Are you looking for the Martin Guitar Left Handed? If so, you’ve come to the right place.
Choosing the Martin Guitar Left Handed can be difficult as there are so many considerations, such as Fender, Gibson, Ibanez, Martin, Taylor, Dean, Yamaha, Takamine. We have done a lot of research to find the top 20 Martin Guitar Left Handed available.
The average cost is $1293.50. Sold comparable range in price from a low of $169.00 to a high of $3599.00.
Based on the research we did, we think Martin LX1RE Little Martin Acoustic-Electric Guitar, Left-Handed is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Martin Guitar Left Handed (20 Sellers)
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$499.00
4.8
Reviewers Noted:
Well made . Good sound quality . Attractive
Features:
- Little size, big sound
- Sustainable building materials
- Onboard fishman electronics
Reviewers Noted:
Good sound quality . Well made . Weight . Durable . Attractive
Features:
- Mahogany pattern hpl (high pressure laminate) textured finish, solid sitka spruce top.
- Rust stratabond neck, shortened 3/4 scale.
- Solid morado or east indian rosewood fingerboard.
$649.00
4.8
Reviewers Noted:
Sound quality . Durability . Visual appeal
Features:
- Solid sitka spruce top
- Includes gigbag
$3399.00
5.0
Features:
- Antique white binding
- Herringbone top inlay
- Aging toner
$1599.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durable
Features:
- All-mahogany body, neck and headplate
- Special worn satin lacquer finish
- Modern belly drop-in saddle
$899.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- Value-packed martin dreadnought with a solid sitka top
- Quality tonewoods deliver timeless tone
$649.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- Fishman mx electronics – jett black
- Black birch laminate neck
- Hpl back sides
Reviewers Noted:
Sound quality . Weight . Well made . Durability . Attractive
Features:
- Mahogany neck, back and sides
- Enclosed chrome tuners
- Lightweight, small size
Reviewers Noted:
Sound quality . Durability . Visual appeal
Features:
- Specifications – overview.
- Body size: 000-14 fret.
- Finish top: hand-rubbed.
$3599.00
5.0
Reviewers Noted:
Sound quality
Features:
- Martin hd-35 left-handed *plek'd & set up* acoustic guitar
- Get plek'd!
- The guitar that is listed in the photos is the actual guitar! this serial is #2409883.
$899.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight
Features:
- 80/20 bronze ma140ttop- top color: cherry- bridge style: modern belly.
- Drop in saddle- binding: n/a- bridge string spacing: 2 5/32"- top inlay material: n/a- bridge material: fsc certified richlite.
- Top detail: n/a- bridge pin material:.
$1799.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Lightweight
Features:
- Martin dss-17 left-handed acoustic guitar
- Whiskey sunset
$2069.00
5.0
Reviewers Noted:
Visual appeal
Features:
- Left-handed6-string acoustic guitar with spruce top, sapele back and sides, mahogany neck, and ebony fingerboard.
- Usa only*soft case includedthe instrument in the pictures is the one you will receive.
$399.00
4.8
Reviewers Noted:
Good sound quality . Well made . Weight . Durable . Attractive
Features:
- Ray mullin music.
- Like us on facebookfollow us on [email protected] open, inspect, and test all guitars, effects, amplifiers, etc.
- Our instruments are tuned, cleaned, and cared for daily.
$2799.00
4.8
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Orientation: left handed.
- Body size: d-14 fret.
- Finish top: gloss.
$749.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Body size: grand performance 14 fret cutaway.
- Finish top: hand-rubbed.
- Construction: mortise & tenon ne…
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- D-14 fret top wood.
- Solid sitka spruce back & sides wood figured mahogany hpl (high pressure laminate) pickguard.
- Faux tortoise binding n/a bracing.
Reviewers Noted:
Visual appeal . Craftsmanship
Features:
- Select spruce top
- Mahogany back, sides, and neck
- 20 medium jumbo frets
Reviewers Noted:
Attractive . Sound quality . Weight . Durability . Craftsmanship
Features:
- Body color: streetmaster
- Body style: 000
- Body type: acoustic
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Durability . Craftsmanship
Features:
- Cosmetic condition: superb condition – very clean & still like new!
- Electronics: fishman matrix vt enhance in perfect working condition.
- Case: original hardshell case…
1. Martin Lx1re Little Martin Acoustic-Electric Guitar, Left-Handed
Product Details:
The martin little martin is big on tone, quality, and versatility and includes sustainable wood parts. the lx1re features a solid sitka spruce top, for warmth and projection, paired with stylish rosewood pattern hpl. as the first model in its series with a pickguard, it includes a laser-etched herringbone rosette and comes with a soft gig bag for easy transport so you can take your music anywhere. the little martin is ideal for travel but also makes a great student guitar. the lx1re comes equipped with fishman sonitone electronics.
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | Modified 0-14 Fret |
| Top Material | Sitka Spruce |
| Rosette Laser | Etched Herringbone |
| Bracing Pattern | X Brace |
| Brace Shape | Non-Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back Material | HPL |
| Back Detail | Rosewood Pattern |
| Side Material | HPL |
| Side Detail | Rosewood Pattern |
| Neck Material | Rust Birch Laminate |
| Neck Shape | Modified Low Oval |
| Neck Taper | Standard Taper |
| Nut Material | White Corian |
| Headstock Shape | Solid with LX Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Fingerboard Material | FSC Certified Richlite |
| Scale Length | 23" |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 11/16" |
| Fingerboard Width at 12th Fret | 2 1/16" |
| Fingerboard Inlay Material | White Plastic |
| Fingerboard Inlay Style | Diamonds and Squares Long Pattern |
| Side Dots | White |
| Finish Top | Hand Rubbed |
| Top Color | Clear |
| Finish Neck | Hand Rubbed |
| Bridge Material | FSC Certified Richlite |
| Bridge Style | Junior Style Belly |
| Bridge String Spacing | 2 1/8" |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | Authentic Acoustic Medium (MA550T) |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Faux Tortoise |
| Electronics | Fishman Sonitone |
| Manufacturer Part Number (MPN) | MAT LX1RELH |
Reviews:
Needed a compact guitar with full sound (sailboat dinner cruises – tight space). Plugged in through the board with a chorus pedal sounds as good or better than the full sized guitar I had been using with a lot less passenger head bumping. Easy to play. Quick change battery compartment.Nick
I purchased this guitar to get back into playing during COVID, after selling off my HD-35 and an older LX1 many years ago for personal reasons. Even back then, the LX1 which is nearly the same as this one besides this one handing electronics and a rosewood “paint” job, I often would defer to my LX1 over my HD-35. Part of the reason is the ease of use while still offering a distinct Martin sound, and the design instills confidence that I won’t lose sleep if I ding it or I let a drunk friend play a few tunes. I had that original for many years, and have had this version for about a month. The guitar itself has a surprising amount of heft, and I think many will be surprised by its projection. The solid Sitka spruce top is the mvp here, and should be a must unless you’re concerned about humidity and/or purchasing this style for absolute travel readiness. The solid top will hold up well in changing climates and travel, but the HPL top of the standard LX may be a safer bet if that is a concern. I think most people will benefit from solid top, so that’s my suggestion, plus you get that Martin smell, albeit faintly, with the solid top. Playability-wise, the guitar is clear and punchy while playing fingerstyle or doing solo runs, and strumming offers a surprising amount of boom and clarity. The only caveat is the transition or light strumming to full strumming, as it seems the guitar needs to rev up a bit to get into its full potential. However that could be some of my cobwebs I’m still throwing off. I’ve only used the onboard electronics is few times and they are about what you’d expect from a guitar in this price range. The plugin is on the lower bout near where the guitar sits on your right leg, and is powered by a 9v. Two control dials are available through the sound hole, and overall reproduce the guitar well enough, but a secondary EQ will most likely be required for serious production/recording… works great for just throwing down a songwriting session though! To round it off, the guitar comes with an included soft gig bag, which can be worn as a backpack or hand carried. Which is something I love, it also has a large pocket for whatever small items you may need. And the guitar comes with a 1 year Martin warranty, which should be enough to weed out any manufacturing defects. Overall, I am proud to have this guitar back in my hands, and love the durability, ease of use, value, and most surprisingly the sound of this guitar. This is truly a great guitar and is a lot of fun to bring everywhere!Dan K
I bought this guitar on musicstore from France. First, it price was the lowest I found on the internet, and even if it was shipped from Germany, it was delivered to me very fast (2-3 days). The packaging was clean. I got a gig bag as expected, and I was surprised they gave me a Martin&Co strap ! This guitar is all I expected from it. I had already tried a LXK2 and I heard it had the same sound LX1 (same materials). When its plugged on a power amplifier, it makes it even better ! I bought it because Ed Sheeran had it, and I knew it was a good one, now I can make cover of him, and it sounds beautiful ! I recommend this guitar and this website ! Ps : Im not a professional.
