Are you looking for the Peavey Express 112 Guitar Amp? If so, you’ve come to the right place.
Choosing the Peavey Express 112 Guitar Amp can be difficult as there are so many considerations, such as Orange Amplifiers, Marshall, Fender, Peavey, Roland, VOX, Ampeg, Blackstar, Laney. We have done a lot of research to find the top 20 Peavey Express 112 Guitar Amp available.
The average cost is $428.04. Sold comparable range in price from a low of $89.99 to a high of $1499.99.
Based on the research we did, we think Peavey Bandit 112 – Guitar Amplifier is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Peavey Express 112 Guitar Amp (20 Sellers)
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Reviewers Noted:
Good sound quality . Quality build . Easy to use . Weight . Attractive
Features:
- Display model in store
- Any questions message me
- Thanks
Reviewers Noted:
Good sound quality . Quality build . Attractive . Easy to use . Power
Features:
- Genuine spring reverb with level control
- Pre- and post-gain controls on lead channel
- External speaker capability
$636.95
4.9
Reviewers Noted:
Sound quality . Power . Portability . Weight
Features:
- Best amp for steel guitar
- 80 watts, 12 inch blue marvel speaker (specially voiced for steel)
- Modified active low, mid, mid/shift, high and presence eq
Reviewers Noted:
Build quality
Features:
- 8" blue marvel speaker.
- Transtube tube emulation circuitry.
- Clean and lead channels.
Reviewers Noted:
Good sound quality . Easy to use . Quality build . Power . Weight
Features:
- Display model in store
- As new condition
- Any questions message me
Reviewers Noted:
Good sound quality . Quality build . Attractive . Ease of use . Weight
Features:
- 2-channel tube amplifier head with noise gate
- 2-b eq (clean channel)
- 3-b eq (lead channel)
$599.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Quality build . Easy to use . Portability
Features:
- Genuine spring reverb with level control
- Pre- and post-gain controls on lead channel
- External speaker capability
$89.99
4.6
Reviewers Noted:
Build quality . Weight
Features:
- 4 heavy-duty speaker
- Transtube tube emulation circuitry
- Master volume control
$1019.99
4.6
Reviewers Noted:
Good sound quality . Quality build . Attractive . Easy to use . Portability
Features:
- 2 channel pre-amplifier (foot- or hand-switch) pre- and post-gain control in boost channel
- Passive 3-band tone control
- Reverb control
$99.99
4.6
Reviewers Noted:
Good sound quality . Visual appeal . Build quality . Portability
Features:
- More information and pictures available on request.
- Sold as-is.
- Product description.
$199.99
4.9
Reviewers Noted:
Ease of use . Build quality
Features:
- Made in: china
- Power supply: 240v
- Uk/eu power supply included: no
$119.99
4.4
Reviewers Noted:
Build quality
Features:
- 1 x peavey solo transtube series guitar amplifier with 3-band passive eq (584610)
- 1 x pro audio guitar instrument or dj speaker 1/4" jack 15 foot audio cable
Features:
- Equipped with: 12" blue marvel speaker
- Power rating: 40 w
- Impedance: 16 ohm
$1499.99
4.8
Reviewers Noted:
Good sound quality . Weight . Ease of use . Power . Visual appeal
Features:
- To mark the 30th anniversary of one of the best and most imitated amps of all time, an amp that literally helped create an entire genre of music, peavey is…
$119.99
Features:
- Peavey solid state guitar amps combos…
$224.99
Features:
- Peavey express 112 guitar combo amp…
$179.00
Features:
- Here we have a pre owned peavey express 112 65 watt 1×12 solid state guitar combo amplifier. made in the usa most likely in the late 1980's. perfect starter amplifier….
$399.99
4.9
Features:
- Rated power: 60w
- Impedance: 16 ω
- Equipped with: 1x 12â” celestion vintage 30 speaker
$399.99
4.4
Reviewers Noted:
Portability . Weight . Ease of use . Sound quality . Power
Features:
- At the 1995 namm show thousands of players, media and dealers crammed into a small demo room inside the peavey exhibit, one after another, where peavey engineers set up a…
1. Peavey Bandit 112 – Guitar Amplifier
Product Details:
The peavey bandit 112 features a vintage/classic/warm switch on the clean channel and a classic/modern high gain switch on the lead channel that totally change its tonal character. it's like having 6 amps in one! simulated speaker direct out, 3-position power level selector, 3-position damping switch, effects loop, 3-band eq per channel, pre and post gain on lead channel, high and low gain inputs, and master reverb and boost give it vast flexibilty for all types of pro applications. 80w 12" blue marvel speaker 2 foot switchable channels simulated speaker direct out with level 25%, 50%, 100% power level selector switch loose, tight, and medium damping switch, effects loop 3-band eq per channel, vintage/classic/warm switch on clean channel. classic/modern/high gain switch on lead channel pre and post gain on lead channel. high gain and low gain inputs. master reverb and boost footswitch jack 45 lbs. 23-3/4"w x 20-1/4"h x 11-3/4"d.
