Are you looking for the Martin Mini Acoustic Guitar? If so, you’ve come to the right place.
Choosing the Martin Mini Acoustic Guitar can be difficult as there are so many considerations, such as Fender, Martin, Taylor, Yamaha. We have done a lot of research to find the top 20 Martin Mini Acoustic Guitar available.
The average cost is $896.12. Sold comparable range in price from a low of $280.00 to a high of $3499.00.
Based on the research we did, we think Martin LXK2 Little Martin Koa Acoustic Guitar is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Martin Mini Acoustic Guitar (20 Sellers)
| Product Image | Product Name | Features | Check Price |
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Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Excellent condition.
- Gig bag, strap, capo included.
- Perfect travelers guitar or for the little ones rocking out young.
$299.00
4.8
Reviewers Noted:
Good sound quality . Durability . Visual appeal . Craftsmanship . Weight
Features:
- Nice little guitar in good condition
- Easy to play and travel with
- Comes with original gig bag
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Top, back and sides: koa wood hpl textured finish
- Neck: natural stratabond
- Fretboard: black micarta
$399.00
4.8
Reviewers Noted:
Good sound quality . Well made . Attractive
Features:
- Ray mullin music.
- Our instruments are tuned, cleaned, and cared for daily.
- All instruments are in stored in a humidity and temperature controlled room.
Reviewers Noted:
Good sound quality . Well made . Durability . Attractive . Weight
Features:
- While the little martin is our smallest guitar, it is very big on tone, quality and versatility.
- Solid sitka spruce top.
- Mahogany high-pressure laminate (hpl) back and sides.
Reviewers Noted:
Good sound quality . Well made . Weight . Durable . Attractive
Features:
- Mahogany pattern hpl (high pressure laminate) textured finish, solid sitka spruce top.
- Rust stratabond neck, shortened 3/4 scale.
- Solid morado or east indian rosewood fingerboard.
$280.00
4.8
Reviewers Noted:
Good sound quality . Well made . Weight . Durable . Attractive
Features:
- Used twice.
- Great boxy, punchy sound, that cuts through the mix.
- With stock pickup system.
Reviewers Noted:
Sound quality . Weight . Well made . Durability . Attractive
Features:
- Mahogany neck, back, and sides
- Enclosed chrome tuners
- Lightweight, small size
Reviewers Noted:
Good sound quality . Craftsmanship . Visual appeal
Features:
- The 000 jr-10e auditorium junior acoustic-electric guitar comes factory-equipped with fishman's sonitone sound reinforcement system.
- This particular guitar has some pencil marks on the nut which can easily be buffed out if wanted to.
- It's in great condition and would be perfect for a smaller sized player or an excellent travel guitar for a full grown adult!
$499.00
4.8
Reviewers Noted:
Well made . Good sound quality . Attractive
Features:
- Little size, big sound
- Sustainable building materials
- Onboard fishman electronics
$2799.00
5.0
Reviewers Noted:
Visual appeal . Durability . Weight
Features:
- Dovetail neck joint
- Gloss top with aging toner
- Modern belly bridge with drop-in saddle
Reviewers Noted:
Good sound quality . Well made . Durable . Attractive . Weight
Features:
- Martin djr-10 dreadnought junior like new with original case.
- All solid woods.
- Rarely played if ever.
$399.00
4.8
Reviewers Noted:
Good sound quality . Well made . Weight . Durable . Attractive
Features:
- Ray mullin music.
- Like us on facebookfollow us on [email protected] open, inspect, and test all guitars, effects, amplifiers, etc.
- Our instruments are tuned, cleaned, and cared for daily.
$1799.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Durable . Well made
Features:
- Specifications.
- Body size: s-13 fret cutaway.
- Finish top: gloss.
$420.47
4.8
Reviewers Noted:
Good sound quality . Well made . Durable . Attractive . Weight
Features:
- Martin djr-e in mint condition.
- Everything on this guitar is in like-new condition.
- Plays and sounds great! this is the older version with deeper body for more volume and deeper sound, and a nicer, thicker gigbag.
$3499.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- The m (sometimes referred to as a 0000) is almost the size of a dreadnaught but with the depth of an om.
- The guitar has a strong bass and crystal clear top end along with a balanced and focused midrange.
- This guitar is at home in any collection and perfect for studio, couch or stage!
$499.00
4.7
Reviewers Noted:
Good sound quality . Well made . Durability . Attractive . Weight
Features:
- Martin lx1e.
- In ex-demo condition, not a scratch on it.
- These have become the guitars which all travel guitars are judged by, a great little guitar.
Reviewers Noted:
Good sound quality . Well made . Attractive
Features:
- This guitar comes with a martin gig bag.
- See last image for specs.
- This guitar comes setup to your requirements by our own in store guitar tech.
Reviewers Noted:
Good sound quality . Attractive . Durability . Craftsmanship
Features:
- The martin dreadnought jr delivers huge sound in a small sized guitar, perfect for travel guitar or beginners.
- With the addition of a fishman pickup, this model becomes ready for any stage you want!
- Guitar comes with gigbag.
$2799.00
5.0
Reviewers Noted:
Visual appeal . Durability . Weight
Features:
- ***martin 00-18
- Ray mullin music
- Our instruments are tuned, cleaned, and cared for daily
1. Martin Lxk2 Little Martin Koa Acoustic Guitar
Product Details:
This is the lxk2 little martin acoustic guitar.23"scale length, 1-11/16"nut, 16"radius. the smaller 'modified 0-14 fret'body makes this guitar perfect for travel. the body is made from hpl (high pressure laminate) koa wood that keeps the guitar strong and provides great tone at the same time. the stratabond neck is a comfortable 'modified low oval'shape and feels great. with a richlite fretboard, you won't have to worry about the wood shrinking and swelling when travilling with this great guitar like a normal neck. this guitar is the perfect travel guitar – small, lightweight, and great acoustic tone. the koa wood in the lxk2 really brings out a warm, pleasing tone from the guitar compared to some of the other models. bring it to the beach, on the road, or anywhere else you can think of.this guitar even comes with a padded martin gig bag that will keep this safe wherever it goes. buy with confidence. don't pass this by!
Specifications:
| Construction | Mortise/Tenon Neck Joint |
| Body Size | Modified 0-14 Fret |
| Rosette | Herringbone Style – Gold & Black |
| Top Bracing Pattern | Modified X Series ''X'' |
| Top Braces | Crowned Cross Brace |
| Back Material | Koa Wood Pattern HPL Textured Finish |
| Side Material | Koa Wood Pattern HPL Textured Finish |
| Neck Material | Natural Stratabond |
| Neck Shape | Modified Low Oval |
| Nut Material | White Corian |
| Headstock | Solid/LX Taper |
| Headplate | Koa Wood Pattern HPL |
| Fingerboard Material | Richlite |
| Scale Length | 23'' |
| Number Of Frets Clear | 14 |
| Number Of Frets Total | 20 |
| Fingerboard Width At Nut | 1-11/16'' |
| Fingerboard Width At 12th Fret | 2-1/16'' |
| Bridge Material | Richlite |
| Bridge Style | Belly |
| Bridge String Spacing | 2-1/8'' |
| Saddle | 16'' Radius/Compensated/White Tusq |
| Tuning Machines | Chrome w/ Small Buttons |
| Interior Label | Gold Foil |
Reviews:
I am a petite female and love the size of this Martin Little! I had considered purchasing a baritone ukulele with 6 strings because I wanted a very small body. The Little is larger than a baritone uke but is still within the range of PERFECT and came with an acoustic/electric option so I can jam! I have larger guitars but this little gem is easy to travel with and durable with great sound! I purchased a tuner cause the pick up didn't come with one. Absolutely love the colors on the neck! So happy with my purchase!Chelley
I purchased the Little Martin for two reasons. I wanted a small travel size guitar for grab and go playing on the couch. I also wanted a guitar that was not made of all solid woods, because I live in a region that has high humidity as well as significant cold in the winter months. The Little Martin checked both of those boxes. Even though it is small, the Little Martin has a very big voice. When you dig in with a pick, it really projects nicely. Chords sound great, and it has a nice tone. Due to its size, it also makes it easy to play with your fingers. This is a very well made small guitar that is going to last for many years. Bravo Martin!!
I have had my Little Martin for a couple of years at this point and of the four guitars I own, this is the one that gets played the most. This is because due to the small size and very stable construction materials and techniques, it is always near by, ready to pick up and play at a moments notice. While I keep more expensive and delicate guitars in their hard cases with humidifiers to maintain homeostasis as much as possible, the Little Martin is quite at home on a Jamstand next to my desk. I do keep a Planet Waves humidifier between the strings, even when the LM is on the stand because I live in the NE USA where the winter air in my home is very dry due to forced hot air heating. Since the body of the guitar is the High Pressure Laminate (HPL), it appears to me unaffected by changes in temperature and humidity, but I have found that without the humidifier, the bracing seems to dry out more and the sound can become a little 'pingy'. In fact this was my first impression when I picked it up at the local GC after ordering online. If I had not been able to play one in-store previously, I would have been disappointed with the tone and probably returned it. Instead I put on a new set of strings and put the humidifier between the strings and kept it in the quality Martin gig bag that came with it. Within a week it was sounding much better, more like the one that I tried in-store previously. Since the GC stores have good humidity levels in the acoustic rooms, this is a good way to try out a new guitar (after making sure it is in tune). The only reason that I ordered online to pickup in store was that when I was ready to buy, my local GC did not have it in stock at the time.Ron the eternal guitar novice
2. Martin Lxm Little Martin Acoustic Guitar – Natural
Product Details:
The martin lxm "little martin" acoustic guitar is a perfect choice for travel, practice, and beginning students. gotoh nickel-plated tuners and c.f. martin script logo adorn the headstock. the lxm includes martin heavily padded gig bag. modified 0-14 martin body. wood-pattern hpl top. "1-style" sitka spruce bracing. micarta fretboard and bridge. 23" scale. stratabond modified low-oval neck. martin's patented neck mortise. gotoh nickel-plated tuners. martin script logo on headstock. includes martin padded gig bag.
Specifications:
Reviews:
I was looking for a small guitar to practice with when I travel. The big dread takes up too much space so the small LX makes sense. Even my wife was good with me getting another guitar, imagine that! Anyway, sounds good, plays great like a Martin should. Made in Mexico and of high-pressure laminate it should not be affected by humidity or lack there of. I feel like it is a great value for the money. I even find myself picking it up around the house more often than my other guitars because the smaller size makes it comfortable on the couch. Buy it, you wont regret it.xrayman8
This is a sweet little guitar and it's not just for kids. I have trouble with my shoulders, so holding this is not a problem, like it would be with a larger guitar, for long periods of time during practicing. It should not be expected to have the same big volume as any full size performance guitar, but it has a good depth of tone, and is just plain fun to play. It is sturdy and stays remarkably in tune for long periods of time, which is surprising. I have owned this guitar for over 5 years now, and it is no worse for the wear. Love it!Blaise
This is my third Little Martin. I love the sound plugged and unplugged. I am a therapist for children on the Autism spectrum and other special needs children and music seems, in many cases, seems to pause the child's disability and let them attend with great eye contact and focus. Children who are verbally limited sing songs (e.g., Wheels on the Bus, Old MacDonald etc…) and in that moment you see that child smile/and or laugh and learn, and thats what its all about. My Martin's are my weapon to battle Autism and all disabilities that plague our young children.Frank
3. Martin Lxk2 Koa Little Martin Acoustic Guitar – Natural
Product Details:
The martin lxk2 little martin koa acoustic guitar with gig bag is perfect for beginners, students or the player who desires a pick-up-and-play travel-size guitar. the lxk2 features solid martin craftsmanship and doesn’t compromise quality sound or tone despite its smaller size. the lxk2 little martin is durable and easy to play, designed with koa top, back and sides and headstock. the martin lxk2 fingerboard and bridge are crafted from rosewood, and the neck is carved from natural colored stratabond.
