Urban Guitar Collection 15 Watt Amp For Sale (2024 Update)

Love my Fender 15, got it a Thrift store for much less than a new one, it was in great shape and sounds awesome, with rich deep sound. Alot louder than I figured on before I got home to try it out. Its very well Builth box and high-end knobs with a vintage Fender look. I highly recommend this little amp for convenient practice or when on the go to jam with friends. The separate Mic input and volume knobs are nice when you want to sing and play at the same time. I have a huge 4 speaker Yamaha Amp that is huge, but this little amp rivals it when both are set at lower volumes. Also, this one is easier to carry on the go, and mine sets in my living room next to my guitar for easy practicing while my huge one takes up too much space in there, so I only roll it out when needed.jimdandy-2007

Purchased as Xmas present for my teenage daughter who is a budding acoustic guitar player but also plays electric occasionally with clean tones only (no use or need for distortion or overdrive). Small size and ample volume for her needs make it great addition to her room. Lovely clean sound for her Yamaha electro-acoustic and my Fender Strat (which she has stolen!!). Built in chorus is nice addition but nowhere near as nice a sound as a dedicated pedal. Sufficient tone control and option for mic as well plus headphones out if desired. Simple and nice quality for affordable price.Duncan

I use it with my Yamaha parlor 14-fret and Ibanez OO slotted-headstock 12-fret acoustic-electric guitars. With both, the sounds are rich and full. I don't need to fill a large room, just my living room. Even so, the volume knob doesn't even need to go past 9 o'clock for me to get powerful and distortion-free sounds.Boon

This was a surprise. I was sure this would sound decent but I was pleasantly surprised at the control & versatility. With a Stratacoustic, very clean & crisp, nice body. I tried all the normal dang Shure's everyone uses but this was great with a Blue Encore 100. Decided to try my daughters Roland Aerophone, very good tone overall. This would work for a little gig or practice of course, but for recording it would work well & of course you can mic this in a larger club/venue. Overall a fun, quality & versatile little amp. I recommend this, for the cost you can do a lot with it.MM

I was a little hesitant on buying this amp because of the size, but I decided to take a shot at it. I was very surprised at the power this thing puts out. I use it on my Fender Malibu acoustic electric and also on my Alesis Nitro Mesh Drumkit. It packs plenty of power for both. Highly satisfied with the amplifier. It has a mic input as well and is perfect for small gigs and jamming around the house. AMS offers a 45 day return policy which makes it a no brainer to purchase this thing. If you are looking for an inexpensive amplifier to jam on then I would highly recommend this Fender Acoustasonic Amplifier. You get a great quality product at an affordable price range, backed by an amazing customer support team and return policy.Agent47

I bought this amp because my gig amp died a cyber twin 2-12s 100 watts that was about 16 years old. I have had many Fender amps they were great. I do country and 50s and 60s rock and roll. I figured 100 watts would put it out there and it does. At performing volume, the distortion is a pure heavy metal on the clean channel. Mine is not much good for high volume for my type of music. I have an old champion 110 75 watt that I will be using It has worked for me when the others were down. Not sure what to do.stev_majo

Great starter/practice amp. It gives a great tone for a great price. Gives some really great crunchy distorted tones for metal and rock. Also gives a great clean tone. Has plenty of built-in effects too. It gets pretty loud when you need it to, and has a 3.5mm headphone jack for convenience and quiet practicing. I love this amp! If you're just starting out and looking for your first amp, look no further. Or if you're an experienced guitarist looking for a good practice amp, this is a great choice.danielk2852

It is a great amp. Very good sound and options for the price. It is not heavy which is a big deal to someone who has had back surgery. I gave it a 5 in spite of one big complaint. When you turn it off you hear a loud "POP!" Wow, is that loud is what I thought the first time I heard it. I read about it online and there is a simple fix. Find an old set of ear phones or ear buds that you would use on a cassette player or a Sony Walkman. (Yes, these are ancient electronic relics from the past for you younger people. You might ask your parents if they have a cassette player and borrow the ear plugs.) Just plug that earphone jack into the "PHONES" input BEFORE you turn it off. THEN you only hear a little blip when you turn it off. THEN just pull the jack out of the "PHONES" input before you start it next time.chasmigu

It’s a powerful, cultured little rock amp. No need for gimmicks, it’s good enough to be what it’s supposed to be. (It looks ace too.)Reviewed by Absolute Music custo

Great budget amp that does not disappoint. Sturdy yet light and easily enough wattage for playing at home. I would definitely recommend it.kscott7073

I have a Marshall 412 cabinet with a 100 watt Marshall head. I needed a smaller amp to practice at home and for small jam sessions. I picked the Marshall MG15FX because I know and like the Marshall sound and quality. The Effects features sound good too. I bought the footswitch for it too. This amp sounds good and powerful enough for any small jam or studio work. Marshall makes a MG30 if you need more power.Max

I really like this amp. I don't have to turn up the master volume very much for it to get loud enough. I plan to hook up a Line 6 Pocket Pod for heavier distortion and more effects options. I'm a big fan of delay and am happy with the delay that comes with this amp but I did get a Boss DD-8 digital delay pedal and it works well with this amp. I previously had a cheap 100 watt amp but it only sounded well at low volume. I feel this Marshall amp is better quality and I am glad I got this one.Ferdad

i use this fun little amp at home to practice and jam. sometimes with friends. i've have owned fender and peavy practice amps and this Marshall is just as good or better. i like the clean and various overdrives..the effects do a good enough job and really like the two different reverb effects. i like the headphone option for keeping the neighbors and girlfriend happy when playing late night. i play a Epiphone Les paul traditional pro iv and the combonation sounds super for hard rock and blues but i needed to get a heavy metal pedal for metallica songs. wish it had a longer plug in cable. but over all it sounds really good for what i payed.. ;owned it for two years and keeps on rocking.rob