Specifications:
Reviews:
I had previously bought a Roland 80GX but it required too much tweaking to get the sound I was looking for. So I still wasn't satisfied. When I was playing out in the early nineties I was using an all tube Carvin half-stack which was pretty basic…clean or distorted with reverb and very loud. Great amp but I eventually sold that because it was way too much for home use, and frankly, it sounded best when cranked up. I teach guitar now and I don't intend on playing out again, but I still wanted an amp that was simple to use, solid state so I wouldn't be concerned about replacing tubes, and would be powerful enough to do a gig if I ever got swayed into that again. The only built-in effect on the Bandit is reverb which is all I want besides distortion. I've read that it takes pedals great but I haven't gotten around to trying any. The best thing about this amp (for me) is that I can stop searching for the amp I want. This one is perfect. Clean or dirty, it has great sound and can get seriously loud. For my purposes it also sounds very good at low volume.Russ
Overall: I was able to gig with the unit twice before I had to send it back for exchange. The one I got had issues that occurred,buzz started to happen when nothing is plug in and even when all the controls are set to zero,buzz is still fairly loud!and then the three way switch in the rear panel that switches from 100%-50%-25% does not engage to 25% percent. yes this amp is loud! and last of all you have to buy the peavey footswitch….The Great news is, this amp sounds very good both clean and dirty channel. The cleans can be dialed well(fendery!) and takes Overdrive/Distortion well and that's if you need a pedal. The Lead channel has great gain depending on what you use it for! I like the classic Overdrive/Distortion(aka- marshall) setting allot. I play in two different bands, the first band I'm in plays Rock/Alternative,Twang Rock,Blues Rock,Heavy Rock, Responds real well to volume knob adjustments on the guitar during live playing. The other band is more Funk,Jazz fusion,Gospel,R-n-B type and this amp does it well without any pedals! and that's what I bought this amp for! basically I don't wanna use pedals,just amp cable,guitar and the footswitch to switch from clean to dirty and solo boost when needed. And it does it very well! I dig this amp allot. All the features and especially the solo boost function is awesome! the effect loop works well. I hook up my Boss DD20 with two 15ft cables(not live just for home use!) and there was hardly any tone lost or I could not tell at all. And this is coming from an overly picky Guitar Player. This amp is well thought out by Peavey Engineers and last of all its pretty light amp!Now I just have to wait for the other Peavey Bandit to be delivered to my front door and hope its trouble free!,and thank you zZounds for taking care of business, you always took care of me when there were unexpected issues and you got on top of it fast. Thank youWb
Everyone treats this like either a country/blues amp, or a metal amp. But it does fantastic tones for bands in between. Think Foo Fighters, Jimmy Eat World, Kings of Leon, The Gaslight Anthem, Death Cab… those in-between tones…it NAILS them. The amp sounds tube. And i mean that. And i've played/owned a LOT of expensive tube amps. I love this thing. Sounds great. Is it a JCM800, Princeton, AC30, or Deluxe? No. It's not. But it can get amazing ballpark sounds. And I dont mean "Line 6, Fender Mustang" ballpark, I mean close your eyes and it would take a discerning ear. Sounds great at low volume but absolutely keeps up with a drummer at half volume. I can gig with mine no problem. If I HAD to pick something to gripe about, it's that by now the new ones should have the 3 different overdrive types foot-switchable. As it is, you can switch between clean and overdrive. But you set which type of overdrive (vintage, modern, high gain) at the amp and if you want to change your OD type you have to do so with your hands. This is an extremely minor complaint though and I'm being crazy picky. Especially considering that between a tube-screamer, Joyo AC Tone and the vintage channel, I can get every sound I'll ever use. I'm not really into the heavy stuff, but it does do that very well too. Oh also, it takes pedals like a tube amp. I've read reviews from people who say that it doesn't and they must be insane. Also..i dont know why the youtube videos comparing them to fender amps sound so muddy or dark, that is DEFINITELY a settings problem. I can get mine sounding VERY fender. And i'd put it up against a Hotrod Deluxe any day of the week.underXtheXradar
2. Peavey – Classic 30 112 Guitar Combo Amp
Product Details:
American made peavey classic 30. includes hosa footswitch for verb and drive. fantastic shape for its age. one small tolex tear on the lower side (included in photos). this amp sounds amazing, especially for the price. to my ears, the cleans are somewhere between vox ac sparkle and fender twang. the drive channel is surprisingly good and thick, like a marshall jcm. takes pedals like a champ, and has an effects loop. only selling because i decide to go all digital at home, which is where i keep this amp. never gigged. for people in the the portland / seattle area, i'm willing to consider trades for partscasters or higher end pedals.
Specifications:
Amplifier Type | Tube Guitar Amplifier |
Application | Performance |
Power | 50 Watts |
Speaker Size | 12" |
Number of Speakers | 1 |
Stereo | No |
HF Driver | No |
Channels | 2 |
Compressor | No |
Effects | Reverb Only |
Effects Loop | Yes |
Direct Output | No |
USB | No |
Bluetooth | No |
Aux Input | No |
Headphone Output | No |
Footswitch Input | Yes |
Footswitch Included | Yes |
Cover Included | No |
Display | No |
Power Supply | Internal |
Reviews:
Fender-esque tube amp. As it comes from the factory, the clean channel is borderline unusable, it is overdriven. An easy fix is replacing the 1st preamp tube with a less gainy 5751. I put a NOS GE JAN 5751 in mine. (70x gain vs. the original 100x). That yielded a very usable clean channel for me. The factory speaker is a bit harsh sounding, I swapped it out for a Jensen. It comes with a spring reverb, check if it is screwed down properly, they have a tendency to be loose and rattling. The spring reverb also has a tendency to feed back and howl. at certain settings, I have not figured out why it does that, perhaps it needs some acoustical isolation from the cabinet. That is still work in progress. You have to mess with the settings to get it to howl, does not always do it. I never noticed it, but at one time I was trying to sell it and the guitar store found the setting and demoed it to me. With the 3 changes I mentioned (tube swap, speaker swap, reverb tighten) it is a charming tube amp, sounds pretty loud for the 30 watts it has. 2 negatives: it is heavy, built like a tank, and the howling spring reverb. Do not be afraid to get a modded one, esp if someone swapped the speaker already. People usually do not ask for extra money for that, and this is something you likely end up doing anyway.code_slinger
My Classic 30 and related Delta Blues are both US built models so I'm unclear on whether the amps have changed since production moved to China. That said, the Classic 30 replaced my very nice Fender Hot Rod Deville that had been modified to reduce gain and improve the tone stack. The Peavey has a wide range of tones and can produce excellent sound at both lower and high level volumes. The pre/post channel produces a very useful range of overdrive. Finally the amp is an excellent weight and size in terms of portability. The Deville was very nice but still liked to be loud, the Classic 30 is comfortable loud or at home volumes.TomH
4 stars only because after about 2 hours of use, I began getting a 'breathing' sound out of the amp when pushed a bit. I've had this issue before with other tube amps, and usually indicates a bad tube(s). I guess that can be expected since it came all the way from China! I don't think tubes like rough handling! So I purchased a set of (3) Tung Sol 12AX7 preamp tubes to replace the Ruby's (I believe these are really JJs) that came in it. That solved the issue and even gave the amp a bit more crunch. I'm happy with it now. The power tubes are (4)EL84 JJs. The amp did come with the foot switch, even though the description says it's optional. Also the description states the speaker is a "blue" something or other, and the photo shows something entirely different, (can't remember the names right now!) but my amp came with a 12" Celestion Midnight 60. I guess you might call first to see what MF is currently providing with these amps. Overall generally happy with the purchase. Great for jamming and practice and would even provide enough power for small to intermediate sized venues. Hope this helped. Definitely a nice sounding amp, don't let the bad tube sway you away from it, that could happen with any amp.
