Are you looking for the Yamaha Ll-Ta Transacoustic Guitar? If so, you’ve come to the right place.
Choosing the Yamaha Ll-Ta Transacoustic Guitar can be difficult as there are so many considerations, such as Martin, Yamaha, Lâg Guitars. We have done a lot of research to find the top 20 Yamaha Ll-Ta Transacoustic Guitar available.
The average cost is $718.94. Sold comparable range in price from a low of $139.99 to a high of $1399.99.
Based on the research we did, we think Yamaha LL-TA TransAcoustic Dreadnought Brown Sunburst is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Yamaha Ll-Ta Transacoustic Guitar (20 Sellers)
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$999.99
4.9
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made
Features:
- Amazing sounding reverb/chorus built-into the guitar with no need for external amplification or effects
- Designed to provide superb acoustic guitar sound
- High comfortable playability
$1129.99
4.9
Reviewers Noted:
Good sound quality . Durability . Craftsmanship . Visual appeal
Features:
- Amazing sounding reverb/chorus built-into the guitar with no need for external amplification or effects
- Designed to provide superb acoustic guitar sound
- High comfortable playability
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Weight
Features:
- Authentic reverb/chorus built-into the guitar with no need for external amplification or effects
- Built-in volume control for when plugging into an amp
- Special neck design for easier play and comfortability
Reviewers Noted:
Good sound quality . Well made . Attractive . Durability . Weight
Features:
- Classical body with nylon strings
- Solid spruce top
- Ovangkol back and sides
$524.97
4.7
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Weight
Features:
- Big and beautiful sound both plugged and unplugged
- Reverb and chorus without additional amplification
- Actuator technology
$779.99
4.7
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Weight
Features:
- Actuator (ta pick-up)
- Solid spruce top
- Mahogany back and sides
Reviewers Noted:
Good sound quality . Durable . Attractive . Well made
Features:
- Compact body
- Solid spruce top
- Mahogany back & sides
$799.00
4.8
Reviewers Noted:
Good sound quality . Durable . Attractive . Well made
Features:
- Compact body
- Solid spruce top
- Mahogany back & sides
$1129.99
4.9
Reviewers Noted:
Good sound quality . Durable . Attractive . Well made . Weight
Features:
- Playing guitar in a great sounding room is the most inspiring, engaging playing experience imaginable far more enjoyable than in a dry-sounding room like a lounge, office or den. yamahas…
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Solid sitka spruce top
- Rosewood back & sides
- Rosewood fingerboard
$189.99
4.7
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- In good condition.
- Cosmetically very good, minimal to no scratches.
- Gold hardware.
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Traditional western body
- Solid spruce top
- Flamed maple back & sides
Reviewers Noted:
Well made . Good sound quality . Attractive . Durable . Lightweight
Features:
- Description
- Great for beginners
- Also serves as transitional instrument
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- Solid sitka spruce top
- Nato back & sides
- Rosewood fingerboard
$1129.99
4.9
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Amazing sounding reverb/chorus built-into the guitar with no need for external amplification or effects
- Designed to provide superb acoustic guitar sound
- High comfortable playability
$1275.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Simple and distinctive looks.
- The a5m's simple, organic design features wood binding and other techniques that capture the warmth of wood.
- The distinctive shape of the pickguard, which stands out when performing, is a revival of the n1000 guitar that yamaha released in 1975.
$999.95
4.9
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Weight
Features:
- String type: steel.
- Number of strings: 6.
- Body shape: yamaha original jumbo shape.
Reviewers Noted:
Craftsmanship
Features:
- Solid spruce top
- Mahogany back & sides
- Newly developed scalloped bracing
Reviewers Noted:
Good sound quality . Attractive . Weight . Craftsmanship
Features:
- Compact body.
- Contact pickup.
- Exotic grain patterns.
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Modern inspiration and timeless design.
- Classic style.
- Powerful vintage tone.
1. Yamaha Ll-Ta Transacoustic Dreadnought Brown Sunburst
Product Details:
Acoustic guitar evolution playing guitar in a great sounding room is the most inspiring, engaging playing experience imaginable – far more enjoyable than in a dry-sounding room like a lounge, office or den. yamaha’s transacoustic guitar recreates the incredible experience of playing in a rich, live room without needing any external amplification or effects – just the guitar itself. whether you’re practicing, writing, recording or just playing for fun, the transacoustic guitar will make you play better, longer and with more creativity. once you’ve experienced it, you’ll never want to play another acoustic guitar again. an immersive experience captivating reverb and chorus effects the yamaha transacoustic guitar provides a self-contained, immersive playing experience, with compelling reverb and chorus effects that resonate within the body of the guitar. transacoustic technology adds richness, depth and increased dimensionality to your sound and performance – all without the need for external gear. authentic yamaha transacoustic technology high-quality instruments with fully integrated built-in effects transacoustic technology is paired with the outstanding build quality that yamaha guitars are known for, producing an all-in-one instrument that leads in sound, quality and price. full range of body styles a model for everyone the transacoustic series includes a nylon-string classical guitar, and steel-string guitars with traditional, concert, cutaway and compact parlor-sized bodies.
Specifications:
Reviews:
The Yamaha LL-TA recently purchased now stands besides its older brother purchased a couple of years ago. I was looking for a backup guitar for my original LL-TA and nothing else came close for the money. Torrified Engleman spruce top and all solid rosewood back and sides with a splash of Ebony on the board and bridge matched with a 5 piece layered neck for robustness and tuning consistency. All this makes for a pro spec quality instrument and this is before we introduce the Transacoustic electronics. Sure, you can plug it into pedals to get Reverb or chorus but nothing is as organically pure as the guitar using its own body resonating to magically create these effects without plugging in. The true measure of an astonishing instrument is one that pulls you in and makes you want to pick it up and play. The Yamaha does this in spades. If you've never tried then you 100% should. Both mine were purchased from PMT who have proven themselves over the years I've been visiting as professional instrument experts with a friendly outlook and a great approach to you as their customer. Would I use again? Of course, more like again and again.Pete M.
2. Yamaha Transacoustic Ll-Ta Vt
Product Details:
Acoustic guitar evolution playing guitar in a great sounding room is the most inspiring, engaging playing experience imaginable – far more enjoyable than in a dry-sounding room like a lounge, office or den. yamaha’s transacoustic guitar recreates the incredible experience of playing in a rich, live room without needing any external amplification or effects – just the guitar itself. whether you’re practicing, writing, recording or just playing for fun, the transacoustic guitar will make you play better, longer and with more creativity. once you’ve experienced it, you’ll never want to play another acoustic guitar again. an immersive experience captivating reverb and chorus effects the yamaha transacoustic guitar provides a self-contained, immersive playing experience, with compelling reverb and chorus effects that resonate within the body of the guitar. transacoustic technology adds richness, depth and increased dimensionality to your sound and performance – all without the need for external gear. authentic yamaha transacoustic technology high-quality instruments with fully integrated built-in effects transacoustic technology is paired with the outstanding build quality that yamaha guitars are known for, producing an all-in-one instrument that leads in sound, quality and price. full range of body styles a model for everyone the transacoustic series includes a nylon-string classical guitar, and steel-string guitars with traditional, concert, cutaway and compact parlor-sized bodies.
Specifications:
Finish | Vintage Tint |
Right / Left Handed | Right Handed |
Number of Strings | 6-String |
Neck Material | Mahogany |
Body Shape | Dreadnought |
Back Material | Rosewood |
Sides Material | Rosewood |
Finish Style | Gloss |
Top Material | Spruce |
On-board Electronics | Piezo Pickup |
Fretboard Material | Ebony |
Number of Frets | 20 |
Reviews:
Amazing instrument, Yamaha have made a great sounding solid body dreadnought. The sound is superb once I turned the transacoustic effects on I just can't do without them its a game changer in my opinion for acoustics. The neck and action feel great when playing and stays in tune really well. The build quality is unmatched being a Yamaha its made to last. The sound of the guitar was what I wanted with plenty of low end and good high tones.Reviewed by Andertons Music Co.
3. Yamaha Fs-Ta Transacoustic Vintage Tint Acoustic Guitar
Product Details:
This is one heck of a guitar for the money. the fsta is in excellent condition and includes a hard case. the build in electronics are strangely addictive. a small speaker inside the guitar allows you to play with reverb, chorus or both. it really brings out the dynamics of the instrument. spruce top, mahogany back, sides and neck. rosewood fretboard.
