Are you looking for the Play Guitar Through Bass Amp? If so, you’ve come to the right place.
Choosing the Play Guitar Through Bass Amp can be difficult as there are so many considerations, such as Fender, Peavey, Roland, VOX, Ampeg, Blackstar, Laney, Stagg. We have done a lot of research to find the top 20 Play Guitar Through Bass Amp available.
The average cost is $407.99. Sold comparable range in price from a low of $29.99 to a high of $1899.00.
Based on the research we did, we think Ampeg Micro VR Bass Amplifier Head is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Play Guitar Through Bass Amp (20 Sellers)
| Product Image | Product Name | Features | Check Price |
|---|---|---|---|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reviewers Noted:
Lightweight . Easy to use . Good sound quality . Visual appeal . Build quality
Features:
- Preamp: solid state, power amp: mosfet
- Rms power output: 200watts @ 4ohms
- Tone controls: 3-band, mid tone control: ultra mid
$139.99
4.8
Reviewers Noted:
Lightweight . Portable . Good sound quality . Easy to use . Powerful
Features:
- Musician's gear 20-foot 1/4" straight instrument cable.
- Insulated cable with rubber end covers provides full signal integrity and low noise. provides 20 feet of freedom for the budget-minded. 1/4" plugs.
Reviewers Noted:
Powerful . Lightweight . Quality build . Easy to use . Portable
Features:
- 250 watt portable micro bass head amplifier for stage and studio
- Compact and lightweight design for ultimate portability
- Cutting-edge class-d amplifier technology for incredible power and sonic performance
$379.99
4.6
Reviewers Noted:
Lightweight . Good sound quality . Portable . Attractive . Easy to use
Features:
- 200 w rms at 4 ohms
- Transistor preamp
- Mosfet output stage
Reviewers Noted:
Good sound quality . Easy to use . Portable . Power . Build quality
Features:
- Up to 200 watts of power
- 2 premium 8" speakers
- Ddt speaker protection
Features:
- 20 watt amplifier 20w amp with built in speaker, 1/4" instrument input, headphone jack & aux input for playing along to music on phone or mp3 player
- Aux hookup 1/8" headphone out jack connects a phone or mp3 player to play guitar alongside your favorite recorded music
- Sound creativity experiment with various controls and effects on the guitar and amp, helping to expand your musicality
$349.99$279.99
4.7
Reviewers Noted:
Portable . Good sound quality . Lightweight . Easy to use . Build quality
Features:
- 100 watts of power
- 12” custom ferrite speaker for classic acoustic tone
- Tilt-back cabinet design ensure superior monitoring
$49.98
Features:
- ✅ 10 watt rms ( 100watts pmpo) guitar amplifier with drive, volume, treble, bass, aux input controls.
- ✅ guitar amp with 1 x 5 inch speaker unit.
- ✅ the 6.5mm input allows this amp to be used as an electric guitar amp, bass guitar amp, and electro-acoustic guitar amp.
$299.99
4.8
Reviewers Noted:
Lightweight . Portable . Good sound quality . Easy to use . Powerful
Features:
- Mint condition with 6 month alto music warrantyfender rumble 100 v3 combo.
- Top-facing knobs make it easy to see what your settings are.
- Classic fender styling with silver grill cloth and black tolex.
$199.99
4.8
Reviewers Noted:
Lightweight . Portable . Good sound quality . Easy to use . Powerful
Features:
- For bassists everywhere at all levels, rumble bass combos are re-engineered to be astoundingly compact, portable and lightweight, with seismic fender bass tone and stage-worthy features. the stylish rumble 100…
Reviewers Noted:
Lightweight . Portable . Good sound quality . Easy to use . Powerful
Features:
- Power: 40 watts
- Switch outline vintage
- Effects loop (send / return)
Reviewers Noted:
Lightweight . Portable . Good sound quality . Easy to use . Powerful
Features:
- Top-facing knobs make it easy to see what your settings are
- Classic fender styling with silver grill cloth and black tolex
- Lightweight for easy travel
Reviewers Noted:
Lightweight . Easy to use . Good sound quality . Powerful . Quality build
Features:
- Excellent condition stage 800. never left my smoke-free home.
- Barely used, zero issues, everything works great.
- This is also available on the gear page, so this listing may end without notice at any time.
$449.99
4.6
Reviewers Noted:
Good sound quality . Easy to use . Weight . Quality build . Portable
Features:
- Ultimate tonal flexibility from valve grind to high-headroom clean
- Unique response control 3 power amp stages to shape compression and feel
- Drive section 3 overdrives (overdrive / distortion / fuzz) with user-controllable blend
$143.00
4.8
Reviewers Noted:
Powerful . Lightweight . Quality build . Easy to use . Portable
Features:
- 200 watt portable micro bass head amplifier for stage and studio
- Ultra-compact and lightweight design for ultimate portability
- Cutting-edge class-d amplifier technology for incredible power and sonic performance
$1899.00
4.7
Reviewers Noted:
Easy to use . Sound quality . Portable . Build quality . Weight
Features:
- Play completely different amp models rather than just switching channels on stage
- Create your own profiles from your own amps
- Share your own creations
Reviewers Noted:
Sound quality . Portable . Attractive . Lightweight . Easy to use
Features:
- Power: 1 watt
- Headphone output
- Battery operated
$799.99
4.4
Reviewers Noted:
Good sound quality . Quality build . Weight . Easy to use . Attractive
Features:
- 3 distinct tonal timbres and overdrive levels via the gain structure switch
- Aggressive midrange character and crunch via the el 84 power three 12ax7 pre amp tubes
- Recording in any studio is easy as no microphone necessary with the recording-friendly power amp mute, switchable
Reviewers Noted:
Portable . Easy to use . Good sound quality . Build quality
Features:
- Portable guitar amp & bluetooth speaker with powerful, multi-dimensional sound. rechargeable battery delivers up to 8 hrs of listening or play time.
- Free accompanying smart app included (ios or android) with auto chords, video creation & access to 10,000+ tones and more for never-ending inspiration.
- A mini guitar amp that jams along with you: all-new smart jam live uses machine learning technology to build bass and drum backing tracks based on you.
Reviewers Noted:
Easy to use . Powerful . Sound quality . Portability . Build quality
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
1. Ampeg Micro Vr Bass Amplifier Head
Product Details:
Don't be fooled by its diminutive, "cute", appearance. the ampeg micro-vr is a compact powerhouse fully capable of pumping its 200 watts of genuine round sound into myriad live and recording situations. this portable, powerful solid-state head in traditional ampeg drag is a pleasant surprise from the second you lay eyes on it to the moment its indisputable ampeg tone hits your ears. note guitar speaker cabinet not included.
Specifications:
| Weight | 25.9 lb |
Reviews:
Sound: I bought the Ampeg Microvr Head originaly with one Ampeg 2-10" cabinet as a part of matched set, as most people do – about three months a later I bought another cabinet – so now I'm often running two of the same cabinets and the head together. When you plug in the second cabinet the rig gets noticeably louder in this set up, and also appears to have a much more deeper bass tone(if you want it). Adding the second cabinet added $300 to my rig – but if you can afford it, the sound is far superior to just the single cabinet, and gives you a lot of flexiblity. For smaller indoor venues like playing bass behind people with pugged in acoustic guitars, I run the head with just one cabinet and it sounds fine – both tone and volume wise. When I playing along with a drummer most of the time I opt for using two cabinets rather than just one. At higher volumes – like playing with a drummer it just sound stronger and fuller in every respect than by using just the single 2 10" cabinet. I'm either running a recent custom C.F. Martin Acoustic/ Electric Bass guitar, or a Fender Precession Bass, through the rig – depending on who and what I'm playing on music wise. It works excellent with either instrument and I am very happy with the set up. Even with just one cabinet you won't be dissapointed. Features: Happy with everything that it came with feature wise. Didn't like the stock power cord that came with because it was very stiff and hard to wind up – Ampeg should switch vendors and get a power cord supllier that could offer them a more felxible cord of the same quality that you cound wind up easier. Ease of Use: Tone controls are easy to figure out and use. Rear connections on the amp are simple, straight forward and easy to use, and hook things up. I often use a Martin acoustic bass guitar with this rig – so I use a Fishman DI preamp in between my bass and the amp – this being done basically to help control feedback at higher volumes (especially when playing out door gigs) and to fine tune the tone on the acoustic bass a bit more. My Fender bass sounds fine with out the Fishman preamp and the controls on the amp head work well with it – giving you many mutiple tone combinations depending on how you set them. Also my Fender fretless bass sounds really good through the amp and the matched speaker that you will most likely buy with the head. Quality: Quality seems very high. After about two years of owning and active giging – it is holding up extremely well. Over the last year or so I have taken it out on local gigs about twice a week, So it's been out of my house more than a hundred times so far, and there haven't been any issues so far – all this in all kinds of weather and temperatures. I had black vinyl covers made for the head (from a custom amp cover innernet company)and for both speaker cabinets as soon as I bought everything – so even aften trucking the units all over the place for quite awhile now they still all look fresh and brand new. The power cord that came with it was very stiff and always hard to roll up – so I bought an after market cord on a website cord supplier that was more flexible and easier to wind up. I've used the after market power cord every since. The head has a fan in the back that runs whever the unit is powered up, that when you first get the amp drives you crazy – because it appears to sound so loud. Truth is though while you may hear it running in your house when practing – you never do at gigs. At any gig the room and enviroment background noise easily drown it out right away – you just never hear the fan running at all. When I first got it I though something was wrong with the fan – there wasn't. Its an Ampeg thing – that is the low fan noise in a quiet background setting. Keeps everything cool inside the head – so you can certainly live with it. I got used to it after awhile and don't even notice it anymore. No one has ever commented to me anywhere about any fan noise coming from my amp. So don't think something is wrong with the fan when you first get the head. Value: The original outlay (about $600 for the head and one matching cabinet) is a bit steep compared to several other small bass amps on the market out there – but you get what you pay for I guess. Due to the price saddly – alot of bass players might not be able to buy one and will go with something cheaper out there. Before buying this I looked around for about two months at other rigs on the innernet, at music stores, and at othet musicians' bass rigs when watching them perform. This unit was replacing a Hartke Kickback 12 – which I used for about three years for the same type of smaller gigs – which is for more low volume type of dealsthat I play at – where you don't have to worry about shaking the room and making the paint peel of the walls when you hit your low E string on something like Springsteen's "Pink Cadillac". I still feel that I made the correct choice and am happy with the head and the speakers matched for th
Sound: I own the Microvr amp and 2 210svtav cabs. I bought the second cab after I got the Mircovr set up. The sound sound you get from this things for the money blows anything else out their out of the water. To get the rated 200watts performance you need a 2nd cab as the load with one cab is 8 ohms at 150 watts. Light weight portability and small footprint size are a plus especially if your space chanllenged. This thing rocks. Features: This is a no frills set up. Has what you need to have great sound with a headphone jack to play practice in a low noise enviroment. Ease of Use: It has a 3 band eq section that you can dial in easy to find a sound you like. Its no svtpro 7 but for the money you will not find a better amp in its class. Quality: This amp is made solid. Mimics the old school look of the 70s svt lineup. Value: With anything you purchase you wish you could get it for less thats just the way it is. But for the money you will not find a better sounding and well made rig in this class. The Microvr and 210 svtvr cab set up is da bomb. If you want portability light weight and the best sound get this AMPEG. Manufacturer Support: I have had no issues with this amp. I have owned it for about 2 years now and play on it alot. Its an AMPEG. The Wow Factor: This thing looks great sounds great and its and AMPEG. Overall: I will always have this amp. Its perfect for travel to other locations and has enough head room for small venues and recording situations and the sound is truely amazing.
