Are you looking for the Martin Short Scale Guitar? If so, you’ve come to the right place.
Choosing the Martin Short Scale Guitar can be difficult as there are so many considerations, such as Fender, Ibanez, Martin, Taylor, Schecter Guitar Research. We have done a lot of research to find the top 20 Martin Short Scale Guitar available.
The average cost is $1761.05. Sold comparable range in price from a low of $399.00 to a high of $6299.00.
Based on the research we did, we think Martin LXK2 Koa Little Martin Acoustic Guitar – Natural is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Martin Short Scale Guitar (20 Sellers)
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Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Top, back and sides: koa wood hpl textured finish
- Neck: natural stratabond
- Fretboard: black micarta
$499.00
4.7
Reviewers Noted:
Good sound quality . Well made . Durability . Attractive . Weight
Features:
- Martin lx1e.
- In ex-demo condition, not a scratch on it.
- These have become the guitars which all travel guitars are judged by, a great little guitar.
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- All-mahogany body, neck and headplate special worn satin lacquer finish modern belly drop-in saddle multi-stripe rosette script old style overlay
- Martin guitar has expanded their popular solid mahogany 15 series with a respectful nod to the working musician
- The streetmaster is perfect for your next gig, whether it be at the historic ryman theater or a day of busking in the big city
Reviewers Noted:
Good sound quality . Attractive . Craftsmanship
Features:
- Dimensioni e peso: 120 x 50 x 30 cm, peso 7 kg (dimensioni e peso imballo)
- Condizioni estetiche: ottime, qualche segno di normale usura come visibile in foto
- Accessori: custodia morbida originale, tracolla in pelle originale
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durable
Features:
- Comes with martin hard case.
- Smoke free and pet free home.
- Light scuffs around the neck from the wall hanger which is to be expected.
Reviewers Noted:
Good sound quality . Well made . Durability . Attractive . Weight
Features:
- While the little martin is our smallest guitar, it is very big on tone, quality and versatility.
- Solid sitka spruce top.
- Mahogany high-pressure laminate (hpl) back and sides.
$2799.00
4.8
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Used 2020 martin d-18 in great shape.
- Very minimal playing time on this one.
- Features a sitka spruce top, mahogany back and sides, and an ebony fingerboard and bridge.
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Durability . Craftsmanship
Features:
- Cosmetic condition: superb condition – very clean & still like new!
- Electronics: fishman matrix vt enhance in perfect working condition.
- Case: original hardshell case…
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Craftsmanship . Durability
Features:
- Very good condition
- No frett wear
- Waverly tuners
Reviewers Noted:
Good sound quality . Craftsmanship . Visual appeal
Features:
- The 000 jr-10e auditorium junior acoustic-electric guitar comes factory-equipped with fishman's sonitone sound reinforcement system.
- This particular guitar has some pencil marks on the nut which can easily be buffed out if wanted to.
- It's in great condition and would be perfect for a smaller sized player or an excellent travel guitar for a full grown adult!
$2799.00
5.0
Reviewers Noted:
Visual appeal . Durability . Weight
Features:
- Martin 00-18 made in 2019 with little usability is available!
- The 00 size, one size smaller than 000, fits well and is easy to handle.
- Uses a pa taper that has a nut width of 44.5mm but does not spread much even in high positions.
$639.99
4.5
Reviewers Noted:
Good sound quality . Attractive . Durability . Craftsmanship
Features:
- Case: original gig bag weight: 4lb 13.6oz serial: 2431010.
- *** this item is pre-owned and is in excellent condition with minimal wear.
$2799.00
5.0
Reviewers Noted:
Visual appeal . Durability . Weight
Features:
- Dovetail neck joint
- Gloss top with aging toner
- Modern belly bridge with drop-in saddle
$549.00
5.0
Reviewers Noted:
Good sound quality . Durability . Craftsmanship
Features:
- Figured mahogany top, back, & sides
- Rust birch laminate neck
- Fsc certified richlite fingerboard
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Excellent condition.
- Gig bag, strap, capo included.
- Perfect travelers guitar or for the little ones rocking out young.
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- 6-string acoustic/electric guitar with sitka spruce top; mahogany back sides; hardwood neck
- Fishman electronics
- Ebony fingerboard
$899.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- The guitar pictured is the actual guitar you will receive!
- Just in on trade!
- The performing artist neck with h…
$5199.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- Premium rosewood back & sides
- Premium sitka spruce top
- Genuine ebony fingerboard
$6299.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- 6-string acoustic guitars
- Martin d-18 authentic 1937 vts acoustic guitar
$399.00
4.8
Reviewers Noted:
Good sound quality . Well made . Weight . Durable . Attractive
Features:
- Mahogany pattern hpl (high pressure laminate) textured finish, solid sitka spruce top.
- Rust stratabond neck, shortened 3/4 scale.
- Chrome small-knob tuners. tusq saddle.
1. Martin Lxk2 Koa Little Martin Acoustic Guitar – Natural
Product Details:
The martin lxk2 little martin koa acoustic guitar with gig bag is perfect for beginners, students or the player who desires a pick-up-and-play travel-size guitar. the lxk2 features solid martin craftsmanship and doesn’t compromise quality sound or tone despite its smaller size. the lxk2 little martin is durable and easy to play, designed with koa top, back and sides and headstock. the martin lxk2 fingerboard and bridge are crafted from rosewood, and the neck is carved from natural colored stratabond.
Specifications:
| Construction | Mortise/Tenon Neck Joint |
| Body Size | Modified 0-14 Fret |
| Rosette | Herringbone Style, Gold and Black |
| Top Bracing Pattern | Modified X Series X |
| Top Braces | Crowned Cross Brace |
| Back Material | Koa Wood Pattern HPL Textured Finish |
| Side Material | Koa Wood Pattern HPL Textured Finish |
| Neck Material | Natural Stratabond |
| Neck Shape | Modified Low Oval |
| Nut Material | White Corian |
| Headstock | Solid/LX Taper |
| Headplate | Koa Wood Pattern HPL |
| Fingerboard Material | Solid Morado or Solid East Indian Rosewood |
| Scale Length | 23 inch |
| Frets Clear | 14 |
| Frets Total | 20 |
| Fingerboard Width at Nut | 1-11/16 inch |
| Fingerboard Width at 12th Fret | 2-1/16 inch |
| Bridge Material | Solid Morado or Solid East Indian Rosewood |
| Bridge Style | Belly |
| Bridge String Spacing | 2-1/8 inch |
| Saddle | 16 inch Radius/Compensated/White Tusq |
| Tuning Machines | Chrome with Small Buttons |
| Bridge and End Pins | White with Black Dots |
| Interior Label | Gold Foil |
Reviews:
I am a petite female and love the size of this Martin Little! I had considered purchasing a baritone ukulele with 6 strings because I wanted a very small body. The Little is larger than a baritone uke but is still within the range of PERFECT and came with an acoustic/electric option so I can jam! I have larger guitars but this little gem is easy to travel with and durable with great sound! I purchased a tuner cause the pick up didn't come with one. Absolutely love the colors on the neck! So happy with my purchase!Chelley
I purchased the Little Martin for two reasons. I wanted a small travel size guitar for grab and go playing on the couch. I also wanted a guitar that was not made of all solid woods, because I live in a region that has high humidity as well as significant cold in the winter months. The Little Martin checked both of those boxes. Even though it is small, the Little Martin has a very big voice. When you dig in with a pick, it really projects nicely. Chords sound great, and it has a nice tone. Due to its size, it also makes it easy to play with your fingers. This is a very well made small guitar that is going to last for many years. Bravo Martin!!
I have had my Little Martin for a couple of years at this point and of the four guitars I own, this is the one that gets played the most. This is because due to the small size and very stable construction materials and techniques, it is always near by, ready to pick up and play at a moments notice. While I keep more expensive and delicate guitars in their hard cases with humidifiers to maintain homeostasis as much as possible, the Little Martin is quite at home on a Jamstand next to my desk. I do keep a Planet Waves humidifier between the strings, even when the LM is on the stand because I live in the NE USA where the winter air in my home is very dry due to forced hot air heating. Since the body of the guitar is the High Pressure Laminate (HPL), it appears to me unaffected by changes in temperature and humidity, but I have found that without the humidifier, the bracing seems to dry out more and the sound can become a little 'pingy'. In fact this was my first impression when I picked it up at the local GC after ordering online. If I had not been able to play one in-store previously, I would have been disappointed with the tone and probably returned it. Instead I put on a new set of strings and put the humidifier between the strings and kept it in the quality Martin gig bag that came with it. Within a week it was sounding much better, more like the one that I tried in-store previously. Since the GC stores have good humidity levels in the acoustic rooms, this is a good way to try out a new guitar (after making sure it is in tune). The only reason that I ordered online to pickup in store was that when I was ready to buy, my local GC did not have it in stock at the time.Ron the eternal guitar novice
2. Martin Lx1e Little Martin Acoustic Electric Guitar
Product Details:
Handmade with heavy-duty materials, time-tested styles, and innovative designs, the little martin series delivers classic acoustic guitars that any musician will love to play. these models are made from sustainable wood certified parts and are available in a variety of different wood types, so you can find the solid wood guitar that works best for your playing style and music type—rock, country, folk, bluegrass, jazz, pop, and much more. our little martin series guitars are ideal for beginners and a terrific student model for all ages and ability levels. the smaller acoustic guitar body makes it an ideal travel guitar. take it along to a fireside jam by the lake, or practice just about anywhere. each model delivers distinct features that add personality, performance, and playability to your instrument collection. it is an ideal starter guitar for kids, teens, or adults who want a solid acoustic guitar they can treasure for years to come. for nearly two centuries, martin has been producing premium gear for musical artists across the globe. martins superior guitar and string products remain the choice for musicians around the world for their unrivaled quality, craftsmanship, and tone. still handmade. still the standard. martin guitars are the real deal—not an imitation.
Specifications:
| Finish | Natural |
| Year | 2003 – 2022 |
| Made In | Mexico |
| Back Material | High Pressure Laminate |
| Body Shape | Travel |
| Finish Style | Satin |
| Fretboard Material | Composite |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Sides Material | High Pressure Laminate |
| Top Material | Spruce |
| Body type | Modified O-14 Fret |
| Cutaway | Non-cutaway |
| Top wood | Sitka Spruce |
| Bracing pattern | Non scalloped X-type |
| Body finish | Hand-rubbed |
| Orientation | Right handed Neck |
| Neck shape | Modern low oval/PA taper |
| Nut width | 1.69" (43 mm) |
| Fingerboard | FSC Certified Richlite |
| Neck wood | Rust Birch Laminate |
| Scale length | 23" |
| Number of frets | 20 |
| Neck finish | Hand-rubbed |
| Pickup/preamp | Yes |
| Configuration | Soundhole mounted preamp |
| Headstock overlay | High pressure laminate rosewood pattern |
| Tuning machines | Chrome Enclosed Gear |
| Bridge | FSC Certified Richlite |
| Number of strings | 6 |
Reviews:
I really liked this little guitar, BUT…I read the reviews and decided to buy in-store so I could play the guitar before buying, and I'm SO glad I did. I went into my local Guitar Center and played THREE of these Martin LX1E guitars, including one that had been specially unboxed so I could try it after two others failed my examination. All three guitars had a very pronounced buzz in the frets. It was not that noticeable when I played them acoustically, but the buzz was very noticeable when I plugged them in to an amp. I even tested the amp with other guitars, to make sure it wasn't the amp. It wasn't. Its a great little guitar, great tone and very playable, BUT my advice would be not to buy this one on-line. Play it first. Play up and down the whole fretboard, and plug it into an amplifier and play again. I have been playing for more than fifty years and have never experienced playing three brand new Martins that were simply not up to snuff. Weird!Tele Playr
The guitar itself can have five stars. Nothing wrong with it. The problem I have is that it is not the old LX1E lefty that Martin used to make and I used to own. It is advertised incorrectly here as containing the Fishman I-sys electronics that contained a volume, base/treble controls and a phasing button for feedback. It also no longer contains the tuner. This is basically the LX1 Little Martin with a Sonitone pickup under the bridge and tone/volume control in the sound hole, which I despise. I prefer the old version where the tuner and controls were on top side (as shown in the picture variety). This needs to be updated!!! I now have no tuner on this guitar when I fully expected one. I would recommend the Little Martin guitar but it needs to be advertised correctly.Jules
I bought this guitar for my son so he can have a smaller guitar to lug around in school. We were surprised when we received the product that the pickup that was installed is a Sonitone pickup instead of what's advertised – an Isys T preamp. The Isys preamp has a tuner, phase and tone control whereas the Sonitone is built into the sound hole and only has the volume and tone control. I brought this up with customer support saying I only wanted the product that I thought we were buying. I received excuses and a repeated offer to return the guitar. We chose to keep it because we need it and like the Martin sound. However MF does not stand up to what they advertise and could not provide a reasonable explanation why the product was switched. Even as I write this review, the description still says it has the Isys pickup. Good luck to future buyers and know that you are buying a different product.Pasigenyo
3. Martin 000-15m Streetmaster Acoustic Guitar
Product Details:
It's all about those vintage vibes. and impeccable tone, of course. the martin 000-15m street master simply oozes charm of days gone by whilst brimming with world renowned martin quality. it's superb. a classic mahogany build produces an instantly recognisable tone with a rich, wonderful warmth and plenty of authentic punch, so you can play almost anything your mood feels. perfect for taking requests while busking and unveiling your own unique talents, the 000-15m was birthed for a multitude of sonic scenarios. plus, with a silky-smooth satin finish and meticulous martin know-how, playability is truly effortless with the 000-15m street master. to top it all off, a cool distressed finish and vintage details give this street master style for any occasion. it's time to turn heads.