3. Peavey Nashville 112
Product Details:
Peavey's nashville series has long been the standard for steel guitarists, and the company's support of this genre continues with the introduction of the nashville 112. foot switchable post-eq effects loop. modified active low, mid, mid/shift, high and presence eq. preamp out/cd in and power amp in patch. foot switchable effects and reverb.
Specifications:
Amplifier Type | Solid State Guitar Amplifier |
Application | Performance |
Power | 80 Watts |
Speaker Size | 12" |
Speaker | Peavey Blue Marvel (specially voiced for steel) |
Number of Speakers | 1 |
Stereo | No |
HF Driver | No |
Channels | 2 |
Compressor | No |
EQ Bands | 3-band |
Effects | Reverb Only |
Effects Loop | Yes |
Direct Output | Yes |
USB | No |
Bluetooth | No |
Aux Input | No |
Headphone Output | Yes |
Footswitch Input | Yes |
Footswitch Included | No |
Cover Included | No |
Display | No |
Power Supply | External |
Reviews:
After all the hype I have heard about the Peavey Nashville 112 about how great it is… and I needed a good amp for my pedal steel, I went and bought this amp. The amp is ok but not the "Holy Grail" for steel players. The tone of the amp is just fair. It is the weakest 80 watts I have ever heard. I had an old PV KB 60 that would blow it's doors off! (The KB 60 was rated @ 50 watts). This Nashville amp is noisy. Especially if you want to add a delay pedal. Whether you put it in front or in the FX loop…still noisy. I think the amp is WAY over priced in MHO. The quality and tone is just not there. I know that with a 12 in. speaker you can't get the lows and hefty tone you can with a 15 in. speaker but this 12 in. speaker just doesn't have what it takes to get the full range of a pedal steel.(It needs a 15 in. BW speaker). All in all I say this amp is NOT worth the price they are charging. The amp is small so it's easy to haul around but I wouldn't want to take it out because of it's poor tone and lack of power. If you hide it in the backline and mic it with a lot of EQ you might get away with using it for live shows. But who wants to spend a lot of money on a amp that doesn't do the job? I have been a professional musician for over 50 years and I have heard a lot of amps. The Nashville 112 is not the best pedal steel amp. ( Evans anyone?) If you just have to have a Nashville 112 then buy it. But if you want the best bang for your buck this amp is NOT the way to go. *(Fender twin reverb is a nice amp. Plenty of power. 85 REAL watts and tone to die for). But, hey, I'm just say'in!Bob the banger
Great portable amp for pedal steel, good priceCole
4. Peavey Transtube Solo Guitar Amplifier
Product Details:
The basic building blocks of the transtube sound are the exclusive designs of the preamp and power amp. the preamp section tailors gain to meet the need for any amount of drive, from crystal clear to thick, smooth sustain. the power amp reacts just like a tube output section by responding to the preamp with natural compression that increases as the amp gets louder. with transtube, you get a killer amp with widely ranging dynamics and natural "grit," just like a tube amp! features/specifications: 12 watts (rms) 8" blue marvel speaker transtube tube emulation circuitry. clean and lead channels 3 band passive eq ¼" stereo cd input / direct out jack low damping factor for lively tube power amp sound. headphone jack weight unpacked: 12.00 lb(5.443 kg).
Specifications:
Amplifier Type | Solid State Guitar Amplifier |
Application | Performance |
Power | 30 Watts |
Speaker Size | 10" |
Number of Speakers | 2 |
Stereo | No |
HF Driver | No |
Channels | 2 |
Compressor | No |
Effects | No |
Effects Loop | Yes |
Direct Output | No |
USB | No |
Bluetooth | No |
Aux Input | No |
Headphone Output | No |
Footswitch Input | Yes |
Footswitch Included | No |
Cover Included | No |
Display | No |
Power Supply | Internal |
Reviews:
you don't even mention that it's battery powered. And what kind of batteries?Barry
as described and…LOUD!!cohosam
5. Peavey Transtube Rage 258 Guitar Amplifier
Product Details:
The peavey rage 258 guitar amplifier is a shockingly hard-hitting ultralight amp, weighing in at only 16 lbs. unique among practice amps, it gives you 2 channels, 3 radically different voicings. stack, modern, and vintage, for a huge palette of tonal flavors. pre and post gain knobs, and 3-band eq make it jam-session ready while the headphone jack and tape/cd input are perfect for solo practice. 25w rms 8" super-duty, blue marvel speaker 3-band eq 2 channels tape/cd aux input/direct ou.t pre and post gain knobs, master volume stack/modern/vintage voicing switch. headphone jack 16 lbs. 19-1/4"w x 15-1/2"h x 9-1/2"d.
