Are you looking for the Martin D 35 Acoustic Guitar? If so, you’ve come to the right place.
Choosing the Martin D 35 Acoustic Guitar can be difficult as there are so many considerations, such as Fender, Martin, Guild. We have done a lot of research to find the top 20 Martin D 35 Acoustic Guitar available.
The average cost is $2823.42. Sold comparable range in price from a low of $420.47 to a high of $9699.00.
Based on the research we did, we think Martin D-35 Acoustic Dreadnought Guitar is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Martin D 35 Acoustic Guitar (20 Sellers)
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$3399.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- This is an exceptional example d-35, made in early 2022.
- Mint condition, with original hardshell martin case.
- Striking appearance.
$3199.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- Martin d-28
- 6-string acoustic guitar, dreadnought, with sitka spruce top, east indian rosewood back and sides, and ebony fingerboard
- A cornerstone of modern music
$3399.00
4.8
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Plays just fine, with a nice set-up on it currently.
- Strung up with lights, but still plenty of balls and volume.
- Other revamped details include a forward-shifted x-brace and a modified low oval neck with high performance taper.
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability
Features:
- Exclusive martin bracing pattern
- Herringbone top trim
- White binding
$3599.00
5.0
Reviewers Noted:
Sound quality
Features:
- Martin hd-35 left-handed *plek'd & set up* acoustic guitar
- Get plek'd!
- The guitar that is listed in the photos is the actual guitar! this serial is #2409883.
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Butterbean tuning machines
- Solid sitka spruce top
- Solid mahogany back & sides
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- Guitar is like new with original paperwork
- No cosmetic issues
- Setup with new strings
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durable
Features:
- Comes with martin hard case.
- Smoke free and pet free home.
- Light scuffs around the neck from the wall hanger which is to be expected.
$420.47
4.8
Reviewers Noted:
Good sound quality . Well made . Durable . Attractive . Weight
Features:
- Martin djr-e in mint condition.
- Everything on this guitar is in like-new condition.
- Plays and sounds great! this is the older version with deeper body for more volume and deeper sound, and a nicer, thicker gigbag.
$2799.00
4.8
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Used 2020 martin d-18 in great shape.
- Very minimal playing time on this one.
- Features a sitka spruce top, mahogany back and sides, and an ebony fingerboard and bridge.
$949.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- Solid sitka top
- Solid sapele back & sides
- Fishman mx-t electronics
$3977.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- Adirondack spruce top
- Mahogany neck
- Ebony fingerboard
Reviewers Noted:
Good sound quality . Attractive . Durability . Craftsmanship
Features:
- Sapele top, back, & sides
- Select hardwood neck
- Fsc certified richlite fingerboard
$4402.72
4.8
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Weight
Features:
- Body finish: gloss
- Orientation: right handed
$3499.00
4.9
Reviewers Noted:
Good sound quality . Durability . Attractive . Well made . Weight
Features:
- Solid sitka spruce top
- Solid indian rosewood back & sides
- Ebony fingerboard
$1999.00
5.0
Reviewers Noted:
Sound quality
Features:
- 6-string acoustic guitars
- Martin d-17 squadron squadron acoustic guitar
- Squadron finish
$9699.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability
Features:
- Martin d45 2018 w/case
- Package never open
$1049.99$879.99
4.9
Reviewers Noted:
Durability . Sound quality . Visual appeal . Craftsmanship
Features:
- This item was returned in great condition. it looks and plays like new, with only minor signs of use (slight scuffs, etc.). the martin special d classic dreadnought acoustic guitar…
$1103.20
4.9
Reviewers Noted:
Good sound quality . Visual appeal . Durability
Features:
- A clear plastic pick guard has been installed.
- An electric pickup was installed at some point and has since been removed. the endpin hole has been dowelled and an endpin has been reinstalled.
- There is a repaired crack on the side of the .
Features:
- Professional sound: martin's standard series guitars combine authentic wood, like sitka spruce, mahogany, ebony, rosewood, and more, with innovative bracing, a variety of body styles, and handmade detailing to deliver…
1. Martin D-35 Acoustic Dreadnought Guitar
Product Details:
D-35 standard series acoustic guitar – natural – a distinctive three-piece back and antique white binding around the fingerboard set it apart. expressive quarter-inch straight bracing gives it balance and power for any situation. premium east indian rosewood, sitka spruce, and a timeless dreadnought shape have made it the choice for pickers, strummers, and players from johnny cash to seth avett. also available in sunburst and ambertone finish.
Specifications:
| Construction | Dovetail Neck Joint |
| Body Size | D-14 Fret |
| Top Material | Sitka Spruce |
| Rosette | Multi-Stripe |
| Bracing Pattern | Forward Shifted X Brace |
| Brace Shape | Non-Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 1/4 inch |
| Back Material | East Indian Rosewood |
| Back Purfling/Strip | Style 35 |
| Side Material | East Indian Rosewood |
| Endpiece | Antique White |
| Endpiece Inlay | Multi-Stripe |
| Binding | Antique White |
| Top Inlay Material | Multi-Stripe |
| Side Inlay Material | Multi-Stripe |
| Back Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Modified Low Oval |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid with Square Taper |
| Headplate Material | East Indian Rosewood |
| Headplate Logo Style | Script Old Style Overlay |
| Heelcap | Antique White with Multi-Stripe |
| Fingerboard Material | Ebony |
| Scale Length | 25.4 inches |
| Neck Joins Body | at 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4 inches |
| Fingerboard Width at 12th Fret | 2 1/8 inches |
| Fingerboard Inlay Material | Mother of Pearl |
| Fingerboard Inlay Style | Style 28 |
| Fingerboard Binding Material | Antique White |
| Side Dots | Black |
| Back and Side Finish | Gloss |
| Finish Top | Gloss |
| Top Color | Aging Toner |
| Finish Neck | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | Ebony |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32 inches |
| Saddle | Compensated Bone |
| Saddle Radius | 16 inches |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | MA550T Phosphor Bronze |
| Knob | Large |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Faux Tortoise |
| Pickguard | Faux Tortoise |
Reviews:
Overall: I am barely into my third year playing guitar. I progressed from a Yamaha FG800 to an Epiphone Masterbilt DR500 MCE. I always wanted a Martin but I can't drop the coin for the D-18 or the D-28 that I really want, so I bought this without seeing or hearing it. I was honestly worried that a guitar with HPL back and sides could hang with an all solid wood guitar. Bad weather and the Pandemic slowed delivery down to four days via Fedex, but it is what it is. The first half hour of playing I was really wondering if I was going to like it. It took a little time to get used to that booming bottom end. But once I did, I learned to modulate it where necessary. And it plays so much smoother than my Epiphone. I am looking forward to playing with a friend who has a D-28 this summer to just compare them. Listen, I know this a made in Mexico Martin. And purists might turn their nose up. But play one and see, if like me, you think this is an amazing guitar at this price point. Heck. Now I don't know why I should keep the Epiphone. Call me a believer. The only thing i would ask Martin to do is add a nice white or black binding on this to protect the top and add a liitle flair. Heading to the Martin Website to get me a sticker for the mancave and a nice Martin ballcap. Love it.Blair
I had played this Martin D-41 some 25 years ago and was just amazed at the tonal quality and punch this artful guitar produced. Not to mention it was the most beautiful acoustic I'd ever seen. I have played several different brands and models since and nothing quite reached the level of that D-41. I longed for that guitar all those 25 years until last year. Went to my local Guitar Center and they were out of them. I ordered one and a week later it arrived. Took it out of the box and and a crowd of guitar techs gathered over her. Breathtaking look about this guitar. I was sent into a private room and played for 45 minutes just amazed at what she sounded like. The setup was very close to what I'd preferred and will never regret the expenditure for a long time dream guitar. Named her Deena!Tim
I just got my martin d16 gt from guitar center. It's used. I looked up the serial number and it was built in 2000. I was surprised that it was a 22 year old guitar. It's in remarkably good shape for something that close to being an antique.
To be fair, it looks used. There are pick scratches all over the front. A few dings…but that's because the previous owner played it…because it's an out standing instrument. The sound is phenomenal and it plays great. It still looks great even with the cosmetic imperfections.
There is very little fret wear. That was surprising considering it's age. Maybe it's been crowned? Hard to say.
It was a little boxy sounding when I took it out of the box, but it loosened up fast. I could literally hear it opening up as I played it on the first day (I played it a LOT that day).
Phenomenal guitar. Worth every penny, maybe more. Highly suggestRobert Kuhn
2. Martin D-28 Dreadnought, Natural
Product Details:
Specifications:
Reviews:
Fantastic service from the team at Fanatic – happy to correspond in English. Order processed and despatched quickly and delivered to Gibraltar without any issues. Guitar arrived in perfect condition, well boxed. Was surprised that the guitar didn't have a strap button on the heel, but from research know that this is common practice for Martins – a bit of a shame, but no effect whatsoever on a fabulous guitar. Action is pretty high and the neck needed a slight truss rod adjustment, but easy to do with the right tool and experience of such maintenance (the allen key does not come with the guitar, but easily purchased). Width at the nut slightly wider than my previous guitar so a little technique change needed to avoid unintentional muting on the E string – that's not the guitars fault!
If you want the ARCHETYPE, the inspiration, the BEST, Go for a Martin. I have a Gibson Original Jumbo 1934 reissue, that sound like heaven, the Martin is another animal, a perfect pair for my Gibson, I'm not a professional, I love blues and fingerpicking in my home with a cigar and a whiskey and my two acoustics and my OMI Dobro Lilly Of The Valley are a treasure for me! The martin have a striped ebony fingerboard and bridge (I like it but some maybe preffer a black one, well are not black), the sound is clear and a joy! The craftmanship is perfect, the case is very nice, the martin strings sound very good (I bought 3 sets of the same), the rosewood is very nice paired, and the top have a beautiful aged tone. This guitar will be with me all my life. About Guitar Center of Miami Mr Mario and Ignacio are nice people!Alejandro
I'm a new guitarist and consider myself very fortunate to be able to afford an instrument like this. I am nowhere near good enough (yet) to get the most out of this guitar, but I will say that even as a beginner (and long-time music lover) I can really hear the difference between this and lesser guitars, and playing on an instrument like this makes learning more rewarding, and dare I say easier. Anything I hear wrong is clearly my technique, which this guitar rewards when you get it right, and makes obvious when you miss. From simple cowboy chords to picked or fingered individual notes this guitar just has tone to die for. Hit an E minor, hard or soft, and each string resonates with depth, clarity and sustain. Playing this guitar is really a dream come true. Oh, I said I'm a beginner and that means that as I write this I've been playing guitar for all of five months. I'm 52-years-old and take weekly 30 minute lessons, have dabbled in online lessons and practice about 15 to 30 minutes on weekdays and about an hour or two on Saturdays and Sundays. I recently sang and played "Nights in White Satin" by The Moody Blues for my family. Just me, my D-28 and beautiful, room-filling tone. There's nothing better.Andrew
3. Martin D-35 Dreadnought Acoustic Sunburst
Product Details:
Gorgeous martin d-35e 2018 reimagined! famous martin tone and beauty, "reimagined" for effortless playability. solid sitka spruce top with solid rosewood back and sides. stunning d-35 three piece back. purchased new about a year and a half ago. retail on the guitar alone was $3,299. i also had the famous l.r. baggs anthem electronics ($299 + installation) professionally installed before it left the warehouse, along with a professional setup. total package totaled over $3,600. guitar is in excellent condition. there are a few small minor "dings" toward the bottom of the soundboard/ top (see pics). there is also typical, very light scratching that appears on all dark colored guitars (does not show up in pictures). includes original hardshell case, and a few extra goodies!