Sound: For the money you can't beat the tone this thing has. Features: Not a lot of frills. What is there is great tone and eq abilities. Ease of Use: Plug and play. Quality: Have been exceptionally happy with all my ampeg products. Value: Low cost of the combination of the amp and 210 cab leaves you wondering how you can pay $600 for what you usually pay $2000 to sound like. Manufacturer Support: Loud Technology experience has been fine as I have only needed a few parts and was treated well. The Wow Factor: I am buying another extension cab because I can leave one at practice and one at the recording studio and just carry the amp back and forth. If I wish I can run them both with the amp. Overall: Best Tone for the $
2. Fender Rumble 25w 1×8 Bass Combo Amp And 20' Instrument Cable
Product Details:
The new fender rumble 1×8" 25w bass combo is an ideal choice for practice or studio play, with its great tone, small size and easy-to-use controls. besides the 1×8" fender special design speaker, its features include an aux. input, headphone output, and three-band eq. with its beefier power amp and larger, ported speaker enclosure, the rumble 25 pumps greater volume and deeper bass response. in addition to standard volume and eq controls, the rumble 25 adds a newly-developed overdrive circuit and switchable contour control, delivering gritty bite and slap-worthy punch at the mere push of a button. musician's gear 20-foot 1/4" straight instrument cable insulated cable with rubber end covers provides full signal integrity and low noise. provides 20 feet of freedom for the budget-minded. 1/4" plugs.
Specifications:
| Power | 25W |
| Speaker | 1×8" Fender special design |
| Dimensions | 15.25" x 15.25" x 11" |
Reviews:
I use one of these for my nylon string Godin Multiac. I blend the nylon with a GR33 synth and run both signals into this amp on the clean channel. The issue I've always had with amplified nylon string guitars is the 'plucky' or 'plasticy' sound of them through guitar amps. This bass amp solved the problem for me. With the amp's treble and bass rolled off completely I can get a very round clear tone by using the guitar's eq to provide the brightness. Very light and powerful, and an unexpected solution to a long-standing problem I've experienced. The electric violinist in the band tried his setup through my amp with almost identical settings and he bought one also! Works very well for bass also, in a small setting.Jan-Mikael
TLDR: BUY IT! I ordered this amp when I bought my very first bass. For years I was stuck with a school Ampeg Little Stud bass from 1973. The bass itself was 40 pounds, and for all of its vintage appeal, I was not impressed by its condition or playability. The amp was even worse. It was a Backline 112 that weighed 50 pounds, and when I performed with it in a school gymnasium with a capacity of a mere 400 people, nobody heard me playing. When I bought my bass I knew that I needed a new amp. Enter the Rumble 100. If this is your first amp, you might think this is a little pricey, but trust me, it is beyond worth it. I'm only 5'1", and while I could carry the heavy Ampeg bass and amp, it was starting to hurt my back. But this amp is incredibly light. I almost expected it to have zero bottom end. But when I played it, I was shocked. The sound was very well-supported, even if it's played with the bass, low, and mid down and treble all the way up (which I wouldn't recommend… I mean, it's a bass amp…) I've loved this amp ever since. But I'm not a "pro" yet, so let me tell you what some professional musicians thought when they saw my amp. I performed with a popular local brass band that has been together since 1980. Altogether they have 50+ years of touring and gigging experience. They're used to lugging some pretty heavy equipment. When I walked in to the auditorium, I had my bass case slung over my shoulder, my amp in my hands, and all my music nestled under my arm. Of course the stage crew at the door all thought that the tiny chick (me) was about to drop everything, so they rushed over to help me by picking up my amp. They went, "What? We're wondering where the inside went, Is this it?" They thought it would sound awful. But that night, in front of 2,000 people (and there was a bass solo), everybody said they could hear me perfectly. The design is simple, the onboard controls are very effective and not too complex, and it plays loud and proud without hurting you.Bass Clef Kid
Like the rest of the bass players out there I've used all of the major brands. From old-school Acoustic Control heads and cabs from the '70's, to Ampegs etc etc etc…Well I've reached the point where that level of stage volume isn't needed for what I'm doing now; I shopped around, and despite some of the amazing combos available, I landed on this one. Actually the guitar player in our band mentioned that he had bought the 50watt version of this. I played through it and was impressed. For me it's the ideal unit for what I'm doing now – I still play some heavy rock (Mountain, Cream, Cactus, Trower), but when volume is required we of course use the FOH and good monitors for stage support. Having the onboard direct out is the best as it allows me to go direct into whatever board is being used, whether live or recording. Don't be fooled by the small size; the size is a real asset in terms of portability. The head is where it all starts, and the tonal range is wide so you can dial in your sound. In a live situation there's plenty of lows, highs and depth of tone. Playing in various size venues is no problem – this will carry without going through FOH in churches, smaller bars & clubs (50-100 capacity). Larger venues or live situations where stage volume is needed for impact or performance, then my personal recommendation is to use this as a personal monitoring device and go through the PA & stage monitor as a direct through the board. One last thing; the amp sounds as good on 3 as it does on 7. Any more than than 7 and it starts pushing the speaker, and not in a good way. But I've had this for several months now, use it gigging and recording regularly and overall am simply satisfied with the purchase. Like everything, this amp has limitations. You're not going to get the punch or volume of a high powered rig, and you really shouldn't be using a combo for something like that. But whether you're a beginner, novice, or weekend warrior or pro this amp, as well as the rest of this product line, is a tremendous option.jb
3. Tc Electronic Thrust Bq250
Product Details:
The tc electronic thrust is a portable micro bass head amplifier for use on stage and in the studio. it features a compact and lightweight design for ultimate portability. the cutting-edge class-d amplifier technology ensures incredible power and sonic performance and the high-voltage mosfet pre-amplifier makes for the authentic sound and feel of a tube amp. a studio-quality headphone amplifier with speaker emulation for personal practice and silent rehearsals. the amplifier is protected against short circuits, thermal overload and low speaker impedance for enhanced reliability. a passive/active switch optimises preamp input for basses loaded with either passive or active pickups for the best tonal response possible. the amplifier features the highly-versatile, single-knob thrust compressor circuit that accurately sets the dynamic range of your playing and provides maximum punch to catapult your tone across the stage. also the perfect practice tool thanks to its high-quality headphone amplifier with speaker emulation and aux input, which lets you jam along with all your favourite grooves, songs or tracks.
Specifications:
| Instrument input | 1/4” TS, unbalanced |
| Aux input | 1/8” TRS, unbalanced |
| Thrust | Variable (off to max) |
| Thrust switch | On / Off |
| Phones out | 1/8” TRS, unbalanced |
| Direct output | XLR, balanced |
| Level max | Pre EQ ( +12 dBu), Post EQ ( +16 dBu) |
| Loudspeaker output | Professional locking connector |
| Min. load impedance | 4 Ω |
| Max output power | 250 W |
| Europe/UK/Australia/China/Korea/USA/Canada/Japan | 100-240 V~ 50/60 Hz |
| Power consumption | 60 W |
| Mains connection | Standard IEC receptable |
| Dimension (H x W x D) | 69 x 255 x 233 mm, (2.7 x 10.0 x 9.2”) |
Reviews:
Don't buy this amp expecting to gig with it at anything more than very low volume levels. Matched with sensitive speakers and master volume set at full, you might be happy with the volume you can get with maybe an acoustic set. The BAM 200 would be fine for practicing and jamming with a friend in the basement, but add drums and an amped guitarist and I think you will struggle to be heard. It's output sounds closer to 30 or 40 watts RMS, rather than the mystery 200 watts TC Electronics rates this mini. Tone was OK, a little fat if you over do the bass control and the preamp sections seems to overload easily, even with low output basses. I really don't have a good use for it after buying it, but it is easy to transport!airtow
The perfect no frills small unit. Haven't really road tested due to virus shutdowns but home bound sound is fantastic. I originally bought for a backup type amp but am quickly becoming enamored by its tonal qualities. Over the past few years I have been trying to reduce my equipment footprint and lugging around effort. I have another TC Electronics amp (BH250) along with a 2×12 cab and a 2×10 cab. These have been fantastic in small and medium venues – larger venues all seem to have their own sound systems which tap into my setup. Now, with the addition of this unit, I can even run my Rickenbacker in stereo without breaking my back hauling around a lot of equipment. The sound coming out of the BAM is smooth and even. It can get very very thin or very very fat and everything in between controls are solid and even. The only thing I would say that might be missing is an 'auxiliary in' but that can be side stepped with a small mixer. All in all a great buy for a very big sounding little D amp that can almost fit in a jacket pocket.2991tom
I bought this as a backup to the TC 450 and I was blown away by the sound and tone control this little unit has. It was between this for a backup and the Trace Elliot Elf. This unit at he Sweetwater price or an an Elf for $100.00 more. Easy decision to make and the results are amazing. More power than I will ever need. Driving two Hartke HD112 cabinets. Works great!bigmackstrains
4. Ampeg Micro Vr 200w Bass Head
Product Details:
Don't be fooled by its diminutive appearance; the ampeg micro-vr is a compact powerhouse fully capable of pumping its 200w of genuine round sound into myriad live and recording situations. the portable, powerful solid-state bass amp head is a pleasant surprise from the second you lay eyes on it to the moment its indisputable ampeg tone hits your ears.
