Pedal Steel Guitar Amplifier For Sale (2024 Update)

If you're expecting an amazing Marshall sound, you might want to invest in some of the bigger amps Marshall has to offer. If you think you can get a concert level sound out of this little guy, you will not be the happiest person. However, that level of "high" expectation would not be very reasonable or even realistic for such a little amp. This is a very cute, small amp that will help you plug your guitar so you can practice quietly in any room in your house without annoying your wife. It will distort if you crank the volume all the way out, and if you're used to the full sound of a bigger Marshall (like I do) it might make you feel like you're hearing your guitar over an old telephone (just my opinion). However, if you calibrate your instrument volume & tone you can find a happy medium. With that said, for the price it is a very nice solution to practice and if the sound seems too weak for you, you have the choice of putting headphones. I personally use it just for practice on the fly, it serves it purpose, but then again I was not expecting the best sound output. So I am happy with the purchase.BeeZee

It's basically a toy amp. I can see it being used as a portable amp for non-serious performance. Personally, I like it for a quick jam and for (relatively) quiet practice in my apartment setting. Won't disturb my neighbors but it does get noticeable at the highest volume. That and the overdrive knob are the two main controls. By default it just does a clean sound but overdrive lets you toggle in some gain for that distortion. It has a good look that definitely models after its bigger brothers.Rick

I don't know what some of you guys expect from this thing, but be realistic: it's an inexpensive 5 inch tall, 1 watt amp. It's not designed for anything but sitting in a chair and entertaining yourself or a couple of people. Within that context, I enjoy this thing and sometimes get it off the shelf and play around with it for awhile. Also, when I owed somebody a 1 minute long riff for his podcast and my main amp was getting some regular tech service, I plugged my American Standard Strat into this thing, mic'd the amp, used the OD channel with the volume and tone both on 10, played the part, then added tons of bass, reverb, and chorus to it in post, and it sounded great and nobody ever knew that I recorded the part using a 5 inch tall amp. It is what it is as long as you don't expect the world.Steve

I like tube amps. That’s a fact. I’m too old to change my mind. No one is ever going to make a solid state amp that I’m going to enjoy as much as a tube amp. That being said, I like this amp too. It’s not going to replace a black face fender or $3000 boutique build. But it is great to have around for an impromptu jam or small club show. I keep it on a pedal board with a few dirt boxes, some modulation pedals, and a e.q. I can get a pretty great tone from it with the right settings. Plus I’ve got a 1 year old that takes a lot of naps, and this thing gets real quiet. I plug it into a 1×15 can and noodle around at home or with friends and it does the trick, especially if you put a little reverb and low gain o.d. In front of it. Is it worth $400? To me yes. It’s a small solid state amp with superb cleans and does what it’s suppose to do well. But I’ve also got tube amps for a more harmonically rich tone. I wouldn’t buy it as my main amp, but for small gigs and ease of use it’s a total winnerNik

Honestly thought I was settling with this guy and assumed I’d be returning it for something with more power. Boy was I wrong. This little dude powers my orange PPC412 with zero issues and is super loud. I’m currently using the helix stomp as my live rig to the powerstage and right to the cab. I’ve got the volume set not even at 20% and it can be heard over another guitarist, bassist and drummer. 10/10 recommend this guy.David Scott.

So I got an idea to build a fly rig basically everything I need in a pedal bag. I ordered the on-stage pedal bag from MF which is perfect heavy construction and and quality bag with just a few pedals and the right distortion pedal the power stage plugged directly into a cabinet 412 or 212 actually sounds so much better than my other amps. Because I like the power stage I am actually going to get a backup and sell my other amps because I don't need them anymore. What a great idea just a pedal bag and the guitar that's all you need I highly recommend the powerstage 170 I did research on other brands and decided to try this with the built-in 3-band EQ you can do some quick tweaking on the Fly for whatever room you are playing in. Honestly I don't write reviews but this pedal is such a game-changer I had to post one. So pick one up you won't regret it and check out the affordable on stage pedalboard with bag.Stevo179

I've owned this amp for a few years. With the clean channel engaged, it sounds great with pedals (mxr super comp into boss od) and gets surprisingly loud for a small apartment. I dont think it would be loud enough for most band practice settings as far as volume. The biggest gripe I have with it is that it defaults to the distortion channel, which is useless for any application. Muddy, buzzy, no low end, no smoothness… just rigid cold distortion that muddied your notes even with the gain at the lowest settings. It's in fact the worst distortion I've ever used. Whenever I turn it on, I immediately switch the channel to clean.Alan

Bought this for practice when lower volume is required. Looks great, Sounds great. From the research that i've done, this is the best sounding solid state amp of is size and class and i feel like the research really holds up!Tony