Specifications:
| Construction | Mortise/Tenon Neck Joint |
| Body Size | Modified 0-14 Fret |
| Rosette | Herringbone Style, Gold and Black |
| Top Bracing Pattern | Modified X Series X |
| Top Braces | Crowned Cross Brace |
| Back Material | Koa Wood Pattern HPL Textured Finish |
| Side Material | Koa Wood Pattern HPL Textured Finish |
| Neck Material | Natural Stratabond |
| Neck Shape | Modified Low Oval |
| Nut Material | White Corian |
| Headstock | Solid/LX Taper |
| Headplate | Koa Wood Pattern HPL |
| Fingerboard Material | Solid Morado or Solid East Indian Rosewood |
| Scale Length | 23 inch |
| Frets Clear | 14 |
| Frets Total | 20 |
| Fingerboard Width at Nut | 1-11/16 inch |
| Fingerboard Width at 12th Fret | 2-1/16 inch |
| Bridge Material | Solid Morado or Solid East Indian Rosewood |
| Bridge Style | Belly |
| Bridge String Spacing | 2-1/8 inch |
| Saddle | 16 inch Radius/Compensated/White Tusq |
| Tuning Machines | Chrome with Small Buttons |
| Bridge and End Pins | White with Black Dots |
| Interior Label | Gold Foil |
Reviews:
I am a petite female and love the size of this Martin Little! I had considered purchasing a baritone ukulele with 6 strings because I wanted a very small body. The Little is larger than a baritone uke but is still within the range of PERFECT and came with an acoustic/electric option so I can jam! I have larger guitars but this little gem is easy to travel with and durable with great sound! I purchased a tuner cause the pick up didn't come with one. Absolutely love the colors on the neck! So happy with my purchase!Chelley
I purchased the Little Martin for two reasons. I wanted a small travel size guitar for grab and go playing on the couch. I also wanted a guitar that was not made of all solid woods, because I live in a region that has high humidity as well as significant cold in the winter months. The Little Martin checked both of those boxes. Even though it is small, the Little Martin has a very big voice. When you dig in with a pick, it really projects nicely. Chords sound great, and it has a nice tone. Due to its size, it also makes it easy to play with your fingers. This is a very well made small guitar that is going to last for many years. Bravo Martin!!
I have had my Little Martin for a couple of years at this point and of the four guitars I own, this is the one that gets played the most. This is because due to the small size and very stable construction materials and techniques, it is always near by, ready to pick up and play at a moments notice. While I keep more expensive and delicate guitars in their hard cases with humidifiers to maintain homeostasis as much as possible, the Little Martin is quite at home on a Jamstand next to my desk. I do keep a Planet Waves humidifier between the strings, even when the LM is on the stand because I live in the NE USA where the winter air in my home is very dry due to forced hot air heating. Since the body of the guitar is the High Pressure Laminate (HPL), it appears to me unaffected by changes in temperature and humidity, but I have found that without the humidifier, the bracing seems to dry out more and the sound can become a little 'pingy'. In fact this was my first impression when I picked it up at the local GC after ordering online. If I had not been able to play one in-store previously, I would have been disappointed with the tone and probably returned it. Instead I put on a new set of strings and put the humidifier between the strings and kept it in the quality Martin gig bag that came with it. Within a week it was sounding much better, more like the one that I tried in-store previously. Since the GC stores have good humidity levels in the acoustic rooms, this is a good way to try out a new guitar (after making sure it is in tune). The only reason that I ordered online to pickup in store was that when I was ready to buy, my local GC did not have it in stock at the time.Ron the eternal guitar novice
4. Martin Lx1r Little Martin Acoustic Guitar
Product Details:
The little martin is big on tone, quality, and versatility. the lx1r version features a solid sitka spruce top for warmth and projection, paired with stylish rosewood pattern hpl (high pressure laminate). other stylish features include a pickguard and a laser-etched herringbone rosette. it comes with a soft gig bag for easy transport, so you can take your music anywhere. the little martin is ideal for travel but also makes a great student guitar.
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | Modified 0-14 Fret |
| Top Material | Sitka Spruce |
| Rosette | Laser Etched Herringbone |
| Bracing Pattern | X Brace |
| Brace Shape | Non-Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back Material | HPL |
| Back Detail | Rosewood Pattern |
| Side Material | HPL |
| Side Detail | Rosewood Pattern |
| Neck Material | Rust Birch Laminate |
| Neck Shape | Modified Low Oval |
| Neck Taper | Standard Taper |
| Plek | No |
| Nut Material | White Corian |
| Headstock Shape | Solid with LX Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Fingerboard Material | FSC Certified Richlite |
| Scale Length | 23'' |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 11/16'' |
| Fingerboard Width at 12th Fret | 2 1/16'' |
| Fingerboard Inlay Material | White Plastic |
| Fingerboard Inlay Style | Diamonds and Squares Long Pattern |
| Side Dots | White |
| Finish Top | Hand Rubbed |
| Top Color | Clear |
| Finish Neck | Hand Rubbed |
| Bridge Material | FSC Certified Richlite |
| Bridge Style | Junior Style Belly |
| Bridge String Spacing | 2 1/8'' |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | Authentic Acoustic Medium (MA550T) |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Faux Tortoise |
Reviews:
Needed a compact guitar with full sound (sailboat dinner cruises – tight space). Plugged in through the board with a chorus pedal sounds as good or better than the full sized guitar I had been using with a lot less passenger head bumping. Easy to play. Quick change battery compartment.Nick
I purchased this guitar to get back into playing during COVID, after selling off my HD-35 and an older LX1 many years ago for personal reasons. Even back then, the LX1 which is nearly the same as this one besides this one handing electronics and a rosewood “paint” job, I often would defer to my LX1 over my HD-35. Part of the reason is the ease of use while still offering a distinct Martin sound, and the design instills confidence that I won’t lose sleep if I ding it or I let a drunk friend play a few tunes. I had that original for many years, and have had this version for about a month. The guitar itself has a surprising amount of heft, and I think many will be surprised by its projection. The solid Sitka spruce top is the mvp here, and should be a must unless you’re concerned about humidity and/or purchasing this style for absolute travel readiness. The solid top will hold up well in changing climates and travel, but the HPL top of the standard LX may be a safer bet if that is a concern. I think most people will benefit from solid top, so that’s my suggestion, plus you get that Martin smell, albeit faintly, with the solid top. Playability-wise, the guitar is clear and punchy while playing fingerstyle or doing solo runs, and strumming offers a surprising amount of boom and clarity. The only caveat is the transition or light strumming to full strumming, as it seems the guitar needs to rev up a bit to get into its full potential. However that could be some of my cobwebs I’m still throwing off. I’ve only used the onboard electronics is few times and they are about what you’d expect from a guitar in this price range. The plugin is on the lower bout near where the guitar sits on your right leg, and is powered by a 9v. Two control dials are available through the sound hole, and overall reproduce the guitar well enough, but a secondary EQ will most likely be required for serious production/recording… works great for just throwing down a songwriting session though! To round it off, the guitar comes with an included soft gig bag, which can be worn as a backpack or hand carried. Which is something I love, it also has a large pocket for whatever small items you may need. And the guitar comes with a 1 year Martin warranty, which should be enough to weed out any manufacturing defects. Overall, I am proud to have this guitar back in my hands, and love the durability, ease of use, value, and most surprisingly the sound of this guitar. This is truly a great guitar and is a lot of fun to bring everywhere!Dan K
I bought this guitar on musicstore from France. First, it price was the lowest I found on the internet, and even if it was shipped from Germany, it was delivered to me very fast (2-3 days). The packaging was clean. I got a gig bag as expected, and I was surprised they gave me a Martin&Co strap ! This guitar is all I expected from it. I had already tried a LXK2 and I heard it had the same sound LX1 (same materials). When its plugged on a power amplifier, it makes it even better ! I bought it because Ed Sheeran had it, and I knew it was a good one, now I can make cover of him, and it sounds beautiful ! I recommend this guitar and this website ! Ps : Im not a professional.
5. Martin Lx1e Little Martin Acoustic Guitar W/gig Bag
Product Details:
While the little martin is our smallest guitar, it is very big on tone, quality and versatility. the lx1e acoustic electric model features a solid sitka spruce top, mahogany high-pressure laminate (hpl) back and sides, and a warm satin finish. it's ideal for travel, student practice or for just playing around the house or campfire.
