Are you looking for the Soft V Neck Guitar? If so, you’ve come to the right place.
Choosing the Soft V Neck Guitar can be difficult as there are so many considerations, such as WD Music, Ibanez, Seymour Duncan, Fishman, Fender, ammoon, Solo Guitar. We have done a lot of research to find the top 20 Soft V Neck Guitar available.
The average cost is $1064.54. Sold comparable range in price from a low of $149.00 to a high of $4700.00.
Based on the research we did, we think Fender Classic Player '50s Stratocaster Neck Soft V Shape – Maple is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Soft V Neck Guitar (20 Sellers)
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Reviewers Noted:
Attractive . Well made . Durable . Good sound quality . Comfortable
Features:
- This is the exact neck you'll receive!
- Weight – 1lbs 1.9oz.
- This replacement neck is for a fender or squier by fender guitar.
$399.99
3.9
Reviewers Noted:
Poor sound quality . Lacks durability . Visual appeal . Weight . Craftsmanship
Features:
- Basswood body with maple neck
- Rosewood fingerboard with 24 xj frets
- Chrome hardware and esp tuners
Reviewers Noted:
Attractive . Sound quality . Craftsmanship
Features:
- The neck pictured is the neck you receive.
- This replacement neck is for a fender or squier by fender guitar.
- New in box.
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- High-output humbucking pickups with ceramic magnets deliver a powerful tone
- Features poplar body with arched top and bolt-on maple speed neck with graphite reinforcement
- Amaranth fingerboard creates the ideal playing surface for fat riffs
$3999.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durability
Features:
- The guitar comes from a private collection and is in mint conditions, never played.
- Really one of the best martin clapton i've ever played!
- Original case of course included.
$199.99
4.5
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- Select spruce top
- Chrome tuners
- Mahogany neck, back, and sides
$299.99
4.7
Reviewers Noted:
Attractive . Durability
Features:
- 358 (9.09 mm)headstock thickness
- 540 (13.71 mm)thickness at the 1st fret
- 820 (20.82 mm)thickness at the 12th fret
Reviewers Noted:
Attractive . Good sound quality . Weight . Craftsmanship
Features:
- High-output humbucking pickups with ceramic magnets deliver a powerful tone
- Features poplar body with arched top and bolt-on maple speed neck with graphite reinforcement
- Amaranth fingerboard creates the ideal playing surface for fat riffs
$229.99$199.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Lacks durability
Features:
- Mahogany neck, back and sides
- Fingerboard and rosewood bridge
- Wood protection plate
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durable
Features:
- The rrp on this model is around 1000 but this one is priced to sell.
- The guitar has been setup with a low action and makes it very easy to play compared to a standard classical guitar.
- I will include a fresh set of strings so you can set it to your own action .
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durability
Features:
- Made for the stage
- Rosewood back and sides
- Savarez strings
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durability
Features:
- The price of this item drops by 10% or more
- Another user makes an offer on this item
- If the item is ever re-listed
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Maple and black top purfling inlay
- Maple top binding
- Dual action truss rod
$4700.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Lightweight
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from …
$599.99
4.7
Reviewers Noted:
Attractive . Well made . Good sound quality . Durable . Weight
Features:
- 12”-radius laurel fingerboard with 22 medium jumbo frets and pearloid neo-classic inlays
- Black top broad’tron pickups
- Master volume with treble bleed circuit, master tone, bridge pickup volume control, neck pickup volume control and three-position toggle switch
$729.99
4.5
Reviewers Noted:
Sound quality . Attractive . Lightweight . Durability . Well made
Features:
- Travel with ease
- Play silently with big-guitar tone
- Great live acoustic sound with none of the feedback
$565.00
4.5
Reviewers Noted:
Sound quality . Attractive . Lightweight . Durability . Well made
Features:
- Authentic plugged-in sound by srt powered
- Super-compact, collapsible construction
- Unique, striking looks
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Lightweight
Features:
- Solid cedar top
- Handle: mahogany
- Back & sides: mahogany
$149.00
4.4
Reviewers Noted:
Attractive . Well made . Durable . Good sound quality . Weight
Features:
- The kramer guitars has influenced generations of metal players around the world and belongs in the hall of fame of classic guitars.
- Two powerful alnico 5 sc-1 single coil pickups and a alnico 5 humbucker with 5-way pickup switch control.
- The slim profile bolt-on maple neck has a maple fingerboard with black dot inlays , a 12” radius, 25.5” scale, and 21 medium jumbo frets.
Reviewers Noted:
Sound quality . Attractive . Weight . Craftsmanship . Durability
Features:
- 26.5 scale.
- Emg pickups.
- Floyd is blocked. not permanently. easy to undo. guitar was used by "josh mcguire" of "the dialectic".
1. Fender Classic Player '50s Stratocaster Neck Soft V Shape – Maple
Product Details:
This official fender classic player '50s stratocaster maple neck has a vintage style soft v profile, 9.5" fretboard radius, 21 medium jumbo frets and a gloss urethane finish for smooth playability. the synthetic bone nut is pre-slotted with 'pilot' string slots to make spacing a breeze when performing the final string slot filing, the neck has 9.1 mm tuner bushing holes drilled on the headstock face for vintage style tuners with press fit bushings (some reaming of the hole may be required for a perfect press fit) and the truss rod adjustment nut is at the heel. this replacement neck is the perfect way to give your strat an authentic '50s feel and fits fender or squier curved heel end stratocaster guitars. some fret levelling/dressing and polishing may be required and minor woodwork to fit the neck to the body. please note the photo displayed is an example image only and the wood grain and serial number will differ on the neck you receive.
Specifications:
| Compatibility | Classic Player '50s Stratocaster Guitar |
| Neck Shape | Soft "V" |
| Tuner Mounting Configuration | 2 Guide-Pin |
| Fingerboard Material | Maple |
| Neck Material | Maple |
| Nut Material | Synthetic Bone |
| Position Inlays | Black Dots |
| Truss Rod Nut | Vintage-Style Slotted |
| Truss Rod | Vintage-Style Heel Adjust |
| Fingerboard Radius | 9.5" (24.13cm) |
| Scale Length | 25.5" (647.70mm) |
| Nut Width | 1.65" (41.91mm) |
| Number of Frets | 21 |
| Fret Size | Medium Jumbo |
Reviews:
I got this neck to replace the one I had on my Squier FSR Bullet Telecaster (in Metallic Purple with Maple Fretboard). This telecaster has a Maple neck with a normal C shape and felt really unrefined for a "Fender" neck. I decided to get this Fender Telecaster Standard Replacement Neck with a Modern C shape neck. This new actual Fender neck was a drastic change in quality and performance. Here's just a quick Pros and Con of this product. PROS: Real Fender Product – Because this is an official Fender product, the neck replacement on my Squier was seamless and very simple. Modern C – Makes a better feeling guitar when playing compared to the normal C shape neck. Satin Neck Finish on back – The neck is very smooth feeling when playing. The finish on the back of the neck doesn't get in the way of you playing fast. This helps if you have sweaty hands when playing. Gloss fretboard – This makes a difference because if doesn't feel like your fingers are sticking to the fretboard. Medium Jumbo Frets – Just feels nice when moving around the fretboard. Bending strings feel nicer than my old Squier frets. Pre Drilled Holes for Tuners – I already had Fender locking tuners. So it was a simple swap with no mods needed. CONS: Nut not slotted – I don't understand why the NUT isn't slotted at least for common string size. It is very slightly to get you started but you would need a file. I just used the low E strong and used it like a file but it didn't come out too well and I've had to buy a new nut that comes preslotted. No predrilled String tree hold – This really wasn't too much of a problem but it's scary if you get it wrong. Overall, I'm very happy with my purchase after two weeks of everyday playing with it. This was a much needed upgrade from my Squier telecaster neck I had.C. Barona
this is my 4th roasted neck and I can't recommend them enough. especially if you live on or near the water. I can pull out my strat or tele after not playing them for a few days and they are right in tune look at the quality that is put into them and you'd agree. when screwed to a sunburst or pastel colored body they just really enhance the look of your instrument. the cost of the roasted neck is something you gotta think about like do you really want to spend that kinda Ching on a neck? hell you can buy a standard neck for less or even buy an after market neck and play the same its all about the stability of the wood that closed the deal for me. dig down deep in yer pocket and pony up the Ching for one of these I'm pretty sure you be pleased you did. I have them mounted to Mexican fenders and American fenders all have mated up perfect and very little fret work was needed this is my experience with these necks and you will find the same. in short I dig mine and will in the future will only use these beautiesho-joe56
perfect fitment into a MIM fender body. finish was flawless and the dark maple is beautiful. mistake made on my part, not fender….. the roasted maple has so much less give than standard maple. I should have thought about that with all of the moisture being removed from the wood. I used fender press fit tuner bushings and installed them with a C-clamp as I always have. I heard the headstock crack as I was installing the D string bushing and my heart sank. Luckily, I was able to inject some wood glue and clamp it overnight to close it up, but I reamed out the G tuner bushing and learned my lesson. use care when installing the tuner bushings on anything roasted as the fibers in the wood simply will not compress the same way another neck would.Grey
2. Esp Ltd V-50 Electric Guitar (Black)
Product Details:
This esp ltd v-50 electric guitar has a basswood v-shaped body with a bolt-on, thin-u maple neck. the rosewood fingerboard with 24 extra jumbo frets promotes plenty of fleet-fingered pyrotechnics. the tune-o-matic style string-thru bridge is fully adju – basswood body25-1/2" scale – bolt-on neck – maple neck – rosewood fretboard – thin-u neck shape24 extra jumbo frets – tune-o-matic-style string-thru bridge – esp lh-150 neck and bridge humbucking pickups – toggle pickup selector – chrome hardware
Specifications:
Reviews:
Im pretty good,not like a professional or anything but I practice about two to three hours a day. I love to play the guitar. I dont like guitars with bad sounds, bad buzzing sounds when you strumm, poor qqquality, and very poor pickups. I was looking to buy an ESP guitar like the LTD M100 when my birthday comes again in 7/11.Antonio the guitarist
People exagerate about this guitar on its flaws. I have yet to experience any of the bad flaws that were mentioned and i've had two of these puppies for 2 years now. Sure i eventually traded the pickups for active ones ('cause i favor actives) but the stocks were still good, its the amp settings that would make it sound hoorible. Yeah the strings buzzed a little but a small adjustment to the action of the strings helped that. My bridge still works like a charm and gets better and hasnt failed me or my tuning yet. Overall a very overlooked guitar. Ive dropped 'em numerous times i havent even had a chip off of it. Definitely better than any gibson or fender ive ever played.Extreme Sound Producer
I have been playing for about 11 years now and own quite a few guitars. Before I start bashing the other reveiws let me present my take on this guitar first. First of all in this price catagory you will not find an equal in any other brand. Starting with frett buzz, there has been very few guitars that i have bought that did not require a full out intonation, action set and neck adjustment out of the box. On double locking briges you also have to adjust your tension springs. After I brought this baby home and changed the strings I went ahead with my normal set up. If you do not know how to set up your own guitar ask your local Sam Ash Tech to help you out. In most cases what seperates guitar pricing the most is hard ware ( pick-ups, tuners, bridge ect..). This guitar has very basic stuff. For beginners or a nice practice piece this is perfect. As your playing progresses or if you are already experienced you will want to upgrade thse items. Again your Sam Ash Tech can help you out with this as well. Bottomline anybody writing reviews claiming to be experienced who either;A) Buys a guitar in this price range and expects to use the stock hardware to fit there neeeds orB) Has to complain about frett buzz because they can't set up there own instrument.Is clearly not someone I would take advice from. Hope this helpsJtighe
3. Fender Classic Series 50s Stratocaster Soft V Neck Lacquer Maple 099-0061-921
Product Details:
This official fender classic series '50s stratocaster lacquer maple neck has a vintage style soft v profile, 7.25" fretboard radius, 21 frets and a nitro lacquer finish. the synthetic bone nut is pre-slotted with 'pilot' string slots to make spacing a breeze when performing the final string slot filing, the neck has 9.1 mm tuner bushing holes drilled on the headstock face for vintage style tuners with press fit bushings (some reaming of the hole may be required for a perfect press fit) and the truss rod adjustment nut is at the heel. this replacement neck is the perfect way to give your strat an authentic '50s feel and fits fender or squier curved heel end stratocaster guitars. some fret levelling/dressing and polishing may be required and minor woodwork to fit the neck to the body. please note the photo displayed is an example image only and the wood grain and serial number will differ on the neck you receive.