Where do I start? Well, how about, this is the best tube amp I have ever played! 62 years with many guitars and many amps, some owned, some borrowed, and some tested in music shops, might give me a little credibility. I have loved a Fender Twin Reverb, made in the 50s that my uncle Keith, and my guitar mentor, loaned me for a while. It just sounded so good. Never could seem to find cash, or justification to buy a tube amp, but have owned a hal a dozen solid states. THEN THIS LITTLE BEAUTY! Having played the Twin for a couple of years, and others such as a Mesa Boogie, VOX's, and too many others to recall, THIS monster sounds like most of them with just little tweaks of the knobs and my guitar switches. I have played country, 60s and 70s rock, blues, finger-style instrumentals, gospel, etc. I believe this is the PERFECT combo, with the correct (JJ) tubes, a sweet (and dirty when desired) Seventy/80 speaker, and an amazing diversity of sounds, which works in every genre I play! I do not know how anyone can find reason to bad mouth this. I had it for 2 weeks, was asked to fill an absent, guitarist's spot at an outdoor venue, I took this little amp. We played to an area the size of a football field. I set the amp on 1 Watt, until I could hear it cleanly (behind me on stage), let the sound man mic and mix me in. Never had to turn it above about 4, with gain between 1 and 4, and many complemented me on my sound, and musicians asked me WHAT IS THAT LITTLE AMP? Those are the good points. I can only think of two piddly things I would like to see changed, and one would be a standby switch, and the second being a way to run the external speaker WITHOUT cutting off the amp speaker. Until then, I will just keep playing this sweetheart amp, and enjoy the statements about "my sound," and the question of WHAT IS THAT LITTLE AMP? Keep playing everybody…and maybe buy one of these. I do not believe you will regrety it.New User

These amps are fantastic, and at these bargain prices you simply can't go wrong. I upgraded the reverb tank in mine to a Mod and changed the speaker for a Warehouse GC12. OMG, this thing is a beast! Another WGS option I've seen people use is the ET65 for a more British tone, also with good results. The stock speaker is not too bad, but this one simple upgrade of swapping the speaker takes the amp to the next level. It just sounds awesome. The upgraded reverb tank is also an improvement, but not as much as I thought it would be. If I had to do it over again I would just take out the stock tank and use a pedal for reverb and make the amp even lighter to haul around. The more important upgrade imo is the speaker. It really makes a world of difference. Grab one reasonably while you still can, the price keeps creeping up and up and up… !Jeff

After a number of FEDEX issues, I received my amp about 5 days later than estimated. It did arrive in excellent condition and was worth the wait. The Stage Right 611815 has a really sweet tone that sounds particularly good with the single coil pickups on my Fender Sratocaster Player. It breaks up nicely! The reverb works perfectly, and is fine for most playing but you might want an external reverb unit if you are playing Dick Dale tunes. A really nice feature for home playing is the 15W/1W switch, where you can limit the amp to 1 W (be aware that with sound, you have to increase the wattage by 10 times to double the perceived volume, so the 1W setting is a lot more than 1/15th as loud as the 15W setting). It is a bit unusual to have a tone control along with the more common bass, middle and treble controls. Personally, I would have labeled the Tone control as Presence, because that is what it seems to be. I have mostly been playing in the 1W mode with all the controls (including reverb) at 12 o clock, and that is working out great. As far as construction, the amp looks fantastic and gives a vintage look that hints at its tone! The dark grill cloth provides a nice contrast with the blonde tolex, giving a true vintage appearance. The retro red, jeweled pilot light and metal toggle switch complement the vintage styling Keeping with the vintage look, the control panel is chrome with retro chicken head knobs. As others have mentioned, the control names are a little bit difficult to read on the chrome panel. After you use the controls once, you know where they are, so does it really matter (I noticed the blonde version of the Fender Blues Jr also uses a chrome control panel…probably where Monoprice got the idea)? The tolex is neatly installed and glued, at least the parts that are exposed. The leather handle is also reminiscent of old school amps. And I really like the metal corner protectors…very nice. As proudly announced by a badge on the front panel, the amp is equipped with a Celestion speaker…a Seventy 80 The only criticism of the construction, and it is minor, is that the 8 external screws are not chamfered properly to mesh with the finishing washers, which result in the screw heads protruding above the washers. The amp has a jack for an external speaker. When you plug in an external speaker, the internal speaker is shut off, as is common with guitar amps. The reason is if you plug in an external 8 ohm speaker and the internal speaker would still be on, a (combined) 4 ohm load would be presented to the amplifier, which it is not designed to handle. The back is open. The line cord is not detachable, but can be conveniently stowed in the back of the amp. The amp has an effects loop, which I have not tried yet. The amp is now equipped with JJ brand tubes and a metal, two spring, reverb tank, which are upgrades from the original issue I wish I could find a nice, economical (i.e. $20) dust cover for the amp. The only ones I can find are priced at $50 or more, a bit much for protecting an inexpensive amp. In conclusion, the Stage Right 611815 amp looks great and sounds great, and I highly recommend it.Chris

I have 3 of these amps so far and love them. You can't expect a big tube sound because it's not that but rather a smaller very useful sound. I customize them slightly with an 8" speaker that fits in them and do a few other little things. For very little money you can have a killer little tweed looking amp. Works great for rockabilly and roots music with an archtop for me and takes any pedals well. Can't beat these little work horses.Travis