This amp is perfect for the practice I have. The clean has amazing clarity and the overdrive has enough grit to fool around. I can experiment with any pedal as well. Sounds great. Great purchase.EDGAR

Can’t speak for anyone else but this is perfect for my needs, I wanted to go digital but the thought of having to learn how to use a helix or a kemper was off putting. as tech-phobe, I needed something that was very simple to use and this fitted the bill, i use it with my pedal board and a 2×12 cab and the sounds it great. This is the best purchase I have made in a long while.John

This isnt at all what its claiming or attempting to be and am I disappointed! Joyo pedals are an amazing godsend as far as stompers go, the Zombie amp is a 8 out of 10 for sure, but this is completely underwhelming. I'm trying a few different ways and I am not liking it. I could have bought a few pedals for this way too high price tag in hindsight. Bluetooth is revolutionary on amps, but the cell phone store has better options, with more versatility. Please, how do I correct this mistake of choice.eralc40

Great Little amp. Fantastic sound, Tracks nicely. Gig worthy, Sounds Great with some Greenbacks. Sounds more like a classic jcm800 than the new jcm800 studio. no need to hot bias this one. I am going to buy more Joyo Products. Very soon.robdam-7654

Needed something with a headphone jack. This fits the bill. Pretty nice sounding micro amp. Brown sound pedal on the dirty channel actually allowed me to do hammer ons, which was new to me. Plenty of gain if that's what you want. Clean channel sounds pretty good too. And as portable as a sack lunch!nieltj

I recently replaced a 5 watt Roland cube street with the more powerful cube street EX. I was disappointed that the EX did not come with Roland JC setting. The clean setting on the EX produced a sterile, cold sound that I warmed up nicely with the Behringer tube modeler. This was my only reason for purchasing this pedal. I have occasional use for a battery operated amp and this pedal allows me to get the warm tones that I require.Richard

Case is plastic to evidently help with cost. With the cost of musical equipment any help is great. I take very good care of equipment so I do not "stomp" on them. Pedal has quality sounds that seem to work within relm of eq'ing. This pedal has it's own drive built in although a bit sensitive. Take your time and you can dial in some quality tones and sounds. I play lots of various music ranging from southern, blues and Christian rock and have been able to fine something nice that works with each style or genre. Again the pedal controls seem a little sensitive so take your time when you start with the pedal. I enjoy expermiemting so this facet is a-ok by me. Over all good pedal.Bo L.

I needed an inexpensive practice amp for home use, so I bought this amp – big mistake! I wasn't expecting the sound of a more expensive amp, but this amp is nothing more than a noise machine. The sound is filled with static and noise to the point it is unusable. The static and noise push the little sound you get to the background. Maybe, I received a bad amp, but I'll never know since MF felt the issue lay with my personal sound quality preference and not the amp. Apparently, for MF the sound quality is good enough for an inexpensive amp, and the customer should be aware. To a degree, MF is right – I should have known better, but I never thought there would be absolutely no sound quality. STAY AWAY FROM THIS AMP!Jack

Originally purchased a Rogue Rocketeer Electric Guitar Pack, which included this G10 Amplifier, for my Great Nephew for Christmas. However, the one which came with the Pack didn't sound right and quit completely after about 15 minutes. I notified Musician's Friend Customer Service about the problem and they immediately took care of it by sending a replacement. The replacement arrived and it worked fine, and sounded good for a 10 watt practice amplifier. Was very pleased with the sound and quality. It even has a little drive button which gives the amp a little bit of distortion if you like to play that sort of thing. Very pleased with the product and with Musician's Friend for making things right.Music_Al

I was getting a beater electric guitar for my new place and needed a small, inexpensive 10W amp. This was just about the cheapest thing on the market that met my criteria. Frankly, I was just blown away. It sounds like a legitimately good amp. Powerful too; I haven't once yet moved the volume knob higher than about the "2" setting when in overdrive mode. At the price it was everything I could have hoped for and then some.Z