Specifications:
| Body Size | Modified 0-14 Fret |
| Finish Top | Hand-Rubbed |
| Construction | Mortise & Tenon Neck Joint |
| Bracing Pattern | X-Brace |
| Scale Length | 23'' |
| Brace Shape | Non-Scalloped |
| Fingerboard Width at Nut | 1 11/16'' |
| Top Material | Sitka Spruce |
| Neck Shape | Modified Low Oval |
| Back Material | HPL |
| Neck Taper | Standard Taper |
| Side Material | HPL |
| Electronics | Yes |
| Electronics Options | Fishman Sonitone |
| Top Color | Clear |
| Bridge Style | Junior Style Belly |
| Bridge String Spacing | 2 1/8'' |
| Bridge Material | FSC Certified Richlite |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Saddle | Compensated White Tusq |
| Rosette | Multi-Stripe |
| Saddle Radius | 16" |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back Detail | Mahogany Pattern |
| Side Detail | Mahogany Pattern |
| Neck Material | Rust Birch Laminate |
| Fingerboard Material | FSC Certified Richlite |
| Finish Neck | Hand-Rubbed |
| Fingerboard Width at 12th Fret | 2 1/16'' |
| Number of Frets Total | 20 |
| Neck Joins Body At | 14th Fret |
| Side Dots | White |
| Headstock Shape | Solid with LX Taper |
| Tuning Machines | Chrome Enclosed Gear |
| Headplate Material | HPL |
| Knob | Small |
| Headplate Logo Style | Script Ink |
| Nut Material | White Corian |
| Headplate Detail | Rosewood Pattern |
| Left Handed Availability | true |
Reviews:
I really liked this little guitar, BUT…I read the reviews and decided to buy in-store so I could play the guitar before buying, and I'm SO glad I did. I went into my local Guitar Center and played THREE of these Martin LX1E guitars, including one that had been specially unboxed so I could try it after two others failed my examination. All three guitars had a very pronounced buzz in the frets. It was not that noticeable when I played them acoustically, but the buzz was very noticeable when I plugged them in to an amp. I even tested the amp with other guitars, to make sure it wasn't the amp. It wasn't. Its a great little guitar, great tone and very playable, BUT my advice would be not to buy this one on-line. Play it first. Play up and down the whole fretboard, and plug it into an amplifier and play again. I have been playing for more than fifty years and have never experienced playing three brand new Martins that were simply not up to snuff. Weird!Tele Playr
The guitar itself can have five stars. Nothing wrong with it. The problem I have is that it is not the old LX1E lefty that Martin used to make and I used to own. It is advertised incorrectly here as containing the Fishman I-sys electronics that contained a volume, base/treble controls and a phasing button for feedback. It also no longer contains the tuner. This is basically the LX1 Little Martin with a Sonitone pickup under the bridge and tone/volume control in the sound hole, which I despise. I prefer the old version where the tuner and controls were on top side (as shown in the picture variety). This needs to be updated!!! I now have no tuner on this guitar when I fully expected one. I would recommend the Little Martin guitar but it needs to be advertised correctly.Jules
I bought this guitar for my son so he can have a smaller guitar to lug around in school. We were surprised when we received the product that the pickup that was installed is a Sonitone pickup instead of what's advertised – an Isys T preamp. The Isys preamp has a tuner, phase and tone control whereas the Sonitone is built into the sound hole and only has the volume and tone control. I brought this up with customer support saying I only wanted the product that I thought we were buying. I received excuses and a repeated offer to return the guitar. We chose to keep it because we need it and like the Martin sound. However MF does not stand up to what they advertise and could not provide a reasonable explanation why the product was switched. Even as I write this review, the description still says it has the Isys pickup. Good luck to future buyers and know that you are buying a different product.Pasigenyo
6. Martin Lx1 Little Martin Left Handed Acoustic Guitar
Product Details:
Martin little martin series travel-size left handed acoustic guitar w/bag (lx1l) while the little martin is the smallest guitar, it is very big on tone, quality and versatility. the lx1 model features a solid sitka spruce top and mahogany high-pressure laminate hpl back, sides and top. it’s ideal for travel, student practice or for just playing around the house or campfire. the martin lx1 little martin acoustic guitar is perfect for beginners or an ideal travel-size guitar. with a solid sitka spruce top and modified 0-14 body, the lx1 doesn’t compromise its tight, rich tone despite its smaller size. also featured are solid east indian rosewood fretboard and bridge, 23 inch scale, stratabond modified low-oval neck, and martin's patented mortise/tenon neck joint. padded gig bag included. martin lx1 little martin acoustic guitar perfect for beginners or ideal travel-size guitar solid sitka spruce top tight, rich tone solid east indian rosewood fretboard and bridge martin’s patented nortise/tenon neck joint gig bag included model: lx1 little martin construction: mortise/tenon neck joint body size: modified 0-14 fret top: solid sitka spruce rosette: multiple black/white boltaron with red fiber top bracing pattern: modified x series ''x'' top braces: crowned cross brace back material: mahogany pattern hpl textured finish back purfling: none side material: mahogany pattern hpl textured finish endpiece: none binding: none top inlay style: none side inlay: none back inlay: none neck material: rust stratabond neck shape: modified low oval nut material: white corian headstock: solid/lx taper headplate: mahogany pattern hpl heelcap: none fingerboard material: richlite scale length: 23'' number of frets clear: 14 number of frets total: 20 fingerboard width at nut: 1-11/16'' fingerboard width at 12th fret: 2-1/16'' fingerboard position inlays: none fingerboard binding: none finish back & sides: none finish top: hand rubbed finish finish neck: none bridge material: richlite bridge style: belly bridge string spacing: 2-1/8'' saddle: 16'' radius/compensated/white tusq tuning machines: chrome w/ small buttons recommended strings: martin sp lifespan phosphor bronze medium gauge (msp7200) bridge & end pins: white w/ black dots pickguard: none case: padded gig bag interior label: black foil label
Specifications:
| CONSTRUCTION | Mortise/Tenon Neck Joint |
| BODY SIZE | Modified O – 14 Fret |
| ROSETTE | Inlaid Boltaron w/ Red Fiber |
| TOP BRACING PATTERN | Modified X Series "X" |
| TOP BRACES | Crowned Cross Brace & Graphite Bowtie Plate |
| BACK MATERIAL | Mahogany Pattern HPL Textured Finish |
| SIDE MATERIAL | Mahogany Pattern HPL Textured Finish |
| NECK MATERIAL | Rust Stratabond |
| NECK SHAPE | Modified Low Oval |
| NUT MATERIAL | White Corian |
| HEADSTOCK | Solid/Square Taper |
| HEADPLATE | Mahogany Pattern HPL w/ Printed Logo |
| FINGERBOARD MATERIAL | Solid Morado |
| SCALE LENGTH | 23'' |
| FINGERBOARD WIDTH AT NUT | 1-11/16'' |
| FINGERBOARD WIDTH AT 12TH FRET | 2-1/16'' |
| FINISH TOP | Hand Rubbed Finish |
| BRIDGE MATERIAL | Morado |
| BRIDGE STYLE | Belly |
| BRIDGE STRING SPACING | 2-1/8'' |
| SADDLE | 16'' Radius/Compensated/White Tusq |
| TUNING MACHINES | Chrome w/ Small Knobs |
| RECOMMENDED STRINGS | Martin M550 Phosphor Bronze |
Reviews:
I haven't played in a few years but the pandemic had me searching for something to get my mind off working crazy hours. There would be few guitars I'd buy sight unseen but I rolled the dice because I'd played Martin's first backpacking incarnation and was familiar with their quality. This little guitar wouldn't disappoint! It is a smaller scale but my fingers fit on the fret board and it's easy to just leave out and pick up when you need it. The sound is really good for the size and it's easy to strum or pick. It was exactly what I was looking for but a little more. I honestly didn't expect to be this happy with how much guitar I got for the price. If you need something to stick by the desk or play by the fire, this is a good optionBob
it arrived yesterday to romania, from music store germany (thanks for handling it with so much care!) and i laid my hands for the first time on this loveable tiny beauty. it looks amazing and feels amazing, in every aspect. excellent playability all thourghout the neck, right out of the box… i wanted a travel buddy — small, sturdy, light and playable… and here she is. there are a lot reviews on the net, i will let here my own subjective opinion, after one day of having it (shipped from music store, germany). – i'm a tall guy (6 feet 3 / 190 cm), but the smallness of martin lx1 is not a hindrance in playing. my wife is a mongolian petite, so perhaps I'm used with handling small beauties 🙂 – i have big hands, but not thick fingers. if i stretch my fingers i can cover this guitar's neck from the net to the 10th fret (from pinky to thumb stretched out) — so you can have a clue; however, i feel comfortable playing all over the neck, even past the 14th fret. so no problem with that… and the transition back and forth to my normal-sized acoustic fender pm1 or to my electric squier affinity tele feels smooth, adjusting in no time. – the guitar is neck heavy, but it doesn't bother me at all; you see, it sits comfortably in my lap. – well, of course, the sound is not of a normal-sized guitar — one has to live with that. it is somehow a boxy sound, but martin has a lot of character, so i'm quite pleased with the sound. the guitar seems to suit better for fingerpicking or strumming with bare fingers; when i use my pick it's too noisy, especially the d string is sooo loud, taking over the other strings. in know, it's a new guitar, freshly out of its box, so perhaps it needs time to shape its sound. if this will not happen (due to hpl back and sides) i will still be pleased, the sound is good enough and i can work my way around. – the machine heads are of excellent quality (like every aspect of this guitar, actually): i tuned the guitar yesterday, after taking it out of the box, then forgot about it… summing up: craftmanship — state of the art sound — boxy, you may like it or not (martin has character, a distinct voice, above all) optic — beautiful as it gets, simply perfect price/performance — well, i would have loved to pay less… in the states, it was 399 USD until recently, now it's more expensive and perhaps the price will rise as well in the current covid situation; so buy know, don't postpone if you consider having one.
I played a friend's dreadnaught sized Martin and fell in love. I already owned two other guitars at the time (Samick and a Fender Redondo Player acoustic) and I didn't want to spend the money in a Martin at this time. This happened to pop up as a stupid deal of the day and so I bought. I wasn't sure about the laminate at first, but it feels and plays like a well made guitar. It sounds bright and it is a tone I enjoy hearing. If someone had given me advice as a new player I would have wished they told me about this guitar. It is concert size so it is a little smaller than a dreadnaught. It is easier for me to practice barring chords and doesn't feel as awkward on my body as my dreadnaught. I love both guitars, but I definitely still use this one as I advance as a player. I noodle on it when I am watching tv, take it when I go way for the weekend, and bring it to play for my friends. This is a fantastic guitar and I can proudly say I own a Martin :).RockstarAsh
7. Martin Lxme Little Martin Acoustic Electric Guitar
Product Details:
I bought it new and enjoyed this guitar very much especially finding myself playing things that i've never played before because of its healthy deep rich tone. the sound it has is remarkable. i also have a very nice gig bag specially made for it that has extra carrying straps to be worn as a back pack. it is in perfect condition and the artwork was put on with felt tip pens and coated with a matt clear to preserve them. the artist, "the magician" does specialty paint work for over forty years mainly with airbrush on motorcycles, cars, guitars etc. and signed it. he also does tattoo work. if you never played one of these guitars i urge you to try one out, they are truly amazing. i have to say that this guitar is one that stays in tune, day after day.
Specifications:
| Finish Details | Original |
| Body Details | HPL back, sides, and top |
| Fingerboard Material | Morado |
| Neck Profile | "C" profile |
| Neck Thickness (IN) | .83" (1st fret), .91" (10th fret) |
| Fingerboard Radius | 16.00" |
| Nut Width | 43.00 mm |
| Scale Length | 23 |
| Electronics | Original Fishman Sonitone electronics |
| Case Details | Hardshell case |
| Serial Number | MG3701 |
| Finish | Natural |
| Year | 2003 – 2018 |
| Made In | Mexico |
| Back Material | High Pressure Laminate |
| Body Shape | Travel |
| Finish Style | Satin |
| Fretboard Material | Composite |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Sides Material | High Pressure Laminate |
| Top Material | High Pressure Laminate |
Reviews:
I haven't played in a few years but the pandemic had me searching for something to get my mind off working crazy hours. There would be few guitars I'd buy sight unseen but I rolled the dice because I'd played Martin's first backpacking incarnation and was familiar with their quality. This little guitar wouldn't disappoint! It is a smaller scale but my fingers fit on the fret board and it's easy to just leave out and pick up when you need it. The sound is really good for the size and it's easy to strum or pick. It was exactly what I was looking for but a little more. I honestly didn't expect to be this happy with how much guitar I got for the price. If you need something to stick by the desk or play by the fire, this is a good optionBob
it arrived yesterday to romania, from music store germany (thanks for handling it with so much care!) and i laid my hands for the first time on this loveable tiny beauty. it looks amazing and feels amazing, in every aspect. excellent playability all thourghout the neck, right out of the box… i wanted a travel buddy — small, sturdy, light and playable… and here she is. there are a lot reviews on the net, i will let here my own subjective opinion, after one day of having it (shipped from music store, germany). – i'm a tall guy (6 feet 3 / 190 cm), but the smallness of martin lx1 is not a hindrance in playing. my wife is a mongolian petite, so perhaps I'm used with handling small beauties 🙂 – i have big hands, but not thick fingers. if i stretch my fingers i can cover this guitar's neck from the net to the 10th fret (from pinky to thumb stretched out) — so you can have a clue; however, i feel comfortable playing all over the neck, even past the 14th fret. so no problem with that… and the transition back and forth to my normal-sized acoustic fender pm1 or to my electric squier affinity tele feels smooth, adjusting in no time. – the guitar is neck heavy, but it doesn't bother me at all; you see, it sits comfortably in my lap. – well, of course, the sound is not of a normal-sized guitar — one has to live with that. it is somehow a boxy sound, but martin has a lot of character, so i'm quite pleased with the sound. the guitar seems to suit better for fingerpicking or strumming with bare fingers; when i use my pick it's too noisy, especially the d string is sooo loud, taking over the other strings. in know, it's a new guitar, freshly out of its box, so perhaps it needs time to shape its sound. if this will not happen (due to hpl back and sides) i will still be pleased, the sound is good enough and i can work my way around. – the machine heads are of excellent quality (like every aspect of this guitar, actually): i tuned the guitar yesterday, after taking it out of the box, then forgot about it… summing up: craftmanship — state of the art sound — boxy, you may like it or not (martin has character, a distinct voice, above all) optic — beautiful as it gets, simply perfect price/performance — well, i would have loved to pay less… in the states, it was 399 USD until recently, now it's more expensive and perhaps the price will rise as well in the current covid situation; so buy know, don't postpone if you consider having one.