Specifications:
| BODY SIZE | D-14 Fret |
| FINISH TOP | Gloss |
| CONSTRUCTION | Dovetail Neck Joint |
| BRACING PATTERN | Forward Shifted X Brace |
| SCALE LENGTH | 25.4" |
| BRACE SHAPE | Non-Scalloped |
| FINGERBOARD WIDTH AT NUT | 1 3/4'' |
| TOP MATERIAL | Sitka Spruce |
| NECK SHAPE | Modified Low Oval |
| BACK MATERIAL | East Indian Rosewood |
| NECK TAPER | High Performance Taper |
| SIDE MATERIAL | East Indian Rosewood |
| TOP COLOR | Aging Toner |
| BRIDGE STYLE | Modern Belly – Drop in Saddle |
| BINDING | Antique White |
| BRIDGE STRING SPACING | 2 5/32" |
| TOP INLAY MATERIAL | Multi-Stripe |
| BRIDGE MATERIAL | Ebony |
| BRIDGE PIN MATERIAL | White Plastic |
| PICKGUARD | Faux Tortoise |
| BRIDGE PIN DOTS | Faux Tortoise |
| SADDLE | Compensated Bone |
| ROSETTE | Multi-Stripe |
| SADDLE RADIUS | 16" |
| BRACE MATERIAL | Sitka Spruce |
| BRACE SIZE | 1/4" |
| BACK PURFLING/STRIP | Style 35 |
| BACK INLAY MATERIAL | Multi-Stripe |
| HEELCAP | Antique White with Multi-Stripe |
| ENDPIECE | Antique White |
| SIDE INLAY MATERIAL | Multi-Stripe |
| ENDPIECE INLAY | Multi-Stripe |
| NECK MATERIAL | Select Hardwood |
| FINGERBOARD MATERIAL | Ebony |
| FINISH NECK | Satin |
| FINGERBOARD WIDTH AT 12TH FRET | 2 1/8'' |
| NECK COLOR | Dark Mahogany |
| FINGERBOARD INLAY STYLE | Style 28 |
| NUMBER OF FRETS TOTAL | 20 |
| FINGERBOARD INLAY MATERIAL | Mother of Pearl |
| NECK JOINS BODY AT | 14th Fret |
| FINGERBOARD BINDING MATERIAL | Antique White |
| SIDE DOTS | Black |
| HEADSTOCK SHAPE | Solid with Square Taper |
| TUNING MACHINES | Chrome Enclosed Gear |
| HEADPLATE MATERIAL | East Indian Rosewood |
| HEADPLATE LOGO STYLE | Script Old Style Overlay |
| NUT MATERIAL | Bone |
| PLEKED | Yes |
Reviews:
I play my Martin D-35 every day just for fun. My wife can really tell the sound difference from my other guitars.Playing for fun
This guitar sounds pretty great, but wow. The neck is just awful. It very uncomfortable to play and it makes me miserable. The neck is so wide and so thin you cannot get a good grip on it. Maybe if you had the hands of a gorilla or something, but for an average sized human, no.Doctor Bob
This reimagined D-35 sound is not the same as the ones made before 2018. Forward shifted 1/4" non scalloped bracing and material thickness change (lighter) made D-35 sing. Amazing sound that makes you please comes out of this box. Well balanced, rich bass, focused high tones, and more. You cannot find this sounds from d-28.Samaritan
4. Martin Hd-35 Acoustic Guitar
Product Details:
Save big when you buy today! 3-piece rosewood back – rosewood sides – dreadnought body – solid sitka spruce top – black and white rosette24-fret ebony fingerboard – exclusive martin bracing pattern – herringbone top trim – white binding – two zigzag back strips – includes hardshell case
Specifications:
Reviews:
After playing guitar for almost 50 years, I finally obtained a job that afforded me the opportunity to purchase, what has turned out to be, the best sounding guitar I've owned. She is so responsive to how you play, dig in for more volume, ease up for someone else's lead.. she does not disappoint. I'm in awe every time I play it. Even my picking buddies are blow away by her. Saddle was a little high, but after a good set up, she plays like she sounds…beautiful.Paul
The box arrived that was originally sealed with big copper staples by Martin. I carefully opened the box, removed the case with guitar. I open the case not knowing what to expect as it was bought sight unseen. I open the case and was immediately hit with the smell of rosewood while my eyes gazed upon a gorgeous flawless work of art. I removed the guitar, tuned it up and was swept away with the huge, harmonically-rich tone. The action was absolutely perfect out of the case (low). It was so comfortable to play I thought the strings were light gauge 11's, but a micrometer confirmed they were medium 13's. The only thing I will swap out is the bridge pins and end piece. They are plastic. I will replace them with bone or titanium. If you do the same, make sure that the taper is 5 degrees, size 2A. This is not my first Martin. I've had a D-28 and D-35S. The last time I owned one was in 1985. The great quality is still the same. What a great guitar from a great company!Mike McLenison
In 1974 a friend of mine got a '65 Brazilian rosewood HD-35 for Christmas. I have wanted one ever since. I have played for 50 years and owned many fine instruments, all the names you know. IMHO this is the BEST acoustic guitar made by anyone! It's drop-dead beautiful, sounds extremely deep and rich, plays like butter, and being all-solid-wood, ages very well. Truthfully it is also a source of great pride of ownership, always recognized by those who are "in the know" about fine guitars. It IS expensive (and how!) but worth every penny. I suggest waiting for the 48-month, no-interest financing.Clint C.
5. Martin Hd-35 Left-Handed Dreadnought Acoustic Guitar Aged Toner
Product Details:
Martin hd-35 left-handed dreadnought acoustic guitar aged toner – martin's hd-35 is a herringbone version of the famous d-35. like d-35, features three-piece back. the sound, however, completely different. bracing pattern for utilizes thinner 1/4" d-35; but, braces are scalloped extra tone and volume. over years, has become its exceptional presence volume, due to lightly braced top allows flex vibrate much like speaker. an extremely loud, driving guitar, with lot attitude. vintage tone meets modern playabilitythis left-handed dreadnought combines thin x vintage forward-shifted placement 1930's brace. this combination old new gives you sound that will be sure attract attention. loud, punchy driving, never drowned out by other instruments. and best all, can get 1930s combined playability modern guitar. for improved playability, neck been changed feature modified low oval neck, performing artist taper 1-3/4" nut. wider string spacing comfortable profile allow player move up down ease. unlike more traditional acoustic guitars past, this have tone, feel electric along amazing feel, solid spruce top, east indian rosewood back sides, ebony bridge fingerboard, hand-fit dovetail joint, nitrocellulose lacquer, classic inlay, antique white binding, aging toner hardshell case. other appointmentsalong not only built players, but also antique bindingaging tonerclassic inlayhand-fit neckjoint guitars, acoustic guitars, 6 string acoustic guitars
Specifications:
| Body Size | D-14 Fret |
| Finish Top | Gloss |
| Construction | Dovetail Neck Joint |
| Back and Side Finish | Gloss |
| Bracing Pattern | Forward-Shifted X-Brace |
| Scale Length | 25.4" |
| Brace Shape | Scalloped |
| Fingerboard Width at Nut | 1 3/4'' |
| Top Material | Spruce |
| Neck Shape | Modified Low Oval |
| Back Material | East Indian Rosewood |
| Neck Taper | High-Performance Taper |
| Side Material | East Indian Rosewood |
| Electronics | Optional |
| Top Color | Aging Toner |
| Bridge Style | Modern Belly – Drop in Saddle |
| Binding | Antique White |
| Bridge String Spacing | 2 5/32" |
| Top Inlay Material | Bold Herringbone |
| Bridge Material | Ebony |
| Bridge Pin Material | White Plastic |
| Pickguard | Tortoise Pattern |
| Bridge Pin Dots | Faux Tortoise |
| Saddle | Compensated Bone |
| Rosette | Multi-Stripe |
| Saddle Radius | 16" |
| Brace Material | Spruce |
| Brace Size | 1/4" |
| Back Purfling/Strip | Zig-Zag |
| Back Inlay Material | Multi-Stripe |
| Heelcap | Antique White with Multi-Stripe |
| Endpiece | Antique White |
| Side Inlay Material | Multi-Stripe |
| Endpiece Inlay | Multi-Stripe |
| Neck Material | Select Hardwood |
| Fingerboard Material | Ebony |
| Finish Neck | Satin |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Neck Color | Dark Mahogany |
| Fingerboard Inlay Style | Style 28 |
| Number of Frets Total | 20 |
| Fingerboard Inlay Material | Mother-of-Pearl |
| Neck Joins Body At | 14th Fret |
| Fingerboard Binding Material | Antique White |
| Side Dots | Black |
| Headstock Shape | Solid with Square Taper |
| Tuning Machines | Chrome Enclosed Gear |
| Headplate Material | East Indian Rosewood |
| Knob | Large |
| Headplate Logo Style | Script Old Style Overlay |
| Nut Material | Bone |
Reviews:
Not much to write, it's a Martin, I have several and they are magnificent!wfhuff2
6. Martin D-18 Acoustic – 1935 Sunburst
Product Details:
This martin d-18 sunburst guitar with a 1935 burst finish upgrade, is a workhorse of a guitar, with a big sound capable of doing just about everything. this is the original 14-fret dreadnought that has inspired countless models and guitar builders throughout the years with its exceptional presence, sound and build. the new forward-shifted x bracing adds even more projection and the 1 3/4" nut width makes it an incredibly comfortable player. the neck itself has a slim 'performing artist' taper, too, and a satin finish, making this classic guitar even more of a joy to play. the sitka spruce top and mahogany back and sides give this d-18 beautiful, classic tone and volume, and excellent clarity in both the highs and lows. the 1935-style sunburst, set off so well by the tortoise style pickguard, is a gorgeous reminder of the company's early years that set the standard. this martin d-18 sunburst acoustic guitar comes with a hard case and full set up to your specs too.