Beautiful cover and vintage tweed appearance. Good for an office. If it got ripped off you would get over it quick. Have to use pedals or limited functionality makes practice boring rather quickly. Clean very good. Gain option is unfortunately toy-like and useless. Just leave it off.Records Reills

Cool little amp. Been spending some time playing with it. Love the tweed look. Wish they hadn't put the Rogue plaque on the front of the grill, and had kept true to the Champ 600 look by putting it on the top of the amp over the speaker. The clean channel is good, wish it had some built in reverb. The distortion channel is good too. I ran my "Bluesdriver" pedal into it and it sounded even better. I will likely change out the stock speaker for the Eminence 6.5 speaker to try and coax a little more sound out of this great little amp.KWB MUSIC

I use one of these for my nylon string Godin Multiac. I blend the nylon with a GR33 synth and run both signals into this amp on the clean channel. The issue I've always had with amplified nylon string guitars is the 'plucky' or 'plasticy' sound of them through guitar amps. This bass amp solved the problem for me. With the amp's treble and bass rolled off completely I can get a very round clear tone by using the guitar's eq to provide the brightness. Very light and powerful, and an unexpected solution to a long-standing problem I've experienced. The electric violinist in the band tried his setup through my amp with almost identical settings and he bought one also! Works very well for bass also, in a small setting.Jan-Mikael

TLDR: BUY IT! I ordered this amp when I bought my very first bass. For years I was stuck with a school Ampeg Little Stud bass from 1973. The bass itself was 40 pounds, and for all of its vintage appeal, I was not impressed by its condition or playability. The amp was even worse. It was a Backline 112 that weighed 50 pounds, and when I performed with it in a school gymnasium with a capacity of a mere 400 people, nobody heard me playing. When I bought my bass I knew that I needed a new amp. Enter the Rumble 100. If this is your first amp, you might think this is a little pricey, but trust me, it is beyond worth it. I'm only 5'1", and while I could carry the heavy Ampeg bass and amp, it was starting to hurt my back. But this amp is incredibly light. I almost expected it to have zero bottom end. But when I played it, I was shocked. The sound was very well-supported, even if it's played with the bass, low, and mid down and treble all the way up (which I wouldn't recommend… I mean, it's a bass amp…) I've loved this amp ever since. But I'm not a "pro" yet, so let me tell you what some professional musicians thought when they saw my amp. I performed with a popular local brass band that has been together since 1980. Altogether they have 50+ years of touring and gigging experience. They're used to lugging some pretty heavy equipment. When I walked in to the auditorium, I had my bass case slung over my shoulder, my amp in my hands, and all my music nestled under my arm. Of course the stage crew at the door all thought that the tiny chick (me) was about to drop everything, so they rushed over to help me by picking up my amp. They went, "What? We're wondering where the inside went, Is this it?" They thought it would sound awful. But that night, in front of 2,000 people (and there was a bass solo), everybody said they could hear me perfectly. The design is simple, the onboard controls are very effective and not too complex, and it plays loud and proud without hurting you.Bass Clef Kid

Like the rest of the bass players out there I've used all of the major brands. From old-school Acoustic Control heads and cabs from the '70's, to Ampegs etc etc etc…Well I've reached the point where that level of stage volume isn't needed for what I'm doing now; I shopped around, and despite some of the amazing combos available, I landed on this one. Actually the guitar player in our band mentioned that he had bought the 50watt version of this. I played through it and was impressed. For me it's the ideal unit for what I'm doing now – I still play some heavy rock (Mountain, Cream, Cactus, Trower), but when volume is required we of course use the FOH and good monitors for stage support. Having the onboard direct out is the best as it allows me to go direct into whatever board is being used, whether live or recording. Don't be fooled by the small size; the size is a real asset in terms of portability. The head is where it all starts, and the tonal range is wide so you can dial in your sound. In a live situation there's plenty of lows, highs and depth of tone. Playing in various size venues is no problem – this will carry without going through FOH in churches, smaller bars & clubs (50-100 capacity). Larger venues or live situations where stage volume is needed for impact or performance, then my personal recommendation is to use this as a personal monitoring device and go through the PA & stage monitor as a direct through the board. One last thing; the amp sounds as good on 3 as it does on 7. Any more than than 7 and it starts pushing the speaker, and not in a good way. But I've had this for several months now, use it gigging and recording regularly and overall am simply satisfied with the purchase. Like everything, this amp has limitations. You're not going to get the punch or volume of a high powered rig, and you really shouldn't be using a combo for something like that. But whether you're a beginner, novice, or weekend warrior or pro this amp, as well as the rest of this product line, is a tremendous option.jb

I have never offered a product review for any product but I had to make an exception for this one. I am 69 years old, have been playing music for over 50 years, and I have just begun learning the harmonica. This amp is perfect for me for a number of reasons. First of all, it's portable. I can take it anywhere – from my living room – to that picnic table at the park – to my guitar player's front porch. I've had it for a while and I'm still on the batteries that came with it. (You can get an optional power supply for it if you want.) Second – it sounds great and has plenty of volume for personal practice and for use in small settings. With the GAIN and VOLUME controls, you can easily get the response you want. The EQ control only makes a subtle difference in frequency response but nothing dramatic. The DELAY function, however, is very effective and fun to use. Next – a variety of additional input and output jacks make it very flexible. I can plug in my MP3 player and play along with a backing track, for example. It also has a headphone jack, an extension speaker jack, and a DC power jack. Finally – and most importantly – It's fun to use and, because of that, I find myself practicing longer and enjoying it more. I'm new at holding a mic and at first it felt awkward. Now, because the FLY 3W is so much fun to use, holding the mic has become second nature. OK – now you're waiting for the downside. Well, other than the EQ control comments I made earlier, I don't have any. At first, I thought it could benefit from a handle but, upon closer inspection, I discovered the recessed finger grip on the top of the case. (Very clever Blackstar.) This is a well designed portable practice amp. (It even looks aesthetically pleasing.)Bill

