Mint Green Electric Guitar For Sale (2024 Update)

Good entry level guitar for 6 years+. I would suggest changing the strings for a heavier gauge (10 or 11) as the stock 9’s go out of tune due regularly to the nature of it being a short scale guitar. Well finished, although I did lower the action on the saddles and had to correct the intonation a little bit. Neck is straight and frets have no sharp edges. Pickups are ok, a little bit lacking in clarity and noisy, but to be expected on a guitar in the price range. Overall a good entry level guitar for a younger player or someone with smaller hands.

This is a great entry to the Fender lineup and a step up from Squier quality. The craftsmanship is far from perfect however. Nut slots not quite cut deep enough, fret slots cut a little too deep in places and sharp fretboard edges. That's about it as far as shortcomings though. The guitar looks killer in Burgandy Mist and it sounds just a good with the P90 pickups. The Pau Ferro fretboard compliments the looks and mine almost has a tiger's eye 3D effect going on which is an unexpected bonus. The 24' scale, modern C neck profile with satin finish on the back, combined with the medium jumbo frets and a 9.5 inch radius all contribute to an almost effortless playing experience. My one has a slightly heavier body that others I've tried which I'm very glad of as it eliminates any sign of neck dive that can plague these guitars (probably not helped by the oversize headstock). The guitar sounds fantastic clean with the P90s sitting somewhere between a single coil and humbucker and just as good with overdrive. The pickups are also not as noisy as I'd feared so you need not dread the hum. Overall, I'm extremely pleased with this guitar and since I'm happy to file my own nuts, as it were, a little tweaking to ensure perfect playability doesn't worry me in the slightest. It's a keeper for sure.

Overall: Ok this the SEW 751 without the DiMarzio pickups. I've got two Fender Strats and in my opinion the necks are the big difference here. Mine arrived with a great factory set up. I've bought Ibanez guitars in the past with just unplayable setups from the factory. The pickup's are outstanding clear clean an bright. Add a little dirt and your in heaven. If your a bedroom player this guitar is just about all you need. (Fender Smender) Guitars have come along way in the last 40 years. The Pink is Killer it's more of a Lavender Purple that nobody else has. Just buy one.

This Ibanez guitar is a very versatile instrument,I play different styles on the same gig and I can do the all show without changing guitars.Now,the guitar doesn't come with a low set up if you like low action but after a set up is very easy to play,pick ups aren't the best but I had no issues with them.In general fells solid instrument and very versatile,great value off the money invested and AMS went above and beyond to get it to me quick enough.Ive been a pro touring musician for 38 years and I can recommend this Ibanez,at the end it's on your fingers to make it shine more than anything.

The only thing that isn't great about this guitar is the tuners, which are still ok. The neck is great, kinda like a chunky D. Bridge was surprisingly good, nice vibrato,fun easy to use. Neck and middle position sound great, bridge is bright sounding, but dynamic.

I purchased this guitar for my teenage son who has just started to play, so I wanted a budget guitar. The sound is really great and I'm very impressed with both the quality and aesthetics of the guitar. Delivery was efficient and within the estimated date of delivery, which having read other reviews I was expecting it to be later. The item was very well packaged and I was sent the tracking details for DHL and then for Parcelforce once the guitar had made it to the UK. I can recommend using this company based on my experience and this guitar.

With a setup, this bass is WELL worth its price. The nut width isn't as narrow as I'd prefer, I'm more used to the size of the Jazz bass, but this still plays quite nicely for me. While taking inspiration from many classic instruments, the style manages to be unique, and the bass always gets compliments at shows. Controls are easy enough to become second nature quickly, pots turn nice and smooth, and the selector, treble, and bass knobs all have nice tactile notches at their halfway points which is incredibly helpful. The only reason I took off half a star is the angle of the output jack is just super awkward if you typically use right-angle cables, which I do, and only a little less awkward if you don't. Also, not a reason to avoid buying the bass, but it must be said, CHANGE STRINGS IMMEDIATELY!! This might be TMI, but the grooves in the stock strings would pull on my arm hairs EVERY TIME I rest my arm on the bass (and my mustache hairs when I'd give the bass a little kiss at night)

This beast of beauty is must have for people who like to play a bass with a different touch.. the touch is where it happens, it feels very good and it is very playable even for a guitarist like me, a real challenger this awesome Ibanez! the sound of the standard strings surprised me a lot! The sheer power tone and bizarre sustain almost too much.. it just keeps on going haha! The sound settings are all very noticeable adjustable and a good thing , i like the click in the middle of some pot settings so you know where they stand. it is a great help to create your sound. The six smooth twisting mechanics work like a dream, no play or other rattle is heard while playing this monster! I like it alot and i am very pleased with this beautifully build instrument.