Specifications:
| CONSTRUCTION | Dovetail Neck Joint |
| BODY SIZE | D-14 Fret |
| TOP MATERIAL | Sitka Spruce |
| BRACING PATTERN | Forward Shifted X Brace |
| BRACE SHAPE | Scalloped |
| BRACE MATERIAL | Sitka Spruce |
| BRACE SIZE | 5/16" |
| BACK MATERIAL | Genuine Mahogany |
| BINDING | Faux Tortoise |
| TOP INLAY MATERIAL | Multi-Stripe |
| NECK MATERIAL | Select Hardwood |
| NECK SHAPE | Modified Low Oval |
| NUT MATERIAL | Bone |
| HEADSTOCK SHAPE | Solid with Square Taper |
| HEADPLATE MATERIAL | East Indian Rosewood |
| HEADPLATE LOGO STYLE | Script Old Style Overlay |
| FINGERBOARD MATERIAL | Ebony |
| SCALE LENGTH | 25.4" |
| NUMBER OF FRETS TOTAL | 20 |
Reviews:
Overall: Original unopened uninspected by zZounds, in the heavy duty box from Martin. Mine was packed well enough, but still a little surprised how little bubble pack it had, or needed. The guitar seems perfect, no blemishes, straight neck, just beautiful. Rings like a bell despite needing a set up. Saddle has tons of room to sand down to most anyone’s preferred height/action. Nut seems like it’s in similar ready to set up condition. But even out of the box it sounds absolutely great and isn’t terrible to play. The little booklet that comes with it lists features, including “non adjustable” truss rod. I hadn’t come across this in my (limited) research into D18s. Martin guitar forums are divided on it, but I think the idea is “the old ones that people worship didn’t have adjustable truss rods, so we’re following the recipe”. Fine, but why not put that in the specs too? It’s not a cheap guitar. Taking a chance on it and seeing how it does. I’ll care for it properly and if it craps out and needs a neck reset or god forbid a new neck, I’ll rant and rave about it. But for now, let’s see how it sets up!Dan
I can't say enough about this guitar. For as long as I have been a guitar player (and a Pennsylvanian, for that matter) I have known Martin guitars. They are always prominently used and sold around this area. I looked up to my idols who played them, even older players like CSN and Neil Young and Clapton. I dreamed of owning one and as a kid, I loved the white binding on dark wood, seemingly drawing me in to a D-28, which is arguably the most popular Martin ever. As a kid, I almost got a Martin DM, but ended up with a cheaper Epiphone. After college, I decided to get my first Martin Custom D Rosewood – essentially a D-28 with a mortise and tenon neck joint and a D-15 A-Frame bracing and styling – sold exclusively here on MF (and GC). It's a great value for a guitar, but had to keep it constantly humidified because of the thin-skin matte finish. It can get really dried out and in fact, was in that condition when I received it (used). Great guitar, but I was always chasing buying a brand new Martin to call my own. I played some in stores of course and always A/B'd them, but it wasn't until a factory tour that I got a real idea of the breadth that the Martin line possesses. There is the 1833 Shop there with an adjacent players room filled with a good spread of Martins of all values and construction style. I was simply playing them to see which ones spoke to me, sonically and soulfully. I played the D-28, the D-35, the D-41, the D-15, 00-15M, the CEO, a 12 string, Eric Clapton model 000-28, etc. They all had their magic I'm sure, but when I landed on the D-18, I was simply blown away. It had a completely organic and natural sound – I could literally hear the wood. It's an absolutely lovely woody tone – this sounded better than the rest to me. I also LOVE the understand design and simplicity. It's a true working man's instrument – plus it features forward shifted X-Bracing which gives a lot more bass. The new improvements are all choice! 100% my fav. acousticIan from PA
I bought this guitar last year at a locally owned music store and was happy to do so as you don't find many of them stocked at large corporately owned brick and mortar stores. When I purchased it, I fell in love with the look and overall sound of the guitar and felt I was indeed buying a piece of history. The overall materials, finish and body construction are excellent and it produces a rich tone even with older strings. However that is where the positive remarks end. The more I want to love this guitar, the more it disappoints for the simple reason that it is incredibly difficult to play. Whether this is due to a poor set up or poor fretboard construction I really can't say, but I have to put this thing down after more than after five or ten minutes of playing – it is that bad. The same is true for the D-15 I spent a pretty penny on too. How a guitar maker that's supposedly been around since 1833 can produce something this hard to play is beyond me. Older D-18s I have played are not much better as they are incredibly hard to fret and buzz incessantly. So before you spring a couple of grand for this "piece of history," reconsider something that actually plays with ease. For this reason alone, I certainly would never invest in another one of these or a D-28, D-35 etc.. that costs even more. I can name several other major brands that put this guitar to shame due to their playability but won't to avoid embarrassing the manufacturer. But I will say that Martin's quality control folks ought to check these things out before shipping them out the door. Believe me, Martin's reputation and its chances of survival depend on it.Tom R
7. Martin D-10e Road Series Acoustic-Electric Guitar
Product Details:
As part of martin’s road series, the d10e dreadnought has high-end build techniques, tonewoods and electronics that far exceed what is expected from an acoustic in this price range! the road series is perfect for value conscious players looking for a full-sized, solid wood acoustic with the superior martin tone that has shaped generations of music. newly updated in 2019, the series features a stunning mother-of-pearl pattern in the fingerboard and rosettes. all models include martin’s high-performance neck taper for added comfort as well as satin and gloss finish options and a variety of tonewoods. perhaps the most notable update to the road series is the addition of discreet fishman mx-t electronics with a built-in soundhole tuner that auto mutes the audio output so you can tune up any time without using a pedal. all road series guitars come with a premium soft shell case.
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | D-14 Fret |
| Top Material | Sitka Spruce |
| Rosette | MOP Pattern with Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Non-Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16 inch with 1/4 inch Tone Bars |
| Back Material | Sapele |
| Side Material | Sapele |
| Binding | Black |
| Top Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Performing Artist |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | White Corian |
| Headstock Shape | Solid with Standard Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Heelcap | Black |
| Fingerboard Material | FSCA Certified Richlite |
| Scale Length | 25.4 inches |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4 inches |
| Fingerboard Width at 12th Fret | 2 1/8 inches |
| Fingerboard Inlay Material | MOP Pattern |
| Fingerboard Inlay Style | MOP Pattern Dots- 28 Style Pattern |
| Side Dots | White |
| Back and Side Finish | Satin |
| Back and Sides Color | Cherry |
| Finish Top | Satin |
| Top Color | Clear |
| Finish Neck | Hand Rubbed |
| Bridge Material | FSCA Certified Richlite |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32 inches |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16 inches |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | Lifespan 2.0 Auth Acoustic MA550 Phosphor Medium |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Faux Tortoise |
| Electronics | Fishman MX-T |
Reviews:
I bought my fiancé and I a new Martin. I got her a Martin Dx2e and I got this one. I received mine first since I ordered from here which was wonderful. I got hers off of reverb because ams didn’t have sunburst which she wanted. I was not picky about color but I went with this one. I was super excited to say the least because this was my first Martin Guitar. I also purchased another guitar last year from Ams and I loved it. I digress and move forward to getting it. So I opened it up and I was super pleased with how perfect it looked. Then I started playing it. It was great until I went to play a D chord or anything that involved the high E string. It is cut way too low on the nut and the slightest pressure makes the string fall off the fret board. I thought maybe it was just me, however my father in law to be, which is a professional had the same issue. Also my fiancé had the same issue. Needless to say, I tried to make it work. I sent Ams an email. No response. I guess I’m stuck with this 1k dollars in a guitar that is going to need to be repaired at a shop when it’s brand new. So overall, if you want to take the risk, go for it. My fiancé got the Dx2e and it’s stellar. I would rather have one like hers than this one tuner or not. Hers sounds much better too. The looks and everything else is fine. Just the bottom string is way way too low.Brittany
Sound: Unplayable, neck is crap Features: Doesn’t matter what you do to adjust the neck , it is crap Ease of Use: I wouldn’t know , this guitar should never have been allowed to be released . The neck is unacceptable Quality: It looks pretty. If I wanted a pretty guitar to never be played then it would be ok . But you can not even play this $900 piece of crap. Extremely frustrating Value: Absolutely no. Buy another brand. Breedlove would be my best choice as I bought one and absolutely loved it out of the box . Best acoustic guitar I ever played Manufacturer Support: I have contacted Martin. No authorized repair shop within 100 miles of me in my state . Martin should be ashamed of this garbage The Wow Factor: Martin name sucked me in . Never ever again if they don’t want to fix this piece of junk Overall: I have been playing and working on my own guitars since 1975 . This is absolutely the worst guitar I’ve ever owned. The neck has an S shape to it . The relief is acceptable up to the 7th fret , after that it rapidly accelerates to an unusable 1/4 inch at the 12th fret . No matter how much you attempt to adjust it, it simply is unplayable. I am ashamed to even take it out of the bag . Martin quality control seriously blew it big time on this guitar. I own dozens of guitars and waited until my retirement to buy that Martin guitar of my dreams. This is a nightmare, not a dream. Stay away from this piece of crap . No matter what adjustment you do to the truss rod , it won’t help. Bass to treble side is extremely different. 1/4 inch on the bass side at the 12th but the treble side is marginally better. However, the S shape of the fretboard makes the guitar unplayable unless you like staying in the cowboy chord area . My Ovation, Breedlove,Fender , and Gibson acoustic guitars are brilliant examples of guitar playability. This Martin was to be my final guitar since I have only played them and never owned one . I can’t even play this piece of garbage. Martin has no dealer or authorized repair shop within 100 miles of me so I am stuck with a $900 piece of firewood. Never ever will I buy anything with that name again. That’s all they are, a name. How this got by quality control blows my mind. I have $200 acoustic guitars that are much better than this. Totally disgusted by my experience with this guitar.Gregory
Overall: So after playing guitar for more than 30yrs, this is my first Martin. Very weird considering my father sang and played with a Martin F-65 (rare semi-hollow body, only about 600 made) most of his life. I've lived all my life usually not more than 2 hours from the factory, and for most of that time less than an hour. I've taken the factory tour which was awesome. I've met many musicians that play Martins, endorse them, etc. I've been playing the last year or so on a Fender acoustic(not including my electrics that I own or play), which is a decent enough instrument, albeit a cheap sub 300$ guitar, when I purchased it over a year ago. I have owned a few other acoustics, a couple Takamines, Fenders, Ibanez, Ovations etc over the years. I won't say I have any considerable experience with 1k and up acoustic guitars, but I like to believe I have at least a decent ear. The sound is really the thing here, as this is not an ornate guitar with fancy inlays and stuff like that. Still, one of the main reasons I chose this model is because it's solid wood. I have no experience with Martins HPLs, but I also know Martin wouldn't put their name on anything if it isn't well made. I prefer solid wood, so that's a great reason to chose this model for this price point, and the reason I did. That being said, this is what a great guitar should sound like. I can easily hear the way every string sounds as clear and loud as the others. I'm pretty sure this has to do with bracing and the way they build their tops. it just projects the way a guitar should, not muddy on low strings and too bright on the highs. It sounds superb, plain and simple. Clear, bright, articulate. Martin has been perfecting guitar building for almost 2 centuries now, and while this is not their top of the line guitar, it gets all the benefit of their experience in the way they're designed and built. One thing I didn't realize about Martins until after getting this, and looking at their specs on most of their guitars is they have a wider neck (1.75" width) than I'm used to. My Fender neck was more like an electric neck, both width and thickness wise. I will easily get used to this though, and may enjoy it even more in time, as I have big hands. I also love the hidden controls for the volume and tone and tuner. I love that they didn't cut a huge hole in the body of the guitar for them, very cool. I haven't plugged it in yet, but I have no doubt it'll sound good. Fit and finish are fantastic, as is the soft case they include. I would rather it have had a gloss finish, except the neck, but that's just a personal thing. It's a beautiful, well made instrument, that you should definitely put on your short list of under 1k guitars.I would definitely recommend this guitar.
