Are you looking for the Martin Carbon Fiber Guitar? If so, you’ve come to the right place.
Choosing the Martin Carbon Fiber Guitar can be difficult as there are so many considerations, such as RainSong, Martin, Schecter Guitar Research. We have done a lot of research to find the top 20 Martin Carbon Fiber Guitar available.
The average cost is $2475.10. Sold comparable range in price from a low of $639.99 to a high of $6399.00.
Based on the research we did, we think Martin CEO-7 Guitar is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Martin Carbon Fiber Guitar (20 Sellers)
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Reviewers Noted:
Good sound quality . Attractive . Lightweight . Craftsmanship . Durability
Features:
- Very good condition
- No frett wear
- Waverly tuners
$639.99
4.5
Reviewers Noted:
Good sound quality . Attractive . Durability . Craftsmanship
Features:
- Case: original gig bag weight: 4lb 13.6oz serial: 2431010.
- *** this item is pre-owned and is in excellent condition with minimal wear.
$749.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Body size: grand performance 14 fret cutaway
- Construction: mortise & tenon neck joint
- Bracing pattern: x-brace
$4199.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight
Features:
- Color: nature
- Cutaway: no
- Top: solid-sitka-spruce
$3599.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durability
Features:
- Newly designed dreadnought style guitar with ultra-modern features
- New for 2019
- Solid sitka spruce top with vintage tone system technology
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- 6-string acoustic/electric guitar with sitka spruce top; mahogany back sides; hardwood neck
- Fishman electronics
- Ebony fingerboard
$899.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- The guitar pictured is the actual guitar you will receive!
- Just in on trade!
- The performing artist neck with h…
$3999.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durability
Features:
- The guitar comes from a private collection and is in mint conditions, never played.
- Really one of the best martin clapton i've ever played!
- Original case of course included.
$1799.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Durable . Well made
Features:
- Specifications.
- Body size: s-13 fret cutaway.
- Finish top: gloss.
$5199.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- Premium rosewood back & sides
- Premium sitka spruce top
- Genuine ebony fingerboard
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Lightweight
Features:
- Road seriesdrs1
- Dreadnought
- All solid sapele
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Durable . Craftsmanship
Features:
- This fine guitar sounds sweet and very pleasing to the year.
- The neck profile is very comfortable and makes playing enjoyable every time.
- These guitars are pretty much on backorder everywhere so don't miss out on this opportunity!
Reviewers Noted:
Sound quality . Durability
Features:
- 830" neck thickness at 1st fret
- 870" neck thickness at 9th fret
- Includes: original gigbag
Reviewers Noted:
Good sound quality . Attractive . Weight . Craftsmanship
Features:
- Richlite fingerboard
- Ziricote veneer back sides
- Hardwood neck
$1299.00
4.7
Reviewers Noted:
Sound quality . Weight . Visual appeal . Craftsmanship
Features:
- Sitka spruce top
- Koa fine veneer back & sides
- Select hardwood neck
$899.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight
Features:
- Beautifully designed auditorium-style acoustic-electric offers portability and wonderful playability
- Solid all-sapele body for rich, full tone
- Ideal fingerpicking guitar that also opens up when flatpicked
$779.99
4.9
Reviewers Noted:
Good sound quality . Durability . Craftsmanship
Features:
- Dreadnought 14 fret top wood.
- Sitka spruce back and sides wood.
- Sapele bridge material.
$4199.00
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability
Features:
- Body size: 00-14 fret
- Finish top: gloss
- Construction: dovetail neck joint
$4799.00
5.0
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability
Features:
- Vintage tone system sitka spruce top
- East indian rosewood back and sides
- Fishman aura vt blend electronics system
$6399.00
5.0
Features:
- Martin guitar co.
- New 2018.
- Ray mullin music.