Specifications:
Amplifier Type | Solid State Guitar Amplifier |
Application | Performance |
Power | 20 Watts |
Speaker Size | 8" |
Number of Speakers | 1 |
Stereo | No |
HF Driver | No |
Channels | 2 |
Compressor | No |
Effects | No |
Effects Loop | No |
Direct Output | No |
USB | No |
Bluetooth | No |
Aux Input | No |
Headphone Output | Yes |
Footswitch Input | No |
Footswitch Included | No |
Cover Included | No |
Display | No |
Power Supply | Internal |
Reviews:
I was looking for a pair of SS amps to gig with (I run stereo reverb), ones that sounded good clean but also had a tube like attack and compression. These TransTube do. Sure they aren't AS good as a tube amp, but they sound really good none-the-less. Better than all my other SS amps. They DON'T have the annoying ultra-high freq, almost ice-picky thing going on that so many SS amps have.I own four of the TransTube amps: the Solo, Rage, Envoy and Bandit. If you're looking for clean tones, this Rage 258 seems the best of the bunch.On the higher end models (Envoy and Bandit), you get to select separate EQ'ing for your clean and lead channels, but I find most of the lead selections not really my taste. But the Rage's three EQ selections all sound good to my ears.The other three models' clean channels tend to start breaking up earlier on as well. With the Rage, you can be almost to full volume before the break-up starts.I did a side-by-side with the Envoy and the Rage. I connected each to a single spkr in my Peavey Classic 50 combo, so both were playing from identical speakers in the same cabinetry.I found that the volume level of the Envoy wasn't really much greater than the Rage, and if you turned them up just to the point of break up the Rage was slightly louder. The Rage is EQ'ed a bit differently, so even the two models' clean channels sounded a bit different. The Rage was a tad brighter, a bit more presence, perhaps a bit less compression. I also noticed that going through the 10" speaker from my cab, the Rage had all the depth and character of the Envoy. In other words, I'm betting the limiting factor on tonal depth with these amps is the speaker and enclosure. I suspect I could plug my tiny Solo up to a warm 12" speaker and get some thunderous bass. I'll have to try that with my Solo and Bandit!How am I using this amp as a clean amp? By running ultra clean, I can more easily make my electric sound like an acoustic (I use an EH Knockout pedal). I also have the option of getting whatever kinda dirty I like, without limiting my ability to play clean – I treat the whole amp as the power-amp stage of an amp and use overdrive pedals to emulate the pre-amp stage, putting effects in-between like an fx send/rtrn on an amp would. I put my dirt boxes in front of my phaser pedal (A behringer PH9 – the cheapest phaser I found, and the BEST one [true bypass, low stage count so it sounds all warm and gooey like the Vintage 74 MXR]). After my phaser I've got a Vox Cooltron Big Ben Overdrive (basically a pre-amp stage from an amp). Then I do my chorus and reverb before going in the Rage.Chorus and Reverb sound MUCH nicer when not overdriven. By putting a tube pre in front of those effects, I get nice glistening effects. I put the phaser before the tube pre because it's a bit bitey and the tube pre smooths the edges a bit. More of a Robin Trower effect that way as well.FrostBottomBoys
Overall: As a studio musician, I get to try dozens of Boutique tube amps for free in return for my opinions and advice. You can spend thousands more and not get better tube-tone or "feel" than this little guy. As another reviewer pointed out, the speaker could be improved but is OK for low volume practice or very quiet jazz gigs, like those where people eat dinner. You can very easily improve the already good tone by plying this through a better 8 inch speaker OR putting the head into a better cabinet with a premium 12 inch speaker. I use both of those strategies. For lightweight low-volume jazz gigs, I bring TWO of these to run in stereo from my stereo effects board. In those, I merely replaced the stock "blue marvel" speaker ( which is not terrible) with a much better 8 inch with wider frequency response and a lower FS. You'd be amazed. I had a woodworking friend build another cabinet that encloses this amp with an italian neodymium speaker. WHOW! You probably won't believe how beautiful and loud this thing gets! So, if you just want a good little practice amp or play VERY quietly, use this as is. These are so inexpensive, you can get two and make a very affordable stereo rig that fits in a rolling suitcase. And if you need boutique low-wattage tube tone, just use this amp with a good 12".Geo
6. Peavey – Invective .mh Mini Amp Head
Product Details:
Studio recording equipment by peavey. details:the invective.120 head has been one of the most in-demand high-gain amps on the market. developed in a collaboration with the talented misha mansoor, this was one of the first amps designed to be a perfect match for modern pedalboardcentric players. the best-in-class clean channel is the perfect launchpad for your pedal-generated sound. the high-gain channel in the invective is based on the legendary 6505, known as the amp that created today's hard rock sound. now with the invective.mh, you can get this versatile performance amp in a mini-head form factor.
Specifications:
Finish | Black/White |
Year | 2019 – 2021 |
Reviews:
First of all, this came shipped with 5 levels of protection (Andertons box, insulation, Peavey warehouse box, invective box, insulation). Therefore it could have survived an explosion, thumbs up to Andertons! That said, this head is simply wonderful. Materials and construction are high standard and looks are clean and aggressive. No Christmas-style-ubiquitous LEDs, but a slight blue glow which blends with red valves and white panels. Speaking about the sound, this has a slightly high bass output at standard settings and could be tweaked a little. When correctly matched with pickups output and cabinet it produces a marvelous clean sound, very dynamic and warm. Lead channel is simply astonishing: gain is dense and controlled, tight and boost functions work well together and give high gain leads and well articulated notes as well. The noise gate is a nice touch. I will explore the various functions (recording via usb directly from the invective, and so on) over time, but I’m very satisfied overall. Volume output is huge and for room plays I set it under the first point of the scale…but i get high dynamics as well! This is seriously one of the best heads available for metal and progressive, with djenty touches and experimental features (same sounds as the Invective.120, but with a more “socially acceptable” volume output). I’d have liked a better footswitch from peavey instead of the cheap plastic one included, but I will eventually recase it.Reviewed by Andertons Music Co.