Specifications:
| Style | Vintage-Style |
| Neck Shape | Soft "V" |
| Where Used | Classic Series |
| Fingerboard Material | Maple |
| Neck Material | Maple |
| Nut Material | Synthetic Bone |
| Position Inlays | Black Dot |
| Neck Finish | Gloss Nitrocellulose Lacquer |
| Fingerboard Radius | 7.25" (184.1 mm) |
| Scale Length | 25.5" (648 mm) |
| Number of Frets | 21 |
| Fret Size | Vintage |
| Headstock Thickness | 540" (13.71 mm) |
| Peg Hole Diameter | 358” (9.09 mm) |
Reviews:
4. Jackson Js Series King V Js32 – Matte Army Drab
Product Details:
Explosive sound. effortless playability. and a price tag that you'll scarcely believe. the jackson js32 king v brings a wealth of premium features into an affordable model that's destined for the stage. top of that list of features is a pair of high-output humbuckers. these are designed to perform superbly at even the highest volume levels, meaning you can crank up your output without fear of feedback.not only do you get immense power in the js32, you also get a guitar that's perfect for shredding. 24 jumbo frets give you two full octaves to explore, and a satin urethane neck finish will help your hand to fly up and down the scale at high speed. add in a locking floyd rose tremolo that'll let you add precise, distinctive divebombs to your solos, and you've got the perfect metal guitar to take to the stage.
Specifications:
| Body shape | V |
| Body type | Solid body |
| Body wood | Poplar |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | Speed neck |
| Neck wood | 1-piece Maple |
| Joint | Bolt-on |
| Scale length | 25.5 in. |
| Truss rod | Graphite reinforced |
| Neck finish | Satin |
| Radius | Compound 12–16" |
| Fret size | Jumbo |
| Number of frets | 24 |
| Inlays | Sharkfin |
| Configuration | HH |
| Neck | High output humbucker Ceramic |
| Bridge | High output humbucker Ceramic |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Piezo | No |
| Active EQ | No |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Tremolo/Vibrato |
| Bridge design | 2-point Fulcrum tremolo |
| Tuning machines | Die-cast sealed |
| Number of strings | 6-string |
| Country of origin | China |
Reviews:
I have wanted a Rhoads for a long time. I wanted that 80's hard rock guitar. This guitar did not disappoint me at all. The pickups are extremely high output very cutting edge. The guitar came close to perfect set up right out of the box. I made very little adjustments to get it just right for me. I was pleasantly surprised at how well the guitar sounded clean as well. I don't use the trem much but it stays in tune very well. When I grab it out of its case its in tune. It is a joy to play sounds and looks amazing. If you were worried about the quality don't be this guitar plays as well as any guitar I own. And without getting into it I own some expensive guitars.
2 disclaimers: I got this 5 days ago. I've had an Jackson RR tattoo for years. She's a looker… never thought I'd get a purple guitar but the purple quilt w/ gold hardware and white binding is gorgeous and I love how the reverse headstock has the color and quilting too. It plays fast as F. You'll wanna shred on it. It makes me wanna play Crazy Train, Holy Wars and the like but it may make you wanna play stuff that's way above my skill level and you can! Never had a Floyd Rose before but tuning it up wasn't too bad out the box (and it's super fun!); we'll see what happens when a string snaps. The frets and unlacquered back are smooth so it's easy to do fun slides and bendy things! The sustain is pretty good thanks to the mahogany body and the thru neck and it just feels solid. I've read this is heavy compared to other V's but it's the lightest of my 3 electrics and it feels quality and well balanced – there's no neck dive. I love that it comes installed with Dunlop button strap locks which I've had to purchase & install previously on my other 2 electrics. The pickups sound great with distortion and I haven't/am never going to play this w/o distortion so who cares about clean but I will say comparatively it doesn't sound as good as the EMG's on my EC-1000. There are some QC issues: There's fret buzz on the low E, some purple paint smudges on a small part of the white binding and the blending of the paint in some areas (which you generally never look at) could be better. I didn't have any of these issues on my (similarly priced) LTD EC-1000 and (my much cheaper) Ibanez AR-325 so these are pretty disappointing. Bottom line: I haven't put it down yet. It's fun to play and my other guitars currently feel unloved. If you like metal or you've always wanted a V this shape you should get it. I'm going 4/5 stars for the QC issues which are super disappointing but well reported on Indonesian Jacksons. Let's be honest – this purchase is mostly about speed and style. It sounds great and it delivers both of those in spades.Rishav
Paint job is just ok, but not great. It has a cheap quality to it, but looks good from a little distance. Matte is a hard paint job to be fair, and this is entry level, but still, this is a review. Pickup colors don't match at all. I bought black plastic pickup covers, which made it look a lot better fairly affordably. The plastics of the backplate, the humbucker rings, and the pick guard are super cheap and kinda bent, maybe from heat? Once again, entry level, but still, I've bought guitars at this price point without these kinds of issues. The Jackson version of Floyd Rose seems pretty ok considering. I've never had a Floyd rose that stayed in tune for very long, so this seems to be about right. The pickups sound very aggressive and bright, which was surprising. There is a loose wire that I had to tape down because of it hits the right spot, it cuts off the pickups (maybe a ground wire? Everything works still) The high string is a little too close to the edge of the edge of the neck for my liking, but I think that's just a personal preference. The body and neck seem solid, the neck is left unfinished, which I usually prefer, though this neck is like completely unfinished, so I'll probably need to get some sort of wood treatment for it. The fret inlays are great at this price point (not dots) and the frets don't have any burrs, which is a good thing for your fingers. The outline of the neck in white is also a classy touch, and the headstock is beautiful. Overall, it's an ok guitar. I would maybe get a different finish, and wouldn't expect it to be the greatest guitar ever, but it has a personality to it and is still a Randy Rhodes. Plays fairly well, definitely shredable. Accessing the 24th fret is a little bit of a reach, but that's ok. If I were Jackson (fender), I'd raise the price $20 and put decent plastics on it because it really does cheapen the guitar overall. I'll probably replace those parts myself over time, but I really shouldn't have to.Zachary
5. Martin 000-28ec Eric Clapton – Natural
Product Details:
Save big when you buy today! body body type: 000 cutaway: non-cutaway top wood: bookmatched quartersawn sitka spruce – back & sides: premium east indian rosewood back and sides – bracing pattern: standard x scalloped – body finish: polished gloss – orientation: right handed neck neck shape: vnut width: not specified fingerboard: ebony neck wood: select hardwood scale length: 24.9" number of frets: 20 neck finish: polished gloss – electronics pickup/preamp: no brand: not applicable configuration: not applicable preamp eq: not applicable feedback filter: not applicable tuner: not applicable other headstock overlay: solid indian rosewood – tuning machines: nickel-plated with open-geared tuners bridge: solid black ebony – saddle & nut: compensated/bone number of strings: 6-string special features: signature model – case: hardshell case accessories: info not available country of origin: united states
Specifications:
| Construction | Mahogany Blocks/Dovetail Neck Joint |
| Body Size | 000-14 Fret |
| Rosette | Fine Herringbone |
| Top Bracing Pattern | Standard X Scalloped |
| Top Braces | Solid Sitka Spruce 5/16 inches |
| Back Material | Solid East Indian Rosewood |
| Back Purfling | HD Zig Zag |
| Side Material | Solid East Indian Rosewood |
| Endpiece | Grained Ivoroid |
| Endpiece Inlay | Black/White Boltaron |
| Binding | Grained Ivoroid |
| Top Inlay Style | Fine Herringbone |
| Back Inlay | Black/White Boltaron |
| Neck Material | Select Hardwood |
| Neck Shape | Modified V |
| Nut Material | Bone |
| Headstock | Solid/Diamond/Square Tapered |
| Headplate | Solid East Indian Rosewood/ Large Old Style Logo |
| Heelcap | Grained Ivoroid |
| Fingerboard Material | Solid Black Ebony |
| Scale Length | 24.9 inches |
| Number of Frets Clear | 14 |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1-3/4 inches |
| Fingerboard Width at 12th Fret | 2-1/4 inches |
| Fingerboard Position Inlays | Diamond and Squares – Long Pattern |
| Finish Back and Sides | Polished Gloss |
| Finish Top | Polished Gloss with Vintage Toner |
| Finish Neck | Polished Gloss |
| Bridge Material | Solid Black Ebony |
| Bridge Style | Belly |
| Bridge String Spacing | 2-1/4 inches |
| Saddle | 16 inch Radius/Compensated/Bone |
| Tuning Machines | Gotoh Nickel Open Geared with Butterbean Knobs |
| Recommended Strings | Martin MEC12 Light Phosphor Bronze |
| Bridge and End Pins | White with Black Dots |
| Pickguard | Tortoise Color |
| Interior Label | CFM IV and Eric Clapton Pre-printed Signatures |
Reviews:
I decided to wait until the honeymoon period was over (4 mos) to write a review. I've now come to the realization that it's not going to end. I've been playing for about 50 years, and over the past 10 or so have thoroughly enjoyed splitting time between my Taylor and Washburn. No more! This Martin is easily the most amazing guitar I've ever played. The combination of sound, size, and playability make it very hard to put down. I've been primarily a flat picker all my life, but this guitar begs to be fingerpicked, and I'm happily obliging! Simply put, an outstanding instrument.Jeff