Specifications:
Body Shape | Concert |
Scale Length | 25" (634 mm) |
Body Length | 19 9/16" (497 mm) |
Total Length | 40 3/16" (1021 mm) |
Body Width | 14 15/16" (380 mm) |
Body Depth | 3 9/16" – 4 5/16" (90-110 mm) |
Nut Width | 1 11/16" (43 mm) |
String Spacing | 0.39" (10.0 mm) |
Top Material | Solid Spruce |
Back Material | Mahogany |
Side Material | Mahogany |
Neck Material | Nato |
Fingerboard Material | Rosewood |
Fingerboard Radius | 15 3/4" (R400 mm) |
Bridge Material | Rosewood |
Nut Material | Urea |
Saddle Material | Urea |
Bridge Pins | Black ABS with White Dot |
Tuners | Die-Cast Chrome (TM29T) |
Body Binding | Cream |
Soundhole Inlay | Black + White |
Pickguard | Transparent |
Body Finish | Gloss |
Neck Finish | Matte |
Electronics | SYSTEM70 TransAcoustic + SRT Piezo Pickup |
Controls | Reverb / Chorus / TA Switch / Line Out Vol |
Connections | Line Out |
Strings | Yamaha FS50BT or D'Addario EXP11 |
OUR PART | FS-TA |
Reviews:
I bought this guitar from a local shop strictly as a worship instrument for Sunday mornings. It absolutely destroyed every other guitar at the music shop +/- 500 in either direction. I still hold that it is likely the best guitar in its price range for the quality of its construction and sound quality. There is virtually not a single flaw this instrument possesses… But can we talk about the electronics? The guitar is super odd… I mean, if you are odd too, it is probably your dream guitar. It has a poor-man's tone wood amp build in. When you turn it on, it runs 90's sounding special effects out the soundhole, which is pretty cool. Here is the problem, the controls are super minimal. So minimal that you can't tell whether this bad boy is on or off. We found out the hard way that when this guitar is plugged in, the battery is always draining, even when the sound system is off. This is not atypical, but it gets weirder. The guitar won't turn off when plugged in, but sometimes needs to be turned on (?) when the batteries are dying. There is no indicator to tell you when it is running low on power, so you might find out on stage halfway through Glorious Day. There is actually no indicator for anything electric on this guitar, except for a sliding piece of plastic that sits under the dials that might be useful if it didn't look like you were supposed to cut it out and throw it away. The whole control setup is just annoying and unnecessarily vague. Long story short, with an electronics upgrade, this guitar would be unbeatable. It has more power than it deserves, almost like the guys a Yamaha are professionally sound-profiling the tops, which is something you would expect only on guitars above the 2000 range.Benjo
Where to start with this… Out of the box, once tuned the guitar feels like a quality product. The fitted Elixir strings (I'm guessing a 0.12 brass or bronze set) give the guitar a very bright, clear tone, exactly what I wanted. It is a bright sounding instrument, so others may want to experiment with other string sets. The action is good and low, although compared to the guitar I was playing the fretboard is very flat, not much of a camber at all, a minor complaint which may not apply to everyone and I got used to it quickly. The neck itself is comfortable with a slightly matte finish which I find aids playability, somehow. The design is conservative with small inlays and a transparent scratchplate; I may replace the scratchplate with something more interesting one day but not while it's so new. All in all, a great, solid instrument for its price bracket. Oh yeah, it's also got this on board soucery which applies reverb and chorus through the body of the guitar. These effects are awesome but their real benefit is to make you want to play for longer, simply because you sound better. These effects also apply to the line out; this is also a fully-fledged electro-acoustic. The only drawback here is that the preamp lacks any kind of equaliser, but who cares about that when any amp or sound desk has these functions? That all makes this guitar an all-rounder. A solid acoustic instrument with on board tricks for busking or practicing (your buddies will be jealous if you're having an unplugged jam on the beach, too) as well as being the electro-acoustic you want if you're gigging. I swear, I am not being paid by Yamaha. Check it out on YouTube – some great demos of this guitar on there.Adam W.
What a great guitar! Really beautiful finish all glossy but the neck is as smooth as silk I don't know what they use but it's so nice to play. The guitar sounds very well rounded with a little extra in the low end. So the Reverb and Chorus sounds with a touch of a button are ultra cool, kinda like surround sound. You get used to it real quick very inspirational. Yamaha really went above and beyond on this one. With or without the electronics this is a great sounding instrument but with a trick like that I'm using it. Plugged in sounds amazing! There's no bass or treble knobs? So the EQ they give you is what you get really nice bass response though and the highs are very clear, I was impressed. Just an absolute joy to play.
4. Yamaha Cg-Ta Transacoustic Nylon String Acoustic Electric Guitar
Product Details:
Yamaha cg-ta nylon string transacoustic guitar with chorus and reverb – nothing sparks creativity like hearing your guitar reverberate throughout a concert hall. yamaha cg-ta classical nylon-string guitars give you that same experience everywhere with reverb and chorus effects built right into the instrument. get transported to new creative spaces with warm tone and inspiring effects that capture everyone’s attention – all without an amp or other external gear. cg-ta guitars combine revolutionary sound and classic craftsmanship for a musical experience unlike any other. the transacoustic guitar family also includes traditional western, concert, and parlor-size body designs. it’s an immersive playing experience that will leave you and your audience ready for more.
Specifications:
Body Shape | CG |
Scale Length | 650 mm (25 9/16") |
Body Length | 490 mm (19.29") |
Total Length | 995 mm (39 3/16") |
Body Width | 370 mm (14 9/16") |
Body Depth | 94-100 mm (3.7" – 3.94") |
Nut Width | 52 mm (2.04") |
String Spacing | 11.8 mm |
Top Material | Solid Spruce |
Back Material | Ovangkol |
Side Material | Ovangkol |
Neck Material | Nato |
Fingerboard Material | Rosewood |
Fingerboard Radius | Flat |
Bridge Material | Rosewood |
Nut Material | Urea |
Saddle Material | Urea |
Tuners | Gold (RM-1157G-50XA) |
Body Binding | Rosewood + Black + White |
Soundhole Inlay | Rosette |
Body Finish | Gloss |
Neck Finish | Matte |
Electronics | SYSTEM70 TransAcoustic |
Controls | Reverb/Chorus/Line Out Vol (TA On/Off) |
Connections | LINE OUT |
Reviews:
Im a nylon fingerstyle player, but not essentially a classical player, although I can play some classical pieces albeit badly. At first impression this is a good intermediate classical guitar. With 52mm nut width, at 12th fret neck join and 19 frets in total. So a standard classical Guitar. In fact it is basically a CG 162 with copied tonewood amp technology built in. That's where the criticism of price comes in. You are basically paying 500 pounds for a three hundred pound Guitar. But that was okay for me as I figured that if I bought the CG 162 and then bought the additional tonewood amp the cost would exceed the 500 price point. So I opted for the CGTA instead saved 50 quid and everything is integrated and less fiddly than fitting in a tonewood amp. This Guitar is perfect for me, and just what I wanted. It makes me play more and gives me my ambient tone without the hassle of turning on and plugging into my amp and useing pedals. It will never replace my very expensive Taylor nylon string guitar. Or my pedal board and acoustic amp. But I practice on this every time I walk past it. I dont have any problems switching from a 48mm nut width of a hybrid nylon to the 52mm nut width of a classical guitar. But bear this in mind as you may not like the flatter wider finger board of the standard classical Guitar. The instant ambient sound inspires me to keep playing it over my other guitars as we humans are lazy and choose the road with least resistance and picking up this and pressing a button is far easier than getting out my pedal board and amp. But I would never perform with this. I even take it out in my garden and get a sound I would never have dreamed of getting before. I can take it room to room and still have my ambient tone on tap at the press of a button So yes overpriced for what it is..but .. perfect for me and just what I was looking for.Kerry T.
My daughter plays classical guitar in chamber group and needed amplification to be heard along violins and other loud strings. She also didn't want a cutaway. I went down to mid-town Guitar Center, we tried two, and are happy with the purchase. This was a perfect price point. The next amplified classical acoustic without cutaway was over 1k USD. Also great sound without any amp or onboard preamp. Bright solid sound.Kian T
Let me tell y'all what it is! Lol. I am really into this classical nylon guitar; it is the best nylon guitar I've had in years. Over 20 years ago, I had bought a nylon guitar in Mexico. It was totaled, eventually. But, I've been meaning to get a classic Spanish nylon ever since. This particular model was a gift from my beautiful soon-to-be-wifey! She hit the nail on the head with this axe (she too is a musician). This model, I am really interested in pima, finger style and Huapango, and other Latin variations. My fingers have missed this kind of a fretboard; since I am used to my electric guitars (Ibanez, PRS, Epi.) A most excellent purchase, I strongly recommend it. I love the wood on it. Lol. December 2020.T.A.
