi will update these as i find more.specs:mahogany bodyselect spruce knee top mahogany fret board
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