Where do I start? Well, how about, this is the best tube amp I have ever played! 62 years with many guitars and many amps, some owned, some borrowed, and some tested in music shops, might give me a little credibility. I have loved a Fender Twin Reverb, made in the 50s that my uncle Keith, and my guitar mentor, loaned me for a while. It just sounded so good. Never could seem to find cash, or justification to buy a tube amp, but have owned a hal a dozen solid states. THEN THIS LITTLE BEAUTY! Having played the Twin for a couple of years, and others such as a Mesa Boogie, VOX's, and too many others to recall, THIS monster sounds like most of them with just little tweaks of the knobs and my guitar switches. I have played country, 60s and 70s rock, blues, finger-style instrumentals, gospel, etc. I believe this is the PERFECT combo, with the correct (JJ) tubes, a sweet (and dirty when desired) Seventy/80 speaker, and an amazing diversity of sounds, which works in every genre I play! I do not know how anyone can find reason to bad mouth this. I had it for 2 weeks, was asked to fill an absent, guitarist's spot at an outdoor venue, I took this little amp. We played to an area the size of a football field. I set the amp on 1 Watt, until I could hear it cleanly (behind me on stage), let the sound man mic and mix me in. Never had to turn it above about 4, with gain between 1 and 4, and many complemented me on my sound, and musicians asked me WHAT IS THAT LITTLE AMP? Those are the good points. I can only think of two piddly things I would like to see changed, and one would be a standby switch, and the second being a way to run the external speaker WITHOUT cutting off the amp speaker. Until then, I will just keep playing this sweetheart amp, and enjoy the statements about "my sound," and the question of WHAT IS THAT LITTLE AMP? Keep playing everybody…and maybe buy one of these. I do not believe you will regrety it.New User

These amps are fantastic, and at these bargain prices you simply can't go wrong. I upgraded the reverb tank in mine to a Mod and changed the speaker for a Warehouse GC12. OMG, this thing is a beast! Another WGS option I've seen people use is the ET65 for a more British tone, also with good results. The stock speaker is not too bad, but this one simple upgrade of swapping the speaker takes the amp to the next level. It just sounds awesome. The upgraded reverb tank is also an improvement, but not as much as I thought it would be. If I had to do it over again I would just take out the stock tank and use a pedal for reverb and make the amp even lighter to haul around. The more important upgrade imo is the speaker. It really makes a world of difference. Grab one reasonably while you still can, the price keeps creeping up and up and up… !Jeff

After a number of FEDEX issues, I received my amp about 5 days later than estimated. It did arrive in excellent condition and was worth the wait. The Stage Right 611815 has a really sweet tone that sounds particularly good with the single coil pickups on my Fender Sratocaster Player. It breaks up nicely! The reverb works perfectly, and is fine for most playing but you might want an external reverb unit if you are playing Dick Dale tunes. A really nice feature for home playing is the 15W/1W switch, where you can limit the amp to 1 W (be aware that with sound, you have to increase the wattage by 10 times to double the perceived volume, so the 1W setting is a lot more than 1/15th as loud as the 15W setting). It is a bit unusual to have a tone control along with the more common bass, middle and treble controls. Personally, I would have labeled the Tone control as Presence, because that is what it seems to be. I have mostly been playing in the 1W mode with all the controls (including reverb) at 12 o clock, and that is working out great. As far as construction, the amp looks fantastic and gives a vintage look that hints at its tone! The dark grill cloth provides a nice contrast with the blonde tolex, giving a true vintage appearance. The retro red, jeweled pilot light and metal toggle switch complement the vintage styling Keeping with the vintage look, the control panel is chrome with retro chicken head knobs. As others have mentioned, the control names are a little bit difficult to read on the chrome panel. After you use the controls once, you know where they are, so does it really matter (I noticed the blonde version of the Fender Blues Jr also uses a chrome control panel…probably where Monoprice got the idea)? The tolex is neatly installed and glued, at least the parts that are exposed. The leather handle is also reminiscent of old school amps. And I really like the metal corner protectors…very nice. As proudly announced by a badge on the front panel, the amp is equipped with a Celestion speaker…a Seventy 80 The only criticism of the construction, and it is minor, is that the 8 external screws are not chamfered properly to mesh with the finishing washers, which result in the screw heads protruding above the washers. The amp has a jack for an external speaker. When you plug in an external speaker, the internal speaker is shut off, as is common with guitar amps. The reason is if you plug in an external 8 ohm speaker and the internal speaker would still be on, a (combined) 4 ohm load would be presented to the amplifier, which it is not designed to handle. The back is open. The line cord is not detachable, but can be conveniently stowed in the back of the amp. The amp has an effects loop, which I have not tried yet. The amp is now equipped with JJ brand tubes and a metal, two spring, reverb tank, which are upgrades from the original issue I wish I could find a nice, economical (i.e. $20) dust cover for the amp. The only ones I can find are priced at $50 or more, a bit much for protecting an inexpensive amp. In conclusion, the Stage Right 611815 amp looks great and sounds great, and I highly recommend it.Chris