Specifications:
| Construction | Simple Dovetail Neck Joint |
| Top Material | Mahogany |
| Rosette | Multi-Stripe |
| Brace Shape | Non-Scalloped |
| Brace Material | Sitka Spruce |
| Back Material | Mahogany |
| Side Material | Mahogany |
| Neck Material | Mahogany |
| Neck Shape | Modified Low Oval |
| Neck Taper | Standard Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid with Square Taper |
| Headplate Material | Mahogany |
| Headplate Logo Style | Script Old Style Overlay |
| Fingerboard Material | Katalox |
| Scale Length | 25.4" |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 11/16'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | Abalone |
| Fingerboard Inlay Style | Diamonds and Squares Short Pattern |
| Side Dots | Yellow |
| Back and Side Finish | Satin |
| Back and Sides Color | Dark Mahogany |
| Finish Top | Satin |
| Top Color | Mahogany Burst |
| Finish Neck | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | Katalox |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 1/8'' |
| Saddle | Compensated Bone |
| Saddle Radius | 16" |
| Tuning Machines | Golden Age Relic Nickel |
| Knob | Cream Plastic |
| Bridge Pin Material | Ebony |
| Pickguard | Faux Tortoise |
Reviews:
I'll make this short. Another Martin has entered the home. The Streetmaster is another outside the box model from Martin. I searched and found one in stock at Sam Ash in Charlotte. Only a 1.5 hour drive up from Columbia. Kylene Edson had it ready, set-up was perfect, action and playability is definitely Martin. The color, "rustic brown" is different, but my wife wants art and guitar. She began lessons 4 weeks ago. Me, 40+ years of hearing loss. But, since I have bought my lot of 24 guitars since October '19, it is her turn for a few. (Little secret-I play so when they get broke in I will do it!) I would have liked a hard-shell case but the gig bag is substantial and well padded. Overall, excellent solid wood mahogany sound and nice to look at. Thanks Kylene and Sam Ash of Charlotte for having it in stock.MICHAEL
Overall: I have been playing guitar for 28 years now I believe. I was born and raised in Pennsylvania so C.F. Martin has always had a place in my heart since I began playing. The guitar out of the box was perfectly tuned dropped a half step. It looks amazing, and sounds amazing, through the highs, midrange, and lows it just resonates so wonderfully. I prefer a parlor style body to a dreadnought style and let me tell you this thing delivers such beautiful tone through out it's solid mahogany construction. I was on the fence of getting the 000-15 to the Streetmaster. I am glad I went with the Streetmaster the relic finish and prewar styled tuners looks amazing. I get compliments from everyone that sees and hears it. I would also like to comment that the soft gig bag case is really nicely made and has more protection than a standard run of the mill gig bag.Jimmy
I had a chance to play with one of these at a local guitar shop. I played it for about an hour and a half and and I couldn't put it down. I felt there was really something special about it. I've played quite a few high end Martins and this played a bit like one of those. It didn't sound anything at all like a spruce top guitar, but it sounded great. I was skeptical about the mahogany construction, but it really does have a sweet balanced tone. It has a slightly muted, mellow sound while still being bright and punchy. Somewhat similar to a cedar top guitar, but not exactly. The guitar I demoed was one of the most comfortable acoustic guitars I've ever played and it was set up to absolute perfection. I played it up and down the entire neck effortlessly. I really felt like I was holding on to something special.
4. Martin Dx Woodstock 50th Anniversary Guitar
Product Details:
Martin has partnered with the woodstock foundation to celebrate one of the most historic moments in music history with this special dx woodstock 50th anniversary model. this guitar features colorful custom artwork by robert f. goetzl replicating elements from the original, famed festival poster from 1969. this x series d-14 model produces the rich, dynamic sound and look that has made martin the choice of many artists who played at woodstock. it pairs a high-pressure laminate top with mahogany-grained high-pressure laminate (hpl) back and sides and includes fishman sonitone electronics. the dx woodstock 50th anniversary dreadnought acoustic-electric guitar model includes sustainable wood-certified parts.case sold separately.
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | D-14 Fret |
| Top Material | HPL |
| Top Detail | Custom Design |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16 inch |
| Back Material | HPL |
| Back Detail | Rosewood Pattern |
| Side Material | HPL |
| Side Detail | Rosewood Pattern |
| Neck Material | Rust Birch Laminate |
| Neck Shape | Performing Artist |
| Neck Taper | High Performance Taper |
| Nut Material | White Corian |
| Headstock Shape | Solid with Standard Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Heelcap | Black |
| Fingerboard Material | Certified Richlite |
| Scale Length | 25.4 inches |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4 inches |
| Fingerboard Width at 12th Fret | 2 1/8 inches |
| Fingerboard Inlay Material | White Plastic |
| Fingerboard Inlay Style | Dots |
| Side Dots | White |
| Finish Neck | Hand Rubbed |
| Bridge Material | Certified Richlite |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32 inches |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16 inches |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | Lifespan 2.0 Auth Acoustic MA540 Phosphor Light |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Electronics | Fishman Sonitone |
Reviews:
I was looking for a second acoustic so I didn't have to keep my D-35 out and exposed to the temperature and humidity fluctuations we get in the Northeast during the winter. I wanted a guitar with a similar profile that would feel like my D-35 (not a practice or parlor guitar). I randomly spotted this guitar and my first thought was "that's…. interesting." The design grew on me and as a history buff I couldn't help but think how cool it would be to have this guitar on my wall for decades. Out of the box, the guitar played horribly. The action was EXTREMELY high on it. The strings that came with it were utter trash. Luckily my friend works on guitars so I had him adjust the truss rod and put on 11 gauge Martin Silk and Steel folk guitar strings. The guitar sounds excellent now; not quite as loud and vibrant as much D-35 but given the price difference, it shouldn't! The look is even better in person than the pictures. This is clearly one of those "love it or hate it" guitar slash artwork situations. As much as I would love to give the guitar 5 stars (where it is currently for me) I have to knock it down to 4 simply because of how bad the truss rod and strings were out of the box. Without those adjustments and the string change, I would've been forced to send the guitar back unfortunately. However if you have the ability to make those changes (you may as well order strings when you order the guitar) AND you dig the look, buy this guitar with no hesitation. I can't imagine not having it now!NoCo Strummer
I play in a 60's tribute band and I thought this would be a great stage guitar for the show. I was VERY pleased to find out it actually is a very good guitar. I was worried the graphics would kill the tone but the material Martin came up with for the top actually sounds pretty good, plus the Fishman pickup makes it all the better for stage. I may get a sound hole plug to help with stage feedback but my only real wish is that the action was a little better. Its OK, but I prefer a little lower, so I think I'll be adjusting that. All-in-all worth the $600LW
5. Martin 00015m Mahogany Acoustic Guitar With Case, Natural
Product Details:
Made in martin's nazareth, pennsylvania factory, the d-15m burst is constructed with genuine mahogany top, back, sides and neck, is accented with beautifully toned pre-war mahogany top shading. included a hard shell case and martin lifetime warranty. martin d-15m burst solid mahogany acoustic guitar size – dreadnought 14 fret mpn. d-15m burst construction – simple dovetail neck joint top. solid genuine mahogany back and sides. solid genuine mahogany finish. satin neck material. solid genuine mahogany neck shape. modified low oval nut width – 1-11/16". scale length – 25.4" tuning machines. nickel open geared with butterbean knobs fingerboard & bridge material. morado nut. bone strings. martin sp lifespan phosphor bronze medium gauge (msp7200). includes martin 345 hard case.
Specifications:
| CONSTRUCTION | Simple Dovetail Neck Joint |
| BODY SIZE | 000-14 Fret |
| TOP MATERIAL | Mahogany |
| BRACING PATTERN | X Brace |
| BRACE SHAPE | Non-Scalloped |
| BRACE MATERIAL | Sitka Spruce |
| BRACE SIZE | 5/16" |
| BACK MATERIAL | Mahogany |
| NECK MATERIAL | Mahogany |
| NECK SHAPE | Modified Low Oval |
| NUT MATERIAL | Bone |
| HEADSTOCK SHAPE | Solid with Square Taper |
| HEADPLATE MATERIAL | East Indian Rosewood |
| HEADPLATE LOGO STYLE | Script Old Style Overlay |
| FINGERBOARD MATERIAL | East Indian Rosewood |
| SCALE LENGTH | 25.4'' |
| NUMBER OF FRETS TOTAL | 20 |
| FINGERBOARD INLAY MATERIAL | Abalone |
| Style | Orchestra (om) |
| Electronics | No |
| Top Wood | Mahogany |
| Back/Side Wood | Mahogany, Mahogany back/sides |
| Scale Length | Standard scale |
| Fret to Body | 14 fret |
| Nut Width | 1 11/16" |
| Case Included | Yes |
Reviews:
Overall: Played one 10 or so years ago but didn’t get because of other obligations. Never forgot how it played and sounded! Finally got one and it is a truly excellent guitar. I have a Gibson CJ165EC, which I love, and the 000-15M is a totally different sound, which I wanted. Needed some Martin jangle! Out of the box fantastic. The mahogany tone is unmistakable and rich! Neck is a thin Martin neck, which I’m fine with. I’ve been playing for 53+ years so I kinda know what I’m talking about. Putting in a Fishman rate earth soundhole pickup and this will be my busking guitar! Really happy with the guitar and with zZounds. Delivery was fast and purchase was flawless. Highly recommend both the Martin 000-15M and zZounds!!Reverend
I ordered this online after discussing the purchase with Sam Ash Staff, it was in short supply, they scouted all Sam Ash Stores, they found one and it arrived two weeks early just after christmas. My wife loves it! It's her 2nd Martin Guitar and this one is her prize instrument. The staff at our local store were really helpful both with the Order process and preparing the the guitar upon arrival at the store. I asked about the 1st year instrument maintenance option and they were able to update our purchase to include that. The guitar sounds great, my wife loves playing it even though she is a novice. Totally satisfied with the instrument and the staff that helped obtain it. Thanks guys.Britinusa
I have wanted a triple-aught mahogany guitar. I preferred the Guild D20 dread to the Martin D15, but was open-minded about which 000 brand. Didn't like videos on Taylor and Alvarez all hog orchestra models and was very impressed with the Martin videos. So ordered this. Was also a big fan of Kenneth Pattengale and I'm With Her who use the 00-15 model. Let the box sit half a day. Upon opening it I was greeted by this amazing scent. The guitar came set up with low action, slightly detuned. The bridge and fretboard appeared to be stained morado (a very hard and valid wood, harder than rosewood but not quite as much as ebony). Tuners are Grover Statites. They are firm and perhaps a little too sensitive to sometimes dial in. The body was a gorgeous chocolate with amber-orange highlights. The guitar was immaculate. Martin Lifespan 2.0 PB 12-54 strings. It sounded really nice with the ebony pins which were fit absolutely perfectly. However, I had already purchased Blisstime unbleached bone pins which fit perfectly too. I got even more sustain and a more melodic tone, along with greater volume. This improved the strumming tone immensely. May switch to nickel-bronze 12-56 strings, but I will wait for now. The guitar is super-light and weird to hold after dreads. The tone is dark (as expected) but ringing. There is the hog compression, but I was amazed how great this sounded brand new. I did humidity it overnight. Intonation was spot on. The frets were dressed wonderfully with no protruding ends. No truss rod wrench, nor polishing cloth like with my DSS-17. The case had a small ding in the tolex which I was able to bond into place cleanly and disguise. The case is very nice, but without built-in humidification like my Guild. The tone is beautifully even and not bass-heavy like the D15. The treble keeps up with the expected mids. The end pin was not pushed in all the way by me as it was very tight. May opt to have that professionally assessed. I don't gig, so a pickup is not for me. I did get a tortoise pickguard. This is definitely a keeper which I will pamper.Tom
6. Martin Lx1e Little Martin Acoustic Guitar W/gig Bag
Product Details:
While the little martin is our smallest guitar, it is very big on tone, quality and versatility. the lx1e acoustic electric model features a solid sitka spruce top, mahogany high-pressure laminate (hpl) back and sides, and a warm satin finish. it's ideal for travel, student practice or for just playing around the house or campfire.