Specifications:
| Dimensions (WxHxD) | 5.5" x 12" x 10" |
| Preamp | Solid State |
| Power Amp | MOSFET |
| RMS Power Output | 200watts @ 4ohms |
| Tone Controls | 3-Band |
| Mid Tone Control | Ultra Mid |
| Balanced Line Out | YES |
| LF Driver | 2 x 10" Eminence Speakers |
| RMS Power Handling | 200 Watts @ 8ohms |
| Frequency Response (-3dB) | 58Hz-5kHz |
| Usable Low Frequency (-10dB) | 40Hz |
| Nominal Impedance | 1 x 8 ohms (Mono) |
| Handling Weight | 25.9 Pounds |
Reviews:
Really impressed with this small amp/cab combo. Truly great, vintage tube-like warmth, punching lows and crisp highs are all accessible. The headphone output is super useful for practice. The 2×10 cabinet this amp is paired with sounds really awesome for home recording, small gigs (50ish people) and if mic'd, can adapt well for larger gigs. Without an extra 12" or 15" paired with it, it just can't handle the lows at a high volume. I do like running it through an SVT 4×10 for larger gigs to save the trouble of carrying around an 80lb SVT head!Bandy Xan
I've owned this amp for about 5 months now and it is perfect for small venues, church, and recording. I haven't really needed to use the speaker cab much as I mainly use in ears for live performances, but it is nice to have just in case and so the rig looks complete. The XLR out from the head is a great feature and one of the big reasons I purchased this and allows for a crisp sound to whatever you may be plugging in to. I have used this for live performances and recording for backing (split) tracks. You can get any sound out of this little guy and it never disappoints. Don't be fooled by the small size, it can sound massive with the right settings and EQ. The small size allows me to fit all my gear in the back of a small hatchback car. I researched this greatly before purchasing it and do not have any regrets. If i need more volume for situations that in ears won't allow, I may purchase a second matching speaker cab and I am sure that would be plenty for whatever situation. I would definitely recommend to any bass player looking for a professional quality amp that is portable and versatile.DPB
Bought this as an Open Box item from MF. Researched and read many positive reviews. Took the dive and got it. Was a little worried it wasnt going to be powerful enough. Wrong… this little sucker has got PLENTY of power for what I'm using it for: home practice and loud weekend jams with my bandmates. Currently pairing with a Peavey Tour 210 cab. I have an MXR 10-band EQ pedal but this Ampeg does perfectly fine without it. Will have to tighten up the light fixtures in my practice room soon. This little Ampeg THUMPS.The Lower End
5. Peavey Max 208 Bass Combo
Product Details:
This item was returned in mint condition. it is free of any performance issues, and has no scratches, blemishes, or other cosmetic flaws. the peavey max 208 bass combo amp delivers more bass in a space-saving package. with 200 watts of max power that includes ddt speaker protection and two heavy-duty 8" woofers, the peavey max 208 is great for plenty of gigs and rehearsals. another peavey exclusive is the patented transtube circuitry that offers you a gain boost feature for a more authentic classic overdrive sound. the eq section includes a 3-band eq and buttons for punch, mid-shift and bright. the max 208 also includes a unique psycho-acoustic low-end enhancement that adds low end without taxing the speaker. rounding out the features are a built-in xlr direct output with ground lift and 1/8" jacks for phones output and aux. input, as well as a built-in effects loop. the tuned, ported enclosure also includes a kick back feature.
Specifications:
| Weight Packed | 40.19 lb(18.23 kg) |
| Width Packed | 16"(40.64 cm) |
| Height Packed | 27"(68.58 cm) |
| Depth Packed | 15"(38.1 cm) |
| Year | 2019 |
Reviews:
I have played both electric and upright bass for 40+ years and like a lot of folks wanted a smaller, more portable, amp. I primarily play in a 4 piece acoustic group w/ 2 guitars, upright Bass, and violin. Volume is never an issue. I picked up a Max208 2 years ago and it has become my primary live amp. It sounds fantastic with either my MIJ fretless Precision A/E or any of my uprights. I have several larger rigs that sit in a closet as well as 2 Phil Jones amps (a Suitcase and a Briefcase) and I love the fact that the Peavey is: 1) Inexpensive, certainly for the level of performance. 2) Light and portable 3) Very flexible as far as tone control 4) Much better sounding live than the Phil Jones Briefcase which cannot match the low end of the 208. I did one mod to mine and added a Speakon / 1/4" combo jack to allow plugging in a small external speaker cabinet with it's own passive volume control that I locate behind the violin player who is on the opposite side of the stage from m and it works great for acoustic gigs giving a broad balanced stage sound. We only use (1) Bose L1 that all mics and guitars go through and it gives me an extremely portable system that has never let me down. I have a BSX Allegro EUB as well as a 53 Kay and an 80's Engelhardt. When I take the little Allegro and the 208 it is one trip from the car to the stage and ready to go. You can't beat it. If this ever gets lost, stolen, etc I will for sure get another. Peavey has a winner with this piece. I would highly recommend this to anyone (except someone looking to play loud rock) looking for a great inexpensive combo. If you want loud with it the 208 DI is very clean and it makes a fantasic stage monitor with the front angled speaker configuration.Steve
The sound to weight ratio on this amp is impressive. I bought it to replace/downsize an early 2000s Peavey TKO 115, and the 208 puts out more volume and weighs less than half as much as the 115! Simple controls, and enough options for a variety of genres. You get mild overdrive, vintage or modern voicing (via contour), sub-octave harmonics (via kosmos-c), and plenty of eq options. I'd recommend a cover (nearly any 12" loudspeaker cover will fit), because the finish is not as durable as previous models. I'm using this for small venues (no drummer) and medium venues with full band and PA.Trick
6. Lyxpro Electric Guitar Amp 20 Watt Amplifier Built In Speaker Headphone Jack And Aux Input Includes Gain Bass Treble Volume And Grind – Sunburst
Product Details:
Get the perfect mix of tone and power with this 20 watt electric guitar amp. perfect for use with electric guitars, simply plug your amplifier for electric guitar and start enjoying the magic of music. the powerful solid-state amp for electric guitar and speaker is easy to use and provides plenty of power. made from quality materials, the lyxpro guitar amps have hard rubber corner edges for protection against dents, added durability, and extra safety. easily dial in your sound with integrated volume, gain, bass, treble, and grind controls. keep your music to yourself using the headphone jack, or let the world hear with the powerful electric and acoustic guitar amp.
Reviews:
Exactly what I neededinfiniteseller47
Works well. Nice little amp.mmisty
Great little practice amp!! Small with just enough power.cypressprings
7. Acoustic B100c 1×12 100w Bass Combo With Tilt-Back Cab Black
Product Details:
The acoustic b100c is the perfect 100-watt combo amp for the bass player who needs more power for rehearsals and full-stage performances. it features a 100-watt power section and an 12 custom ferrite speaker that provides optimal frequency response and sound projection. a tilt-back cabinet feature directs your sound off the floor for better monitoring. a 4-band eq boosts or cuts low, low-mid, high-mid and high frequencies, while a "shape" switch gives you additional mid-range tonal adjustment. controls also include a footswitchable overdrive circuit with a blend feature that lets you custom-tailor your sound even further. an effects loop lets you insert your favorite effects or compression into the signal chain between the preamp and power amp stages. there's an xlr direct output with ground lift option for sending your signal to a sound system or recording device. the xlr output signal can be sent with or without your eq settings. connections for headphones and a convenient auxiliary input allow you to listen to audio files while you practice.