I've had a Milkman Half and Half Pedal Steel since May 2017. It's designed for Pedal Steel and it's just about perfect for that or any instrument that calls for clean headroom. I use mine with a 4 ohm Telonics 15" speaker. It has everything you'd need for a compact steel guitar rig: – Plenty of clean headroom. Sounds the same at practice or gig volume. – Light and small. The size and weight in the description is not accurate. It's only 12 pounds, and 16.5 W x 8" H x 7.5" D. – Tube front end with 3 band EQ. Nice warm sound. Easy to dial in. – Lush analog reverb – Takes pedals well. I use mine with Sarno Earth Drive and Solar Flare pedals. No FX loop – not an issue for me. – Direct out with volume control for home recording – Excellent build quality. Lots of high end electronic parts. Hand wired. I've also used it for fiddle with an Alix preamp, and Telecaster using the bright switch and Sarno pedals. Both sound very good. I've contacted Tim at Milkman Sound by email several times and always got an answer within an hour or two.tmd

The Milkman Half and Half is designed to be used with Pedal Steel Guitar, which requires a tone of clean headroom. The amp is super light, sounds great, easy to use, not a tone of controls. If the amp has one shortcoming it would be the reverb is a tad short in the "lush" department. Easy to fix with a tube change or just use a reverb pedal.Deluxe68

Boutique amp? – I don't think so !!! Wouldn't be surprised if it were made in China. Where should I start: Power: 300 watts? A Joke. I have a 30 watt Matchless that is not only much louder, but it is also much cleaner at high volumes. Service: while MF has always been great with service, try contacting Milkman. You might get one general email response, but after that, he won't respond to technical issues. One man shop? No thanks!!! Give me a company with at least a few people to respond to customers who are having technical difficulties and are spending big money on mediocre amps. To contrast, I purchased a used Fender Hot Rod Deluxe III a few years ago, and the Fender blows this amp off the map, with less quality control problems too. Let the buyer beware !!! I would never recommend this company to anyone, even my most despised enemies.sparrow

Overall: Recieved this amp on saturday. Took it out of the box, looked great. plug in to 4*12 marshall cabinet and turned on to standby. Plugged in my Westbury custom to test. From the very beginning to was cracking, snapping then full blown static. I played all of two minutes before it started picking up radio signals and static was loud. No guitar signal was heard. Im not sure if its inherent in these amps but I am returning and not wanting another egnater productsVito

My Tweaker 15 half stack is my primary gigging amp. I don't like a ton of stage volume, and in any case this little rig is a lot louder than you'd expect from 15 watts. Using an angled-back stand for the cab, I can point it at my ear level and hear myself just fine w/o having to have guitar in the monitors. Hang an e906 in front of the speaker, and good to go. This rig's best feature is the broad range of useful tones. The various toggles and knobs actually DO something. Since I switch up between twp very different guitars (ES-335 to G&L SC2) in our current live sets, making a couple-three quick changes gets each guitar into its sweet spot and at the right volume easily. Foot-switchability would be even better, but it's quick enough. The gain control is particularly well done. There's some real range, not the "all or nothing" thing that a lot of amps' gain controls give. The Vintage/Modern voicing toggle offers distinct differences, as well. This rig takes pedals nicely. I use both individual stompboxes (recording) and an M13 (live…don't hate!), and both sound good. The one thing I dinged it a little on was that the lower ranges on the Master Volume aren't as useful as I hoped they would be when using the Gain. There's a big, non-linear jump in volume in the first quarter of the dial's movement. Not only does this jump bypass the volume I really wanted (for apartment playing), but the tone on the low side of that volume jump isn't nearly as good as the tone AFTER the jump. Not a problem on stage or even recording, but for those who have to be concerned about volume at times, it's not an ideal practice amp. Bottom line: a lot of great tones at a price that makes touring with it less nerve-wracking.David K

This amp provides a much better value than similarly designed amps by the top manufacturers. I was looking for small wattage amp to get natural tube break-up (previously playing 100 watt fender twin) at small room club-approved volume. I was down to this amp vs. Mesa Express 25 watt. Although the small Mesa's like the Express and TA models have more channels, I just really felt that the 2 channels of the Egnater were more versatile and responsive. I truly feel this amp does the best job of getting a Fender-ish clean and a Marshall-y overdrive in 1 amp. The overdrive channel is what really sold me. The dynamics make it really fun to play. It can get very saturated without sounding metal, and it compresses naturally. I've used on a couple recordings and can't believe the sound is coming from one 12" speaker and a 30 watt head. Sounds way bigger. This channel can also be used as more of a dirty clean channel. That is my one major qualm with this amp though… I like that the new 2 channel tweaker has a gain knob on both channels. I wish I could get a Stones-ish breakup sound using the clean channel on this amp without turning up to 10. So i'm forced to use a pedal and that's just not the same. Oh well, can't have everthing. I still wouldn't get the 2 channel tweaker because this overdrive channel is better to my ears – way more dynamic and responsive. The clean channel is stll great and I can turn it up to like 6 on gigs and get warm sounds. It can still get me the Fender cleans that I need – or close to them while still having a solid overdrive sound at the same time. That's the big win here. I agree with most that the wattage knobs are pratically useless – but to me, having both set of tubes is so cool. Clean channel can truly sound either Fender or Vox on 6V6 vs. EL84. I love being able to get Stratty Fender sounds with 6V6 and then flip to EL84 and get my Tom Petty sounds going. The distortion is slightly creamier with 6V6 but I like the feel changes depending on what guitar I'm playing. In general, it's nice to have 6V6 for strats and EL84's for Les Pauls all in 1 amp. I've had no issues with this amp (knock on wood) and have played steadily for over a year. Overall, this amp has 2 great channels instead of 4 decent channels. That's how I feel about it. Again, I wish they would have thrown a gain knob on the cleans for a slight break-up at low volume, but that is my only qualm. However, I'll gladly find a pedal solution for that instead of paying a lot on a bigger name brand. Thanks Egnater!WarrenHaynes4Prez