I played a friend's dreadnaught sized Martin and fell in love. I already owned two other guitars at the time (Samick and a Fender Redondo Player acoustic) and I didn't want to spend the money in a Martin at this time. This happened to pop up as a stupid deal of the day and so I bought. I wasn't sure about the laminate at first, but it feels and plays like a well made guitar. It sounds bright and it is a tone I enjoy hearing. If someone had given me advice as a new player I would have wished they told me about this guitar. It is concert size so it is a little smaller than a dreadnaught. It is easier for me to practice barring chords and doesn't feel as awkward on my body as my dreadnaught. I love both guitars, but I definitely still use this one as I advance as a player. I noodle on it when I am watching tv, take it when I go way for the weekend, and bring it to play for my friends. This is a fantastic guitar and I can proudly say I own a Martin :).RockstarAsh
8. C.f. Martin Backpacker Steel String Acoustic Guitar With Gig Bag, Beige
Product Details:
If you’re tired of listening to tinny smartphone speakers on your camping trips, pick up the martin steel string backpacker guitar. hand-polished, made from solid tonewoods, and imbued with that signature martin sound, this backpacker guitar offers all of the rich, deep sound of a full-bodied guitar in a sleek size that’s able to fit almost anywhere.
Specifications:
| String Type | Steel |
| Number of Strings | 6 |
| Body Shape | Backpacker, 15-fret |
| Left-/Right-handed | Right-handed |
| Finish | Matte |
| Top Wood | Sapele |
| Body Bracing | Backpacker |
| Neck Wood | Select Hardwood |
| Neck Shape | Backpacker |
| Fingerboard Material | Select Hardwood |
| Fingerboard Inlay | Dots (5th and 12th fret only) |
| Number of Frets | 15 |
| Scale Length | 24" |
| Tuning Machines | Chrome with Small Knobs |
| Bridge Material | Select Hardwood |
| Nut/Saddle Material | Corian/Micarta |
| Nut Width | 1.6875'' |
| Strings | Authentic Acoustic 80/20 Bronze,.010-.047 |
| Case Included | Gig Bag |
Reviews:
I've owned one of these for years. It doesn't hang well (neck dive), has the sound that you'd expect out of a shoebox sized cavity (no bass), and is over priced. The only reason for owning one of these is if you are severly cramped for space. Get a Baby Taylor, instead of this thing. They are close to the same price, the last time that I checked.Ken
When I first saw these in the CF Martin catalog, I thought how weird looking they were. When I asked at a local shop about them, I was told they would order one for me, but I would not like it! But I liked classical, nylon string guitars and I wanted to own something from CF Martin. Other than this, Martin GTR does not make anything else like that, unless they invented something since I quit looking. I was very fortunate to discover Musicians Friend, and they at one time had these with a passive pickup. These were on sale at a very good price! I ordered one, it arrived in very good shape, in very good time. I fell absolutely totally in love with it, weird shape and all. You could tell it was a Martin, it reeked quality. It's small, the tone is great, but the volume is not huge. Use it for travel, camping, hanging on the wall for odd moments of practice. It's not a case queen, fussy little guitar, but protect it from too much heat and moisture, it is made with wood and glue. With a pickup you could probably blow away a concert hall with it. Look in the sound hole, it will say where it was made there, and tell you to always use extra-lite nylon strings. No truss rod was standard for ages with nylon string guitars, the Backpacker does not have one. Most guitars eventually need the action adjusted to suit the player, including ones costing 10 to 20 times as much as this one. Mine came with a very nice strap and a special gig bag, both very useful. If this appeals to you, don't hesitate to give it a try. I've had mine for years and still love it. Check on you-tube.Still Learning
I have had mine for 10 years or more and enjoy it very much. It's not full body sound it's there to have something to practice and play when on holiday or outside on the deck enjoying a cold one. It doesn't take up much room when packing the car either And yes the one I have is an actual classical backpacker guitar that Martin made years ago. I use it with high tension strings DAddario Pro Arte at standard tuning and it holds up very good stays in tune never have a problem with it going outGerry
9. Martin Junior 000cjr-10e Acoustic-Electric Guitar
Product Details:
The martin junior series is designed for players looking for big sound in a slightly smaller body. now available for the first time with a cutaway, the auditorium style 000cjr-10e features sapele back and sides, which offer warm tones with a strong midrange response. it includes a sitka spruce top for added warmth and projection and a hand-rubbed neck with a high-performance taper for ease of playability. this model also sports a soft back edge to provide maximum comfort while playing. the 000cjr-10e is equipped with fishman sonitone electronics and includes a soft gig bag for easy transport so you can take your music anywhere. strung with retro light gauge strings.
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | 000 Junior 14 Fret Cutaway |
| Top Material | Sitka Spruce |
| Rosette | MOP Pattern with Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 1/4" |
| Back Material | Sapele |
| Side Material | Sapele |
| Binding | Black |
| Top Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Junior |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | White Corian |
| Headstock Shape | Solid with Junior Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Fingerboard Material | FSC Certified Richlite |
| Scale Length | 24'' |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | Mother of Pearl Pattern |
| Fingerboard Inlay Style | Style 28 |
| Side Dots | White |
| Back and Side Finish | Satin |
| Back and Sides Color | Cherry |
| Finish Top | Satin |
| Top Color | Clear |
| Finish Neck | Hand Rubbed |
| Bridge Material | FSC Certified Richlite |
| Bridge Style | Junior Style Belly |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | Retro Light MM12 |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Electronics | Fishman Sonitone |
Reviews:
For the money, I couldn't find a better acoustic guitar (A new one anyways). I've owned many high end Martins, but I wanted something that was easy to travel with and I wouldn't worry about if it got scratched/dented. Out of the box the action and intonation were very close to perfect. I adjusted the truss rod myself to fit my playing preference, and the intonation was so close I doubt anyone will notice when playing further up the neck. The building materials are not great, but once again, "for the money"… My only con is they don't have a hard shell case for this particular model. The included soft shell case is still convenient, but I kind of wish they'd make a HSC like they did for the dreadnaught model.Garrett G.
This guitar is good for the money. Neck straight. All workmanship is precise. Light and not overly heavy from clear coat gunk. Neck is short but wide. Strings that came on it went in trash in 5 min. Use Lixrs on these small guitars. Nuff said…Not too small like Martin mini where you fight it not to be a uke and it really is. Quality is near perfect. Case is the good one like the minis. Doesnt feel like a GS mini which feels too small. This guitar feels good but smaller that normal. Set up fine out of box (which is more than I can say for the USA models). Ready to play. I will prob change out stock pickup for DTar syemour duncan wavelength solo later. Not that the stock pickup is bad; just like seymour better for acoustic under saddle "non-quack" pickup. If you know how to use an eq then dnot need that extra tone button anyway, plus fihsman is kind of not great stuff. After about 10yrs needed something better. Buy one before Martin decides not to make them anymore…Kokbloock
Overall: I purchased this guitar for practice, and to record licks for quick pre-production ideas. My Taylor GS Mini does not have electronics and I wanted to add a Martin to my collection anyway. When plugged in the Martin sounds very rich and there is almost no sound degradation between plugged and mic’d, very impressive! The fingerboard is wider than the one on my Taylor GS and as a result is much easier to play for me. This guitar is not as rich sounding or as comfortable as my Washburn 55 Comfort Series but the sound, the cut-away, and the small size makes this my choice for those quick pre-productions or gigs.Installation of an onboard tuner would make this guitar perfect in my opinion.
10. Martin Lx1re Little Martin Acoustic-Electric Guitar, Left-Handed
Product Details:
The martin little martin is big on tone, quality, and versatility and includes sustainable wood parts. the lx1re features a solid sitka spruce top, for warmth and projection, paired with stylish rosewood pattern hpl. as the first model in its series with a pickguard, it includes a laser-etched herringbone rosette and comes with a soft gig bag for easy transport so you can take your music anywhere. the little martin is ideal for travel but also makes a great student guitar. the lx1re comes equipped with fishman sonitone electronics.
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | Modified 0-14 Fret |
| Top Material | Sitka Spruce |
| Rosette Laser | Etched Herringbone |
| Bracing Pattern | X Brace |
| Brace Shape | Non-Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back Material | HPL |
| Back Detail | Rosewood Pattern |
| Side Material | HPL |
| Side Detail | Rosewood Pattern |
| Neck Material | Rust Birch Laminate |
| Neck Shape | Modified Low Oval |
| Neck Taper | Standard Taper |
| Nut Material | White Corian |
| Headstock Shape | Solid with LX Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Fingerboard Material | FSC Certified Richlite |
| Scale Length | 23" |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 11/16" |
| Fingerboard Width at 12th Fret | 2 1/16" |
| Fingerboard Inlay Material | White Plastic |
| Fingerboard Inlay Style | Diamonds and Squares Long Pattern |
| Side Dots | White |
| Finish Top | Hand Rubbed |
| Top Color | Clear |
| Finish Neck | Hand Rubbed |
| Bridge Material | FSC Certified Richlite |
| Bridge Style | Junior Style Belly |
| Bridge String Spacing | 2 1/8" |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | Authentic Acoustic Medium (MA550T) |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Faux Tortoise |
| Electronics | Fishman Sonitone |
| Manufacturer Part Number (MPN) | MAT LX1RELH |
Reviews:
Needed a compact guitar with full sound (sailboat dinner cruises – tight space). Plugged in through the board with a chorus pedal sounds as good or better than the full sized guitar I had been using with a lot less passenger head bumping. Easy to play. Quick change battery compartment.Nick
I purchased this guitar to get back into playing during COVID, after selling off my HD-35 and an older LX1 many years ago for personal reasons. Even back then, the LX1 which is nearly the same as this one besides this one handing electronics and a rosewood “paint” job, I often would defer to my LX1 over my HD-35. Part of the reason is the ease of use while still offering a distinct Martin sound, and the design instills confidence that I won’t lose sleep if I ding it or I let a drunk friend play a few tunes. I had that original for many years, and have had this version for about a month. The guitar itself has a surprising amount of heft, and I think many will be surprised by its projection. The solid Sitka spruce top is the mvp here, and should be a must unless you’re concerned about humidity and/or purchasing this style for absolute travel readiness. The solid top will hold up well in changing climates and travel, but the HPL top of the standard LX may be a safer bet if that is a concern. I think most people will benefit from solid top, so that’s my suggestion, plus you get that Martin smell, albeit faintly, with the solid top. Playability-wise, the guitar is clear and punchy while playing fingerstyle or doing solo runs, and strumming offers a surprising amount of boom and clarity. The only caveat is the transition or light strumming to full strumming, as it seems the guitar needs to rev up a bit to get into its full potential. However that could be some of my cobwebs I’m still throwing off. I’ve only used the onboard electronics is few times and they are about what you’d expect from a guitar in this price range. The plugin is on the lower bout near where the guitar sits on your right leg, and is powered by a 9v. Two control dials are available through the sound hole, and overall reproduce the guitar well enough, but a secondary EQ will most likely be required for serious production/recording… works great for just throwing down a songwriting session though! To round it off, the guitar comes with an included soft gig bag, which can be worn as a backpack or hand carried. Which is something I love, it also has a large pocket for whatever small items you may need. And the guitar comes with a 1 year Martin warranty, which should be enough to weed out any manufacturing defects. Overall, I am proud to have this guitar back in my hands, and love the durability, ease of use, value, and most surprisingly the sound of this guitar. This is truly a great guitar and is a lot of fun to bring everywhere!Dan K
I bought this guitar on musicstore from France. First, it price was the lowest I found on the internet, and even if it was shipped from Germany, it was delivered to me very fast (2-3 days). The packaging was clean. I got a gig bag as expected, and I was surprised they gave me a Martin&Co strap ! This guitar is all I expected from it. I had already tried a LXK2 and I heard it had the same sound LX1 (same materials). When its plugged on a power amplifier, it makes it even better ! I bought it because Ed Sheeran had it, and I knew it was a good one, now I can make cover of him, and it sounds beautiful ! I recommend this guitar and this website ! Ps : Im not a professional.