Specifications:
| Body Size | Modified 0-14 Fret |
| Finish Top | Hand-Rubbed |
| Construction | Mortise & Tenon Neck Joint |
| Bracing Pattern | X-Brace |
| Scale Length | 23'' |
| Brace Shape | Non-Scalloped |
| Fingerboard Width at Nut | 1 11/16'' |
| Top Material | Sitka Spruce |
| Neck Shape | Modified Low Oval |
| Back Material | HPL |
| Neck Taper | Standard Taper |
| Side Material | HPL |
| Electronics | Yes |
| Electronics Options | Fishman Sonitone |
| Top Color | Clear |
| Bridge Style | Junior Style Belly |
| Bridge String Spacing | 2 1/8'' |
| Bridge Material | FSC Certified Richlite |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Saddle | Compensated White Tusq |
| Rosette | Multi-Stripe |
| Saddle Radius | 16" |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back Detail | Mahogany Pattern |
| Side Detail | Mahogany Pattern |
| Neck Material | Rust Birch Laminate |
| Fingerboard Material | FSC Certified Richlite |
| Finish Neck | Hand-Rubbed |
| Fingerboard Width at 12th Fret | 2 1/16'' |
| Number of Frets Total | 20 |
| Neck Joins Body At | 14th Fret |
| Side Dots | White |
| Headstock Shape | Solid with LX Taper |
| Tuning Machines | Chrome Enclosed Gear |
| Headplate Material | HPL |
| Knob | Small |
| Headplate Logo Style | Script Ink |
| Nut Material | White Corian |
| Headplate Detail | Rosewood Pattern |
| Left Handed Availability | true |
Reviews:
I really liked this little guitar, BUT…I read the reviews and decided to buy in-store so I could play the guitar before buying, and I'm SO glad I did. I went into my local Guitar Center and played THREE of these Martin LX1E guitars, including one that had been specially unboxed so I could try it after two others failed my examination. All three guitars had a very pronounced buzz in the frets. It was not that noticeable when I played them acoustically, but the buzz was very noticeable when I plugged them in to an amp. I even tested the amp with other guitars, to make sure it wasn't the amp. It wasn't. Its a great little guitar, great tone and very playable, BUT my advice would be not to buy this one on-line. Play it first. Play up and down the whole fretboard, and plug it into an amplifier and play again. I have been playing for more than fifty years and have never experienced playing three brand new Martins that were simply not up to snuff. Weird!Tele Playr
The guitar itself can have five stars. Nothing wrong with it. The problem I have is that it is not the old LX1E lefty that Martin used to make and I used to own. It is advertised incorrectly here as containing the Fishman I-sys electronics that contained a volume, base/treble controls and a phasing button for feedback. It also no longer contains the tuner. This is basically the LX1 Little Martin with a Sonitone pickup under the bridge and tone/volume control in the sound hole, which I despise. I prefer the old version where the tuner and controls were on top side (as shown in the picture variety). This needs to be updated!!! I now have no tuner on this guitar when I fully expected one. I would recommend the Little Martin guitar but it needs to be advertised correctly.Jules
I bought this guitar for my son so he can have a smaller guitar to lug around in school. We were surprised when we received the product that the pickup that was installed is a Sonitone pickup instead of what's advertised – an Isys T preamp. The Isys preamp has a tuner, phase and tone control whereas the Sonitone is built into the sound hole and only has the volume and tone control. I brought this up with customer support saying I only wanted the product that I thought we were buying. I received excuses and a repeated offer to return the guitar. We chose to keep it because we need it and like the Martin sound. However MF does not stand up to what they advertise and could not provide a reasonable explanation why the product was switched. Even as I write this review, the description still says it has the Isys pickup. Good luck to future buyers and know that you are buying a different product.Pasigenyo
7. Martin D-18 Acoustic Guitar – Natural
Product Details:
Specifications:
| BODY SIZE | D-14 Fret |
| FINISH TOP | Gloss |
| CONSTRUCTION | Dovetail Neck Joint |
| BACK AND SIDE FINISH | Gloss |
| BRACING PATTERN | Forward-Shifted X-Brace |
| SCALE LENGTH | 25.4" |
| BRACE SHAPE | Scalloped |
| FINGERBOARD WIDTH AT NUT | 1 3/4'' |
| TOP MATERIAL | Sitka Spruce |
| NECK SHAPE | Modified Low Oval |
| BACK MATERIAL | Genuine Mahogany |
| NECK TAPER | High-Performance Taper |
| SIDE MATERIAL | Genuine Mahogany |
| ELECTRONICS | Optional |
| TOP COLOR | Aging Toner |
| BRIDGE STYLE | Modern Belly – Drop in Saddle |
| BINDING | Faux Tortoise |
| BRIDGE STRING SPACING | 2 5/32" |
| TOP INLAY MATERIAL | Multi-Stripe |
| BRIDGE MATERIAL | Ebony |
| BRIDGE PIN MATERIAL | Black Plastic |
| PICKGUARD | Tortoise Pattern |
| SADDLE | Compensated Bone |
| ROSETTE | Old Style 18 Multi-Stripe |
| SADDLE RADIUS | 16" |
| BRACE MATERIAL | Sitka Spruce |
| BACK AND SIDES COLOR | Dark Mahogany |
| BRACE SIZE | 5/16" |
| BACK PURFLING/STRIP | Style 18 |
| HEELCAP | Faux Tortoise |
| ENDPIECE | Faux Tortoise |
| NECK MATERIAL | Select Hardwood |
| FINGERBOARD MATERIAL | Ebony |
| FINISH NECK | Satin |
| FINGERBOARD WIDTH AT 12TH FRET | 2 1/8'' |
| NECK COLOR | Dark Mahogany |
| FINGERBOARD INLAY STYLE | Old Style 18 |
| NUMBER OF FRETS TOTAL | 20 |
| FINGERBOARD INLAY MATERIAL | Abalone |
| NECK JOINS BODY AT | 14th Fret |
| SIDE DOTS | White |
| HEADSTOCK SHAPE | Solid with Square Taper |
| TUNING MACHINES | Nickel Open Gear |
| HEADPLATE MATERIAL | East Indian Rosewood |
| KNOB | Butterbean |
| HEADPLATE LOGO STYLE | Script Old Style Overlay |
| NUT MATERIAL | Bone |
| LEFT HANDED AVAILABILITY | true |
| PLEKED | true |
| Finish | Ambertone |
| Year | 2018 – 2022 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Dreadnought |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Neck Material | Mahogany |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Sides Material | Mahogany |
| Top Material | Spruce |
Reviews:
Overall: Original unopened uninspected by zZounds, in the heavy duty box from Martin. Mine was packed well enough, but still a little surprised how little bubble pack it had, or needed. The guitar seems perfect, no blemishes, straight neck, just beautiful. Rings like a bell despite needing a set up. Saddle has tons of room to sand down to most anyone’s preferred height/action. Nut seems like it’s in similar ready to set up condition. But even out of the box it sounds absolutely great and isn’t terrible to play. The little booklet that comes with it lists features, including “non adjustable” truss rod. I hadn’t come across this in my (limited) research into D18s. Martin guitar forums are divided on it, but I think the idea is “the old ones that people worship didn’t have adjustable truss rods, so we’re following the recipe”. Fine, but why not put that in the specs too? It’s not a cheap guitar. Taking a chance on it and seeing how it does. I’ll care for it properly and if it craps out and needs a neck reset or god forbid a new neck, I’ll rant and rave about it. But for now, let’s see how it sets up!Dan
I can't say enough about this guitar. For as long as I have been a guitar player (and a Pennsylvanian, for that matter) I have known Martin guitars. They are always prominently used and sold around this area. I looked up to my idols who played them, even older players like CSN and Neil Young and Clapton. I dreamed of owning one and as a kid, I loved the white binding on dark wood, seemingly drawing me in to a D-28, which is arguably the most popular Martin ever. As a kid, I almost got a Martin DM, but ended up with a cheaper Epiphone. After college, I decided to get my first Martin Custom D Rosewood – essentially a D-28 with a mortise and tenon neck joint and a D-15 A-Frame bracing and styling – sold exclusively here on MF (and GC). It's a great value for a guitar, but had to keep it constantly humidified because of the thin-skin matte finish. It can get really dried out and in fact, was in that condition when I received it (used). Great guitar, but I was always chasing buying a brand new Martin to call my own. I played some in stores of course and always A/B'd them, but it wasn't until a factory tour that I got a real idea of the breadth that the Martin line possesses. There is the 1833 Shop there with an adjacent players room filled with a good spread of Martins of all values and construction style. I was simply playing them to see which ones spoke to me, sonically and soulfully. I played the D-28, the D-35, the D-41, the D-15, 00-15M, the CEO, a 12 string, Eric Clapton model 000-28, etc. They all had their magic I'm sure, but when I landed on the D-18, I was simply blown away. It had a completely organic and natural sound – I could literally hear the wood. It's an absolutely lovely woody tone – this sounded better than the rest to me. I also LOVE the understand design and simplicity. It's a true working man's instrument – plus it features forward shifted X-Bracing which gives a lot more bass. The new improvements are all choice! 100% my fav. acousticIan from PA
I bought this guitar last year at a locally owned music store and was happy to do so as you don't find many of them stocked at large corporately owned brick and mortar stores. When I purchased it, I fell in love with the look and overall sound of the guitar and felt I was indeed buying a piece of history. The overall materials, finish and body construction are excellent and it produces a rich tone even with older strings. However that is where the positive remarks end. The more I want to love this guitar, the more it disappoints for the simple reason that it is incredibly difficult to play. Whether this is due to a poor set up or poor fretboard construction I really can't say, but I have to put this thing down after more than after five or ten minutes of playing – it is that bad. The same is true for the D-15 I spent a pretty penny on too. How a guitar maker that's supposedly been around since 1833 can produce something this hard to play is beyond me. Older D-18s I have played are not much better as they are incredibly hard to fret and buzz incessantly. So before you spring a couple of grand for this "piece of history," reconsider something that actually plays with ease. For this reason alone, I certainly would never invest in another one of these or a D-28, D-35 etc.. that costs even more. I can name several other major brands that put this guitar to shame due to their playability but won't to avoid embarrassing the manufacturer. But I will say that Martin's quality control folks ought to check these things out before shipping them out the door. Believe me, Martin's reputation and its chances of survival depend on it.Tom R
8. Martin 000-17 Whiskey Sunset Acoustic Guitar
Product Details:
A truly outstanding 000, this was purchased new less than a year ago. i had it setup by a local luthier, and it plays incredibly well. sounds amazing, and the k&k pure mini now in it is a perfect match for this guitar. if you have done any research, the pure mini is practically a legend of a pickup, yet requires no batteries. i have been using this guitar and pickup plugged directly into a boss acoustic singer pro, and the sound has been incredible. i previously used a baggs sound hole pickup, and if you look carefully you can see a little bit of "rash" where that was mounted. you will also see the tiniest "chip" by the input jack. both of these are hard to see, but i wanted to be accurate with my description. the guitar plays and sounds amazing. the only reason i am selling is that i recently purchased a dread as my main guitar, so as much as i want to hang on to this one, i have to let it go.