Specifications:
| Watchers | 0 |
| Finish | N / A |
| Speaker Configuration | 1×12" |
| Electronics | Solid State |
Reviews:
Got this on sale. Best practice combo thus far. I didn't even try it out since I've had other practice amps (Peavey, Crate) before and feared I'd just suffer with poor sound. Not so with this one. Tone is amazing. Hit's fundamental E string with no issues. Won't shake your room but tone is really solid. I tested using a spectrum analyzer (just for fun) and the crazy little 8 hits the lows no problem and with nice flat harmonics too. Remarkably loud. Have not tested but assume this could be used in a small room. I've been running the EQ's on flat. Dunno, maybe the technology has caught up with itself – better Xmax on the speaker, switcher power supplies, anyway, this is a great deal for a small combo and I'm redeemed from all the hard cone, no bottom end amp I suffered with back in the day..John
I got this amp to play along with Christian songs on You Tube. It has a very clean and clear sound to it. I once had a Fender 40-watt guitar amp that was quite louder than this amp, so don't expect it to blow you out of the room. It does what I want it to, and I can hear it well enough when playing along with the music. Overall, I'm happy and satisfied the Acoustic B100C. btw, you can get more volume by turning up the overdrive as it is quite mild.Jeff, Young Old TImer
I bought a B25C when my main amp had to go into the shop for repair. I had been considering getting a smaller amp for practice or playing with a friend who does acoustic music. I compared this with the Fender Rumble 25. What sold me on the Acoustic is the wedge shape and the flexible tone options. Both amps sounded great, but the B25C had a wider range of tones. The 25 watts is perfect for practice and it has enough body to sound like a bigger amp. You can't beat it for the price.G.W
8. Electric Guitar Bass Amp 10 Watt Amplifier Built In Speaker Headphone Jack & Aux Orange 5 Core Ga 10
Product Details:
Specifications:
| Length | 9 in |
| Height | 4.7 in |
| Width | 8.7 in |
| Weight | 5.75 lb |
9. Fender Rumble 100, 120v, Black/silver Bass Combo Amp
Product Details:
Fender rumble 100 1×12" 100-watt bass combo amplifier fender gives bassists of all levels a solid amp that can handle anything. plug into the fender rumble 100 for the serious bass tone in a compact package! this black beauty offers a basement-friendly 100 watts, complete with both gain and blend controls in the overdrive section, so you can bring the perfect amount of overdrive into your sound. in fact, an optional footswitch is available that lets you easily bring the overdrive in and out whenever you need some extra tonal tenacity. item will be professionally packed, shipped and insured to g…
Specifications:
| Tacoma | 1 |
| Seattle | 0 |
| Silverdale | 1 |
| Puyallup | 1 |
| Richland | 2 |
| Yakima | 2 |
| Amplifier Type | Class-D |
| Voltage | 120V |
| Wattage | 100 Watts @ 8 Ohms |
| Inputs | One – 1/4" |
| Auxiliary Input | 1/8" Stereo |
| Line Out | One – (XLR with Ground Lift) |
| Pilot Light Jewel | Red LED |
| Handle | Molded Plastic Strap with Nickel-Plated Caps |
| Front Panel | Painted Metal |
| Amplifier Depth | 14" (35.56 cm) |
| Amplifier Width | 16.5" (41.91 cm) |
| Amplifier Height | 18.5" (46.99 cm) |
| Amplifier Weight | 22 lbs. (9.97 kg) |
| Speaker | One – 12" Eminence Special Design |
| Impedance | 8 ohms |
| Knobs | Ivory Soft Touch Radio Knobs |
Reviews:
I use one of these for my nylon string Godin Multiac. I blend the nylon with a GR33 synth and run both signals into this amp on the clean channel. The issue I've always had with amplified nylon string guitars is the 'plucky' or 'plasticy' sound of them through guitar amps. This bass amp solved the problem for me. With the amp's treble and bass rolled off completely I can get a very round clear tone by using the guitar's eq to provide the brightness. Very light and powerful, and an unexpected solution to a long-standing problem I've experienced. The electric violinist in the band tried his setup through my amp with almost identical settings and he bought one also! Works very well for bass also, in a small setting.Jan-Mikael
TLDR: BUY IT! I ordered this amp when I bought my very first bass. For years I was stuck with a school Ampeg Little Stud bass from 1973. The bass itself was 40 pounds, and for all of its vintage appeal, I was not impressed by its condition or playability. The amp was even worse. It was a Backline 112 that weighed 50 pounds, and when I performed with it in a school gymnasium with a capacity of a mere 400 people, nobody heard me playing. When I bought my bass I knew that I needed a new amp. Enter the Rumble 100. If this is your first amp, you might think this is a little pricey, but trust me, it is beyond worth it. I'm only 5'1", and while I could carry the heavy Ampeg bass and amp, it was starting to hurt my back. But this amp is incredibly light. I almost expected it to have zero bottom end. But when I played it, I was shocked. The sound was very well-supported, even if it's played with the bass, low, and mid down and treble all the way up (which I wouldn't recommend… I mean, it's a bass amp…) I've loved this amp ever since. But I'm not a "pro" yet, so let me tell you what some professional musicians thought when they saw my amp. I performed with a popular local brass band that has been together since 1980. Altogether they have 50+ years of touring and gigging experience. They're used to lugging some pretty heavy equipment. When I walked in to the auditorium, I had my bass case slung over my shoulder, my amp in my hands, and all my music nestled under my arm. Of course the stage crew at the door all thought that the tiny chick (me) was about to drop everything, so they rushed over to help me by picking up my amp. They went, "What? We're wondering where the inside went, Is this it?" They thought it would sound awful. But that night, in front of 2,000 people (and there was a bass solo), everybody said they could hear me perfectly. The design is simple, the onboard controls are very effective and not too complex, and it plays loud and proud without hurting you.Bass Clef Kid
Like the rest of the bass players out there I've used all of the major brands. From old-school Acoustic Control heads and cabs from the '70's, to Ampegs etc etc etc…Well I've reached the point where that level of stage volume isn't needed for what I'm doing now; I shopped around, and despite some of the amazing combos available, I landed on this one. Actually the guitar player in our band mentioned that he had bought the 50watt version of this. I played through it and was impressed. For me it's the ideal unit for what I'm doing now – I still play some heavy rock (Mountain, Cream, Cactus, Trower), but when volume is required we of course use the FOH and good monitors for stage support. Having the onboard direct out is the best as it allows me to go direct into whatever board is being used, whether live or recording. Don't be fooled by the small size; the size is a real asset in terms of portability. The head is where it all starts, and the tonal range is wide so you can dial in your sound. In a live situation there's plenty of lows, highs and depth of tone. Playing in various size venues is no problem – this will carry without going through FOH in churches, smaller bars & clubs (50-100 capacity). Larger venues or live situations where stage volume is needed for impact or performance, then my personal recommendation is to use this as a personal monitoring device and go through the PA & stage monitor as a direct through the board. One last thing; the amp sounds as good on 3 as it does on 7. Any more than than 7 and it starts pushing the speaker, and not in a good way. But I've had this for several months now, use it gigging and recording regularly and overall am simply satisfied with the purchase. Like everything, this amp has limitations. You're not going to get the punch or volume of a high powered rig, and you really shouldn't be using a combo for something like that. But whether you're a beginner, novice, or weekend warrior or pro this amp, as well as the rest of this product line, is a tremendous option.jb
10. Fender Rumble 40 V3 Bass Combo Amplifier
Product Details:
For bassists everywhere at all levels, rumble bass combos are re-engineered to be astoundingly compact, portable and lightweight, with seismic fender bass tone and stage-worthy features. the stylish rumble 100 combo pumps 100 watts of pure fender bass muscle and finesse. lighter and louder than ever, it's built with great features including classic fender styling, 12" eminence speaker, overdrive circuit, versatile three-button voicing and more. a must-have combo for any bassist.
Specifications:
| Amplifier Technology | Solid State |
| Number of Speakers | 1 |
| Impedance | 8 Ohms |
| Amplifier Type | Combo |
| Number of Channels | 1 |
Reviews:
I use one of these for my nylon string Godin Multiac. I blend the nylon with a GR33 synth and run both signals into this amp on the clean channel. The issue I've always had with amplified nylon string guitars is the 'plucky' or 'plasticy' sound of them through guitar amps. This bass amp solved the problem for me. With the amp's treble and bass rolled off completely I can get a very round clear tone by using the guitar's eq to provide the brightness. Very light and powerful, and an unexpected solution to a long-standing problem I've experienced. The electric violinist in the band tried his setup through my amp with almost identical settings and he bought one also! Works very well for bass also, in a small setting.Jan-Mikael
TLDR: BUY IT! I ordered this amp when I bought my very first bass. For years I was stuck with a school Ampeg Little Stud bass from 1973. The bass itself was 40 pounds, and for all of its vintage appeal, I was not impressed by its condition or playability. The amp was even worse. It was a Backline 112 that weighed 50 pounds, and when I performed with it in a school gymnasium with a capacity of a mere 400 people, nobody heard me playing. When I bought my bass I knew that I needed a new amp. Enter the Rumble 100. If this is your first amp, you might think this is a little pricey, but trust me, it is beyond worth it. I'm only 5'1", and while I could carry the heavy Ampeg bass and amp, it was starting to hurt my back. But this amp is incredibly light. I almost expected it to have zero bottom end. But when I played it, I was shocked. The sound was very well-supported, even if it's played with the bass, low, and mid down and treble all the way up (which I wouldn't recommend… I mean, it's a bass amp…) I've loved this amp ever since. But I'm not a "pro" yet, so let me tell you what some professional musicians thought when they saw my amp. I performed with a popular local brass band that has been together since 1980. Altogether they have 50+ years of touring and gigging experience. They're used to lugging some pretty heavy equipment. When I walked in to the auditorium, I had my bass case slung over my shoulder, my amp in my hands, and all my music nestled under my arm. Of course the stage crew at the door all thought that the tiny chick (me) was about to drop everything, so they rushed over to help me by picking up my amp. They went, "What? We're wondering where the inside went, Is this it?" They thought it would sound awful. But that night, in front of 2,000 people (and there was a bass solo), everybody said they could hear me perfectly. The design is simple, the onboard controls are very effective and not too complex, and it plays loud and proud without hurting you.Bass Clef Kid
Like the rest of the bass players out there I've used all of the major brands. From old-school Acoustic Control heads and cabs from the '70's, to Ampegs etc etc etc…Well I've reached the point where that level of stage volume isn't needed for what I'm doing now; I shopped around, and despite some of the amazing combos available, I landed on this one. Actually the guitar player in our band mentioned that he had bought the 50watt version of this. I played through it and was impressed. For me it's the ideal unit for what I'm doing now – I still play some heavy rock (Mountain, Cream, Cactus, Trower), but when volume is required we of course use the FOH and good monitors for stage support. Having the onboard direct out is the best as it allows me to go direct into whatever board is being used, whether live or recording. Don't be fooled by the small size; the size is a real asset in terms of portability. The head is where it all starts, and the tonal range is wide so you can dial in your sound. In a live situation there's plenty of lows, highs and depth of tone. Playing in various size venues is no problem – this will carry without going through FOH in churches, smaller bars & clubs (50-100 capacity). Larger venues or live situations where stage volume is needed for impact or performance, then my personal recommendation is to use this as a personal monitoring device and go through the PA & stage monitor as a direct through the board. One last thing; the amp sounds as good on 3 as it does on 7. Any more than than 7 and it starts pushing the speaker, and not in a good way. But I've had this for several months now, use it gigging and recording regularly and overall am simply satisfied with the purchase. Like everything, this amp has limitations. You're not going to get the punch or volume of a high powered rig, and you really shouldn't be using a combo for something like that. But whether you're a beginner, novice, or weekend warrior or pro this amp, as well as the rest of this product line, is a tremendous option.jb
11. Fender Rumble 40 V3 Bass Combo
Product Details:
For bassists everywhere at all levels, rumble bass combos are re engineered to be astoundingly compact, portable and lightweight, with seismic fender bass tone and stage worthy features. the stylish rumble 40 combo pumps 40 watts of pure fender bass tone. light and loud, it s built with great features including classic fender styling, 10 speaker, overdrive circuit, versatile three button voicing and more. a great combo for any bassist.