I have been wanting this model for a few years. I knew what I wanted from playing these in stores. I finally bought one from MF. When it arrived I unboxed it and opened the case. Wow these are beautiful guitars. As soon as I started playing I was disappointed. The guitar did not sound like the ones I had played in stores. This on had a muddy small sound. This is not what I expect from spruce and rosewood. Now I am out the shipping cost to return the item. I think I learned a few good lessons here. Always play the guitar you are buying in person. Each and every acoustic guitar has its own sound, no matter how well they are built.dillon
I have been playing guitar for over 40 years and have always loved the sound of Martin guitars. I prefer a "V" shaped neck which is rare these days. I decided to finally purchase a Martin, and decided on this model to get the modified "V" neck. The action and feel are outstanding, and the sound is everything I would expect from Martin. The details and finish are exceptional. I have several guitars, and this one just became my go to acoustic.Mike
6. Ibanez V70ce Acoustic-Electric Guitar, Black
Product Details:
Specifications:
Reviews:
There are hundreds of reviews on this guitar, of course some good and some bad. The good reviews (4-5 stars) far out number the rest. Although I’ve read some really, really bad ones. I suppose every guitar maker churns out a turd on occasion when mass producing affordable beginner (read inexpensive) guitars.
I can only tell you about my particular guitar.
It is fantastic, it’s beautiful, sounds amazing (plugged in and acoustic), plays amazingly well, stays in tune, the tuners are smooth and work as you would expect on a much more expensive guitar. The neck is perfect, the action is great (Martin MA540 Authentic Acoustic Light strings 0.054-0.012). I haven’t a single complaint I can’t say whether the quality has gone up or down in the last few years. Mine is an earlier production model about 10 years old. They’re relatively common , You can find a nice used one locally in most cities for under $150. That way you can play and give it a thorough inspection before you buy it. Check your local Guitar Center, try it, return it if you don’t like it, my bet is you will love it.Larry Daniels
I can only tell you about my particular guitar.
It is fantastic, it’s beautiful, sounds amazing (plugged in and acoustic), plays amazingly well, stays in tune, the tuners are smooth and work as you would expect on a much more expensive guitar. The neck is perfect, the action is great (Martin MA540 Authentic Acoustic Light strings 0.054-0.012). I haven’t a single complaint I can’t say whether the quality has gone up or down in the last few years. Mine is an earlier production model about 10 years old. They’re relatively common , You can find a nice used one locally in most cities for under $150. That way you can play and give it a thorough inspection before you buy it. Check your local Guitar Center, try it, return it if you don’t like it, my bet is you will love it.Larry Daniels
I usually don't leave negative reviews. This guitar is beautiful, it sounds amazing. However, I just can't believe that guitar center would let this be shipped. The neck seems fine but every fret divider is razor sharp. It's so uncomfortable that I have quit playing it. Living in a small town it's very expensive to return stuff, so I guess it will just sit for now. To guitar centers credit, I have shopped there for many years and never been disappointed. But gee guys, why wouldn't you be checking this stuff? If I picked it off your wall I would never buy it unless you fixed it for me. Sorry but this sucksJohn
Tried out two of these at the local store looking for a first guitar for my son. Both sounded pretty good for the price point, but both had problems with the neck and really terrible frets. Terrible like not safe for children or unsuspecting adults – they both had sharp edges sticking out the whole length of the neck. Between that, some minor string buzz, a crazy high 9th fret on one, and iffy intonation on the other, it just didn't seem worth getting either of them. What's the point of getting a low priced guitar if you have to spend $100+ getting it worked over to make it playable? I suspect that the neck binding makes it difficult for the factory to really get the frets properly dressed and still pass cosmetic inspection. It may be I just had the bad luck to find the two worst examples of this model in the same store, but I suggest you move up notch in price range and you will be happier with what you get.triple.ratrider
7. Fender Vintage 50s Style Soft V Stratocaster Neck, Maple
Product Details:
Here is a 2004 fender classic 50s stratocaster neck made in mexico. it has a nice amber tint and a comfortable soft v profile. i believe it has the vintage 7.25 radius and it has 21 frets. the fets do show some moderate play wear but should have plenty of life left in them. i tried to capture the fret condition in the pictures. it also comes with vintage style tuners but one ferrule is missing from one of the tuners (included in pics). i have also included a screen shot from fender's website to prove the authenticity of the neck. asking $200 for this neck.
Specifications:
| Neck Shape | Soft "V" |
| Tuner Mounting Config | Vintage-style 2-screw |
| Fingerboard Material | Maple |
| Neck Material | Maple |
| Nut Material | Synthetic Bone |
| Position Inlays | Black Dot |
| Neck Finish | Gloss Urethane |
| Truss Rod Nut | Vintage-Style Slotted |
| Truss Rod | Vintage-Style Heel Adjust |
| Number of Frets | 21 |
| Fret Size | Vintage-Style |
| Headstock Thickness | 0.54" / 13.72mm |
| Peg Hole Diameter | 0.35" / 8.89mm |
| Fingerboard Radius | 7.25" / 184.15mm |
| Scale Length | 25.5" / 647.70mm |
| Nut Width | 1.65" / 41.91mm |
Reviews:
This is a 5* quality neck would definitely recommendwudgit
Beautiful neck,well made,i really like how it comes with tuners installedterrypurvis
8. Jackson Js Series King V Js32 – Black With White Bevels
Product Details:
This item was returned in great condition. it looks and plays like new, with only minor signs of use (slight scuffs, etc.). this formidable king v has a poplar body, bolt-on maple speed neck with graphite reinforcement and scarf joint for rock-solid stability. hosting 24 jumbo frets and pearloid sharkfin inlays, the 12'-16' compound radius fully bound rosewood fingerboard creates the ideal playing surface for fast riffs and easy chording near the nut while gradually flattening in the upper registers for lightning-quick solos and wide bends without fear of fretting out. other features include dual jackson high-output humbucking pickups with ceramic magnets and three-way toggle switching, jackson-branded floyd rose licensed double-locking tremolo bridge, standard strap buttons and sealed die-cast tuners.
Specifications:
| Body shape | V |
| Body type | Solid body |
| Body wood | Poplar |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | Speed neck |
| Neck wood | 1-piece Maple |
| Joint | Bolt-on |
| Scale length | 25.5 in. |
| Truss rod | Graphite reinforced |
| Neck finish | Satin |
| Radius | Compound 12–16" |
| Fret size | Jumbo |
| Number of frets | 24 |
| Inlays | Sharkfin |
| Configuration | HH |
| Neck | High output humbucker Ceramic |
| Bridge | High output humbucker Ceramic |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Piezo | No |
| Active EQ | No |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Tremolo/Vibrato |
| Bridge design | 2-point Fulcrum tremolo |
| Tuning machines | Die-cast sealed |
| Number of strings | 6-string |
| Country of origin | China |
Reviews:
SUPERB guitar. It may be "entry level" but it's so well put together. Nothing about this feels cheap. Excellent finish to everything, no rough fret edges, no blemishes or chips in the finish, nice smooth neck, arrived with great low action, just needed a tune and it was ready to go. The V shape is SOOO comfortable to hold and play and come on, it LOOKS sick af. Sounds fantastic too, nice clean tone, meaty chug with distortion through my Katana and even my Fly 3 practice amp. What's really great about this guitar though is it makes you excited to pick it up and play it. It's an 80's shred beast all for under 300.MARK
Wanted to check out a flying V and a Floyd Rose on the cheap. The B-stock model was 2/3rd the cost. Took about an hour to set up. It ships with the strings loosened and that's a good thing. A few swipes on two or three fret ends and getting used to tuning and intonating the Floyd Rose was all it took to turn this into a growler. The strings themselves aren't bad, I replaced them a few weeks later once I learned the process of tuning it. Another thing to know if you practice while seated: Flying V shapes aren't easily playable sitting down without a strap. The frets are jumbos and I prefer them for bends without the Floyd Rose. While some will not like the pickups, they are hot and throaty enough for me. The rest of the guitar is superb quality for the price. I'm still trying to figure out why this is B-stock. I didn't even have to adjust the truss rod which is shocking at this price range.Cujo
I've wanted a guitar in this style but since I'm not a pro. using it to make a living I didn't mind it's price even though it cost more than the highly popular Air Guitar. I just love metal of most styles since I 1st heard Black Sabbath Paranoid followed by Uriah Heep when it just started selling in Canada anyway over 50 years ago. All great music whether it was British or American & now world wide. I can't check off the pickup question cause I had no amplifier at the time.zx12rgsxr
9. Ibanez Tcy10e Talman Acoustic Electric Guitar – Black
Product Details:
Perfect for electric players seeking the rich tones of an acoustic without sacrrificing the comfort and playability of an electric. the bridge pickup combines with the spruce top and fully bound mahogany body to produce warm and articulate tone. ibanezs double-cutaway talman tcy10 is perfect for the electric guitarist who wants to gain the full tones of an acoustic guitar without losing the comfort and playability of an electric. this ibanez guitar features the clarity of a bridge pickup combined with a spruce top and mahogany back and sides. case sold separately. check the drop-down menu to the right to select colors and/or other options.