Specifications:
| Construction | Simple Dovetail Neck Joint |
| Body Size | 000-14 Fret |
| Rosette | Single Ring |
| Top Bracing Pattern | Standard "X" Scalloped |
| Top Braces | Solid Sitka Spruce 5/16" |
| Back Material | Solid Mahogany |
| Side Material | Solid Mahogany |
| Binding | Grained Ivoroid |
| Top Inlay Style | Black Boltaron |
| Side Inlay | Black Boltaron |
| Neck Material | Select Hardwood |
| Nut Material | Bone |
| Headstock | Solid/Square Taper |
| Headplate | Solid Black Ebony w/ Authentic Style (1933) Logo |
| Fingerboard Material | Solid Guatemalan Rosewood |
| Scale Length | 24.9" |
| Number of Frets | 20 |
| Fingerboard Width at Nut | 1-3/4" |
| Fingerboard Width at 12th Fret | 2-1/8" |
| Fingerboard Position Inlays | Style 18 (1955) – MOP Dots |
| Finish Back and Sides | Satin – Black Smoke |
| Finish Top | Satin – Black Smoke |
| Finish Neck | Satin – Black Smoke |
| Bridge Material | Solid Guatemalan Rosewood |
| Bridge Style | Modern Straightline w/ Drop-In Saddle |
| Bridge String Spacing | 2-5/32" |
| Saddle | 16" Radius/Compensated/Bone |
| Tuning Machines | Golden Age Relic Nickel w/ Cream Buttons |
| Bridge and End Pins | Black |
| Pickguard | Ivoroid |
Reviews:
So, this has always been a dream guitar for me. The weird thing is, I’ve actually owned one before but was not impressed with the sound. I had read in previous reviews that the 000-17’s have a cheap guitar sound, and when I owned the previous guitar I was in agreement with those reviews…so, sold it. However, a year later I played one at a local guitar shop and it punched me in the face!!! It was crunchy, punchy, resonant, and had some real cojones to it! I WAS LIKE “WHAT!!!” This ain’t the same guitar I remember, so, I ordered a new one online. When it arrived, my brand new 000-17 sounded just like my first one (Solid tone, but kinda lifeless). I was pretty let down. I was wondering what the deal was. What was so different between the two that I’ve owned, and the one I played at the shop?? So, before I just sold it AGAIN, I put some Martin Retro 13 gauge strings on it and ebony bridge pins on it and BOOOOM!! There it was!! That had to have been the difference between the two I owned and the punchy bad boy in the shop. This guitar is now the all around banger I hoped and heard it would be!! This guitar should be sold with 13 gauge retros on it, because as the reviews state it does sound slightly cheap with the 12’s. When you add the 13’s it’s like putting a set of nuts on it! This thing deserves an overall 5.0 rating, but I think people (Like I did) get rid of it or bash it before they find out what a beast this thing can be! If you are looking to buy one…DO IT!! Then, add 13 gauge Martin Retro strings (And bone bridge pins), and just wait for this bad boy to attack!! I seriously could go my whole life with this one guitar because of it’s character, voice, tone, punchiness, crunch, resonance, playability, craftsmanship, KILLER STYLE, and all around package!! Just ignore the negative reviews and listen to your boy… GET THIS GUITAR!!Zach Scoggins
I know this is alot of money to spend on a guitar. I am a working man too. I firmly believe this is the most money that a player should be spending on any guitar. I am a guitar PLAYER. I DONT buy guitars to hang on the wall so I can appreciate the gloss finish and drool over the pearl inlays. When I buy a guitar, I intend to play it until it is worn. I have done that with all of my acoustic and my electric guitars. If you are the kind of player who knows a few chords, and likes to sit down and strum a pretty guitar with figured inlays and flashy hardware, this guitar definitely is not the instrument for you. When you buy guitar, you can change every part on it, except the body and the neck. If you're going to buy a guitar with intent to change the neck and body, why not just buy a guitar with the neck and body you want, and change the hardware? If you are a player who is professional, serious, and wants to make a sound for yourself, well this guitar is the guitar for you. Yes, It DOES have the neck AND the body you want. The neck feels incredible. It is UNPARALLELED when it comes to feeling this guitar. Don't believe me? Find one and try playing it. It's like the Rickenbacker of acoustic instruments. The top of the guitar is the first thing that the sound bounces off of, and the shape and bracing in this acoustic allows for the hardwood of the spruce to do its job; to vibrate and give the guitar an excellent punch, and to twang and crunch when picking each string individually. It is an unbeatable sound from the first strum, but the real treat is the resonation. The sides of a guitar are where the it's sound rings after strumming. When you let this guitar ring, it gets a deep, rich, and woody sound from the mahogany sides. Somehow, this guitar is both punchy and gives a solid chimey crunch, but also resonates warmly with a full, rich, and deep sound. I have played and owned MANY guitars, but this one takes the cake. It is the best acoustic I have ever played.Marty
My first gut reaction to this guitar was repulsion. To be fair, I unboxed it in very unflattering light. It was strung with Retro monel strings which I personally do not like at all. I looked at the flat, Whiskey Sunset finish. All splochy and just cringe I wanted to yeet the damned thing. I strummed it twice and put it back in the case.
Two weeks later, one morning I tried it again. I sat in great morning sunlight and noticed it was a guitar going for a totally different vibe than anything else out there. And once I understood what it was it made sense. And I began falling in love with this thing.
Construction is perfect. Materials are top shelf. My top is heavily bear clawed as well as figured. Growth rings are parallel and very tight. Super high quality wood, actually. The neck is one piece mahogany, not glued up. The neck wood is also perfectly quarter sawn. The fret oard wood, though an uncommon rosewood has the basic density and pore structure of ebony, ut us a uniform dark cocoa brown color. Mine looke l8ke brown ebony. And it takes a polish like ebony will. You just dont find this wood quality on guitars at this pricepoint. The wood is as good as in my Larrivee LV03, which is a lot higher end guitar that has similar build quality
The guitar is incredibly light, weighing about 35% less than the Larrivee. It is lightly braced. The top is very "live." Doesnt take much wake it and it is very dynamically responsive. As a result, the guitar has a sort of "reverb" to its tone. It is actually the top being so live that open strings ring very easily. Gives the guitar a different vibe thats really cool. It's a subtle thing and would only matter for fingerstyle.
In fact I see this as exclusively a fingerstyle guitar. This is THE guitar to buy for fingerstyle Delta Blues. Detune it and it sounds greasy, growly, and downright nasty. It's sick. Nothing else I own is even close for this genre. The tone is very mid forward. Very warm. Not a lot of top end detail. Soft attack. Bass is tight and focused, but not overpowering. Perfect for pedaled bass notes. This is one of the fattest sounding gits I've heard heard. In electric guitar world its a Strat or P90, neck pickup position, tone rolled back a bit.
I would highly recommend the 000-17 for fingerstyle playing where dynamically responsive, mid forward, aggressive, warm fat tone is wanted. But the guitar isn't a good choice if you aren't a Bluesman. Flatpicking on the 000-17 sounds like poo tbh. You arent going to like it for strumming Kumbayah.
The 000-17 perfect for Blues. And thats great because thats what I wanted it for.Ken Smith
9. Martin Ceo-7 Guitar
Product Details:
Save big when you buy today! construction: mahogany blocks/dovetail neck joint – body size: 00-14 fret (slope shoulder)top: solid adirondack spruce – rosette: single ring – top bracing pattern: standard ''x'' scalloped – top braces: solid adirondack spruce 1/4''back material: solid genuine mahogany – back purfling: none – side material: solid genuine mahogany – endpiece: none – endpiece inlay: none – binding: grained ivoroid – top inlay style: black boltaron – side inlay: none – back inlay: black boltaron – neck material: select hardwood – neck shape: modified vnut material: bone – headstock: solid/square taper – headplate: solid black ebony – heelcap: grained ivoroid fingerboard material: solid black ebony – scale length: 24.9''number of frets clear: 14number of frets total: 20fingerboard width at nut: 1-3/4''fingerboard width at 12th fret: 2-1/4''fingerboard position inlays: old style 18fingerboard binding: none – finish back & sides: polished gloss – finish top: polished gloss with autumn sunset burst – finish neck: satin – bridge material: solid black ebony – bridge style: straightline with drop-in saddle – bridge string spacing: 2-5/16''saddle: 16'' radius/compensated/bone – tuning machines: golden age relic nickel 2517 with cream plastic buttons – recommended strings: martin sp lifespan phosphor bronze light gauge (msp7100)bridge & end pins: white with black dots – pickguard: delmar tortoise color:case: 5434 geib style – interior label: signed by cfm iv – numbered in sequence without total
Specifications:
| Construction | Mahogany Blocks/Dovetail Neck Joint |
| Body Size | 00-14 Fret (Slope Shoulder) |
| Rosette | Single Ring |
| Top Bracing Pattern | Standard ''X'' Scalloped |
| Top Braces | Solid Adirondack Spruce 1/4' |
| Back Material | Solid Genuine Mahogany |
| Side Material | Solid Genuine Mahogany |
| Binding | Grained Ivoroid |
| Top Inlay Style | Black Boltaron |
| Back Inlay | Black Boltaron |
| Neck Material | Select Hardwood |
| Neck Shape | Modified V |
| Nut Material | Bone |
| Headstock | Solid/Square Taper |
| Headplate | Solid Black Ebony |
| Heelcap | Grained Ivoroid |
| Fingerboard Material | Solid Black Ebony |
| Scale Length | 24.9" |
| Number Of Frets Clear | 14 |
| Number Of Frets Total | 20 |
| Fingerboard Width At Nut | 1-3/4" |
| Fingerboard Width At 12th Fret | 2-1/4" |
| Fingerboard Position Inlays | Old Style 18 |
| Finish Top | Polished Gloss w/Autumn Sunset Burst |
| Finish Neck | Satin |
| Bridge Material | Solid Black Ebony |
| Bridge Style | Straightline w/Drop-In Saddle |
| Bridge String Spacing | 2-5/16" |
| Saddle | 16" Radius/Compensated/Bone |
| Pickguard | Delmar Tortoise Color |
Reviews:
First I should say this is my third Martin, the others being a D18 1934 GE and an OM-H28 VTS. I've wanted a 00-sized guitar and after having played several I chose the CEO-7. Boy, am I fortunate. I'm having more fun with this guitar than I really thought possible. First, it looks so cool. More Gibson L-00 than Martin (hence the "My Favorite Marti(a)n" nod in the title). But it plays and sounds just like a Martin–and that's a great thing. I've often said that if American history and culture had a soundtrack, it would be played on a Martin. And if I were doing the playing, it would be on my CEO-7. It fits like a glove and the sound rocks my soul. When played softly, it produces a sweet and delicate sound. But when you lay into it, it becomes gritty and bluesy. I've swapped the plastic bridge pins for bone and I'll probably upgrade the tuners at some point, but everything else is tops–addy top; mahogany back and sides; looks like a mahogany neck; ebony fingerboad and bridge; 1 3/4 bone nut. It's a lot of value for the price. Honestly, hands down THE BEST guitar I've ever owned. No regrets. I'll have this one forever.ScottyJ
I have been deliberating on getting a Martin D28 for a decade. I finally bit the bullet and spent the money but opted on the CEO 7. I couldn't be more happy. First off its gorgeous with the sunburst top and choice mahogany back and sides. The size drew me in because of comfortability and I play a lot sitting and lounging. To me it is way more comfortable than the dreadnot while not loosing any (or significant) volume. Plays like a dream. I shouldn't have have waited so long. I did opt to add an ivory arm rest and I think it just increases the big sound of this little guitar.Jon
This guitar is comfortable in my hands…it just feels good. Finger picking, flat picking, strumming…whatever style you prefer…it'll be fine. Clear and crisp and rings like a bell. Small but mighty. I've played (or tried to play) a bunch of guitars over the last 50 years. I'm a ham and egg player. Electrics and acoustics – Fenders, Gibsons, Martins, Gretschs, Epiphones, Guilds, Dan Electros and on…and this Martin CEO-7 is among the sweetest ever. This one makes me want to play it, and, most important, makes me want get better at playing it. This one makes me lose track of time.Hroogar
10. Martin Junior 000cjr-10e Acoustic-Electric Guitar
Product Details:
The martin junior series is designed for players looking for big sound in a slightly smaller body. now available for the first time with a cutaway, the auditorium style 000cjr-10e features sapele back and sides, which offer warm tones with a strong midrange response. it includes a sitka spruce top for added warmth and projection and a hand-rubbed neck with a high-performance taper for ease of playability. this model also sports a soft back edge to provide maximum comfort while playing. the 000cjr-10e is equipped with fishman sonitone electronics and includes a soft gig bag for easy transport so you can take your music anywhere. strung with retro light gauge strings.
