Tube Radio Guitar Amp For Sale (2024 Update)

Because the Stage Right 5-watt tube amp (#611705) has control knobs only for Volume and Tone, I found that I get the best-to-my-ears guitar sound when I put an equalizer pedal between the guitar and amp and then adjust the equalizer to the tone that I'm looking for. On the guitar the Volume and Tone knobs are set fully open and on the 5-watt tube amp the Tone knob is fully closed and the Volume knob is set to the volume level acceptable to the environment (for home practice the Volume knob is set to level 3 at full 5-watts). The Stage Right 5-watt tube amp is my first tube amp after having used modeling amps for at least five years. I had heard that tube amps more often than not sound better than modeling amps. After now having experienced using a tube amp I agree that tube amps (at least the Stage Right 5-watt amp) sounds better than the modeling amps I've used (which to me sound great too). If you're looking for your first tube amp (like I was) or you are looking for a low-watt tube amp for home use then I highly recommend the Monoprice Stage Right 5-watt tube amp #611705. Review about Monoprice customer support: The 5-watt tube amp that I initially received had a cosmetic defect (a hole) on the textured surface on the front side of the amp. The Volume knob when set to fully opened level 10 produced normal speaking level sound instead of the noise-complaint loud volume that I expected. Monoprice customer service was great and easy to work with in submitting an amp replacement request. I described the problems, sent pictures of the cosmetic defect and a video demonstrating the Volume problem. After Monoprice customer service reviewed the pics and video they sent me a free shipping return label, a RMA label, and they ordered me a replacement amp which arrived within 7 days after I submitted the replacement request. The replacement amp that I received had no cosmetic defects and the Volume knob set to max level 10 is loud enough to generate noise-complaints from neighbors, though I normally use the amp at Volume level 3 for home use.New User

For the price (I got it when priced $119) it is fantastic. It's simple, straightforward and sounds good. Nice warm tones. If you're a fantastic guitar player, this amp will sound fantastic. If you're an okay guitarist, you might want to invest in some pedals (or just keep practicing). I only say that because it is very clean and bright and it really shows off what you're playing. (I've been known to hide my sloppiness with reverb, distortion, etc.) BUT It does take pedals well – thankfully! Adding a good reverb pedal, delay and an overdrive to go along with this little guy is a good idea. The Pros: Value to Price ratio. Looks well built. Warm tube sound. The handle (yes I am talking about the amp's handle) is nice! Better than I expected. In fact, everything looks pretty good (except the cheap control knobs). 5 watts is plenty loud for home/recording use. The Cons: Good sounding, but there are better sounding. Please don't buy this thinking that this is a $500 amp. It is not. But sub $200 it is a good one. The chickenhead knobs are cheap looking. I took them off and painted them. But that's a dollar or two easy fix (if it bothers you at all). Overall: I totally recommend for $150 or less. Probably for $200. If the prices climb too much beyond that, I think there are other options. If you want to jam at home and record with it, I think you'll be happy.Brad

The Monoprice 5 watt guitar amp arrived just a few days after ordering, and arrived in good shape, due in part to the excellent shipping carton. Upon taking it out and inspecting it, I could find no flaws in the cabinet, and due to the cream color of the covering, it seemed a little bigger than I was expecting. I plugged it in, let it warm up for almost an hour, and then plugged in an ES339, using no pedals. At first, I wasn't all that pleased with the sound I was getting, but it was my fault. I had it adjusted as I do with my Albion Hybrid, but that wasn't the way. I found the best sound came from turning the Monoprice all the way up, and then use the guitar controls for volume instead. That did it, and the little amp came a alive in a big way! Sounding very similar to a Fender champ, it could go from nice clear tones to crunchy heaven with the ES339's humbuckers. I plugged in a Strat with an HSH configuration, and the single coil really made it sound Fenderish. Sweet. The only thing I found one might improve on the amp, is the speaker. As such, I plugged into the built-in external speaker jack on the back, a little Randall 8" cabinet. That really did it for me. The sound was fantastic through the entire spectrum, and was loud enough to be heard down the block. I then bi-amped it with the Albion, and the sound had all the creamy goodness I've been seeking, and that is how I now have it setup for daily use. That said, there's nothing wrong with the stock speaker on the Monoprice, and I suspect it will satisfy most users. Am very happy with this purchase, and glad I bought it for such a great price. Almost every electric guitar player could find a use for this amp. Buy before the price goes up, or they quit making them!T

Two hundred is about your bottom dollar for a tube guitar amp. This is a real deal 2 large bottle push-pull guitar head. Not only that, it's two channel with a lead boost. The amp actually looks better in person than the white washed stock photo. Solid value.nbrothergtr

The Ac-10not only looks the business but it has since real depth and warmth to its tone. Clean – it’s bright and has the chime you’d expect. Turn up the gain and your tone breaks up but still retains clarity. Having the gain wide open and master volume down means you can still have the saturated crunch but not disturb others . Perfect for home use but would not be out of place in a small pub gig. Takes pedals will and with a multi-fix like a GT 100, if you disable the amp sim and use like a conventional pedal board, you don’t lose any quality of the AC10’s natural tone. A masterful amp and it even smells nice with those tubes cooking.Mark R.

Ive been playing 35 years and this is probably the best all around practice amp ive ever heard. Pros- looks great, sounds very good, cleans thump and chime, distortion can wail. Its loud for its size. Seems built well. Have had no bad issues. Cons- clean isnt near as loud as w the gain cranked up. No reverb. In short if this amp was 50-100W and had reverb and an external speaker jack id never play another amp. Good job VOX.jjsrvfan

Not only does this 5 watt lil' monster have enough power to rattle the windows, it also has class! At only 9 lbs. the Bugera T5 Infinium has enough "UMFF" to push your favorite 4X12" cabinet into the stratosphere! It's better having this reverb built into this lil' madman than not having any at all. Just like 9/10 of the other amp heads in its class. The 1 channel, "all tube" head has warm cleans. Push in the PHAT switch and crank the volume and gain and you get saturated distortion that will blow you away! All of that in a 9 lb metal cage like package for only $200! You won't find another 5 W head with all of that for this price. I love my T5 Infinium from Bugera!brmul-8207