5. Yamaha Fg-Ta Transacoustic Dreadnought Vintage Natural 2022
Product Details:
Acoustic guitar evolution playing guitar in a great sounding room is the most inspiring, engaging playing experience imaginable – far more enjoyable than in a dry-sounding room like a lounge, office or den. yamaha’s transacoustic guitar recreates the incredible experience of playing in a rich, live room without needing any external amplification or effects – just the guitar itself. whether you’re practicing, writing, recording or just playing for fun, the transacoustic guitar will make you play better, longer and with more creativity. once you’ve experienced it, you’ll never want to play another acoustic guitar again. an immersive experience captivating reverb and chorus effects the yamaha transacoustic guitar provides a self-contained, immersive playing experience, with compelling reverb and chorus effects that resonate within the body of the guitar. transacoustic technology adds richness, depth and increased dimensionality to your sound and performance – all without the need for external gear. authentic yamaha transacoustic technology high-quality instruments with fully integrated built-in effects transacoustic technology is paired with the outstanding build quality that yamaha guitars are known for, producing an all-in-one instrument that leads in sound, quality and price. full range of body styles a model for everyone the transacoustic series includes a nylon-string classical guitar, and steel-string guitars with traditional, concert, cutaway and compact parlor-sized bodies.
Specifications:
Finish | Vintage Natural |
Year | 2022 |
Reviews:
I bought this guitar from a local shop strictly as a worship instrument for Sunday mornings. It absolutely destroyed every other guitar at the music shop +/- 500 in either direction. I still hold that it is likely the best guitar in its price range for the quality of its construction and sound quality. There is virtually not a single flaw this instrument possesses… But can we talk about the electronics? The guitar is super odd… I mean, if you are odd too, it is probably your dream guitar. It has a poor-man's tone wood amp build in. When you turn it on, it runs 90's sounding special effects out the soundhole, which is pretty cool. Here is the problem, the controls are super minimal. So minimal that you can't tell whether this bad boy is on or off. We found out the hard way that when this guitar is plugged in, the battery is always draining, even when the sound system is off. This is not atypical, but it gets weirder. The guitar won't turn off when plugged in, but sometimes needs to be turned on (?) when the batteries are dying. There is no indicator to tell you when it is running low on power, so you might find out on stage halfway through Glorious Day. There is actually no indicator for anything electric on this guitar, except for a sliding piece of plastic that sits under the dials that might be useful if it didn't look like you were supposed to cut it out and throw it away. The whole control setup is just annoying and unnecessarily vague. Long story short, with an electronics upgrade, this guitar would be unbeatable. It has more power than it deserves, almost like the guys a Yamaha are professionally sound-profiling the tops, which is something you would expect only on guitars above the 2000 range.Benjo
Where to start with this… Out of the box, once tuned the guitar feels like a quality product. The fitted Elixir strings (I'm guessing a 0.12 brass or bronze set) give the guitar a very bright, clear tone, exactly what I wanted. It is a bright sounding instrument, so others may want to experiment with other string sets. The action is good and low, although compared to the guitar I was playing the fretboard is very flat, not much of a camber at all, a minor complaint which may not apply to everyone and I got used to it quickly. The neck itself is comfortable with a slightly matte finish which I find aids playability, somehow. The design is conservative with small inlays and a transparent scratchplate; I may replace the scratchplate with something more interesting one day but not while it's so new. All in all, a great, solid instrument for its price bracket. Oh yeah, it's also got this on board soucery which applies reverb and chorus through the body of the guitar. These effects are awesome but their real benefit is to make you want to play for longer, simply because you sound better. These effects also apply to the line out; this is also a fully-fledged electro-acoustic. The only drawback here is that the preamp lacks any kind of equaliser, but who cares about that when any amp or sound desk has these functions? That all makes this guitar an all-rounder. A solid acoustic instrument with on board tricks for busking or practicing (your buddies will be jealous if you're having an unplugged jam on the beach, too) as well as being the electro-acoustic you want if you're gigging. I swear, I am not being paid by Yamaha. Check it out on YouTube – some great demos of this guitar on there.Adam W.
What a great guitar! Really beautiful finish all glossy but the neck is as smooth as silk I don't know what they use but it's so nice to play. The guitar sounds very well rounded with a little extra in the low end. So the Reverb and Chorus sounds with a touch of a button are ultra cool, kinda like surround sound. You get used to it real quick very inspirational. Yamaha really went above and beyond on this one. With or without the electronics this is a great sounding instrument but with a trick like that I'm using it. Plugged in sounds amazing! There's no bass or treble knobs? So the EQ they give you is what you get really nice bass response though and the highs are very clear, I was impressed. Just an absolute joy to play.
6. Yamaha Transacoustic Cutaway Fsc-Ta Brown Sunburst
Product Details:
Acoustic guitar evolution playing guitar in a great sounding room is the most inspiring, engaging playing experience imaginable – far more enjoyable than in a dry-sounding room like a lounge, office or den. yamaha’s transacoustic guitar recreates the incredible experience of playing in a rich, live room without needing any external amplification or effects – just the guitar itself. whether you’re practicing, writing, recording or just playing for fun, the transacoustic guitar will make you play better, longer and with more creativity. once you’ve experienced it, you’ll never want to play another acoustic guitar again. an immersive experience captivating reverb and chorus effects the yamaha transacoustic guitar provides a self-contained, immersive playing experience, with compelling reverb and chorus effects that resonate within the body of the guitar. transacoustic technology adds richness, depth and increased dimensionality to your sound and performance – all without the need for external gear. authentic yamaha transacoustic technology high-quality instruments with fully integrated built-in effects transacoustic technology is paired with the outstanding build quality that yamaha guitars are known for, producing an all-in-one instrument that leads in sound, quality and price. full range of body styles a model for everyone the transacoustic series includes a nylon-string classical guitar, and steel-string guitars with traditional, concert, cutaway and compact parlor-sized bodies.
Specifications:
Scale length | 634 mm |
Design | Folk |
Cutaway | Yes |
Fretboard | Rosewood |
Reviews:
I bought this guitar from a local shop strictly as a worship instrument for Sunday mornings. It absolutely destroyed every other guitar at the music shop +/- 500 in either direction. I still hold that it is likely the best guitar in its price range for the quality of its construction and sound quality. There is virtually not a single flaw this instrument possesses… But can we talk about the electronics? The guitar is super odd… I mean, if you are odd too, it is probably your dream guitar. It has a poor-man's tone wood amp build in. When you turn it on, it runs 90's sounding special effects out the soundhole, which is pretty cool. Here is the problem, the controls are super minimal. So minimal that you can't tell whether this bad boy is on or off. We found out the hard way that when this guitar is plugged in, the battery is always draining, even when the sound system is off. This is not atypical, but it gets weirder. The guitar won't turn off when plugged in, but sometimes needs to be turned on (?) when the batteries are dying. There is no indicator to tell you when it is running low on power, so you might find out on stage halfway through Glorious Day. There is actually no indicator for anything electric on this guitar, except for a sliding piece of plastic that sits under the dials that might be useful if it didn't look like you were supposed to cut it out and throw it away. The whole control setup is just annoying and unnecessarily vague. Long story short, with an electronics upgrade, this guitar would be unbeatable. It has more power than it deserves, almost like the guys a Yamaha are professionally sound-profiling the tops, which is something you would expect only on guitars above the 2000 range.Benjo
Where to start with this… Out of the box, once tuned the guitar feels like a quality product. The fitted Elixir strings (I'm guessing a 0.12 brass or bronze set) give the guitar a very bright, clear tone, exactly what I wanted. It is a bright sounding instrument, so others may want to experiment with other string sets. The action is good and low, although compared to the guitar I was playing the fretboard is very flat, not much of a camber at all, a minor complaint which may not apply to everyone and I got used to it quickly. The neck itself is comfortable with a slightly matte finish which I find aids playability, somehow. The design is conservative with small inlays and a transparent scratchplate; I may replace the scratchplate with something more interesting one day but not while it's so new. All in all, a great, solid instrument for its price bracket. Oh yeah, it's also got this on board soucery which applies reverb and chorus through the body of the guitar. These effects are awesome but their real benefit is to make you want to play for longer, simply because you sound better. These effects also apply to the line out; this is also a fully-fledged electro-acoustic. The only drawback here is that the preamp lacks any kind of equaliser, but who cares about that when any amp or sound desk has these functions? That all makes this guitar an all-rounder. A solid acoustic instrument with on board tricks for busking or practicing (your buddies will be jealous if you're having an unplugged jam on the beach, too) as well as being the electro-acoustic you want if you're gigging. I swear, I am not being paid by Yamaha. Check it out on YouTube – some great demos of this guitar on there.Adam W.