Specifications:
| Handedness | Right-Handed |
| Right/Left Handed | Right-Handed |
| Number of Strings | 6 |
| Neck Type | Set Neck |
| Cutaway | Double-Cutaway |
| Body shape | Talman Double Cutaway body |
| Back and sides | Mahogany back and sides |
| Neck | Mahogany |
| Fretboard | Rosewood |
| Bridge | Rosewood |
| Body binding | Ivory |
| Tuning machine | Chrome Die-cast Tuner |
| Number of Frets | 20 |
| Bridge pins | Ibanez Advantage Bridge pin |
| Pickup | Ibanez Under Saddle pickup |
| Preamp | Ibanez AEQ-2T preamp with Onboard tuner |
| Output jack | 1/4" output |
| Battery | 9V Battery |
| Finish top | Gloss |
| Finish back and sides | Gloss |
| Finish neck back | Gloss |
| Bridge type | Rosewood |
| Pickguard | Yes |
| Pickups | Undersaddle |
| Controls | 2x Tone Control 1x Volume Control |
| Neck Scale | 648mm / 25.51" |
| Neck Width at Nut | 42mm |
| Neck Width at 14th Fret | 54mm |
| Neck Thickness at 1st | 21.5mm |
| Neck Thickness at 7th | 23.5mm |
| Neck Radius | 250mmR |
| Dimensions (L x W xD) | 18 x 14.5 x 3.5" / 45.72 x 36.83 x 8.89cm |
Reviews:
Look, just wanted to reply to some reviews that say this guitar sounds well…..thin. Duh, yes its not a jumbo acoustic or even a regular body acoustic. Its a thinline acoustic so it sounds just like what it is. Ive played several thinline guitars and they all sound…well…thin. That doesnt mean its cheaply made or a bad sounding guitar. It has its own sound. If you want a deep bass, then buy a jumbo or regular acoustic. I like the easy neck movement. The chords sound fine and this guitar doesnt require anymore tuning than any other in this price range. I tried ten guitars at guitar center including more expensive brands like fender, mitchell, yamaha and others and this was the only one under 400 dollars that stayed in tune from an E chord to a C chord. I bought it because Ive owned Ibanez before and never regretted it. To each his own but keep in mind a thinline guitar is not going to have a deep rich sound, but, I record my bass along with it so it sounds fine. It is what it is…a nice thinline acoustic-electric guitar.Kjmmusician
After seeing some videos about this guitar and reading many reviews, I realised that it was a very good quality for the price!! This guitar is absolutely amazing, smooth, beautiful and the sound is truly beautiful, even better than I expected! I'm very satisfied! I live in Madeira Island and the product came relatively fast, for what I was very happy too!
I had been playing a very old and very nice acoustic at church for night service, and didn't want to subject it to the rigors of live playing on a regular basis. After some research, it came down to purchasing a Talman or a Stratacoustic. I went with the Talman due to the price, and Ibanez's reputation. When the guitar arrived, I was a little apprehensive as the neck felt awesome, but the setup was awful. The strings were heavy gauge, and were set way too high. After some work shaving down the bridge, changing to light strings, and adjusting the truss rod, this baby plays great! I love that the electronics are really easy to use, and it was made to plug in. The sound when you are practicing unplugged isn't as full or rich as you get with a full sized acoustic, but this guitar wasn't made for that – it was made to be plugged in. I was able to eliminate having to use pedals to get the proper volume and EQ, which makes the live rig way easier to set up and tear down. I play it through a Line 6 spider II 75 watt head running through a Marshall 4×12 cabinet. The spider's clean channel is great for acoustic as it does not color the tone, and the Marshall is plenty loud for a church sanctuary. Overall, I am quite happy with the Talman, even though I had to put in some extra work to get it the way I like my guitars. It is a steal at the price if you have the skills and are willing to play with the setup.Stratbuilder
10. Godin Multiac Nylon Encore Guitar Natural
Product Details:
The godin multiac nylon encore acoustic-electric guitar brings multiac quality to a new price point for nylon string players. it features a two chambered silver leaf maple body with poplar wings and a solid cedar top that produce a warm and vibrant tone. the neck is wide enough for classical players yet slim and comfortable for electric guitarists as well. the multiac encore's electronics are custom voiced, combining a sound imaging mic with 4 individual mic settings and an undersaddle transducer. a dual source pre-amp with volume, eq, feedback control, and blend permits an infinite range of acoustic nylon tones. godin continues to innovate in their much-appreciated multiac line. with the multiac nylon encore guitar, they've created a value-packed, stage-ready instrument that will appeal to all performing guitarists seeking new inspiration and sonic territories to explore.. includes a gig bag. body type: chambered. body wood: silver leaf maple with poplar wings. top wood: solid cedar. scale length: 25 1/2". neck joint: bolt-on. neck wood: mahogany. fretboard: indian rosewood. neck shape: soft c. no. of frets: 22. nut width: 1 7/8". fretboard radius: 16". bridge: indian rosewood. pickups: soundboard and bridge undersaddle pickup. controls: custom godin preamp. tuners: godin. finish: semi gloss. includes godin gig bag.
Specifications:
| Product Dimensions | 44 x 16.5 x 5.75 inches |
| Is Discontinued By Manufacturer | No |
| Back Material | Maple |
| Color Name | Natural |
| Fretboard Material | Rosewood |
| Guitar Pickup Configuration | Piezoelectric |
| Scale Length | 25.5 |
| String Gauge | Hard Tension |
| String Material | Nylon |
| Top Material | Cedar |
| Neck Material Type | Mahogany |
| Number of Strings | 6 |
| Guitar Bridge System | Fixed |
| Fretboard Material Type | Rosewood |
| String Material Type | Nylon |
| Hand Orientation | Right |
Reviews:
OK, I got mine 5 or 6 years ago, because my arthritis was making steel string acoustics too difficult. The slightly wider neck and nylon strings have extended my career. I use it two ways, first, it's great for solo work, fingerstyle. I also play it with a pick, for jazzy and Willie Nelson country style. There's little feedback at normal volume, and it has a great tone. Just played out with it, and got many compliments on the sound.TGB
The picture on the AMS website doesn’t do the guitar justice, as it’s much more beautiful than that! The tuners are typical Godin proprietary, as they look good, and are smooth and stable in operation. I play with many alternative tunings, and am very happy with their smooth use. When running straight through my Roland Jazz Chorus 40, I can get any sound I expect from it. Hopefully, I’ll be able to get a GR-55 soon to experiment with all the synth sounds! With the exception of the heavy total weight, this guitar is perfect for my use.John K.
I've been Jonesin' for a nylon string guitar to add to my arsenal. I tried several, but the thing that I kept coming back to was the intonation issues inherent in a traditional design. So, I started looking for a nylon string that had different compensation on the saddle pieces. I came across this Godin, and since I already have two 13-pin synth access guitars, this seemed like a perfect match. When it arrived, I was surprised to find that it's actually a solid body guitar with some chambering. I mean, I knew it was a slim body, but I thought it was a slim hollow body. In retrospect, this has some advantages and some disadvantages… First of all, this is NOT the guitar that you're going to grab to sit around the campfire with your friends. It's as loud as a normal electric guitar that's not plugged in. The advantage, of course, is that you can jack this up as loud as you please in performance without worrying about body howl type feedback.Doug
11. Cordoba Gk Studio Negra Acoustic-Electric Guitar
Product Details:
Built with a solid european spruce top, rosewood back and sides, soft cutaway and fishman presys blend preamp, the gk studio negra is the ultimate gigging instrument and a córdoba best-seller. made for the stage, the gk studio negra is constructed with a slightly thinner body depth, neck and nut width than a traditional spanish guitar. the neck is designed to have little or no relief, offering low action for ease of comfort and quick playability. flamenco players choose this model for a bassier and more robust tone in contrast to the bright, snappy sound of ‘blanca’ flamenco guitars. however, any guitarist looking for a new tone will feel right at home. like every córdoba guitar, this model has a two-way truss rod built into the neck. other premium features include a high gloss finish, clear flamenco-style tap plate, and savarez strings. case sold separately.