What it's not: Not a $1k boutique tube amp. Not a mid-size club amp (unless you have great monitors and a good sound guy). What it is: A well designed, very affordable little monster that will give enough stage volume at 5W for rehearsals in a full rock band or small club, and will also allow you to drive the output stage at that 1W or 1/2W setting for recording at home. The amp sounds best at 5W and driven into either a 4ohm cabinet or two 8ohm cabs. If you use it to drive an 8ohm cab, you are getting only 70% of its potential. I only use el84 based amps. i love their dark, throaty sound, and while this amp doesn't have the punch or snap I get from my 15W custom built el 84 amps, it sounds great for rehearsal or recording. I am a little bit worried about long-term build quality. The input jack is plastic. I have a hard time seeing that surviving a year of rehearsals without breaking. This is a great supplemental amp for rehearsals and recording. Very smartly designed. Good feature set. And if you like the el84 style sound, it delivers it above expectations at this price range. I'm thinking of getting a second one.klktrk

In these days of small solid state, practice amps, this little amp gives you tube tone and more at a very affordable price. A 12ax7 preamp tube and an EL84 power tube provide the tone along with built in reverb, 2 band EQ, gain and a "phat" overdrive switch for added crunch. The three stage attenuator is a nice touch. The stock Bugera tubes are OK but I switched them out with Tung-Sols which provided a rich creamy overdrive more to my liking. Great sound when plugged into my Orange 8" or 12" cab plus headphone jack for late night playing. Great amp for the price!Isom

Bought this for my grandson to use. My other amps are too big for him to take to lessons and school. This isn't the cheapest practice amp but the sound is great and the overdrive DSP is as good as much more expensive amps. Excellent amp for the money.digital_photog

Where do I start? Well, how about, this is the best tube amp I have ever played! 62 years with many guitars and many amps, some owned, some borrowed, and some tested in music shops, might give me a little credibility. I have loved a Fender Twin Reverb, made in the 50s that my uncle Keith, and my guitar mentor, loaned me for a while. It just sounded so good. Never could seem to find cash, or justification to buy a tube amp, but have owned a hal a dozen solid states. THEN THIS LITTLE BEAUTY! Having played the Twin for a couple of years, and others such as a Mesa Boogie, VOX's, and too many others to recall, THIS monster sounds like most of them with just little tweaks of the knobs and my guitar switches. I have played country, 60s and 70s rock, blues, finger-style instrumentals, gospel, etc. I believe this is the PERFECT combo, with the correct (JJ) tubes, a sweet (and dirty when desired) Seventy/80 speaker, and an amazing diversity of sounds, which works in every genre I play! I do not know how anyone can find reason to bad mouth this. I had it for 2 weeks, was asked to fill an absent, guitarist's spot at an outdoor venue, I took this little amp. We played to an area the size of a football field. I set the amp on 1 Watt, until I could hear it cleanly (behind me on stage), let the sound man mic and mix me in. Never had to turn it above about 4, with gain between 1 and 4, and many complemented me on my sound, and musicians asked me WHAT IS THAT LITTLE AMP? Those are the good points. I can only think of two piddly things I would like to see changed, and one would be a standby switch, and the second being a way to run the external speaker WITHOUT cutting off the amp speaker. Until then, I will just keep playing this sweetheart amp, and enjoy the statements about "my sound," and the question of WHAT IS THAT LITTLE AMP? Keep playing everybody…and maybe buy one of these. I do not believe you will regrety it.New User

These amps are fantastic, and at these bargain prices you simply can't go wrong. I upgraded the reverb tank in mine to a Mod and changed the speaker for a Warehouse GC12. OMG, this thing is a beast! Another WGS option I've seen people use is the ET65 for a more British tone, also with good results. The stock speaker is not too bad, but this one simple upgrade of swapping the speaker takes the amp to the next level. It just sounds awesome. The upgraded reverb tank is also an improvement, but not as much as I thought it would be. If I had to do it over again I would just take out the stock tank and use a pedal for reverb and make the amp even lighter to haul around. The more important upgrade imo is the speaker. It really makes a world of difference. Grab one reasonably while you still can, the price keeps creeping up and up and up… !Jeff

After a number of FEDEX issues, I received my amp about 5 days later than estimated. It did arrive in excellent condition and was worth the wait. The Stage Right 611815 has a really sweet tone that sounds particularly good with the single coil pickups on my Fender Sratocaster Player. It breaks up nicely! The reverb works perfectly, and is fine for most playing but you might want an external reverb unit if you are playing Dick Dale tunes. A really nice feature for home playing is the 15W/1W switch, where you can limit the amp to 1 W (be aware that with sound, you have to increase the wattage by 10 times to double the perceived volume, so the 1W setting is a lot more than 1/15th as loud as the 15W setting). It is a bit unusual to have a tone control along with the more common bass, middle and treble controls. Personally, I would have labeled the Tone control as Presence, because that is what it seems to be. I have mostly been playing in the 1W mode with all the controls (including reverb) at 12 o clock, and that is working out great. As far as construction, the amp looks fantastic and gives a vintage look that hints at its tone! The dark grill cloth provides a nice contrast with the blonde tolex, giving a true vintage appearance. The retro red, jeweled pilot light and metal toggle switch complement the vintage styling Keeping with the vintage look, the control panel is chrome with retro chicken head knobs. As others have mentioned, the control names are a little bit difficult to read on the chrome panel. After you use the controls once, you know where they are, so does it really matter (I noticed the blonde version of the Fender Blues Jr also uses a chrome control panel…probably where Monoprice got the idea)? The tolex is neatly installed and glued, at least the parts that are exposed. The leather handle is also reminiscent of old school amps. And I really like the metal corner protectors…very nice. As proudly announced by a badge on the front panel, the amp is equipped with a Celestion speaker…a Seventy 80 The only criticism of the construction, and it is minor, is that the 8 external screws are not chamfered properly to mesh with the finishing washers, which result in the screw heads protruding above the washers. The amp has a jack for an external speaker. When you plug in an external speaker, the internal speaker is shut off, as is common with guitar amps. The reason is if you plug in an external 8 ohm speaker and the internal speaker would still be on, a (combined) 4 ohm load would be presented to the amplifier, which it is not designed to handle. The back is open. The line cord is not detachable, but can be conveniently stowed in the back of the amp. The amp has an effects loop, which I have not tried yet. The amp is now equipped with JJ brand tubes and a metal, two spring, reverb tank, which are upgrades from the original issue I wish I could find a nice, economical (i.e. $20) dust cover for the amp. The only ones I can find are priced at $50 or more, a bit much for protecting an inexpensive amp. In conclusion, the Stage Right 611815 amp looks great and sounds great, and I highly recommend it.Chris