What a great guitar! Really beautiful finish all glossy but the neck is as smooth as silk I don't know what they use but it's so nice to play. The guitar sounds very well rounded with a little extra in the low end. So the Reverb and Chorus sounds with a touch of a button are ultra cool, kinda like surround sound. You get used to it real quick very inspirational. Yamaha really went above and beyond on this one. With or without the electronics this is a great sounding instrument but with a trick like that I'm using it. Plugged in sounds amazing! There's no bass or treble knobs? So the EQ they give you is what you get really nice bass response though and the highs are very clear, I was impressed. Just an absolute joy to play.
7. Yamaha Csf-Ta Transacoustic Parlor Acoustic Guitar – Vintage Natural
Product Details:
Yamaha csf-ta transacoustic parlor guitars transport you to new creative spaces with immersive reverb and lush chorus effects without needing an amp or other external gear. actuator an actuator installed on the inner surface of the guitar back vibrates in response to the vibrations of the strings. the vibrations of the actuator are then conveyed to the body of the guitar and to the air in and around the guitar body, generating authentic reverb and chorus sounds from inside the body. scalloped bracing the csf series utilizes newly-designed scalloped bracing that delivers rich, full-bodied resonance. the use of forward-shifted construction maintains the strength of the body while maximizing the vibration of the guitar's top. newly-designed battery box the battery box integrated into the end-pin jack requires fewer holes in the body. this reduces acoustic sound loss. connect the cable form the jack to a pa or amp to use as an acoustic-electric guitar.
Specifications:
Body shape | CSF |
Scale length | 600mm (23 5/8-inch) |
Body length | 450mm (17 3/4-inch) |
Total length | 940mm (37-inch) |
Body width | 340mm (13 7/16-inch) |
Body depth | 85-105mm (3 3/8-4-inch) |
Nut width | 43mm (1 11/16-inch) |
String spacing | 11.0mm |
Top material | Solid sitka spruce |
Back material | Mahogany |
Side material | Mahogany |
Neck material | Nato |
Fingerboard material | Rosewood |
Fingerboard radius | R400mm (15 3/4-inch) |
Bridge material | Rosewood |
Nut material | Urea |
Saddle material | Urea |
Bridge pins | Black ABS with white dot |
Tuners | Die-cast chrome |
Body-binding | Black and white |
Sound hole inlay | Abalone and black |
Body finish | Gloss |
Neck finish | Matte |
Electronics | SYSTEM70 TransAcoustic |
Controls | Reverb/chorus/line out vol(TA on/off) |
Connections | Line out |
Strings | Elixir NANOWEB 80/20 bronze light |
Reviews:
I was disappointed in this guitar. Having owned many Yamaha acoustics over the past 25 years, I found the quality to be lacking. The tuners were cheap, the intonation was bad, and the sound was very boxy. Even at the £330 sale price, it felt like a toy guitar. I was looking for something smaller than my FG5 and LJ16 to use on a casual basis and travel about. This did not fit the bill.Matthew H.
My ability to stretch my hand to finger chords is severely limited by dupuytren's contracture (google it for some depressing light reading). I hadn't owned an acoustic for five years as a result. I got the itch to own one again, and when I saw 23.5 inch scale, (excellent) gigbag included at this price, I went for it. And I'm glad I did. While the sound is not huge, it is good and the feel, fit and finish are outstanding. It has inspired me to play a lot more than I was playing, which was already over two hours a day. And that's really the best compliment that you can pay a guitar, isn't it?Jaye
I was excited to. receive this guitar having tried a showroom model. I have been playing it fir two weeks and have the food further examination llowing observation .1 batteries do not lasting (a week for me ). setup looked good a felt good to play except for a buzz on the g string. I noticed that 12th fret appeared higher. I know this is removable and would ask what I should do as it is under warrranty. but I am disappointed ate the thought of the hassle I nw have to get it fixed. over to you pmt ….P C.
8. Yamaha Csf-Ta Transacoustic
Product Details:
Truly captivating. sounds better with age. the yamaha csf-ta combines a compact, comfortable parlour body and a solid top with revolutionary electronics, and superb playability. experience a rich, warm, and inspiring sonic-character. associated among players as the 'classic' acoustic sound. you can play folk, roots music, blues, slide techniques and much more.explore fulfilling reverb and luxurious chorus effects that are certain to captivate your audience. love that reverberating sound of a big hall? well, yamaha's special transacoustic electronics give you that experience in the comfort of your own home. get inspired, get creative. it's time to explore the mesmerising sound of yamaha transacoustic.
Specifications:
Finish | Vintage Natural |
Year | 2010s |
Back Material | Mahogany |
Body Shape | Parlor |
Finish Style | Gloss |
Fretboard Material | Rosewood |
Neck Material | Nato |
Number of Frets | 20 |
Number of Strings | 6-String |
Nut Width | 1.6875" |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Sides Material | Mahogany |
Top Material | Spruce |
Reviews:
I was disappointed in this guitar. Having owned many Yamaha acoustics over the past 25 years, I found the quality to be lacking. The tuners were cheap, the intonation was bad, and the sound was very boxy. Even at the £330 sale price, it felt like a toy guitar. I was looking for something smaller than my FG5 and LJ16 to use on a casual basis and travel about. This did not fit the bill.Matthew H.
My ability to stretch my hand to finger chords is severely limited by dupuytren's contracture (google it for some depressing light reading). I hadn't owned an acoustic for five years as a result. I got the itch to own one again, and when I saw 23.5 inch scale, (excellent) gigbag included at this price, I went for it. And I'm glad I did. While the sound is not huge, it is good and the feel, fit and finish are outstanding. It has inspired me to play a lot more than I was playing, which was already over two hours a day. And that's really the best compliment that you can pay a guitar, isn't it?Jaye
I was excited to. receive this guitar having tried a showroom model. I have been playing it fir two weeks and have the food further examination llowing observation .1 batteries do not lasting (a week for me ). setup looked good a felt good to play except for a buzz on the g string. I noticed that 12th fret appeared higher. I know this is removable and would ask what I should do as it is under warrranty. but I am disappointed ate the thought of the hassle I nw have to get it fixed. over to you pmt ….P C.