Specifications:
| Build | Flamenco |
| Construction | Solid Top |
| Body Top | Solid European Spruce |
| Top Bracing Pattern | Fan |
| Soundhole Diameter | 84mm (3 1/3") |
| Rosette | All Wood Traditional |
| Top Purfling Inlay | 3-ply Maple and Black |
| Top Binding | Maple |
| Back and Sides Wood | Rosewood |
| Neck Material | Mahogany |
| Scale Length | 648mm (25 1/2") |
| Neck Shape | C Shape |
| Nut Width | 50mm (2") |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Rosewood |
| Frets Total | 19 |
| Finish | Gloss Polyurethane |
| Bridge Material | Rosewood |
| Saddle Material | Bone |
| Nut Material | Bone |
| Tuning Machines | Cordoba Gold and Black with Black Buttons |
| Tap Plate | Yes |
| Electronics | Fishman Presys Blend |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Included Case | Case Sold Separately |
| Upper Bout Width | 286mm (11 1/4") |
| Lower Bout Width | 368mm (14 1/2") |
| Body Depth Upper Bout | 85mm (3 1/3") |
| Body Depth Lower Bout | 90mm (3 1/2") |
| Body Length | 489mm (19 1/4") |
| Overall Length | 984mm (38 3/4") |
Reviews:
The Córdoba GK Studio Negra is a rare gem among acoustic classical guitars. Once you hold it and hear the incredible tones it offers your ears, you not want to put it down. Pure ear candy that plays like soft golden butter as you easily slide your fingers on the fretboard and bend the strings. After playing many other acoustic and classical guitars over the years as a professional musician, the GK Studio Negra was ‘the one’ I’d been searching for. It just feels good and the woods are so well balanced not only in tones but beautifully designed. It’s truly a work of art and has much character. The value is unbelievable for what you get because this remarkable guitar plays and has the appearance of one three times it’s cost. There’s no other way to say it except that you will fall in love with it. I did. For classical, jazz, folk or blues it’s a wonderful companion on or off the stage plugged in or not. With dynamic rich low end and gorgeous sustain, you will be inspired to play this versatile guitar for many years. The Córdoba GK Studio Negra is a graceful friend that you will cherish.KH singer songwriter and produce
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
This guitar is great. I've had no real qualms with it so far, albeit I've only had it since April 1st. I used to play about a decade ago, but life happened and I stopped playing consistently. I bought a Jasmine S34-C about a month back to start up playing again, but it didn't revitalize my love for guitar quite like this one did. I had only played an acoustic before up until I picked up this GK Studio. As soon as I saw it I knew I had to have it. The ebony/gold tuning keys look very refined and the guitars "negra" or black style looks sooooo good. The contrast between the lighter and darker colors does a lot for me. The sound(for me) is just right. Not too soft, but not excessively punchy. I am not someone to perform at gigs as I've only ever played at home, but this guitar definitely has made me want to give it my all and try new things! When things finally get back to 100% here in the states I'll be giving this guitar a shot at a few spots. I've seen a few reviews online that suggest that this is a great gig guitar as well and has a great sound when plugged in so I can't wait to try that out even more so! The only (minor)thing I can think of that I would call a "con" is the Fishman tuner built onto the side of the guitar. I have not had a chance to test out the different options when it is plugged into an amp, but the on-hand guitar tuner setting can be a bit fidgety at times. Its not anything severe as I usually just tune by ear, but I personally only use it for a guide to get back to standard when I'm done messing about with other alt. tunings. I wouldn't say it docks a star from this review, but its just something to look out for if anyone is wondering about it.Ruben S
12. Martin 000-28ec Eric Clapton Acoustic Guitar – Natural
Product Details:
Martin 00028ec eric clapton signature acoustic guitar w/case – based this model on eric clapton’s guitar of choice for his iconic mtv unplugged performance. constructed from east indian rosewood, the visually stunning 000-28ec produces a well-balance tone. guitar of choice for martin ambassador. specifications – model: 000-28ec. construction: mahogany blocks/dovetail neck joint. body size: 000-14 fret. top: solid sitka spruce. rosette: fine herringbone. top bracing pattern: standard "x" scalloped. top braces: solid sitka spruce 5/16". back material: solid east indian rosewood. back purfling: hd zig-zag. side material: solid east indian rosewood. endpiece: grained ivoroid. endpiece inlay: black/white boltaron. binding: grained ivoroid. top inlay style: fine herringbone. side inlay: none. back inlay: black/white boltaron. neck material: select hardwood. neck shape: modified v. nut material: bone. headstock: solid/diamond/squaretaper. headplate: solid east indian rosewood /large old style. heelcap: grained ivoroid. fingerboard material: solid black ebony. scale length: 24.9". number of frets clear: 14. number of frets total: 20. fingerboard width at nut: 1-3/4". fingerboard width at 12th fret: 2-1/4". fingerboard position inlays: diamonds & squares, long pattern. fingerboard binding: none. finish back & sides: polished gloss. finish top: polished gloss w/ vintage toner. finish neck: polished gloss. bridge material: solid black ebony. bridge style: belly. bridge string spacing: 2-1/4". saddle: 16" radius/compensated/bone. tuning machines: nickel open-geared w/ butterbean knobs. recommended strings: martin light phosphor bronze (mec12 ). bridge & end pins: white w/ black dots. pickguard: tortoise color, beveled & polished.
Specifications:
| BODY SIZE | 000-14 Fret |
| CONSTRUCTION | Dovetail Neck Joint |
| BRACING PATTERN | X-Brace |
| SCALE LENGTH | 24.9" |
| BRACE SHAPE | Scalloped |
| TOP MATERIAL | Sitka Spruce |
| NECK SHAPE | Modified V |
| BACK MATERIAL | East Indian Rosewood |
| ELECTRONICS | Optional |
| TOP COLOR | Antique Toner |
| BINDING | Grained Ivoroid |
| TOP INLAY MATERIAL | Fine Herringbone |
| SADDLE RADIUS | 16" |
| BRACE MATERIAL | Sitka Spruce |
| BRACE SIZE | 5/16" |
| BACK INLAY MATERIAL | Multi-Stripe |
Reviews:
I decided to wait until the honeymoon period was over (4 mos) to write a review. I've now come to the realization that it's not going to end. I've been playing for about 50 years, and over the past 10 or so have thoroughly enjoyed splitting time between my Taylor and Washburn. No more! This Martin is easily the most amazing guitar I've ever played. The combination of sound, size, and playability make it very hard to put down. I've been primarily a flat picker all my life, but this guitar begs to be fingerpicked, and I'm happily obliging! Simply put, an outstanding instrument.Jeff
I have been wanting this model for a few years. I knew what I wanted from playing these in stores. I finally bought one from MF. When it arrived I unboxed it and opened the case. Wow these are beautiful guitars. As soon as I started playing I was disappointed. The guitar did not sound like the ones I had played in stores. This on had a muddy small sound. This is not what I expect from spruce and rosewood. Now I am out the shipping cost to return the item. I think I learned a few good lessons here. Always play the guitar you are buying in person. Each and every acoustic guitar has its own sound, no matter how well they are built.dillon
I have been playing guitar for over 40 years and have always loved the sound of Martin guitars. I prefer a "V" shaped neck which is rare these days. I decided to finally purchase a Martin, and decided on this model to get the modified "V" neck. The action and feel are outstanding, and the sound is everything I would expect from Martin. The details and finish are exceptional. I have several guitars, and this one just became my go to acoustic.Mike
13. Cordoba Gk Studio Limited Acoustic-Electric Guitar
Product Details:
The gk studio limited offers a new spin on cordoba’s ultimate gigging instrument. based on the success of its sister models, the gk studio limited features a solid european spruce top and striking ziricote back and sides. accented with olive green and gray highlights, ziricote provides a rich, smooth sound that fills a room. this nylon string guitar comes equipped with a soft cutaway and fishman presys blend pickup. the gk studio limited is a flamenco guitar made for the stage, constructed with a slightly thinner body depth, neck, and nut width than a traditional spanish guitar. the neck is designed to have little or no relief, offering low action for ease of comfort and quick playability. for flamenco players, this model offers a bassier and more robust tone in contrast to the bright, snappy sound of ‘blanca’ flamenco guitars, but any guitarist looking for a new tone to add to the repertoire will feel right at home with the gk studio limited. with its comfortable body shape and unique tonewood combination, this model is the perfect choice for exploring the nuances in sound that can only be captured with nylon strings. like every cordoba guitar, this model also has a two-way truss rod built into the neck. other premium features include a rosewood fingerboard and bridge, high gloss finish, clear flamenco-style tap plate, and savarez cristal corum strings.
Specifications:
| Top Wood | Solid European Spruce |
| Style | Flamenco |
| Construction | Solid Top |
| Electronics | Fishman Presys Blend |
| Body Top | Solid European Spruce |
| Upper Bout Width | 286mm (11 1/4") |
| Lower Bout Width | 368mm (14 1/2") |
| Body Depth Upper Bout | 85mm (3 1/3") |
| Body Depth Lower Bout | 90mm (3 1/2") |
| Body Length | 489mm (19 1/4") |
| Overall Length | 984mm (38 3/4") |
| Soundhole Diameter | 84mm (3 1/3") |
| Top Bracing Pattern | Fan |
| Back and Sides Wood | Ziricote |
| Top Binding | Rosewood |
| Rosette | All Wood Traditional |
| Top Purfling Inlay | Maple and Black |
| Bridge Material | Rosewood |
| Saddle Material | Bone |
| Scale Length | 650mm (25 1/2") |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Nut Width | 50mm (2") |
| Nut Material | Bone |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Frets Total | 19 |
| Tuning Machines | Cordoba Gold and Black with Black Buttons |
| Neck Shape | C Shape |
| Finish | Gloss Polyurethane |
| Tap Plate | Yes |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Included Case | Cordoba Deluxe Gig Bag |
| Limited Edition | Yes |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
14. Fender Custom Shop Eric Clapton Signature Stratocaster – Mercedes Blue Guitar
Product Details:
Built to clapton’s specs, the custom shop eric clapton signature stratocaster guitar features an alder body, special soft v-shaped maple neck, three vintage noiseless pickups, blocked tremolo and clapton’s signature on the headstock.tweed hardshell case, certificate and custom shop leather guitar strap included.