I just completed my Mod 102 kit. An excellent experience! I was delighted with the quality of components, clarity of instructions, and, perhaps most importantly, the sound of the amp. It is very loud – currently running into my Fender Twin Reverb cab (2×12) and very sweet! I will be running it into a new 1×12 cab with a new Celestion G12 M Heritage 'Greenback' when I get a case for the speaker (on order). My only criticism (and something to look out for) is that the chassis is very nicely painted in gray gunmetal paint. Even following the directions to file all the holes, it is very hard to get a good ground connection at every point a terminal strip connects. I worried about this, and about 1/3rd of the way through the build, took an ohm meter to check all the connections, and as I had suspected, some of the connections were not great (9-10 ohms or so!) So I removed the terminal strips (with the components I had already soldered still attached) and scraped away the paint under the tabs of the strips to ensure a good connection. Re-testing showed virtually zero resistance. I'd strongly recommend scraping the paint away at all holes under the chassis before getting started on the build. Even better, suggest that Amplified Parts leave the inside chassis unpainted (at least around the important holes). Aside that one criticism, I am delighted with the kit and with Amplified Parts. Everything was delivered promptly and they are a class outift. I'll probably try some of their other kits soon.vpmerlyn

I spent three evenings building the MOD102. The instructions are very easy to understand and the amp has a great Fender sound. I had one grounding issue that was easily fixed with a little help from tech support, which was excellent. If you're good at following step by step instructions and can solder well this is a fun little amp to build. Only small issue is the labels. They could stand an improvement.Brandon

I just finished this amp build and it sounds fantastic! I also just finished a Marshall 18 Watt clone and I have to say that the Mod102+ holds its own very nicely alongside the Marshall. In fact, I will probably use the Mod102+ for recording because it sounds amazing at lower volumes (the Marshall is loud AF). Honestly, if I were only going to build one of them today, it would be the Mod. I'm blown away by the tone! Great kit with excellent instructions. Great bang for the buck. The parts all seem to be top quality. I love the old style cloth solid core wire, too. I find it much easier to work with than modern stranded wire. The labels are a bit lame but I covered them with packing tape as suggested before cutting them out and they look fine. If you're thinking about building an amp, build this one.danjbeckett

I had to make myself stop playing this Amp long enuf to write my review. This 30 watt 1 X 12 Celestion V30 Tube Stack simply Rocks my World! Bucket List item for me! Always wanted a Tube Stack with a creamy rich mid – range and a narly distortion channel. Foot switch turns reverb and overdrive on and off. 3 band EQ, 1/4" speaker cable. I love me some pedals and they blend well with this Amp. Quality build. Simply the best Amp my Guitars have played. Jazzmaster , Kramer and Mike Rowan all sound amazing. Arrived quickly in sturdy and well packaged shipping cartons. Guitar World review was spot on. peace, MarnyeMARNYE

Very nice tones from this amp, clean or dirty! I have been using it mic’d with a 609 clone, haven’t had the chance to crank it yet. I use a roadhouse Strat and fine on the dirty channel with the gain at 5 I can get a great, clear cleanish tone, and then hit the Strats preamp and have some nice grit! Not fizzy fuzzy grit, but nice organic breakup that is very pleasing to the ear. I run a TC Plethora in the FX loop and get great results, no jump or drop in volume, just sounds natural. For some extra gain I use a Boss OD200 into the front of the amp, glorious!! Quite surprising that an amp of this build and sound quality is available at this price point but it is and I’m glad I pulled the trigger on it. Looks to be plywood for amp cab and speaker cab, nice touch. All this and a V30 speaker! I don’t know when or if the speaker will “break in” but I’ll be using the amp mic’d most of the time so it may take awhile, and honestly couldn’t imagine it sounding any better! Only had it a few days, and haven’t moved it since I set it up so I can’t speak for how long it will last in the long run, but fingers are crossed.Ronald

Just received my stack on 3/16/20. Packaged great!. Overall build quality is very very good no particle board here all real solid wood cabinet for the head , speaker with a nice ply baffle I think it's 3/4 ". Light weight. Asthetics ,cosmetics tolex and Grill cloth with piping perfect. Reverb is digital no tank or Springs here it is not tube driven. Bright switch works great pedal for Reverb and gain Channel works great extra-long cable to connect the head to the cabinet with power cord great. Clean tones on this amp whether a low or hi channel are amazing . kind of somewhere between vox/ marshall cleans. Definitely Fender sounding w bright switch. Gig Worthy!. Loud amp!. Digital Reverb is okay. You must turn it up to around 4 or 5 to hear it. It's clean channels are where this amp shines . On the gain channel, Ican get some good tones but not super high gain here more in the classic rock 1960- 1970's tone. Great but no super High gain. Kinda on the thinner side, Not very Fat. 3 chinese 12ax7, ( maybe a swap out in this area may give better tone), all 4 el84 Are Eurotube JJ'S!!!! So happy to see this. Celestion V30 spkr cab sounds great, full with depth. Classic rock tone!. Highly recommended..strange looking chinese power tnsfrmr, but Ot looks good. Voiced similiar to monoprice. 15 watt duel el84 model, but not as aggressive. Blows away the Bulgara V22.. Etc. Nice product monoprice!New User

Overall: I’ve been looking for one amp to do it all,and this is the closest I’ve ever come yet. The cleans have a life of their own,it’s not merely lack of distortion but a whole depth and presence,think Stevie Ray Vaughn’s Riviera Paradise,Tin Pan Alley ,etc…Mark Knopfler’s tone,Hendrix’s Wind Cries Mary,yeah it’s that good.The overdrive channel can put out some juice too,pure singing single note leads with a quick attack,and damn good heavy riffage is available,but make no mistake this is no death metal amp.Classic rock yes,Cannibal Corpse no,but I’ve got amps for that stuff anyways.When I removed it from the box,I plugged in the included foot switch,turned on the power and waited for 10 minutes or so for the tubes to warm.I put all the tone controls to the halfway point and lowered the volume to about the number 1 position on any other amp,hit the standby switch and played a few chords on my Strat,it was on the clean channel and sounded glorious!This thing takes some adjusting to get the sound you want,but every move of a knob makes a difference so finding a tone that makes you happy shouldn’t be a problem. The foot switch is nice and silent and the LED indicators for the dirty channel and the boost are super bright. I’ve only had this amp three days and I can’t wait to get home from work and play through it! Definitely worth the money and although pricey still less expensive than the only other amps that approach it’s features and tone. Of course I haven’t had to deal with any warranty work,after all I just got it,but I have the feeling I’m not going to have to deal with that,this thing is solid as a tank.For what it’s worth I highly recommend this thing,it’s a serious amp for serious playersDave