9. Yamaha Ll-Ta Transacoustic Jumbo Concert Acoustic-Electric Guitar Brown Sunburst 190839599711
Product Details:
Playing guitar in a great sounding room is the most inspiring, engaging playing experience imaginable far more enjoyable than in a dry-sounding room like a lounge, office or den. yamahas ll-ta transacoustic guitar recreates the incredible experience of playing in a rich, live room without needing any external amplification or effects just the guitar itself. whether youre practicing, writing, recording or just playing for fun, the transacoustic guitar will make you play better, longer and with more creativity. once youve experienced it, you may never want to play another acoustic guitar again. includes gig bag.actuatoran actuator installed on the inner surface of the guitar back vibrates in response to the vibrations of the strings. the vibrations of the actuator are then conveyed to the body of the guitar, and to the air in and around the guitar body, generating authentic reverb and chorus sounds from inside the body. – simple control – three simple knobs let you adjust the degree of effect applied and the lineout volume level. additionally, keeping the controls small minimizes the area of the holes in the body material, reducing acoustic sound loss. (a) chorus control (b) reverb control (room/hall) ta switch/line out volume control * pressing the ta switch for more than 0.3 seconds activates the ta function* when a cable is connected to the line-out jack, the lineout volume can be adjusted by rotating the knob* the reverb type switches from room to hall around the 12:00 position – new scalloped bracing – the body is an all-solid guitar based on the l-series. a modified non-scalloped bracing design retains the l series characteristic bright tone while enhancing the low end. treating the tops with yamaha's exclusive a.r.e. process gives the instrument a rich, vintage quality tone, making it sound as though you'd been playing it for years, from the very first moment you pick it up. the fact that this guitar has been designed with an insistence on sound quality is what allows it to produce effected sounds that feels pure and natural. – high comfortable playability – straighter neck taper and hand-rolled fingerboard edges result in an instrument that can be played for hours without any stress. the 5-ply neck design featured in all transacoustic guitars is constructed of rosewood and mahogany plies with a double-action adjustable rod, creating a strong, stable neck that resists warping. – newly designed battery box – battery box integrated into the end-pin jack. this requires fewer holes in the body, thus reducing acoustic sound loss. connect the cable from the jack to a pa or amp to use as an acoustic electric guitar.bodybody type:jumbo cutawa
Specifications:
Finish | Brown Sunburst |
10. Yamaha Fs830 Acoustic Guitar (Dusk Sun Red)
Product Details:
The fs830 offers rich overtones, greater depth and improved sustain thanks to the rosewood back and sides and special bracing. the appearance, with abalone inlay around the sound hole, is more luxurious and an obvious step-up. the small and thin body is perfect not only for female/young players but for intermediate to upper level finger-picking style players. this fs has louder and stronger sound in the low- to mid-ranges, thanks to cutting-edge acoustic analysis technology developed by the yamaha r&d division. yamaha's engineers have achieved this sound by utilizing analysis and simulation to arrive at the best bracing design without depending on tradition or guesswork. this analysis led to the development of the new scalloped bracing pattern, an ideal acoustic structure that maintains the durability of the top board while bringing out the most sound the yamaha fs has to offer. case sold separately.
Specifications:
Body Shape | Concert (Small) |
Scale Length | 634mm (25”) |
Body Length | 497mm (19 9/16") |
Total Length | 1021mm (40 3/16") |
Body Width | 380mm (14 15/16") |
Body Depth | 90-110mm (3 9/16”- 4 5/16”) |
Nut Width | 43mm (1 11/16”) |
String Spacing * | 10.0mm |
Top Material | Solid Spruce |
Back Material | Rosewood |
Side Material | Rosewood |
Neck Material | Nato |
Fingerboard Material | Rosewood |
Fingerboard Radius | R400mm (23 5/8") |
Bridge Material | Rosewood |
Nut Material | Urea |
Saddle Material | Urea |
Bridge Pins | Black ABS with White Dot |
Tuners | Die-cast Chrome(TM29T) |
Body Binding | Cream |
Soundhole Inlay | Abalone w/ Black + White |
Pickguard | Tortoise Pattern |
Body Finish | Gloss |
Neck Finish | Matt |
Strings | 012/.016/.025(or.024)/.032/.042/.052(or.053) |
Reviews:
I bought this guitar to check out a budget friendly offering from Yamaha. I have to say I was not disappointed! Excellent tone and volume, the top really resonates. The guitar was really well setup right out of the box. It needed about 3/4 of a clockwise truss rod adjustment, no prob. Other than that it didn't need any fret dressing whatsoever. That's really impressive for a Chinese guitar. Heck even one of my Mexican Martins needed fret dressing out of the box! Also intonation was spot on and this also is important in your guitar. Very impressed with this guitar, intermediate/advanced feel but priced at a beginner budget. You won't regret picking one up, I assure you!Big Bone Murphy
There is a point of quality when an instrument reaches when it stops being seen as "better or worse" but rather just a different flavor. This Yamaha has reached that point. You can play it alongside a guitar costing 5x more and it stands up well. Yamaha is also one of those rare companies with a long history of top quality across all kinds of products, and guitars are an area Yamaha knows well. This is just a beautiful guitar through and throughout. You can get beautiful uncompromisingly great studio recordings with this guitar. Hitting the low strings hard with strumming gives a nice deep and rich tone. Also, the hardware / tuners are nice.Scott
I've owned many acoustics over the years, MANY, and this Yamaha is one of the best sounding I've ever owned. Went to GC just to check out a few lower end acoustics to pick up for jamming on, and tried almost every one in the room. Picked this one up last just before I was ready to leave, and immediately was blown away by the sound and playability, brought a couple friends to listen and tell me which one they thought sounded the best, and hands down this won over all of them. It has the tone and warmth of a Martin D34, which I have owned a few, and it plays like a dream. The neck is so sliky smooth, easy to fly up and down with no effort. It has amazing sustain and beautiful tone, I fell in love with it and just couldn't put it down. I didn't expect a guitar of this price range to sound as good as it does, got it home and I couldn't put it down. Played for 4 hours straight, and even after trying to put it down to go to bed at 1am I found myself playing a for a few more minutes before I could actually go to sleep. Love this Yamaha more than any guitar I've bought in the last decade. The best thing about it is, It gave me the desire to pick up playing guitar again, after hardly touching any of my other guitars for almost a year it's the one I want to play more than all of them. Great guitar, wouldn't hesitate to buy another in a different color, if you want something that you won't be able to put down this baby has the sound and feel your looking for.Johnny D
11. Yamaha F335 Acoustic Guitar, Black
Product Details:
It gives you that classic dreadnought shape and sound at a price point that won't break your bank. the f335's tonewood combination includes a laminate spruce top, rosewood fingerboard and bridge and meranti back and sides. gold die-cast tuners provide smooth and accurate tuning while a tortoise shell pickguard gives a bit more style. case sold separately.
Specifications:
Reviews:
I am a professional musician/songwriter (also a Berklee grad-1981). While guitar is not the principal instrument I was trained on (piano/keyboard are my primary), I have been playing guitar on and off since I was a teen back in the 1970s. However, over the last couple of years I've been putting a lot more dedicated practice time on improving my guitar skills for both for songwriting and solo guitar playing. I've been particularly focused mastering the layout of the guitar fretboard so I can put all my harmonic knowledge to work on the instrument, something I wish I did many years ago, but better late than never! I purchased this guitar because I wanted an instrument that was reasonable, easy to play, and enjoyable to listen to. I tried guitars in a variety of price ranges and was surprised at how much more I liked the F335 than guitars 2-3xs more costly. Although this guitar has a laminate rather than solid spruce top, it has a clear yet warm sound that I find really pleasing sonically. The fretboard is also very comfortable and easy to play which adds to the enjoyment of making music with it. I was so impressed with this instrument that I recently also purchased a Yamaha FS800 to use more for fingerstyle playing while using the F335 for flat picking. Those are a nice combination of instruments that cover all my guitar playing needs at this time. Regardless of what level you are playing I highly recommend this (and the FS800) for anyone looking for a very reasonable option that you can use for playing and songwriting.Scott F.
First of all, I own 2 Yamaha Guitars, the F335 being the first one I have owned. For an entry-level dred, you could not ask for a better quality, easy to play right out of the box, althought I would recommend a set-up with any instrument right out of the box with the addition of a bone saddle. Did this with this one and it brought its already rich tone to another level. I only give it 4 stars because I have owned a number of high-end instruments. If you are a brand new player, or one who is in the market just to have a dred to beat around with, look no further. This is the one for you.Chris
I purchased this guitar while it was on sale so can't really complain. There are several QC issues I would expect better from Yamaha even in a cheap imported product. Fit and overall build seems solid but there are odd finish issues that make no sense. At the neck joint there seems to be the remains of a tape line from the body to the neck all around the joint. This neck feels quite thin and comfortable but again, the finish is inconsistent. Just before the headstock, the finish goes from semi-gloss to mat in a very visible way that can also be felt in the hand. As I said in the beginning, cheap guitar, cheap price, hard to complain.Robert
12. Yamaha Fg840 Natural Folk Acoustic Guitar, Flame Maple
Product Details:
New scalloped bracing boosts the low end and adds richness to harmonic mid overtones. the flamed maple back and sides of the traditional western-bodied fg840 dreadnought provide distinctive, exotic and high-end appearance. the result is a sound that is not only transparent nut allows each individual note in a chord to ring clear. the solid spruce top also gives you reliable, well-balanced projection. other appointments include a abalone with black and white inlaid double rosette, tortoise pattern pickguard, cream body binding, die-cast chrome tuners and black abs bridge pins with white dots. case sold separately.