First things first; this combo pack DOES include the power supply but batteries are NOT included in the combo pack. Despite the great reviews, don't expect this to sound like a full-size amp; the small speaker mean this amp lacks low end. The pair does sound OK playing in stereo music through the aux input; good detail and sound quality except for the missing bass. As a practice amp, especially through headphones, this thing rocks; with the ISF control you can make it sound like a Fender or a Marshall Amp. Cleans are good but the high gain channel can sound a bit messy if you crank it to 11. The amplifier is more than loud enough for home practice even without doubling the power to 6 watts by adding the second speaker. I don't own a full-size electric amp but I've found out that running the cab-simulated headphone output into my acoustic amp's aux input gives an excellent equivalent so I probably won't bother with a 'real' electric guitar amp; this setup sounds sooo good.Dave W

I was very pleasantly surprised and the range of EQ and the control of compression the Fly 3Bass gives me, not only a great practice amp but mic it up through a PA and it sounds amazing. Great running on batteries (last about 12 hours) or mains. I did a back garden set with couple of friends on acoustic guitars me on electric bass via Fly 3 and it sounded really good so i am very pleased with my purchase. Only thing i had to do was back off tone and bass enhancer on my active bass as it slightly overpowered the amp but i get that on my stage rig as well so expected that.Barry J.

Amazing little tube amp! If you're looking at getting your first tube amp, this is a highly recommended starter amp. It sounds great as a studio amp and it gets plenty loud given it's 15W, which makes it suitable for smaller gigs. With the volume turned down, it sounds really clean, but it breaks up pretty nicely around 6-8. It also handles pedals and overdrive pretty well (especially with the fat switch engaged). The Jensen C-12N sounds really nice. The cabinet is particle board, which might be a con for some people, but it's not a deal breaker considering the price. Fender really got it right with the Gen IIIs, which is probably why they're still selling pretty well.Matt T.

I spent six months trying to decide between the tweed Blues Jr., the Blues Jr. IV, the Vox AC15, and the Roland JC40 (a bit of an outlier in this list), and finally decided to go with the tweed after several visits to GC and many side-by-side comparisons. I'm not a serious blues player, nor do I spend much time with classic rock influenced jamming/noodling, but was looking for an amp with a stellar clean sound for playing clean or as a canvas for pedals, decent distortion, and surfy spring reverb. The Vox is classic for a reason, but the clean tone was lacking personality. The built in tremolo is great, but the reverb wasn't heavy enough for me (although many others complain that it is a bit too much for them), and the overdrive tone wasn't exactly what I was looking for. Otherwise, it seemed well constructed and had a great look. The Roland JC40 is a solid state amp, so very quiet in comparison to the others in the list. I only was considering this because it has an incredible sounding chorus and is an otherwise perfect canvas for pedals, but the clean tone was bland and the drive couldn't compare to that of a tube amp. The standard Blues Jr IV sounds boxy and dark in comparison to the tweed, and the reverb tank is much more subtle. Although it has a good Fender clean tone, it is somehow lacking. The tweed is bright, really bright, but that is what I want. The reverb is killer. I imagine very few people will max it out, or even keep it above half-way, but I absolutely love to crank it up and get a super wet classic surf tone. Keeping the volume low and maxing out the master volume retains a good deal of clean chime without breaking too much, yet can begin to breakup if you have a heavy strum. Maxing out the (pre-amp) volume gives you a decent crunch, which only gets better as you turn up the master (Communication Breakdown sound). Yet, this gets LOUD, pushing beyond home use volumes. I am happy with my choice, but recommend you test your optionsRyan

The magic started as soon as I turned the amp on. This little amp has personality, with the retro look I felt as I had traveled to a time long past. This amplifier sounds great, it's actually loud, and the tones are nice and simple. I pair it with my favorite pedals, and I blast off to a whole other world of pure creativity. If you're wanting a classic sound to fiddle with, I highly recommend this beauty. I even purchased a cover for it since I was worried it would get dirty or our cat would treat it as a scratching post. It not very heavy or big and doesn't consume much electricity and is capable of being loud enough to bother your neighbors, since it's a very simple amp, you'll have to get your pedal collection ready. I hooked my crybaby and fuzz pedals and I swear I connected in some way with Hendrix himself. This little amp isn't just for blues or jazz, crank up the volume and you'll get some loud distortion. My only con would be that I wish it had a built-in spring reverb just like the BJrIV. but I already have 2 different pedals that do the job. Anyway, you'll spend hours just mixing and matching all your favorite pedals. Have fun players, this is a good one.Kevin

I have owned several amps in the last 40yrs. Always looking for "that tone" and never quite found it. Peavey's a Marshall and a Carvin. The last being a 100W head. And with all of them and a line 6 floor pod, was never happy. I am so happy with this head on my 4×12 marshall cab that all I have used the floor pod for is the tuner. I'm sure at some point I will probably use the pod for some effects, but for what I mostly play its not really needed. Of course there are many things that can effect this so ill just give a short list of the main guitars I use and the pickups. Gibson Les Paul with Slash Seymour Duncan's, wired 50's and a Gibson 137 all stock. I no longer play out so the 100w Carvin was just not good in my basement. Couldn't push it to the point of natural breakup in a confined space. This amp goes from almost crystal clean to a beautiful natural saturation. And the dirty channel picks up where the clean leaves off and goes to the verge of metal. Throw a overdrive pedal in the mix and there isn't much you couldn't play on the fly.Brad B