8. Martin 00015m Mahogany Acoustic Guitar With Case, Natural
Product Details:
Made in martin's nazareth, pennsylvania factory, the d-15m burst is constructed with genuine mahogany top, back, sides and neck, is accented with beautifully toned pre-war mahogany top shading. included a hard shell case and martin lifetime warranty. martin d-15m burst solid mahogany acoustic guitar size – dreadnought 14 fret mpn. d-15m burst construction – simple dovetail neck joint top. solid genuine mahogany back and sides. solid genuine mahogany finish. satin neck material. solid genuine mahogany neck shape. modified low oval nut width – 1-11/16". scale length – 25.4" tuning machines. nickel open geared with butterbean knobs fingerboard & bridge material. morado nut. bone strings. martin sp lifespan phosphor bronze medium gauge (msp7200). includes martin 345 hard case.
Specifications:
| CONSTRUCTION | Simple Dovetail Neck Joint |
| BODY SIZE | 000-14 Fret |
| TOP MATERIAL | Mahogany |
| BRACING PATTERN | X Brace |
| BRACE SHAPE | Non-Scalloped |
| BRACE MATERIAL | Sitka Spruce |
| BRACE SIZE | 5/16" |
| BACK MATERIAL | Mahogany |
| NECK MATERIAL | Mahogany |
| NECK SHAPE | Modified Low Oval |
| NUT MATERIAL | Bone |
| HEADSTOCK SHAPE | Solid with Square Taper |
| HEADPLATE MATERIAL | East Indian Rosewood |
| HEADPLATE LOGO STYLE | Script Old Style Overlay |
| FINGERBOARD MATERIAL | East Indian Rosewood |
| SCALE LENGTH | 25.4'' |
| NUMBER OF FRETS TOTAL | 20 |
| FINGERBOARD INLAY MATERIAL | Abalone |
| Style | Orchestra (om) |
| Electronics | No |
| Top Wood | Mahogany |
| Back/Side Wood | Mahogany, Mahogany back/sides |
| Scale Length | Standard scale |
| Fret to Body | 14 fret |
| Nut Width | 1 11/16" |
| Case Included | Yes |
Reviews:
Overall: Played one 10 or so years ago but didn’t get because of other obligations. Never forgot how it played and sounded! Finally got one and it is a truly excellent guitar. I have a Gibson CJ165EC, which I love, and the 000-15M is a totally different sound, which I wanted. Needed some Martin jangle! Out of the box fantastic. The mahogany tone is unmistakable and rich! Neck is a thin Martin neck, which I’m fine with. I’ve been playing for 53+ years so I kinda know what I’m talking about. Putting in a Fishman rate earth soundhole pickup and this will be my busking guitar! Really happy with the guitar and with zZounds. Delivery was fast and purchase was flawless. Highly recommend both the Martin 000-15M and zZounds!!Reverend
I ordered this online after discussing the purchase with Sam Ash Staff, it was in short supply, they scouted all Sam Ash Stores, they found one and it arrived two weeks early just after christmas. My wife loves it! It's her 2nd Martin Guitar and this one is her prize instrument. The staff at our local store were really helpful both with the Order process and preparing the the guitar upon arrival at the store. I asked about the 1st year instrument maintenance option and they were able to update our purchase to include that. The guitar sounds great, my wife loves playing it even though she is a novice. Totally satisfied with the instrument and the staff that helped obtain it. Thanks guys.Britinusa
I have wanted a triple-aught mahogany guitar. I preferred the Guild D20 dread to the Martin D15, but was open-minded about which 000 brand. Didn't like videos on Taylor and Alvarez all hog orchestra models and was very impressed with the Martin videos. So ordered this. Was also a big fan of Kenneth Pattengale and I'm With Her who use the 00-15 model. Let the box sit half a day. Upon opening it I was greeted by this amazing scent. The guitar came set up with low action, slightly detuned. The bridge and fretboard appeared to be stained morado (a very hard and valid wood, harder than rosewood but not quite as much as ebony). Tuners are Grover Statites. They are firm and perhaps a little too sensitive to sometimes dial in. The body was a gorgeous chocolate with amber-orange highlights. The guitar was immaculate. Martin Lifespan 2.0 PB 12-54 strings. It sounded really nice with the ebony pins which were fit absolutely perfectly. However, I had already purchased Blisstime unbleached bone pins which fit perfectly too. I got even more sustain and a more melodic tone, along with greater volume. This improved the strumming tone immensely. May switch to nickel-bronze 12-56 strings, but I will wait for now. The guitar is super-light and weird to hold after dreads. The tone is dark (as expected) but ringing. There is the hog compression, but I was amazed how great this sounded brand new. I did humidity it overnight. Intonation was spot on. The frets were dressed wonderfully with no protruding ends. No truss rod wrench, nor polishing cloth like with my DSS-17. The case had a small ding in the tolex which I was able to bond into place cleanly and disguise. The case is very nice, but without built-in humidification like my Guild. The tone is beautifully even and not bass-heavy like the D15. The treble keeps up with the expected mids. The end pin was not pushed in all the way by me as it was very tight. May opt to have that professionally assessed. I don't gig, so a pickup is not for me. I did get a tortoise pickguard. This is definitely a keeper which I will pamper.Tom
9. Martin Dreadnought Junior Acoustic Guitar Natural
Product Details:
Save big when you buy today! construction: mortise/tenon neck joint – body size: dreadnought junior – 14 fret – top: solid sitka spruce – rosette: 2 ring – top bracing pattern: dreadnought junior – top braces: solid sitka spruce 1/4"back material: solid sapele – back purfling: none – side material: solid sapele – endpiece: none – endpiece inlay: none – binding: black boltaron – top only – top inlay style: black/white boltaron – side inlay: none – back inlay: none – neck material: select hardwood – neck shape: dreadnought junior profile – nut material: white corian – headstock: solid/dreadnought junior taper – headplate: hpl east indian rosewood with pad printed gold logo – heelcap: none – fingerboard material: black richlite – scale length: 24''number of frets clear: 14number of frets total: 20fingerboard width at nut: 1-3/4''fingerboard width at 12th fret: 2-1/8''fingerboard position inlays: style 28 – white boltaron dots – fingerboard binding: none – finish back & sides: hand applied natural oil finish – finish top: hand applied natural oil finish – finish neck: hand applied natural oil finish – bridge material: black richlite – bridge style: junior style belly – bridge string spacing: 2-3/16''saddle: 16'' radius/compensated/white tusq – tuning machines: chrome enclosed with small buttons – recommended strings: martin sp lifespan 80/20 bronze medium gauge (msp6200)bridge & end pins: white with black dots – pickguard: delmar tortoise color – case: gig bag – interior label: paper label – electronics: fishman sonitone
Specifications:
| Construction | Mortise & Tenon Neck Joint |
| Body Size | D Junior-14 Fret |
| Top Material | Sitka Spruce |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 1/4" |
| Back Material | Sapele |
| Binding | Black |
| Top Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Dreadnought Junior |
| Nut Material | White Corian |
| Headstock Shape | Solid with Dreadnought Junior Taper |
| Headplate Material | HPL |
| Headplate Logo Style | Script Ink |
| Fingerboard Material | FSC Certified Richlite |
| Scale Length | 24'' |
| Number of Frets Total | 20 |
| Fingerboard Inlay Material | White Plastic |
| Saddle Radius | 16" |
| Bridge Pin Material | White Plastic |
Reviews:
At 73, I've had some kind of inexpensive guitar or other since high school, occasionally playing some 3 or 4 chord folk, cowboy, or campfire tunes. My guitar since about 2000 has been an Ibanez PF10 NT. It sounded pretty good to me over the years. Then a few of my older grand kids (about 9 through 16 years old) took up ukuleles and guitars and quickly got pretty darned good. So I decided I'd start playing more and do some jamming with them. Just strolling through Guitar Center one afternoon, I notice this little Martin hanging out with the less expensive guitars. I had been out of the loop as to what Martin had been up to for years. I'd lusted for one since I can remember. I pick it up and see that it's only $499, got to be a mistake. Back in my day, the Martins I knew of cost thousands. Anyway, I strum it and almost swoon it sounds so pretty. I sit and play it for a while and figure I still can't really spend 500 on a guitar. Well, about 3 days later I bought one and have only put it down to sleep and eat ever since. (Slight exaggeration.) The dreadnought junior 10 is fun and easy to play, and it sounds great. So I'm using it to learn to play the neck and do more finger picking and trying to keep myself from buying another Martin. If one this little gem is so good, how great are the one's for say $1800?Mark TM
Fantastic guitar with a better sound than I expected from a downsized dreadnought. Because of it’s smaller size, I find it’s easier to pick up and start strumming away, even though I have a Maton dreadnought as well. Could be the novelty factor but I am enjoying the Martin sound. Would recommend this guitar to anyone.Leo S.