2. Martin Lx1 Little Martin Left Handed Acoustic Guitar
Product Details:
Martin little martin series travel-size left handed acoustic guitar w/bag (lx1l) while the little martin is the smallest guitar, it is very big on tone, quality and versatility. the lx1 model features a solid sitka spruce top and mahogany high-pressure laminate hpl back, sides and top. it’s ideal for travel, student practice or for just playing around the house or campfire. the martin lx1 little martin acoustic guitar is perfect for beginners or an ideal travel-size guitar. with a solid sitka spruce top and modified 0-14 body, the lx1 doesn’t compromise its tight, rich tone despite its smaller size. also featured are solid east indian rosewood fretboard and bridge, 23 inch scale, stratabond modified low-oval neck, and martin's patented mortise/tenon neck joint. padded gig bag included. martin lx1 little martin acoustic guitar perfect for beginners or ideal travel-size guitar solid sitka spruce top tight, rich tone solid east indian rosewood fretboard and bridge martin’s patented nortise/tenon neck joint gig bag included model: lx1 little martin construction: mortise/tenon neck joint body size: modified 0-14 fret top: solid sitka spruce rosette: multiple black/white boltaron with red fiber top bracing pattern: modified x series ''x'' top braces: crowned cross brace back material: mahogany pattern hpl textured finish back purfling: none side material: mahogany pattern hpl textured finish endpiece: none binding: none top inlay style: none side inlay: none back inlay: none neck material: rust stratabond neck shape: modified low oval nut material: white corian headstock: solid/lx taper headplate: mahogany pattern hpl heelcap: none fingerboard material: richlite scale length: 23'' number of frets clear: 14 number of frets total: 20 fingerboard width at nut: 1-11/16'' fingerboard width at 12th fret: 2-1/16'' fingerboard position inlays: none fingerboard binding: none finish back & sides: none finish top: hand rubbed finish finish neck: none bridge material: richlite bridge style: belly bridge string spacing: 2-1/8'' saddle: 16'' radius/compensated/white tusq tuning machines: chrome w/ small buttons recommended strings: martin sp lifespan phosphor bronze medium gauge (msp7200) bridge & end pins: white w/ black dots pickguard: none case: padded gig bag interior label: black foil label
Specifications:
| CONSTRUCTION | Mortise/Tenon Neck Joint |
| BODY SIZE | Modified O – 14 Fret |
| ROSETTE | Inlaid Boltaron w/ Red Fiber |
| TOP BRACING PATTERN | Modified X Series "X" |
| TOP BRACES | Crowned Cross Brace & Graphite Bowtie Plate |
| BACK MATERIAL | Mahogany Pattern HPL Textured Finish |
| SIDE MATERIAL | Mahogany Pattern HPL Textured Finish |
| NECK MATERIAL | Rust Stratabond |
| NECK SHAPE | Modified Low Oval |
| NUT MATERIAL | White Corian |
| HEADSTOCK | Solid/Square Taper |
| HEADPLATE | Mahogany Pattern HPL w/ Printed Logo |
| FINGERBOARD MATERIAL | Solid Morado |
| SCALE LENGTH | 23'' |
| FINGERBOARD WIDTH AT NUT | 1-11/16'' |
| FINGERBOARD WIDTH AT 12TH FRET | 2-1/16'' |
| FINISH TOP | Hand Rubbed Finish |
| BRIDGE MATERIAL | Morado |
| BRIDGE STYLE | Belly |
| BRIDGE STRING SPACING | 2-1/8'' |
| SADDLE | 16'' Radius/Compensated/White Tusq |
| TUNING MACHINES | Chrome w/ Small Knobs |
| RECOMMENDED STRINGS | Martin M550 Phosphor Bronze |
Reviews:
I haven't played in a few years but the pandemic had me searching for something to get my mind off working crazy hours. There would be few guitars I'd buy sight unseen but I rolled the dice because I'd played Martin's first backpacking incarnation and was familiar with their quality. This little guitar wouldn't disappoint! It is a smaller scale but my fingers fit on the fret board and it's easy to just leave out and pick up when you need it. The sound is really good for the size and it's easy to strum or pick. It was exactly what I was looking for but a little more. I honestly didn't expect to be this happy with how much guitar I got for the price. If you need something to stick by the desk or play by the fire, this is a good optionBob
it arrived yesterday to romania, from music store germany (thanks for handling it with so much care!) and i laid my hands for the first time on this loveable tiny beauty. it looks amazing and feels amazing, in every aspect. excellent playability all thourghout the neck, right out of the box… i wanted a travel buddy — small, sturdy, light and playable… and here she is. there are a lot reviews on the net, i will let here my own subjective opinion, after one day of having it (shipped from music store, germany). – i'm a tall guy (6 feet 3 / 190 cm), but the smallness of martin lx1 is not a hindrance in playing. my wife is a mongolian petite, so perhaps I'm used with handling small beauties 🙂 – i have big hands, but not thick fingers. if i stretch my fingers i can cover this guitar's neck from the net to the 10th fret (from pinky to thumb stretched out) — so you can have a clue; however, i feel comfortable playing all over the neck, even past the 14th fret. so no problem with that… and the transition back and forth to my normal-sized acoustic fender pm1 or to my electric squier affinity tele feels smooth, adjusting in no time. – the guitar is neck heavy, but it doesn't bother me at all; you see, it sits comfortably in my lap. – well, of course, the sound is not of a normal-sized guitar — one has to live with that. it is somehow a boxy sound, but martin has a lot of character, so i'm quite pleased with the sound. the guitar seems to suit better for fingerpicking or strumming with bare fingers; when i use my pick it's too noisy, especially the d string is sooo loud, taking over the other strings. in know, it's a new guitar, freshly out of its box, so perhaps it needs time to shape its sound. if this will not happen (due to hpl back and sides) i will still be pleased, the sound is good enough and i can work my way around. – the machine heads are of excellent quality (like every aspect of this guitar, actually): i tuned the guitar yesterday, after taking it out of the box, then forgot about it… summing up: craftmanship — state of the art sound — boxy, you may like it or not (martin has character, a distinct voice, above all) optic — beautiful as it gets, simply perfect price/performance — well, i would have loved to pay less… in the states, it was 399 USD until recently, now it's more expensive and perhaps the price will rise as well in the current covid situation; so buy know, don't postpone if you consider having one.
I played a friend's dreadnaught sized Martin and fell in love. I already owned two other guitars at the time (Samick and a Fender Redondo Player acoustic) and I didn't want to spend the money in a Martin at this time. This happened to pop up as a stupid deal of the day and so I bought. I wasn't sure about the laminate at first, but it feels and plays like a well made guitar. It sounds bright and it is a tone I enjoy hearing. If someone had given me advice as a new player I would have wished they told me about this guitar. It is concert size so it is a little smaller than a dreadnaught. It is easier for me to practice barring chords and doesn't feel as awkward on my body as my dreadnaught. I love both guitars, but I definitely still use this one as I advance as a player. I noodle on it when I am watching tv, take it when I go way for the weekend, and bring it to play for my friends. This is a fantastic guitar and I can proudly say I own a Martin :).RockstarAsh
3. Martin 00-X2e Left-Handed Acoustic-Electric Guitar
Product Details:
The result is the 00-x2e. this grand concert sized model has a sitka spruce top and figured mahogany pattern high-pressure laminate (hpl) back and sides. new mother-of-pearl pattern inlay on the rosette and fingerboard lend a richness to the 00-x2e, making it as impressive to look at as it is to play. with a performing artist neck, fingerboard, and bridge of select hardwood, the sound transfer of this model has been greatly improved. it is equipped with fishman mx electronics and strung with martin s authentic acoustic lifespan 2.0 strings. with a new, soft gig bag featuring headstock, bridge, and endpin protectors, a durable water-repellent exterior, and foam padding, this model is ready to go anywhere. questions?
Specifications:
| BODY SIZE | 00-14 Fret |
| FINISH TOP | Hand-Rubbed |
| CONSTRUCTION | Mortise & Tenon Neck Joint |
| BRACING PATTERN | X-Brace |
| SCALE LENGTH | 24.9" |
| BRACE SHAPE | Scalloped |
| FINGERBOARD WIDTH AT NUT | 1 3/4'' |
| TOP MATERIAL | Sitka Spruce |
| NECK SHAPE | Performing Artist |
| BACK MATERIAL | HPL |
| NECK TAPER | High-Performance Taper |
| SIDE MATERIAL | HPL |
| ELECTRONICS | Optional |
| ELECTRONICS OPTIONS | Fishman MX |
| TOP COLOR | Clear |
| BRIDGE STYLE | Modern Belly – Drop in Saddle |
| BRIDGE STRING SPACING | 2 5/32" |
| BRIDGE MATERIAL | Select Hardwood |
| BRIDGE PIN MATERIAL | White Plastic |
| PICKGUARD | Brown Tortoise Pattern |
| BRIDGE PIN DOTS | Black Plastic |
| SADDLE | Compensated White Tusq |
| ROSETTE | Mother-of-Pearl Pattern with Multi-Stripe |
| SADDLE RADIUS | 16" |
| BRACE MATERIAL | Sitka Spruce |
| BRACE SIZE | 5/16" with 1/4" Tone Bars |
| BACK DETAIL | Figured Mahogany Pattern |
| HEELCAP | Black |
| SIDE DETAIL | Figured Mahogany Pattern |
| NECK MATERIAL | Select Hardwood |
| FINGERBOARD MATERIAL | Select Hardwood |
| FINISH NECK | Hand-Rubbed |
| FINGERBOARD WIDTH AT 12TH FRET | 2 1/8'' |
| FINGERBOARD INLAY STYLE | Style 28 |
| NUMBER OF FRETS TOTAL | 20 |
| FINGERBOARD INLAY MATERIAL | Mother-of-Pearl Pattern |
| NECK JOINS BODY AT | 14th Fret |
| SIDE DOTS | White |
| HEADSTOCK SHAPE | Solid with Standard Taper |
| TUNING MACHINES | Chrome Enclosed Gear |
| HEADPLATE MATERIAL | HPL |
| HEADPLATE LOGO STYLE | Script Ink |
| NUT MATERIAL | White Corian |
| HEADPLATE DETAIL | Rosewood Pattern |
| PLEKED | true |
Reviews:
This was an "upgrade" from a slightly more expensive Yamaha concert body guitar, which was totally fine, but I feel like I just went from playing with a casual acquaintance to falling madly in love. There really is something about the Martin sound – crisp, clear, resonant, responsive, with an absolutely gorgeous sparkle in every note. It responds with subtlety and nuance to fingerpicking, and also sounds great with a pick, with slight differences in attack and tone from thicker to thinner and different pick materials. The 24.9 scale and slightly smaller body size is super comfortable and easy to play, and the acoustic output is perfect for singer/songwriter accompaniment. I haven't plugged it in yet, but I'm sure it'll play nicely with amplification when needed. Big thanks to Dana at the NYC store for hooking me up with this beauty!Mark
I had my guitar stolen last summer and I got this for a gift from my brother. I was super excited. It is the perfect size, plays really well and I'm loving brushing up on my skills. I would highly recommend this guitar. Sam Ash provided excellent service and deliver arrangement. I would strongly recommend it!Rachel
4. Martin 000-28 Left-Handed Acoustic Guitar – Natural
Product Details:
The 000-28 standard auditorium left-handed acoustic guitar is a great example of the quality craftmanship that martin is famous for creating over their 185-year history. prized for its combination of the finest tonewoods and construction techniques, the 000-28 standard has all the tone and sustain that you have come to expect from a martin guitar. the smaller auditorium body is well-balanced, while being versatile enough to cover just about any musical style. the hand-fit dovetail neck joint delivers a resonant tone with lots of sustain. a sitka spruce top, with scalloped x-bracing, tunes the sound of the guitar to have just the right amount of bass, mids and treble. this is an instrument that you’ll want to play for hours.the 000-28 standard auditorium has been upgraded to include a sitka spruce top, aging toner, herringbone inlay, antique white binding, 5/16” scalloped x-bracing, diamonds and square fingerboard inlays, bone nut and saddle, modified low-oval neck with performing artist neck taper and 1-3/4" nut. in final assembly, the instrument receives a computerized plek setup to dial-in the action for the best possible string performance for each instrument. the result is an instrument with the optimal sound and feel. you won’t want to put this one down.includes a hardshell case.
Specifications:
| Construction | Dovetail Neck Joint |
| Body Size | 000-14 Fret |
| Top Material | Sitka Spruce |
| Rosette | Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back Material | East Indian Rosewood |
| Back Purfling/Strip | Style 28 |
| Side Material | East Indian Rosewood |
| Endpiece | Antique White |
| Endpiece Inlay | Multi-Stripe |
| Binding | Antique White |
| Top Inlay Material | Bold Herringbone |
| Back Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Modified Low Oval |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid with Square Taper and Diamond |
| Headplate Material | East Indian Rosewood |
| Headplate Logo Style | Script Old Style Overlay |
| Heelcap | Antique White |
| Fingerboard Material | Ebony |
| Scale Length | 24.9" |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | Abalone |
| Fingerboard Inlay Style | Diamonds and Squares Long Pattern |
| Side Dots | White |
| Back and Side Finish | Gloss |
| Finish Top | Gloss |
| Top Color | Aging Toner |
| Finish Neck | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | Ebony |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated Bone |
| Saddle Radius | 16" |
| Tuning Machines | Nickel Open Gear |
| Knob | Butterbean |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Faux Tortoise |
| Pickguard | Faux Tortoise |
Reviews:
Wonderful! I am just now starting to get used to it. I’ve only had it a couple weeks. I had a mid level Taylor and Martin as well as a Martin D-28. My wife said that this is the most beautiful sounding guitar that I’ve ever brought in the home. It seems to fit me ergonomically really well and I just love playing it. And I think I’m going to be able to get better and better in my skill level with it. By the way all of these are left handed that I have purchased.Val B.