Specifications:
Reviews:
Overall: This is my second review. I’ve owned three Clapton Stratocasters. I’ve been gigging quite a bit with them. I play classic rock, country, some heavier stuff GNR and stuff like that. I tried to use this guitar for these extensive cover bands. I’ve done maybe 50 shows with the Clapton Stratocaster. I’ve learned a few important things. Here’s some pros and cons: The mid boost really pushes an amp. I mean it pushes. This guitar comes in hotter than my Gibson Les Paul classic and my 2016 standard. You need almost no gain to get break up with this guitar. This is very important to know if you are considering this guitar. The mid boost is always active even when turned down, so the guitar is really hot. That being said, the mid boost compliments certain drives and distortions amazingly well. I’d have to say that’s my favorite thing about the guitar. The mid boost makes most gain channels sound really amazing. I was so hooked on this guitars overdriven sound that I initially bought 3 of these guitars and dropped all my old gear. You could almost use it for Van Halen type sounds. Just be careful because it will push it until it gets muddy depending on your rig. Here’s some real important cons:The mid boost is 25 decibels. That’s a lot. I find that if I have it all the way up the rhythm sounds awesome , but then I cant go any higher in volume for leads without a boost and then you’re getting way too much break up. Of course you call roll off the mid boost for your rhythm but that causes so many inconsistencies in your volume during a show that it gets cumbersome. I mean you cant tell if your knob is at 3, 5 or 7 when on stage in the lights and All that. On top of that, if you don’t roll that mid boost down before you go back to your clean channel, you better watch out because you’ll blast everyone with so much volume it ain’t funny. You can’t get a good clean sound without turning the mid boost down. Basically you have to think that Clapton does not use pedals or clean/ dirty channels. He is using a dimed amp and just this mid boost knob. For most of us pedal users and channel switchers this doesn’t really fit our needs. Be aware ! Here’s my biggest complaint:The volume pot on two of my three Strats went to complete crap within the first 6 months. I mean the volume pot is junk. Do not overturn it or even try to use use it. It will start popping and cracking and no amount of cleaning will fix it. Trust me this is a serious issue that has seriously made me not want to play this guitar anymore. Again if you watch Clapton you’ll see that he doesn’t really use the volume knob so he probably doesn’t notice. The high strings above the 12th fret area can’t be bent very much without fretting out. Especially the first string. If you watch current Clapton live enough just look when he bends really high, you’ll see that it won’t sustain. This is probably due to vintage small fret wire combined with the radius. Similarly the high E string is likely to break if bent to a full bend. On top of that, the high E string is so close to the edge it slips off the neck a lot , and you’ll find your self pushing the saddle in as far as you can. Seriously the high E string is almost useless on this guitar.
Sound: I can get any sound I want just through the pickup selector, tbx and midrange boost controls, and the master volume takes it over the edge for extra crunch. Playing by myself I preferred the middle pickup, but in a band situation the neck pup cuts through brilliantly with lovely clean treble twang. This is a great guitar for biting blues or rock tones, or dial it back for a nice soft clean tone. I mostly play through a Blackstar TVP 60 or Marshall DSL40, but I keep both mostly clean where it's just starting to break up, which I can control by my attack. Features: The best feature for me is the playability of the neck. The satin finish combined with the low vintage frets is just super smooth. I played about a dozen different Strat models before finding the EC, and once I played it there was no other choice to make. The noiseless vintages pups are a breeze, and the controls do everything Fender claims. Ease of Use: The EC just fell to hand for me immediately, like no other guitar I'd played before or since. 'Nuff said. The pups allow me to keep tight control on feedback only when I want it. Quality: This is a pure quality instrument, and I love everything about it. Having said that, after 2 years there's quite a bit of fret wear from bending, so I'll need to refret with stainless steel wire for longer wear. The volume pot has started to get a bit dirty and noisy, so it needs a clean, even though I've only played in clean environments. Value: Worth it's weight in gold. I have not played another guitar that makes me want to buy it. Manufacturer Support: Haven't need manufacturer support, but in Australia I have Fender-registered luthiers. The Wow Factor: This is EC's guitar, as close as I'll ever get, which is a big selling point. But sheer playability, quality, and value for money, plus pride of ownership, make it simply the best. Overall: Just a fabulous, playable guitar, the best I've ever played.Peter
Arrived in great shape. So far, I love this guitar, and despite all the videos I watched and reviews I'd read, I was still amazed at the sheer number of tones you can get out of it. With the mid and treble boosts, you can really go from "typical strat" tones to get incredible sustain and hit the front of the amp quite hard to get good breakup.Pros:- American Strat quality, fit and finish is good, rolled fret board, etc.- The electronics – endless variety of tones. Not great for modern metal or hard rock, but anything else will work.Cons:- This would be a hard guitar to work into a live venue if you play with other guitars as well. It is LOUD, so much louder than my Les Paul or anything else I own that I have to play with the levels and EQ on the amp. In my house, no big deal. At a gig, that may be tough. That said, I don't own other guitars with active electronics, so maybe other active pickups are also this much louder?- Requires you to unscrew the back plate to change the battery. I'm sure this keeps costs down, but on my active basses it's a lot easier to open the battery compartment without screws. Make sure you have a full battery before a gig.- I was surprised at the amount of set-up I had to do to get rid of fret buzz. Given the amount of distance in shipping, time in warehouses, temperature/humidity differences, etc. my guess is that it was probably fine when it left the factory, but it's the first guitar I've bought online that had so many strings/frets buzzing. Luckily a couple turns on the saddle screws fixed it all without appreciably raising action.Neither good nor bad: – The neck profile is unique to the Clapton. It feels like "a more playable vintage profile" to me. It's definitely not a modern profile. You'll either like it or you won't 🙂 I found it really easy to adjust to, and it seems to work great for "thumb over"- The bridge is similarly vintage, and comes blocked. If you really want the newer Fender bridge, you are out of luck. Given my set-up experience (above), I'm not convinced I could just "remove the block" and have it playable without additional set-up.- Tweed case looks amazing, but is not form fitting like the new TSA case that comes with other American Fenders. I wanted a tweed case, and I don't fly with my guitar, so not a big deal to me.Overall I feel like I made the right choice in buying a Strat, and I can't put it down. If your goal is to make Clapton sounds (or any other great Blues/Rock sounds) – this is a fantastic guitar.Metal Head
15. Gretsch Electromatic G5222 Double Jet Bt Ocean Turquoise W/v-Stoptail
Product Details:
Specifications double-cut chambered mahogany body with arched maple top lower set mahogany neck for effortless access and performance 12”-radius laurel fingerboard with 22 medium jumbo frets and pearloid neo-classic inlays black top broad’tron pickups master volume with treble bleed circuit, master tone, bridge pickup volume control, neck pickup volume control and three-position toggle switch anchored adjusto-matic bridge v-stoptail black pickguard chrome hardware true jet essence with broad'tron might the all-new g5222 electromatic double jet bt v-stoptail delivers broad'tron power with classic jet clarity. chambered mahogany bodies at the heart of each electromatic jet bt is a chambered mahogany body with maple top that produces a rich, present mid-range that accentuates big lows and shimmering highs. all-new black top broad'tron pickups a pair of black top broad'tron pickups drive the chambered mahogany body with maple top through thick, aggressive overdrive while maintaining astounding definition and note balance suitable for the most pristine clean tone. versatile controls the electromatic jet bt is equipped with essential features that give you complete tonal control. the combination of individual pickup volume controls, master tone and master volume with treble bleed circuit provides intuitive global control over your pickup and tone settings.
Specifications:
| Body Finish | Gloss |
| Bracing | Chambered |
| Neck | Mahogany, Thin “U” |
| Neck Finish | Gloss |
| Fingerboard | Laurel, 12” (305 mm) |
| Position Inlays | Pearloid Neo-Classic Thumbnail |
| Side Dots | Black |
| Nut (Material/Width) | Synthetic Bone, 1.685” (42.8 mm) |
| Tuning Machines | Die-Cast |
| Bridge | Anchored Adjusto-Matic |
| Tailpiece | V-Stoptail |
| Pickups | Black Top Broad'Tron (Bridge & Neck) |
| Control Knobs | G-Arrow |
| Hardware Color | Chrome |
| Strings | Nickel Plated Steel (.010-.046 Gauges) |
| Finish | Aged Natural |
| Year | 2020 – 2022 |
| Made In | China |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Features | Matching Headstock |
| Finish Style | Gloss |
| Fretboard Material | Laurel |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.685" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Top Material | Maple |
| Wood Top Style | Opaque |
Reviews:
I've had my London Grey G5222 for a few months now, and I like it as much as the day I bought it. The pickups are the star here, great tone, covering many musical bases. The guitar itself arrived without a flaw and only needed mild tweaking to get it where I wanted. I'm playing everything from classic Sabbath to Tool on this guitar, and it never sounds forced. The neck is wide, without being overly thick. Those complaining about flaws should remember that there are websites out there that will actually inspect your guitar before shipping it. Unfortunately, G.C. isn't one of them. Just saying…. For the price, you can not beat the overall playability and tone of this guitar. It's fantastic.Patooey G
I was disappointed in the quality of the guitar I received. The master tone knob is viably slanted and does not turn freely. It stops just before half way and requires force to turn more. I am also getting some crackles from the wiring. The guitar shipped with very low action. Fretting out and buzz is more than hoped for even before a set up. The guitar does sound good. I would not replace the pickups. The neck has a good profile. I was concerned that it would be to thin, but it is full enough and feels comfortable. After the problem with the bad knob I got an RMA to return the guitar. After plugging in the guitar I may keep it. I like the sound. But if I keep it, It might need rewiring. Also the knob may not be easily correctable. It is positioned right where to top curves. So if everything worked on this guitar it would be a lot of guitar for the money. The other point is the guitar has small thin frets. Problem with sending the guitar back is high shipping rates for an oversize package.I don't like the idea of having to pay to send a defective item back.Unlucy
This guitar is beautiful. The tone is outstanding. I purchased this *brand new* through the Guitar Center App and had it shipped directly to my house. When it arrived, it was not in the original box, but was in an acoustic guitar box. When I opened the box, it was really evident that the guitar was not brand new, but a heavily played floor model, which was disappointing. The set up was pretty bad. The strings would fret out at the fifth fret, and the bridge pickup was so high it was almost touching the strings. The cover plate on the back of the guitar was warped and pulling away from the guitar, and one of the tone control knobs was really loose. I Adjusted the truss rod, raised the action, and leveled out the pickups, and now it plays like a dream. Guitar Center has already agreed to repair the backplate and knobs, but not sure I would have had the same luck without the warranty (always buy the warranty. It's an outstanding price).Nic, S.