I recently bought my first Martin guitar, a 2019 0-18 which is retail at $2500. Absolutely love the guitar and cant put it down. I work half my time in another state where I cant take my 0-18 so I bought Dreadnought Jr as a jam guitar for my apartment there. Have to say this guitar is almost as fun to play. At 20% of the cost you still get an all-wood, hand made Martin. Its not US made of course but still a quality guitar. I have as much fun playing this as my 0-18. They are both about the same size and fun to play. If you are a serious beginner or a seasoned pro, this will fit the bill as a good jam guitar with the great Martin tone and playability.reg3181
10. Martin D-18 Acoustic Guitar – Natural
Product Details:
Specifications:
| BODY SIZE | D-14 Fret |
| FINISH TOP | Gloss |
| CONSTRUCTION | Dovetail Neck Joint |
| BACK AND SIDE FINISH | Gloss |
| BRACING PATTERN | Forward-Shifted X-Brace |
| SCALE LENGTH | 25.4" |
| BRACE SHAPE | Scalloped |
| FINGERBOARD WIDTH AT NUT | 1 3/4'' |
| TOP MATERIAL | Sitka Spruce |
| NECK SHAPE | Modified Low Oval |
| BACK MATERIAL | Genuine Mahogany |
| NECK TAPER | High-Performance Taper |
| SIDE MATERIAL | Genuine Mahogany |
| ELECTRONICS | Optional |
| TOP COLOR | Aging Toner |
| BRIDGE STYLE | Modern Belly – Drop in Saddle |
| BINDING | Faux Tortoise |
| BRIDGE STRING SPACING | 2 5/32" |
| TOP INLAY MATERIAL | Multi-Stripe |
| BRIDGE MATERIAL | Ebony |
| BRIDGE PIN MATERIAL | Black Plastic |
| PICKGUARD | Tortoise Pattern |
| SADDLE | Compensated Bone |
| ROSETTE | Old Style 18 Multi-Stripe |
| SADDLE RADIUS | 16" |
| BRACE MATERIAL | Sitka Spruce |
| BACK AND SIDES COLOR | Dark Mahogany |
| BRACE SIZE | 5/16" |
| BACK PURFLING/STRIP | Style 18 |
| HEELCAP | Faux Tortoise |
| ENDPIECE | Faux Tortoise |
| NECK MATERIAL | Select Hardwood |
| FINGERBOARD MATERIAL | Ebony |
| FINISH NECK | Satin |
| FINGERBOARD WIDTH AT 12TH FRET | 2 1/8'' |
| NECK COLOR | Dark Mahogany |
| FINGERBOARD INLAY STYLE | Old Style 18 |
| NUMBER OF FRETS TOTAL | 20 |
| FINGERBOARD INLAY MATERIAL | Abalone |
| NECK JOINS BODY AT | 14th Fret |
| SIDE DOTS | White |
| HEADSTOCK SHAPE | Solid with Square Taper |
| TUNING MACHINES | Nickel Open Gear |
| HEADPLATE MATERIAL | East Indian Rosewood |
| KNOB | Butterbean |
| HEADPLATE LOGO STYLE | Script Old Style Overlay |
| NUT MATERIAL | Bone |
| LEFT HANDED AVAILABILITY | true |
| PLEKED | true |
| Finish | Ambertone |
| Year | 2018 – 2022 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Dreadnought |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Neck Material | Mahogany |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Sides Material | Mahogany |
| Top Material | Spruce |
Reviews:
Overall: Original unopened uninspected by zZounds, in the heavy duty box from Martin. Mine was packed well enough, but still a little surprised how little bubble pack it had, or needed. The guitar seems perfect, no blemishes, straight neck, just beautiful. Rings like a bell despite needing a set up. Saddle has tons of room to sand down to most anyone’s preferred height/action. Nut seems like it’s in similar ready to set up condition. But even out of the box it sounds absolutely great and isn’t terrible to play. The little booklet that comes with it lists features, including “non adjustable” truss rod. I hadn’t come across this in my (limited) research into D18s. Martin guitar forums are divided on it, but I think the idea is “the old ones that people worship didn’t have adjustable truss rods, so we’re following the recipe”. Fine, but why not put that in the specs too? It’s not a cheap guitar. Taking a chance on it and seeing how it does. I’ll care for it properly and if it craps out and needs a neck reset or god forbid a new neck, I’ll rant and rave about it. But for now, let’s see how it sets up!Dan
I can't say enough about this guitar. For as long as I have been a guitar player (and a Pennsylvanian, for that matter) I have known Martin guitars. They are always prominently used and sold around this area. I looked up to my idols who played them, even older players like CSN and Neil Young and Clapton. I dreamed of owning one and as a kid, I loved the white binding on dark wood, seemingly drawing me in to a D-28, which is arguably the most popular Martin ever. As a kid, I almost got a Martin DM, but ended up with a cheaper Epiphone. After college, I decided to get my first Martin Custom D Rosewood – essentially a D-28 with a mortise and tenon neck joint and a D-15 A-Frame bracing and styling – sold exclusively here on MF (and GC). It's a great value for a guitar, but had to keep it constantly humidified because of the thin-skin matte finish. It can get really dried out and in fact, was in that condition when I received it (used). Great guitar, but I was always chasing buying a brand new Martin to call my own. I played some in stores of course and always A/B'd them, but it wasn't until a factory tour that I got a real idea of the breadth that the Martin line possesses. There is the 1833 Shop there with an adjacent players room filled with a good spread of Martins of all values and construction style. I was simply playing them to see which ones spoke to me, sonically and soulfully. I played the D-28, the D-35, the D-41, the D-15, 00-15M, the CEO, a 12 string, Eric Clapton model 000-28, etc. They all had their magic I'm sure, but when I landed on the D-18, I was simply blown away. It had a completely organic and natural sound – I could literally hear the wood. It's an absolutely lovely woody tone – this sounded better than the rest to me. I also LOVE the understand design and simplicity. It's a true working man's instrument – plus it features forward shifted X-Bracing which gives a lot more bass. The new improvements are all choice! 100% my fav. acousticIan from PA
I bought this guitar last year at a locally owned music store and was happy to do so as you don't find many of them stocked at large corporately owned brick and mortar stores. When I purchased it, I fell in love with the look and overall sound of the guitar and felt I was indeed buying a piece of history. The overall materials, finish and body construction are excellent and it produces a rich tone even with older strings. However that is where the positive remarks end. The more I want to love this guitar, the more it disappoints for the simple reason that it is incredibly difficult to play. Whether this is due to a poor set up or poor fretboard construction I really can't say, but I have to put this thing down after more than after five or ten minutes of playing – it is that bad. The same is true for the D-15 I spent a pretty penny on too. How a guitar maker that's supposedly been around since 1833 can produce something this hard to play is beyond me. Older D-18s I have played are not much better as they are incredibly hard to fret and buzz incessantly. So before you spring a couple of grand for this "piece of history," reconsider something that actually plays with ease. For this reason alone, I certainly would never invest in another one of these or a D-28, D-35 etc.. that costs even more. I can name several other major brands that put this guitar to shame due to their playability but won't to avoid embarrassing the manufacturer. But I will say that Martin's quality control folks ought to check these things out before shipping them out the door. Believe me, Martin's reputation and its chances of survival depend on it.Tom R
11. Martin D-10e Road Series – Natural Sitka Spruce
Product Details:
This martin road series d10e is in excellent condition. playability and action is as it should be. all solid wood construction with a spruce top and sapele back and sides with a richlite fingerboard. it comes with a computerized plek setup, fishman electronics and a natural satin finish. includes original soft shell case.
Specifications:
| Finish | Natural |
| Year | 2018 – 2019 |
| Made In | Mexico |
| Back Material | Sapele |
| Body Shape | Dreadnought |
| Finish Style | Satin |
| Fretboard Material | Composite |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Sides Material | Sapele |
| Top Material | Spruce |
| Wood Top Style | Plain |
Reviews:
I bought my fiancé and I a new Martin. I got her a Martin Dx2e and I got this one. I received mine first since I ordered from here which was wonderful. I got hers off of reverb because ams didn’t have sunburst which she wanted. I was not picky about color but I went with this one. I was super excited to say the least because this was my first Martin Guitar. I also purchased another guitar last year from Ams and I loved it. I digress and move forward to getting it. So I opened it up and I was super pleased with how perfect it looked. Then I started playing it. It was great until I went to play a D chord or anything that involved the high E string. It is cut way too low on the nut and the slightest pressure makes the string fall off the fret board. I thought maybe it was just me, however my father in law to be, which is a professional had the same issue. Also my fiancé had the same issue. Needless to say, I tried to make it work. I sent Ams an email. No response. I guess I’m stuck with this 1k dollars in a guitar that is going to need to be repaired at a shop when it’s brand new. So overall, if you want to take the risk, go for it. My fiancé got the Dx2e and it’s stellar. I would rather have one like hers than this one tuner or not. Hers sounds much better too. The looks and everything else is fine. Just the bottom string is way way too low.Brittany
Sound: Unplayable, neck is crap Features: Doesn’t matter what you do to adjust the neck , it is crap Ease of Use: I wouldn’t know , this guitar should never have been allowed to be released . The neck is unacceptable Quality: It looks pretty. If I wanted a pretty guitar to never be played then it would be ok . But you can not even play this $900 piece of crap. Extremely frustrating Value: Absolutely no. Buy another brand. Breedlove would be my best choice as I bought one and absolutely loved it out of the box . Best acoustic guitar I ever played Manufacturer Support: I have contacted Martin. No authorized repair shop within 100 miles of me in my state . Martin should be ashamed of this garbage The Wow Factor: Martin name sucked me in . Never ever again if they don’t want to fix this piece of junk Overall: I have been playing and working on my own guitars since 1975 . This is absolutely the worst guitar I’ve ever owned. The neck has an S shape to it . The relief is acceptable up to the 7th fret , after that it rapidly accelerates to an unusable 1/4 inch at the 12th fret . No matter how much you attempt to adjust it, it simply is unplayable. I am ashamed to even take it out of the bag . Martin quality control seriously blew it big time on this guitar. I own dozens of guitars and waited until my retirement to buy that Martin guitar of my dreams. This is a nightmare, not a dream. Stay away from this piece of crap . No matter what adjustment you do to the truss rod , it won’t help. Bass to treble side is extremely different. 1/4 inch on the bass side at the 12th but the treble side is marginally better. However, the S shape of the fretboard makes the guitar unplayable unless you like staying in the cowboy chord area . My Ovation, Breedlove,Fender , and Gibson acoustic guitars are brilliant examples of guitar playability. This Martin was to be my final guitar since I have only played them and never owned one . I can’t even play this piece of garbage. Martin has no dealer or authorized repair shop within 100 miles of me so I am stuck with a $900 piece of firewood. Never ever will I buy anything with that name again. That’s all they are, a name. How this got by quality control blows my mind. I have $200 acoustic guitars that are much better than this. Totally disgusted by my experience with this guitar.Gregory
Overall: So after playing guitar for more than 30yrs, this is my first Martin. Very weird considering my father sang and played with a Martin F-65 (rare semi-hollow body, only about 600 made) most of his life. I've lived all my life usually not more than 2 hours from the factory, and for most of that time less than an hour. I've taken the factory tour which was awesome. I've met many musicians that play Martins, endorse them, etc. I've been playing the last year or so on a Fender acoustic(not including my electrics that I own or play), which is a decent enough instrument, albeit a cheap sub 300$ guitar, when I purchased it over a year ago. I have owned a few other acoustics, a couple Takamines, Fenders, Ibanez, Ovations etc over the years. I won't say I have any considerable experience with 1k and up acoustic guitars, but I like to believe I have at least a decent ear. The sound is really the thing here, as this is not an ornate guitar with fancy inlays and stuff like that. Still, one of the main reasons I chose this model is because it's solid wood. I have no experience with Martins HPLs, but I also know Martin wouldn't put their name on anything if it isn't well made. I prefer solid wood, so that's a great reason to chose this model for this price point, and the reason I did. That being said, this is what a great guitar should sound like. I can easily hear the way every string sounds as clear and loud as the others. I'm pretty sure this has to do with bracing and the way they build their tops. it just projects the way a guitar should, not muddy on low strings and too bright on the highs. It sounds superb, plain and simple. Clear, bright, articulate. Martin has been perfecting guitar building for almost 2 centuries now, and while this is not their top of the line guitar, it gets all the benefit of their experience in the way they're designed and built. One thing I didn't realize about Martins until after getting this, and looking at their specs on most of their guitars is they have a wider neck (1.75" width) than I'm used to. My Fender neck was more like an electric neck, both width and thickness wise. I will easily get used to this though, and may enjoy it even more in time, as I have big hands. I also love the hidden controls for the volume and tone and tuner. I love that they didn't cut a huge hole in the body of the guitar for them, very cool. I haven't plugged it in yet, but I have no doubt it'll sound good. Fit and finish are fantastic, as is the soft case they include. I would rather it have had a gloss finish, except the neck, but that's just a personal thing. It's a beautiful, well made instrument, that you should definitely put on your short list of under 1k guitars.I would definitely recommend this guitar.