11. Martin 0-18 Acoustic Guitar
Product Details:
Beautiful small body martin guitar with original hardshell case in near mint condition with only some fret wear seen. no modifications ever made to this guitar including never putting strap pin in heel in order to keep it in original condition. guitar has only been played in home and is stored in case, with daddario humidifiers in sound hole and headstock consistently. nut width is 1.750 and scale length is 24.9 inches.
Specifications:
| Construction | Dovetail Neck Joint |
| Body Size | 0-14 Fret |
| Top Material | Sitka Spruce |
| Rosette | Old Style 18 Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped X with Non-Scalloped Tone Bars |
| Brace Material | Sitka Spruce |
| Brace Size | 1/4" |
| Back Material | Genuine Mahogany |
| Back Purfling/Strip | Style 18 |
| Side Material | Genuine Mahogany |
| Endpiece | Faux Tortoise |
| Binding | Faux Tortoise |
| Top Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Modified Low Oval |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid with Square Taper |
| Headplate Material | East Indian Rosewood |
| Headplate Logo Style | Script Old Style Overlay |
| Heelcap | Faux Tortoise |
| Fingerboard Material | Ebony |
| Scale Length | 24.9" |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | Abalone |
| Fingerboard Inlay Style | Old Style 18 |
| Side Dots | White |
| Back and Side Finish | Gloss |
| Back and Sides Color | Dark Mahogany |
| Finish Top | Gloss |
| Top Color | Aging Toner |
| Finish Neck | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | Ebony |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated Bone |
| Saddle Radius | 16" |
| Tuning Machines | Nickel Open Gear |
| Knob | Butterbean |
| Bridge Pin Material | Black Plastic |
| Pickguard | Faux Tortoise |
| Strings | MA540T Phosphor Bronze |
| Electronics | Optional |
Reviews:
The smallest acoustic I've ever owned, but a seriously big sound, especially when played fingerstyle! I've only had it a short time, but it's definitely a lifer as I've never played a guitar as responsive. It's definitely not one to get if you're focusing on strumming out big chords, but as an intimate little solo performing or recording guitar it can't be beat. It also has an amazing projection which allows it to cut through some bigger instruments in a way that a dreadnought simply can't which makes it a really great guitar to play lead lines on. It's for sure my favorite martin, and I've owned almost all of their standard series models!Desmond
Purchased a little over 2 months ago with no regrets. I have several acoustic and electrics to my name, but this D-18 just makes me want to play and play. I can't explain it. Couldn't be more thrilled with the appearance, workmanship, but most importantly the tonal quality this D-18 has. It has punch, bark and a sweet finger style as well. Martin did an exceptional job on this one. It is exactly what I was looking for in playability and performance. Already had a boutique D-28 style rosewood back and sides, but the difference in the tone of Mahogany is stark. It's a huge investment, but I have no regrets except I didn't do it sooner. Can't put it down and totally reinvigorated with acoustic playing. Shout out to Steven Segal who helped me finalize this purchase and went the extra mile to make my experience good.Joe
Having waited over 5months since placing the order and without any updates from Music Store, the guitar finally arrived. Lovely guitar with a great sound but unfortunately it was not the exact guitar that I ordered and paid for. Since the differences were cosmetic but significant to me and I did not wish for further delays or hassle I decided to keep the guitar. Music Store you need to get your act together and supply the goods your customers order. Very disappointed, not what I was expecting.
12. Martin Djr-10 Sitka Dreadnought Junior Acoustic Guitar
Product Details:
The dreadnought junior is designed for players looking for big dreadnought sound in a slightly smaller body. the newly updated djr features satin finished sapele back and sides in a rich cherry hue, satin finished sitka spruce top, and a hand-rubbed neck with a high-performance taper. this model also sports a thinner 000 body depth with softer back edges to provide maximum comfort while playing. every junior includes a soft gig bag for easy transport. this model is an updated version of the discontinued d jr.
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | D Junior-14 Fret (000 Depth) |
| Top Material | Sitka Spruce |
| Rosette | MOP Pattern with Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 1/4 inch |
| Back Material | Sapele |
| Side Material | Sapele |
| Binding | Black |
| Top Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Dreadnought Junior |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | White Corian |
| Headstock Shape | Solid with Dreadnought Junior Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Fingerboard Material | FSCA Certified Richlite |
| Scale Length | 24 inches |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4 inches |
| Fingerboard Width at 12th Fret | 2 1/8 inches |
| Fingerboard Inlay Material | MOP Pattern |
| Fingerboard Inlay Style | MOP Pattern Dots- 28 Style Pattern |
| Side Dots | White |
| Back and Side Finish | Satin |
| Back and Sides Color | Cherry |
| Finish Top | Satin |
| Top Color | Clear |
| Finish Neck | Hand Rubbed |
| Bridge Material | FSCA Certified Richlite |
| Bridge Style | Junior Style Belly |
| Bridge String Spacing | 2 5/32 inches |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16 inches |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | RETRO LIGHT (MM12) |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Faux Tortoise |
Reviews:
At 73, I've had some kind of inexpensive guitar or other since high school, occasionally playing some 3 or 4 chord folk, cowboy, or campfire tunes. My guitar since about 2000 has been an Ibanez PF10 NT. It sounded pretty good to me over the years. Then a few of my older grand kids (about 9 through 16 years old) took up ukuleles and guitars and quickly got pretty darned good. So I decided I'd start playing more and do some jamming with them. Just strolling through Guitar Center one afternoon, I notice this little Martin hanging out with the less expensive guitars. I had been out of the loop as to what Martin had been up to for years. I'd lusted for one since I can remember. I pick it up and see that it's only $499, got to be a mistake. Back in my day, the Martins I knew of cost thousands. Anyway, I strum it and almost swoon it sounds so pretty. I sit and play it for a while and figure I still can't really spend 500 on a guitar. Well, about 3 days later I bought one and have only put it down to sleep and eat ever since. (Slight exaggeration.) The dreadnought junior 10 is fun and easy to play, and it sounds great. So I'm using it to learn to play the neck and do more finger picking and trying to keep myself from buying another Martin. If one this little gem is so good, how great are the one's for say $1800?Mark TM
Fantastic guitar with a better sound than I expected from a downsized dreadnought. Because of it’s smaller size, I find it’s easier to pick up and start strumming away, even though I have a Maton dreadnought as well. Could be the novelty factor but I am enjoying the Martin sound. Would recommend this guitar to anyone.Leo S.
I recently bought my first Martin guitar, a 2019 0-18 which is retail at $2500. Absolutely love the guitar and cant put it down. I work half my time in another state where I cant take my 0-18 so I bought Dreadnought Jr as a jam guitar for my apartment there. Have to say this guitar is almost as fun to play. At 20% of the cost you still get an all-wood, hand made Martin. Its not US made of course but still a quality guitar. I have as much fun playing this as my 0-18. They are both about the same size and fun to play. If you are a serious beginner or a seasoned pro, this will fit the bill as a good jam guitar with the great Martin tone and playability.reg3181
13. Martin X Series Lx1 Little Left-Handed Acoustic Guitar Natural
Product Details:
The martin lx1l little martin left-handed guitar displays martin's exquisite quality whilst embracing the benefits of a smaller size. with its compact body and 23'' scale length, it is wonderfully comfortable to play and is perfect for packing up and throwing in the car as you hit the road. making your life as a travelling musician easier, the lx1l little martin promises to offer a sublime playing experience. whether you're on stage or jamming with friends round the campfire, you'll want exceptional, reliable sound. the sitka spruce top provides just that and more. explore wondrous clarity and brilliant volume that belies the body's travel size whilst you fret seamlessly across the richlite fretboard. the mahogany high pressure laminate body will then ensure you're granted waves of endless resonance, warmth, and rich dynamics.