1. Martin Ceo-7 Guitar

Product Details:
Save big when you buy today! construction: mahogany blocks/dovetail neck joint – body size: 00-14 fret (slope shoulder)top: solid adirondack spruce – rosette: single ring – top bracing pattern: standard ''x'' scalloped – top braces: solid adirondack spruce 1/4''back material: solid genuine mahogany – back purfling: none – side material: solid genuine mahogany – endpiece: none – endpiece inlay: none – binding: grained ivoroid – top inlay style: black boltaron – side inlay: none – back inlay: black boltaron – neck material: select hardwood – neck shape: modified vnut material: bone – headstock: solid/square taper – headplate: solid black ebony – heelcap: grained ivoroid fingerboard material: solid black ebony – scale length: 24.9''number of frets clear: 14number of frets total: 20fingerboard width at nut: 1-3/4''fingerboard width at 12th fret: 2-1/4''fingerboard position inlays: old style 18fingerboard binding: none – finish back & sides: polished gloss – finish top: polished gloss with autumn sunset burst – finish neck: satin – bridge material: solid black ebony – bridge style: straightline with drop-in saddle – bridge string spacing: 2-5/16''saddle: 16'' radius/compensated/bone – tuning machines: golden age relic nickel 2517 with cream plastic buttons – recommended strings: martin sp lifespan phosphor bronze light gauge (msp7100)bridge & end pins: white with black dots – pickguard: delmar tortoise color:case: 5434 geib style – interior label: signed by cfm iv – numbered in sequence without total
Specifications:
Construction | Mahogany Blocks/Dovetail Neck Joint |
Body Size | 00-14 Fret (Slope Shoulder) |
Rosette | Single Ring |
Top Bracing Pattern | Standard ''X'' Scalloped |
Top Braces | Solid Adirondack Spruce 1/4' |
Back Material | Solid Genuine Mahogany |
Side Material | Solid Genuine Mahogany |
Binding | Grained Ivoroid |
Top Inlay Style | Black Boltaron |
Back Inlay | Black Boltaron |
Neck Material | Select Hardwood |
Neck Shape | Modified V |
Nut Material | Bone |
Headstock | Solid/Square Taper |
Headplate | Solid Black Ebony |
Heelcap | Grained Ivoroid |
Fingerboard Material | Solid Black Ebony |
Scale Length | 24.9" |
Number Of Frets Clear | 14 |
Number Of Frets Total | 20 |
Fingerboard Width At Nut | 1-3/4" |
Fingerboard Width At 12th Fret | 2-1/4" |
Fingerboard Position Inlays | Old Style 18 |
Finish Top | Polished Gloss w/Autumn Sunset Burst |
Finish Neck | Satin |
Bridge Material | Solid Black Ebony |
Bridge Style | Straightline w/Drop-In Saddle |
Bridge String Spacing | 2-5/16" |
Saddle | 16" Radius/Compensated/Bone |
Pickguard | Delmar Tortoise Color |
Reviews:
First I should say this is my third Martin, the others being a D18 1934 GE and an OM-H28 VTS. I've wanted a 00-sized guitar and after having played several I chose the CEO-7. Boy, am I fortunate. I'm having more fun with this guitar than I really thought possible. First, it looks so cool. More Gibson L-00 than Martin (hence the "My Favorite Marti(a)n" nod in the title). But it plays and sounds just like a Martin–and that's a great thing. I've often said that if American history and culture had a soundtrack, it would be played on a Martin. And if I were doing the playing, it would be on my CEO-7. It fits like a glove and the sound rocks my soul. When played softly, it produces a sweet and delicate sound. But when you lay into it, it becomes gritty and bluesy. I've swapped the plastic bridge pins for bone and I'll probably upgrade the tuners at some point, but everything else is tops–addy top; mahogany back and sides; looks like a mahogany neck; ebony fingerboad and bridge; 1 3/4 bone nut. It's a lot of value for the price. Honestly, hands down THE BEST guitar I've ever owned. No regrets. I'll have this one forever.ScottyJ
I have been deliberating on getting a Martin D28 for a decade. I finally bit the bullet and spent the money but opted on the CEO 7. I couldn't be more happy. First off its gorgeous with the sunburst top and choice mahogany back and sides. The size drew me in because of comfortability and I play a lot sitting and lounging. To me it is way more comfortable than the dreadnot while not loosing any (or significant) volume. Plays like a dream. I shouldn't have have waited so long. I did opt to add an ivory arm rest and I think it just increases the big sound of this little guitar.Jon