12. Martin 1937 D-28 Authentic Series Acoustic Guitar – Natural
Product Details:
Get true vintage vibe with the martin d-28 authentic 1937 vts acoustic guitar. this amazing acoustic is made the old-school way using hide glue, classic building techniques, and period-correct specifications. the d-28 authentic has that classic rich tone, thanks to their new vts aging system, and big projection that's perfect for stage and studio. we have spent a lot of time with acoustic guitars here at the fret shop, and this guitar delivers the iconic martin sound by the bucket full. its solid adirondack spruce top and madagascar rosewood back and sides provide the foundation for stunning sound that will only sound better with age. model: d-28 authentic 1937 vts. serial: 2028250. weight: 4lbs 8oz.
Specifications:
| String Type | Steel |
| Number of Strings | 6 |
| Body Shape | Dreadnought |
| Body Style | No Cutaway |
| Left-/Right-handed | Right-handed |
| Finish | Vintage Gloss with VTS finish |
| Top Wood | VTS Solid Adirondack Spruce |
| Body Bracing | X Scalloped |
| Binding | Grained Ivoroid |
| Neck Wood | Solid Genuine Mahogany |
| Neck Shape | Authentic 1937 Barrel and Heel |
| Radius | 16" |
| Fingerboard Material | Solid Black Ebony |
| Fingerboard Inlay | Diamonds and Squares, Long Pattern 1937 |
| Number of Frets | 20 |
| Scale Length | 25.4" |
| Tuning Machines | Waverly Nickel with Butterbean Knobs |
| Bridge Material | Solid Black Ebony |
| Nut/Saddle Material | Bone |
| Nut Width | 1.75" |
| Strings | Lifespan 2.0 92/8 Phosphor Bronze, .013-.056 |
| Case/Gig Bag | Hardshell Case |
| Body Length | 20" |
| Body Width | 15.625" |
| Body Depth | 4.875" |
| Overall Length | 40.5" |
Reviews:
Fantastic service from the team at Fanatic – happy to correspond in English. Order processed and despatched quickly and delivered to Gibraltar without any issues. Guitar arrived in perfect condition, well boxed. Was surprised that the guitar didn't have a strap button on the heel, but from research know that this is common practice for Martins – a bit of a shame, but no effect whatsoever on a fabulous guitar. Action is pretty high and the neck needed a slight truss rod adjustment, but easy to do with the right tool and experience of such maintenance (the allen key does not come with the guitar, but easily purchased). Width at the nut slightly wider than my previous guitar so a little technique change needed to avoid unintentional muting on the E string – that's not the guitars fault!
If you want the ARCHETYPE, the inspiration, the BEST, Go for a Martin. I have a Gibson Original Jumbo 1934 reissue, that sound like heaven, the Martin is another animal, a perfect pair for my Gibson, I'm not a professional, I love blues and fingerpicking in my home with a cigar and a whiskey and my two acoustics and my OMI Dobro Lilly Of The Valley are a treasure for me! The martin have a striped ebony fingerboard and bridge (I like it but some maybe preffer a black one, well are not black), the sound is clear and a joy! The craftmanship is perfect, the case is very nice, the martin strings sound very good (I bought 3 sets of the same), the rosewood is very nice paired, and the top have a beautiful aged tone. This guitar will be with me all my life. About Guitar Center of Miami Mr Mario and Ignacio are nice people!Alejandro
I'm a new guitarist and consider myself very fortunate to be able to afford an instrument like this. I am nowhere near good enough (yet) to get the most out of this guitar, but I will say that even as a beginner (and long-time music lover) I can really hear the difference between this and lesser guitars, and playing on an instrument like this makes learning more rewarding, and dare I say easier. Anything I hear wrong is clearly my technique, which this guitar rewards when you get it right, and makes obvious when you miss. From simple cowboy chords to picked or fingered individual notes this guitar just has tone to die for. Hit an E minor, hard or soft, and each string resonates with depth, clarity and sustain. Playing this guitar is really a dream come true. Oh, I said I'm a beginner and that means that as I write this I've been playing guitar for all of five months. I'm 52-years-old and take weekly 30 minute lessons, have dabbled in online lessons and practice about 15 to 30 minutes on weekdays and about an hour or two on Saturdays and Sundays. I recently sang and played "Nights in White Satin" by The Moody Blues for my family. Just me, my D-28 and beautiful, room-filling tone. There's nothing better.Andrew
13. Martin Djr-10e Streetmaster Acoustic Guitar
Product Details:
The martin drje ¾ dreadnought was made in mexico. the body was made of solid tonewoods. the top, back and sides were made of solid sapele. x bracing was used as the top construction. the martin djre was finished with a beautiful streetmaster finish. for electronic pickup, the beautiful acoustic guitar was equipped with a fishman sonitone pickup system.the martin dreadnought junior comes with a martin case.each acoustic guitar is tested and set in our workshop for acoustic guitars.
Specifications:
| Edition Size | Open |
| Construction | Mortise & Tenon Neck Joint |
| Body Size | D Junior-14 Fret (000 Depth) |
| Top Material | Sapele |
| Rosette | MOP Pattern with Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 1/4" |
| Back Material | Sapele |
| Side Material | Sapele |
| Neck Material | Select Hardwood |
| Neck Shape | Dreadnought Junior |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | White Corian |
| Headstock Shape | Solid with Dreadnought Junior Taper |
| Headplate Material | Sapele (New Option) |
| Headplate Detail | Do Not Use |
| Headplate Logo Style | Script Overlay |
| Fingerboard Material | FSC Certified Richlite |
| Scale Length | 24'' |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | Mother of Pearl Pattern |
| Fingerboard Inlay Style | Style 28 |
| Side Dots | White |
| Back and Side Finish | Satin |
| Back and Sides Color | Dark Mahogany |
| Finish Top | Satin |
| Top Color | Mahogany Burst |
| Finish Neck | Hand Rubbed |
| Neck Color | Dark Mahogany |
| Bridge Material | FSC Certified Richlite |
| Bridge Style | Junior Style Belly |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated White Tusq |
| Saddle Radius | 16" |
| Tuning Machines | Chrome Enclosed Gear |
| Recommended Strings | Retro Light MM12 |
| Knob | Small |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Black Plastic |
| Pickguard | Tortoise Pattern |
| Electronics | Fishman Sonitone |
Reviews:
I am a singer, songwriter, church musician, and quartet member. I have been playing and singing for over 60 years. own more than a few guitars. Most are Martins. I was looking for a smaller, lighter, easy to transport acoustic to use in my street ministry. This one caught my attention and since it was a Martin, I expected it to be a quality instrument. I am not disappointed. I've owned several Mexican made Martins over the last few years finding most to be well made, quality instruments. I have to say that this is probably the best one so far. Fit and finish is comparable to the lower priced US made models. That is to say, very good. Sound and playability is very good. The strings on this instrument are well matched for a balanced sound from bass to treble. The bass is not quite as deep and booming as a full sized dreadnought but still strong. Highs are crisp and clear. Scale is a little shorter than a full sized guitar but due to the 1.75" nut width, it doesn't feel cramped. It chords well up and down the neck and intonation is near perfect. Great for finger picking, too. The action could be a little bit lower for me but plays great right out of the box. I am very happy with this instrument and would definitely recommend it to anyone looking for a slightly smaller body size in an affordable Quality guitar. And it is a Martin 😊Thomas
I was looking for a beginner guitar for my grown but petite daughter that would fit her as well as give her a great start. I let her try several and she liked the feel and the looks of the Martin DJR-10E in Sapele the best. I liked the sound and the fact that I could depend on Martin Quality. It's been about a month now and neither of us has been disappointed. It's an easy to play and great sounding guitar, which makes her want to pick it up and play. We're both very well pleased with it.JIM
Took a GS Mini back and traded it for this. Much prefer this in almost every way (except for the gig bag… Taylor does a better job there). The reviewer who said this guitar doesn't have a truss rod is misinformed. This guitar has a biflex truss rod. I love the neck! At 1 3/4 inches, there's more room for fingerpicking, and this thing sounds great for strumming as well. Very balanced with nice lows for the size. To me this sounds better than anything in the price range, regardless of size.