5. Martin D-15m Streetmaster Acoustic Guitar, Left Handed, Mahogany Burst
Product Details:
The martin d-15m street master continues the martin legacy of combining traditional and modern techniques to build guitars with the best tone and construction possible. this model features a solid mahogany construction, blended with a katalox fingerboard. the mixture of these woods produce a rich tone with an added bright sparkle. designed with a dreadnought body, this model delivers a bold sound that is perfect for singer/songwriters, as they can push their diaphragm without drowning out their instrument. its well-balanced voicings ensure that the d-15m can handle a wide variety of genres and playing styles. unleash your creativity.
Specifications:
| Construction | Simple Dovetail Neck Joint |
| Body Size | D-14 Fret |
| Top Material | Mahogany |
| Rosette | Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Non-Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back Material | Mahogany |
| Neck Material | Mahogany |
| Neck Shape | Modified Low Oval |
| Neck Taper | Standard Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid with Square Taper |
| Headplate Material | Mahogany |
| Headplate Logo Style | Script Old Style Overlay |
| Fingerboard Material | Katalox |
| Scale Length | 25.4" |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 11/16'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | Abalone |
| Fingerboard Inlay Style | Diamonds and Squares Short Pattern |
| Side Dots | Yellow |
| Back and Side Finish | Satin |
| Back and Sides Color | Dark Mahogany |
| Finish Top | Satin |
| Top Color | Mahogany Burst |
| Finish Neck | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | Katalox |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 1/8'' |
| Saddle | Compensated Bone |
| Saddle Radius | 16" |
| Tuning Machines | Golden Age Relic Nickel |
| Knob | Cream Plastic |
| Bridge Pin Material | Ebony |
| Pickguard | Faux Tortoise |
| Left Handed Availability | Yes |
Reviews:
Overall: My first thoughts when I took that first strum, was “Guy Clark.,” except I think that man made his own guitars. But if I can describe the first sound I heard or who, that’s what it was, Guy Clark designed this one. It is beautiful and played in tune out of the box. Now I’m just more of a collector than a player, but I some ESP’s, a Yamaha, Taylor 710e, Ovation, an Ibanez, and now this magical Martin D-15M StreetMaster Acoustic. Good luck putting it down before your fingers bleed. At this price point and much above this is a splendid guitar. I can’t wait to hear what it sounds like after it has hours and hours of use on it. Buy one they’ll take it back if you don’t like it, but somehow I don’t see you making that choice. If all the other Martins haven’t convinced you, this one will. If your budget isn’t as high, do yourself a favor and keep saving or pay as you go option.Richard
I literally walked around Sam Ash plucking low E strings listening for a deep rich sound. Martin seemed to have more than anyone else. I liked the look of the Mahogany top/back/sides/neck. The ripples of the grain add a beautiful touch to the color of the wood. The tone has totally warmed up more and grown deeper over the 10 or 11 months she's been home with me. I have the MFX740 Bronze Acoustic Guitar Strings (Martin strings, they call them Tommy's Choice) on there and it just gives this rich low rumble on the low E and the D strings that if I have my feet up on my desk I can feel on my desk. The ring out is intense and long on this baby. I have not had anyone pick up my Martin and NOT say how much they love the tone of her. I do love the look of no binding… but, I'm going to have to say I do have some dents on the sides where the bindings would be protecting. That said… I'm not sure I care at the same time I think I care. I think that means I want it to be perfect but I also am okay with her getting age marks just as long as it doesn't do some serious damage. I would buy another. I'd buy it for my Dad. I'd buy it for one of my kids if they'd play. If you pick this guitar up you'll probably end up taking it home. Comes with a beautiful martin case with green insides. Acoustic only, don't forget.BasPilot
I have somewhat passively searched for the holy grail of the acoustic/electric bass guitar for years. Most acoustic bass guitars available are less than $500 and sound horrible. I started researching again and found numerous reviews stating that the Martin is heads and shoulders above the rest. I was still hesitant since I didn't know where I could check one out first. I found one in McKinney, TX. I played it unplugged and plugged. I had found it. Since my local music store had recently become a Martin dealer, I was planning to have them order me one. I knew that Martin had recently discontinued production, but they offered to build one and would take about 3 months. I visited a Sam Ash store in Birmingham and another in the Dallas area. I purchased an $8 item and was mildly annoyed as the guy checking me out was asking for everything with the exception of my passport and birth certificate. Now, I'm glad I cooperated. I receive regular emails from Sam Ash. Late one night, I see that they were offering 48 months with no interest. I thought to myself, I wonder if they have a Martin bass. Low and behold, hallelujah, they had a limited stock and was on sale. Well, I applied for the credit and was approved, however, when I tried to check out, I didn't have my new account number. The next morning, I had an email from them announcing a Paul Ash sale. I called Sam Ash and explained my issue during checkout. I asked if there was an additional discount due the sale. He put me on hold for a while and came back and knocked another $70. Two days later, on a Saturday, Fedex delivered the latest addition to my bass family. Of course I would prefer it to be louder unplugged, but it's fine for sitting around playing. Plugged in, it sounds amazing. Too bad Martin discontinued it. I purchased a Thumby and mounted it on the edge of the sound hole. I love this bass and a big fan of Sam Ash.Jeff
6. Martin D-10e Road Series Left-Handed Acoustic-Electric Guitar
Product Details:
Express yourself. and, do it through your music. the martin d-10e electro acoustic left handed, sapele w/ fishman mx-t combines an all-solid construction with responsive fishman electronics, and superb playability. this is an affordable side to martin's world renowned quality. from tip to toe, the left handed d10-e offers a smooth, high-performance feel with a distinctive, rich sound to match. it was born to be played, and play you will.with an all-solid sapele build, the d-10e produces a well-balanced, defined sound with an earthy warmth, and a beautiful top-end shimmer. slightly brighter than mahogany, but very comparable. it's superbly dynamic too. allowing you to run wild with your musical style, and play whatever you desire. it can handle almost anything. and, equipped with an innovative fishman mx-t you can play live in any setting with a natural, pure, and distinct tone. take your music to the next level with martin.
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | D-14 Fret |
| Top Material | Sapele |
| Rosette | Multi-Stripe |
| Bracing Pattern | X-Brace |
| Brace Shape | Non-Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" with 1/4" Tone Bars |
| Back Material | Sapele |
| Side Material | Sapele |
| Neck Material | Select Hardwood |
| Neck Shape | Performing Artist |
| Neck Taper | High-Performance Taper |
| Plek | Yes |
| Nut Material | White Corian |
| Headstock Shape | Solid with Standard Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Heelcap | Black |
| Fingerboard Material | FSCÂ Certified Richlite |
| Scale Length | 25.4" |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | MOP Pattern |
| Fingerboard Inlay Style | MOP Pattern Dots- 28 Style Pattern |
| Side Dots | White |
| Back and Side Finish | Satin |
| Back and Sides Color | Cherry |
| Finish Top | Satin |
| Top Color | Cherry |
| Finish Neck | Hand-Rubbed |
| Bridge Material | FSCÂ Certified Richlite |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | MA550T |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Faux Tortoise |
| Electronics | Fishman MX-T |
Reviews:
I bought my fiancé and I a new Martin. I got her a Martin Dx2e and I got this one. I received mine first since I ordered from here which was wonderful. I got hers off of reverb because ams didn’t have sunburst which she wanted. I was not picky about color but I went with this one. I was super excited to say the least because this was my first Martin Guitar. I also purchased another guitar last year from Ams and I loved it. I digress and move forward to getting it. So I opened it up and I was super pleased with how perfect it looked. Then I started playing it. It was great until I went to play a D chord or anything that involved the high E string. It is cut way too low on the nut and the slightest pressure makes the string fall off the fret board. I thought maybe it was just me, however my father in law to be, which is a professional had the same issue. Also my fiancé had the same issue. Needless to say, I tried to make it work. I sent Ams an email. No response. I guess I’m stuck with this 1k dollars in a guitar that is going to need to be repaired at a shop when it’s brand new. So overall, if you want to take the risk, go for it. My fiancé got the Dx2e and it’s stellar. I would rather have one like hers than this one tuner or not. Hers sounds much better too. The looks and everything else is fine. Just the bottom string is way way too low.Brittany
Sound: Unplayable, neck is crap Features: Doesn’t matter what you do to adjust the neck , it is crap Ease of Use: I wouldn’t know , this guitar should never have been allowed to be released . The neck is unacceptable Quality: It looks pretty. If I wanted a pretty guitar to never be played then it would be ok . But you can not even play this $900 piece of crap. Extremely frustrating Value: Absolutely no. Buy another brand. Breedlove would be my best choice as I bought one and absolutely loved it out of the box . Best acoustic guitar I ever played Manufacturer Support: I have contacted Martin. No authorized repair shop within 100 miles of me in my state . Martin should be ashamed of this garbage The Wow Factor: Martin name sucked me in . Never ever again if they don’t want to fix this piece of junk Overall: I have been playing and working on my own guitars since 1975 . This is absolutely the worst guitar I’ve ever owned. The neck has an S shape to it . The relief is acceptable up to the 7th fret , after that it rapidly accelerates to an unusable 1/4 inch at the 12th fret . No matter how much you attempt to adjust it, it simply is unplayable. I am ashamed to even take it out of the bag . Martin quality control seriously blew it big time on this guitar. I own dozens of guitars and waited until my retirement to buy that Martin guitar of my dreams. This is a nightmare, not a dream. Stay away from this piece of crap . No matter what adjustment you do to the truss rod , it won’t help. Bass to treble side is extremely different. 1/4 inch on the bass side at the 12th but the treble side is marginally better. However, the S shape of the fretboard makes the guitar unplayable unless you like staying in the cowboy chord area . My Ovation, Breedlove,Fender , and Gibson acoustic guitars are brilliant examples of guitar playability. This Martin was to be my final guitar since I have only played them and never owned one . I can’t even play this piece of garbage. Martin has no dealer or authorized repair shop within 100 miles of me so I am stuck with a $900 piece of firewood. Never ever will I buy anything with that name again. That’s all they are, a name. How this got by quality control blows my mind. I have $200 acoustic guitars that are much better than this. Totally disgusted by my experience with this guitar.Gregory
Overall: So after playing guitar for more than 30yrs, this is my first Martin. Very weird considering my father sang and played with a Martin F-65 (rare semi-hollow body, only about 600 made) most of his life. I've lived all my life usually not more than 2 hours from the factory, and for most of that time less than an hour. I've taken the factory tour which was awesome. I've met many musicians that play Martins, endorse them, etc. I've been playing the last year or so on a Fender acoustic(not including my electrics that I own or play), which is a decent enough instrument, albeit a cheap sub 300$ guitar, when I purchased it over a year ago. I have owned a few other acoustics, a couple Takamines, Fenders, Ibanez, Ovations etc over the years. I won't say I have any considerable experience with 1k and up acoustic guitars, but I like to believe I have at least a decent ear. The sound is really the thing here, as this is not an ornate guitar with fancy inlays and stuff like that. Still, one of the main reasons I chose this model is because it's solid wood. I have no experience with Martins HPLs, but I also know Martin wouldn't put their name on anything if it isn't well made. I prefer solid wood, so that's a great reason to chose this model for this price point, and the reason I did. That being said, this is what a great guitar should sound like. I can easily hear the way every string sounds as clear and loud as the others. I'm pretty sure this has to do with bracing and the way they build their tops. it just projects the way a guitar should, not muddy on low strings and too bright on the highs. It sounds superb, plain and simple. Clear, bright, articulate. Martin has been perfecting guitar building for almost 2 centuries now, and while this is not their top of the line guitar, it gets all the benefit of their experience in the way they're designed and built. One thing I didn't realize about Martins until after getting this, and looking at their specs on most of their guitars is they have a wider neck (1.75" width) than I'm used to. My Fender neck was more like an electric neck, both width and thickness wise. I will easily get used to this though, and may enjoy it even more in time, as I have big hands. I also love the hidden controls for the volume and tone and tuner. I love that they didn't cut a huge hole in the body of the guitar for them, very cool. I haven't plugged it in yet, but I have no doubt it'll sound good. Fit and finish are fantastic, as is the soft case they include. I would rather it have had a gloss finish, except the neck, but that's just a personal thing. It's a beautiful, well made instrument, that you should definitely put on your short list of under 1k guitars.I would definitely recommend this guitar.