16. Yamaha Slg200n Nylon String Silent Guitar (Tobacco Sunburst)
Product Details:
Inspired by traditional classical guitar design, the slg200n features a slim neck, thin body, and low action that lets players adopt a more aggressive style, allowing even those players who wouldn't normally choose to perform with a classical guitar to play it with ease. srt powered is a new system designed to recreate the body resonance of an acoustic guitar in a bodiless guitar. yamaha developed srt powered, collaborating with recording artists to create a system tailored to the unique properties of the slg body and modelled after the tones of a high-end yamaha acoustic guitar captured using a carefully selected microphone in a professional recording studio environment. by actually reproducing the sound of an acoustic guitarright down to its natural sustain and decay guitarists can experience the genuine body resonance, body tone and ambience of an acoustic guitar. srt powered sound can even be mixed with the sound from the instrument's piezo pickups. the slg can virtually reproduce the sound of a guitar recorded with a microphone. features: hybrid nylon-string guitar with yamaha pickup and preamp system authentic plugged-in sound by srt powered natural acoustic guitar feel detachable design breaks the guitar down for easy travel minimalist solidbody engineering avoids feedback headphone input for silent playing and listening aux input allows you to play along with your music onboard tuner gig bag included variety of functions which make players enjoy without becoming bored scale length: 650mm (25 9/16")
Specifications:
| Body type | Unique |
| Cutaway | Single cutaway |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | Slim |
| Nut width | 1.9" (50 mm) |
| Fingerboard | Rosewood |
| Neck wood | Mahogany |
| Scale length | 25.6" |
| Number of frets | 20 |
| Neck finish | Satin |
| Pickup/preamp | Yes |
| Configuration | Piezo and mic |
| Preamp EQ | 4-band |
| Feedback filter | No |
| Tuner | Yes |
| Tuning machines | RM1188NB-18 |
| Bridge | Rosewood |
| Number of strings | 6-string |
| Country of origin | China |
Reviews:
Bought this mainly as a travel guitar. My go too guitars are a Taylor 12en and a Córdoba orchestra CE nylons along with a selection of steel stringed instruments. Compared to all those guitars the Yamaha is a disappointment and it serves me right for buying a guitar on line I'd never played. The action is high, even for a nylon, and makes playing tiring. Try to lower the action and there is buzz from the D string. The sound, either through quality headphones or an acoustasonic amplifier is really "synthetic". It is difficult to really pick out the ring of individual strings when playing relatively fast. So it doesn't help much during practice – the sound is just too "blurred". The much talked about STR electronics are not very useful in improving the sound. I'm debating taking it back to guitar center and trading it in. But it has its uses when I need to be quiet like in a hotel while traveling. But that's all it will be used for, because I never enjoy the sound it makes compared to a real nylon acoustic. It's really expensive too, worth $300 at best.Graeme A
I've played classical guitar for 40 yrs and fingerstyle jazz/blues for 25 yrs. Most of the guitars in my collection are expensive collector's instruments: Taylors, Gibsons, and a handmade classical guitar by the Spanish Luthier Ricardo Sanchis, to name a few. While I don't play publicly much anymore, I have performed classical guitar in concert. I'm no pro, by any means, but a good Saturday still includes at least 4 hours of playing. As for the SLG200NW, I am ALWAYS amazed at how great this guitar sounds. I run it through a Fishman Aura (get one), and the sound is nothing short of SPECTACULAR. When run through a good pre-amp (or imaging), it sounds like a VERY expensive instrument. This guitar is super responsive to touch, producing both delicate nuance and big sound without a hint of string buzz or hiss. Most remarkable for me is how playable it is. The fingerboard, action, and frets gives me the feeling of "glide" that I do not get with any other guitar. The machine heads are also very responsive, and the guitar stays perfectly in tune. Clearly one of the most obvious benefits (aside from the above) is the ability to play silently without disturbing anyone nearby. This is ESPECIALLY helpful when practicing scales or repeating passages hundreds of times; we all know how irritating this is to others. Slip on headphones and get lost, undisturbed and without disturbing others. This aspect (even without great sound) would've been enough for me. For true classical purists, get the wide neck. The feel is exactly like a good classical guitar. The version with the smaller neck is just too cramped for classical playing. Again I suggest using it with a good pre-amp. It's worth it. Final note on Yamaha classical guitars: Many years ago, I was in a master class at the Royal Academy of Music in Madrid. I had Yamaha classical (my first guitar). EVERYONE else had a Ramirez. My teacher, a pupil of Segovia, heard my Yamaha and could NOT believe his ears!Indigo
Two design flaws: The strap buttons screw in and out to attach the top of the "body." They loosen over time as the strap moves making it easy for them to fall out and the guitar to fall on the floor. Also the upper part of the "body" is very "sharp" and digs into my forearm much more than any other guitar leaving a lot of red creases. Aside from these flaws the quality is good but I just don't enjoy playing it possibly due to the action or the lack of tone/authentic feel. I also dislike it when I see people perform with this guitar. People should play real guitars in performance IMO.Christopher
17. Yamaha Slg200n Nylon String Silent Guitar (Black)
Product Details:
The yamaha slg200n silent acoustic-electric guitar is the perfect choice for quiet practice. with the guitar s sound running through headphones, you can play and experience the realistic sounds of an acoustic nylon-stringed instrument. the yamaha silent guitar features a lightweight mahogany body, with a detachable upper frame for portability. the neck is constructed from mahogany, and features a rosewood fingerboard. the silent guitar acoustically produces only 1 1/10th the amount of sound volume; which makes the slg200n great for playing anytime or anywhere.
Specifications:
| Body type | Unique |
| Cutaway | Single cutaway |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | Slim |
| Nut width | 1.9" (50 mm) |
| Fingerboard | Rosewood |
| Neck wood | Mahogany |
| Scale length | 25.6" |
| Number of frets | 20 |
| Neck finish | Satin |
| Pickup/preamp | Yes |
| Configuration | Piezo and mic |
| Preamp EQ | 4-band |
| Feedback filter | No |
| Tuner | Yes |
| Tuning machines | RM1188NB-18 |
| Bridge | Rosewood |
| Number of strings | 6-string |
| Country of origin | China |
Reviews:
Bought this mainly as a travel guitar. My go too guitars are a Taylor 12en and a Córdoba orchestra CE nylons along with a selection of steel stringed instruments. Compared to all those guitars the Yamaha is a disappointment and it serves me right for buying a guitar on line I'd never played. The action is high, even for a nylon, and makes playing tiring. Try to lower the action and there is buzz from the D string. The sound, either through quality headphones or an acoustasonic amplifier is really "synthetic". It is difficult to really pick out the ring of individual strings when playing relatively fast. So it doesn't help much during practice – the sound is just too "blurred". The much talked about STR electronics are not very useful in improving the sound. I'm debating taking it back to guitar center and trading it in. But it has its uses when I need to be quiet like in a hotel while traveling. But that's all it will be used for, because I never enjoy the sound it makes compared to a real nylon acoustic. It's really expensive too, worth $300 at best.Graeme A
I've played classical guitar for 40 yrs and fingerstyle jazz/blues for 25 yrs. Most of the guitars in my collection are expensive collector's instruments: Taylors, Gibsons, and a handmade classical guitar by the Spanish Luthier Ricardo Sanchis, to name a few. While I don't play publicly much anymore, I have performed classical guitar in concert. I'm no pro, by any means, but a good Saturday still includes at least 4 hours of playing. As for the SLG200NW, I am ALWAYS amazed at how great this guitar sounds. I run it through a Fishman Aura (get one), and the sound is nothing short of SPECTACULAR. When run through a good pre-amp (or imaging), it sounds like a VERY expensive instrument. This guitar is super responsive to touch, producing both delicate nuance and big sound without a hint of string buzz or hiss. Most remarkable for me is how playable it is. The fingerboard, action, and frets gives me the feeling of "glide" that I do not get with any other guitar. The machine heads are also very responsive, and the guitar stays perfectly in tune. Clearly one of the most obvious benefits (aside from the above) is the ability to play silently without disturbing anyone nearby. This is ESPECIALLY helpful when practicing scales or repeating passages hundreds of times; we all know how irritating this is to others. Slip on headphones and get lost, undisturbed and without disturbing others. This aspect (even without great sound) would've been enough for me. For true classical purists, get the wide neck. The feel is exactly like a good classical guitar. The version with the smaller neck is just too cramped for classical playing. Again I suggest using it with a good pre-amp. It's worth it. Final note on Yamaha classical guitars: Many years ago, I was in a master class at the Royal Academy of Music in Madrid. I had Yamaha classical (my first guitar). EVERYONE else had a Ramirez. My teacher, a pupil of Segovia, heard my Yamaha and could NOT believe his ears!Indigo
Two design flaws: The strap buttons screw in and out to attach the top of the "body." They loosen over time as the strap moves making it easy for them to fall out and the guitar to fall on the floor. Also the upper part of the "body" is very "sharp" and digs into my forearm much more than any other guitar leaving a lot of red creases. Aside from these flaws the quality is good but I just don't enjoy playing it possibly due to the action or the lack of tone/authentic feel. I also dislike it when I see people perform with this guitar. People should play real guitars in performance IMO.Christopher
18. Cordoba Iberia C5cet Thinbody Classical Acoustic Electric Guitar, Cutaway, Natural
Product Details:
The c5-ce features a solid canadian cedar top and mahogany back and sides. the construction is based upon the traditional spanish classical guitar with the exception of a soft cutaway and a slightly thinner neck than a full-sized classical guitar. the fishman isys+ 2-band pickup system produces a rich and natural sound when amplified, perfect for gigging and recording. solid canadian cedar top. mahogany back & sides. indian rosewood binding / indian rosewood bridge. maple & ebony top, maple back & sides, purfling and inlay. all natural inlaid wood mosaic rosette. high gloss finish. mahogany neck, rosewood fingerboard. truss rod 650mm (25.6") scale length50mm (1.96") nut width. mother of pearl fret marker inlays. bone nut/saddle12 frets to body, 19 total. spanish fan bracing. cordoba gold tuning machines. savarez cristal corum in high tension 500cj strings. fishman isys+ with on board tuner.