This guitar is comfortable in my hands…it just feels good. Finger picking, flat picking, strumming…whatever style you prefer…it'll be fine. Clear and crisp and rings like a bell. Small but mighty. I've played (or tried to play) a bunch of guitars over the last 50 years. I'm a ham and egg player. Electrics and acoustics – Fenders, Gibsons, Martins, Gretschs, Epiphones, Guilds, Dan Electros and on…and this Martin CEO-7 is among the sweetest ever. This one makes me want to play it, and, most important, makes me want get better at playing it. This one makes me lose track of time.Hroogar
2. Martin X-Series Gpc Special Koa Natural

Product Details:
This special 6-string martin gpcx series grand performance acoustic-electric guitar was crafted to produce a powerful, rich sound that is perfect for singer songwriters, as well as professional touring and studio musicians. the top, back, and sides are constructed using martin’s famous fsc certified hpl with a koa pattern. for added tone and volume, the top is articulately braced with sitka spruce, in a 5/16 in. scalloped x-bracing pattern. the special x series gpcx grand performance acoustic-electric guitar has a powerful, rich tone, with all the sustain you have come to expect from a martin guitar. the mortise-and-tenon neck joint ensures solid construction of the guitar, with optimal resonant tone, while eliminating drop-off in the finer dynamics. the martin guitar's laminate birch neck is a multi-layered wood creation, using bonding layers of wood under extremely high pressure. the material is then carved and finished in a conventional manner. the end result is a very strong neck that provides definition and articulate sustain from note to note. the high-performance neck shape (25.4 in. scale, 1-3/4 in. nut width, and 16 in. radius) provides comfort and dexterity when performing intricate movements and progressions along the black richlite fretboard. this special x series gpcx grand performance acoustic-electric guitar is strung with martin authentic acoustic – lifespan 2.0 light gauge strings, and comes equipped with fishman mx electronics. the fishman mx features a sound hole-mounted preamp with rotary controls for volume and tone. the controls are mounted conveniently under the sound hole, so all you have to do is plug in and play. you’ll have a great acoustic guitar sound, right out of the box. includes gig bag.
Specifications:
Body type | GPC-14 Fret |
Cutaway | cutaway |
Top wood | Koa Pattern HPL |
Rosette | Herringbone Ink |
Bracing pattern | Scalloped X |
Body finish | Hand-rubbed |
Orientation | Right handed |
Neck shape | High Performance taper |
Nut width | 1-3/4 “ |
Neck wood | Natural Birch Laminate |
Scale length | 25.4" |
Number of frets | 20 |
Neck finish | Hand-rubbed |
Pickup/preamp | Yes |
Configuration | Soundhole mounted preamp |
Preamp EQ | No |
Feedback filter | No |
Tuner | No |
Headstock overlay | Koa HPL |
Tuning machines | Chrome Enclosed Gear |
Bridge | FSC Certified Richlite |
Number of strings | 6-string |
Country of origin | Mexico |
Reviews:
I have not stopped playing this sucker. Thought it was delivered next week but it came a couple days ago. This will be my church guitar. A Fender Hellcat is not a church guitar lol! Technically, this is my second Martin. I have the backpacker and it has been played to death but still holding up. I opted for any "600$ Martin" and this kept coming up. I am happy with this guitar regardless of the lack of research I did for it. Now that it is in my hands I can judge it more thoughtfully. The feel of the guitar is something I've never had before with any other guitar. I wanted Martin for this reason. I just didn't know how much "feel" there was to a well-crafted instrument. Again, I am happy happy happy and blessed!Kris w/a K
I play at some parties, but mostly recording in a small home studio. This guitar has a very nice deep and rich sound – great for full chords to back up vocal(s). Despite its description as an environmentally adaptable guitar, the neck compressed slightly when kept it in a colder room of the house, exposing undressed fret ends which were very sharp. More like what you might expect from a $100 guitar. Additionally, the action on higher frets began to get higher within the first couple of months. Martin does not include a truss rod wrench with the guitar! Had to order one. Altogether, great sound, but sub-par quality for a Martin. Still would recommend the guitar, just for the sound.Tom R