7. Martin Dx Johnny Cash Left-Handed Electric Guitar – Jett Black
Product Details:
Designed in collaboration with john carter cash and the cash foundation management team, the guitar features a classic dreadnought body shape constructed with jett black high-pressure laminate (hpl) top, back and sides. like the earlier commemorative edition, this instrument includes a custom fingerboard inlaid with stars and the “cash” logo. johnny cash’s signature appears on the rosette and label. this model comes with fishman mx electronics and a soft gig bag embroidered with the “cash” logo and is strung with martin’s authentic acoustic lifespan 2.0 strings. the dx johnny cash was designed to be an accessible and playable guitar for anyone looking to honor the legacy of the legendary musician. in the early 1970s, martin guitar was commissioned to design an all-black lacquered d-35 for country star johnny cash. though martin had never considered such a request before, an all-black d-35 for the “man in black” was custom-made. cash went on to play his custom d-35 on stage for the next 20 years. in 2006, martin released a commemorative d-35 johnny cash edition. the dx johnny cash is a nod to the history between cash and martin guitar.
Specifications:
| Edition Size | Open |
| Construction | Mortise & Tenon Neck Joint |
| Body Size | D-14 Fret |
| Top Material | HPL |
| Top Detail | Jett Black |
| Rosette | Custom Ink |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back Material | HPL |
| Back Detail | Jett Black |
| Side Material | HPL |
| Side Detail | Jett Black |
| Neck Material | Black Birch Laminate |
| Neck Shape | Performing Artist |
| Neck Taper | High-Performance Taper |
| Plek | No |
| Nut Material | Black Corian |
| Headstock Shape | Solid with Standard Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Silver Script Ink |
| Heelcap | Black |
| Fingerboard Material | FSCÂ Certified Richlite |
| Scale Length | 25.4" |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | White Plastic and Custom Ink |
| Fingerboard Inlay Style | Inlaid Stars and CASH Custom Ink |
| Side Dots | White |
| Finish Neck | Hand Rubbed |
| Bridge Material | FSCÂ Certified Richlite |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated Black Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Chrome Enclosed Gear |
| Knob | Small |
| Bridge Pin Material | Black Plastic |
| Bridge Pin Dots | White Plastic |
| Pickguard | Black |
| Electronics | Fishman MX |
Reviews:
got this one as a gift so I can't rate value for money ratio 🙂 it does sound fantastic, very rich in all tone ranges. The preamp is very good too, transfers all the frequencies very well. But, you'd probably expect no less from Martin. What's a little odd, is the material used for construction, to what I reckon its all compressed wood / laminate combination, which appears strange at first, but does the job very, very well. You get a piece of gear you can take outside not taking care this much about dryness, humidity, or weather conditions. The "CASH" theme is allover the instrument and gigbag, which is a very nice feature. All is top quality, and looks solid. Would I buy it with my own money? YES 🙂
This is a great Martin that doesn’t break the bank! The finish and Cash details make this guitar standout anywhere from a living room session to a gig. The Fishman pickup makes this guitar sound great plugged in and it has that Martin warmth that fills a room playing acoustic only. The laminate makeup holds up great in moisture and the added Cash gig bag is a plus for sure. If your like me and are looking for a Martin that stands up to it’s name and keeps you within your budget this is the guitar for you. I’ve gotten nothing but compliments while playing for both the sound and look! Truly is a great guitar for warmth, resonance, and tone and the strings that come standard are pretty great too!Ross B
I wanted one of these since they came out. I finally got one & I am a bit disappointed in it. It plays well & intonates fine, but the description is misleading. The specs say it has a gloss finish & shows a whit trim around the body. It has no trim at all & the finish is a very dull black which makes it look "cheap." There isn't much 'unplugged' volume, but it sounds great plugged. Action is a little higher than I like & there was no truss rod wrench with it. I'll probably keep it because Johnny Cash was my all time favorite entertainer. I'm suprised Martin & Co, didn't take more pride in this particular instrument.picker 49
8. Martin Backpacker Steel String Left-Handed Acoustic Guitar
Product Details:
Don't let its diminutive size fool you. the backpacker steel string left-handed acoustic guitar has a braced, solid tonewood top with a solid mahogany neck, back and sides. these give this cool little guitar a surprisingly rich and loud tone. built to withstand the rigors of camping, hiking, and off-road traveling. it includes high-quality chrome-enclosed tuners and a unique bridge that accepts either plain or ball-end classic strings, and only weighs less than 2-1/2 lb.
Specifications:
| BODY SIZE | Backpacker |
| FINISH TOP | Hand Rubbed |
| CONSTRUCTION | Backpacker |
| BRACING PATTERN | Backpacker |
| SCALE LENGTH | 24'' |
| BRACE SHAPE | Non-Scalloped |
| FINGERBOARD WIDTH AT NUT | 1 11/16'' |
| TOP MATERIAL | Sitka Spruce |
| NECK SHAPE | Backpacker |
| BACK MATERIAL | Tonewoods |
| NECK TAPER | Backpacker Taper |
| SIDE MATERIAL | Tonewoods |
| TOP COLOR | Clear |
| BRIDGE STYLE | Backpacker Steel String |
| BRIDGE STRING SPACING | 2.187'' |
| BRIDGE MATERIAL | FSC Certified Richlite |
| BRIDGE PIN MATERIAL | White Plastic |
| BRIDGE PIN DOTS | Black Plastic |
| SADDLE | Compensated White Tusq |
| SADDLE RADIUS | 16" |
| BRACE MATERIAL | Sitka Spruce |
| BRACE SIZE | 5/16" |
| NECK MATERIAL | Select Hardwood |
| FINGERBOARD MATERIAL | FSC Certified Richlite |
| FINISH NECK | Hand Rubbed |
| FINGERBOARD WIDTH AT 12TH FRET | 2 1/8'' |
| FINGERBOARD INLAY STYLE | 1 at 5th & 2 at 12th |
| NUMBER OF FRETS TOTAL | 15 |
| FINGERBOARD INLAY MATERIAL | White Plastic |
| NECK JOINS BODY AT | 15th Fret |
| SIDE DOTS | White |
| HEADSTOCK SHAPE | Solid |
| TUNING MACHINES | Chrome Enclosed Gear |
| HEADPLATE LOGO STYLE | Script Overlay |
| NUT MATERIAL | White Corian |
| PLEKED | No |
Reviews:
I've owned one of these for years. It doesn't hang well (neck dive), has the sound that you'd expect out of a shoebox sized cavity (no bass), and is over priced. The only reason for owning one of these is if you are severly cramped for space. Get a Baby Taylor, instead of this thing. They are close to the same price, the last time that I checked.Ken
When I first saw these in the CF Martin catalog, I thought how weird looking they were. When I asked at a local shop about them, I was told they would order one for me, but I would not like it! But I liked classical, nylon string guitars and I wanted to own something from CF Martin. Other than this, Martin GTR does not make anything else like that, unless they invented something since I quit looking. I was very fortunate to discover Musicians Friend, and they at one time had these with a passive pickup. These were on sale at a very good price! I ordered one, it arrived in very good shape, in very good time. I fell absolutely totally in love with it, weird shape and all. You could tell it was a Martin, it reeked quality. It's small, the tone is great, but the volume is not huge. Use it for travel, camping, hanging on the wall for odd moments of practice. It's not a case queen, fussy little guitar, but protect it from too much heat and moisture, it is made with wood and glue. With a pickup you could probably blow away a concert hall with it. Look in the sound hole, it will say where it was made there, and tell you to always use extra-lite nylon strings. No truss rod was standard for ages with nylon string guitars, the Backpacker does not have one. Most guitars eventually need the action adjusted to suit the player, including ones costing 10 to 20 times as much as this one. Mine came with a very nice strap and a special gig bag, both very useful. If this appeals to you, don't hesitate to give it a try. I've had mine for years and still love it. Check on you-tube.Still Learning
I have had mine for 10 years or more and enjoy it very much. It's not full body sound it's there to have something to practice and play when on holiday or outside on the deck enjoying a cold one. It doesn't take up much room when packing the car either And yes the one I have is an actual classical backpacker guitar that Martin made years ago. I use it with high tension strings DAddario Pro Arte at standard tuning and it holds up very good stays in tune never have a problem with it going outGerry
9. Martin 000-X2e Left-Handed Acoustic Electric Guitar
Product Details:
Birthed for the passionate left handed player and oozing with heritage. the martin 000-x2el, spruce top & mahogany sides w/ fishman mx shows us exactly why martin have been at the top of the acoustic game for generations. it's got all the ingredients for a performance that goes above and beyond – because martin have ensured that every detail is meticulously crafted to enhance your playing experience. an auditorium sized body provides the sweet, wholesome resonance that gives a guitar its unique character. not only that, but each note you play will ripple with superb articulation and clarity.one thing's for sure, it can certainly handle any style or genre you throw at it. plus, the martin 000-x2el is also equipped for live performance. thanks to the integrated fishman mx electronics, players can easily plug into their amplifier or sound system and enjoy a gigantic projection that will fill any venue. and you can be sure that your tone won't be compromised. a solid spruce top combines beautifully with the laminated mahogany back and sides for a powerful tone with plenty of bass and treble response. this is taken a step further with the scalloped x bracing, ensuring that the natural colour of your tone shines through. this is a guitar that proves every detail matters. hear the difference.