This amplifier is amazing for metal players. The inclusion of a very-effective noise gate makes this head completely perfect for live and recording situations. I have always used the Boss NS2 in front of all my amps, but the noise gate in this head works easily as well. If you have quick stop/start songs, this thing will track. The distortion channel on this head is the 5150/6505, so you will get the legendary 5150/6505 sound. The clean channel is a TON better than the 5150/6505, however. The cleans are creamy and not brittle at all. You will really enjoy all channels on this amp, as the cleans blow the 5150/6505 away. There are two effects loops that work independently, or in concert. If you use a lot of effects, this head is destined to be your favorite. I am not a big effects user, so it doesn't mean a lot to me, but the loops are clean, independent, and controllable via the foot switch. I can say, without hesitation, that this head is the best Peavey has ever made. Full stop.TheTerrorBeyond
Overall: The Peavey Invective 120 is the best sounding high gain amp I have EVER played…and after 22 years I've tried many. A big thanks to Misha Mansoor and Peavey as well as zZounds. The lineage is apparent in this amp. What else is apparent is the time and energy Misha and Peavey put into refining this product. The lead channel…oh the lead channel. Downright sinister. Modern aggression that is completely unrivaled. The Invective puts all other high gain amps in their place. It's simply meaner, more modern and has more harmonic content and responsiveness through the entire frequency range than other amps. Lead and Rhythm channels sit excellently in even the most dense mix. Bear in mind im hitting my favorite parts of this amp…it can so much more than metal. And the clean channel is absolutely beautiful. Lots of clarity and fatness. Two things that can often be hard to achieve on a clean channel. The gate…perfection. The boosts (technically there are 3 different kinds)…perfection. And with the dual effects loops and 9v power on the back panel as well as the a foot switch that really does do it all. The Invective is the all in one solution…its so beautifully engineered. Plug your effects in the loop(s). Done deal. And it's midi controlled. So streamlined. And the best part…the Invective sound is MASSIVE. This is the new benchmark in high gain. Period.Keola
7. Peavey Classic 30 1×12 Guitar Combo
Product Details:
Revered by blues, country and rock players alike, the peavey classic 30 112 30w 1×12 tube combo amp spans the tonal landscape from vintage to contemporary with ease. these amps are drenched in the tone that can only come from the combination of three 12ax7 and four el84 tubes. add features like 3-band eq, footswitchable dual channels, active presence control and reverb and you have one of the most versatile amplifiers on the market. classic looks, classic tone, classic 30. genuine spring reverb with level control – pre- and post-gain controls on lead channel – external speaker capability – chrome-plated chassis – classic tweed covering – footswitches optional30 watts (rms) into 16 or 8 ohms2-channel preamp – footswitch selectable channel switching, reverb and boost – four el84s and three 12ax7s12" blue marvel speaker – effects loop – channel and boost switch – normal volume control on clean channel – reverb on/off switch – boost switch3-band passive eq (bass, middle, treble)standby switch
Specifications:
Finish | Tweed |
Year | 2018 |
Speaker Configuration | 1×12" |
Reviews:
Fender-esque tube amp. As it comes from the factory, the clean channel is borderline unusable, it is overdriven. An easy fix is replacing the 1st preamp tube with a less gainy 5751. I put a NOS GE JAN 5751 in mine. (70x gain vs. the original 100x). That yielded a very usable clean channel for me. The factory speaker is a bit harsh sounding, I swapped it out for a Jensen. It comes with a spring reverb, check if it is screwed down properly, they have a tendency to be loose and rattling. The spring reverb also has a tendency to feed back and howl. at certain settings, I have not figured out why it does that, perhaps it needs some acoustical isolation from the cabinet. That is still work in progress. You have to mess with the settings to get it to howl, does not always do it. I never noticed it, but at one time I was trying to sell it and the guitar store found the setting and demoed it to me. With the 3 changes I mentioned (tube swap, speaker swap, reverb tighten) it is a charming tube amp, sounds pretty loud for the 30 watts it has. 2 negatives: it is heavy, built like a tank, and the howling spring reverb. Do not be afraid to get a modded one, esp if someone swapped the speaker already. People usually do not ask for extra money for that, and this is something you likely end up doing anyway.code_slinger
My Classic 30 and related Delta Blues are both US built models so I'm unclear on whether the amps have changed since production moved to China. That said, the Classic 30 replaced my very nice Fender Hot Rod Deville that had been modified to reduce gain and improve the tone stack. The Peavey has a wide range of tones and can produce excellent sound at both lower and high level volumes. The pre/post channel produces a very useful range of overdrive. Finally the amp is an excellent weight and size in terms of portability. The Deville was very nice but still liked to be loud, the Classic 30 is comfortable loud or at home volumes.TomH
4 stars only because after about 2 hours of use, I began getting a 'breathing' sound out of the amp when pushed a bit. I've had this issue before with other tube amps, and usually indicates a bad tube(s). I guess that can be expected since it came all the way from China! I don't think tubes like rough handling! So I purchased a set of (3) Tung Sol 12AX7 preamp tubes to replace the Ruby's (I believe these are really JJs) that came in it. That solved the issue and even gave the amp a bit more crunch. I'm happy with it now. The power tubes are (4)EL84 JJs. The amp did come with the foot switch, even though the description says it's optional. Also the description states the speaker is a "blue" something or other, and the photo shows something entirely different, (can't remember the names right now!) but my amp came with a 12" Celestion Midnight 60. I guess you might call first to see what MF is currently providing with these amps. Overall generally happy with the purchase. Great for jamming and practice and would even provide enough power for small to intermediate sized venues. Hope this helped. Definitely a nice sounding amp, don't let the bad tube sway you away from it, that could happen with any amp.