Specifications:
| Construction | Mortise/Tenon Neck Joint |
| Body Size | Modified 0-14 Fret |
| Rosette | Multiple Black/White Boltaron with Red Fiber |
| Top Bracing Pattern | Modified X Series ''X'' |
| Top Braces | Crowned Cross Brace |
| Side Material | Mahogany Pattern HPL Textured Finish |
| Neck Shape | Modified Low Oval |
| Nut Material | White Corian |
| Headstock | Solid/LX Taper |
| Headplate | Mahogany Pattern HPL |
| Fingerboard Material | Richlite |
| Scale Length | 23'' |
| Number Of Frets Clear | 14 |
| Number Of Frets Total | 20 |
| Fingerboard Width At Nut | 1-11/16'' |
| Fingerboard Width At 12Th Fret | 2-1/16'' |
| Finish Top | Hand Rubbed Finish |
| Bridge Material | Richlite |
| Bridge Style | Belly |
| Bridge String Spacing | 2-1/8'' |
| Saddle | 16'' Radius/Compensated/White Tusq |
| Tuning Machines | Chrome w/ Small Buttons |
| Interior Label | Black Foil Label |
| Finish | Mahogany |
| Sides Material | High Pressure Laminate |
| Number of Strings | 6-String |
| Fretboard Material | Composite |
| Top Material | Spruce |
| Right / Left Handed | Left Handed |
| Body Shape | Travel |
Reviews:
I haven't played in a few years but the pandemic had me searching for something to get my mind off working crazy hours. There would be few guitars I'd buy sight unseen but I rolled the dice because I'd played Martin's first backpacking incarnation and was familiar with their quality. This little guitar wouldn't disappoint! It is a smaller scale but my fingers fit on the fret board and it's easy to just leave out and pick up when you need it. The sound is really good for the size and it's easy to strum or pick. It was exactly what I was looking for but a little more. I honestly didn't expect to be this happy with how much guitar I got for the price. If you need something to stick by the desk or play by the fire, this is a good optionBob
it arrived yesterday to romania, from music store germany (thanks for handling it with so much care!) and i laid my hands for the first time on this loveable tiny beauty. it looks amazing and feels amazing, in every aspect. excellent playability all thourghout the neck, right out of the box… i wanted a travel buddy — small, sturdy, light and playable… and here she is. there are a lot reviews on the net, i will let here my own subjective opinion, after one day of having it (shipped from music store, germany). – i'm a tall guy (6 feet 3 / 190 cm), but the smallness of martin lx1 is not a hindrance in playing. my wife is a mongolian petite, so perhaps I'm used with handling small beauties 🙂 – i have big hands, but not thick fingers. if i stretch my fingers i can cover this guitar's neck from the net to the 10th fret (from pinky to thumb stretched out) — so you can have a clue; however, i feel comfortable playing all over the neck, even past the 14th fret. so no problem with that… and the transition back and forth to my normal-sized acoustic fender pm1 or to my electric squier affinity tele feels smooth, adjusting in no time. – the guitar is neck heavy, but it doesn't bother me at all; you see, it sits comfortably in my lap. – well, of course, the sound is not of a normal-sized guitar — one has to live with that. it is somehow a boxy sound, but martin has a lot of character, so i'm quite pleased with the sound. the guitar seems to suit better for fingerpicking or strumming with bare fingers; when i use my pick it's too noisy, especially the d string is sooo loud, taking over the other strings. in know, it's a new guitar, freshly out of its box, so perhaps it needs time to shape its sound. if this will not happen (due to hpl back and sides) i will still be pleased, the sound is good enough and i can work my way around. – the machine heads are of excellent quality (like every aspect of this guitar, actually): i tuned the guitar yesterday, after taking it out of the box, then forgot about it… summing up: craftmanship — state of the art sound — boxy, you may like it or not (martin has character, a distinct voice, above all) optic — beautiful as it gets, simply perfect price/performance — well, i would have loved to pay less… in the states, it was 399 USD until recently, now it's more expensive and perhaps the price will rise as well in the current covid situation; so buy know, don't postpone if you consider having one.
I played a friend's dreadnaught sized Martin and fell in love. I already owned two other guitars at the time (Samick and a Fender Redondo Player acoustic) and I didn't want to spend the money in a Martin at this time. This happened to pop up as a stupid deal of the day and so I bought. I wasn't sure about the laminate at first, but it feels and plays like a well made guitar. It sounds bright and it is a tone I enjoy hearing. If someone had given me advice as a new player I would have wished they told me about this guitar. It is concert size so it is a little smaller than a dreadnaught. It is easier for me to practice barring chords and doesn't feel as awkward on my body as my dreadnaught. I love both guitars, but I definitely still use this one as I advance as a player. I noodle on it when I am watching tv, take it when I go way for the weekend, and bring it to play for my friends. This is a fantastic guitar and I can proudly say I own a Martin :).RockstarAsh
14. Martin Sc-13e Special Acoustic-Electric Guitar
Product Details:
The martin sc-13e special electro-acoustic is dreamy in playability and heavenly in sound. afterall, it is a martin, so you can count on premium quality. crafted from ziricote and adorned with a sitka spruce top, the body resonates with richness, dynamics, and clarity. every chord you play will be magnificent. plus, thanks to an exquisite ebony fretboard, you'll have a silky-smooth surface to fret upon, as well as luscious sustain carrying each note. whether you're practising at home or captivating your awestruck audience, pristine playability is a must. the sleek sure align neck system and handy cutaway allow you to waltz effortless across the frets, sliding right to the top of the scale with ease. it's a seamless playing experience you won't be able to get enough of. and when you're ready to plug in and amp up, utilise the lr baggs element electronic system – it is expertly designed to enhance your dazzling acoustic sound.
Specifications:
| Edition Size | Open |
| Construction | Sure Align Linear Dovetail Neck Joint |
| Body Size | S-13 Fret Cutaway |
| Top Material | Sitka Spruce |
| Rosette | Aperture Design with Multi-Stripe |
| Bracing Pattern | Tone Tension X Brace |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" with 1/4" Tone Bars |
| Back Material | Ziricote Fine Veneer |
| Side Material | Ziricote Fine Veneer |
| Binding | White |
| Top Inlay Material | Black with Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Low Profile Velocity |
| Neck Taper | High-Performance Taper |
| Plek | Yes |
| Nut Material | White Corian |
| Headstock Shape | Solid with Square Taper |
| Headplate Material | Ebony |
| Headplate Detail | Do Not Use |
| Headplate Logo Style | Silver Script Overlay |
| Fingerboard Material | Ebony |
| Scale Length | 25.4" |
| Neck Joins Body At | 13th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | Ziricote Dot with Plastic Ivory Pattern Border |
| Fingerboard Inlay Style | SC-13 Special Style |
| Side Dots | White |
| Back and Side Finish | Gloss |
| Finish Top | Gloss |
| Top Color | Clear |
| Finish Neck | Satin |
| Bridge Material | Ebony |
| Bridge Style | Sloped Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Ratio Nickel Open Gear |
| Recommended Strings | Acoustic Custom Light S535T |
| Knob | Butterbean |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Tortoise Pattern |
| Electronics | LR Baggs Element |
Reviews:
I play locally for hire as a solo acoustic guitar / vocalist. My primary guitar is a Martin GPCP Aura. I purchased the Martin SC 13E in hopes of finding a guitar with better action and playability. My first reaction to the 13E was really nice and it did play with less effort / strength than my GPCP. The first issue I noticed was string buzz on the 1st and 2nd strings. It wasn't awful but noticeable. I played the guitar that weekend at two shows. I was still noticing the buzz. So, I started the set-up investigation. The neck relief, the slight bow forward that a guitar neck needs, looked really good, maybe could use a bit more to help with the string buzz. This is an easy truss rod adjustment; however, I didn't change the truss rod setting. The next thing I looked at was the distance of the string height, above the 12th fret. My thought was I would try to lower this slightly if I decided to keep the guitar. The next weekend I got the guitar out at home before getting ready for my show that evening, to run through a new song I was planning to do at hat nights show. I took the SC13E out of the bag and the 1st and 2nd strings were touching the guitar at the 20th fret. I thought the saddle had somehow pushed down lower into the bridge…. I exchanged that guitar for another SC1E. GC person was easy to work with and got the exchange handled quickly. About 3-4 days I had my second SC13E in my hands. It also had the same string buzz, even though the neck relief and action looked good. I played a couple of shows with this guitar and then I started noticing the buzz getting worse. If you are still reading, the reward is at hand. lol I have decided that the problem with this guitar, and probably the other guitar, is the neck angle is off. I will explain why I think it is off and explain how you can check your guitar. I have watched hundreds of youtube videos trying to learn how to set-up and care for my instruments. I have watched neck adjustment videos put out by fender, for their strat guitars, because I wanted to know how to adjust my Acoustasonic Strat. But what I am getting ready to sell you, I have discovered on my own and may not be accurate, but here it goes. If I put a capo, or hold the strings down with my hand. on the 12th fret, there is a space between the strings and the frets above the 12th fret. A pretty wide gap at the 20th fret. On the SC13E the strings are almost touching and the 1st string is touching. Wa La I believe that neck angle is off. I think it was off on both guitars. So check yours before missing your return date. If you check your guitar and it has this problem, don't totally freak out. The SC13E has an adjustable neck angle, so it can be made perfect. If you find what I described above, I suggest contacting Martin Guitar and GC. Another thing to be aware of, the three Martin guitars I have owned had the nut groves cut too narrow. I took my GPCP to an excellent luthier. He filed the width and depth to correct specifications and filed down my frets (I had two that where high) Both of the SC13E guitars needed to have the nuts filed. If you are trying to tune your guitar by making a very slight turn to get it just right and the string doesn't increase pitch and then jumps to a sharp pitch, the string is probably pinching in the nut grove. Both SC13E's were boogers to tune for that reason. One of them broke the B string while tuning up from dropping the pitch. I am returning my second SC13E tomorrow and I think I am going to give it a rest for awhile. Maybe look for something different. FYI: I love my Martin GPCP Aura, unfortunately they discontinued that model. The sound I get from the Fishman Aura electronics is the best I have heard. PS: part of the reason the SC13E plays easier is they use a lighter gauge string. I put a set of the MA535T Martin Lifespan strings on mt GPCP and even with the truss rod loose, the strings don't pull on the neck hard enough to give me the neck relief that is needed. The SC13E is a beautiful guitar to look at and the electronics onboard sound very nice. I learned, I'm not a big fan of having the controls inside the sound hole. A little awkward to get to while strumming and the phase reverse switch is way back from the opening. If you like using the hole covers to fight feedback, I'm pretty sure you would be out of luck. I think this price range of acoustic guitar should come with a hard case. I gave this guitar a 2 rating because it has potential BUT i do think both of these guitars suffered from poor quality control. My luthier could have made both of these guitars sing beautifully but I refuse to buy a new guitar and send it for repairs, even if the repairs are set-up issues. A new guitar on the north side of a thousand dollars should show up playing without string buzzing and the strings close enough to the neck that you hand doesn't feel like you just hung from the monkey bars during an entire recess.Dale
I ordered this guitar from AMS on a Friday evening and it was delivered the following Wednesday, so kudos to AMS for prompt service. Trust me when I tell you that the guitar looks even more stunning in person than it does in the website images. The grain on the koa back and side veneers is distinctive and eye-catching. The pearloid rosette and fingerboard inlays are also well done. I purchased a set of bridge pins from Martin's website that uses the same pearloid, and they look nice. The neck profile is quite comfortable, and of course the unique heel-less design of the cutaway gives you easy access to the entire fingerboard. I expect to see this feature turning up on other Martin models down the road. The asymmetrical body shape is visually unique and phenomenally comfortable to play sitting down, which is mostly how I play. The sound hole tuner is a nice touch, and the Fishman MX-T electronics sound fine to me, although I mostly don't play plugged in. This is my first Martin guitar, and it is true what they say: Nothing else sounds like a Martin! Martin has really done themselves proud with the SC-13E. Highly recommended!