Specifications:
| Acoustic Guitar Type | Acoustic-Electric Guitar |
| Body Style | Orchestra |
| Cutaway | No |
| Orientation | Left-Handed |
| Number of Frets | 20 |
| Scale Length | 24.9" |
| Solid Top | No |
| Top Material | Sitka Spruce |
| Neck Material | Hardwood |
| Fingerboard Material | Hardwood |
| Tuner | No |
| Electronics | Fishman MX Electronics |
| Case Included | Gig Bag |
Reviews:
This was an "upgrade" from a slightly more expensive Yamaha concert body guitar, which was totally fine, but I feel like I just went from playing with a casual acquaintance to falling madly in love. There really is something about the Martin sound – crisp, clear, resonant, responsive, with an absolutely gorgeous sparkle in every note. It responds with subtlety and nuance to fingerpicking, and also sounds great with a pick, with slight differences in attack and tone from thicker to thinner and different pick materials. The 24.9 scale and slightly smaller body size is super comfortable and easy to play, and the acoustic output is perfect for singer/songwriter accompaniment. I haven't plugged it in yet, but I'm sure it'll play nicely with amplification when needed. Big thanks to Dana at the NYC store for hooking me up with this beauty!Mark
I had my guitar stolen last summer and I got this for a gift from my brother. I was super excited. It is the perfect size, plays really well and I'm loving brushing up on my skills. I would highly recommend this guitar. Sam Ash provided excellent service and deliver arrangement. I would strongly recommend it!Rachel
10. Martin Hd-35 Left-Handed Dreadnought Acoustic Guitar Aged Toner
Product Details:
Martin hd-35 left-handed dreadnought acoustic guitar aged toner – martin's hd-35 is a herringbone version of the famous d-35. like d-35, features three-piece back. the sound, however, completely different. bracing pattern for utilizes thinner 1/4" d-35; but, braces are scalloped extra tone and volume. over years, has become its exceptional presence volume, due to lightly braced top allows flex vibrate much like speaker. an extremely loud, driving guitar, with lot attitude. vintage tone meets modern playabilitythis left-handed dreadnought combines thin x vintage forward-shifted placement 1930's brace. this combination old new gives you sound that will be sure attract attention. loud, punchy driving, never drowned out by other instruments. and best all, can get 1930s combined playability modern guitar. for improved playability, neck been changed feature modified low oval neck, performing artist taper 1-3/4" nut. wider string spacing comfortable profile allow player move up down ease. unlike more traditional acoustic guitars past, this have tone, feel electric along amazing feel, solid spruce top, east indian rosewood back sides, ebony bridge fingerboard, hand-fit dovetail joint, nitrocellulose lacquer, classic inlay, antique white binding, aging toner hardshell case. other appointmentsalong not only built players, but also antique bindingaging tonerclassic inlayhand-fit neckjoint guitars, acoustic guitars, 6 string acoustic guitars
Specifications:
| Body Size | D-14 Fret |
| Finish Top | Gloss |
| Construction | Dovetail Neck Joint |
| Back and Side Finish | Gloss |
| Bracing Pattern | Forward-Shifted X-Brace |
| Scale Length | 25.4" |
| Brace Shape | Scalloped |
| Fingerboard Width at Nut | 1 3/4'' |
| Top Material | Spruce |
| Neck Shape | Modified Low Oval |
| Back Material | East Indian Rosewood |
| Neck Taper | High-Performance Taper |
| Side Material | East Indian Rosewood |
| Electronics | Optional |
| Top Color | Aging Toner |
| Bridge Style | Modern Belly – Drop in Saddle |
| Binding | Antique White |
| Bridge String Spacing | 2 5/32" |
| Top Inlay Material | Bold Herringbone |
| Bridge Material | Ebony |
| Bridge Pin Material | White Plastic |
| Pickguard | Tortoise Pattern |
| Bridge Pin Dots | Faux Tortoise |
| Saddle | Compensated Bone |
| Rosette | Multi-Stripe |
| Saddle Radius | 16" |
| Brace Material | Spruce |
| Brace Size | 1/4" |
| Back Purfling/Strip | Zig-Zag |
| Back Inlay Material | Multi-Stripe |
| Heelcap | Antique White with Multi-Stripe |
| Endpiece | Antique White |
| Side Inlay Material | Multi-Stripe |
| Endpiece Inlay | Multi-Stripe |
| Neck Material | Select Hardwood |
| Fingerboard Material | Ebony |
| Finish Neck | Satin |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Neck Color | Dark Mahogany |
| Fingerboard Inlay Style | Style 28 |
| Number of Frets Total | 20 |
| Fingerboard Inlay Material | Mother-of-Pearl |
| Neck Joins Body At | 14th Fret |
| Fingerboard Binding Material | Antique White |
| Side Dots | Black |
| Headstock Shape | Solid with Square Taper |
| Tuning Machines | Chrome Enclosed Gear |
| Headplate Material | East Indian Rosewood |
| Knob | Large |
| Headplate Logo Style | Script Old Style Overlay |
| Nut Material | Bone |
Reviews:
Not much to write, it's a Martin, I have several and they are magnificent!wfhuff2
11. Martin 000-10e Road Series Acoustic-Electric Guitar, Left-Handed
Product Details:
Built on traditional styling and legendary martin tone, the left-handed 000-10el road series dreadnought acoustic-electric is one of the most affordable solid wood models they offer. while the 000-10el doesn't have a ton of aesthetic extras, it's a solidly built dreadnought that is sure to make you happy to call your own for years. constructed with sapele top, back and sides the left-handed 000-10el offers the very mahogany-like warmth most acoustic players crave and adds a bit more love on the high end. the hardwood neck is shaped with a performing artist (pa) profile, and, paired with the hand-applied natural oil finish, makes for smoother transitions along the black richlite fingerboard.other appointments on the 000-10el road series dreadnought include a black boltaron end piece, white bridge and end pins with black dots, tortoise pickguard, single ring rosette, larger position dots, fishman mx-t electronics with soundhole tuner.
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | 000-14 Fret |
| Top Material | Sapele |
| Rosette | Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Non-Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" with 1/4" Tone Bars |
| Back Material | Sapele |
| Side Material | Sapele |
| Neck Material | Select Hardwood |
| Neck Shape | Performing Artist |
| Neck Taper | High-Performance Taper |
| Plek | Yes |
| Nut Material | White Corian |
| Headstock Shape | Solid with Standard Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Heelcap | Black |
| Fingerboard Material | FSCÂ Certified Richlite |
| Scale Length | 24.9'' |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4" |
| Fingerboard Width at 12th Fret | 2 1/8" |
| Fingerboard Inlay Material | MOP Pattern |
| Fingerboard Inlay Style | MOP Pattern Dots- 28 Style Pattern |
| Side Dots | White |
| Back and Side Finish | Satin |
| Back and Sides Color | Cherry |
| Finish Top | Satin |
| Top Color | Cherry |
| Finish Neck | Hand-Rubbed |
| Bridge Material | FSCÂ Certified Richlite |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | MA540T |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Faux Tortoise |
| Electronics | Fishman MX-T |
Reviews:
This guitar is wonderful. I upgraded from an entry-level dreadnought that was really challenging for me to play. I love the beautiful tones this body produces, I love the look and feel of the 000 build, and I'm happy with my progress since investing. Very satisfied with my purchase.AMY
This is a very nice acoustic. I played it a few times before I purchased it. The volume and tone dials are a little awkward to get to since they are in the top portion of the sound hole. The tuner is nice in the bottom of it. I was really surprised by how thin the neck profile is. The soft side case is excellent! For the price is was really astounded! It is not a US made but it is made in North America and it's a Martin!Dave
Let me begin by saying that I've owned a number of Martins over the years – my first "good" guitar was a D28 many moons ago. In that time, I've never seen Martin's quality falter and this guitar is no exception. Tone, construction, and playability are all top-notch. Within the past couple of years, Ive found that a mahogany-topped guitar suits my singing voice and the 000 10 was chosen for that fact. This guitar has a darker, woody tone that sits well with the male voice (IMO). It's warmth and articulation work great for the fingerstyle playing I do (but it certainly holds up to a pick as well with no complaints). The 1 3/4 inch nut and performance neck are very comfortable over a long period. I enjoy small guitars (0, 00) but the bottom end can sometimes lack in those sizes. The 000 is a perfect compromise – a tight, comfortable waist but enough width in the lower bout to produce a pleasing bass response. What more can I say? All in all, 5 stars for this guitar!dawilcox
12. Martin Dss-17 Left-Handed Acoustic Guitar – Whiskey Sunset
Product Details:
This used item has been thoroughly checked out by our experts to make sure it is in perfect working condition. s manual. this item is guaranteed to be in "as new" condition and has virtually no cosmetic imperfections. – the martin dss-17 whiskey sunset comes with a solid sitka spruce top, solid mahogany back & sides, and a whiskey sunset finish. the 14-fret, slope-shoulder body shape delivers traditional martin projection and tone, while the whisky sunset finish provides a retro look and vibe. – solid wood construction – solid wood construction is the mark of a fine guitar and the 17 series dss guitars come with solid sitka spruce top and solid mahogany back & sides.14-fret slope-shoulder dreadnought body shape – martin? s first dreadnought was a 12-fret slope-shoulder created in 1916. this body shape, combined with a 14-fret neck, allows h…
Specifications:
Reviews:
Got this from Ithaca Guitar Works. Wanted to play it first. While it looks like a J45, it is a Martin. While the lower bout is an inch wider than a standard dreadnaught, it will not sound like a Gibson advanced jumbo. It is definitely a Martin and celebrates that pedigree. It is incredibly light. The light satin finish gives it immediate resonance and tone. And it will only get better. It is incredibly balanced string to string, but with a Martin bass. I own a Guild D20, which I prefer over Martin's D15 (it's close), but the spruce top on the DSS-17 adds a sparkle that is welcome. The Monel strings had to go. I can see why the late Tony Rice loved them for bluegrass. They are clear and don't overload a picker with overtones from earlier notes. I swapped out for a set of Daddario 12-53 Nickel Bronze strings instead. At times it rings and sustains like a 12 string. Can't stop playing her. The tuners are antiqued models from Stew Mac. They hold tune, but some creak and are not smooth. I am still deciding if noisy stability is preferable to smooth retuning. But they look the part of old tuners.Guild Lover
I've owned 2 Gibson J-45s. The first was a 2018 Sitka top, mahogany back and sides. The second was a Gibson J-45 with rosewood back and sides. Don't get me wrong, I love J-45s, but this Martin DSS-17 is killer! The bottom end reminds me of the 2018 45 I had, but more volume. The one I purchased had a hard case with it, so can't speak to the gig bag this normally comes with. I'd never buy a nice guitar with a gig bag. I'm too picky when it comes to humidifying my guitars, so a hard case is a must. I think this guitar had a great deal of thought put into it and they knocked it out of the park. This is my second Martin. The other that I own is a 000-15 SM, which is a great guitar as well. I'm still a Gibson fan, but let's be honest, a J-45 is a grand more than this 17. The 17 checked my boxes, so here we are.Randy C
The guitar plays great, sounds amazing and looks stunning. Real cool vintage vibe. The tuners seem very precise. I was disappointed that the guitar didn’t come with a hard case, but I have to say I’m really impressed with the soft case that came with it and it is far more robust than I would have expected. The set up is excellent nice and low but no fret buzz. My Gibson will be taking a back seat now this baby has arrived. Unbelievable tone and I definitely made the right decision to purchase this.Reviewed by Project Music custom
13. Martin 00l Earth Left-Handed Earth Graphic
Product Details:
The instrument in the pictures is the one you will receive. – c&m music center1723 n. causeway blvd. – mandeville, la 70471tech specs:string type: steel – number of strings: 6body shape: 00-14left-/right-handed: left-handed – color: custom earth graphic – finish: satin – top wood: sitka spruce – back & sides wood: sapele – binding: european flamed maple – neck wood: sipo mahogany – neck shape: low oval taper – radius: 16"fingerboard material: ebony – fingerboard inlay: 1955 style 18number of frets: 20scale length: 24.9"tuning machines: nickel open gear – bridge material: ebony – nut/saddle material: bone/bone – nut width: 1.75"strings: martin, .012-.054case i…
Specifications:
| Watchers | 9 |
| Year | 2022 |
| Number of Strings | 6-String |
Reviews:
14. Martin X Series Lx1 Little Left-Handed Acoustic Guitar Natural
Product Details:
The martin lx1l little martin left-handed guitar displays martin's exquisite quality whilst embracing the benefits of a smaller size. with its compact body and 23'' scale length, it is wonderfully comfortable to play and is perfect for packing up and throwing in the car as you hit the road. making your life as a travelling musician easier, the lx1l little martin promises to offer a sublime playing experience. whether you're on stage or jamming with friends round the campfire, you'll want exceptional, reliable sound. the sitka spruce top provides just that and more. explore wondrous clarity and brilliant volume that belies the body's travel size whilst you fret seamlessly across the richlite fretboard. the mahogany high pressure laminate body will then ensure you're granted waves of endless resonance, warmth, and rich dynamics.