14. Martin Style 35 Custom Shop 1935 Sunburst Dreadnought Acoustic Guitar 1935 Sunburst
Product Details:
A sitka spruce top, satin-finished mahogany neck and east indian body provide a well-balanced, warm acoustic tone that is just as classic as the martin dreadnought design. topped with the popular 1935 sunburst finish and constructed with a forward-shifted x-bracing pattern, the style 35 custom dreadnought also includes an ebony fingerboard, and gold grover vintage-style tuners. – spruce top and rosewood body – mahogany neck with low oval high performance taper profile – ebony fingerboard – vintage-style gold tuners
Specifications:
| Body type | Dreadnought Non-Cutaway |
| Top wood | Spruce |
| Bracing pattern | Forward X pattern |
| Body finish | Gloss |
| Neck shape | Low Oval High Performance Taper |
| Nut width | 1.75" |
| Fingerboard | Ebony |
| Neck wood | Mahogany |
| Scale length | 25.4" |
| Number of frets | 20 |
| Neck finish | Satin |
| Bridge | Ebony |
| Tuning machines | Vintage-style |
| Orientation | Right-Handed |
| Number of strings | 6 String |
| Country of origin | United States |
Reviews:
What is neat about these guitars is that the Special Martins are the specification of Martin CEO Chris Martin. He did an extremely nice job on the configuration, balancing standard bracing, rose tone wood, and the VTS adirondack top. The combination provides this guitar with a fantastic full spread of frequencies, separation of string tones, and the stability of standard bracing, which allows for the guitar's even responsiveness providing clarity at all volumes. Put this guitar in a nice sounding room with a good (not excellent) microphone and I cannot imagine a better way to record. If you can sing over this guitar, you will have to strain. The ability to hold tune always amazes me about Martin guitars and this guitar is no different. It is a great deal at full price, but I got mine at $1K off because someone thankfully brought it back. A sturdy plastic shelled case exactly fits the guitar. A part of me hopes they stop making this configuration so the value goes up, but then again, it should be played and mine will just go to one of my children who will enjoy it as I have.Grace
This guitar looks and sounds amazing. The action comes a bit high as all Martin dreadnoughts do. If you like that, you're good to go. If like a lot of people you want a lower action, have a luthier carve a new saddle for you like I did and keep the old saddle just in case as a backup. With the new saddle this guitar plays perfectly. I'll most likely use the lower saddle for fingerpicking and the old saddle if I'm strumming loud chords. Didn't need to adjust anything else but the saddle. The neck and nut were perfectly in spec already. I had my luthier file down some sharp corners on the fingerboard side of the nut and now it's even more comfortable to play. One thing that I've always found disappointing about Martin guitars is the plastic bridge pins. So I went ahead and ordered a set of liquid metal pins made by Martin. I really like the look of the new pans and I do think they add volume and a bit of sustain. I've tried some different strings on this guitar with differing results. Not sure exactly which strings that came with but those sounded only OK. They were kind of old though. I put a set of light gauge elixir nanoweb 8020 bronze and those sounded better but I wasn't satisfied until I tried some Tony Rice signature medium gauge strings and that was the sound I've been looking for. they really allow the guitar to sing and have a very woody and warm tone. whatever type of string you use I would definitely recommend medium 13 to 56 gauge for maximum tone. Don't go any heavier than that. Over all I am very pleased with this instrument, especially with the modifications I mentioned above.Nick B
First off, given the pandemic, I bought both this and an 000-28EC to compare. I babied and played them both for nearly 30 days before I ended up returning this (in mint condition) and keeping the EC. Tough decision, but it was mostly due to the neck and ergonomics of the EC that fit my shoulder better. But there is not a day that goes by that I don't think about this fantastic dread. The Engelmann spruce has an awesome bearclaw to it, and has a 3D effect/depth to it that is hard to describe and even harder to capture in photos, but you can really appreciate it in person. It makes the guitar unique and I really liked it. Apparently Bearclaw Engelmann is also quite rare. The tone out of this thing was amazing, very loud and shimmery with lots of overtones, maybe a little brighter than other HD-35s I played. Very bass-heavy, and held up to heavy strumming without issue. Fingerpicking was also nice, but EC was better for that. The upgrades to this are the bearclaw top and polished head plate with the fancy Martin script, which does help set it apart, but for the price, I wish it had wood binding or at least grained ivoroid. Ultimately, I couldn't bond with the size, MLO neck, or the plastic binding. But if these are non-issues for you, this is a very choice guitar. I will say that the Custom Shop did a great job with symmetry of the bearclaw top, and they picked out some real nice pieces of rosewood for the back and sides as well. Action was good from the factory. For this price, I wish it came with a better case than the green felt thermoplastic, which had a tendency to tip over or try to close onto the guitar. If you're in the market for a one-of-a-kind HD-35, give this model some serious consideration. Absolutely fantastic instrument.Paul
15. Martin Standard Series M-36 Acoustic Guitar
Product Details:
The martin m36 0000 14-fret was equipped with a fingerboard made of ebony. it was fitted with a standard "x" scalloped, forward shifted bracing. the body was lacquered in high gloss and the back of the neck in matt. the martin m-36 comes with a martin case from the 500 series and certificate. each acoustic guitar will be optimally adjusted in our workshop.
Specifications:
Reviews:
I think the M-36 is a hidden sleeper in the Martin line. I researched this guitar for over a year and it checked off all the boxes for me. A great value for the price point. The 3 piece back is what drew me to the M-36 as I own a D-35 and a D-35 12 string and both are canons. The neck and feel of the M-36 is exactly like my 30 year old D-35. Very comfortable if you are used to a low profile neck and like low action. This is a great guitar for finger picking and the tone is balanced and clean with good base resonance. It already sounds like a seasoned instrument. I have Fishman pick ups in my other guitars, but this Ellipse Matrix system is the next level. Hard to put it down.Derek
I play many types of music and this guitar fits many perfectly. Set up great right out of the box.When I want her to sound sweet, she's sweet. When I want to rock, she rocks. All up and down the neck she responds beautifully. Doesn't matter, country, rock or simple sweet music, this guitar singsR.Eastepp
Simply stunning. Went in with a determined mind to try and buy a D28 (lifelong ambition) Played the D28, exceptional guitar, spied the M36 next to it, picked it up for a quick play and it felt like an extention of me straight away. Bit more expensive but it was simply destined to be…Reviewed by Andertons Music Co.
16. Martin D-17 Squadron
Product Details:
The d-17 squadron acoustic guitar's artwork, with its unmistakable toothy grin, was executed by robert f. goetzl and inspired by the wwii squadron planes that were painted and made famous by the legendary american volunteer group, the flying tigers. the body shape and style are built on the foundation of a d-17, and the artwork is digitally applied on the sitka spruce top. this guitar is sure to turn heads wherever you go.
Specifications:
| Edition Size | Open |
| Construction | Simple Dovetail Neck Joint |
| Body Size | D-14 Fret |
| Top Material | Sitka Spruce |
| Top Detail | Custom Design |
| Bracing Pattern | Forward Shifted X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16" |
| Back and Sides Material | Mahogany |
| Binding | Silver |
| Top Inlay Material | Black Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Mod Low Oval |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid with Square Taper |
| Headplate Material | Ebony |
| Headplate Detail | Do Not Use |
| Headplate Logo Style | Script Old Style Overlay |
| Fingerboard Material | East Indian Rosewood |
| Scale Length | 25.4" |
| Neck Joins Body At | 14th Fret |
| Total Number of Frets | 20 |
| Fingerboard Width at Nut | 1 3/4'' |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Fingerboard Inlay Material | Mother of Pearl |
| Fingerboard Inlay Style | 1955 Style 18 |
| Side Dots | Yellow |
| Back and Sides Finish | Satin |
| Back and Sides Color | Dark Mahogany |
| Finish Top | Satin |
| Top Color | Custom Ink |
| Neck Finish | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | East Indian Rosewood |
| Bridge Style | Modern Straightline- Drop in Saddle |
| Bridge Spacing | 2 5/32" |
| Saddle | Compensated Bone |
| Saddle Radius | 16" |
| Tuning Machines | Golden Age Relic Nickel |
| Strings | Retro Light MM12 |
| Knob | Cream |
| Bridge Pin Material | Black Plastic |
Reviews:
17. Martin D-45 Dreadnought Acoustic Guitar
Product Details:
A guitar that has stood the test of time. the martin d-45 gives you the chance to achieve that legendary tone showcased by the likes of neil young and gene autry. crafted in a beautiful dreadnought shape, your playing experience will be superbly comfortable whilst still delivering a rich, resonant, and defined tone. and the subtle yet elegant visual details, such as abalone inlays, reflect the guitar's beautiful sonic qualities. the spruce top and rosewood back and sides of the d-45 make up a truly magnificent tonewood combination. prepare for shimmering clarity that weaves in and out of a wondrous depth of sound, creating a full, immersive tone. the gorgeous ebony fretboard then provides a snappy attack, perfect for stunning articulation. such a versatile tone is ideal for a range of playing styles, enticing any accomplished guitarist who isn't limited in style. the d-45 promises a magical performance.