8. Peavey Audition 1×4 7w Guitar Amp
Product Details:
Peavey's exclusive trans tube technology truly creates the sound, warmth and "push back" of a tube amplifier through its patented solid-state design. the basic building blocks of the trans tube sound are the exclusive designs of the preamp and power amp. the preamp section tailors gain to meet the need for any amount of drive, from crystal clear to thick, smooth sustain. the power amp reacts just like a tube output section by responding to the preamp with natural compression that increases as the amp gets louder. with trans tube, you get a killer amp with widely ranging dynamics and natural "grit," just like a tube amp!. featurespeavey's exclusive trans tube technology truly creates the sound, warmth and "push back" of a tube amplifier through its patented solid-state design. the basic building blocks of the trans tube sound are the exclusive designs of the preamp and power amp. the preamp section tailors gain to meet the need for any amount of drive, from crystal clear to thick, smooth sustain. the power amp reacts just like a tube output section by responding to the preamp with natural compression that increases as the amp gets louder. with trans tube, you get a killer amp with widely ranging dynamics and natural "grit," just like a tube amp!.
Specifications:
Amplifier Type | Solid State Guitar Amplifier |
Application | Performance |
Power | 50 Watts |
Speaker Size | 12" |
Number of Speakers | 1 |
Stereo | No |
HF Driver | No |
Channels | 2 |
Compressor | No |
Effects | Reverb Only |
Effects Loop | Yes |
Direct Output | No |
USB | No |
Bluetooth | No |
Aux Input | No |
Headphone Output | No |
Footswitch Input | Yes |
Footswitch Included | No |
Cover Included | No |
Display | No |
Power Supply | Internal |
Reviews:
nice little amp, just deadly, you know how it is.rendell2002
This amp is small and light, but it packs a punch. Definitely worth the money!stratokatsu
9. Peavey Classic30 112 Guitar Combo Amplifier
Product Details:
Revered by blues, country and rock players alike, these true all-tube amps span the tonal landscape from vintage to contemporary with ease. these amps are drenched in the tone that can only come from the combination of three 12ax7 and four el84 tubes. add features like 3-band eq, foot switchable dual channels, foot switchable boost and reverb and you have one of the most versatile amplifiers on the market. classic looks, classic tone, classic 30!
Reviews:
Fender-esque tube amp. As it comes from the factory, the clean channel is borderline unusable, it is overdriven. An easy fix is replacing the 1st preamp tube with a less gainy 5751. I put a NOS GE JAN 5751 in mine. (70x gain vs. the original 100x). That yielded a very usable clean channel for me. The factory speaker is a bit harsh sounding, I swapped it out for a Jensen. It comes with a spring reverb, check if it is screwed down properly, they have a tendency to be loose and rattling. The spring reverb also has a tendency to feed back and howl. at certain settings, I have not figured out why it does that, perhaps it needs some acoustical isolation from the cabinet. That is still work in progress. You have to mess with the settings to get it to howl, does not always do it. I never noticed it, but at one time I was trying to sell it and the guitar store found the setting and demoed it to me. With the 3 changes I mentioned (tube swap, speaker swap, reverb tighten) it is a charming tube amp, sounds pretty loud for the 30 watts it has. 2 negatives: it is heavy, built like a tank, and the howling spring reverb. Do not be afraid to get a modded one, esp if someone swapped the speaker already. People usually do not ask for extra money for that, and this is something you likely end up doing anyway.code_slinger
My Classic 30 and related Delta Blues are both US built models so I'm unclear on whether the amps have changed since production moved to China. That said, the Classic 30 replaced my very nice Fender Hot Rod Deville that had been modified to reduce gain and improve the tone stack. The Peavey has a wide range of tones and can produce excellent sound at both lower and high level volumes. The pre/post channel produces a very useful range of overdrive. Finally the amp is an excellent weight and size in terms of portability. The Deville was very nice but still liked to be loud, the Classic 30 is comfortable loud or at home volumes.TomH
4 stars only because after about 2 hours of use, I began getting a 'breathing' sound out of the amp when pushed a bit. I've had this issue before with other tube amps, and usually indicates a bad tube(s). I guess that can be expected since it came all the way from China! I don't think tubes like rough handling! So I purchased a set of (3) Tung Sol 12AX7 preamp tubes to replace the Ruby's (I believe these are really JJs) that came in it. That solved the issue and even gave the amp a bit more crunch. I'm happy with it now. The power tubes are (4)EL84 JJs. The amp did come with the foot switch, even though the description says it's optional. Also the description states the speaker is a "blue" something or other, and the photo shows something entirely different, (can't remember the names right now!) but my amp came with a 12" Celestion Midnight 60. I guess you might call first to see what MF is currently providing with these amps. Overall generally happy with the purchase. Great for jamming and practice and would even provide enough power for small to intermediate sized venues. Hope this helped. Definitely a nice sounding amp, don't let the bad tube sway you away from it, that could happen with any amp.
10. Peavey – Backstage Guitar Combo Amp
Product Details:
The backstage emulates the sound, high output, warmth and push back of tube amplifiers and includes features such as high and low eq controls, a 6 inch heavy-duty speaker, switchable transtube overdrive, a aux input for jamming along to your favorite songs and a headphone input for doing so quietly. guitar player reviewer barry cleveland raves about the tone and value of the backstage in his march 2004 hands-on product review. this is easily one of the best-sounding mini amps i've ever heard, he writes. it delivers a great assortment of tube-like tones and offers excellent dynamic response, all in a pint-sized package and for a very modest price. the key is peavey's exclusive transtube technology, which emulates the sound of tube amplifiers without the hassle or cost of dealing with unpredictable tubes. the transtube preamp tailors the gain level for any amount of drive, from clean to crunch to scream, using a patented approach to emulating 12ax7 tubes and their ability to create even, harmonic distortion. it also mimics the push back response of real tube circuitry, which is essential to emulating tube dynamics, distortion and chime.