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | 000 Junior 14 Fret Cutaway |
| Top Material | Sitka Spruce |
| Rosette | MOP Pattern with Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 1/4" |
| Back Material | Sapele |
| Side Material | Sapele |
| Binding | Black |
| Top Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Junior |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | White Corian |
| Headstock Shape | Solid with Junior Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Fingerboard Material | FSC Certified Richlite |
| Scale Length | 24'' |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | Mother of Pearl Pattern |
| Fingerboard Inlay Style | Style 28 |
| Side Dots | White |
| Back and Side Finish | Satin |
| Back and Sides Color | Cherry |
| Finish Top | Satin |
| Top Color | Clear |
| Finish Neck | Hand Rubbed |
| Bridge Material | FSC Certified Richlite |
| Bridge Style | Junior Style Belly |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | Retro Light MM12 |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Electronics | Fishman Sonitone |
Reviews:
For the money, I couldn't find a better acoustic guitar (A new one anyways). I've owned many high end Martins, but I wanted something that was easy to travel with and I wouldn't worry about if it got scratched/dented. Out of the box the action and intonation were very close to perfect. I adjusted the truss rod myself to fit my playing preference, and the intonation was so close I doubt anyone will notice when playing further up the neck. The building materials are not great, but once again, "for the money"… My only con is they don't have a hard shell case for this particular model. The included soft shell case is still convenient, but I kind of wish they'd make a HSC like they did for the dreadnaught model.Garrett G.
This guitar is good for the money. Neck straight. All workmanship is precise. Light and not overly heavy from clear coat gunk. Neck is short but wide. Strings that came on it went in trash in 5 min. Use Lixrs on these small guitars. Nuff said…Not too small like Martin mini where you fight it not to be a uke and it really is. Quality is near perfect. Case is the good one like the minis. Doesnt feel like a GS mini which feels too small. This guitar feels good but smaller that normal. Set up fine out of box (which is more than I can say for the USA models). Ready to play. I will prob change out stock pickup for DTar syemour duncan wavelength solo later. Not that the stock pickup is bad; just like seymour better for acoustic under saddle "non-quack" pickup. If you know how to use an eq then dnot need that extra tone button anyway, plus fihsman is kind of not great stuff. After about 10yrs needed something better. Buy one before Martin decides not to make them anymore…Kokbloock
Overall: I purchased this guitar for practice, and to record licks for quick pre-production ideas. My Taylor GS Mini does not have electronics and I wanted to add a Martin to my collection anyway. When plugged in the Martin sounds very rich and there is almost no sound degradation between plugged and mic’d, very impressive! The fingerboard is wider than the one on my Taylor GS and as a result is much easier to play for me. This guitar is not as rich sounding or as comfortable as my Washburn 55 Comfort Series but the sound, the cut-away, and the small size makes this my choice for those quick pre-productions or gigs.Installation of an onboard tuner would make this guitar perfect in my opinion.
11. Martin 00-18 Acoustic Guitar
Product Details:
A sonic partner for life. it's premium from headstock to lower bout, and it's truly timeless. there's simply no other way to describe the martin 00-18. and like all martin guitars, the 00-18 was hand made. because it matters. with martin having such a legendary, global rep, every luthier ensures each instrument is jam-packed with their passion for superior acoustic sound. the result – martin's 'perfect' tone. and that same tone is one that's inspired generations of musicians, and driven the success of many icons. so expect pure sonic class, nothing less. experience martin's plek process, high-performance taper, and silky-smooth finish, which provides performances at its peak – every time you play.
Specifications:
| Construction | Dovetail Neck Joint |
| Body Size | 00-14 Fret |
| Top Material | Sitka Spruce |
| Rosette | Old Style 18 Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 1/4" |
| Back Material | Genuine Mahogany |
| Back Purfling/Strip | Style 18 |
| Side Material | Genuine Mahogany |
| Endpiece | Faux Tortoise |
| Binding | Faux Tortoise |
| Top Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Modified Low Oval |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid with Square Taper |
| Headplate Material | East Indian Rosewood |
| Headplate Logo Style | Script Old Style Overlay |
| Heelcap | Faux Tortoise |
| Fingerboard Material | Ebony |
| Scale Length | 24.9" |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | Abalone |
| Fingerboard Inlay Style | 18 Old Style |
| Side Dots | White |
| Back and Side Finish | Gloss |
| Back and Sides Color | Dark Mahogany |
| Finish Top | Gloss |
| Top Color | Aging Toner |
| Finish Neck | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | Ebony |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated Bone |
| Saddle Radius | 16" |
| Tuning Machines | Nickel Open Gear |
| Included Strings | Martin MA540T |
| Knob | Butterbean |
| Bridge Pin Material | Black Plastic |
| Pickguard | Faux Tortoise |
| Electronics | Optional |
Reviews:
The smallest acoustic I've ever owned, but a seriously big sound, especially when played fingerstyle! I've only had it a short time, but it's definitely a lifer as I've never played a guitar as responsive. It's definitely not one to get if you're focusing on strumming out big chords, but as an intimate little solo performing or recording guitar it can't be beat. It also has an amazing projection which allows it to cut through some bigger instruments in a way that a dreadnought simply can't which makes it a really great guitar to play lead lines on. It's for sure my favorite martin, and I've owned almost all of their standard series models!Desmond
Purchased a little over 2 months ago with no regrets. I have several acoustic and electrics to my name, but this D-18 just makes me want to play and play. I can't explain it. Couldn't be more thrilled with the appearance, workmanship, but most importantly the tonal quality this D-18 has. It has punch, bark and a sweet finger style as well. Martin did an exceptional job on this one. It is exactly what I was looking for in playability and performance. Already had a boutique D-28 style rosewood back and sides, but the difference in the tone of Mahogany is stark. It's a huge investment, but I have no regrets except I didn't do it sooner. Can't put it down and totally reinvigorated with acoustic playing. Shout out to Steven Segal who helped me finalize this purchase and went the extra mile to make my experience good.Joe
Having waited over 5months since placing the order and without any updates from Music Store, the guitar finally arrived. Lovely guitar with a great sound but unfortunately it was not the exact guitar that I ordered and paid for. Since the differences were cosmetic but significant to me and I did not wish for further delays or hassle I decided to keep the guitar. Music Store you need to get your act together and supply the goods your customers order. Very disappointed, not what I was expecting.
12. Martin X-Series Gpc Special Koa Natural
Product Details:
This special 6-string martin gpcx series grand performance acoustic-electric guitar was crafted to produce a powerful, rich sound that is perfect for singer songwriters, as well as professional touring and studio musicians. the top, back, and sides are constructed using martin’s famous fsc certified hpl with a koa pattern. for added tone and volume, the top is articulately braced with sitka spruce, in a 5/16 in. scalloped x-bracing pattern. the special x series gpcx grand performance acoustic-electric guitar has a powerful, rich tone, with all the sustain you have come to expect from a martin guitar. the mortise-and-tenon neck joint ensures solid construction of the guitar, with optimal resonant tone, while eliminating drop-off in the finer dynamics. the martin guitar's laminate birch neck is a multi-layered wood creation, using bonding layers of wood under extremely high pressure. the material is then carved and finished in a conventional manner. the end result is a very strong neck that provides definition and articulate sustain from note to note. the high-performance neck shape (25.4 in. scale, 1-3/4 in. nut width, and 16 in. radius) provides comfort and dexterity when performing intricate movements and progressions along the black richlite fretboard. this special x series gpcx grand performance acoustic-electric guitar is strung with martin authentic acoustic – lifespan 2.0 light gauge strings, and comes equipped with fishman mx electronics. the fishman mx features a sound hole-mounted preamp with rotary controls for volume and tone. the controls are mounted conveniently under the sound hole, so all you have to do is plug in and play. you’ll have a great acoustic guitar sound, right out of the box. includes gig bag.
Specifications:
| Body type | GPC-14 Fret |
| Cutaway | cutaway |
| Top wood | Koa Pattern HPL |
| Rosette | Herringbone Ink |
| Bracing pattern | Scalloped X |
| Body finish | Hand-rubbed |
| Orientation | Right handed |
| Neck shape | High Performance taper |
| Nut width | 1-3/4 “ |
| Neck wood | Natural Birch Laminate |
| Scale length | 25.4" |
| Number of frets | 20 |
| Neck finish | Hand-rubbed |
| Pickup/preamp | Yes |
| Configuration | Soundhole mounted preamp |
| Preamp EQ | No |
| Feedback filter | No |
| Tuner | No |
| Headstock overlay | Koa HPL |
| Tuning machines | Chrome Enclosed Gear |
| Bridge | FSC Certified Richlite |
| Number of strings | 6-string |
| Country of origin | Mexico |
Reviews:
I have not stopped playing this sucker. Thought it was delivered next week but it came a couple days ago. This will be my church guitar. A Fender Hellcat is not a church guitar lol! Technically, this is my second Martin. I have the backpacker and it has been played to death but still holding up. I opted for any "600$ Martin" and this kept coming up. I am happy with this guitar regardless of the lack of research I did for it. Now that it is in my hands I can judge it more thoughtfully. The feel of the guitar is something I've never had before with any other guitar. I wanted Martin for this reason. I just didn't know how much "feel" there was to a well-crafted instrument. Again, I am happy happy happy and blessed!Kris w/a K
I play at some parties, but mostly recording in a small home studio. This guitar has a very nice deep and rich sound – great for full chords to back up vocal(s). Despite its description as an environmentally adaptable guitar, the neck compressed slightly when kept it in a colder room of the house, exposing undressed fret ends which were very sharp. More like what you might expect from a $100 guitar. Additionally, the action on higher frets began to get higher within the first couple of months. Martin does not include a truss rod wrench with the guitar! Had to order one. Altogether, great sound, but sub-par quality for a Martin. Still would recommend the guitar, just for the sound.Tom R
I've had an alvarez for the past 15 years that has served me well, however the frets are pretty much worn down to the point they were in need of replacing. I decided to just get a new guitar and retire the old guy, went to GC and tried a few acoustics and ultimately settled, so I thought, on another new alvarez. As I was walking out of the room I saw the Martin and it was within $40 of the alvarez and I figured, what the heck I'll just give it a quick play. I couldn't believe how great this thing sounds for being composed mostly of paper and wood scraps. It's not a perfect comparison to a high end Martin, but it definitely comes close. It is bright, clear and still punchy on the lower notes with very good sustain. I immediately put the alvarez back and took this guy home with me. I couldn't find much online about this exact model, it doesn't even show up on the Martin website. However from what I can tell it's the same as any other all HPL body Martin's with a different color wood grain. The wood grain pattern has no effect on tone with the all HPL versions so it's really just cosmetically what you like. Up close you can absolutely tell this isn't real wood (except for the headstock, and even the fret board is passable as real wood). And it actually started to make me wonder if I should return this and get the all wood Alvarez. Upon further thinking I decided it was a stupid and superficial thing to care about. This guitar played better and sounded better than any of the real wood instruments in it's price range. Build quality is great. No sharp fret ends, no glue on the body, no cracks or dents. I tuned this once so far. On the way home from GC in the back seat of my vehicle. It's now been 3 days since then and the tuning has held which is shocking. I never thought I'd like a fake wood instrument, but time makes fools of us all and martin can apparently build a fantastic guitar out of paper.Luke
13. Martin 0-18 Acoustic Guitar
Product Details:
Beautiful small body martin guitar with original hardshell case in near mint condition with only some fret wear seen. no modifications ever made to this guitar including never putting strap pin in heel in order to keep it in original condition. guitar has only been played in home and is stored in case, with daddario humidifiers in sound hole and headstock consistently. nut width is 1.750 and scale length is 24.9 inches.