I've had an alvarez for the past 15 years that has served me well, however the frets are pretty much worn down to the point they were in need of replacing. I decided to just get a new guitar and retire the old guy, went to GC and tried a few acoustics and ultimately settled, so I thought, on another new alvarez. As I was walking out of the room I saw the Martin and it was within $40 of the alvarez and I figured, what the heck I'll just give it a quick play. I couldn't believe how great this thing sounds for being composed mostly of paper and wood scraps. It's not a perfect comparison to a high end Martin, but it definitely comes close. It is bright, clear and still punchy on the lower notes with very good sustain. I immediately put the alvarez back and took this guy home with me. I couldn't find much online about this exact model, it doesn't even show up on the Martin website. However from what I can tell it's the same as any other all HPL body Martin's with a different color wood grain. The wood grain pattern has no effect on tone with the all HPL versions so it's really just cosmetically what you like. Up close you can absolutely tell this isn't real wood (except for the headstock, and even the fret board is passable as real wood). And it actually started to make me wonder if I should return this and get the all wood Alvarez. Upon further thinking I decided it was a stupid and superficial thing to care about. This guitar played better and sounded better than any of the real wood instruments in it's price range. Build quality is great. No sharp fret ends, no glue on the body, no cracks or dents. I tuned this once so far. On the way home from GC in the back seat of my vehicle. It's now been 3 days since then and the tuning has held which is shocking. I never thought I'd like a fake wood instrument, but time makes fools of us all and martin can apparently build a fantastic guitar out of paper.Luke
3. Martin Gpc-X2e Acoustic-Electric Guitar Macassar

Product Details:
Martin took the gpcx2ae macassar and reimagined it. the result is the gpc-x2e macassar. this grand performance sized model features a cutaway body with a macassar top and macassar pattern high-pressure laminate (hpl) back and sides. new mother-of-pearl pattern inlay on the rosette and fingerboard lend a richness to the gpc-x2e macassar, making it as impressive to look at as it is to play. a performing artist neck, fingerboard, and bridge of select hardwood improve upon the sound transfer of this model. it is equipped with fishman mx electronics and strung with martin's authentic acoustic lifespan 2.0 strings. with a new, soft gig bag featuring headstock, bridge, and endpin protectors, a durable water-repellent exterior and foam padding, this model is ready to go anywhere.
Specifications:
Edition Size | Open |
Construction | Mortise & Tenon Neck Joint |
Body Size | Grand Performance 14 Fret Cutaway |
Top Material | Macassar |
Rosette | MOP Pattern with Multi-Stripe |
Bracing Pattern | X Brace |
Brace Shape | Scalloped |
Brace Material | Sitka Spruce |
Brace Size | 5/16" with 1/4" Tone Bars |
Back Material | HPL |
Back Detail | Macassar Pattern |
Side Material | HPL |
Side Detail | Macassar Pattern |
Neck Material | Select Hardwood |
Neck Shape | Performing Artist |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | White Corian |
Headstock Shape | Solid with Standard Taper |
Headplate Material | HPL |
Headplate Logo Style | Script Ink |
Heelcap | Black |
Fingerboard Material | Select Hardwood |
Scale Length | 25.4" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4'' |
Fingerboard Width at 12th Fret | 2 1/8'' |
Fingerboard Inlay Material | Mother of Pearl Pattern |
Fingerboard Inlay Style | Style 28 |
Side Dots | White |
Finish Top | Hand Rubbed |
Top Color | Clear |
Finish Neck | Hand Rubbed |
Bridge Material | Select Hardwood |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated White Tusq |
Saddle Radius | 16" |
Tuning Machines | Chrome Enclosed Gear |
Knob | Small |
Bridge Pin Material | White Plastic |
Bridge Pin Dots | Black Plastic |
Pickguard | Tortoise Pattern |
Electronics | Fishman MX |
Manufacturer Part Number (MPN) | 11GPCX2E-03 |
Reviews:
Like others, I've always wanted a domestically crafted Martin but just couldn't fit it in the budget. I'm sure the X series are great instruments but I did not want to settle for something other than a solid wood US made Martin if I were to purchase one. The MF sale and their 48 month, 0% financing deal made the choice a no brainer. I would consider myself an experienced novice in that I've been noodling on acoustics for 35 years give or take but electric bass has been my instrument of choice. That said I find this guitar easy and a joy to play and keeps me wanting to come back to it. The sound is bright and pleasant even when getting into the strings some. The quality is top notch and I went over this thing with a fine tooth comb. The absolute, only "flaw" I could find was that the pick guard was off center perhaps be .5 mm or so and the only way one would notice is if you follow the very minimal rosette around the sound hole you can gauge the position of the pick guard by following the thin white center line. There is no way you would notice this unless your eye is within 15 or so inches of the sound hole. The tuners seem decent quality, are marked "Martin", adjust smoothly and hold tune very well. The neck is comfortable and intonation is perfect as one would expect with the use of their PLEK machine to aid set up. To top things off the hard shell case fits the guitar perfectly, looks great and seems to be high quality. There is really no downside to this guitar and I wouldn't hesitate to advise anyone to purchase this guitar.Josh
I've had mine for four months, so I feel that I can make an honest evaluation and I'm every bit as impressed as I was on day one. I'm primarily an electric player, but I owned a couple of mid-range acoustics when I got this. I've since sold them because I knew I would never play them again. After steak, hot dogs just don't cut it. I always thought Martins were rather plain looking and still do, but what makes them so impressive is the playability and unequalled tone. The Custom D ranks right up there with the best in those categories. The satin finish is nice and while it may be psychological, I think it may give it a more open sound. You can definitely feel a ton of vibration in your body when playing. It doesn't show fingerprints or require polish either. In fact, Martin doesn't recommend polish. The factory installed strings are of the highest quality and great for chording, but if you use the entire fretboard or do a lot of bends like I do, you may want to consider something lighter. I changed to coated 10-47 extra lights and was surprised to find little to no loss in the low end. Now that I'm a Martin fan, I've considered trading up, but I just can't justify the extra cost for binding and a gloss finish. I'm sure the cork sniffers will tell me there's a whole lot more to it than that, but I think they would be hard pressed to distinguish a difference between this and a higher end model listening blindfolded. I've been playing for 48 years and have bought and sold many guitars during that span (regretting a few), and the Custom D is one of the best guitar purchases I've ever made. Oh yeah, everyone comments on the smell and it's no exaggeration. Hits you as soon as you open the case.Terry T
I wasn't expecting a whole lot with this guitar. I just wanted a guitar that I could take out in the elements and not have to worry about it. I also have a Taylor 314ce and Martin 000-15. This guitar is super comfortable to play, it's solidly built, and it sounds like a Martin! I tried the Taylor 114 first and it felt and sounded a bit cheap. This one is so much better than the Taylor 114. It has sustain for days (sure wasn't expecting that)! The 1.75" nut width and 24.9 length make it perfect for me. The fretboard is also superb, the richlite feels like ebony (super smooth), and the fretwork is spot on!EC
4. Martin 000-28 Modern Deluxe Acoustic Guitar

Product Details:
In excellent condition. very low hours of play time. only selling to fund an acoustic with a cutaway. the 000-28 modern deluxe is packed with vintage appointments, custom features, and modern technology. a sitka spruce vintage tone system (vts) top, dovetail neck joint, and natural protein glue construction deliver the rich, fully-aged martin tone that has inspired generations. european flamed maple binding, stylish gold frets, gold open-gear tuners, and a unique 1930s-style script logo inlaid in pearl on the headstock give it a look to match its sound. ultra-modern features like liquidmetal bridge pins with red dots and a composite carbon fiber bridgeplate, boost volume, making this a guitar players dream. the 000-28 modern deluxe comes with a hardshell case and is strung with martin authentic acoustic lifespan 2.0 light gauge strings.