Reviews:
Got this amp for playing in the bedroom. I'm playing an Epiphone Les Paul Vintage Edition guitar via a VOX StompLab SL1G. I've been able to get good sound through the amp with some nice warm tones. Beefed things up a bit with some grunge and it handled it very well. At higher volumes the speaker remains clear and free of cracking as I have had in other smaller amps. It's a steal for the price and does what it was intended to do.ShaunH
11. Peavey – Bandit 112 Combo
Product Details:
Reviews:
Ho la serie Ii, non molto diversa. Nella sua fascia (200-300€) è il migliore sicuramente. Non ha effetti o valvola preamplificatrice, ma in compenso ha un suono fantastico, soprattuotto nei distorti. La tecnologia Transtube scalda davvero il suono. Unico consiglio…..costa davvero poco, spendete qualche soldo in più e cambiateci il cono magari con un Celestion T-75 e diventa una bomba!!
Bardzo dobre combo do grania metalu. Potężny gain i siarczyste brzmienie.
12. Peavey Solo Trans Tube 8" Combo Amp 12w Guitar Practice Amplifier W/ 1/4" Cable
Product Details:
This package includes the following items:1 x peavey solo transtube series guitar amplifier with 3-band passive eq (584610)1 x pro audio guitar instrument or dj speaker 1/4 inch jack 15 foot audio cable – peavey solo transtube series guitar amplifier with 3-band passive eq (584610):12 watts (rms)8 inch blue marvel speakertranstube tube emulation circuitry – clean and lead channels3 band passive eq?" stereo cd input / direct out jack – low damping factor for lively tube power amp sound. – headphone jack – pro audio guitar instrument or dj speaker 1/4 inch jack 15 foot audio cable:1/4 inch male to 1/4 inch male trs mono guitar or pa speaker 15 foot cable conductive pvc & copper shielding black cable jacket blends in with equipment flexible design eliminates kinks and twists high quality superior audio signal, eliminates hums, buzzing and crackles polyethylene insulation
Reviews:
you don't even mention that it's battery powered. And what kind of batteries?Barry
as described and…LOUD!!cohosam
13. Peavey 112-6 25w 1×12" Cabinet
Product Details:
This is the 112-6 1×12" cabinet from peavey, an open back cabinet built with 18mm plywood construction, with a celestion greenback 25 speaker. the back of the cabinet is convertible for changing the cabinet to an open back configuration. a single 16ohm input jack, rubber feet and metal corners complete the package.
Specifications:
Reviews:
I was looking at putting together a smaller, more portable setup and one i could use at home. Celestion Greenback speakers have been revered for a long time so thought id buy a cab equipped with one. This peavey cab is excellent. Really well made, sturdy, looks great, but more importantly sounds great with my marshall silver jubilee mini. Ive only been messing with them for 5 mins but can hear the speaker giving the sound real bottom end thump, while maintaining a nice clarity on the mid and high. Very impressed.Reviewed by Andertons Music Co.
14. Peavey 112 Extension Cabinet
Product Details:
Break out that electric guitar and start rocking out with the peavey 112 1×12 guitar speaker cabinet. this personal cab provides a high-quality sound without needing to break the bank. the music cabinet features a built-in 12-inch blue marvel speaker that provides a reliable sound when jamming out with your friends or on stage. the cab uses a mono input jack for a smooth-sounding connection. the electric cabinet has a maximum power of 40-watts rms and 16 ohms. this hard-cased guitar accessory features a closed-back design that securely protects the speaker and adds additional durability. enjoy the utmost portability, as the speaker cabinet's lightweight structure allows you to jam out virtually anywhere. plus, the top handle helps you conveniently carry the cab with ease. sometimes all you need is a six-string and the peavey 112 1×12 guitar cabinet to share your wonderful unique sound.
Specifications:
Reviews:
Great speaker cab for the price point and sounds better than expected although a bit to echoey for some perhaps. Would have been nice if there was a removable panel on the back as opposed to a sealed closed back bit for the price I can't really complain and would still recommend this unit.Reviewed by Andertons Music Co.
This is the best 12" cabinet you can buy at this price range. It's well built, looks good and sounds ok, but the first thing I did after playing it a couple of times is change the speaker to get the sound I was looking for. This cabinet comes with an un-branded, completely un-marked 12" speaker. It isn't marked as a Blue Marvel speaker as advertised. I suspected that would be the case when I bought it. The cabinet alone is worth the price, so that's why i bought it.jim7699
I realize some people complain about the Blue Marvel speaker it comes with, but it really sounds great with the cabinet. I play mostly small clubs, I use 2 of these with a Peavey head and works great. Tough, great value and does the job perfectly. Zero complaints. It's a Peavey. Good enough for me. There are better ones out there, but the differences are negligible. I'd be hard pressed to find someone in the audience who would say "but it's not loaded with a higher priced driver". That pretty much never happens in that environment. The amp produces some great sounds and this cabinet accurately does it's job. Why pay the extra $100 bucks for what only gear snobs say is better. You won't hear much difference and this thing simply rocks!iluvnicki3
15. Peavey 6505 Ii 120w Tube Guitar Amp Head Black
Product Details:
To mark the 30th anniversary of one of the best and most imitated amps of all time, an amp that literally helped create an entire genre of music, peavey is proud to launch the reissued 6505 1992 original and 6505 ii. contrary to much folklore since the amplifier’s inception, the recipe has remained virtually unchanged. however, over the course of time, component suppliers have experienced changes of ownership and changes to their manufacturing processes, things which can ultimately influence tone and unit-to-unit consistency. in particular, one of the most important items: the output transformer. the changes over the years resulted in a midrange that varied from amp to amp, so the purists here at peavey decided to search for a solution. thatled us to develop a top-secret output transformer, made in an undisclosed location to mimic the magical crushing tone of the original series. these reissues are true to form cosmetically and sonically, going as far as returning to the plexiglass on the front of the 6505 ii. often imitated, our competitors have gone to great lengths to duplicate our success, but none are closer to the original than these. peavey is proud to reissue the legendary amplifiers, the 6505 series.