This is a beautiful instrument with a stunning full acoustic sound despite the deep cut away and relatively small body size. The amazing design allows for unlimited access to the upper frets and the whole instrument feels very comfortable to play. I wanted an acoustic guitar with the accessibility of an electric and this new design from C.F.Martin delivers that in droves without ever loosing it's acoustic personality and sound. I own a super jumbo acoustic made by another company but the SC13e makes it sound dull and lifeless even before it is plugged in. The SC13e has that familiar Martin sound which is full and beautiful. The fishman pickup will then allow that sound to be delivered to anywhere from a gig in a noisy pub to full stadium if required. What a stunning instrument!Reviewed by Kenny's Music custom
15. Martin Dreadnought Junior Acoustic Guitar Natural
Product Details:
Save big when you buy today! construction: mortise/tenon neck joint – body size: dreadnought junior – 14 fret – top: solid sitka spruce – rosette: 2 ring – top bracing pattern: dreadnought junior – top braces: solid sitka spruce 1/4"back material: solid sapele – back purfling: none – side material: solid sapele – endpiece: none – endpiece inlay: none – binding: black boltaron – top only – top inlay style: black/white boltaron – side inlay: none – back inlay: none – neck material: select hardwood – neck shape: dreadnought junior profile – nut material: white corian – headstock: solid/dreadnought junior taper – headplate: hpl east indian rosewood with pad printed gold logo – heelcap: none – fingerboard material: black richlite – scale length: 24''number of frets clear: 14number of frets total: 20fingerboard width at nut: 1-3/4''fingerboard width at 12th fret: 2-1/8''fingerboard position inlays: style 28 – white boltaron dots – fingerboard binding: none – finish back & sides: hand applied natural oil finish – finish top: hand applied natural oil finish – finish neck: hand applied natural oil finish – bridge material: black richlite – bridge style: junior style belly – bridge string spacing: 2-3/16''saddle: 16'' radius/compensated/white tusq – tuning machines: chrome enclosed with small buttons – recommended strings: martin sp lifespan 80/20 bronze medium gauge (msp6200)bridge & end pins: white with black dots – pickguard: delmar tortoise color – case: gig bag – interior label: paper label – electronics: fishman sonitone
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | D Junior-14 Fret |
| Top Material | Sitka Spruce |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 1/4" |
| Back Material | Sapele |
| Binding | Black |
| Top Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Dreadnought Junior |
| Nut Material | White Corian |
| Headstock Shape | Solid with Dreadnought Junior Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Fingerboard Material | FSC Certified Richlite |
| Scale Length | 24'' |
| Number of Frets Total | 20 |
| Fingerboard Inlay Material | White Plastic |
| Saddle Radius | 16" |
| Bridge Pin Material | White Plastic |
Reviews:
At 73, I've had some kind of inexpensive guitar or other since high school, occasionally playing some 3 or 4 chord folk, cowboy, or campfire tunes. My guitar since about 2000 has been an Ibanez PF10 NT. It sounded pretty good to me over the years. Then a few of my older grand kids (about 9 through 16 years old) took up ukuleles and guitars and quickly got pretty darned good. So I decided I'd start playing more and do some jamming with them. Just strolling through Guitar Center one afternoon, I notice this little Martin hanging out with the less expensive guitars. I had been out of the loop as to what Martin had been up to for years. I'd lusted for one since I can remember. I pick it up and see that it's only $499, got to be a mistake. Back in my day, the Martins I knew of cost thousands. Anyway, I strum it and almost swoon it sounds so pretty. I sit and play it for a while and figure I still can't really spend 500 on a guitar. Well, about 3 days later I bought one and have only put it down to sleep and eat ever since. (Slight exaggeration.) The dreadnought junior 10 is fun and easy to play, and it sounds great. So I'm using it to learn to play the neck and do more finger picking and trying to keep myself from buying another Martin. If one this little gem is so good, how great are the one's for say $1800?Mark TM
Fantastic guitar with a better sound than I expected from a downsized dreadnought. Because of it’s smaller size, I find it’s easier to pick up and start strumming away, even though I have a Maton dreadnought as well. Could be the novelty factor but I am enjoying the Martin sound. Would recommend this guitar to anyone.Leo S.
I recently bought my first Martin guitar, a 2019 0-18 which is retail at $2500. Absolutely love the guitar and cant put it down. I work half my time in another state where I cant take my 0-18 so I bought Dreadnought Jr as a jam guitar for my apartment there. Have to say this guitar is almost as fun to play. At 20% of the cost you still get an all-wood, hand made Martin. Its not US made of course but still a quality guitar. I have as much fun playing this as my 0-18. They are both about the same size and fun to play. If you are a serious beginner or a seasoned pro, this will fit the bill as a good jam guitar with the great Martin tone and playability.reg3181
16. Martin M-36 Acoustic Guitar
Product Details:
The m-36 features a "0000" body size giving it a huge sound, while being a bit more comfortable to play than the dreadnaught with a tighter, more focused low end. this guitar is in excellent condition and plays beautifully with a comfortable modified low oval neck profile. a warm sounding instrument producing a punchy, balanced tone great for both fingerpicking and strumming! includes original hardshell case.
Specifications:
| Body Size | M-14 Fret (0000-14 Fret) |
| Finish Top | Gloss |
| Construction | Dovetail Neck Joint |
| Top Material | Spruce |
| Back and Side Finish | Gloss |
| Bracing Pattern | Forward-Shifted X-Brace |
| Brace Shape | Scalloped |
| Scale Length | 25.4" |
| Fingerboard Width at Nut | 1 3/4'' |
| Neck Shape | Modified Low Oval |
| Neck Taper | High-Performance Taper |
| Top Color | Aging Toner |
| Bridge Style | Modern Belly – Drop in Saddle |
| Binding | Antique White |
| Bridge String Spacing | 2 5/32" |
| Top Inlay Material | Multi-Stripe |
| Bridge Material | East Indian Rosewood |
| Bridge Pin Material | White Plastic |
| Pickguard | Tortoise Pattern |
| Bridge Pin Dots | Faux Tortoise |
| Saddle | Compensated Bone |
| Rosette | Multi-Stripe |
| Saddle Radius | 16" |
| Brace Material | Spruce |
| Brace Size | 5/16" |
| Back Purfling/Strip | Style 35 |
| Back Inlay Material | Multi-Stripe |
| Heelcap | Antique White with Multi-Stripe |
| Endpiece | Antique White |
| Side Inlay Material | Multi-Stripe |
| Endpiece Inlay | Multi-Stripe |
| Neck Material | Select Hardwood |
| Fingerboard Material | Ebony |
| Finish Neck | Satin |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Neck Color | Dark Mahogany |
| Fingerboard Inlay Style | Style 38 |
| Number of Frets Total | 20 |
| Fingerboard Inlay Material | Mother-of-Pearl |
| Neck Joins Body At | 14th Fret |
| Fingerboard Binding Material | Antique White |
| Side Dots | Black |
| Headstock Shape | Solid with Square Taper |
| Tuning Machines | Chrome Enclosed Gear |
| Headplate Material | East Indian Rosewood |
| Knob | Large |
| Headplate Logo Style | Script Old Style Overlay |
| Nut Material | Bone |
| Finish | Natural |
| Year | 2018 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Auditorium |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Sides Material | Rosewood |
| Wood Top Style | Plain |
Reviews:
I really love this guitar! I purchased in a sunburst finish. There's nothing to dislike. Martin's come with the action a little high, this is to be expected. I took it to a tech to have the action lowered to my taste. Because it's plek'd from the factory, you can really get the action quite low. It's is now the best of my guitars. The sound is so balanced, it's beautiful to behold and to play. I never want to put it down. I've waited a bunch of years to commit…it is everything I wanted and imagined it could be. Martin standard series are all amazing. They Are the Martin sound defined, the reference point. They are not a cheap investment, but they are worth it. Whether you like a short scale hog (000-18), or a long scale Rosewood dread (D-28), you will not be disappointed. I love the long scale OM with rosewood. I wanted a sunburst with understated dark bindings to blend with the sunburst. This is my guitar…it is stellar in every respect. If you can acquire any model of the standard series of martins, you will be blessed with tone and beauty. It will be a lifetime guitar.GGC
I don’t like buying mid to high end guitars in the blind. Even if it’s a Martin, Collings, Taylor etc… but I was able to play 3 M36’s at a store in Nashville and they all sounded the same. I had to think about it because I have a Martin HD28 and it was very close. The thing about the M36 is that it having a OOOO (Jumbo) size body, I got bolder low ends. Finger style was easy and picking was bright and articulate. Problem solved not needing to bring more then one guitar to the recording studio and didn’t have to worry about gigging with it because of the affordability. American Musical Supply always makes it easy with the nice selection and 12 months interest free to get one. I installed (myself) a K&K pure mini pickup and this guitar sings. Thank AMS!T Galloway
17. Martin Lx1e Little Martin Acoustic Electric Guitar
Product Details:
Handmade with heavy-duty materials, time-tested styles, and innovative designs, the little martin series delivers classic acoustic guitars that any musician will love to play. these models are made from sustainable wood certified parts and are available in a variety of different wood types, so you can find the solid wood guitar that works best for your playing style and music type—rock, country, folk, bluegrass, jazz, pop, and much more. our little martin series guitars are ideal for beginners and a terrific student model for all ages and ability levels. the smaller acoustic guitar body makes it an ideal travel guitar. take it along to a fireside jam by the lake, or practice just about anywhere. each model delivers distinct features that add personality, performance, and playability to your instrument collection. it is an ideal starter guitar for kids, teens, or adults who want a solid acoustic guitar they can treasure for years to come. for nearly two centuries, martin has been producing premium gear for musical artists across the globe. martins superior guitar and string products remain the choice for musicians around the world for their unrivaled quality, craftsmanship, and tone. still handmade. still the standard. martin guitars are the real deal—not an imitation.
Specifications:
| Finish | Natural |
| Year | 2003 – 2022 |
| Made In | Mexico |
| Back Material | High Pressure Laminate |
| Body Shape | Travel |
| Finish Style | Satin |
| Fretboard Material | Composite |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Sides Material | High Pressure Laminate |
| Top Material | Spruce |
| Body type | Modified O-14 Fret |
| Cutaway | Non-cutaway |
| Top wood | Sitka Spruce |
| Bracing pattern | Non scalloped X-type |
| Body finish | Hand-rubbed |
| Orientation | Right handed Neck |
| Neck shape | Modern low oval/PA taper |
| Nut width | 1.69" (43 mm) |
| Fingerboard | FSC Certified Richlite |
| Neck wood | Rust Birch Laminate |
| Scale length | 23" |
| Number of frets | 20 |
| Neck finish | Hand-rubbed |
| Pickup/preamp | Yes |
| Configuration | Soundhole mounted preamp |
| Headstock overlay | High pressure laminate rosewood pattern |
| Tuning machines | Chrome Enclosed Gear |
| Bridge | FSC Certified Richlite |
| Number of strings | 6 |
Reviews:
I really liked this little guitar, BUT…I read the reviews and decided to buy in-store so I could play the guitar before buying, and I'm SO glad I did. I went into my local Guitar Center and played THREE of these Martin LX1E guitars, including one that had been specially unboxed so I could try it after two others failed my examination. All three guitars had a very pronounced buzz in the frets. It was not that noticeable when I played them acoustically, but the buzz was very noticeable when I plugged them in to an amp. I even tested the amp with other guitars, to make sure it wasn't the amp. It wasn't. Its a great little guitar, great tone and very playable, BUT my advice would be not to buy this one on-line. Play it first. Play up and down the whole fretboard, and plug it into an amplifier and play again. I have been playing for more than fifty years and have never experienced playing three brand new Martins that were simply not up to snuff. Weird!Tele Playr
The guitar itself can have five stars. Nothing wrong with it. The problem I have is that it is not the old LX1E lefty that Martin used to make and I used to own. It is advertised incorrectly here as containing the Fishman I-sys electronics that contained a volume, base/treble controls and a phasing button for feedback. It also no longer contains the tuner. This is basically the LX1 Little Martin with a Sonitone pickup under the bridge and tone/volume control in the sound hole, which I despise. I prefer the old version where the tuner and controls were on top side (as shown in the picture variety). This needs to be updated!!! I now have no tuner on this guitar when I fully expected one. I would recommend the Little Martin guitar but it needs to be advertised correctly.Jules
I bought this guitar for my son so he can have a smaller guitar to lug around in school. We were surprised when we received the product that the pickup that was installed is a Sonitone pickup instead of what's advertised – an Isys T preamp. The Isys preamp has a tuner, phase and tone control whereas the Sonitone is built into the sound hole and only has the volume and tone control. I brought this up with customer support saying I only wanted the product that I thought we were buying. I received excuses and a repeated offer to return the guitar. We chose to keep it because we need it and like the Martin sound. However MF does not stand up to what they advertise and could not provide a reasonable explanation why the product was switched. Even as I write this review, the description still says it has the Isys pickup. Good luck to future buyers and know that you are buying a different product.Pasigenyo
18. Martin Lx1re Little Martin Acoustic Electric Guitar
Product Details:
The little martin is big on tone, quality, and versatility and includes sustainable wood parts. the lx1re features a solid sitka spruce top, for warmth and projection, paired with stylish rosewood pattern hpl. as the first model in its series with a pickguard, it includes a laser-etched herringbone rosette and comes with a soft gig bag for easy transport so you can take your music anywhere. the little martin is ideal for travel but also makes a great student guitar. the lx1re comes equipped with fishman sonitone electronics.