Specifications:
| Construction | Dovetail Neck Joint |
| Body Size | D-14 Fret |
| Top Material | Sitka Spruce |
| Rosette | Abalone with Multi-Stripe |
| Bracing Pattern | Forward Shifted X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16 inch |
| Back Material | East Indian Rosewood |
| Back Purfling/Strip | Style 45 |
| Side Material | East Indian Rosewood |
| Endpiece | Antique White |
| Endpiece Inlay | Abalone with Multi-Stripe |
| Binding | Antique White |
| Top Inlay Material | Abalone with Multi-Stripe |
| Side Inlay Material | Abalone with Multi-Stripe |
| Back Inlay Material | Abalone with Multi-Stripe |
| Neck Material | Genuine Mahogany |
| Neck Shape | Modified Low Oval |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid with Square Taper and Diamond |
| Headplate Material | East Indian Rosewood |
| Headplate Logo Style | Block Inlay |
| Headplate Binding Material | Antique White with Multi-Stripe |
| Heelcap | Antique White |
| Fingerboard Material | Ebony |
| Scale Length | 25.4 inches |
| Neck Joins Body At | 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4 inches |
| Fingerboard Width at 12th Fret | 2 1/8 inches |
| Fingerboard Inlay Material | Abalone |
| Fingerboard Inlay Style | Style 45 Hexagon |
| Fingerboard Binding Material | Antique White |
| Side Dots | Black |
| Back and Side Finish | Gloss |
| Finish Top | Gloss |
| Top Color | Aging Toner |
| Finish Neck | Gloss |
| Neck Color | Dark Mahogany |
| Bridge Material | Ebony |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32" |
| Saddle | Compensated Bone |
| Saddle Radius | 16" |
| Tuning Machines | Gold Open Gear |
| Recommended Strings | Phosphor Bronze Medium (550T) |
| Knob | Butter Bean |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Abalone |
| Pickguard | Faux Tortoise |
Reviews:
Just fantastic Well, how do I make this clear. First of all, an acoustic guitar is really just a mirror made out of wood;l in other words, whatever you can do, IT will do. I've been playing almost 30 years and can tell you that learning to play steel-string is an EVOLUTION. An evolution of your taste, your ability, but also it's a continued undestanding of what makes a guitar sing: Voicings and strings. Without all these things you cannot evolve. What a martin brings to the table (ESP the D-45) is the vehicle to make these expressions in my opoinion. For example, I play the same thing on 2 guitars and one of them is a D-45 — THAT is where we should begin the review, a comparison to a baseline variable. I've owned both old klunkers and nice steel string guitars. But it wasn't until late '07 that I had the dough to lay down on a Marty. I went with a D-42 for econ reasons (about 3400.00 at that time). She was a beut' … However, a few years later I went into the shop and test drove a new D-4 and let me tell you there was just NO comparison there…. NONE. The D-45, when put together correctly and set to go is about as close to driving a Ferarri Enzo as a working-class guitarist can ever get. She was so fast, and so bright, big, and loud it was jaw-dropping — not only for me, but for several others in the sound room, no kindding. I decided right then and there I would lay down the money to get her. And only this particular one, too. Each one is different. YOU MUST SHOP and COMPARE. This is the nicest guitar I've ever played in my life….. Endless enjoyment is hard to put a price on.Jon Mould
I also own a Gibson J-200, and the feel of this guitar is just so different and special. It plays so much easily and without effort. Having said that, I'm still playing with strings and determining which works best for me, but regardless of what I've used so far, I have not been disappointed. On top of the amazing sound, it is probably the most beautiful piece of art that I have ever seen. Not only does it sound better than probably any other acoustic you will get your hands on, but it will also leave you with a sense of pride that you own a work of art that will stand the test of time as you pass it down generation to generation.P-Dogg
I've had a D41 since 1979 and thought it was the most beautiful thing both to the eye and the ear. I wondered at the reviews, could a D42 sound better than perfection? Well, the answer is it's a different form of perfection. The D42 had presence to it. Like some actors/actresses have that special quality that makes the audience take attention. The D42 is like that. It has stage presence that will leave you bewildered at the incredible quality and intricacy of sound coming from it. It's bliss. Get one and you won't regret it. The reviews are true, oh so true. It has gold hardware that feels much less substantial that the D41. Inlay is pleasing to the eye and understated. Even so I can't fault what's there. Perfect finish, perfect wood, perfect tone. Built with Martin quality behind it. Its not as pretty as my old D41, the woods available have changed over the years. The tuners are less substantial. How much is a piece of heaven worth to you?
18. Martin Special D Classic Dreadnought Acoustic Guitar Natural
Product Details:
This item was returned in great condition. it looks and plays like new, with only minor signs of use (slight scuffs, etc.). the martin special d classic dreadnought acoustic guitar is crafted with a solid sitka spruce top and solid sapele back and sides. like many of martin s famous dreadnought guitars, the special d classic dreadnought has all the punch and volume that players have come to expect from the world-famous martin guitar co. the combination of spruce and sapele generates a tone with expressive highs and mid-range frequencies plus a loud, punchy bottom end. along with a great tone, this guitar has amazing sustain and dynamic response. the martin special d is equipped with a mortis and tenon neck joint. this glued, neck-to-body joint allows the neck and body of the guitar to resonate as one instrument. like many of the world s finest string instruments, the mortis and tenon does not have any bolts that limit sustain and change the color of the acoustic sound. the tight fit …
Specifications:
| Body type | Dreadnought, Non-Cutaway |
| Top wood | Solid Spruce |
| Bracing pattern | X |
| Body finish | Satin |
| Neck shape | Modified Low Oval |
| Nut width | 1.687" |
| Neck wood | Select hardwood |
| Scale length | 25.4" |
| Number of frets | 20 |
| Neck finish | Hand-rubbed |
| Bridge | Ebony |
| Tuning machines | Chrome |
| Orientation | Right Handed |
| Number of strings | 6-string |
| Country of origin | Mexico |
Reviews:
I took basic Mel Bay guitar lessons when I was 10 years old with a backyard guitar that cost my mother I think $50 back in the day. As usual for an undisciplined kid, I found the process of practicing difficult and got bored easily. I excelled in singing instead so I laid the guitar down only to wonder for the rest of my life, could I have actually been a good guitar player had I just stuck with it? Now in my 50s I decided I would buy this Martin Special D Road Series Dreadnought solid spruce topped guitar and am completely satisfied. The tone is full and rich with distinctive highs and lows that's described for this guitar. I'm making sure that I'm keeping it in a humidified room between 40 to 50% stored in its case. After the initial break in tune period of the first couple of days, it's holding in tune very nicely. The high strings need to be adjusted as they rattle a bit. The Guitar Center technician explained this may happen and to bring it in for adjustments as this is a known Martin trait. So I plan to take care of that soon and begin my lessons with a local instructor. Wish me well in my journey and I wish you well in your journey as well. Happy playing. You'll love this guitar.David
I bought this guitar so I could store my D-18 for safe keeping. The Special D has similar specs so I thought it would be a perfect replacement for haif the money. After the Special D arrived I played it for a few weeks and realized that Special D played nicer and sounded better than the D-18. Now I'm not sure what guitar to store for safe keeping. These Special D dreadnoughts are very good guitars with Martins very high level of craftsmanship. Limited quantities left.Bill
After a bazillion years of playing, I got my first all solid acoustic and my first Martin. Couldn't be happier. The only downside is I have three acoustics that sound like toys in comparison. If you're wary about sapele, I'd say don't be. It's not as loud and bassy as rosewood but it's comparable to mahogany and has a great, even tone. Setup was on point right out of the box. Great deal at this price point.Troy
19. Martin Custom D Classic Mahogany Dreadnought Acoustic Guitar
Product Details:
This martin custom d classic acoustic guitar is the real deal and a real steal. crafted with a solid sitka spruce top and solid mahogany back and sides, the mahogany custom d guitar also has a tortoise binding, modified low-oval mahogany neck with a mortise-and-tenon joint and adjustable truss rod. solid indian rosewood fingerboard and bridge, and inlaid single-ring rosette complete this martin guitar. the mahogany body on the custom d guitar is much lighter in weight than rosewood, koa, or maple and yields a surprisingly strong, loud sound with an emphasis on clear, bright, airy trebles. quantities of this custom martin acoustic guitar are limited. includes case. – solid sitka spruce top – d1 a-frame bracing pattern – solid mahogany back and sides – modified low oval solid mahogany neck – mortise-and-tenon neck joint – indian rosewood fingerboard – solid indian rosewood bridge – solid indian rosewood head plate with raised gold foil decal – small dot position markers – inlaid single-ring rosette – tortoise top binding – tortoise pickguard – adjustable truss rod – white corian nut – satin finish25-2/5" scale length16" fingerboard radius14 clear frets20 frets total1-11/16" width at nut – includes martin hardshell case
Specifications:
| Body type | Dreadnought, Non-Cutaway |
| Top wood | Solid Spruce |
| Bracing pattern | Custom |
| Body finish | Satin |
| Neck shape | Modified Low Oval |
| Nut width | 1.69 in. (43 mm) |
| Fingerboard | Rosewood |
| Neck wood | Mahogany |
| Scale length | 25-2/5" |
| Number of frets | 20 |
| Bridge | Rosewood |
| Orientation | Right Handed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
I normally do not write reviews, but was compelled to do so in this case. While I only play as a hobby, to me, this is a fantastic guitar and a terrific bargain. I am not a fan of gloss finishes and fancy inlays. Yes, this guitar is no frills, but to me it looks great and sounds beautiful. It is a joy to play, and I think this instrument even makes me sound like a better player than I actually am 😉 Mine was purchased directly from the Musicians Friend website last year. For this money you are getting an all solid wood, built in the USA, Martin. Best bang for your buck in my opinion. Plus you get a Hard Shell case. If I ever had to sell all my guitars, this would be the last to go. So glad I found it and purchased it.steve363
Solid Mahogany back and sides Solid Sitka spruce top Full Dreadnought shape & size Made in the U.S. This is a bargain and a steal. If youre on a budget and can only get one Martin acoustic guitar in your life, make this the one. Its beautiful sounding. You wont regret it.gentleman808
Nice sound nice to play great price.not a good solid feel.bbby5254dan3
20. Martin Guitar Standard Series Acoustic Guitars, Hand-Built Martin Guitars With Authentic Wood D-28
Product Details:
Professional sound: martin's standard series guitars combine authentic wood, like sitka spruce, mahogany, ebony, rosewood, and more, with innovative bracing, a variety of body styles, and handmade detailing to deliver rich resonance, classic tones, and a professional sound. add our premium guitars to your touring lineup, studio gear, or instrument collection. premium handmade guitars: handmade from the highest-quality materials, martin's standard series guitars are built to stand up to late-night jams, long studio sessions, and plenty of picking. these solid-wood acoustic guitars deliver classic designs, professional sounds, and enjoyable playing. style options: with many body sizes and designs, the martin guitar standard series truly offers a guitar for any type of player. choose from acoustic, acoustic-electric, and many different body types—dreadnought, concert, grand concert, auditorium, orchestra model, jumbo, or grand performance cutaway. beginners, intermediate guitar players, or working musicians can all find the instrument that works for them. playability enhanced: in addition to martin's iconic tone known worldwide, our guitars deliver enhanced playability that makes playing a pleasure, no matter your experience or skill level. whether you're playing rock, country, folk, bluegrass, or jazz, these guitars deliver a natural playing experience that you will love. martin standard series: martin's superior guitar and string products remain the choice for musicians around the world for their unrivaled quality, craftsmanship, and tone. still handmade. still the standard. martin guitars are the real deal—not an imitation. handmade with heavy-duty materials, time-tested styles, and innovative designs, martin guitar's standard series delivers classic acoustic and acoustic-electric guitars that any musician will love to play. with many different body styles, sizes, bracing designs, and materials, you can find the guitar that works best for your playing style and music type—rock, country, folk, bluegrass, jazz, pop, and much more. choose from many different models, including the d-18, d-28, 0-18, om-21, 000-18, and many more. our guitars come in a wide variety of sizes and shapes that are specifically designed for different types of tones, volumes, and sounds. the dreadnought body shape is our largest size, which produces the most resonant and voluminous tone, while the auditorium body shape delivers a balanced tone and beautiful projection. each guitar is designed for enhanced playability, a professional sound, and timeless tone that only martin guitar can deliver. choose from an assortment of body types: dreadnought, concert, grand concert, auditorium, orchestra model, jumbo, and grand performance cutaway. each model delivers distinct features that add personality, performance, and playability to your instrument collection.for nearly two centuries, martin has been producing premium gear for musical artists across the globe. martin's superior guitar and string products remain the choice for musicians around the world for their unrivaled quality, craftsmanship, and tone. still handmade. still the standard. martin guitars are the real deal—not an imitation.
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