This does everything you would want. Beautiful cleans and ridiculous overdrive. The od channel is the shining star of this amp.Richard

I purchased the Monoprice 50 Watt Stereo Hybrid Tube Amplifier with Bluetooth and Line Output as a birthday present to myself after researching a number of hybrid tube amps, & felt this unit, paired with the Monoprice MP-T65RT Tower Home Theater Speakers, along with my ART Pro-VLA II 2-channel Opto Tube Leveling Amplifier & ART EQ355 Dual Channel 31-Band Equalizer would be the perfect combination for enjoying my vintage vinyl collection, played on my Technics SP-10 MK2 turntable, equipped with vintage Stanton 500EEE cartridge. When the Amp arrived, I was initially taken back after unwrapping it, and puzzled to find the tubes were installed, when the website indicated the tubes ship uninstalled to prevent damage during shipping, and the manual reinforced that statement as well, so I was even more dismayed to see the tell tale signs of an obviously fried tube (one of the 6P1's. I immediately fired off an email (because the package arrived late in the day, and customer support wouldn't be available until the next morning. I left a very detailed message stating my situation (receiving a new amp with a bad tube, Installed!) and indicated I would follow up the next day, but was hoping to at least have a replacement tube shipped right away, so I could begin enjoying my new item. After a chat with customer support the next day, I learned that they don't ship replacement tubes, and the only way to remedy the matter would be for me to ship my unit back, wait for it to be received, & then receive a replacement item. I was NOT particularly happy with that "Solution" especially since I was even willing to pay overnight shipping on my own just because I was so eager to test out this amp, but since that's what I was told, I figured, ok- so be it, and got my unit all packed up & ready to ship out, but I did take the time to leave a message for MonoPrice's customer support explaining how absurd it was I should have to ship the unit back & they deal with that expense, when it's so much easier to ship a simple tube, less expensive, & addressing the issue head on. Well, I heard back from an incredibly kind & understanding lady named Laura, who was the Customer Service Supervisor, & took note of my situation, and apparently had empathy on my situation, and turned what otherwise would have been a very negative opinion about MonoPrice & it's service, into a stellar example of how a customer should be treated. Not only did she expedite the shipping of a new amp out to me once my returned item was picked up by Fed Ex the next morning, but she really took the time to listen to me (we spent about a half hour on the phone together reviewing my situation and my explaining to her how ridiculous it was to ship this whole (somewhat heavy) amp back just because one tube was fried, and I also discussed some other matters such as the availability of replacement tubes for this item not being available on the site, & she really listened to me & indicated she would work within the proper channels of her company to see what she could do to rectify some glaring issues she agreed were sore spots, and thanked me for my input. Bottom line, the very next day, I had a new amp delivered to me , couldn't wait to unpack it, & get it all set up, and I'm pleased to report this is ONE AWESOME PRODUCT! Not only does the amp sound incredible, but the speakers are an excellent pairing to the Monoprice 50 Watt Stereo Hybrid Tube Amplifier . The added feature of the BlueTooth is a really nice touch, and the tonal controls (in addition to the many rave reviews I read about the product overall) were icing on the cake for me. I've spent the better half of my Wednesday afternoon listening to a number of albums from my vintage vinyl collection, and can't wait for the weekend to listen to even more! 🙂 This amp has power, and it SOUNDS INCREDIBLE!! It's I have a sub woofer hooked up to it, & it adds even more Oomph! to the sonic quality. Even enduring the issue initially with the bum 6P1 tube, I must say this company DOES stand behind their products, and they DO care about their customers, and I will definitely consider future purchases from MonoPrice, in particular, due to the prompt, courteous and proactive support I received from Laura P. in particular, who I would like to personally thank for making it a "Happy" Birthday for me after all. This is one AMAZING hybrid tube amp folks, you really can't go wrong if your hooking up any kind of half decent source to this unit, everything works flawlessly and it SOUNDS TERRIFIC! While the video I attached can't do the sound justice because I just recorded it off my cell phone, still – you can get an idea of how I've incorporated the Hybrid Tube Amplifier with Bluetooth into my audio chain. It truly is AWESOME!New User

My first impression removing the unit from the shipping carton was its weight. It weighs very much like a vintage tube amp, and I have three of the old ones. One of them needed work that cost more than the Mono, so I thought I would give the hybrid a try. I am glad I did. I has all the warmness of my old Stromberg Carlson, and the Mono is very powerful. The volume is sensitive; possibly due to the solid state aspect, volume adjustments are very slight. The sound is deep, rich, and full. I am still waiting to exprience the "tube bloom" I keep hearing about–with a tube Harmon Kardon Ballad amp, at about fifteen watts, you could hear individual instruments in different parts of the room, or what I think of as spatial balance. The Mono surprised me with its stereo separation, and when those tubes bloom, this is going to be one very interesting amplifier at 50 watts per. For less than a tube overhaul, the Mono is making me one very happy listener.David

Bought to fill in for a vintage NAD amp that is being refurbished. Pushing power hungry low efficiency Polk Audio Monitor 10B speakers. I read a number of reviews prior to selecting this unit- really my first tube stereo setup besides guitar amps and I appreciate the hefty 53 watts per side as many true “purist“ push pull tube amps have very meager power output. hybrid incorporates a fairly beefy class AB for the power section but has the “warm fuzzies” we all appreciate and expect from a tube setup. “burn in” of tubes – ran the unit continuously with music throughout two days. Noticed the initial harshness especially with Digital media, subdue after about 3 hrs, by day 2 was impressed by the separation, warmth and mids tubes are noted for, bass response surprisingly present and solid. Minor annoyances: power LED is a laser beam! Bluetooth input level is too low. VU meter is useless gimmick, needs BAL option, acceptable tube hum noticed only near field. Great sound worth the priceRollo

I started off with a solid state Laney that had a crunch mode and I fell in love with that sound from the moment I first heard it. I then spent the next ten years going through different setups trying to find that sound in a gig friendly amp but I only really tried Marshall's and Fender's. After years of frustration from trying amps with combinations of mods/speakers and OD pedals I finally heard a guitarist using a Vox AC15 in a pub gig and THAT was the sound I'd been looking for and since purchasing it I've never looked back. I can get sparkly cleans to perfect crunch and then great distortion (if needed) from this amp. I play a lot of Beatles, Stone Roses, Blur and Oasis so its a very Brit influenced sound that I'm after and this amp along with my Gibson Les Paul with P90's does the job perfectly. One thing I've read is that this amp doesn't take pedals well but I disagree. At low bedroom levels any tube amp won't sound too great with pedals but if you can open this up at the volume it was designed to play at then it sounds great with anything you put through it. Other reviews have said about the lack of an effects loop on this amp being an issue but honestly, once you plug an AC15 in you just get lost in the playing without worrying about anything else because their super clear sound cuts straight through in a band mix and sounds superb on its own. All in all I'm really impressed with the Vox AC15c1 and can happily say that I won't be looking for another amp anytime soon, except maybe to upgrade to the hand wired version…Reviewed by Andertons Music Co.