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | Modified 0-14 Fret |
| Top Material | Sitka Spruce |
| Rosette Laser | Etched Herringbone |
| Bracing Pattern | X Brace |
| Brace Shape | Non-Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back Material | HPL |
| Back Detail | Rosewood Pattern |
| Side Material | HPL |
| Side Detail | Rosewood Pattern |
| Neck Material | Rust Birch Laminate |
| Neck Shape | Modified Low Oval |
| Neck Taper | Standard Taper |
| Nut Material | White Corian |
| Headstock Shape | Solid with LX Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Fingerboard Material | FSC Certified Richlite |
| Scale Length | 23'' |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 11/16'' |
| Fingerboard Width at 12th Fret | 2 1/16'' |
| Fingerboard Inlay Material | White Plastic |
| Fingerboard Inlay Style | Diamonds and Squares Long Pattern |
| Side Dots | White |
| Finish Top | Hand Rubbed |
| Top Color | Clear |
| Finish Neck | Hand Rubbed |
| Bridge Material | FSC Certified Richlite |
| Bridge Style | Junior Style Belly |
| Bridge String Spacing | 2 1/8'' |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | Authentic Acoustic Medium (MA550T) |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Faux Tortoise |
| Electronics | Fishman Sonitone |
Reviews:
Needed a compact guitar with full sound (sailboat dinner cruises – tight space). Plugged in through the board with a chorus pedal sounds as good or better than the full sized guitar I had been using with a lot less passenger head bumping. Easy to play. Quick change battery compartment.Nick
I purchased this guitar to get back into playing during COVID, after selling off my HD-35 and an older LX1 many years ago for personal reasons. Even back then, the LX1 which is nearly the same as this one besides this one handing electronics and a rosewood “paint” job, I often would defer to my LX1 over my HD-35. Part of the reason is the ease of use while still offering a distinct Martin sound, and the design instills confidence that I won’t lose sleep if I ding it or I let a drunk friend play a few tunes. I had that original for many years, and have had this version for about a month. The guitar itself has a surprising amount of heft, and I think many will be surprised by its projection. The solid Sitka spruce top is the mvp here, and should be a must unless you’re concerned about humidity and/or purchasing this style for absolute travel readiness. The solid top will hold up well in changing climates and travel, but the HPL top of the standard LX may be a safer bet if that is a concern. I think most people will benefit from solid top, so that’s my suggestion, plus you get that Martin smell, albeit faintly, with the solid top. Playability-wise, the guitar is clear and punchy while playing fingerstyle or doing solo runs, and strumming offers a surprising amount of boom and clarity. The only caveat is the transition or light strumming to full strumming, as it seems the guitar needs to rev up a bit to get into its full potential. However that could be some of my cobwebs I’m still throwing off. I’ve only used the onboard electronics is few times and they are about what you’d expect from a guitar in this price range. The plugin is on the lower bout near where the guitar sits on your right leg, and is powered by a 9v. Two control dials are available through the sound hole, and overall reproduce the guitar well enough, but a secondary EQ will most likely be required for serious production/recording… works great for just throwing down a songwriting session though! To round it off, the guitar comes with an included soft gig bag, which can be worn as a backpack or hand carried. Which is something I love, it also has a large pocket for whatever small items you may need. And the guitar comes with a 1 year Martin warranty, which should be enough to weed out any manufacturing defects. Overall, I am proud to have this guitar back in my hands, and love the durability, ease of use, value, and most surprisingly the sound of this guitar. This is truly a great guitar and is a lot of fun to bring everywhere!Dan K
I bought this guitar on musicstore from France. First, it price was the lowest I found on the internet, and even if it was shipped from Germany, it was delivered to me very fast (2-3 days). The packaging was clean. I got a gig bag as expected, and I was surprised they gave me a Martin&Co strap ! This guitar is all I expected from it. I had already tried a LXK2 and I heard it had the same sound LX1 (same materials). When its plugged on a power amplifier, it makes it even better ! I bought it because Ed Sheeran had it, and I knew it was a good one, now I can make cover of him, and it sounds beautiful ! I recommend this guitar and this website ! Ps : Im not a professional.
19. Martin Djr-10e Sitka Dreadnought Junior Acoustic-Electric Guitar
Product Details:
The martin d jr-10 acoustic-electric dreadnought junior series is designed for players looking for big dreadnought sound in a slightly smaller body. the newly updated junior is available with a sapele or sitka spruce top, sapele back and sides in a rich cherry hue, and a hand-rubbed neck. the updated junior models sport a thinner, 000 body depth with softer back edges to provide maximum comfort while playing. every junior model is available with or without fishman sonitone electronics, and all include a form-fitted nylon gig bag for easy transport.
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | D Junior-14 Fret (000 Depth) |
| Top Material | Sitka Spruce |
| Rosette | MOP Pattern with Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 1/4 inch |
| Back Material | Sapele |
| Side Material | Sapele |
| Binding | Black |
| Top Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Dreadnought Junior |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | White Corian |
| Headstock Shape | Solid with Dreadnought Junior Taper |
| Headplate Material | Rosewood HPL |
| Headplate Logo Style | Script Ink |
| Fingerboard Material | FSCA Certified Richlite |
| Scale Length | 24 inches |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4 inches |
| Fingerboard Width at 12th Fret | 2 1/8 inches |
| Fingerboard Inlay Material | MOP Pattern |
| Fingerboard Inlay Style | MOP Pattern Dots- 28 Style Pattern |
| Side Dots | White |
| Back and Side Finish | Satin |
| Back and Sides Color | Cherry |
| Finish Top | Satin |
| Top Color | Clear |
| Finish Neck | Hand Rubbed |
| Bridge Material | FSCA Certified Richlite |
| Bridge Style | Junior Style Belly |
| Bridge String Spacing | 2 5/32 inches |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16 inches |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | RETRO LIGHT (MM12) |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Faux Tortoise |
| Electronics | Fishman Sonitone |
Reviews:
I am a singer, songwriter, church musician, and quartet member. I have been playing and singing for over 60 years. own more than a few guitars. Most are Martins. I was looking for a smaller, lighter, easy to transport acoustic to use in my street ministry. This one caught my attention and since it was a Martin, I expected it to be a quality instrument. I am not disappointed. I've owned several Mexican made Martins over the last few years finding most to be well made, quality instruments. I have to say that this is probably the best one so far. Fit and finish is comparable to the lower priced US made models. That is to say, very good. Sound and playability is very good. The strings on this instrument are well matched for a balanced sound from bass to treble. The bass is not quite as deep and booming as a full sized dreadnought but still strong. Highs are crisp and clear. Scale is a little shorter than a full sized guitar but due to the 1.75" nut width, it doesn't feel cramped. It chords well up and down the neck and intonation is near perfect. Great for finger picking, too. The action could be a little bit lower for me but plays great right out of the box. I am very happy with this instrument and would definitely recommend it to anyone looking for a slightly smaller body size in an affordable Quality guitar. And it is a Martin 😊Thomas
I was looking for a beginner guitar for my grown but petite daughter that would fit her as well as give her a great start. I let her try several and she liked the feel and the looks of the Martin DJR-10E in Sapele the best. I liked the sound and the fact that I could depend on Martin Quality. It's been about a month now and neither of us has been disappointed. It's an easy to play and great sounding guitar, which makes her want to pick it up and play. We're both very well pleased with it.JIM
Took a GS Mini back and traded it for this. Much prefer this in almost every way (except for the gig bag… Taylor does a better job there). The reviewer who said this guitar doesn't have a truss rod is misinformed. This guitar has a biflex truss rod. I love the neck! At 1 3/4 inches, there's more room for fingerpicking, and this thing sounds great for strumming as well. Very balanced with nice lows for the size. To me this sounds better than anything in the price range, regardless of size.
20. Martin 00-18 – Natural
Product Details:
A welcome addition to the standard series, the new 0-18 has a scallop-braced sitka spruce top with mahogany back and sides that serve as the foundation for this concert sized model. the combination of a short expressive 24.9” scale with a modified low oval neck shape and the high performance parallel taper allows for easy action and fast playability. open geared nickel tuners with phosphor bronze strings and an ebony fingerboard and bridge complete the look of this classic parlor guitar.
Specifications:
| Finish | Natural |
| Year | 2016 – 2022 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Concert |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Neck Material | Mahogany |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Sides Material | Mahogany |
| Top Material | Spruce |
| Wood Top Style | Plain |
Reviews:
The smallest acoustic I've ever owned, but a seriously big sound, especially when played fingerstyle! I've only had it a short time, but it's definitely a lifer as I've never played a guitar as responsive. It's definitely not one to get if you're focusing on strumming out big chords, but as an intimate little solo performing or recording guitar it can't be beat. It also has an amazing projection which allows it to cut through some bigger instruments in a way that a dreadnought simply can't which makes it a really great guitar to play lead lines on. It's for sure my favorite martin, and I've owned almost all of their standard series models!Desmond
Purchased a little over 2 months ago with no regrets. I have several acoustic and electrics to my name, but this D-18 just makes me want to play and play. I can't explain it. Couldn't be more thrilled with the appearance, workmanship, but most importantly the tonal quality this D-18 has. It has punch, bark and a sweet finger style as well. Martin did an exceptional job on this one. It is exactly what I was looking for in playability and performance. Already had a boutique D-28 style rosewood back and sides, but the difference in the tone of Mahogany is stark. It's a huge investment, but I have no regrets except I didn't do it sooner. Can't put it down and totally reinvigorated with acoustic playing. Shout out to Steven Segal who helped me finalize this purchase and went the extra mile to make my experience good.Joe
Having waited over 5months since placing the order and without any updates from Music Store, the guitar finally arrived. Lovely guitar with a great sound but unfortunately it was not the exact guitar that I ordered and paid for. Since the differences were cosmetic but significant to me and I did not wish for further delays or hassle I decided to keep the guitar. Music Store you need to get your act together and supply the goods your customers order. Very disappointed, not what I was expecting.
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