Specifications:
Body Shape | Traditional Western |
Scale Length | 650mm (25 9/16”) |
Body Length | 505mm (19 7/8") |
Total Length | 1038mm (40 7/8") |
Body Width | 412mm (16 1/4") |
Body Depth | 100-118mm (3 15/16”- 4 5/8”) |
Nut Width | 43mm (1 11/16”) |
String Spacing * | 11.0mm |
Top Material | Solid Spruce |
Back Material | Flamed Maple |
Side Material | Flamed Maple |
Neck Material | Nato |
Fingerboard Material | Rosewood |
Fingerboard Radius | R400mm (23 5/8") |
Bridge Material | Rosewood |
Nut Material | Urea |
Saddle Material | Urea |
Bridge Pins | Black ABS with White Dot |
Tuners | Die-cast Chrome(TM29T) |
Body Binding | Cream |
Soundhole Inlay | Abalone w/ Black + White |
Pickguard | Tortoise Pattern |
Body Finish | Gloss |
Neck Finish | Matt |
Strings | 012/.016/.025(or.024)/.032/.042/.052(or.053) |
Reviews:
I didn't have high hopes for a guitar in this price point, but it has had rave reviews so I ordered one. When I unboxed it after about 5 hours, the very first thing that I noticed was the build quality. The neck set is absolutely perfect and the guitar is very nicely playable right out of the box. The finish on this guitar is superb. It is a Plain Jane but it's pleasing to the eye as a solid, well built guitar. It tuned up well and I played a couple of sets on it, and after one retune, it sang out quite nicely. The only change I will make to this guitar is changing the nut and the bridge to bone, since the plastic polymer just doesn't sustain like this guitar is capable of doing. The additional 50 dollar investment is well worth it, I would be comfortable playing this guitar anywhere, it's well worth the money, and it's easy to see why the reviews have been so good on it.Taylor W.
I’m impressed by the build and sound quality of this acoustic guitar! Easy to tune and play. I used to play on a Taylor GS mini (Koa) but couldn’t bring it with me when I moved to the UK. I was thinking about buying the same model here but they’re quite expensive and paying for international shipping to bring mine from my home country wouldn’t be cheaper as well. That’s when I saw online reviews of this Yamaha FG800 and decided to give it a shot. PMT shopping experience was very smooth and the delivery was very fast – next day. Couldn’t be happier! Now I have something to play after 6 months after moving. And it’s a good quality guitar.Victor T.
This Yamaha instrument is well made. Especially for the price point of just under $200.00. I have purchased many Yamaha acoustics over the years and this guitar will not disappoint. No cosmetic flaws on this instrument, with a nice finish and worth checking out. I have been playing for over 40 years and am now retired, and I rate this guitar at 9.5 out of ten. Perfect for my finger style playing. Very full sounding board and visually appealing. Truss adjustment was made to tighten the action a bit to my personal preferred. The frets could use some polishing, as do most of acoustics at this price. I had purchased an identical instrument not too long ago and it also was a gem right out of the box, and decided to keep only one. Very comparable to an Ibanez Artwood instrument. I highly rate this Yamaha and it is definitely worth a look👍CHRISTOPHER
13. Yamaha Cgs103a 3/4 Classical Acoustic Guitar, Natural
Product Details:
The cgs103a classical guitar is a great 3/4-size instrument perfect for students learning to play. the yamaha guitar features a spruce top, meranti back and sides, a nato neck, and a rosewood bridge and fingerboard. body depth: 3.15" 3.3". scale length: 22.8". fingerboard width (nut/body): 1.9". top: spruce. back: meranti. sides: meranti. neck: nato. fingerboard: rosewood. bridge: rosewood.
Specifications:
Length | 36.9291 in |
Height | 4.5669 in |
Width | 16.5748 in |
Reviews:
I bought this for my friend that wants to learn how to play the guitar. I chose this for him because it's a nylon string so it wouldn't hurt his fingers which I noticed that most beginners easily gets frustrated when the steel strings hurts their fingers and then stops learning how to play the guitar. The guitar is well made and it looks like that it will last a long time of course with proper care. It's very light weight and compact so it's easy to maintain and store this guitar and also good for traveling.Rome
This Yamaha classical guitar is sold as a 'student' guitar but it's also a great travel size instrument. It's affordable, stays in tune, intonates well and has a great full body sound even though its a 3/4 size guitar. The nylon strings are easier on the fingers than steel strings and are great for someone just starting out. This one arrived with smooth fret ends and played perfectly right out of the box. Yamaha is one of best quality guitar brands, this one proves it.bascorulesright
This was my first time trying out Musiciansfriend. I must say I wish l had I known about them sooner. I bought a guitar for my daughter's lessons. The guitar came well protected in the box. The shipping was super fast and it arrived on time. The color of the guitar is gorgeous – my daughter loves it. The price too was very good compared to other sites. I also bought a case separately and the foot stool which I am happy with. I will definitely be shopping here for all our instrument needs. To top it all off. I received a purchase follow up call from the team at Musicianfriends. It's important to make sure your customers are happy with their purchase or address any questions or concerns.Noma N
14. Yamaha Fs800 Small Body Solid Top Acoustic Guitar, Natural
Product Details:
A solid-top guitar with authentic sound that is well-balanced without sacrificing its robust strength, thanks to the newly developed scalloped bracing design. at this price, the fs800 folk acoustic is perfect for all beginner guitarists. its small and thin body is perfect not only for female/young players but for intermediate to upper level fingerpicking style players as well.
Specifications:
Product Dimensions | 41.6 x 19.1 x 6 inches |
Country of Origin | China |
Is Discontinued By Manufacturer | No |
Back Material | Nato |
Color Name | Natural |
Fretboard Material | Rosewood |
String Material | Steel |
Top Material | Spruce Wood |
Neck Material Type | Nato Wood |
Number of Strings | 6 |
Guitar Bridge System | Fixed |
Fretboard Material Type | Rosewood |
String Material Type | Steel |
Hand Orientation | Right |
Reviews:
At first I was going to say it's a great guitar for the price, but that really doesn't do this thing justice. It's just a great guitar. It has a great sound, it feels good in your hands, it's easy to hold and to play. I can't fault this guitar at all. The action was a bit high out of the box, but the tech at Guitar Center gave it a great set-up and now it's very easy to play. I'm planning to give this one to my daughter, but I would happily keep this myself. I have only been playing guitar for a few weeks, but even I can make this thing sound good!Todd
There is a place in my project studio for FS800: 48 years ago I sold Yamaha Guitars and found them excellent. When the group "America" presented a acoustic sound (Horse with No Name; Ventura Highway; Tin Man . . . et al) the solid rhythms of Yamaha solid top guitars proved Ideal. Through the years I have experimented with various genres as a singer songwriter; now a days I have returned to folk and "heavy on" acoustic guitar sounds. To complement my more expensive guitars I needed something that could deliver the solid rhythms I fondly recall. Now the Yamaha FS800 excels for finger styles as well: I layer tracks this guitar is a breeze to play and its character naturally stands out in the mix. I cannot see a beginner or a more advanced guitarist going wrong with The Yamaha FS800. JHajarhill
Perfect couch and campfire guitar. Sustains and project very well with a surprisingly round warm sound. Gorgeous burst finish much nicer in person. String spacing is slightly narrower than standard, make note. Bridge saddle needed to be shaved down for lower action. Neck and frets were perfect otherwise. Tuning very stable. A set of 11-52 will be next string change. Love playing this thing, and exploring alternate tunings! It seems Yamaha's reputation is true.Greg
15. Yamaha Ls-Ta Transacoustic Dreadnought Brown Sunburst
Product Details:
There's nothing so inspiring as playing the guitar in a great sounding room – it makes you play better, longer and with more creativity. the yamaha transacoustic guitar recreates that incredible experience without needing any external amplification or effects, just the guitar itself. it's the most inspiring, engaging acoustic guitar you've ever played. actuator an actuator installed on the inner surface of the guitar back vibrates in response to the vibrations of the strings. the vibrations of the actuator are then conveyed to the body of the guitar, and to the air in and around the guitar body, generating authentic reverb and chorus sounds from inside the body. expressive effects three simple knobs let you adjust the degree of effect applied and the lineout volume level. additionally, keeping the controls small minimizes the area of the holes in the body material, reducing acoustic sound loss. new battery box battery box integrated into the end-pin jack. this requires fewer holes in the body, thus reducing acoustic sound loss. connect the cable from the jack to a pa or amp to use as an acoustic-electric guitar.