Specifications:
| Tacoma | 0 |
| Seattle | 0 |
| Silverdale | 0 |
| Puyallup | 1 |
| Richland | 0 |
| Yakima | 0 |
| Amplifier Type | Solid State |
| Voltage | 120V |
| Wattage | 40 Watts @ 8 ohms |
| Inputs | One – 1/4" |
| Auxiliary Input | 1/8" Stereo |
| Headphone Jack | 1/8" Stereo |
| Line Out | One – (XLR with Ground Lift) |
| Pilot Light Jewel | Red LED |
| Handle | Molded Plastic Strap with Nickel-Plated Caps |
| Front Panel | Painted Metal |
| Amplifier Depth | 12" (30.4 cm) |
| Amplifier Width | 16.5" (41.91 cm) |
| Amplifier Height | 16.5" (41.9 cm) |
| Amplifier Weight | 18 lbs. (8.16 kg) |
| Speaker | One – 10" Fender Special Design |
| Impedance | 8 ohms |
| Knobs | Ivory Soft Touch Radio Knobs |
Reviews:
Holy cow, how the Rumble series have come into their own! Back when I last played music the Rumble series was kind of naff but this has really grown up! I'm told the 40w is the lowest power Rumble to get Class D amplification. I don't if that's true or not (Class D is still solid state), but the difference in tone between this and the 10-25w practice amps is remarkable. This one just has that something extra and finally "sounds like a bass" vs smaller amps. And it's not volume, it's tone. I chose this over other amps for the 4 band EQ and having control over the mids; having knobs for low and high mids feels like better tone shaping for my purposes than a mids and a contour knob. YMMV. The only thing I would add to the Rumble 40 would be a built-in tuner. I would rather have a tuner than the rather weak drive Fender included. I would ignore the drive and use a pedal if you want that sound. But that's small potatoes because the clean signal is so, SO good. If you're looking for a home amp, stretch the budget a little and get the Rumble 40; the difference in tone from a 10-25w FAR outpaces the difference in price. This amp is one of the best bargains in bass playing.Eric
I don’t know who wrote the positive reviews, but they certainly aren’t bass players. I was so impressed by the reviews and price that I bought 2 for my band, one for bass, one for keyboard.
I have been playing bass since 1966, on and off professionally. I have had dozens of basses and amps. I also spent 42 years in the musical instrument business, attended 70 NAMM Shows and won a NAMM top 100 dealer award 5 years in a row before retiring. THIS IS THE WORST bass amp I have ever played. 10 minutes out of the box and I packed it up and sent it back. The other one I kept for keyboard because it was good enough for that, but certainly not for bass.Greg Billings
I have been playing bass since 1966, on and off professionally. I have had dozens of basses and amps. I also spent 42 years in the musical instrument business, attended 70 NAMM Shows and won a NAMM top 100 dealer award 5 years in a row before retiring. THIS IS THE WORST bass amp I have ever played. 10 minutes out of the box and I packed it up and sent it back. The other one I kept for keyboard because it was good enough for that, but certainly not for bass.Greg Billings
Overall: I'd love to give this amp a 5 star ++++ rating. The sounds are amazing. It offers faithful reproductions of all the classic Fender amps from the early 50's to present day, Ampeg SVT presets, Gallien-Krueger KGB-800, SWR Redhead, Tube Preamps, Marshalls, Oranges, and Hi-Watts. All useful. Rock, Metal, Jazz, Country, Motown, Funk, Soul, Latin, Fusion, Reggae…it's all covered. Plus, there's hundreds more online presets available, with 100 empty preset slots available on the amp.The 100 onboard presets include…- 20 Fender Rumble V3- 4 Fender Rumble v2- 9 Fender Bassman 300- 7 Early 50's Fender Bassman TV- 3 1959 Fender Bassman – 7 Fender Dual Showman- 8 Gallien Krueger KGB-800- 8 HiWatt/Marshall/Orange- 4 SWR Redhead- 13 Ampeg- 12 Preamp- 4 "Monster" (bizarro stuff)With all these great sounds, what's the negative? The Bluetooth and WiFi features. I'm keeping my fingers crossed that Fender will correct these issues in a future firmware update.The WiFi literally will not connect to my home network, after at least a dozen tries. Google and YouTube offered very little help.The Bluetooth works, but randomly disconnects, and sometimes takes multiple attempts to connect and reconnect.There are workarounds, I suppose. I believe firmware updates could be done by hooking the amp up (via USB) to your computer. You can run an auxillary cord into the amp from your phone or tablet to play along with drum loops or songs. Even with these issues, the sounds alone are the selling point of this amp. It's pretty amazing.
12. Fender Rumble 200 (V3) 200w 1 X 15" Bass Guitar Combo Amplifier
Product Details:
Fender rumble bass ampfender's rumble bass amps have been re-engineered to be much more accessible and portable for every level of player. the weight has been drastically reduced, and the unit has been compacted into an easy to carry size for transport or stacking. with seismic sound and up to date features ready for the stage. the stylish rumble combo pumps a pure and unmistakable fender bass tone.model # 2370500000 as always you can get these products and many more at the lowest price online right here at d.c. music store.
Specifications:
| Amplifier Type | Class-D |
| Voltage | 120V |
| Inputs | One – 1/4" |
| Auxiliary Input | 1/8" Stereo |
| Line Out | One – (XLR with Ground Lift) |
| Headphone Jack | 1/8" Stereo |
| Horn Tweeter | One – Compression Tweeter with On/Off Switch |
| Cabinet Material | Lightweight Plywood |
| Pilot Light Jewel | Red LED |
| Handle | Molded Plastic Strap with Nickel-Plated Caps |
| Front Panel | Painted Metal |
| Speaker | One – 15" Eminence-Designed Ceramic Magnet Speaker |
| Impedance | 8Ohms |
| Knobs | Ivory Soft Touch Radio Knobs |
| Dimensions (D x W x H) | 14 x 19 x 23" / 35.56 x 48.26 x 58.42cm |
Reviews:
Overall: HAVE MINE FOR 4-5 YEARS NOW. TOTALY AN ALL PURPOSE AMP. GOT RID OF AN ACOUSTIC 15 COMBO OF SOME SORT. ALWAYS HAD ISSUES WITH. ADDED A BIT OF MONEY TO THAT SALE AND GOT MY RUMBLE 200. HAPPIEST DAY. USE IT FOR MANY DIFFERENT VENUES AND INSTRUMENTS. MOSTLY BASS, OF COURSE. PLAY GUITAR/ACOUSTIC THRU IT AND WORKS PRETTY GOOD. IF YOU EQ IT CORRECTLY, IT DOES THE JOB. RECOMMEND IT HIGHLY.Roy
Overall: I had an Acoustic B200 Combo amp. I loved the sound of it because it had the same sound as the old '70's era Acoustic bass amps. I like a clean, clear bass sound. After burning up the power amps in two of the B200's I decided it was time to try something else, so I bought the Rumble 200. I plugged it in and turned it on for the first time, and in about 60 seconds I found the exact sound I was looking for – just like my old Acoustic. The tone controls are way simpler to figure out than the Acoustic was. It's nice to have a good sounding bass amp that I can carry with one hand! The only complaint I have is that the controls are on the top of the amp on the backside, that's why I rated features a 4. If they were on the frontside of the top that would be better, but front mounted would be best. But for the sound, quality, and price this is a very minor inconvenience. It's a good sounding and good looking little unit!Brett
Overall: I read all the reviews for this before making a decision between this amp and an Ampeg with a 15". I love Sunn and Ampeg bass amps: that is what I grew up with along with a Fender 100 tube amp that had a four 12 cabinet that rocked. Some reviewers stated this amp was straight out of the sixties or sounded like an old Bassman. They are right. First time I turned it on and turned it up a bit it sounded just like my Bassman 100 but with a deep throaty sound that old school bass players like me crave. How Fender was able to get a true tube sound into this solid state amp is pure genius. I feels like a tube amp. Deep and it seems to have a slight sag to it. Very impressive. I turn the horn off, leave the eq knobs at straight détente, use the vintage button in and it sounds incredible The overdrive channel is a monster to itself: horn off, straight up eq and you can go from mild breakup like you would get with slightly overdriven preamp tubes to an amp maxed out. think of Grand Funk, Deep Purple etc. I haven't spoken about the volume and wattage yet. When you crank it up to where you feel your pant legs wobbling and your stomach churning you realize that this is no toy. The decibels this can put out are truly amazing for it's size. I runs at 120 watts as is but add another 8 ohm cab and it jumps to 200 watts. That 120 is loud as hell and the only reason to add another cab is if you want a couple of tens and it would sound great. Myself, I would add the Fender one 15 cab and get that volume and bass that would take the house down. Looks like a toy, but a real fire breather inside.Mark
13. Fender Rumble Stage 800 – Bass Combo Amplifier
Product Details:
The newest evolution of ever-popular rumble bass amps builds on the phenomenal success of mustang gt, the worlds rst wi -equipped guitar amp. rumble stage 800 and rumble studio 40 harness the potent processing power of mustang gt to deliver a treasure trove of features and tone shaping bassists at all levels will love. these new rumble marvels give bassists mastery over every kind of tone they want, from smooth warmth to guttural punch to snarling overdrive and more. dozens of amp and cabinet models recreate the sounds of prized historic favorites, from fenders original tv-front bassman amp of the 1950s through the stadium- shaking monster rigs of the 70s and 80s to the best in modern-day bass amps. studio-quality delay and reverb effects abound, along with extensive compression and eq avors, and distinctive bass-speci c favorites such as octave effects with remarkable tracking, an envelope lter that truly brings the funk, the synth-emulating octobot and more. rumble stage 800 is a super-powerful yet lightweight amp that rocks the arena and ts in the car. its stage-worthy design packs all the new rumble bass magic into a compact combo with two 10 speakers, compression tweeter with on-off switch, extension speaker capability, wifi connectivity for software updates and cloud access to more tones, usb output for recording, bluetooth audio streaming for playing along with tracks, fender tone app compatibility, and more.