I have played through the almost decade old THR10c, which is a fantastic little amp. Through a SM57 in front of it and out to the PA and you can sound great. But I thought that by now, with Yamaha buying Line 6 about 5 years ago, the newest version of this little amp would have some state of the art effects. Wrong! The effects, and the apps that control it are seriously out of date. I mean, the reverb, tremolo and chorus are fine. But they remain exactly as they did ten years ago. No upgrades and nothing fancy. The app is poorly designed and not that easy to use. and there is no way that I have found access the THR10C classic blues models all in one place. So its actually hard to get the classic blues and country sounds that I need all in one place. I went back to my THR10c and sold the new one.Bruce

dial in your sound in seconds not minutes, I look at it and then I want to play my best, those amp lights man, wow, dim the lights you will see. No instructions needed. if you need to move some Air for clubs shows or band practice this is not the one for you. What it does is creates a killer vibe for personal guitar growth, very organic and the tones? Man, you have got to play through it to believe it. It will cover any genre and crash most all the competition in the personal practice amp catagory. its about quality tones at lower DBI, it's not a marshal and it doesn't want to be. You can boot this sting up 3 at night and sound like your at an arena in your bedroom without waking up the neighbors and your flat-mates. No getting up or leaning over the amp to adjust setting like a marshal. No LCD's to mess with with or crummy menu diving. Traditional Bluetooth audio is pretty decent for using the amp speaker for guitar youtube vids and playing along instrumental tracks. Someone else said terrible sound, what??? you have got to be kidding me, id call that person an amateur guitarist. the biggest stars have these in the studio, tour buss and green room, hotel room. amazing for writing sounds, its the sound you have always wanted without going deaf sounds good anywhere. saves your hearing from the ringing. if you want to expand this sound on stage get the 30 which has proper outs for studio and stage, and re-amp it. leave it on a partially cleanish tone for your genre, then output to normal amp setup, the smiles will come. Of course many are still going to need their volume pedals but in a lot of situations, if you know how to gain control and then crank it for a lead/ chorus, (id drive it out to the mains / monitors for ramp) but it sounds amazing as you turn it up, the character truly changes, for the better. it's pretty wild. its pretty good about feedback. iv heard people hook these up on tour or use them in the greenroom preshow, it's that good. stick with the new models that are lighter and sound better. these are industry standard personal practice amps. again, if you are gigging you will need some sound reinforcement, but I would find a way myself, it's just not that hard to figure out. it's never fed back at me once and I'm jamming right infant of the cab on me desk. no surprise loud feedback sounds like other amps. small, light goes anywhere. probably need that case if you travel a lot. metal, country, hard rock, pop, blues jazz, hip hop, it nails it. the 30 could drive your current big amp. whatever magic is going on with the sound, full gain w guitar at full gain, is something that has to be heard not seen.J

Upgraded from the original cream colored THR10 after finding out that all three of the original THR10 amps (boutique, classic, and high gain) were consolidated in one amp and that the speakers underwent an upgrade (10W->20W). Sonically, the tones in this amp are superior to those of the original THR10, which makes practicing and playing very satisfying and inspiring. Note: Boutique and high gain amps can only be accessed through the desktop or mobile THR remote app. This isn't the case with the larger THR30 amp. All amp models can be access through the unit. The remote app also allows the user to change cabinets to further tweak tone. Here is why I rated this product 4 stars. * Mobile THR remote app crashes all the time. I've been using the remote app on my laptop exclusively. Yamaha rep informed me that this tends to be the case with iPhone users. Doesn't seem like they plan on fixing this anytime soon. * Setting the unit up as an audio interface was not clear at all. The original THR amps required downloading the yamaha steinberg usb driver and selecting this as your driver in your DAW. After configuring your MIDI and audio source in the DAW, you would then get sound. Well, that's not how it works on this amp. I reached out to yamaha after repeatedly getting errors from my DAW about the yamaha steinberg usb driver. Long story short, tech service couldn't figure out the issue and told me to request an exchange for a new unit at GC. After hooking up the new replacement, I got the same error. Turns out you have to download the ASIO THR10ii/30 driver on yamaha's site, not the most current yamaha steinberg usb driver. Select this driver in your DAW. Then you have to go into the app's settings and check the box for "record dry." Now you can configure your MIDI and audio source. I'm baffled about how yamaha's own techs did not know that the steinberg usb driver is not compatible with the THR10ii/30 amp.Ben G.