Specifications:
Design | Concert |
Scale | 650 mm |
Body depth | 100 – 125 mm |
Cutaway | No |
Fretboard | Ebony |
Reviews:
Really great guitar, very high quality. Sounds great on it's own, when I add a bit of reverb from the TransAcoustic feature it just sounds amazing. I took it to a local luthier to check the setup, he was surprised at how well set up it was from the factory and said there was no point giving him any money to do anything as it was pretty much perfect already. Very happy with the purchase.Reviewed by Andertons Music Co.
This guitar is an absolute thing of beauty. The finish is flawless. A little disappointed that the action is a bit high at both the nut and the bridge. Going to have to spend a few quid to get it setup better. Beautiful sound though. The electronics effect is a lovely sound too.Reviewed by guitarguitar custome
It's actually better than I anticipated. The yamaha LS TA doesn't come with the name tag/price tag of other comparative models, but it delivers with quality above my expectations. Friends who have heard it are equally impressed by the clarity in tone throughout and the build quality. Adding the onboard effects does take it to a whole new level of ambience, which is excellent, and sounds very natural, but it's not essential in order to enjoy this guitar.Mark A.
16. Yamaha A5m Are Acoustic-Electric Guitar (Vintage Natural)
Product Details:
Crafted in japan, the yamaha a5m acoustic-electric guitar features a cutaway dreadnought body with an are-treated solid sitka spruce top and solid mahogany back and sides. yamaha's system71 srt2 pickup and preamp perfectly complement the premium build quality and materials, while the matte-finish a-series neck profile is a thrill to play. other features include ebony fingerboard and bridge, three-ply mahogany neck construction, and gotoh open-gear tuners. the a5m offers today's player a reliable workhorse that looks, feels, and sounds amazing in virtually all applications.
Specifications:
Body Shape | Traditional Western Body Cutaway |
Scale Length | 650 mm (25 9/16") |
Body Length | 505 mm (19 7/8") |
Total Length | 1046 mm (41 3/16") |
Body Width | 412 mm (16 1/4") |
Body Depth | 100-118 mm (3 15/16" – 4 5/8") |
Nut Width | 43 mm (1 11/16") |
String Spacing * | 11 mm |
Top Material | Solid Sitka Spruce ARE w/Scalloped Bracing |
Back Material | Solid Mahogany |
Side Material | Solid Mahogany |
Fingerboard Material | Ebony |
Fingerboard Radius | R400 mm (15 3/4") |
Bridge Material | Ebony |
Nut Material | TUSQ |
Saddle Material | TUSQ |
Bridge Pins | Black ABS with White Dot |
Tuners | Open Gear Chrome (Gotoh) |
Body Binding | Mahogany + Cream |
Soundhole Inlay | Rosewood + Mahogany + Black + White |
Pickguard | Tortoise Pattern |
Body Finish | Gloss |
Neck Finish | Matte |
Electronics | SYSTEM71(SRT2 System) + SRT Piezo Pickup |
Connections | LINE OUT |
Reviews:
Overall: So, I have owned this guitar for several months now. It is without a doubt a very good sounding guitar, it's up there with my Gibson's and Martins. Strumming or finger picking it just sounds amazing. I did not love the string spacing, so I replaced the nut with a bit wider spacing for my style of playing. The whole point about me taking the plunge on this guitar was that it was all solid woods, ebony fingerboard and bridge, and one of Yamahas absolute best acoustics available. I have no regrets buying this guitar at all. My friends are amazed at the beauty and sound of this very well-built guitar. The electronics do a good job plugged into the PA for playing live, and it will amaze you how good it sounds unplugged all by itself. I never thought I would buy anything but Martin or Gibson's…. this changed my mind completely. if you're thinking about one of these just buy one!! My honest opinion is the price will go up on these as the solid woods and craftsmanship are stunning.Michael
I’ve had my A3M for three years now. I still look at mahogany wood grain in awe. This guitar has a nice rounded tone that can compete with Taylor and Martin guitars made from mahogany. Plugged into an acoustic amp sounds even better. I notice the price point has increased $100 (not sure of due to inflation) which shows that it is a respected instrument. I spent months spinning around for a acoustic guitar and I was truly pleased with the Yamaha A3M. I think it can keep up with Martin and Taylor on stage as a reliable gig machine.bryan nuñez
Had my Yamaha Fg140 1972 red label stolen. Bought this guitar as a lower price replacement. It has the Yamaha sound I was looking for. Very close to my vintage one. It lacks the depth of the original. With laminated back and sides,I was expecting this. I'd say it gets me 90 % there. Playability is excellent. Nice low action without buzz. This gives me a good guitar while I save for a better one. The fit and finish is excellent. No blems or flaws. Nice tuner, haven't tried the pickup yet. I hope this is a valuable review to someone looking at this guitar.
17. Yamaha Ll-Ta Trans Acoustic – Vintage Tint
Product Details:
The yamaha transacoustic ll-ta 6-string acoustic-electric guitar is a high-quality instrument that delivers an acoustic experience like no other guitar before. because the onboard reverb and chorus effects don't require any external amplification, you'll enjoy the tones of playing in a rich and lively acoustic space no matter where you are. the ll-ta is constructed from all solid tonewoods, and the spruce top has even been treated with yamaha's are technology for a broken-in tone. the yamaha transacoustic ll-ta will add new inspiration to your playing! includes padded soft case!
Specifications:
18. Yamaha Fsx820c Acoustic Electric Guitar – Natural
Product Details:
Derived from yamaha's fs820, which has the solid spruce top and mahogany back/sides, the fsx820c comes with a cutaway body and adds system 66 electronics plus an srt pickup. yamaha's proprietary under-saddle piezo pickup and system 66 analog preamp ensure you'll always have a solid plugged-in performance. the small and thin body is perfect not only for female/young players, but for intermediate-to-upper level finger-picking style players as well. special bracing yamaha's fs guitars have a louder and stronger sound in the low-to-mid ranges, thanks to cutting-edge acoustic analysis technology developed by the yamaha r&d division. yamaha's engineers have achieved this sound by utilizing analysis and simulation to arrive at the best bracing design without depending on tradition or guesswork. this analysis led to the development of the new scalloped bracing pattern, a new and ideal acoustic structure that maintains the durability of the top board while bringing out the most sound the yamaha fs has to offer. thinner body the fs model body is 10mm slimmer than that of the fg body, offering increased comfort and playability with no loss of volume or bass. having a body that is easier to hold makes the fs more appealing to beginners and smaller guitarists, including female players. in addition, the smaller dimensions and lower propensity to feedback make fs guitars ideal for stage use. system 66 electronics system 66 feature an under-saddle piezo pickup developed by yamaha. controls include a 3-band eq, an adjustable mid-range frequency control, and a precision chromatic tuner for optimum sound tailoring. the system is powered by easy to obtain aa-size batteries that provide a stable power supply for improved sound quality. case sold separately.
Specifications:
Body Shape | Concert Cutaway |
Scale Length | 634mm (25”) |
Body Length | 497mm (19 9/16") |
Total Length | 1021mm (40 3/16") |
Body Width | 380mm (14 15/16") |
Body Depth | 90-110mm (3 9/16”- 4 5/16”) |
Nut Width | 43mm (1 11/16”) |
String Spacing * | 10.0mm |
Top Material | Solid Spruce |
Back Material | Mahogany |
Side Material | Mahogany |
Neck Material | Nato |
Fingerboard Material | Rosewood |
Fingerboard Radius | R400mm (23 5/8") |
Bridge Material | Rosewood |
Nut Material | Urea |
Saddle Material | Urea |
Bridge Pins | Black ABS with White Dot |
Tuners | Die-cast Chrome(TM29T) |
Body Binding | Cream |
Soundhole Inlay | Black + White |
Pickguard | Tortoise Pattern |
Body Finish | Gloss |
Neck Finish | Matt |
Controls | Vol/3-band EQ/Tuner/Mid FQ |
Connections | LINE OUT |
Strings | 012/.016/.025(or.024)/.032/.042/.052(or.053) |
Reviews:
The guitar is comfortable to play with a good sound plugged in to an amp or by itself.flight5756
Best price/quality ratio. Best compact acoustic for the money on the market.tradetug
19. Yamaha Apxt2ew Thinline 3/4 Size Acoustic-Electric Guitar Natural
Product Details:
Apxt2 is a 3/4 size of the world best-selling acoustic-electric guitar, apx500iii. this fun, yet well-constructed compact guitar makes a great company when you are on a road. apxt2ew features the yamaha original contact pickup and beautifully grained exotic wood top. accessory includes a gigbag. compact body apxt2 is a 3/4 size of apx series that delivers full-fledged electric acoustic tone anytime and anywhere you want-and of course, it comes with a gig bag. contact pickup this one-way active preamp and the contact pickup system is compact, yet delivers very natural acoustic tone. it also features mid-boost eq and the precision chromatic tuner for optimum sound shaping and tailoring. exotic grain patterns apxt2ew features a beautifully grained exotic wood top that gives this instrument an upscale appearance.