Specifications:
| Voltage | 120 V |
| Wattage | 800 Watts |
| Channels | One |
| Inputs | One – 1/4” |
| Effects | More than 15 amp models, more than 40 effects |
| Effects Loop | 1/4” Stereo |
| Line Out | Two – (XLR Stereo) |
| Cabinet Material | Lightweight Plywood |
| Handle | Molded Plastic Strap with Black Powder Coated Caps |
| Control Panel | Black |
| Knobs | Aged White |
| Amp Height | 23.7” (60.2cm) |
| Amp Width | 19” (48.3 cm) |
| Amp Length | 14” (35.56 cm) |
| Amp Weight | 39 lbs. (17.7kg) |
Reviews:
800W Thunder Box. So far, so good, so what, right? Many preset settings to try and find the right sound, or you can jump online and find user premade settings and tweak to your earhole's content. Connect via Bluetooth and change settings with your phone (via app) or the footswitch. It pumps much air, so probably not the best home practice amp if you value glass in and around your home, but perfect for every other application. Recommended outside toy. Not too heavy to carry either. Good quality, and priced as expected for a Fender product.Brian R.
Overall: unless you are on tour with Stevie Wonder, Beyonce, or Metalica I can't imagine you needing much more than this combo offers. I have many basses, and i am able to capture the individual characteristics of each easily. I owned, and still own a Rumble 500 V3 and love that also. The technical advancements, and improvements are the reason I purchased it. I saw a future in updateable firmware, downloadable presets, WiFi capabilities, and USB capabilities. I am about a little over my third month with the Stage 800, and I haven't even started with the foot pedal, set list programming and looping. All we really wanna know is what does it sound like? It sounds like just about everything I've ever heard and that is good. Forget the name, or intended preset, the question is does it sound good? It sounds fantastic. In addition it is light and plenty loud, but can played silently while you practice through your earphones, as you're learning music streaming through your Bluetooth connection. The foot switch is included with the Stage 800, and you have the Fender Tone App you can download on your phone and adjust the tone from across the room, and download new presets created by other users. It is the future coming together with Fender and i love it!Franklin
This thing is wonderful. For such a tiny speaker with low wattage, RUMBLE, is no joke and not just advertising. I'm surprised but at low volumes it sounds great, and mid as well. I've yet to pump it to the max but I live in an apartment so I'm happy w/ low to mid. The presets are great, and you can download an additional 50 or so presets with the computer application. The tones are sweet and warm; Fender got it RIGHT!! Beats the VOX emulator by far. VOX sounds tinny and hollow; Fender warm and thick; love it and would recommend. THANK YOU FENDER!! Total Fender Fanboy Now!strings80
14. Blackstar Unity Bass 120
Product Details:
Unity pro bass are the result of countless hours of technical research and benchmarking against the most iconic historic references. designed from the ground up by bass players, for bass players they are straight forward and powerful. the new unity pro bass systems deceptively simple controls allow you to quickly and easily create your tone, with rock solid bass, detailed dynamics and innovative features in a compact package from 30 watts to 500 watts. blackstars unique response control allows the player to choose between the sound and feel of three classic power amp stages, shaping compression, natural drive and dynamics. combined with three distinct preamp voicings and a 3-band semi-parametric eq, unity produces infinitely flexible bass tone and exceptional feel, whatever your playing style. the unity 250act powered cabinet can be linked to any model in the line to add 250w or more of active power to your rig; taking you from the studio or rehearsal room to the gig with ease and portability. from the organic response of classic valve amps, to a transparent clean platform, unity brings together the ultimate in bass tone. any player, any sound straight forward and powerful, unitys deceptively simple controls allow you to quickly and easily create your tone no matter what style you play. ultimate flexibility enhance your sound with built in chorus, compressor and octaver. pro connectivity unity bass is perfect for the studio or stage with the balanced xlr, usb connectivity and more. eminence opus speakers – voiced for unity unity pro bass system features eminence opus speakers, designed and voiced in partnership with eminence – the professional choice for bass players around the world.
Specifications:
| Weight | 33 lb |
Reviews:
Was looking for a small light weight amp whilst away from home, not wanting to lug around my heavy tube amp, cab and good sized pedal board. This amp fit's the bill perfectly. This amp sounds great, the onboard effects sound good to my ear. And I also like the controls on this amp. Simple layout that makes it easy and fast to dial in a decent sound. If you need more flexibility the architect software, which is a free download from Blackstar, is straight forward to use giving you even more flexibility. Another thing I like about this amp is as I'm away I often need to us headphones, no to disturb the neighbours, through the architect software, you can change the cab simulation from 112, 212, 412, even choose what mic simulation is used, which I think it's an excellent addition to this already impressive small amp. This amp also sounds great through its built-in speakers, giving it a great stereo sound. For this price I honestly cannot fault it, I did look at other amps but settled for this. And I'm so glad I did. This amp is a bargain!!Lesley C.
I hate amp hunting. I wanted something small and specific for a home studio. Shiny cleans with some grit too? Quality build? Under $600? I searched the used listings for weeks trying to find a deal. Nothing really GETS me. Finally, utterly sick of shopping, I walked into Sam Ash, saw this thing on the shelf and just bought it. Didnt try it. Just read the specs online, read a few reviews and snagged it. I figure, worst case scenario I'll return it tomorrow. Let me say, the sound from this amp is just so incredibly nice. Even without pedals, the built in reverb sounds very good. Not splashy, more like a plate reverb. Adding a transparent overdrive makes my G&L ASAT sound like a tone monster. I have no specific affinity for Blackstar. Never owned a single one of their products and I am totally blown away by this thing. I don't know a thing about the tonal waveforms and harmonic frequencies of the most expensive boutique amps but, on a stage or studio I'd put this amp up to pretty much anything. It FEELS good. It sounds good. Between my guitar and an overdrive pedal and the tone knob on the amp itself, I'm able to pull at least 6 very distinct tones before I even engage the dirty channel. It's even got an effects loop. Get one! You'll like it!DANIEL
I bought this amp a few months ago after LOTS of research, having finally decided to replace my previous amp of about 20 years! (A Marshall AVT half stack) Firstly, it looks amazing IMO and build quality looks and feels great too. I play in two bands, one playing southern rock, the other heavy rock/classic metal so needed something that was going to cover a pretty wide range of sounds. The Blackstar handles it amazingly! Wonderful warm crunches all the way to chugalicious highly saturated metal gains. The high gains are so smooth and creamy too and not 'scratchy'. (Something I always struggled with with the AVT) The clarity is also pretty amazing at high gain too. Individual notes can be picked out clearly and not just lost in a fuzzy mush. The 2 OD channels work perfectly for the two separate sounds I'm looking for to suit each band, with Voicing on each channel giving even more versatility. This amp produces beautiful cleans too, which can also break up nicely if you push the clean channel volume up. I'd also really recommend the optional 5-way footswitch, shame this doesn't come as standard, but hey..! All in all, I'm absolutely over the moon with this amp. It can do everything from sparkling cleans to tasty crunch and up to all the gain you could wish for. I've even been able to get THAT Stevie Ray Vaughan tone! 😍 But not only that, it's not some 'Jack of all trades, master of none'…it absolutley nails all of these brilliantly! This amp delivers the sound I've been looking for elusively for years now, funny that Blackstar's slogan is "The Sound In Your Head"… Big thanks to the team at PMT Newcastle when testing the 40 Watt version, and the distribution team for the speedy next day delivery!Davey S.
15. Tc Electronic Bam200 – 200 Watt Bass Amp Head
Product Details:
This item was returned in mint condition. it is free of any performance issues, and has no scratches, blemishes, or other cosmetic flaws. the tc electronic bam 200 ultra-compact 200w bass amp head delivers gig-ready power through a head that's made for travel. it features cutting-edge class-d amplifier technology for incredible power and sonic performance via a tc electronic preamplifier design tailored for authentic sound and feel of a tube amp. the balanced di output allows for direct connection to mixing consoles and recording equipment, allowing you to play without a separate speaker cab. and the studio-quality headphone amplifier with speaker emulation is perfect for personal practice and silent rehearsals.