I have had it for a week and love it. It goes from super clean to full on metal overdrive. Price was good—delivered quick. Seems well built enough. The only thing I would change is to give the clean / classic channel some crunch so i could go from a light crunch to a heavy lead sound when switching channels because the clean channel is clean even when fully cranked. The DSL100 has a crunch option on the clean channel so it would be nice to have it here as well. But you can use the ultra gain channel and use the guitar volume to clean it up etc. I assume the clean channel would take pedals well from other reviews I have seen. Overall it rocks and gets really loud. Gig-able I think. Highly recommended.Tuckerman

I bought 2 of these heads to drive Marshall MX12 cabinets. I was previously using 2 Marshall DSL40CR combo amps. I thought I could save space by having the small heads instead. I was wrong. FYI, the DSL40CR amps sound great (mine are upgraded with Creamback speakers). First off, the amps both had horrific white noise when you turned up the reverb. 2) one amp made some weird static noise when you moved your hand around the face plate, touching the face plate actually changed the tone. I have never in my almost 30 years of using guitar amps had this. 3) The amps sounded thin and tinny. To the point they were unusable. I returned them for a refund and when both amps arrived at Musicians Friend, they stated that they only received one amp (although both amps arrived the same day). A day later the 2ne amp was marked as received. I received one amps refund on Saturday, and now I guess I have to wait till Monday for the second refund. What a joke. BTY, I also ordered a brand new EHX pedal when I bought the amps and they sent me a used one instead! Musicians Friend is such a joke now a days it's sad.MLM

I had a difficult time deciding between the Super Champ X2 and the Laney Cub 12r. I previously had a Cub 10, so I knew with the Laney I'd be getting a great sounding amp. Thing is, I already have a Marshall DSL5, so I didn't need another British amp, I needed clean American sound. So I took a swing at the X2 and couldn't be happier. I was expecting a good, balanced sound based on enthusiastic reviews, but honestly didn't think it would be THIS good. The upside… Light weight, front mounted knobs, amp modeling (great modeling through the first 8 or 9, the high gain, not so much), great built in digital effects that are actually usable. The tone and feel of the tubes (valves) is fantastic. There's plenty of headroom and squish. I honestly love this thing and have no regrets on this purchase. Period. Somehow even the rather cheap and flimsy stock speaker sounds good with decent bass. My only quibble is it's inability to pull off high gain. It's really not this amps forte, but can be easily be remedied with a speaker swap, without losing the clean chimey-ness. If you don't get one immediately, plan on a future purchase of an Eminence Ragin Cajun 10" to bring this amp from merely mortal to god-like status. It now sits square in the realm of my Marshall DSL/Celestion Gold G10 when it comes to being a killer tone machine. I believe the X2 is gig worthy with the speaker upgrade within the context of the right music genre. Usefull for Blues, Modern Jazz, Classic Rock and maybe country in a intimate setting or small club where the quality of the music is more important than trying to blow out the audiences eardrums. It can get plenty loud and sound good doing it. I've played around with the Fuze software and if your a knob tweaker and enjoy experimentation, this will be up your alley. Contrary to other review I've seen, you CAN save the adjustments made in Fuze permanently to the amp, so you don't need to remain plugged in to the software at all times. WTG Fender!Deemic

I bought this after a lot of comparisons among similarly-priced tube amps. I was only looking for a tube amp for recording after having used solid-state amps and emulators for that purpose for years. After playing it for a while, I love the responsiveness of the tubes and being able to dial in just the right amount of dirt just from the guitar's volume pot. I like the "Voice" selection for different amp modelings of Fender amps (so, yeah there's still some non-analog stuff going on here). And, after mic-ing it for a recording which came out great, I am next going to experiment with the USB-out method of recording. I think the trick there will be the length of the supplied USB cable. I haven't investigated the Fender FUSE software yet, so can't speak to that.CRAIG

Professional musician of over 50 years with very good memory and experiences with early-mid 1960's Fender tube amps as a reference. While I always enjoyed the power and "bark" of the larger 4X10 combo's like the Super Reverb, or the massive bottom "thump" from the Twin Reverb's 15" JBL driver with aluminum dust cap, my standard of reference then, as it is now, for a clean machine and signature Fender sound remains the Deluxe Reverb. Today, other than a straight combo reissue, there are two amps in the current line which more than come close: The Super Sonic 22, and this Super Champ XD. Both achieve their signature sound via a pair of 6V6's, with the Super Champ being cathode biased and using a solid state rectifier in place of the traditional GZ34 tube. With a good matched "hard" set of Tung Sol 6V6's, and a selected and balanced 12AX7, the Super Champ will provide that signature clean sound of the greatest 60's amps, and also provide some extremely useful and quality effects patches and combinations. My first concern was the 15W nominal rating, which with my set up actually is running at 11W a side, so it is right down the rating line of the original Deluxe Reverb. This "little monster" pushes these fabulous tones through a custom 2X12 Deville cabinet loaded with a pair of Celestion Vintage 30's, which I purchased long before they transfered production out of England. Sound pressure levels are more than gig worthy in the average club or bar, or small theatre style venue. While the spring reverb patch is excellent quality, you will also find useful the patch with a hall reverb and digital delay, which I adjust for slapback, as well as the tremolo and vibrato loops. If you want to use these modulation effects, in addition to a good reverb, you will need an external pedal, and there is no effects loop. Like the old days, everything goes in a straight line through the instrument input jack; just be sure you check the pedals in your chain individually for ambient and switching noise, because your preamp tone stack controls are going to significantly amplify everything going on in your pedals. My choices include a ModTone Coliseum Reverb, an MXR Silicon Fuzz, and an EH Soul Preacher compressor/sustainer. These, in addition to the effects on board the Super Champ, cover all the necessary bases, especially with cover songs from the 60's on up to the early 80's. With the standard two button Fender footswitch, you can change channels, even with voicing between two different Fender clean channels of the past, or a modern higher gain channel from a Marshall, and turn your on board effects on and off as needed with your front end pedals. This amp is a sleeper, the tone is amazing, and you will not regret one cent of this purchase. Unless you need stadium or large outdoor venue volume capabilities, this is a working guitarist's dream come true and an incredible value!temescaltackle