Specifications:
| Construction | Dovetail Neck Joint |
| Body Size | 0-14 Fret |
| Top Material | Sitka Spruce |
| Rosette | Old Style 18 Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped X with Non-Scalloped Tone Bars |
| Brace Material | Sitka Spruce |
| Brace Size | 1/4" |
| Back Material | Genuine Mahogany |
| Back Purfling/Strip | Style 18 |
| Side Material | Genuine Mahogany |
| Endpiece | Faux Tortoise |
| Binding | Faux Tortoise |
| Top Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Modified Low Oval |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid with Square Taper |
| Headplate Material | East Indian Rosewood |
| Headplate Logo Style | Script Old Style Overlay |
| Heelcap | Faux Tortoise |
| Fingerboard Material | Ebony |
| Scale Length | 24.9" |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | Abalone |
| Fingerboard Inlay Style | Old Style 18 |
| Side Dots | White |
| Back and Side Finish | Gloss |
| Back and Sides Color | Dark Mahogany |
| Finish Top | Gloss |
| Top Color | Aging Toner |
| Finish Neck | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | Ebony |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated Bone |
| Saddle Radius | 16" |
| Tuning Machines | Nickel Open Gear |
| Knob | Butterbean |
| Bridge Pin Material | Black Plastic |
| Pickguard | Faux Tortoise |
| Strings | MA540T Phosphor Bronze |
| Electronics | Optional |
Reviews:
The smallest acoustic I've ever owned, but a seriously big sound, especially when played fingerstyle! I've only had it a short time, but it's definitely a lifer as I've never played a guitar as responsive. It's definitely not one to get if you're focusing on strumming out big chords, but as an intimate little solo performing or recording guitar it can't be beat. It also has an amazing projection which allows it to cut through some bigger instruments in a way that a dreadnought simply can't which makes it a really great guitar to play lead lines on. It's for sure my favorite martin, and I've owned almost all of their standard series models!Desmond
Purchased a little over 2 months ago with no regrets. I have several acoustic and electrics to my name, but this D-18 just makes me want to play and play. I can't explain it. Couldn't be more thrilled with the appearance, workmanship, but most importantly the tonal quality this D-18 has. It has punch, bark and a sweet finger style as well. Martin did an exceptional job on this one. It is exactly what I was looking for in playability and performance. Already had a boutique D-28 style rosewood back and sides, but the difference in the tone of Mahogany is stark. It's a huge investment, but I have no regrets except I didn't do it sooner. Can't put it down and totally reinvigorated with acoustic playing. Shout out to Steven Segal who helped me finalize this purchase and went the extra mile to make my experience good.Joe
Having waited over 5months since placing the order and without any updates from Music Store, the guitar finally arrived. Lovely guitar with a great sound but unfortunately it was not the exact guitar that I ordered and paid for. Since the differences were cosmetic but significant to me and I did not wish for further delays or hassle I decided to keep the guitar. Music Store you need to get your act together and supply the goods your customers order. Very disappointed, not what I was expecting.
14. Martin 0-X1e Mahogany Acoustic-Electric Guitar
Product Details:
Used martin x series o-x1e in excellent condition. this guitar comes with the original gigbag. this concert sized model features figured mahogany pattern high-pressure laminate (hpl) top, back and sides. new style 28 mother-of-pearl pattern fingerboard inlay steps up the 0-x1e, lending a bit of classic martin style to this affordably priced model. it is equipped with fishman mx electronics and strung with martin s authentic acoustic lifespan 2.0 strings. with a new, soft gig bag featuring headstock, bridge, and endpin protectors, a durable water-repellent exterior, and foam padding, this model is ready to go anywhere.
Specifications:
| Edition Size | Open |
| Construction | Mortise & Tenon Neck Joint |
| Body Size | 0-14 Fret |
| Top Material | HPL |
| Top Detail | Figured Mahogany Pattern |
| Rosette | Herringbone Ink |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back Material | HPL |
| Back Detail | Figured Mahogany Pattern |
| Side Material | HPL |
| Side Detail | Figured Mahogany Pattern |
| Neck Material | Rust Birch Laminate |
| Neck Shape | Performing Artist |
| Neck Taper | High Performance Taper |
| Plek | No |
| Nut Material | White Corian |
| Headstock Shape | Solid with Standard Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Heelcap | Black |
| Fingerboard Material | FSCA Certified Richlite |
| Scale Length | 24.9" |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | Mother of Pearl Pattern |
| Fingerboard Inlay Style | Style 28 |
| Side Dots | White |
| Finish Neck | Hand Rubbed |
| Bridge Material | FSCA Certified Richlite |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Chrome Enclosed Gear |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Electronics | Fishman MX |
Reviews:
Love the big sound from the smaller size, and when it’s plugged up, the sound will amaze you! It holds its tune well. I leave mine hanging on my bedroom wall for the most part, and here in sweet home Alabama you can never tell what the weather is gonna be like from time to time(except, you know it’s always gonna be humid). Therefore, the HPL seems to a great tune holder for the humid type weather here. You definitely get a lot of bang for your buck, and not to mention, the gig bag is a great addition, and fairly nice one at that in my opinion.
15. Martin Lxk2 Little Martin Koa Acoustic Guitar
Product Details:
This is the lxk2 little martin acoustic guitar.23"scale length, 1-11/16"nut, 16"radius. the smaller 'modified 0-14 fret'body makes this guitar perfect for travel. the body is made from hpl (high pressure laminate) koa wood that keeps the guitar strong and provides great tone at the same time. the stratabond neck is a comfortable 'modified low oval'shape and feels great. with a richlite fretboard, you won't have to worry about the wood shrinking and swelling when travilling with this great guitar like a normal neck. this guitar is the perfect travel guitar – small, lightweight, and great acoustic tone. the koa wood in the lxk2 really brings out a warm, pleasing tone from the guitar compared to some of the other models. bring it to the beach, on the road, or anywhere else you can think of.this guitar even comes with a padded martin gig bag that will keep this safe wherever it goes. buy with confidence. don't pass this by!
Specifications:
| Construction | Mortise/Tenon Neck Joint |
| Body Size | Modified 0-14 Fret |
| Rosette | Herringbone Style – Gold & Black |
| Top Bracing Pattern | Modified X Series ''X'' |
| Top Braces | Crowned Cross Brace |
| Back Material | Koa Wood Pattern HPL Textured Finish |
| Side Material | Koa Wood Pattern HPL Textured Finish |
| Neck Material | Natural Stratabond |
| Neck Shape | Modified Low Oval |
| Nut Material | White Corian |
| Headstock | Solid/LX Taper |
| Headplate | Koa Wood Pattern HPL |
| Fingerboard Material | Richlite |
| Scale Length | 23'' |
| Number Of Frets Clear | 14 |
| Number Of Frets Total | 20 |
| Fingerboard Width At Nut | 1-11/16'' |
| Fingerboard Width At 12th Fret | 2-1/16'' |
| Bridge Material | Richlite |
| Bridge Style | Belly |
| Bridge String Spacing | 2-1/8'' |
| Saddle | 16'' Radius/Compensated/White Tusq |
| Tuning Machines | Chrome w/ Small Buttons |
| Interior Label | Gold Foil |
Reviews:
I am a petite female and love the size of this Martin Little! I had considered purchasing a baritone ukulele with 6 strings because I wanted a very small body. The Little is larger than a baritone uke but is still within the range of PERFECT and came with an acoustic/electric option so I can jam! I have larger guitars but this little gem is easy to travel with and durable with great sound! I purchased a tuner cause the pick up didn't come with one. Absolutely love the colors on the neck! So happy with my purchase!Chelley
I purchased the Little Martin for two reasons. I wanted a small travel size guitar for grab and go playing on the couch. I also wanted a guitar that was not made of all solid woods, because I live in a region that has high humidity as well as significant cold in the winter months. The Little Martin checked both of those boxes. Even though it is small, the Little Martin has a very big voice. When you dig in with a pick, it really projects nicely. Chords sound great, and it has a nice tone. Due to its size, it also makes it easy to play with your fingers. This is a very well made small guitar that is going to last for many years. Bravo Martin!!
I have had my Little Martin for a couple of years at this point and of the four guitars I own, this is the one that gets played the most. This is because due to the small size and very stable construction materials and techniques, it is always near by, ready to pick up and play at a moments notice. While I keep more expensive and delicate guitars in their hard cases with humidifiers to maintain homeostasis as much as possible, the Little Martin is quite at home on a Jamstand next to my desk. I do keep a Planet Waves humidifier between the strings, even when the LM is on the stand because I live in the NE USA where the winter air in my home is very dry due to forced hot air heating. Since the body of the guitar is the High Pressure Laminate (HPL), it appears to me unaffected by changes in temperature and humidity, but I have found that without the humidifier, the bracing seems to dry out more and the sound can become a little 'pingy'. In fact this was my first impression when I picked it up at the local GC after ordering online. If I had not been able to play one in-store previously, I would have been disappointed with the tone and probably returned it. Instead I put on a new set of strings and put the humidifier between the strings and kept it in the quality Martin gig bag that came with it. Within a week it was sounding much better, more like the one that I tried in-store previously. Since the GC stores have good humidity levels in the acoustic rooms, this is a good way to try out a new guitar (after making sure it is in tune). The only reason that I ordered online to pickup in store was that when I was ready to buy, my local GC did not have it in stock at the time.Ron the eternal guitar novice
16. Martin Gpc-16e Mahogany
Product Details:
This 16 series grand performance cutaway model is crafted with satin-finished mahogany back and sides for a loud sound with a bright treble response. it includes a sitka spruce gloss top for balanced tone and projection and a high-performance neck taper for ease of playability up and down the fretboard. the gpc-16e comes equipped with fishman matrix vt enhance nt2 electronics. strung with authentic acoustic lifespan 2.0 light gauge strings.