Specifications:
| Construction | Mortise/Tenon Neck Joint |
| Body Size | Modified 0-14 Fret |
| Rosette | Multiple Black/White Boltaron with Red Fiber |
| Top Bracing Pattern | Modified X Series ''X'' |
| Top Braces | Crowned Cross Brace |
| Side Material | Mahogany Pattern HPL Textured Finish |
| Neck Shape | Modified Low Oval |
| Nut Material | White Corian |
| Headstock | Solid/LX Taper |
| Headplate | Mahogany Pattern HPL |
| Fingerboard Material | Richlite |
| Scale Length | 23'' |
| Number Of Frets Clear | 14 |
| Number Of Frets Total | 20 |
| Fingerboard Width At Nut | 1-11/16'' |
| Fingerboard Width At 12Th Fret | 2-1/16'' |
| Finish Top | Hand Rubbed Finish |
| Bridge Material | Richlite |
| Bridge Style | Belly |
| Bridge String Spacing | 2-1/8'' |
| Saddle | 16'' Radius/Compensated/White Tusq |
| Tuning Machines | Chrome w/ Small Buttons |
| Interior Label | Black Foil Label |
| Finish | Mahogany |
| Sides Material | High Pressure Laminate |
| Number of Strings | 6-String |
| Fretboard Material | Composite |
| Top Material | Spruce |
| Right / Left Handed | Left Handed |
| Body Shape | Travel |
Reviews:
I haven't played in a few years but the pandemic had me searching for something to get my mind off working crazy hours. There would be few guitars I'd buy sight unseen but I rolled the dice because I'd played Martin's first backpacking incarnation and was familiar with their quality. This little guitar wouldn't disappoint! It is a smaller scale but my fingers fit on the fret board and it's easy to just leave out and pick up when you need it. The sound is really good for the size and it's easy to strum or pick. It was exactly what I was looking for but a little more. I honestly didn't expect to be this happy with how much guitar I got for the price. If you need something to stick by the desk or play by the fire, this is a good optionBob
it arrived yesterday to romania, from music store germany (thanks for handling it with so much care!) and i laid my hands for the first time on this loveable tiny beauty. it looks amazing and feels amazing, in every aspect. excellent playability all thourghout the neck, right out of the box… i wanted a travel buddy — small, sturdy, light and playable… and here she is. there are a lot reviews on the net, i will let here my own subjective opinion, after one day of having it (shipped from music store, germany). – i'm a tall guy (6 feet 3 / 190 cm), but the smallness of martin lx1 is not a hindrance in playing. my wife is a mongolian petite, so perhaps I'm used with handling small beauties 🙂 – i have big hands, but not thick fingers. if i stretch my fingers i can cover this guitar's neck from the net to the 10th fret (from pinky to thumb stretched out) — so you can have a clue; however, i feel comfortable playing all over the neck, even past the 14th fret. so no problem with that… and the transition back and forth to my normal-sized acoustic fender pm1 or to my electric squier affinity tele feels smooth, adjusting in no time. – the guitar is neck heavy, but it doesn't bother me at all; you see, it sits comfortably in my lap. – well, of course, the sound is not of a normal-sized guitar — one has to live with that. it is somehow a boxy sound, but martin has a lot of character, so i'm quite pleased with the sound. the guitar seems to suit better for fingerpicking or strumming with bare fingers; when i use my pick it's too noisy, especially the d string is sooo loud, taking over the other strings. in know, it's a new guitar, freshly out of its box, so perhaps it needs time to shape its sound. if this will not happen (due to hpl back and sides) i will still be pleased, the sound is good enough and i can work my way around. – the machine heads are of excellent quality (like every aspect of this guitar, actually): i tuned the guitar yesterday, after taking it out of the box, then forgot about it… summing up: craftmanship — state of the art sound — boxy, you may like it or not (martin has character, a distinct voice, above all) optic — beautiful as it gets, simply perfect price/performance — well, i would have loved to pay less… in the states, it was 399 USD until recently, now it's more expensive and perhaps the price will rise as well in the current covid situation; so buy know, don't postpone if you consider having one.
I played a friend's dreadnaught sized Martin and fell in love. I already owned two other guitars at the time (Samick and a Fender Redondo Player acoustic) and I didn't want to spend the money in a Martin at this time. This happened to pop up as a stupid deal of the day and so I bought. I wasn't sure about the laminate at first, but it feels and plays like a well made guitar. It sounds bright and it is a tone I enjoy hearing. If someone had given me advice as a new player I would have wished they told me about this guitar. It is concert size so it is a little smaller than a dreadnaught. It is easier for me to practice barring chords and doesn't feel as awkward on my body as my dreadnaught. I love both guitars, but I definitely still use this one as I advance as a player. I noodle on it when I am watching tv, take it when I go way for the weekend, and bring it to play for my friends. This is a fantastic guitar and I can proudly say I own a Martin :).RockstarAsh
15. Martin D-18l Left Handed Natural
Product Details:
Martin are world renowned for their ability to craft beautiful guitars perfect for the working musician. with their effortless playability and stunning design, they have a really rich history and are considered one of the very best acoustic manufacturers around.the martin d-18 offers sleek modern playability with authentic vintage styling; it's a really understated player's guitar. with a solid sitka spruce top and genuine mahogany back and sides, the martin d-18 is equally at home fingerpicking or strumming big, brash chords. with its rich tonal variation and lovely organic feel, it's the perfect partner for players who need a guitar that can compete right across the board.with its select hardwood neck and ebony fingerboard, it offers a smooth and comfortable playing surface that is perfect for beginners and professionals alike. satisfy your desire with an affordable solid wood guitar that is visually distinctive and innovative.
Specifications:
Reviews:
Overall: Original unopened uninspected by zZounds, in the heavy duty box from Martin. Mine was packed well enough, but still a little surprised how little bubble pack it had, or needed. The guitar seems perfect, no blemishes, straight neck, just beautiful. Rings like a bell despite needing a set up. Saddle has tons of room to sand down to most anyone’s preferred height/action. Nut seems like it’s in similar ready to set up condition. But even out of the box it sounds absolutely great and isn’t terrible to play. The little booklet that comes with it lists features, including “non adjustable” truss rod. I hadn’t come across this in my (limited) research into D18s. Martin guitar forums are divided on it, but I think the idea is “the old ones that people worship didn’t have adjustable truss rods, so we’re following the recipe”. Fine, but why not put that in the specs too? It’s not a cheap guitar. Taking a chance on it and seeing how it does. I’ll care for it properly and if it craps out and needs a neck reset or god forbid a new neck, I’ll rant and rave about it. But for now, let’s see how it sets up!Dan
I can't say enough about this guitar. For as long as I have been a guitar player (and a Pennsylvanian, for that matter) I have known Martin guitars. They are always prominently used and sold around this area. I looked up to my idols who played them, even older players like CSN and Neil Young and Clapton. I dreamed of owning one and as a kid, I loved the white binding on dark wood, seemingly drawing me in to a D-28, which is arguably the most popular Martin ever. As a kid, I almost got a Martin DM, but ended up with a cheaper Epiphone. After college, I decided to get my first Martin Custom D Rosewood – essentially a D-28 with a mortise and tenon neck joint and a D-15 A-Frame bracing and styling – sold exclusively here on MF (and GC). It's a great value for a guitar, but had to keep it constantly humidified because of the thin-skin matte finish. It can get really dried out and in fact, was in that condition when I received it (used). Great guitar, but I was always chasing buying a brand new Martin to call my own. I played some in stores of course and always A/B'd them, but it wasn't until a factory tour that I got a real idea of the breadth that the Martin line possesses. There is the 1833 Shop there with an adjacent players room filled with a good spread of Martins of all values and construction style. I was simply playing them to see which ones spoke to me, sonically and soulfully. I played the D-28, the D-35, the D-41, the D-15, 00-15M, the CEO, a 12 string, Eric Clapton model 000-28, etc. They all had their magic I'm sure, but when I landed on the D-18, I was simply blown away. It had a completely organic and natural sound – I could literally hear the wood. It's an absolutely lovely woody tone – this sounded better than the rest to me. I also LOVE the understand design and simplicity. It's a true working man's instrument – plus it features forward shifted X-Bracing which gives a lot more bass. The new improvements are all choice! 100% my fav. acousticIan from PA
I bought this guitar last year at a locally owned music store and was happy to do so as you don't find many of them stocked at large corporately owned brick and mortar stores. When I purchased it, I fell in love with the look and overall sound of the guitar and felt I was indeed buying a piece of history. The overall materials, finish and body construction are excellent and it produces a rich tone even with older strings. However that is where the positive remarks end. The more I want to love this guitar, the more it disappoints for the simple reason that it is incredibly difficult to play. Whether this is due to a poor set up or poor fretboard construction I really can't say, but I have to put this thing down after more than after five or ten minutes of playing – it is that bad. The same is true for the D-15 I spent a pretty penny on too. How a guitar maker that's supposedly been around since 1833 can produce something this hard to play is beyond me. Older D-18s I have played are not much better as they are incredibly hard to fret and buzz incessantly. So before you spring a couple of grand for this "piece of history," reconsider something that actually plays with ease. For this reason alone, I certainly would never invest in another one of these or a D-28, D-35 etc.. that costs even more. I can name several other major brands that put this guitar to shame due to their playability but won't to avoid embarrassing the manufacturer. But I will say that Martin's quality control folks ought to check these things out before shipping them out the door. Believe me, Martin's reputation and its chances of survival depend on it.Tom R
16. Martin Gpc-X2e Macassar Left-Handed Acoustic-Electric Guitar
Product Details:
The result is the gpc-x2e macassar. this grand performance sized model features a cutaway body with a sapele top and macassar pattern high-pressure laminate (hpl) back and sides. new mother-of-pearl pattern inlay on the rosette and fingerboard lend a richness to the gpc-x2e macassar, making it as impressive to look at as it is to play. with a performing artist neck, fingerboard, and bridge of select hardwood, the sound transfer of this model has been greatly improved. it is equipped with fishman mx electronics and strung with martin s authentic acoustic lifespan 2.0 strings. with a new, soft gig bag featuring headstock, bridge, and endpin protectors, a durable water-repellent exterior, and foam padding, this model is ready to go anywhere.