Specifications:
| Product Dimensions | 6.46 x 5.24 x 1.69 inches |
| Country of Origin | China |
| Is Discontinued By Manufacturer | No |
| Output Wattage | 200 Watts |
| Number of Bands | 3 |
Reviews:
Don't buy this amp expecting to gig with it at anything more than very low volume levels. Matched with sensitive speakers and master volume set at full, you might be happy with the volume you can get with maybe an acoustic set. The BAM 200 would be fine for practicing and jamming with a friend in the basement, but add drums and an amped guitarist and I think you will struggle to be heard. It's output sounds closer to 30 or 40 watts RMS, rather than the mystery 200 watts TC Electronics rates this mini. Tone was OK, a little fat if you over do the bass control and the preamp sections seems to overload easily, even with low output basses. I really don't have a good use for it after buying it, but it is easy to transport!airtow
The perfect no frills small unit. Haven't really road tested due to virus shutdowns but home bound sound is fantastic. I originally bought for a backup type amp but am quickly becoming enamored by its tonal qualities. Over the past few years I have been trying to reduce my equipment footprint and lugging around effort. I have another TC Electronics amp (BH250) along with a 2×12 cab and a 2×10 cab. These have been fantastic in small and medium venues – larger venues all seem to have their own sound systems which tap into my setup. Now, with the addition of this unit, I can even run my Rickenbacker in stereo without breaking my back hauling around a lot of equipment. The sound coming out of the BAM is smooth and even. It can get very very thin or very very fat and everything in between controls are solid and even. The only thing I would say that might be missing is an 'auxiliary in' but that can be side stepped with a small mixer. All in all a great buy for a very big sounding little D amp that can almost fit in a jacket pocket.2991tom
I bought this as a backup to the TC 450 and I was blown away by the sound and tone control this little unit has. It was between this for a backup and the Trace Elliot Elf. This unit at he Sweetwater price or an an Elf for $100.00 more. Easy decision to make and the results are amazing. More power than I will ever need. Driving two Hartke HD112 cabinets. Works great!bigmackstrains
16. Kemper Profiling Amplifier – White
Product Details:
The kemper profiling amplifier enables you to do what generations of guitar players have been waiting for: to capture the soul of all your amps (and so many more) inside a lunchbox-sized amplifier. with cutting edge technology kemper captures the sonic dna of virtually any guitar amp for vivid and dynamic sound. they were created by professional guitarists, engineers and producers in studios all over the world. right out of the box, you will find classic tones of studio standards as well as profiles of highly sought-after amplifiers, some costing many times the price of the profiling amplifier. if you are looking for a particular sound, search the rig exchange database on our website, and download profiles and rigs from fellow users. you can also make your own profiles from your gear. kemper will be working tirelessly to create new profiles for you to download for free from their website as well. they employ the same techniques an engineer would use to create a great guitar tone in the studio, so you can be sure to receive authentic sounds from this digital guitar amp. if you are tracking in a studio, you can profile the guitar amps that you record with. later, you simply take these profiles with you and know that you can recreate the exact sound of the recording, both in rehearsal and live on stage. play completely different amp models rather than just switching channels on stage. create your own profiles from your own amps. share your own creations. find other user creations.
Specifications:
| Finish | Black |
| Year | 2011 – 2022 |
| Made In | Germany |
| Electronics | Solid State |
| Reverb | Digital Reverb |
Reviews:
Recently bought this thing after saving up for months. I pretty much ripped it out of the box, plugged it in, powered it on, went through the very quick and simple setup process, and in minutes it was ready for use. I’ve now had it for a few days and already it has made my life a ton easier. Being a musician that goes on the road a lot, carrying around an amp can be a huge hassle. The Kemper eliminates that hassle, while also maintaining an amazing tone. A few things to keep in mind, though:
1. It doesn’t create an EXACT carbon copy of your amp, but it comes EXTREMELY close, so close in fact that I, having played guitar for around 7 years, can barely tell the difference, and the very microscopic differences there are, are nothing that can’t be ironed out with small tweaking to the EQ, specifically the high end
2. The volume may vary depending on how the venue has their sound system set up, so that’s something to be mindful of. You may switch on and blow eardrums at some places, or you may switch on and barely hear anything in other places, so be mindful of that.
3. You will have an amazing tone, so just be mindful of that as well. Even the stock profiles sound great, but the Kemper is taken to a whole new level once you start using your own profiles, as well as commercially sold profiles, such as the ones from Tone Junkie.
The built in Performance mode also allows for a seamless switch between up to five different rigs at the click of a button, which would be impossible to do using only analog gear.
The Kemper can be a pretty big learning curve, though, especially for people like me, who have used analog gear for years, and were even leery of making the switch to digital at first. But after the initial learning curve and getting familiar with it, I promise you will be glad you made the switch.Brandon Johnson
I bought the 600w version after a ton of research and inner debate. I had solid state rack stuff in the early 90's and hated it. It always had something missing from the tone, it seemed shallow and fake. I turned into a die hard tube guy after that. I pledged never to buy any computer amp ever again. I dismissed the Kemper at first. But once I saw some videos and heard some profiles, I was a little interested. I couldn't get past buying a computer and having 1000's of tones at the turn of a knob. Once I heard it live, thru a cabinet in a rehearsal space, I was floored and very surprised. My friend went from a 68 Marshall to a 6505 to a Fender Twin Reverb with a turn of a knob in seconds. I've owned very expensive tube amps with very distinct tone signatures I thought could not be replicated. I was 100% wrong. I profiled my Engl head and did a blind test to see if I could tell the difference in tone once I shaped it up. I honestly couIdn't tell the difference. When I guessed, I picked the Kemper 4 out of 5 times. I went to the rig exchange and found a profile that was reasonably close to a 59 plexi. I tweaked it for 10 minutes. Within that 10 minutes, I saved thousands on a new tube amp. The Kemper is a perfect fit for the skeptic. There's a million forums and tutorials out there so you'll never feel lost. Once you learn the menus and how to dial in a tone or profile an amp, you're hooked. This is the most versitle amp I've ever owned. I am completely satisified.Rob
Like the title says, you can find 1000's of these for sale used and there's good reason for that. It doesn't sound like tube at all. I think it's good for the studio where I've used one. But live? If you're fine with a solid state head, then fine. The modeling really isn't any better than higher end Line 6 modeling. This past labor day, Great White was playing a festival near by. They had a total of 8 Marshall 4×12's on stage with 4 DSL 100 heads. Not one of them was powered on. So I looked around for what they were going to use, I saw 2 Kemper Profiler heads. 1 for each guitarist. The sound was absolutely terrible. Neither amp sounded anything close to a Marshall or like tube for that matter. You could hear the cab emulation a mile away. At this price point go another direction. Unless your application is purely studio.guylemieux
17. Fender Mini Deluxe Amp
Product Details:
The fender mini deluxe amp has a level of detail unmatched by any other mini amplifier. functional "dogbone" handle, chrome control plate, mini chicken-head knobs. and the mini deluxe has fender tone, too! one watt of powersingle 8 ohm, two-inch speaker9v battery-poweredheadphone out
Specifications:
| Weight | 5 lb |
Reviews:
I picked this up for my son so he could practice around the house. Killer stocking stuffer! When the son is away the dad will now play. I started playing my Mustang Bass through this and it did the job. It's a small amp, not a practice amp. This is perfect for camping trips, rocking at the office or kicking it in the backyard. Oh yeah and you can plug in 1/4 headphones and keep the concert to yourself. It runs on a 9-volt battery or you can plug in a 9-volt adapter.SERGIO
Took a chance on this and purchased it without every playing it. Watched video reviews on it and gave it a shot. Yes, I know that it's small in size, smaller than a kids lunchbox but I hoped it'd produce quality sound and what I got was muddy sounds at increased volumes. It's not clear sounding and my goal to play through an amp is to sound good and I felt if I actually played this in front of people, the muddyness would make me sound amateurish. So, for what you pay for this, yes, you get amplified but it's not real great quality, unless you're a metal player because you don't get a clean sound from this. I rate this 3 stars because it's convenient to have a portable battery operated tiny amp that you can plug into and get sound from, however, the quality almost makes you not even want to play it.Jesse
This ain't no micro cube or vox. This less than 20$ & runs on 1 9v battery or 9v plug in the wall.(transformer not included)& Holy Friggin' Smokes does this baby perform.Monster overdrive tone & super bright, clean tone.Headphone input.Probably exceeds 60 decibels,which is beyond city ords. could get U a fine it's so damn loud. My Strat Squire sounds soooo Fender good out of this lil sucka & my electric/acoustic, sooo crisp.Ultra light to carry around.I've been using the JOYO mini,I love it,plug in,no chord,fun but this Fender mini is a bit more.More tone options and louder.I've yet to find out how quick it eats batteries. The JOYO burns them up fast.Get the rechargeables.Also the JOYO has an MP3 input.This doesn't. I run guitar strap thru the handle so the chord is like non-existent or U can old school it and have a 10 or 20 ft chord.So light it can be pulled over by the chord.These mini amps also pick up radio signals. When I turn them on I can hear radio stations at certain angles. So get 1 for the road.It's all about the fun.annoyingted1
18. Fender Bassbreaker 15 Combo Guitar Amplifier
Product Details:
Supercharged with a plethora of flexible features, the bassbreaker 15 is a top-notch performer for stage or studio. this chameleon-like amp creates its magic with a trio of 12ax7 preamp tubes feeding into two el84 power tubes for 15 watts of tight, modern tone. the all-new three-position gain structure switch gives the amp three distinct “boutique” voices, ranging from mild to wild. they’re all tasty and touch-sensitive without masking the character of the guitar. recording-friendly features such as xlr line output with switchable speaker emulation and power amp mute make it easy to lose yourself in the moment without getting bogged down by the details. and a level-adjustable digital hall reverb adds just the right amount of ambience. the handsome new bassbreaker cosmetic treatment includes dark gray lacquered tweed, oversized pointer knobs, fender “block” logo, and more. with great looks, tone, and features, the bassbreaker 15 is destined to become a goto amp for rehearsals, gigging and recording.