I've been looking for a great, clean amp that would really accent my guitar's natural sound. I first tried the Blues Junior which was nice but didn't have quite enough warmth and power behind it, I needed something more. I did my research and landed on this beautiful Princeton. It has everything that I was looking for. I am an experienced player but also prefer not to have a super complicated setup with switches and pedals and knobs; this Princeton keeps the focus solely on the tone and sound. Yes, there is a reverb knob which can add a little more, but I usually keep that off. What's great about getting an amp like this is you really get CLEAN, crisp open/clean channels and can really hear your axe sing. Because of that, it also allows your pedals to shine without being bogged down with too much of this or that, or in my opinion not having enough power behind the amplification. This amp is perfect for those who just want a clean guitar sound, or who want to throw in an effect here and there and still get everything you want in the sound. 1000% recommend.GuitarGuy911

This is a fantastic amp after owning it for 5 months. I constantly wonder about getting rid of other amps and just playing this one all the time. It's a "just right" amp. It's extremely easy to get along with. It sounds good in any room, is less sensitive to placement in the room than other amps I've owned, it's easy to dial in with different guitars. The Reverb & Tremolo always seem just right and easy to adjust. It seemingly gets along with just about any pedal/effect you run into it, but you don't need any FX or pedals with this amp either if you don't want them. If I had to think of a negative it's the vintage style food switch that comes with it. You can't mount it on a pedal board because the back is just press fit and the cable doesn't detach. I usually just wrap up the cable and put the foot switch in the amp for transport. It's no surprise these have been popular for decades.Ben

I went back and forth between the Princeton Custom 68 and the 65 Reissue, and settled on the 65 as I will make better use of the clean headroom and 'pure' clean Fender tone (compared to the darker, snarlier sound of the 68). The amp is fairly light (compared to other Fender amps) and a compact size for transporting to gigs, it has plenty of headroom for small to medium-sized shows but is quiet enough for home recording. The tone is beautiful, clear and sparkling, with a very characterful spring reverb and a subtle but warm vibrato. It's a simple amp with 1 channel, no mid EQ control, no standby switch – but it has everything I ever actually need to use on an amp. It starts to break up around 6 on the dial, which is pretty loud in a small room, so if you're looking for a crunchy amp then this isn't for you.Robin M.

This has to be one of the best stamps I've ever had with the exception of one little hiccup. This is replacing a Fender Blues Deville, which I absolutely loved. I had access to almost every Fender amp when I bought my Blues Deville and it just spoke to me. Well, they don't make Blues Devilles anymore, and I knew the Hot Rod Deville existed, so I went for it. To my ears, it's the same as my previous amp. This is a two channel amp in which each channel is independent of the other with the exception of the tone knobs, which are the same for both channels, which is not a problem for me. When I plugged it in, I couldn't believe how incredible it sounded clean. It absolutely blew my mind. I used both a Stratocaster and a Les Paul. Then, I took the second channel and add a little bit of gain to it, which distorted it. The distortion on this amp is so creamy that I don't even need to use my TS9. It has to be one of the best distortions I have ever heard from an amplifier. I usually use an Orange TH30C for my distortion. My Fender amp was always a clean amplifier. I may be using this one for the distortion and my Orange may get sidelined. The reason I'm giving this amp four stars is because of the following; when you go to switch channels using the included foot switch, there's a loud pop that happens every time you switch channels while you're playing. Apparently, it's inherent to the amplifier. It's the only reason I cannot use this amplifier with clean and dirty at the same time unless I use a TS9 on the clean channel. That really was not a well thought out process from Fender. For the price of this amp, I would think that problem would've been fixed, but it is what it is. I still love the amplifier and I'm still glad I bought it, although I will have to use my Orange when I want a distorted sound.Chuck

I bought my new Fender Blues Jr v4 about 2 months ago from a guy who decided he was more of a "Marshall Guy After All" so I got a bargain, but that was just the beginning. I wanted to spend some time and several sessions playing with this thing before I rushed into a review, but it turns out my first impressions have been even more reinforced since playing this thing for several hours, and the big word here is WOW. I have been playing for over 62 years (that's right, got my first guitar at 7) and bought my first Strat in high school. I've played and owned a LOT of different amps, and even now I have a few pieces for which I have some sentiment, but now it seems I will have to seriously reconsider. Good thing there is no "Amp Limit Law", but if there was I could finally happily liquidate all the others if I could have just my new Blues Jr. I have read voraciously for years about concepts such as "touch sensitive", "controlling breakup with the guitar volume", "takes pedals well", etc. Turns out these have only been myths to me all this time until now. Everything good and superlative that's been written about this amp is absolutely true. The preamp section is like pure magic in shaping the tone and delivering it to my favorite-EL84 power amp section. I have never been a fan of the usual Fender tube lineup, and when I heard this runs EL84s I was already excited. I am still a Strat guy to this day and love everything about it. But I have never even dreamed it could sound so good. I have an Egnater Rebel 20, a vintage Crate 15 watt blonde with a Dr Z speaker, and my prior favorite-a 5 watt Epiphone Valve Jr into a 12" Eminence Lady Luck. I have some others, but nothing I own or have owned can even come close to this thing. And what has been said about the Celestion speaker choice is again, absolutely right on. The sound from this amp would be as if you had an old Deluxe Reverb, did a cap job, retube, and maybe speaker upgrade. I guess I'm trying to say that it soundsMark, R