Oh, WOW! High quality manufacture, terrific sound and volume, excellently and safely packaged and arrived as promised. Beautiful, archetypal Vox chime – crunches and drives spectacularly when cranked up. Lovely reverb and tremolo. Quite a substantial thing and heavy with it, but I'm over the moon with this amp and if you're thinking about getting the same because you like the Vox sound – don't hesitate, it's everything people say it is and more when you're actually standing beside it. It might say 15 watts on the back but boy is it loud when you crank it up. Separate channel and master volume control means you CAN get it to work at lower volume levels. Awesome 🙂Ade

I have wanted one of these amps for a long time. I owned the ac10 and that was a good amp for the money but couldn't compare to the warmth and power of a tube amp. I don't gig out anymore so my fender blues junior has been a great little companion for the living room and does a great job for an inexpensive little tube amp. I've had it for over twelve years and it's all stock and still sounds as good as the day I bought it. I finally decided to upgrade to the vox AC15 today. I have to say that I really missed that vintage British sound that vox seems to so easily capture. This amp sounds so good it's almost unbelievable and at a price that's more than reasonable in my opinion. You could easily spend twice as much for half the tonal quality and build quality that you get with this combo amp. These AC15s are legendary work horses and are known for years of reliable service even under the harshest conditions. I got mine brand new today and wasn't able to put it down for hours. It will never leave my house so I'm sure it will provide me with years of trouble free enjoyment. It will definitely be the last amp I will ever need or want to buyStrummer

I bought this amp on a wim and I'm glad I did. I wanted a light weight little tube amp to lug around to play small gigs with. I'm old and I don't like to bring out amps that are just too loud and bulky. After swapping out the tubes a couple of times to find what my ears liked, it just perfect. I'm not going to tell anything about how it sounds because that would not mean anything. We all search for a individual sound that is on YOUR head. I will day this. The amp is a great platform to mold into that sound we all are looking. I purchased 2 of the single 12" cabs. O opted to do this instead of the 2 x 12" because I wanted to keep the weight down for moving it around. The 18 watts is plenty loud enough to cut through and be heard. I like the amp so much that I use it for every show. I can play small to large gigs with no worries. When we play bigger events I just run into the board but still use the cabs for monitors. So I can hear my rig. The days of having to lug a full 100 watt stack are not needed anymore. So all in all this a great little amp and it will satisfy most everyone with a little adjusting. I also love that tube replacement is just plug and play. It will tell you if your tubes need replacing and it's self biasing.worldtrdex

Classic Hughes and Kettner tones in a little monster of an amp! Plugged it into a 12 x 2 cabinet and DAMN! this thing is beautiful to listen to. Clean or over driven, this amp is a pleasure to play guitar on. However when overdriven the nuanced variances between different guitars are not well appreciated. The overdrive is more muddy and less nuanced in my opinion. Comparing different strat styles here with different pick-up combinations. Tele sounds different. Chambered SG style sounded the same as other strat style guitars with humbuckers. Parker and Ibanez S series with infiniti 2 pickups sounded distinctly different. Have not played neodymium pickups on it yet but I'm hoping that will clear up some of the mud.arcticwynd

Compact size Versatile Great for Home music room. Studio Clean Channel pristine quiet Lead Channel with boost very nice Takes pedals well Built in attenuation 1-5-18W FX Loop nice! Sounds great with 8 or 16 ohm speaker Great valuechhl

Overall: Recieved this amp on saturday. Took it out of the box, looked great. plug in to 4*12 marshall cabinet and turned on to standby. Plugged in my Westbury custom to test. From the very beginning to was cracking, snapping then full blown static. I played all of two minutes before it started picking up radio signals and static was loud. No guitar signal was heard. Im not sure if its inherent in these amps but I am returning and not wanting another egnater productsVito

My Tweaker 15 half stack is my primary gigging amp. I don't like a ton of stage volume, and in any case this little rig is a lot louder than you'd expect from 15 watts. Using an angled-back stand for the cab, I can point it at my ear level and hear myself just fine w/o having to have guitar in the monitors. Hang an e906 in front of the speaker, and good to go. This rig's best feature is the broad range of useful tones. The various toggles and knobs actually DO something. Since I switch up between twp very different guitars (ES-335 to G&L SC2) in our current live sets, making a couple-three quick changes gets each guitar into its sweet spot and at the right volume easily. Foot-switchability would be even better, but it's quick enough. The gain control is particularly well done. There's some real range, not the "all or nothing" thing that a lot of amps' gain controls give. The Vintage/Modern voicing toggle offers distinct differences, as well. This rig takes pedals nicely. I use both individual stompboxes (recording) and an M13 (live…don't hate!), and both sound good. The one thing I dinged it a little on was that the lower ranges on the Master Volume aren't as useful as I hoped they would be when using the Gain. There's a big, non-linear jump in volume in the first quarter of the dial's movement. Not only does this jump bypass the volume I really wanted (for apartment playing), but the tone on the low side of that volume jump isn't nearly as good as the tone AFTER the jump. Not a problem on stage or even recording, but for those who have to be concerned about volume at times, it's not an ideal practice amp. Bottom line: a lot of great tones at a price that makes touring with it less nerve-wracking.David K