Specifications:
| Edition Size | Open |
| Construction | Simple Dovetail Neck Joint |
| Body Size | Grand Performance 14-Fret (000 Depth) |
| Top Material | Sitka Spruce |
| Rosette | Bold Herringbone with Multi-Stripe |
| Bracing Pattern | Forward Shifted X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back Material | Mahogany |
| Side Material | Mahogany |
| Binding | Brown Tortoise Pattern |
| Top Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Modified Low Oval |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid with Square Taper |
| Headplate Material | East Indian Rosewood |
| Headplate Logo Style | Script Old Style Overlay |
| Heelcap | Brown Tortoise Pattern |
| Fingerboard Material | Ebony |
| Scale Length | 25.4" |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4" |
| Fingerboard Width at 12th Fret | 2 1/8" |
| Fingerboard Inlay Material | Mother of Pearl |
| Fingerboard Inlay Style | Style 28 |
| Side Dots | White |
| Back and Side Finish | Satin |
| Back and Sides Color | Dark Mahogany |
| Finish Top | Gloss |
| Top Color | Clear |
| Finish Neck | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | Ebony |
| Bridge Style | Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Nickel Open Gear |
| Recommended Strings | Authentic Acoustic Light (SMA540T) |
| Knob | Butterbean |
| Bridge Pin Material | Black Tusq |
| Bridge Pin Dots | Mother of Pearl |
| Pickguard | Tortoise Pattern |
| Electronics | Fishman Matrix VT Enhance NT2 |
| Manufacturer Part Number (MPN) | 10GPC16E-02 |
Reviews:
Overall: I bought this guitar a little over a month ago. Guitar was in perfect playing condition right out of box. Usually first thing I do is change the strings as soon as I open. But I noticed they were very bright and had no sign of aging. Good thing I didn’t because the lifespan 2.0 strings it comes with are amazing. After 40 plus hours of playing strings still had no dirt or grime on them. I always thought all strings are the same. Probably got 3x the life out of these. So once I plugged it in I couldn’t believe how great it sounded. Every little note was so clear and it picks up all the little accents in my playing so well. You can really hear every note so clear. It is an expensive guitar but if you are a serious player and want the best you will not be disappointed with this guitar. The fishman pickup is great. So much tone. Unplugged sounds great too. Also I wasn’t crazy about how they put the electronics in sound hole. But now I kind of like it now they’re hidden and keeps it looking more natural. They’re in there pretty deep so you won’t hit them when playing. I am familiar with the Grover open back tuners also. They are great very smooth and hold in tune excellent. I must mention I chose this one for the neck profile also the modified low oval is easier on the hands then the performing artist neck. I got the low oval on my 00015M both are great guitars but I needed one with a cutaway and acoustic-electric.Anthony
I'm an amateur guitar player, but a lifetime musician (drummer)… been teaching myself guitar now for several months on a couple different low end guitars. I decided it was time to upgrade. After lots of research, I decide the Martin road series would be the best option for me. I was right… this guitar is amazing, I love the tone, the playability and the space on the fret board. I have little fat fingers and I need the space between the strings. The 1-3/4 nut allows good space for us fat finger dudes. Can't go wrong with the Martin… now I fully understand why Martin is one of the best… I won't be going away from Martin. Found my lifetime guitar!Eric
I'm a gigging musician with over 60 years on guitar. I play finger style mostly. I'm also a singer songwriter. I almost didn't even try this guy. Yes it's a model that's only sold by some retailers but it is still a Martin in every way. I ordered it shipped to store. When I went to pick it up, it was obviously a repack from a GC store and had a few nicks and dings and old nasty strings. The store had thrown a new set of strings in the box but didn't even wipe the guitar down before shipping. I almost refused it and left the store with bad feelings. Fortunately, my local GC offered to restring it and clean it up as a good faith gesture. I agreed to give it a try. Best decision I've made recently. It plays beautifully. Very balanced sound from low to high. Good factory setup with no buzzing anywhere, even when I dig in. Good response and feel from light and delicate finger style to hard strumming. This has become my #1 gigging guitar. The built in tuner and electronics work well and sound great with my Fishman Loudbox Performer. Thank you GC for saving a sale and making me a happy old picker.Thomas
17. Martin D-10e Road Series Sapele Acoustic-Electric Guitar
Product Details:
Martin's road series presents this great entry for players ready for travel and performance. between the sitka spruce top and sapele back and sides, this instrument produces instantly captivating tones to catch anyone's attention. the d-10e is also equally exceptional in its playability with a fsc certified richlite fingerboard and select hardwood neck. once plugged in, the d-10e comes with fishman mx-t electronics with a built-in soundhole tuner, ready to play at a moment's notice. visually, the d-10e is a knockout with its satin finish and rosette border. this road series entry has all the looks and sounds to take any stage.
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | D-14 Fret |
| Top Material | Sitka Spruce or Sapele |
| Rosette | MOP Pattern with Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Non-Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" with 1/4" Tone Bars |
| Back Material | Sapele |
| Side Material | Sapele |
| Binding | Black |
| Top Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Performing Artist |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | White Corian |
| Headstock Shape | Solid with Standard Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Heelcap | Black |
| Fingerboard Material | FSCA Certified Richlite |
| Scale Length | 25.4" |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4" |
| Fingerboard Width at 12th Fret | 2 1/8" |
| Fingerboard Inlay Material | MOP Pattern |
| Fingerboard Inlay Style | MOP Pattern Dots- 28 Style Pattern |
| Side Dots | White |
| Back and Side Finish | Satin |
| Back and Sides Color | Cherry |
| Finish Top | Satin |
| Top Color | Clear |
| Finish Neck | Hand Rubbed |
| Bridge Material | FSCA Certified Richlite |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | Lifespan 2.0 Auth Acoustic MA550 Phosphor Medium |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Faux Tortoise |
| Electronics | Fishman MX-T |
Reviews:
I bought my fiancé and I a new Martin. I got her a Martin Dx2e and I got this one. I received mine first since I ordered from here which was wonderful. I got hers off of reverb because ams didn’t have sunburst which she wanted. I was not picky about color but I went with this one. I was super excited to say the least because this was my first Martin Guitar. I also purchased another guitar last year from Ams and I loved it. I digress and move forward to getting it. So I opened it up and I was super pleased with how perfect it looked. Then I started playing it. It was great until I went to play a D chord or anything that involved the high E string. It is cut way too low on the nut and the slightest pressure makes the string fall off the fret board. I thought maybe it was just me, however my father in law to be, which is a professional had the same issue. Also my fiancé had the same issue. Needless to say, I tried to make it work. I sent Ams an email. No response. I guess I’m stuck with this 1k dollars in a guitar that is going to need to be repaired at a shop when it’s brand new. So overall, if you want to take the risk, go for it. My fiancé got the Dx2e and it’s stellar. I would rather have one like hers than this one tuner or not. Hers sounds much better too. The looks and everything else is fine. Just the bottom string is way way too low.Brittany
Sound: Unplayable, neck is crap Features: Doesn’t matter what you do to adjust the neck , it is crap Ease of Use: I wouldn’t know , this guitar should never have been allowed to be released . The neck is unacceptable Quality: It looks pretty. If I wanted a pretty guitar to never be played then it would be ok . But you can not even play this $900 piece of crap. Extremely frustrating Value: Absolutely no. Buy another brand. Breedlove would be my best choice as I bought one and absolutely loved it out of the box . Best acoustic guitar I ever played Manufacturer Support: I have contacted Martin. No authorized repair shop within 100 miles of me in my state . Martin should be ashamed of this garbage The Wow Factor: Martin name sucked me in . Never ever again if they don’t want to fix this piece of junk Overall: I have been playing and working on my own guitars since 1975 . This is absolutely the worst guitar I’ve ever owned. The neck has an S shape to it . The relief is acceptable up to the 7th fret , after that it rapidly accelerates to an unusable 1/4 inch at the 12th fret . No matter how much you attempt to adjust it, it simply is unplayable. I am ashamed to even take it out of the bag . Martin quality control seriously blew it big time on this guitar. I own dozens of guitars and waited until my retirement to buy that Martin guitar of my dreams. This is a nightmare, not a dream. Stay away from this piece of crap . No matter what adjustment you do to the truss rod , it won’t help. Bass to treble side is extremely different. 1/4 inch on the bass side at the 12th but the treble side is marginally better. However, the S shape of the fretboard makes the guitar unplayable unless you like staying in the cowboy chord area . My Ovation, Breedlove,Fender , and Gibson acoustic guitars are brilliant examples of guitar playability. This Martin was to be my final guitar since I have only played them and never owned one . I can’t even play this piece of garbage. Martin has no dealer or authorized repair shop within 100 miles of me so I am stuck with a $900 piece of firewood. Never ever will I buy anything with that name again. That’s all they are, a name. How this got by quality control blows my mind. I have $200 acoustic guitars that are much better than this. Totally disgusted by my experience with this guitar.Gregory
Overall: So after playing guitar for more than 30yrs, this is my first Martin. Very weird considering my father sang and played with a Martin F-65 (rare semi-hollow body, only about 600 made) most of his life. I've lived all my life usually not more than 2 hours from the factory, and for most of that time less than an hour. I've taken the factory tour which was awesome. I've met many musicians that play Martins, endorse them, etc. I've been playing the last year or so on a Fender acoustic(not including my electrics that I own or play), which is a decent enough instrument, albeit a cheap sub 300$ guitar, when I purchased it over a year ago. I have owned a few other acoustics, a couple Takamines, Fenders, Ibanez, Ovations etc over the years. I won't say I have any considerable experience with 1k and up acoustic guitars, but I like to believe I have at least a decent ear. The sound is really the thing here, as this is not an ornate guitar with fancy inlays and stuff like that. Still, one of the main reasons I chose this model is because it's solid wood. I have no experience with Martins HPLs, but I also know Martin wouldn't put their name on anything if it isn't well made. I prefer solid wood, so that's a great reason to chose this model for this price point, and the reason I did. That being said, this is what a great guitar should sound like. I can easily hear the way every string sounds as clear and loud as the others. I'm pretty sure this has to do with bracing and the way they build their tops. it just projects the way a guitar should, not muddy on low strings and too bright on the highs. It sounds superb, plain and simple. Clear, bright, articulate. Martin has been perfecting guitar building for almost 2 centuries now, and while this is not their top of the line guitar, it gets all the benefit of their experience in the way they're designed and built. One thing I didn't realize about Martins until after getting this, and looking at their specs on most of their guitars is they have a wider neck (1.75" width) than I'm used to. My Fender neck was more like an electric neck, both width and thickness wise. I will easily get used to this though, and may enjoy it even more in time, as I have big hands. I also love the hidden controls for the volume and tone and tuner. I love that they didn't cut a huge hole in the body of the guitar for them, very cool. I haven't plugged it in yet, but I have no doubt it'll sound good. Fit and finish are fantastic, as is the soft case they include. I would rather it have had a gloss finish, except the neck, but that's just a personal thing. It's a beautiful, well made instrument, that you should definitely put on your short list of under 1k guitars.I would definitely recommend this guitar.
18. Martin D-41 Acoustic Guitar – Natural
Product Details:
Experience premium quality. the martin d-41 has been meticulously designed to deliver exceptional sound that is rich in stunning acoustic qualities. crafted in a classic dreadnought shape, the d-41 emanates both beauty and gorgeous, even tone, as well as being superbly comfortable to play. such easy playing is also aided by the smooth ebony fretboard, which accommodates a range of playing styles whilst always producing a snappy attack. suitable for any guitarist, the shape and sound of this guitar is versatile, balanced, and truly exquisite. project every note with glistening definition and an even response. employing a magical combination of tonewoods, the d-41 delivers a tone that is resonant and clear thanks to the rosewood back and sides, whilst encompassing crisp articulation courtesy of a spruce top. the mahogany neck then brings robustness and a warmth of tone which teams perfectly with the brightness of the ebony fretboard. further strength and stability have been made possible by stiff and tone enhancing scalloped bracing mounted inside. from rich and immersive lows to sparkling highs, the martin d-41 is sure to deliver a mesmerising performance.