Sound: Today's guitars are all made on cnc's unless you get something like a US made G&L, those are cut out with bandsaws and routers, like fenders in the 50s up to the 70s. The neck pocket in mine is very clean and neat, the body routing is very clean, the frets were nice out of the box, no misaligned screws or parts, no blemishes in the finish or anything. Features: The least useful feature for a majority of people will be the rhythm circuit, it has its own volume and tone pots and is neck pickup only, with a much darker tone than the neck pickup on the lead circuit, leave the switch in the down position, and you never have to worry about it unless you want an old school jazz guitar tone. Then push that switch up. (It does old jazz guitar really well) Ease of Use: The jazzmaster has quite a bright bridge pickup, makes it well suited for surf, or spaghetti western guitar, but it also means distortion on the bridge pickup will cut through rather well. the neck pickup is strat like, but bigger and thicker. Like a strat neck pickup on steroids. Both pickups together results in a sweet soft sort of quack tone, due to the pickups being so far apart, it's not the same as a strat quack tone, but its very nice sounding. Then of course there's the neck only rhythm circuit which is very much like an old jazz tone (hence the name Jazzmaster)The pickups are generally higher output than most other fender pickups, and work well with distortion. A lot of people still think jazzmaster pickups are p90s. Nope, real jazzmaster pickups are roughly the same size, but thats where the similarities end. They don't even sound similar. This confusion is furthered by the old mexican player jazzmasters, the j mascius, and others that have P90's. Quality: Fender mexico didn't skimp on the electronic parts, the pickups are very much like a mid 60s jazzmaster in sound, even down to the gray bobbins and enamel coated coil wire. Pots are CTS, both switches and the jack are switchcraft, just like they are supposed to be. They should last forever. The trem is built well, but not exactly the same as the old ones, the trem arm is screw in, it really should be a push in arm, like all the old ones. Also, I think the hole of the trem arm in the top plate is way way too big, it only needs to be slightly bigger than the trem arm collet.The tuners are kluson like split shaft, loke fender used from the very earliest days until 68, they're not made by kluson but it doesn't matter the design is too simple to screw up. The frets are vintage, they're always described as tall and thin. They're not tall, but they are thin, it is a 60s styled guitar after all. But I think a lot of people used to 9.5 and flatter radiuses will have problems, it's a 7.25" radius fretboard, requires a bit higher action but a half hour or so of playing, you get used to it. It also has a truss rod nut at the heel of the neck, its a correct feature for all fender's prior to 1971, but man was that a bad design choice on leo fender's part. You either have to loosen the neck a lot or take it completely off to adjust neck relief, and hope you got it right.Now when I got my guitar I took it completely apart (I always do). What I found on the inside could be improved. First was an excessive amount of wire. There is a lot of wire in a jazzmaster, but they didn't even bother cutting the pickup leads to length. Both pickups had about a foot of unnecessary lead wire, so I fixed that.The other issue was a bad conductive paint job in the cavities. The jazzmaster is an electrically noisy guitar, they need all the shielding they can get. The conductive paint was one thin coat, and didn't even go up the sides of the cavities, it wasn't doing anything. From 1958 to the end of the original run around 1980 each jazzmaster had brass tubs in all the cavities, all soldered together and grounded. I don't expect that in a new jazzmaster, but they knew then that it needed shielding. The pickguard in 58 was also gold anodized aluminum, which was excellent for shielding. But the anodizing wasn't good, and the gold wore off after a few months so and looked awful. In 59 fender switched to plastic tort pickguards, with a thin pickguard sized aluminum shield underneath. Anyway I properly shielded the cavities. Also the pickguard only had aluminum tape for the toggle switch to the jack, and another piece for piece for rhythm circuit switch and pots. That ain't going to do it. I added more shielding, put it all back together and it was a major improvement. Recently I decided to see what a proper gold anodized aluminum pickguard would look like on ice blue metallic, and its VERY cool, looks like a 1960s california speed shop modded my guitar, might put some tele knobs on it sometime.I also made another modification, I had a 65 reissue trem and bridge laying around, so I put them on it. In the old days, the lock button, trem

Having tried playing MANY of these in my hands, it seems that the quality control out of the Jackson Indonesia factory is hit-or-miss. If you get a good unit without problems, it is a great guitar with a great sound for a great price! And the looks are so nice as well. The neck thru body construction is so smooth and sweet. However, you might get a dud that sounds horrible. Or it might have severe defects in the neck or locking nut. In my experience, about 50% are of poor quality.

Chitarra a dir poco Meravigliosa! Consegna puntualissima, come sempre. Grazie di vero cuore, ragazzi di StrumentiMusicali.net

Bestellt und bezahlt habe ich ein ladenneues Exemplar der Gitarre. Erhalten habe ich eine Retoure, die nun wieder zurückgeschickt wird. Ich habe inzwischen soviel Gitarren gekauft, um genau zu wissen, wie eine Retoure aussieht! Die Verarbeitung ist auf hohem Niveau, die Optik gefällt mir persönlich sehr gut, allerdings ist der Klang nicht gerade Tele-typisch, sondern eher voll und warm. Wen das nicht stört, hat hier ein tolles Instrument mit einem unschlagbaren Preis-Leistungsverhältnis.