This amp provides a much better value than similarly designed amps by the top manufacturers. I was looking for small wattage amp to get natural tube break-up (previously playing 100 watt fender twin) at small room club-approved volume. I was down to this amp vs. Mesa Express 25 watt. Although the small Mesa's like the Express and TA models have more channels, I just really felt that the 2 channels of the Egnater were more versatile and responsive. I truly feel this amp does the best job of getting a Fender-ish clean and a Marshall-y overdrive in 1 amp. The overdrive channel is what really sold me. The dynamics make it really fun to play. It can get very saturated without sounding metal, and it compresses naturally. I've used on a couple recordings and can't believe the sound is coming from one 12" speaker and a 30 watt head. Sounds way bigger. This channel can also be used as more of a dirty clean channel. That is my one major qualm with this amp though… I like that the new 2 channel tweaker has a gain knob on both channels. I wish I could get a Stones-ish breakup sound using the clean channel on this amp without turning up to 10. So i'm forced to use a pedal and that's just not the same. Oh well, can't have everthing. I still wouldn't get the 2 channel tweaker because this overdrive channel is better to my ears – way more dynamic and responsive. The clean channel is stll great and I can turn it up to like 6 on gigs and get warm sounds. It can still get me the Fender cleans that I need – or close to them while still having a solid overdrive sound at the same time. That's the big win here. I agree with most that the wattage knobs are pratically useless – but to me, having both set of tubes is so cool. Clean channel can truly sound either Fender or Vox on 6V6 vs. EL84. I love being able to get Stratty Fender sounds with 6V6 and then flip to EL84 and get my Tom Petty sounds going. The distortion is slightly creamier with 6V6 but I like the feel changes depending on what guitar I'm playing. In general, it's nice to have 6V6 for strats and EL84's for Les Pauls all in 1 amp. I've had no issues with this amp (knock on wood) and have played steadily for over a year. Overall, this amp has 2 great channels instead of 4 decent channels. That's how I feel about it. Again, I wish they would have thrown a gain knob on the cleans for a slight break-up at low volume, but that is my only qualm. However, I'll gladly find a pedal solution for that instead of paying a lot on a bigger name brand. Thanks Egnater!WarrenHaynes4Prez

I'm running this through a 1×12 Bugera cab (which to my ear is a pretty neutral speaker, but sounds great). Unless your band plays way too loud this amp should give you enough volume for gigging (even at 25 watts through an 8 ohm speaker). Takes pedals well – all of my drive pedals sound great. The MV50 reacts like my tube amps with a boost pedal in front (Fulltone & Xotic). I really like the attenuator, and at home I play at 1/100 power with the volume at about noon. While this amp has a lot of clean headroom you will start to get some hair when you push it, but in a good way. It's the kind of sound where you can play clean by picking lightly but if you hit it hard you'll hear that you're on the edge of breakup. Not surprising for a Vox, this is not a mid-scooped Fender clean. Mids are present, but not pushed. It is a warm clean, not sterile or spikey at all to my ear. I've been playing this primarily with a Boss Fender reverb pedal and the tone really is glorious. I don't feel like I'm missing anything from my tube amps. Not a thing. I wish I'd had this thing years ago when I was throwing my back out moving 60lb tube amps to and from gigs. What I don't like. The unit feels very solid, seems like a quality piece of gear, but the mini chicken head knobs on the front feel cheap (a minor complaint). Mainly I don't like how much they have crammed on the back panel. You've got tiny switches for power, flat/deep, eco (shuts it off after 15 min. of non-use) and the attenuator, as well as headphone/line out & speaker out. Once you get a speaker cable plugged in it feels very cramped. I'd much rather that the power switch was on the front. Lastly, I wish I could get 50 watts @ 8 ohms, just for the headroom. This is giggable for me at 25 watts into 8 ohms & still gives you good headroom, but YMMV. I primarily use single coils. With hot humbuckers I don't know if you'd run out of clean headroom or not. With all 50 watts you'd be fine, I'm sure.NE Guy

First – let me say that this is a good, tiny pedal-platform amp, if that's what you're looking for. It has a very good base clean tone and it takes pedals well. I think most players looking to downsize would find this usable. If all you need is a good clean tone – for jazz, say – take a listen to one of these. I find the 4 ohm thing a bummer. I don't own any 4 ohm cabs, and after thinking about jumping through hoops to get all 50w available to me, I decided it wasn't worth it. This amp sounds really good, but at the very least for clean headroom, anyone looking for a pedal platform usually wants to control where the edge of breakup is, or have it totally clean. Beyond that, there's just too much crammed onto the (very small) back of the amp. Tiny switches plus the speaker out jack just mean it's hard to find the on/off switch, etc. Put the power switch on the front so I don't have to hunt for it. After having the MV50 a while I decided to try a DV Mark Micro 50 – and I like it better than the Vox. It's more versatile with 3 band EQ, and I have a full 50w to play with. Overall I prefer the DV Mark – I just feel it suits my clean & light OD tones better than the Vox. But if I had to gig with the Vox I'd be OK with it. Having said that, several months ago I came across a great deal on a Blues Cube Hot EL84 (more Vox-ish tone than the standard) and frankly, it blows the other two away. It's a combo, of course. So I'm keeping the DV Mark as a backup. The Vox has gone. Anyone looking to downsize should give one of these a listen. There is good to great tone in there, depending on your needs. Again – the 4 ohm load to get 50w is a bummer. But not everyone needs that much power. The small box is pretty cute and a cool conversation starter – but for practical purposes something slightly larger would've been a better idea, IMO.Mr. Joe

Great sounding clean tones for playing at home, which is why i bought it – my beloved Mustang 1.1 started having issues and I MUST have a great clean tone to relax. Wanted a tube amp and did my research. Decided on the Blackstar. I must say I'm extremely happy with it. The reverb is KILLER to my ear and does a great job at adding shimmer without destroying the tone. No external effects are needed to get a gorgeous clean tone – I use my Zoom G3Xn into the front end to get univibe and compression. The effects loop is very functional. The amp can be very bass heavy, depending on your instrument, but if you run a 10 band EQ (go with MXR) in the loop you amp can achieve any tonal result you want. My best sound comes with everything at 12, with some of the bass rolled off with the MXR EQ – but its just a matter of taste i guess. This amp moves a lot of air when you use the drive channel, and if your not pleased with the amps distortion it does respond really well to distortion pedals. I'm mostly in the clean blues zone but must brag on the amps darker side: it can get very loud and stay rich. I haven't tried any of the direct recording features. The 2 selectable characters of clean that the amp offers thrill me and ,again, the reverb is classy and a bit different from other amps ( I read that is a room reverb). Highly recommended.Tim H.

This amp out of the box sounds fantastic. Crystal clear clean tones and a snarly gain channel that lets you choose between a more American gain tone and a British gain tone. I would say ‘cater for everyone’. But, I received my first amp and within an hour of playing I’d noticed a loud ‘POP’ when changing channels. This pop occurred if a note was being played at the same time as the channel change. (Footswitch and Amp buttons) So, of course I returned the Amp to PMT. they arranged DPD next working day collection for me, completely hassle free. I awaited my next amp, as a direct replacement. A few days later the next Blackstar HT-5R mkii arrived, box fresh like the last. I plugged the amp in, let the tubes warm and away I went. Within minutes of found a great tone again, but the loud ‘POP’ I heard from the first unit was there again on this amp. I tried 4 sockets in the house in case there was any kind of interference/static, but to no avail. Absolutely gutted, I called PMT again. The amp was returned for the second time. Apparently this hasn’t happened to anyone else, I may just be unlucky or the amp may not get along with the electrics in my home. Just check this out as soon as you buy one. I’ve tried two other valve amps on my house since, including a Blackstar Artist 10 AE and an Orange terror with cab, and there’s absolutely zero noise with these. Very important to note here, this is not a slam of PMT, they’ve been absolutely brilliant throughout this whole thing. Customer service is second to none and they are very easy to contact. Used these for a very long time and I will be returning once stores open to try out a new amp.Jack H.