Unbelievable. This is NOT my Vox AC30, and nor is it my 100W Katana. However, for a package that is powered by batteries and can, quite literally, fit into the palm of your hand, the Katana Mini is simply fantastic. The amp models are brilliant and the delay (reverb) function is an excellent feature. On "clean" settings the volume of the amp is perfectly adequate and will fill a room with no issues, and on the "crunch" and "brown" settings, the amp was more than loud enough to fill a large room at 2/3 volume. Whilst I personally think that this is not quite enough for an advanced/intermediate players sole amplifier, I would completely agree that for a beginner, they would need no more than this. Having tried options from Yamaha and other brands, this is firmly my favourite battery powered micro amplifier for any level of guitarist and equipment, the tone is simply that good! The best way I can describe it is this – when I first plugged my PRS McCarty 594 into it, I was vaguely aware that I wasn't playing through my Vox. However, after five minutes or so, I had completely forgotten this wasn't a "real" amp, and had to keep looking down at the tiny box on the floor to believe it! Well done, Boss!Mr I. F.

I use it primarily as a practice amp at lower levels, but I'd feel confident doing coffee house gigs with it, and maybe smaller clubs too. It sounds warm and rich at low volumes, and the EQ is effective. All three voices are useful and I'm not left wanting. I have to make special mention of the delay. I adore reverb (including and especially spring reverb and gritty, trashy reverb of all kinds) but a simple delay circuit is way more useful in this amp. Doubling, slapback, echoes. The treble roll-off and fixed feedback are well-tuned. If you're using this for busking or other guerilla performance, you will suddenly realize that a single delay is worth more than a thousand reflections, because those reflections sound godawful* against naturally-occurring surfaces. *maybe awesome in a sound design way thoughChesterfleet

As others have written, I too chuckled when opening the box. It’s smaller than I thought it’d be. However, it can crank. Teamed it up with an Orange PPC12 and scared the neighbors dog. I appreciate not having 15 dials to create tone. For the price, you can’t pass it up. AMS, amazing as usual, speed, easy pay, secure!Mike

I play a Rockerverb onstage and figured hey I'll grab a micro Terror for the studio when I'm working on demoes and practicing. Everyone raves about how it does the Rockerverb thing so hey why not? Don't bother. At best it's a little practice amp but I honestly like my Hotone Heart Attack better. This terror is kind of scratchy and just a little league sound. I love Orange amps but this one pales in comparison to the classics. I guess you get what you pay for but I expected more than this.jq127

I bought this with a ppc108 cabinet – as my review for that cab says, I was very surprised how good and powerful they are together. I thought I would eventually get a larger cabinet for it, but i would only need to if using it for a live performance with a full band. (might be able to get away with ppc108 with a quiet drummer…) For just playing by myself or jamming with other guitar/bass players it is more than enough. This amp can get you great classic rock tone – but I play all styles of music and generally more jazz and hard rock sometimes into the metal range – and this sounds great for that as well. For full on metal you might want to add your favorite distortion pedal but the tube overdrive of the amp itself sounds fantastic! I haven't tried myself but this thing can drive a 4X12 cabinet pretty well according to videos that I've seen. It really sounds like a slightly scaled back version of a full amp head. for the price you will not be disappointed. You could definitely use this for amateur recording – probably professional recording as well but by then you've probably got a bigger amp. Any one who wants a tube amp to mess around with but doesn't have a lot of money to throw around should check this out – or if you just want something very portable. Note that this is a hybrid, it has solid state power and one tube for the preamp, but don't be afraid, it sounds great! It's louder than you might expect and although with the ppc108 it dosen't have extreme low end, it still has good low tones when used with six string guitars in standard as well as C tuning and I have used it with an 8 string guitar, which flops a little on the low string but with a larger cabinet would probably be fine. I highly recommend this amazing tiny amp. Watch some youtube videos if you aren't convinced. For portability the ppc108 cabinet works very well with this and still sounds very nice, but again you can power larger cabinets including 4X12.valvetuber42

So far so good. A little hot with active pickups, def functionally. Appreciate the aux in to feed music or backing track while practicing and very portable. Worth the price.matta2z76