Specifications:
| Body Top | Solid Western Red Cedar |
| Upper Bout Width | 292mm (11 1/2") |
| Lower Bout Width | 371mm (14 5/8") |
| Body Depth Upper Bout | 95mm (3 3/4") |
| Body Depth Lower Bout | 100mm (4") |
| Body Length | 489mm (19 1/4") |
| Overall Length | 984mm (38 3/4") |
| Soundhole Diameter | 84mm (3 1/3") |
| Top Bracing Pattern | Fan |
| Back and Sides Wood | Mahogany |
| Top Binding | Composite |
| Rosette | All Wood Traditional |
| Saddle Material | Bone |
| Scale Length | 650mm (25 1/2") |
| Neck Material | Mahogany |
| Nut Width | 50mm (2") |
| Nut Material | Bone |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Frets Total | 19 |
| Tuning Machines | Cordoba Gold with Pearl Buttons |
| Neck Shape | C Shape |
| Finish | Gloss Polyurethane |
| Electronics | Fishman Isys+ |
| Tap Plate | No |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Dimensions (WxHxD) | No |
Reviews:
This guitar seems to be well built and has a nice deep sound. I’ve only had it for about 30 days, but I play it frequently for hours each time. I am excited everyday to play it during my breaks or when I am at home. The tuner is convenient, the controls are clear and the glossy finish is attractive. I took the guitar to GC for a truss rod adjustment which lowered the action. Frets and fingerboard are all up to par. Not much else to say. This is a good mid-level beginner’s guitar. Guitar is the third instrument that I am learning, after piano and drums. I look forward to playing this guitar during my breaks, at work, and when I come home. Most cordoba acoustic electric models are smaller than the standard 2 inch nut width. I teach music at a school who has the non-electric version, so it took a bit of time getting used to this. Overall, I am pleased with my purchase. I know that I can grow into this guitar, and if necessary I can “upgrade” if I become really good and dedicated. But in the meantime, I am content with enjoying the journey.Brian
I have had this guitar over 5 years. The Suarez high tension strings give it a clean sound. Warm bass string and higher treble strings. The guitar looks great and holds sound longer then some of the guitars I own in this price range. Plan to stick with Cordoba is I ever upgrade. Also enjoy the cutout and pickup. After you change your strings it does take 1-2 days before your strings tighten and settle. This is due to the high tension.Eloy
I purchased this guitar about 3 weeks ago and wanted to wait to give a review until after I'd played it for a while… turns out my first impressions were really accurate — this is an excellent guitar! The C4-CE is well-built, beautiful, and sounds warm and full. The frets are smooth, and overall this guitar seems better-constructed than some more expensive nylon-string models that were available at my local GC. This is my first nylon-string guitar, though I have played acoustics for nearly 20 years. I did a lot of research prior to purchasing the C4-CE, and the sound, quality, and playability are really exceptional for the cost. The solid wood top resonates beautifully and I think the volume is great for nylon strings. I really look forward to owning and playing this guitar for years to come! (Plus, it's beautiful!)Ann V.
19. Kramer Focus Vt-211s Electric Guitar (Teal)
Product Details:
Hone your skills. the kramer focus vt-211s is a well equipped, capable guitar. with three kramer alnico v pickups, including a humbucker in the neck, you'll have access to a wide array of tones which you can experiment with to find your perfect sound. a slim maple neck and maple fretboard make for a comfortable playing experience, letting you play both rhythm and lead with ease. they also add a touch of brightness to your tone, meaning each note you play will 'pop' a little more for added punch. and you can add as much bluesy vibrato as you like using the quality kramer traditional tremolo bridge and whammy bar. perfect for players of all standards, this guitar is sure to bring you total satisfaction.
Specifications:
| Finish | Pewter Grey |
| Year | 2010s |
| Body Shape | S-Style |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Features | Matching Headstock |
| Finish Style | Gloss |
| Fretboard Material | Maple |
| Fretboard Radius | 12" |
| Frets | Medium Jumbo |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Frets | 21 |
| Number of Strings | 6-String |
| Nut Width | 1.685" |
| Offset Body | No |
| Pickup Configuration | HSS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
Reviews:
I went into my local guitar center yesterday and had close to 1k for a new guitar. I'm pulling off fenders and Epiphones off the wall that felt like they needed a lot of work done. I find this thing just chillin in a corner and the very first thing I do to every guitar is run my thumb and pointer finger along the neck to see if there is any sharp frets. It was smooth. Thought buzz would be bad. There was none. Thought tone would suck. Nope. Needless to say I went home with it. It does have a very few flaws. Pickup selector feels weak, tuners are so tight that they cause some sounds when moving them (stays in tune though), and pickups sound weak. What it is for $150 is a step above what Squier and Ibanez throws out in their budget price range. I can't wait to mod this thing. Despite a few flaws I'm giving it 5 stars due to it's price point.Matt
Overall: I wanted a new guitar because I primarily play Les Paul's and wanted something different. I found Kramer guitars and did some research and liked what I found but didn't want to throw a lot of money at a brand I've never played. I have played and owned B.C. Rich, Gibson, Fender, Washburn, Epiphone, and Ibanez guitars in the past and thought I found what I wanted to stick with. My Kramer Focus arrived today in the awesome purple finish. All I did was tune it up and check intonation and it was perfect. Very low action, smooth fast neck, no sharp fret edges even with the maple fretboard and a Michigan winter! The low humidity sometimes makes the frets stick out. The guitar is just awesome, it sounds good in all positions buy the middle and neck pickup are phenomenol, no buzz at all! The bridge pickup is good but I think it could be hotter so I may change that, the tuners aren't perfect but they'll definitely work, after an hour of playing and using the tremolo it holds tune very well. I highly recommend this guitar for any player, and I will definitely be entertaining the idea of purchasing more Kramer guitars from zZounds!Alex
Overall: Better than most up to Classic Vibe. The Humbucker is good. The alnico magnets are bar magnets so they are pulling threw pole pieces similar to ceramic set up. They are warm a sing with a sustain. The tuners are not bad, not top quality either but stay in tune no need to change in my opinion. The most work I did was with the frets. Now here is where the money was saved first. The radius is 12" so the flatness creates a sharp corner. The fret ends are not quite finished and the crowning is a little rough. After dressing the frets and setting the actionation ruby is a great guitar and the humbucker is a true thing of beauty. I've bought pups twice the price of the guitar and this thing still sounds better to my ear.
20. Jackson X Series King V Kvx-Mg7 – Satin Black With Primer Gray Bevels
Product Details:
Jackson style, tone and ultra-fast playability for modern-day guitarists! the jackson x series king v kvx-mg7 has a poplar body, 26.5 inch scale length and through-body maple neck with graphite reinforcement to guard against climate-induced warping and scarf joint for reduced playing fatigue. hosting 24 jumbo frets, the 12-16 inch compound radius bound laurel fingerboard curves more dramatically at the nut for easy chording and flattens out as it approaches the neck joint for low-action bends without fretting out. designed for a more extended sonic palette, this 7-string pointy guitar features active emg 81-7h bridge and emg 85-7h neck humbucking pickups that blend powerful intensity, fluid sustain and muscular growl for blistering leads that slice through even the densest mix. command your sound with three-way pickup blade switching and single volume and tone controls, and bank on rock-solid tuning stability throughout the most of aggressive dive bombs or harmonic squeals with the floyd rose special 7-string double-locking tremolo bridge system. this royal axe is cloaked in satin black with primer gray bevels and has jackson’s distinctive pearloid sharkfin inlays, pointed 7-inline black headstock and black hardware.
Specifications:
| Body Type | Solid Body |
| Body wood | Poplar |
| Body finish | Satin |
| Neck wood | Maple |
| Joint | Neck-through |
| Scale length | 26.5" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | Compound |
| Fret size | Jumbo |
| Number of frets | 24 |
| Inlays | Pearloid shark fin |
| Nut width/material | 1.687"/Locking |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Locking |
| Tuning machines | Sealed |
| Number of strings | 6 String |
| Orientation | Right-handed |
| Country of Origin | Indonesia |
Reviews:
Ottima chitarra 7 corde, considerando anche il prezzo. Ottima liuteria e colore molto bello; peccato per qualche piccola imperfezione della striscia chiara intorno al body. Ponte piuttosto rigido e per questo molto stabile. Suono caldo grazie ai pickup EMG 81 e 85, che sono sempre una garanzia. Ottimo anche l'imballaggio e la spedizione di Music Store.
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