Great little amp for the money. This is my first EL84 amp as I was after something different to my old EL34 Laneys & Marshall. This delivered what I was after. Both channels very useable – clean has quite a bit of headroom as a pedal platform. Drive channel sounds great – better with humbuckers than single coils to my ear, but very useable – very touch responsive and cleans up nicely when you roll off the vol. The reverb is fine but maybe a little over the top at higher settings: maybe useful for ambient stuff. Biggest surprise is the speaker – well balanced and sounds really tight – especially with humbuckers. Stock valves seem absolutely fine. The combo is nicely finished too. If you want the sound and are not bothered about brand names, this is fantastic value for money as a first valve amp, or as something that sounds a bit different. Easily loud enough for pub gigs. Recommended!Reviewed by Andertons Music Co.

This item was purchased as a level 2 blemished item. The blemishes very minor and well within my ability to accept it that way. However, after receiving the amp I discovered that the reverb did not work. I tried several different guitars all with the same results – no reverb. Though the demos and reviews said the reverb wasn't the greatest there was still plenty of reverb available (too much according to some reviewers). Even with the reverb turned to 10 there was no reverb. I called MusiciansFriend and was told that a level 2 blemished item could have functions that didn't work. The fact that the reverb didn't work or that some items may not work on a level 2 blem should have been explained in the description I could not find this information anywhere.Chris

3 x 12AX7s and 2 x EL84s, solid (heavy!) chassis, reverb, effects loop, external speaker connection with switchable impedance – just what I wanted. The footswitch to change between clean and gain channels means you don't need pedals to get a boost. Only negative: the footswitch came in a heavy duty plastic bag which was stapled to the bottom of the cabinet, and difficult to remove. Sounds good on its own – all the tone without blowing your eardrums. Playing through my vintage Carlsbro 4 x 12 sounds better still.Reviewed by Andertons Music Co.

Great amplifier, especially for the money. First of all it is an amazing pedal platform amp with nice bass and mid response. Everything I've run into it sounds really good, and it's near breakup gain is gain on 10 and boost off. It is most like a JTM45, it has a lot more bass and more active tone controls than later Marshall amplifiers like the JCM900 I previously owned. It doesn't overdrive too much on its own, but if you push it with a booster, it does pretty well. It is loud, even in the low power setting, and to really get it to drive, you need to push the power amp. It also doesn't seem to have as much drive as I remember from trying a 50 watt version, but that may have been the guitar more than the amp. Great value, I would recommend it to anyone looking for what I just described. If you want something that sounds like a Super Lead, Super Bass, or JCM800, this is not the right thing to buy. If you want a great pedal platform or early Marshall sound, you can't beat it.Craig

I've had My Marshall Origin for about 6 months and I've been pleasantly surprised. I've been a Les Paul/Marshall guy for 40 years and I have the hearing loss to prove it but this Marshall has it all. This versatile 20 watt head is the perfect combination of versatility and guts.This Amp is perfect for pedals as it great grand daddies were, I use an J Rockett Archer Ikon Klon clone, An OCD a Tone City King of Blues and an original Electro harmonics LPB-1 booster. I can go from crystal clear bell like tones to Ace's plexi grind to the verge of jCM 800 tones or straight in crank the Gain and get that sweet traditional Marshall tone and attack. Unlike the Marshalls of old the EQ section greatly influences the color of this Head and along with the tilt control which replaces the need to jump channels from the Hi and Lo inputs its all there. The addition of the switchable effects loop is a huge plus as is the gain/Boost control which gives you that little extra edge for leads. Running the amp on full and using your guitars volume and tone controls gives you a lot of versatility as well. The adjustable power out put feature is nice for quiet practice but I prefer to use my Bugera PS-1 attenuator and keep my amp volume on 10, just a personal preference. A suggestion, I've used this head with 1×12 and 2×12 cabinets an it sounds good but when i finally plugged it into a 4×12 this amp took on a whole new personality. The 4×12 let this amp breathe and with the EH LPB-1 driving the front end and a little reverb I had ACE's Kiss alive tone dead on by using the gain boost and a little color from various pedals the tone possibilities a vast. All in all this amp would be a great deal at twice the price, marshall once again did it right.Miggs

Overall: This amplifier absolutely rocks! With so many options you can dial in any sound that you want, from crystal clear clean to roaring rhythms and screaming leads. As everyone has already said, the reverb is almost nonexistent. However, the amp, tubes and build are rock solid. BUT… if you really want to blow your mind, swap out the speaker with one that fits your style. My style is classic hard rock so after much research I swapped out the 70 watt Celestion V-Type speaker that it comes with for a 150 watt Eminence Swamp Thang and I swear that it sounds as loud and ballsy as my full-on DSL100 full stack with 1960 cabs. The difference is mind boggling. No fizz, no speaker distortion at all. Just a loud, clear representation of my sound. Obviously the Swamp Thang might not be your speaker of choice but do your research and this will be the only amp you will ever need again!Scott

Sound: With good tubes properly biased, yes. Features: One feature that I absolutely detest is the effects loop button. When it is activated the front of the amp ceases to operate and when deactivated, the front works but the effects loop deactivated. There's no reason for this feature to exist. Substantially limits what the user is able to do. Bad decision in the design. Ease of Use: Just need to fix the owners manual to include specifically how to bias the tubes. Value: At the time I bought it, it was around $800. So at that time, yes. Overall: It took me a while for this amp to grow on me as it sounded like crap out of the box. I replaced the stock speaker with a Celestion V30 and replaced the stock tubes with Ruby EL34STR and a 5751 in the PI as is my typical configuration. Still couldn't get an acceptable tone was fuzzy and grindy. Years later, I learned that you can self bias the amp. After reading forums, there is little info on how to bias the amp and nothing in the manual. I discovered the bias was at 31mv so I turned both to 40mv and HOLY SMOKES this was the tone I've been seeking all these years. Eureka, I found it and it's incredible now. Completely unacceptable that Marshall included zero information in the manual regarding this, which is a pretty important feature. Moreover, it's important that I explain how to bias this. When you place the multimeter leads in the ground and point, one point will give a reading and the other red test point will read zero, always. YOU WILL NOT BE USING THIS TEST POUNT AT ALL. Go back to the one that gives the reading and keep it in that test point and adjust the pot to 40mv. Then, keeping the multimeter lead in the same pot, turn the other bias adjust til they both read 40mv. Next onto the effects loop, there is a button to turn the effects loop on and off as you can not use both simultaneously like in other amps. What good is this feature? Worthless and is an absolute thorn in my side as I would like to use the midi to switch between both which is why I bought it, but can't. Now, the amp does sound good now that it's properly biased as well as replacing the stock speaker, but I lost years of good tone due to the lack of instruction in the instruction manual.Jonathan