Specifications:
| Construction | Dovetail Neck Joint |
| Body Size | D-14 Fret |
| Top Material | Sitka Spruce |
| Rosette | Abalone with Multi-Stripe |
| Bracing Pattern | Forward Shifted X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16 inch |
| Back Material | East Indian Rosewood |
| Back Purfling/Strip | Style 45 |
| Side Material | East Indian Rosewood |
| Endpiece | Antique White |
| Endpiece Inlay | Multi-Stripe |
| Binding | Antique White |
| Top Inlay Material | Abalone with Multi-Stripe |
| Back Inlay Material | Multi-Stripe |
| Neck Material | Genuine Mahogany |
| Neck Shape | Modified Low Oval |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid with Square Taper and Diamond |
| Headplate Material | East Indian Rosewood |
| Headplate Logo Style | Block Inlay |
| Headplate Binding Material | Antique White with Multi-Stripe |
| Heelcap | Antique White |
| Fingerboard Material | Ebony |
| Scale Length | 25.4 inches |
| Neck Joins Body | at 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4 inches |
| Fingerboard Width at 12th Fret | 2 1/8 inches |
| Fingerboard Inlay Material | Abalone |
| Fingerboard Inlay Style | Reduced Hexagon |
| Fingerboard Binding Material | Antique White |
| Side Dots | Black |
| Back and Side Finish | Gloss |
| Finish Top | Gloss |
| Top Color | Aging Toner |
| Finish Neck | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | Ebony |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32 inches |
| Saddle | Compensated Bone |
| Saddle Radius | 16 inches |
| Tuning Machines | Gold Open Gear |
| Strings | MA550T Phosphor Bronze |
| Knob | Butter Bean |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Abalone |
| Pickguard | Faux Tortoise |
Reviews:
I really love this guitar! I purchased in a sunburst finish. There's nothing to dislike. Martin's come with the action a little high, this is to be expected. I took it to a tech to have the action lowered to my taste. Because it's plek'd from the factory, you can really get the action quite low. It's is now the best of my guitars. The sound is so balanced, it's beautiful to behold and to play. I never want to put it down. I've waited a bunch of years to commit…it is everything I wanted and imagined it could be. Martin standard series are all amazing. They Are the Martin sound defined, the reference point. They are not a cheap investment, but they are worth it. Whether you like a short scale hog (000-18), or a long scale Rosewood dread (D-28), you will not be disappointed. I love the long scale OM with rosewood. I wanted a sunburst with understated dark bindings to blend with the sunburst. This is my guitar…it is stellar in every respect. If you can acquire any model of the standard series of martins, you will be blessed with tone and beauty. It will be a lifetime guitar.GGC
I don’t like buying mid to high end guitars in the blind. Even if it’s a Martin, Collings, Taylor etc… but I was able to play 3 M36’s at a store in Nashville and they all sounded the same. I had to think about it because I have a Martin HD28 and it was very close. The thing about the M36 is that it having a OOOO (Jumbo) size body, I got bolder low ends. Finger style was easy and picking was bright and articulate. Problem solved not needing to bring more then one guitar to the recording studio and didn’t have to worry about gigging with it because of the affordability. American Musical Supply always makes it easy with the nice selection and 12 months interest free to get one. I installed (myself) a K&K pure mini pickup and this guitar sings. Thank AMS!T Galloway
19. Martin D-18 Authentic 1937 Vts Acoustic Guitar – Natural
Product Details:
This item was returned in great condition. it looks and plays like new, with only minor signs of use (slight scuffs, etc.). the martin d-18 authentic 1937 vts acoustic guitar is a replication of a 1937 d-18 that stays true to the original with hide glue construction and historically accurate detailing. 1937 was an excellent year for guitars with a perfect storm of craftsmanship, innovation and materials. the d-18 authentic 1937 features genuine mahogany back and sides, an adirondack spruce top and it includes an authentic circa-1937 bracing pattern. it has period-correct "18" authentic-style appointments, an authentic neck barrel and heel and, new this year, a more accurate body profile based on dreadnought shapes from the early golden era of martin history. the martin vintage tone system (vts) is employed to age the top and braces, which captures the tone from the 1930s era. comes with a hardshell case.
Specifications:
| Construction | Dovetail Neck Joint – Hide Glue Construction |
| Body Size | Authentic D-14 Fret |
| Top Material | Adirondack Spruce with VTS |
| Rosette | Old Style 18 Multi-Stripe |
| Bracing Pattern | Forward Shifted X Brace |
| Brace Shape | Scalloped |
| Brace Material | Adirondack Spruce with VTS |
| Brace Size | 5/16" |
| Back And Sides Material | Genuine Mahogany |
| Back Purfling Strip | Madagascar Rosewood |
| End Piece | Brown Tortoise Pattern |
| Binding | Brown Tortoise Pattern |
| Top Inlay Material | Multi-Stripe |
| Neck Material | Genuine Mahogany |
| Neck Shape | Authentic 1937 |
| Neck Taper | Standard Taper |
| Nut Material | Bone |
| Headstock Shape | Solid with 1937 Taper |
| Headplate Material | Madagascar Rosewood |
| Headplate Logo Style | Script Old Style Overlay |
| Heelcap | Ebony |
| Fingerboard Material | Ebony |
| Scale Length | 25.4" |
| Neck Joins Body At | 14th Fret |
| Total Number Of Frets | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/4'' |
| Fingerboard Inlay Material | Abalone |
| Fingerboard Inlay Style | Old Style 18 |
| Side Dots | Grained Ivoroid |
| Back And Sides Finish | Vintage Gloss |
| Back And Sides Color | Dark Mahogany |
| Finish Top | Vintage Gloss |
| Top Color | Clear |
| Neck Finish | Vintage Gloss |
| Neck Color | Dark Mahogany |
| Bridge Material | Ebony |
| Bridge Style | Authentic Belly – Glue in Long Saddle |
| Bridge Spacing | 2 1/4'' |
| Saddle | Bone |
| Saddle Radius | 16" |
| Tuning Machines | Waverly Nickel Open Back |
| Strings | Authentic Acoustic Lifespan 2.0 – Medium MA550T |
| Knob | Butterbean |
| Bridge Pin Material | Black Plastic |
| Pickguard | Tortoise Pattern |
Reviews:
I've bought several guitars along the way, always knowing that I wanted a Martin 000. Somehow I found myself able to get the guitar I've always wanted and I'm so happy! Why did I wait so long? First of all, Martin Guitars are very nice. VERY NICE. The best. Especially once you get into the 18 series on up. The quality and craftsmanship lives up to the reputation. Of course, all of the hard work that Martin puts into their instruments results in breathtaking sound that only a Martin Guitar can produce. As soon as I picked up the guitar I could feel the power. My first chord was an open D, my go to key anytime I pick up a guitar to try. It's something you have to feel, but all I can really say is that the sound of this 000-18 is glorious. A very round classic sound, with a bit of chime on top. This 000-18 has a wide sonic range, but mid-range focused. The mahogany has that sweet tone which is great for all styles of play. This is definitely a finger pickers dream guitar, but can handle flat picking. I also like that I can lay into this guitar and the strumming remains crisp and not muddy. Drop tunings and capo up and down the neck is near perfect! This is my all around, do it all guitar! This guitar sings. Projection, sustain, volume when you need it, it's all there! Some guitars sound boxy and cheap. Not Martin. Not this one. It actually sounds like I should have paid more. The 000-18 does not come with electronics, but that's okay. You may not want any for this guitar. At least for a while. If you're a professional gigging musician than you could add a pickup, but there could be other choices out there suitable for gigging and amplified performance. The Sitka spruce top is gorgeous. Booked perfectly with silking that I can spend forever looking at. The neck is very smooth and modern feeling. I like it because it's not too thin, but allows me to play all styles. Satin finish makes me want to play all day long. And YES. I shallJay
This guitar is simply dreamy. Warm bass, chimey trebles, overtones all day long. Quality woods and finish, beautiful classic looks, great playability. Tone is everything I'd hoped for and more. Think Neil Young Harvest, Joni, acoustic John Martyn. After the disappointment of getting a very good-sounding but obviously damaged example from another supplier, I pre-ordered from Andertons, and received the HD sooner than expected. Ups and downs. Maybe it was the ghost of the first purchase haunting me – perhaps that first one had had time to open up more. But something didn't quite gel. No problem. Within the 14-day return period it was easy to arrange for an exchange for another of the same model. A few days later the courier came to picked up the guitar and hand over my third time lucky. Very quickly I realised I was Goldilocks in this tale, and this Martin was just right. It sounds just a little better every day and I love it! Not a cheap guitar, but a competitive price from Andertons for this iconic instrument.Reviewed by Andertons Music Co.
Overall: Once again zZounds has pulled through for me and allowed me to purchase a Martin HD28 and play it as I pay. I'm extremely grateful that zZounds has allowed me to participate in this program and it's for this reason and the excellent customer service, that I'll never purchase any gear from any other retailer. Thank you zZounds!The Martin HD28 that I purchased can be described with just one word, amazing. I've owned many acoustics in my lifetime from every builder you can think of and I'm convinced that Martin builds the absolute best acoustic guitars. My HD28 arrived in beautiful pristine condition with no issues whatsoever. Examining the inside of my guitar, you can see no glue drops and the Guitar is super clean. Great attention was given to this instrument in all aspects of the build. The wood is absolutely beautiful and the instrument is a true work of art. This instrument sounds absolutely beautiful. She has deep lows, articulate mids and crystal clear highs. The instrument is very well balanced across it's sonic spectrum. I might add that the Guitar is very loud without having to dig in hard. I'd say it's quite the cannon with tons of color and sustain. I purchased the Martin Liquid Bridge pins, installed them and I can certainly tell the difference. It's made the guitar a bit brighter and a little louder. I'm very happy with this purchase and I definitely have a keeper.Matt
20. Martin Lx1 Little Martin Acoustic Guitar
Product Details:
Martin lx1 little martin solid top acoustic guitar with gig bagwhile the little martin is martin's smallest guitar, it is very big on tone, quality and versatility. the lx1 model features a solid sitka spruce top and mahogany high-pressure laminate hpl back, sides and top. it’s ideal for travel, student practice or for just playing around the house or campfire.
Specifications:
| Finish | Natural |
| Year | 2003 – 2022 |
| Made In | Mexico |
| Back Material | High Pressure Laminate |
| Body Shape | Travel |
| Finish Style | Satin |
| Fretboard Material | Composite |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Sides Material | High Pressure Laminate |
| Top Material | Spruce |
Reviews:
I haven't played in a few years but the pandemic had me searching for something to get my mind off working crazy hours. There would be few guitars I'd buy sight unseen but I rolled the dice because I'd played Martin's first backpacking incarnation and was familiar with their quality. This little guitar wouldn't disappoint! It is a smaller scale but my fingers fit on the fret board and it's easy to just leave out and pick up when you need it. The sound is really good for the size and it's easy to strum or pick. It was exactly what I was looking for but a little more. I honestly didn't expect to be this happy with how much guitar I got for the price. If you need something to stick by the desk or play by the fire, this is a good optionBob
it arrived yesterday to romania, from music store germany (thanks for handling it with so much care!) and i laid my hands for the first time on this loveable tiny beauty. it looks amazing and feels amazing, in every aspect. excellent playability all thourghout the neck, right out of the box… i wanted a travel buddy — small, sturdy, light and playable… and here she is. there are a lot reviews on the net, i will let here my own subjective opinion, after one day of having it (shipped from music store, germany). – i'm a tall guy (6 feet 3 / 190 cm), but the smallness of martin lx1 is not a hindrance in playing. my wife is a mongolian petite, so perhaps I'm used with handling small beauties 🙂 – i have big hands, but not thick fingers. if i stretch my fingers i can cover this guitar's neck from the net to the 10th fret (from pinky to thumb stretched out) — so you can have a clue; however, i feel comfortable playing all over the neck, even past the 14th fret. so no problem with that… and the transition back and forth to my normal-sized acoustic fender pm1 or to my electric squier affinity tele feels smooth, adjusting in no time. – the guitar is neck heavy, but it doesn't bother me at all; you see, it sits comfortably in my lap. – well, of course, the sound is not of a normal-sized guitar — one has to live with that. it is somehow a boxy sound, but martin has a lot of character, so i'm quite pleased with the sound. the guitar seems to suit better for fingerpicking or strumming with bare fingers; when i use my pick it's too noisy, especially the d string is sooo loud, taking over the other strings. in know, it's a new guitar, freshly out of its box, so perhaps it needs time to shape its sound. if this will not happen (due to hpl back and sides) i will still be pleased, the sound is good enough and i can work my way around. – the machine heads are of excellent quality (like every aspect of this guitar, actually): i tuned the guitar yesterday, after taking it out of the box, then forgot about it… summing up: craftmanship — state of the art sound — boxy, you may like it or not (martin has character, a distinct voice, above all) optic — beautiful as it gets, simply perfect price/performance — well, i would have loved to pay less… in the states, it was 399 USD until recently, now it's more expensive and perhaps the price will rise as well in the current covid situation; so buy know, don't postpone if you consider having one.
I played a friend's dreadnaught sized Martin and fell in love. I already owned two other guitars at the time (Samick and a Fender Redondo Player acoustic) and I didn't want to spend the money in a Martin at this time. This happened to pop up as a stupid deal of the day and so I bought. I wasn't sure about the laminate at first, but it feels and plays like a well made guitar. It sounds bright and it is a tone I enjoy hearing. If someone had given me advice as a new player I would have wished they told me about this guitar. It is concert size so it is a little smaller than a dreadnaught. It is easier for me to practice barring chords and doesn't feel as awkward on my body as my dreadnaught. I love both guitars, but I definitely still use this one as I advance as a player. I noodle on it when I am watching tv, take it when I go way for the weekend, and bring it to play for my friends. This is a fantastic guitar and I can proudly say I own a Martin :).RockstarAsh
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