Had my reservations about buying this, a cheap headphone amp, as I have had others in the past and the o/d or distortion always sound awful. Don't get me wrong it isn't replacing my Marshall amp, but for a really portable and handy headphone amp it is great. I can use this, and move, whilst the kids are in bed, no more having to be 2 mtrs from my big amp….. As a practice and experimenting tool I love this!gastall1978

It's better than expected, though the design might not compatible with some guitar models. It requires an AAA battery. Works pretty well with any headphone. It also has an AUX port so that you can plug and play any songs you like and jam along. Thumbs up from me!wamin0

First off, I would like to say that I have literally owned and tried every single direct amp/cab sim option on the market, both in a studio situation and a live gig/touring situation that required nightly in ear monitor usage. My one and only quest was to get as close to my tube amps, that I dearly miss being able to use, as possible! I have ditched every single unit after one or two gigs for the same reasons; too digital in response, and they just don’t feel good during a gig (which makes the whole gig a struggle in some aspect), and don’t handle analog pedals well. My search has ended with the Strymon Iridium! I popped this little monster on my pedalboard and off to rehearsals, and sessions I went! I have been able to dial in almost exact responses of a gorgeous fender style clean, and a Marshall style lead tone, in seconds. I also have been able to do my beloved overdrive and fuzz stacking to my hearts content and this little black box handled it with ease and felt realistic while doing it! I will leave with this; if you have been struggling like I have to confirm to the direct trend and need an immediate solution to take you as close as you could possibly get to recreating those killer tube amp tones on a nightly basis, definitely cut your journey down by thousands of dollars and countless irritating hours by just going to purchase the Strymon Iridium first! Thanks Strymon for a tremendously useful, well thought out tool for the gigging musician!!!Ryan Ridgeway

Overall: This amplifier absolutely rocks! With so many options you can dial in any sound that you want, from crystal clear clean to roaring rhythms and screaming leads. As everyone has already said, the reverb is almost nonexistent. However, the amp, tubes and build are rock solid. BUT… if you really want to blow your mind, swap out the speaker with one that fits your style. My style is classic hard rock so after much research I swapped out the 70 watt Celestion V-Type speaker that it comes with for a 150 watt Eminence Swamp Thang and I swear that it sounds as loud and ballsy as my full-on DSL100 full stack with 1960 cabs. The difference is mind boggling. No fizz, no speaker distortion at all. Just a loud, clear representation of my sound. Obviously the Swamp Thang might not be your speaker of choice but do your research and this will be the only amp you will ever need again!Scott

Sound: With good tubes properly biased, yes. Features: One feature that I absolutely detest is the effects loop button. When it is activated the front of the amp ceases to operate and when deactivated, the front works but the effects loop deactivated. There's no reason for this feature to exist. Substantially limits what the user is able to do. Bad decision in the design. Ease of Use: Just need to fix the owners manual to include specifically how to bias the tubes. Value: At the time I bought it, it was around $800. So at that time, yes. Overall: It took me a while for this amp to grow on me as it sounded like crap out of the box. I replaced the stock speaker with a Celestion V30 and replaced the stock tubes with Ruby EL34STR and a 5751 in the PI as is my typical configuration. Still couldn't get an acceptable tone was fuzzy and grindy. Years later, I learned that you can self bias the amp. After reading forums, there is little info on how to bias the amp and nothing in the manual. I discovered the bias was at 31mv so I turned both to 40mv and HOLY SMOKES this was the tone I've been seeking all these years. Eureka, I found it and it's incredible now. Completely unacceptable that Marshall included zero information in the manual regarding this, which is a pretty important feature. Moreover, it's important that I explain how to bias this. When you place the multimeter leads in the ground and point, one point will give a reading and the other red test point will read zero, always. YOU WILL NOT BE USING THIS TEST POUNT AT ALL. Go back to the one that gives the reading and keep it in that test point and adjust the pot to 40mv. Then, keeping the multimeter lead in the same pot, turn the other bias adjust til they both read 40mv. Next onto the effects loop, there is a button to turn the effects loop on and off as you can not use both simultaneously like in other amps. What good is this feature? Worthless and is an absolute thorn in my side as I would like to use the midi to switch between both which is why I bought it, but can't. Now, the amp does sound good now that it's properly biased as well as replacing the stock speaker, but I lost years of good tone due to the lack of instruction in the instruction manual.Jonathan