Simplicity itself, with great tone and a big sound from a small package. I've a few amps, ranging from heads and cabs to combos, but had a hankering for a small tube combo – one that could do a rehearsal if needed. This has a great sound with a 335 and a Telecaster, and so easy to dial in a fantastic tone – infact hard to get a bad tone. Plenty loud enough, I would happily take this out and gig it. I love the fact you can unplug the internal speaker and plug it into a cab, makes it a great package. No perceivable noise when winding it up, and the stock speaker is great, good tight bass and nice and chimey on top. Seems solidly built, but I guess time will tell on that front. All in all, very pleased with this, and great value.Customer

Incredible value for money all tube head… Fantastic on stage as just quiet enough to crank the master past halfway and retain the full valve tone whilst being mic'd. Strangely bass heavy for a Laney… The VC30 and Lionheart I own have both been treble monsters, so I was really surprised to be dialling the bass off here and winding the treble right up. Decent head room to take pedals as well. Bargain.Reviewed by Andertons Music Co.

Fantastic sounding amplifier in both 1w and 15w modes. Spring reverb and boost are excellent additions and the tone from the speaker is outstanding. I upgraded from a HT-1R and am certainly not disappointed. My strat and tele sound awesome! Only complaint is that it would be nice if Laney provided a foot switch in the box.Reviewed by Andertons Music Co.

We have 5 Marshall’s in our studio 800.900, 2000, silver jubilee, plexi. We also have a Vox and a orange TH. Our first Laney and it sounds fantastic….what a sleeper company…. The sound is all British but it really has great rich smooth harmonics… It compares to our Friedman but at a fraction of the price. We can’t stop playing this boutique sounding amp… Good job LaneyShred Flintstone

I use this amp with an Orange 4-12 slant clone that I built. I don't remember which Celestions I put in but they are an older mismatched, on purpose, twin set….two of one type, two of another. I do this a lot for a fuller sound. With the OR-15 set at its full 15 watts, there is no 'room level'. It is very loud and full. I set it at 7 watts, there is no 'room level'….still very loud and full. On stage it easily can cover the drummer at his loudest. Sooooo….. I bought a power soak for it, kept it at 15 watts, and I can use it onstage OR at home. By recording the 4-12 with the mic at distance, about 5-6 feet, I get the same full sound I like. Onstage I also far mic it. I just don't like the 'hanging mic' sound I get with close mic P.A. or recording. Buy the optional switch pedal….if you don't, you'll just want it later. May as well get it now. Also the black cover is cool. I don't spend much time playing with tube exchanging anymore……it became way too time consuming for a little difference. I could have bought a bigger Orange amp but I like the low power amps because I have more control over the headroom and where I can 'edge' it….just before breakup and just after breakup. This amp does that very well, without the edge being over 130db…… I also have a Micro Terror, and my bass rig is an Orange 4-10 cab and the Orange OB500 for the amplifier NymsNyms

Had it for a few months, absolutely love it. It’s my first British voiced amp and it’s definitely different. (I think it’s like looking at distortion pedals versus fuzz pedals in a way.) With the gain up, single notes are super thick and it makes you want to play riffs all day. I’ve noticed that I move away from more complex chords and use simpler lines, just because it makes the quality of the notes so good, that’s all you need to play. Sounds good with pedals, but I don’t really use them with this amp, just don’t really need’m. Can do some clean stuff, but it’s not got a lot of head room. I mostly just roll back the volume on the guitar and it cleans up really well. Definitely an amazing plug and play amp, maybe wouldn’t be my first choice for a pedal platform.Isaac

This is a nice little amp that's easy on your back. You can get a merriade of tones and it is powerful enough to support a gig. Speaker/cabinet choice will determine its flexibility. You can go old school rock with a greenback loaded cab (open back for combo sound, closed for the classic stack) or something modern for todays in-your-face articulation. Effects loop adds extra dimension and possibilites plus it takes pedals well. I pair mine with an Orange PPC112. Played with the original CelestionV30 in it, Celestion G12M Greenback and currently a Peavey JSX 16 ohm which, to me, gives the mini stack girth. I play a Gibson Les Paul and utilize a Dunlop Wah, MXR Corbon Copy (in loop), MXR Script 90 and at times a Boss SD1 (to boost for leads v other guitarist with a dsl15 212 rig). My sound is an amalgam of Allman Bros/Thin Lizzy/Judas Priest and this head hits it in spades, plus you can get the tubes cooking at a gig without having the sound man complaining or front end unbalanced. In short the OR15 is what Marshall should have done. It is a reved up mini 2204/2203 beast in an orange skin.Goobie Jones (Rose Wine)

I started off with a solid state Laney that had a crunch mode and I fell in love with that sound from the moment I first heard it. I then spent the next ten years going through different setups trying to find that sound in a gig friendly amp but I only really tried Marshall's and Fender's. After years of frustration from trying amps with combinations of mods/speakers and OD pedals I finally heard a guitarist using a Vox AC15 in a pub gig and THAT was the sound I'd been looking for and since purchasing it I've never looked back. I can get sparkly cleans to perfect crunch and then great distortion (if needed) from this amp. I play a lot of Beatles, Stone Roses, Blur and Oasis so its a very Brit influenced sound that I'm after and this amp along with my Gibson Les Paul with P90's does the job perfectly. One thing I've read is that this amp doesn't take pedals well but I disagree. At low bedroom levels any tube amp won't sound too great with pedals but if you can open this up at the volume it was designed to play at then it sounds great with anything you put through it. Other reviews have said about the lack of an effects loop on this amp being an issue but honestly, once you plug an AC15 in you just get lost in the playing without worrying about anything else because their super clear sound cuts straight through in a band mix and sounds superb on its own. All in all I'm really impressed with the Vox AC15c1 and can happily say that I won't be looking for another amp anytime soon, except maybe to upgrade to the hand wired version…Reviewed by Andertons Music Co.