Specifications:
Preamp tubes | 6 x 12AX7 |
Power amp tubes | 4 x 6L6GC |
Controls | Resonance, presence, pre gain and post gain |
Footswitchable Crunch boost | Rhythm channel |
Bright switch | Rhythm channel |
Reviews:
This is a really neat little amp that has more than enough gain to be usable for modern metal tones right out of the box. To get it sounding exactly how I want, I needed to put an overdrive/boost into the front (Boss SD1 sounds great to me), and use a noisegate. But that's pretty much expected of most amps to get tight modern tone. Overall, I am very happy with this amp.Reviewed by Andertons Music Co.
16. Used Peavey Transtube Express 112 Solid State Guitar Amplifier
17. Peavey Express 112 Guitar Combo Amp
18. Peavey Express 112 65-Watt 1×12" Guitar Combo
Product Details:
Here we have a pre owned peavey express 112 65 watt 1×12 solid state guitar combo amplifier. made in the usa most likely in the late 1980's. perfect starter amplifier. 2- channel with reverb. tons of gain on tap. good solid state reliable amplifier. classic peavey design and look. we do not have the foot switch but they are available. the amp is in good shape with some normal wear and tear. some scuffs, marks, scratches and some ganks in the tolex. the handle is in great shape. perfect working order. manual is available online. available for local pickup or shipped to you. thanks for looking and happy buying!sales tax will be collected for all new york residents. due to new laws in effect, other states are now collecting tax as well. please note that this is out of our hands. if your state collects sales tax, it will be added to the sale total. payments must be made within 48 hours of sale/auction's end.feel free to send a message if you have any questions. we are a ful…
19. Peavey 112-C Guitar Cabinet
Product Details:
Peavey 112-c guitar speaker cabinet in the 1950s, the united states was in the midst of a time of prosperity following wwii. gis were returning home and buying new cars and homes. for the first time since the great depression families had the means to afford luxury items; this included the introduction of high-end audio systems. stephens tru-sonic speakers quickly became a staple of audiophiles, delivering faithful and powerful sound to countless consumers. peavey electronics acquired rights to this legendary company and now proudly features stephens tru-sonic speakers in their guitar cabinets.
Specifications:
Reviews:
Overall: Loaded with V30's. Which I know normally run a lot of the high end. Does seem like this pushes it pretty far though. Didn't give me exactly the sound I was going for but it was close. There's a little too much crispness for my taste but that could also be coming from my 5150 as well.All in all it's a great speaker and the vintage look is dope.Joshua
20. Peavey Transtube Bandit 112 120us Guitar Amplifier W/2 Button Foot Switch/cable
Product Details:
At the 1995 namm show thousands of players, media and dealers crammed into a small demo room inside the peavey exhibit, one after another, where peavey engineers set up a blind a/b comparison between their new invention and a real tube amp. no one could tell the difference between the two. some "golden ears" even thought the transtube bandit was the real tube amp. but how? in devising the transtube circuitry, peavey engineers studied every aspect of how a tube amp works. peavey learned that recreating tube tone isn't merely a question of gain structure. it's about the entire component chain and how each one interacts with the others. it's about damping factor and the corresponding speaker response. it's about power amp compression. how the amp breaks up when driven hard, harmonic structure and non-linear gain stages. it's about cabinet size, bracing, wood and thickness. but most importantly, it's about what it's not. those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. so peavey concentrated on emulating the tone characteristics. they all recognize and love about tubes and 86'd the rest. it's a deceptively simple concept, but it took three u.s. patents to map the entire process for the history books. set up a comparison at your peavey dealer and discover the transtube difference for yourself. no marketing hype needed. you won't believe your ears!
Specifications:
Frequency Response | +0, -3 dB 100 Hz to 20 kHz at 65 W RMS into 8 Ohms |
Hum and Noise | Greater than 90 dB below rated power |
Boost Level at 10 | + 10 dB Boost |
Speaker Simulated Direct Output Level | 700 mV, -3 dBv at 10 |
Reviews:
Well I do not know what to tell you. I bought the amp because it is what my music teacher has. I am just starting to take music lessons so I can not go into any detail. I still need to learn how to use it but just to plug in my guitar it sounds 10 times better than my other 2 amps. I can't wait until I know what I am doing to make it sound even better. I would buy this amp again if I needed another one.staniels1960
Nice portable amp with small footprint, fairly good tube emulation, and plenty of power. My only complaint is the pre gain lead channel control is over saturated; you've got sizzlin' bacon at about 10:00 O'clock. I had the first generation Bandit 112 transtube and it was the same way. But, this turned out to be an advantage..by setting the pre gain overly saturated, I found I could roll back my guitar's vol. knob to half, or even less, giving me a very useable and quiet vol., and at the same time, still having plenty of saturation to still work with! Don't let the negatives addressed to the lead ch. discourage you from picking up one of these nice little amps.seventyeighty
Small size, fairly powerful. Works well. Don't like the dirty channel- too harsh, but never use it anyway. Bought it for a little practice amp at home, and it works well for that. Reverb is good. It is foot switchable between channels and to turn the verb on and off. I'm a Peavey fan. Good quality stuff at very good prices, especially used. Had this USA made Peavey amp been a USA made Fender. it would have cost 3 times as much, and not been any better.zip-the-chim
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