Overall: This thing is awesome if you like that Marshall tone this amp is for you, it's really a 4 channel amp if you get the six way Marshall foot switch, if I had to nit pick this amp would be the reverb, don't get me wrong it sounds great and is useable for 90% of what you would need it for, but if your wanting that Gilmour type reverb you'll need to add a reverb pedal in the chain. Where this amp really shines and I discovered this on accident I was messing around with the effects loops and added an EP booster which I would normally run on the front in, and just WOW…adding the EP booster to the loop really opened it up, tamed some of the compression and evened out the gain while improving the tone, sounds more like a JCM800 at this point, I'm super impressed with this little amp and I have some really nice amps in my collection. Let me say I would totally gig with this amp without question. This fact that Marshall made it easy to change and bias tubes is a huge thumbs up as well. Other manufactures please take noteRick

Extremely versatile amp. I play a lot of electric blues but I grew up on hard rock/metal. Today I also play a little bluegrass, country, classical, pop and whatever suits my mood at the time. But at the end of the day, I usually revert to a heavier sound. Now the Marshall has a nice clean sound, although not as clean as my old Fender Pro Reverb. You can't have everything. Where this amp really shines is in its ability to generate anything from mild overdrive to extreme high gain. With this amp I can get high gain harmonics that I could not get from other amps, even with heavy gain effects. The only negative really is that the amp is quite physically heavy.Fuzzy

Firstly, I am in a bar/party cover band of older (>30 years to nearly 60) musicians with day jobs. We are not all Recent Hits, but do mostly songs people have heard of in all years from mid 60s to this year. The flexibility of this head is its big feature for someone like me. This is not a prescriptive review — this is just how I use it. Some of the skeptics have wondered why you would need 4 channels with 3 tones each. They have a good point, but not one that applies to a cover band. If I had to have one amplifier, it would have to produce the tones that this amp can do on channel 2 (crunch) green and orange, and channel 3 (OD1) green and orange. Crunch orange and OD1 green are quite similar and are the tones of the classic plexis and old Marshalls. Crunch green is what you would want for "clean" tone with a Marshall level of compression and just a little breakup for an electric guitar. OD1 at orange is what you would do for distorted classic rock — adding an overdrive in front of a plexi or a very saturated pickup, for example. For every song I really like, and everything I would do if I wasn't doing covers, those two channels at those two colors would cover it. For gigs, I can set channel 1 (clean) and Channel 4 (OD2) to be more extreme. The clean channel is actually what i use to be my acoustic guitar and occasionally as my hollow body electric emulating an acoustic. It is not perfect, nor is as good as having a specialized acoustic amp or clean tone jazz amp. However, it is good enough, and it simplifies the signal path to not have separate amps, and there is enough separate EQ to make it work. Channel 4 can be used for dirtier, more distorted stuff, and the weird thing is that now I use it entirely for country. My band doesn't do any metal, and the heaviest guitar sounds we do are the likes of Carrie Underwood. Getting the hiss to go away is not that big of a deal — put an MXR Smart Gate or any other gate I've tried into the _serial_loop_ and twist the knobs — it will take care of the problem. The JS head might be better and I haven't tried it. I do appreciate that you can't use the OD channels on this without a noise gate, but it isn't a big dial to fix. The reverb is good but nothing special. Reading this review before submitting, I realize that the oddest thing is that I personally have no use for any of the red versions of the four channels. That is probably a classic rock attitude — this thing has a lot more metal tone than I will ever use, so you should use other reviews if you want that.Iceandsnow

This is just and amazing head… I can't complement it enough. I wanted so many of the iconic Marshall tones but couldn't afford to go out and buy a JCM 800, 900, Plexi…etc. This head truly does a great job of getting all the tones your looking for. It does take a little dialing in with all the different modes in each channel to find what they all do… but once you have it kind of figured out its a tone machine. the included foot switch is a pleasant surprise also. It's programmable and works like a charm with just a normal guitar cable. I have also used the midi switching capabilities and they are also wonderful, though not as easy to use as the foot switch. If you are a gigging musician or just want a lot of options…..get one of these!Tony

I got this to play at gigs and fill in to gaps for 60s and 70s classic rock numbers. It sounded great mic's with just enough stage sound for sustain. I especially liked the foot switch layout to flip between clean and dirty numbers when covering Stones, Bowie, Mott The Hoople, Doobie Bros and stuff, but needed help with a pedal with early metal sounds. Still, found it a very flexible amp overall. About eight months in it got a hissing sound and was useless as a mic'd amp through the PA. It was still under warranty, and – long story short – they repaired the hiss by replacing some circuit components, but after a few weeks it came back. The is the one time I wished I got the replacement warranty. I ended up giving it away to a friend who tinkers in electronics. Do and internet search and you'll see this amp has a long history of hiss and other noise problems that are hard to isolate. That said, I know of some players who liked this amp very much and it never let them down, so I'm not hating on Fender. I like the Fender sound and own a very reliable 65' Twin two Blues Deluxe Issues. If you really must have this amp, I'd recommend getting the full replacement warranty.RJ

Just purchased this beautiful blond amp. The clean channel is perfect. Decent gain. Reverb is adequate. Highly recommend purchasing the amp head and the 2X12 cab because you get two Clesetion Vintage 30's vise the single Eminence in the combo. Sound great out of the box even before the tubes are burned in and the speakers broken in. I'll say this again, the clean channel is perfect, Les Paul, Strat, Tele, ES 195 with P90's and effects never sounded better. Gives this bad boy a test drive, you wont be disappointed. If you have never used a tube amp, 22 watts is quite a bit of power compared to solid state, possibly two to three time the power. Yes! this amp can get quite loud. Perfect for small gigs. Highly portable and easy to move and transport.Karl