Oh, WOW! High quality manufacture, terrific sound and volume, excellently and safely packaged and arrived as promised. Beautiful, archetypal Vox chime – crunches and drives spectacularly when cranked up. Lovely reverb and tremolo. Quite a substantial thing and heavy with it, but I'm over the moon with this amp and if you're thinking about getting the same because you like the Vox sound – don't hesitate, it's everything people say it is and more when you're actually standing beside it. It might say 15 watts on the back but boy is it loud when you crank it up. Separate channel and master volume control means you CAN get it to work at lower volume levels. Awesome 🙂Ade

I have wanted one of these amps for a long time. I owned the ac10 and that was a good amp for the money but couldn't compare to the warmth and power of a tube amp. I don't gig out anymore so my fender blues junior has been a great little companion for the living room and does a great job for an inexpensive little tube amp. I've had it for over twelve years and it's all stock and still sounds as good as the day I bought it. I finally decided to upgrade to the vox AC15 today. I have to say that I really missed that vintage British sound that vox seems to so easily capture. This amp sounds so good it's almost unbelievable and at a price that's more than reasonable in my opinion. You could easily spend twice as much for half the tonal quality and build quality that you get with this combo amp. These AC15s are legendary work horses and are known for years of reliable service even under the harshest conditions. I got mine brand new today and wasn't able to put it down for hours. It will never leave my house so I'm sure it will provide me with years of trouble free enjoyment. It will definitely be the last amp I will ever need or want to buyStrummer

I started off with a solid state Laney that had a crunch mode and I fell in love with that sound from the moment I first heard it. I then spent the next ten years going through different setups trying to find that sound in a gig friendly amp but I only really tried Marshall's and Fender's. After years of frustration from trying amps with combinations of mods/speakers and OD pedals I finally heard a guitarist using a Vox AC15 in a pub gig and THAT was the sound I'd been looking for and since purchasing it I've never looked back. I can get sparkly cleans to perfect crunch and then great distortion (if needed) from this amp. I play a lot of Beatles, Stone Roses, Blur and Oasis so its a very Brit influenced sound that I'm after and this amp along with my Gibson Les Paul with P90's does the job perfectly. One thing I've read is that this amp doesn't take pedals well but I disagree. At low bedroom levels any tube amp won't sound too great with pedals but if you can open this up at the volume it was designed to play at then it sounds great with anything you put through it. Other reviews have said about the lack of an effects loop on this amp being an issue but honestly, once you plug an AC15 in you just get lost in the playing without worrying about anything else because their super clear sound cuts straight through in a band mix and sounds superb on its own. All in all I'm really impressed with the Vox AC15c1 and can happily say that I won't be looking for another amp anytime soon, except maybe to upgrade to the hand wired version…Reviewed by Andertons Music Co.

Oh, WOW! High quality manufacture, terrific sound and volume, excellently and safely packaged and arrived as promised. Beautiful, archetypal Vox chime – crunches and drives spectacularly when cranked up. Lovely reverb and tremolo. Quite a substantial thing and heavy with it, but I'm over the moon with this amp and if you're thinking about getting the same because you like the Vox sound – don't hesitate, it's everything people say it is and more when you're actually standing beside it. It might say 15 watts on the back but boy is it loud when you crank it up. Separate channel and master volume control means you CAN get it to work at lower volume levels. Awesome 🙂Ade

I have wanted one of these amps for a long time. I owned the ac10 and that was a good amp for the money but couldn't compare to the warmth and power of a tube amp. I don't gig out anymore so my fender blues junior has been a great little companion for the living room and does a great job for an inexpensive little tube amp. I've had it for over twelve years and it's all stock and still sounds as good as the day I bought it. I finally decided to upgrade to the vox AC15 today. I have to say that I really missed that vintage British sound that vox seems to so easily capture. This amp sounds so good it's almost unbelievable and at a price that's more than reasonable in my opinion. You could easily spend twice as much for half the tonal quality and build quality that you get with this combo amp. These AC15s are legendary work horses and are known for years of reliable service even under the harshest conditions. I got mine brand new today and wasn't able to put it down for hours. It will never leave my house so I'm sure it will provide me with years of trouble free enjoyment. It will definitely be the last amp I will ever need or want to buyStrummer

I really like this amp. I bought it used at a really good price, so I was very pleasantly surprised at how nice it sounds. It has loads of power and nice tone. I bought it as a practice amp, but I wouldn't hesitate to use it on stage in a small club.voltyr

THE 8 INCH SPEAKER IS ALITTLE WEAK SOUNDING ,CAB IS BUILT WELL, EFFECT ARE GOD THE ACTIVE EFFECT IS REALLY KOOL SOUNDING,WELL WORTH THE 100 DOLLARS I PAID JUST NEED TOO UPGRADE SPEAKER SIZE TO A 10 INCH!!PAUL

Fantastic amp for the price! The clean channel is great, and has time delay effects that is unexpected for an amp in this range. The overdrive is excellent too, and you can control different frequencies as well. It also has two inputs for guitars, and a microphone input! So you can jam with friends and sing along. At 40w output, it is pretty loud. If you are in the fence, get it! You won't regret it!integrationbyparths1