Overall: This thing is awesome if you like that Marshall tone this amp is for you, it's really a 4 channel amp if you get the six way Marshall foot switch, if I had to nit pick this amp would be the reverb, don't get me wrong it sounds great and is useable for 90% of what you would need it for, but if your wanting that Gilmour type reverb you'll need to add a reverb pedal in the chain. Where this amp really shines and I discovered this on accident I was messing around with the effects loops and added an EP booster which I would normally run on the front in, and just WOW…adding the EP booster to the loop really opened it up, tamed some of the compression and evened out the gain while improving the tone, sounds more like a JCM800 at this point, I'm super impressed with this little amp and I have some really nice amps in my collection. Let me say I would totally gig with this amp without question. This fact that Marshall made it easy to change and bias tubes is a huge thumbs up as well. Other manufactures please take noteRick

I bought this as a practice amp along with a 108 cab. My live rig involves a lot of pedals including using an fx loop and there are very few practice amps out there with a loop. I love the twin volume switches for boosting, and it sounds great clean as well as driven. Having a DI out makes it more versatile but bear in mind you’ll need a longer than usual speaker lead (I found out after that Orange make a 20’ speaker cable: worth buying. I should point out that this can get very loud so good for small gigs too. Only two issues, I would like an extra switch to turn the loop on and off (like I have on my Marshall origin) and I have found it gets quite noisy with the fx loop connected. This may be down to my cheap power brick on my pedal board but never had this issue with my Marshall. There are other pedal sized amps out there but this is one of the cheapest and definitely worth the money. Slightly more than a tiny terror but that doesn’t have the fx loopDaniel C.

Was looking for a small light weight amp whilst away from home, not wanting to lug around my heavy tube amp, cab and good sized pedal board. This amp fit's the bill perfectly. This amp sounds great, the onboard effects sound good to my ear. And I also like the controls on this amp. Simple layout that makes it easy and fast to dial in a decent sound. If you need more flexibility the architect software, which is a free download from Blackstar, is straight forward to use giving you even more flexibility. Another thing I like about this amp is as I'm away I often need to us headphones, no to disturb the neighbours, through the architect software, you can change the cab simulation from 112, 212, 412, even choose what mic simulation is used, which I think it's an excellent addition to this already impressive small amp. This amp also sounds great through its built-in speakers, giving it a great stereo sound. For this price I honestly cannot fault it, I did look at other amps but settled for this. And I'm so glad I did. This amp is a bargain!!Lesley C.

I hate amp hunting. I wanted something small and specific for a home studio. Shiny cleans with some grit too? Quality build? Under $600? I searched the used listings for weeks trying to find a deal. Nothing really GETS me. Finally, utterly sick of shopping, I walked into Sam Ash, saw this thing on the shelf and just bought it. Didnt try it. Just read the specs online, read a few reviews and snagged it. I figure, worst case scenario I'll return it tomorrow. Let me say, the sound from this amp is just so incredibly nice. Even without pedals, the built in reverb sounds very good. Not splashy, more like a plate reverb. Adding a transparent overdrive makes my G&L ASAT sound like a tone monster. I have no specific affinity for Blackstar. Never owned a single one of their products and I am totally blown away by this thing. I don't know a thing about the tonal waveforms and harmonic frequencies of the most expensive boutique amps but, on a stage or studio I'd put this amp up to pretty much anything. It FEELS good. It sounds good. Between my guitar and an overdrive pedal and the tone knob on the amp itself, I'm able to pull at least 6 very distinct tones before I even engage the dirty channel. It's even got an effects loop. Get one! You'll like it!DANIEL

I bought this amp a few months ago after LOTS of research, having finally decided to replace my previous amp of about 20 years! (A Marshall AVT half stack) Firstly, it looks amazing IMO and build quality looks and feels great too. I play in two bands, one playing southern rock, the other heavy rock/classic metal so needed something that was going to cover a pretty wide range of sounds. The Blackstar handles it amazingly! Wonderful warm crunches all the way to chugalicious highly saturated metal gains. The high gains are so smooth and creamy too and not 'scratchy'. (Something I always struggled with with the AVT) The clarity is also pretty amazing at high gain too. Individual notes can be picked out clearly and not just lost in a fuzzy mush. The 2 OD channels work perfectly for the two separate sounds I'm looking for to suit each band, with Voicing on each channel giving even more versatility. This amp produces beautiful cleans too, which can also break up nicely if you push the clean channel volume up. I'd also really recommend the optional 5-way footswitch, shame this doesn't come as standard, but hey..! All in all, I'm absolutely over the moon with this amp. It can do everything from sparkling cleans to tasty crunch and up to all the gain you could wish for. I've even been able to get THAT Stevie Ray Vaughan tone! 😍 But not only that, it's not some 'Jack of all trades, master of none'…it absolutley nails all of these brilliantly! This amp delivers the sound I've been looking for elusively for years now, funny that Blackstar's slogan is "The Sound In Your Head"… Big thanks to the team at PMT Newcastle when testing the 40 Watt version, and the distribution team for the speedy next day delivery!Davey S.