Specifications:
| BODY SIZE | Grand Performance 14 Fret Cutaway |
| FINISH TOP | Hand-Rubbed |
| CONSTRUCTION | Mortise & Tenon Neck Joint |
| BRACING PATTERN | X-Brace |
| SCALE LENGTH | 25.4" |
| BRACE SHAPE | Scalloped |
| FINGERBOARD WIDTH AT NUT | 1 3/4'' |
| TOP MATERIAL | Sapele |
| NECK SHAPE | Performing Artist |
| BACK MATERIAL | HPL |
| NECK TAPER | High-Performance Taper |
| SIDE MATERIAL | HPL |
| ELECTRONICS | Yes |
| ELECTRONICS OPTIONS | Fishman MX |
| TOP COLOR | Clear |
| BRIDGE STYLE | Modern Belly – Drop in Saddle |
| BRIDGE STRING SPACING | 2 5/32" |
| BRIDGE MATERIAL | Select Hardwood |
| BRIDGE PIN MATERIAL | White Plastic |
| PICKGUARD | Brown Tortoise Pattern |
| BRIDGE PIN DOTS | Black Plastic |
| SADDLE | Compensated White Tusq |
| ROSETTE | Mother-of-Pearl Pattern with Multi-Stripe |
| SADDLE RADIUS | 16" |
| BRACE MATERIAL | Sitka Spruce |
| BRACE SIZE | 5/16" with 1/4" Tone Bars |
| HEELCAP | Black |
| SIDE DETAIL | Figured Rosewood Pattern |
| NECK MATERIAL | Select Hardwood |
| FINGERBOARD MATERIAL | Select Hardwood |
| FINISH NECK | Hand-Rubbed |
| FINGERBOARD WIDTH AT 12TH FRET | 2 1/8'' |
| FINGERBOARD INLAY STYLE | Style 28 |
| NUMBER OF FRETS TOTAL | 20 |
| FINGERBOARD INLAY MATERIAL | Mother-of-Pearl Pattern |
| NECK JOINS BODY AT | 14th Fret |
| SIDE DOTS | White |
| HEADSTOCK SHAPE | Solid with Standard Taper |
| TUNING MACHINES | Chrome Enclosed Gear |
| HEADPLATE MATERIAL | HPL |
| KNOB | Small |
| HEADPLATE LOGO STYLE | Script Ink |
| NUT MATERIAL | White Corian |
| HEADPLATE DETAIL | Rosewood Pattern |
| LEFT HANDED AVAILABILITY | true |
| PLEKED | true |
Reviews:
Like others, I've always wanted a domestically crafted Martin but just couldn't fit it in the budget. I'm sure the X series are great instruments but I did not want to settle for something other than a solid wood US made Martin if I were to purchase one. The MF sale and their 48 month, 0% financing deal made the choice a no brainer. I would consider myself an experienced novice in that I've been noodling on acoustics for 35 years give or take but electric bass has been my instrument of choice. That said I find this guitar easy and a joy to play and keeps me wanting to come back to it. The sound is bright and pleasant even when getting into the strings some. The quality is top notch and I went over this thing with a fine tooth comb. The absolute, only "flaw" I could find was that the pick guard was off center perhaps be .5 mm or so and the only way one would notice is if you follow the very minimal rosette around the sound hole you can gauge the position of the pick guard by following the thin white center line. There is no way you would notice this unless your eye is within 15 or so inches of the sound hole. The tuners seem decent quality, are marked "Martin", adjust smoothly and hold tune very well. The neck is comfortable and intonation is perfect as one would expect with the use of their PLEK machine to aid set up. To top things off the hard shell case fits the guitar perfectly, looks great and seems to be high quality. There is really no downside to this guitar and I wouldn't hesitate to advise anyone to purchase this guitar.Josh
I've had mine for four months, so I feel that I can make an honest evaluation and I'm every bit as impressed as I was on day one. I'm primarily an electric player, but I owned a couple of mid-range acoustics when I got this. I've since sold them because I knew I would never play them again. After steak, hot dogs just don't cut it. I always thought Martins were rather plain looking and still do, but what makes them so impressive is the playability and unequalled tone. The Custom D ranks right up there with the best in those categories. The satin finish is nice and while it may be psychological, I think it may give it a more open sound. You can definitely feel a ton of vibration in your body when playing. It doesn't show fingerprints or require polish either. In fact, Martin doesn't recommend polish. The factory installed strings are of the highest quality and great for chording, but if you use the entire fretboard or do a lot of bends like I do, you may want to consider something lighter. I changed to coated 10-47 extra lights and was surprised to find little to no loss in the low end. Now that I'm a Martin fan, I've considered trading up, but I just can't justify the extra cost for binding and a gloss finish. I'm sure the cork sniffers will tell me there's a whole lot more to it than that, but I think they would be hard pressed to distinguish a difference between this and a higher end model listening blindfolded. I've been playing for 48 years and have bought and sold many guitars during that span (regretting a few), and the Custom D is one of the best guitar purchases I've ever made. Oh yeah, everyone comments on the smell and it's no exaggeration. Hits you as soon as you open the case.Terry T
I wasn't expecting a whole lot with this guitar. I just wanted a guitar that I could take out in the elements and not have to worry about it. I also have a Taylor 314ce and Martin 000-15. This guitar is super comfortable to play, it's solidly built, and it sounds like a Martin! I tried the Taylor 114 first and it felt and sounded a bit cheap. This one is so much better than the Taylor 114. It has sustain for days (sure wasn't expecting that)! The 1.75" nut width and 24.9 length make it perfect for me. The fretboard is also superb, the richlite feels like ebony (super smooth), and the fretwork is spot on!EC
17. Martin D-X2e Mahogany Left-Handed Acoustic-Electric Guitar
Product Details:
The result is the d-x2e mahogany. this dreadnought sized model has a sitka spruce top and figured mahogany pattern high-pressure laminate (hpl) back and sides. new mother-of-pearl pattern inlay on the rosette and fingerboard lend a richness to the d-x2e mahogany making it as impressive to look at as it is to play. with a performing artist neck, fingerboard, and bridge of select hardwood, the sound transfer of this model has been greatly improved. it is equipped with fishman mx electronics and strung with martin s authentic acoustic lifespan 2.0 strings. with a new, soft gig bag featuring headstock, bridge, and endpin protectors, a durable water-repellent exterior, and foam padding, this model is ready to go anywhere.
Specifications:
| Back Material | Mahogany Wood, Koa Wood |
| Color Name | HPL Mahogany Back/Side |
| Fretboard Material | Rosewood |
| Scale Length | 25.4 Inches |
| Top Material | Rose Wood, Mahogany Wood, Koa Wood, Spruce Wood |
| Neck Material Type | Mahogany |
| Number of Strings | 6 |
| Fretboard Material Type | Rosewood |
| Hand Orientation | Left |
Reviews:
Sound: What more do you want at this price point with free shipping. Well built, sounds good.Fishman MX electronics, already installed heel joint strap button, Tusq saddle and nut and bridge pins. Overall: Nice guitar. I can easily tell the difference between this model which I just bought, here, from a USA made one: then again one could buy a few of these ones for the starting price of a new USA made Martin 12 string.Very nice gig bag. Well constructed. Fishman MX electronics with the batter door where it should be at the output jack plate.Plek'd at the Martin factory, but I am going to have my tech adjust the action, not bad just a little higher than I like.
First off ! I highly recommend this 12 string to everyone! i have now owned this guitar for almost a year now. Before I bought this Martin dx2e I shopped around and went to a bunch of different guitar stores to compare different brands and see the difference. I was after a really good full sound with no string noise , I definitely did not want a lament top and real wood sound that would appreciate more and more in time. I compared a taylor, and it was great but the price was a little crazy, for what was afforded I didn’t care what brand of guitar i was going to choose, all that mattered to me was the tone and feel , I tried a guild 12 string and again it was really nice as well but I found it had a lot of mid high tones . Again I was looking for a certain sound that would cater to my own sound, style and feel . After shopping around I chooses this Martin DX2e for its great natural sound and the feel , the price was definitely unbeatable and I still can’t believe how good this guitar sounds! Amazing guitar! The next big factor was now where to buy it , Sam ash? Guitar center ? I found American musical “AMS” was amazing to purchase this Martin from, it showed up in just 2/3 days protected and the customer service was unbelievable! I love this guitar and love AMS and again I highly recommend this guitar you will not be disappointed! Thank you AMS for making my decision easy and effortless !
I recently purchased my Martin DX2E 12 string from AMS and I love it. I purchased my Martin GCE16 about a year ago from AMS and I have never heard of them before this. I tried to order the same guitar from Guitar Center and it come in damaged, so I returned it. I then tried to order the same guitar from Musicians friend. The online site said it was in stock. I even paid for 2 day delivery, but it never showed up. After 2 weeks I called and they told me the guitar was out of stock. They also told me they should of called or emailed but they don't know why they didn't.(TERRIBLE CUSTOMER SERVICE FROM MUSICIANS FRIEND).This is when I found AMS. I called AMS and they were VERY helpful and easy to deal with. I ordered my VERY FIRST MARTIN GUITAR from AMS and have been very pleased. I have since ordered my second Martin guitar from AMS and will only use AMS for my online purchases from here on out. Thank You for all of the great service and merchandise.Bobby
18. Epiphone Dr-100 Songmaker Left-Handed Natural
Product Details:
Epiphone's most popular acoustic the songmaker dr-100 has long been epiphone's best selling acoustic guitar and has the look, sound, and build quality that first time players and professionals expect when choosing an epiphone. featuring a select spruce top, premium tuners, and a mahogany body. case sold separately.
Specifications:
| Body Shape | Square Shoulder Dreadnought |
| Finish | Gloss |
| Neck Material | Mahogany |
| Scale Length | 25.5" / 647.7mm |
| Number Of Frets | 20 |
| Frets | Medium Jumbo |
| Nut Width | 1.69" / 43mm |
| Inlays | Dot |
| Joint | Dovetail; Glued-in |
| Tuning Machines | Premium Die Cast |
| Pickguard | 1-Ply; Black PVC |
| Strap Buttons | 2 – bottom and Side of heel |
| Strings | .13, .17, .26, .35, .45, .56 |
| Orientation | Left Handed |
| Manufacturer Part Number (MPN) | EA10LNACH1 |
Reviews:
Una delle migliori in questa fascia di prezzo, mi ha stupito soprattutto il suono; pieno, brillante. Ottimo prodotto anche per il prezzo. Ho acquistato questa acustica per studiare alcuni metodi blues; siccome il blues veniva suonato con strumenti parecchio economici ho acquistato questa ephiphone che comunque mi ha sorpreso parecchio; purtroppo la versione mancina c'è solo in colorazione natural (che non mi dispiace) altrimenti l'avrei acquistata nera, la consiglio.
E’ una chitarra entry level, ma ha un suono di categoria superiore. Il legno è laminato ma ha un manico molto bello e delle finiture, soprattutto la parte posteriore, decisamente gradevoli. L’ho acquistata nella sua versione natural, ne esiste una versione completamente nera, e nel mio caso è una left handed. Il rapporto qualità prezzo è molto buono e poi epiphone è un marchio noto ed affidabile. Non ho messo 5 stelle perchè sulla laminatura anteriore si vedono alcuni nodi del legno. Se volete una entry level, da acquistare senza riserve.