Specifications:
Reviews:
When I was researching for a good tube amp, I loved what I read and heard about this amp on YouTube and review sites. It was everything I wanted: excellent tone, quiet enough for home but enough punch to gig with, and prdal friendly. However, there was one glaring review that jumped out at me: several people reported recieving an amp that wouldn't work out of the box. But it was only a few people, right? Coincidence maybe. Allow me to introduce myself. My name us Mark and if anything bad can possibly happen, it'll happen to me. When the amp arrived it was a late day from work and i only had time to unpack and visually inspect. Everything looked good and I placed it among my gear. But when the weekend rolled around, I plugged it in and nada. Lights came on, but not a single sound from the amp. I reviewed the manual and checked the fuse but we were dead in the water. This is the point where you write a bad review, correct? Well, I contacted Musicians Friend and they went above and beyond to help me send the amp back at no cost and had a replacement on the way immediately. When it arrived I have to admit that I was pretty nervous opening it and plugging it up. But with the first notes played, I was elated. The amp was everything as advertised, and sounds amazing. I'll never know for sure what was wrong with the original amp but tubes can be a fickle thing when being shipped. My story was an adventure, but it has a happy ending. I 100% recommend the amp and if not for the original hiccup, my review would be 5 stars. Thanks again to Musicians Friend for their support.Mark K
These are my initial impressions and I've been playing for fun for about 25 years, but haven't played electric guitar for about 7 years mainly because my Gibson goldtone head and cab are just so loud that I preferred playing acoustic guitar. I finally decided I needed a usable amp and first got a positive grid spark. That's still an impressive amp, but it got me really wanting a great tube amp that was more appropriate for my situation. I looked at boutique amps and really liked some black star stuff, blues Jr, and several others. A buddy who had gone through similar struggles, but actually bought some amps and used them and with my experiments with the modeling amp as much as I could and my experience back when I was in bands and playing around with a bunch of different setups, decided to go with the bassbreaker. Wow. It's so versatile and so easy to get good tones from. I was honestly thinking of swapping speakers or something else but I can just simply get so many great tones. It really reminds me a lot of most tweed amps, some Marshall amps, some mesa amps and a bit of the reverbs and the bassmans (I haven't played these in a long time though). It doesn't mimic my Gibson Goldtone with 1×12 and 1×15, but at this point I don't care and actually found that I don't really want to emulate that amp. I will admit I didn't use that cab with this combo nor have I done any recording with it. I know this is all completely subjective garbage, but that's mostly the nuances we face in music. Go play it in person or trust me that it's got a great versatility for maybe a gritty jazz guy to metal recording (most metal guitarists use more gain and fuzz than make it to a recording).Joe R
After trying many different amps in this price range I found this one used. I was instantly impressed by the tone. The updated tolex, knobs, and speaker cloth were a definite improvement visually. Mine came with a greenback speaker. Swapped it for a g12H30 and sounded even better. Left it on over night by accident one evening and experienced the redplate issue others have reported. The way the amp head is designed makes it virtually unserviceable. Several circuit boards crammed into a tiny space. The back plate is wired into these boards. Some tech's won't even touch it. Check youtube. Even using today's technology Leo Fender would have never designed it this way. Fender corporation is a disgrace!Chuck
19. Positive Grid Spark Mini 10w Battery-Powered Stereo Combo Amp Pearl
Product Details:
Battery-powered portable practice amp and bluetooth speaker with smart app integration and big, beautiful multi-dimensional sound. take your tone anywhere! a full on guitar amp in a weight class of its own, spark mini is the perfect portable travel guitar amp that fits anywhere. and with rechargeable battery power, you can listen or play all day without missing a beat. get a decade of guitar modeling knowhow to create hyper-realistic guitar amps and effects, powered by our award-winning bias tone engine. spark mini includes access to tonecloud, an ever-growing library of presets created by guitarists worldwide. make spark mini part of your own compact recording studio. simply connect to your computer to record using the included presonus studio one, or any daw software or platform. our smart out lets you choose between headphone or line out for versatile listening. electric, acoustic, or bass. all guitars are welcome with spark mini, full, meaty lows and pristine highs make electric guitars bite, acoustics sing and basses rumble. you’ll be blown away.
Specifications:
Reviews:
Have the Spark 40 and am very happy with it. The Mini, not so much. Biggest issue is that it is much to easy to overdrive the speakers, especially the bass. It is not very loud. It's OK for a small quiet room, but I really can't use it outdoors on the patio. It works best sitting on a reflective surface like a table. You don't want the bottom mount bass speaker facing, say, a rug. I love the iPhone / iPad app. It has a good variety of amps and pedals, but you really can't get the same sound as a tube amp like my Blues Jr IV. While it has a variety of reverb pedals, it does not have spring reverb. A big disappointment. I really like that it is battery powered, usb chargeable and really like the Bluetooth speaker function.Dave
I fell in love with the capability of the PG Spark 40 and I had to have this mini for it's portability! I pre-ordered mine direct from Positive Grid when they were running their pre-production discounts. I've been playing on and off for about 30 years. I wish this was available then instead of that clunky, weak Squire 15 amp I started with. The app for Android and iPhone opens up all kinds of possibilities! A starting musician and use the features to play along to their favorite songs or you can look up backing tracks to tinker along with. The standard hardware sounds are very warm, and the tone cloud gives you access to an unfathomable amount of tones modeled after near all of your favorite artists! It is more than enough to appeal to the budding guitarist to keep you interested! And for more experienced players, the options that are part of this thing are incredible, and will have you noodling with your Sunday morning coffee before you know it! Got the PG Spark 40, ABSOLUTELY had to get the Mini! If you're on the fence, you won't be disappointed!Dave
The sound and tone quality from such a small amp is amazing! It sounds huge. You will quickly forget you are playing through a 6 inch cube. There are a bunch of amps and effects to create your own sound, and the Smart Jam and play along features are both fun and inspiring. Plus, the various tones in the ToneCloud are great for matching a tone to a song you are learning to play. Believe the hype from the reviews online. I will say that this is amp may not be for everyone. At 10 watts, it is not loud enough to gig with. Plus, I would not recommend this for a first amp. There are a lot of options that can be overwhelming for beginners, and the limited on-board options do not allow for simple plug and play. Beginners may want to start with something like a Black Star ID Code. There are also a few things I am not crazy about. Because of the limited on-board controls, 6 to 8 presets would have been better, plus the default presets are not that good. The amp models in the app are OK, but some sound too similar, plus each amp has the same knobs (Gain, Bass, Middle, High and Volume). Nothing to distinguish one amp model from another (Channels, Presence knob, Intensity knob, etc.). The same goes for the reverb pedals (each has 6 knobs whether or not the pedal being replicated has 6 options). The Vox Tone room has better amp and effect modeling but does not have all of the other jamming and recording options. So all of that being said, this amp is still fantastic for someone with some knowledge of amps (for example, the difference between gain and volume) and is looking for something small and discrete to play around the house (or apartment) that does not want to sacrifice tone quality. The battery power is nice for playing anywhere without having to plug it in. I've played mine for a couple hours without having to recharge. It is also a great option if you want to record your work. All in all, this is an innovative amp that is just fun to play, has a ton of options and sounds way too good for its size. Get one, you'll love it!Dan
20. Blackstar Unity 500 Bass Combo Amplifier
Product Details:
Blackstar unity 500 the blackstar unity 500 gives you a powerful, 500w amplifier for bass players. as a result of hours of technical research and benchmarking, the unity 500 is straightforward and powerful. boasting deceptively simple controls that allow you to quickly and easily create your tone. with rock solid bass, detailed dynamics as well as innovative features; these unity amps are available in a range of options between 30 and 500 watts. what’s more, its unique response control allows you to choose between the sound and feel of three classic amp stages. so you’re able to shape compression, natural drive, and dynamics. combine this with three distinct preamp voicings and a 3-band semi-parametric eq; the unity 500 will give you a flexible bass tone and the exceptional response of classic valve amps. above all, the unity 500 delivers the ultimate tone for any bass guitarist!
Specifications:
| Weight | 48.5 lb |
Reviews:
Overall: I was expecting this thing to really thump/rock—-eh, I guess after trying to tune itin to just one good sound it was ok. It has a buttload of features but I found most ofthem kinda cheesy. I have had a few BS guitar amps that just plain sounded great!As bad as this sounds–I just replaced the BS B210 with a Bugera blx115 with the paper cone—IT SMOKES THE BLACKSTAR—just sayin!Rodney
I purchased this bass amp for shows and rehearsals. First off, the onboard distortion was exactly what I was looking for. Easily controlled, and clean sounding. Doesnt get in your way. I didnt use the other effects much though, as my bands sound didnt need the verb, chorus or octave. But even the compression/tube emulation sounded great. It is plenty loud to jam with a band, or on about any stage size. Would buy again.Chase
I’d never had any experience with Blackstar products so I didn’t know what to expect, I must say, I’m very impressed. Build quality is exceptional, pots are all very smooth and linear. The tolex is beautiful and feels very high quality. Features are well thought out. The compressor is subtle and effective (it does exactly what a bass compressor is supposed to do!) Amp models are useful without being way overdone. The chorus is interesting, not something I’d really find myself wanting but it’s a fun little bonus. I really like the tone controls having a parametric eq for the mids, with sweepable freq. All in all, a very solid little amp, great size for practice but 60 watts into a 10” speaker would do very well in a smaller venue and/or a small acoustic gig. Hope Blackstar decides to do a head version with aroun 500 Watts, I’d be inclined to add it to the gigging setup for sure!
Related posts:
- Play Bass Through Guitar Amp For Sale (Jan 2023 Update)
- Rechargeable Battery Powered Guitar Amp For Sale (Jan 2023 Update)
- Play Electric Guitar Through Headphones For Sale (Jan 2023 Update)
- Learning Pedal Steel Guitar For Sale (Jan 2023 Update)
- Learning To Play Bass Guitar For Sale (Jan 2023 Update)
- Pink Les Paul Guitar For Sale (Jan 2023 Update)
- Play Bass Guitar Online For Sale (Jan 2023 Update)
- Amp For Both Guitar And Bass For Sale (Jan 2023 Update)
- Bass Guitar And Amp Combos For Sale (Jan 2023 Update)
- Play Electric Guitar Without Amp For Sale (Jan 2023 Update)