Specifications:
Length | 36.22 in |
Height | 4.53 in |
Width | 16.46 in |
Reviews:
You get a 3/4 size acoustic guitar, of course, for the size. I already had the Yamaha APX500III which is a truly magnificent price-point instrument. The thinlne body moves you away from the bloat of a regular size dreadnought. All of the features of the larger brother are implemented in the APX Thinline 3/4: built-in tuner, volume and tone controls. The reason I wanted a comparable guitar in 3/4 size was to have it in my office nearby, ready to pick up at a moment's notice and for that it serves me perfectly. You can sit in an executive swivel chair and play this guitar comfortably. Do not delude yourself into thinking the big sound of the bigger thinline will transfer to the smaller guitar when play unamplified. When amplified the difference is slight. So now I have what I wanted – a quality price point smaller guitar that sits on a stand in easy reach for those moments when you need to reach out and find a way to explore a musical idea, run some scales, etc. Perfect solution!Jerry
Although I bought this guitar online from PMT (excellent service) I also posted a detailed review on Amazon UK where I also counselled against paying the stupid prices being charged by some of their affiliates. The PMT price was excellent. There were a few negatives with my guitar, all of which I was able to cure or tweak: the action was ridiculously high and until I altered the battery holder, the pickup and tuner wouldn't work. However, they were hopefully one-off problems. The guitar has far better tone that you might expect from an all-laminate guitar, especially if you play above the soundhole or at the end of the fretboard at around the 17th fret. Played with a hard pick it can sound a bit 'thin' but played with fingers or with a less aggressive 'attack' it has a really sweet sound. I am 75 with normally sized adult hands and do not find any problems with the fretting or scale length. Having made the adjustments, it's become my go-to acoustic guitar . . . and as I also have a GS Mini, that it is praise indeed. If you buy this guitar, I'd suggest changing the strings although the generic type which are fitted are OK. I changed them whilst shaving the saddle and fitted D'Addario 10's. This guitar is ideal for adult 'noodling' + a beginner of any age + a travel guitar. It has proved to be an excellent buy . . . for more detail, check out my review on Amazon UK but I doubt you'll find a better price or service than PMT.Alan S.
Funny thing about this world is that, a perfectly shaped, and sized acoustic guitar with modern electric pick-up and built-in tuner. The maker gives you a gigs bag, which is not much thicker than double bags from your local grocery store. And you must become religiously pious and pray that every time you go out of the door, that free gigs bag is gonna protect your $200 investment. I ended up purchased in extra, a Gator Hardshell case, GWE-acou 3/4. The case is still big, so I use some swimming noodles to pad up and cradle the guitar in full protection. The plush liner inside the hardshell case can be peeled up, so I can tuck in the noodles to form a snug fit. I also purchased an Amplifier, for practices and maybe buskering later. My setup of the case is not flight luggage safe, so if you are a frequent flyer, better ask nicely if you can give it to the cabin member to stow in the closet for you. I am personally happy with the sound range and volume, very little difference when compared with a full-sized guitar. The human comfort is better under your right elbow. The deal I got comes with a tuner, but the guitar already has a built-in unit running on 2 AA batteries. The free stand is ok.djadtoys
20. Yamaha Fs5 Red Label Acoustic Guitar – Natural
Product Details:
Barely played yamaha fs5 red label made in japan. i bought this new a month ago from a local store. the only issue is the pictured blemish to the left of the sound hole. it was caused by improper handling by an employee at the store i purchased the guitar from. other than that, this thing is incredible! all solid wood, quite comparable to an 18 series martin in many ways, but for a fraction of the cost. these have been in production since 1966 and have lots of vibe.
Specifications:
Body Shape | Concert (Small) |
Scale Length | 634 mm (25”) |
Body Length | 497 mm (19 9/16") |
Total Length | 1021 mm (40 3/16") |
Body Width | 380 mm (14 15/16") |
Body Depth | 90-110 mm (3 9/16”- 4 5/16”) |
Nut Width | 44 mm (1 3/4”) |
String Spacing | 11 mm |
Top Material | Solid Sitka Spruce |
Back Material | Solid Mahogany |
Side Material | Solid Mahogany |
Neck Material | African Mahogany |
Fingerboard Material | Ebony |
Fingerboard Radius | R400 mm (15 3/4") |
Bridge Material | Ebony |
Nut Material | Bone |
Saddle Material | Bone |
Bridge Pins | Ebony |
Tuners | Open Gear Chrome(Y1D) |
Body Binding | Black + White |
Soundhole Inlay | Black + White |
Pickguard | Wooden type |
Body Finish | Semi-Gloss |
Neck Finish | Matte |
Strings | Elixir NANOWEB 80/20 Bronze Light |
Reviews:
In You Tube in guitar forums, every review has something positive to say about this guitar well, they all saying the truth, this guitar is simply amazing. Not that loud guitar, with rich bass and very smooth treble, without the annoying sizzle of modern acoustic guitars, perfect for recordings. One thing that no one talks about this guitar is the fact of how reactive is to the pick thickness, thin picks sound drastically brighter than the heavy. Yamaha nailed it with this product I genuine believe in the future this guitar will be even more of a legend than it currently is. To get that sound and quality in American made guitars you will have to pay at least twice as much. One of my best buys for sure, I am thinking that I should buy the FS5.
I was looking for a guitar to focus on fingerstyle playing. I did my research and determined an OM/Concert style/shape was probably what I needed. I was prepared to spend several thousand dollars and initially considered several of the top tier brands. There are many available reviews of the Red Label guitars to include those with the Atmosfeel pickup system. I decided to go with this guitar and save money at the same time. Josh Sackett helped with the purchase through Sweetwater and always take care of me (I've purchased several guitars and other equipment with Josh). The guitar sounds amazing and the pickup system is incredible. The neck is the most important part for me barring the sound of the instrument. The neck shape makes playing very enjoyable, the fret work is perfect, the ebony fretboard is super smooth, and the guitar inspires me to play. I am currently focusing on fingerstyle but the guitar sounds equally good strumming chords. You could certainly spend more for other brands but I doubt it will sound any better or play any better. Couple that with the pickup system which allows you to dial in a truly rich acoustic tone (through a church PA system for me) makes selecting this guitar a wise choice. It comes with a high quality hard case as well.
I mostly play for my own amusement, but I've been at it for about 40 years. The FS5/FSX5 is a well built, nice looking, and easy playing guitar. Setup was about perfect out of the box… I might take it down just a touch at the bridge, but it was definitely in the ballpark. The neck feels comfortable, and I have had no issues with buzzes or rattles anywhere on the neck. Tuners are smooth and accurate. Out of the box, the guitar sounds very full and open, with good balance between the strings. The sustain and volume are also both pretty good. The guitar responds pretty well to dynamics, and you can dig in a bit before it starts to hit the ceiling. I've played some that have a little more dynamic range, but the FSX5 hangs. Offers pretty good clarity for fingerstyle, and I have no problem bringing out the notes I want to emphasize. I am really happy with how it sounds with strummed chords…rich, yet clear and punchy. The aesthetics are low-key, but still classy and elegant. The A.R.E aged top under the satin finish is a lovely warm orange-gold, and the simple black binding with smaller white inner bands frames it nicely. The ebony pickguard is a nice touch.. much richer look than simple plastic. The electronics get the job done. I like about an 80% mic blend, and a bit of a bass cut. I run it through a Fishman Platinum EQ and Preamp… and would recommend a good preamp to get the most out of this pickup system… you can dial in a good tone without one, but you'll get the best results with a preamp. Overall, I think Yamaha made some great decisions with this guitar. Although some of the basic fab work is done in China, the finishing touches fall under the auspices of the Japanese craftsman. They used quality materials for the build (bone nut and saddle, ebony bridge), but otherwise kept the "bling" to a minimum, and concentrated on delivering quality in the sound and feel. This is a players guitar, and the price is right for what it is.Vognell
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