19. Martin 000-16 Streetmaster Acoustic Vts Adirondack Spruce
Product Details:
The martin 000-16 streetmaster is the latest installment of the popular series and pays homage to the working musician with a beautiful worn-in look that transports you to the shores of california. built with an adirondack spruce top that has been sonically enhanced through martin's revolutionary vintage tone system (vts), which ages the wood to provide a tonally vibrant performance that faithfully recreates the sound of a guitar aged for decades. this guitar guarantees a bigger and bassier sound than the other streetmaster series, so you can project your performance anywhere you go. perfect for a jam on the beach or a busk in the city, the martin 000-16 streetmaster gives the feel and aesthetic of an age-old instrument, with the playability of a modern guitar.
Specifications:
| Construction | Simple Dovetail Neck Joint |
| Body Size | 000-14 Fret |
| Top Material | Adirondack Spruce with VTS |
| Rosette | Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back annd Sides Material | East Indian Rosewood |
| Neck Material | Select Hardwood |
| Neck Shape | Modified Low Oval |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid with Square Taper |
| Headplate Material | East Indian Rosewood |
| Headplate Logo Style | Script Old Style Overlay |
| Fingerboard Material | Rosewood |
| Scale Length | 24.9" |
| Neck Joins Body At | 14th Fret |
| Total Number of Frets | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | Abalone |
| Fingerboard Inlay Style | GE Diamond & Square Short |
| Side Dots | Yellow |
| Back and Sides Finish | Satin |
| Back and Sides Color | Dark Mahogany |
| Finish Top | Satin |
| Top Color | Dark Mahogany |
| Neck Finish | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | Rosewood |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge Spacing | 2 5/32" |
| Saddle | Compensated Bone |
| Saddle Radius | 16" |
| Tuning Machines | Golden Age Relic Nickel |
| Strings | Authentic Acoustic Lifespan 2.0 – Light MA540T |
| Knob | Cream |
| Bridge Pin Material | Ebony |
Reviews:
The Martin 000-16 Streetmaster has a really big, beautiful, nearly dreadnought sound with great low end, in a smaller package. The Adirondack Spruce and the aging process gives a wonderful, rich, lush and aged tone from a brand new guitar, very inspiring to play. The smaller body size is super comfortable. Playing this one more than my D15, D18, or HD28, it really has an amazing sound. Martin and Sweetwater are both fantastic!
This guitar has beautiful timbre colours and flavors. The VTS treatment makes it sound like it's been playing for 80 years. Beautiful bookmarked Rosewood back, Rosewood sides. Dovetail construction done by CNC machine makes a tighter fit than by hand. Quality wood is same as series 42. Save monies on no pick guard, no white binding, no hardshell case, Dovetail construction on CNC machine ( nodes are more superior), no white on heel bottom,no white strip on bottom where strap pin is at.John
Martin offering an Adirondack VTS top with beautiful rosewood back and sides for under 2k is the deal of a lifetime. You will not regret buying this guitar and I've honestly had trouble putting it down. I have a 00015m, a D18, the SC-13 special burst.. they're all great but this is the first review I've written if that tells you something.Spencer
20. Martin 000-17 Whiskey Sunset Acoustic Guitar
Product Details:
A truly outstanding 000, this was purchased new less than a year ago. i had it setup by a local luthier, and it plays incredibly well. sounds amazing, and the k&k pure mini now in it is a perfect match for this guitar. if you have done any research, the pure mini is practically a legend of a pickup, yet requires no batteries. i have been using this guitar and pickup plugged directly into a boss acoustic singer pro, and the sound has been incredible. i previously used a baggs sound hole pickup, and if you look carefully you can see a little bit of "rash" where that was mounted. you will also see the tiniest "chip" by the input jack. both of these are hard to see, but i wanted to be accurate with my description. the guitar plays and sounds amazing. the only reason i am selling is that i recently purchased a dread as my main guitar, so as much as i want to hang on to this one, i have to let it go.
Specifications:
| Construction | Simple Dovetail Neck Joint |
| Body Size | 000-14 Fret |
| Rosette | Single Ring |
| Top Bracing Pattern | Standard "X" Scalloped |
| Top Braces | Solid Sitka Spruce 5/16" |
| Back Material | Solid Mahogany |
| Side Material | Solid Mahogany |
| Binding | Grained Ivoroid |
| Top Inlay Style | Black Boltaron |
| Side Inlay | Black Boltaron |
| Neck Material | Select Hardwood |
| Nut Material | Bone |
| Headstock | Solid/Square Taper |
| Headplate | Solid Black Ebony w/ Authentic Style (1933) Logo |
| Fingerboard Material | Solid Guatemalan Rosewood |
| Scale Length | 24.9" |
| Number of Frets | 20 |
| Fingerboard Width at Nut | 1-3/4" |
| Fingerboard Width at 12th Fret | 2-1/8" |
| Fingerboard Position Inlays | Style 18 (1955) – MOP Dots |
| Finish Back and Sides | Satin – Black Smoke |
| Finish Top | Satin – Black Smoke |
| Finish Neck | Satin – Black Smoke |
| Bridge Material | Solid Guatemalan Rosewood |
| Bridge Style | Modern Straightline w/ Drop-In Saddle |
| Bridge String Spacing | 2-5/32" |
| Saddle | 16" Radius/Compensated/Bone |
| Tuning Machines | Golden Age Relic Nickel w/ Cream Buttons |
| Bridge and End Pins | Black |
| Pickguard | Ivoroid |
Reviews:
So, this has always been a dream guitar for me. The weird thing is, I’ve actually owned one before but was not impressed with the sound. I had read in previous reviews that the 000-17’s have a cheap guitar sound, and when I owned the previous guitar I was in agreement with those reviews…so, sold it. However, a year later I played one at a local guitar shop and it punched me in the face!!! It was crunchy, punchy, resonant, and had some real cojones to it! I WAS LIKE “WHAT!!!” This ain’t the same guitar I remember, so, I ordered a new one online. When it arrived, my brand new 000-17 sounded just like my first one (Solid tone, but kinda lifeless). I was pretty let down. I was wondering what the deal was. What was so different between the two that I’ve owned, and the one I played at the shop?? So, before I just sold it AGAIN, I put some Martin Retro 13 gauge strings on it and ebony bridge pins on it and BOOOOM!! There it was!! That had to have been the difference between the two I owned and the punchy bad boy in the shop. This guitar is now the all around banger I hoped and heard it would be!! This guitar should be sold with 13 gauge retros on it, because as the reviews state it does sound slightly cheap with the 12’s. When you add the 13’s it’s like putting a set of nuts on it! This thing deserves an overall 5.0 rating, but I think people (Like I did) get rid of it or bash it before they find out what a beast this thing can be! If you are looking to buy one…DO IT!! Then, add 13 gauge Martin Retro strings (And bone bridge pins), and just wait for this bad boy to attack!! I seriously could go my whole life with this one guitar because of it’s character, voice, tone, punchiness, crunch, resonance, playability, craftsmanship, KILLER STYLE, and all around package!! Just ignore the negative reviews and listen to your boy… GET THIS GUITAR!!Zach Scoggins
I know this is alot of money to spend on a guitar. I am a working man too. I firmly believe this is the most money that a player should be spending on any guitar. I am a guitar PLAYER. I DONT buy guitars to hang on the wall so I can appreciate the gloss finish and drool over the pearl inlays. When I buy a guitar, I intend to play it until it is worn. I have done that with all of my acoustic and my electric guitars. If you are the kind of player who knows a few chords, and likes to sit down and strum a pretty guitar with figured inlays and flashy hardware, this guitar definitely is not the instrument for you. When you buy guitar, you can change every part on it, except the body and the neck. If you're going to buy a guitar with intent to change the neck and body, why not just buy a guitar with the neck and body you want, and change the hardware? If you are a player who is professional, serious, and wants to make a sound for yourself, well this guitar is the guitar for you. Yes, It DOES have the neck AND the body you want. The neck feels incredible. It is UNPARALLELED when it comes to feeling this guitar. Don't believe me? Find one and try playing it. It's like the Rickenbacker of acoustic instruments. The top of the guitar is the first thing that the sound bounces off of, and the shape and bracing in this acoustic allows for the hardwood of the spruce to do its job; to vibrate and give the guitar an excellent punch, and to twang and crunch when picking each string individually. It is an unbeatable sound from the first strum, but the real treat is the resonation. The sides of a guitar are where the it's sound rings after strumming. When you let this guitar ring, it gets a deep, rich, and woody sound from the mahogany sides. Somehow, this guitar is both punchy and gives a solid chimey crunch, but also resonates warmly with a full, rich, and deep sound. I have played and owned MANY guitars, but this one takes the cake. It is the best acoustic I have ever played.Marty
My first gut reaction to this guitar was repulsion. To be fair, I unboxed it in very unflattering light. It was strung with Retro monel strings which I personally do not like at all. I looked at the flat, Whiskey Sunset finish. All splochy and just cringe I wanted to yeet the damned thing. I strummed it twice and put it back in the case.
Two weeks later, one morning I tried it again. I sat in great morning sunlight and noticed it was a guitar going for a totally different vibe than anything else out there. And once I understood what it was it made sense. And I began falling in love with this thing.
Construction is perfect. Materials are top shelf. My top is heavily bear clawed as well as figured. Growth rings are parallel and very tight. Super high quality wood, actually. The neck is one piece mahogany, not glued up. The neck wood is also perfectly quarter sawn. The fret oard wood, though an uncommon rosewood has the basic density and pore structure of ebony, ut us a uniform dark cocoa brown color. Mine looke l8ke brown ebony. And it takes a polish like ebony will. You just dont find this wood quality on guitars at this pricepoint. The wood is as good as in my Larrivee LV03, which is a lot higher end guitar that has similar build quality
The guitar is incredibly light, weighing about 35% less than the Larrivee. It is lightly braced. The top is very "live." Doesnt take much wake it and it is very dynamically responsive. As a result, the guitar has a sort of "reverb" to its tone. It is actually the top being so live that open strings ring very easily. Gives the guitar a different vibe thats really cool. It's a subtle thing and would only matter for fingerstyle.
In fact I see this as exclusively a fingerstyle guitar. This is THE guitar to buy for fingerstyle Delta Blues. Detune it and it sounds greasy, growly, and downright nasty. It's sick. Nothing else I own is even close for this genre. The tone is very mid forward. Very warm. Not a lot of top end detail. Soft attack. Bass is tight and focused, but not overpowering. Perfect for pedaled bass notes. This is one of the fattest sounding gits I've heard heard. In electric guitar world its a Strat or P90, neck pickup position, tone rolled back a bit.
I would highly recommend the 000-17 for fingerstyle playing where dynamically responsive, mid forward, aggressive, warm fat tone is wanted. But the guitar isn't a good choice if you aren't a Bluesman. Flatpicking on the 000-17 sounds like poo tbh. You arent going to like it for strumming Kumbayah.
The 000-17 perfect for Blues. And thats great because thats what I wanted it for.Ken Smith
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