Specifications:
Construction | Dovetail Neck Joint |
Body Size | 000-14 Fret |
Top Material | Sitka Spruce with VTS |
Rosette Style | 28 Multi-Stripe |
Bracing Pattern | X Brace |
Brace Shape | Scalloped |
Brace Material | Adirondack Spruce with VTS |
Brace Size | 1/4" |
Back Material | East Indian Rosewood |
Back Purfling/Strip | Zig-Zag Authentic |
Side Material | East Indian Rosewood |
Endpiece | European Flamed Maple |
Endpiece Inlay | Multi-Stripe |
Binding | European Flamed Maple |
Top Inlay Material | Bold Herringbone |
Back Inlay Material | Multi-Stripe |
Neck Material | Genuine Mahogany |
Neck Shape | Vintage Deluxe |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | Bone |
Headstock Shape | Solid with Square Taper and Diamond |
Headplate Material | East Indian Rosewood |
Headplate Logo Style | Stylized Script Inlay |
Heelcap | European Flamed Maple |
Fingerboard Material | Ebony |
Scale Length | 24.9" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4'' |
Fingerboard Width at 12th Fret | 2 1/8'' |
Fingerboard Inlay Material | Abalone |
Fingerboard Inlay Style | Diamonds and Squares Long Pattern |
Side Dots | Abalone |
Back and Side Finish | Gloss |
Finish Top | Gloss |
Top Color | Clear |
Finish Neck | Satin |
Neck Color | Dark Mahogany |
Bridge Material | Ebony |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated Bone |
Saddle Radius | 16" |
Tuning Machines | Gold Open Gear |
Recommended Strings | MA540T Phosphor Bronze |
Knob | Butterbean |
Bridge Pin Material | Liquid Metal |
Bridge Pin Dots | Red Acrylic |
Pickguard | Faux Tortoise |
Reviews:
Very nice guitar … However , There are no tuning instructions or string height instructions . And you may find the the standard "E" tuning is to high . And will stress the neck joint . Which is why many of Older Martin Guitars require a Neck Reset . And is why the Martin players . Most often recommend "D" tuning . CMNchris
This is my third Martin although mine is slightly different in that it is a 000-28 EC Eric Clapton version. In 1972 I bought my first one, a D-35, then acquired a D35-12.later. I played the D-35 exclusively for many years professionally along the way acquiring a beautiful custom hand built guitar, Bertoncini, but I always wanted a smaller body that I thought would be better for finger picking and wow does the 000-28 meet that! I have become so addicted to it I play it almost exclusively. Not only is it wonderful for finger picking it is wonderful for flat picking too. The action is set perfectly. I love the feel of the smaller body size, it cradles into your arms perfectly. The neck on mine has a slight "V" shape which is terrific with a slightly wider nut which really enhances the finger picking style greatly. It's no wonder it is Clapton's favorite acoustic. The 000-28 predates the Dreadnoughts and was and is more the Martin "Classic" and for a good reason, it is a very well balanced guitar tone-wise not overly boomy which can interfere with the bass if you're playing in a band and the tone is dead accurate all the way up the neck so an E played open is in tune with an E played up the neck. So many guitar makers miss that by a mile. I love this thing so much my only regret is the poor D-35 sits in the case too much! The 000-28 has a signature tone to it that you can not mistake for a Taylor or something else – this is a true classic. Now something else I want to add about a Martin and their service. After I bought the D-35 years ago the neck moved just slightly and after 30 years of playing the plastic binding began to separate. When the wind knocked it over on its stand on a break I finally sent it back again for repairs. It came back in PRISTINE condition! The tone was not hurt in the least by the necessity of refinishing it and it plays beautifully – all no cost to me! Martin is fantastic. The 35 is wonderful but I love the 000-28 – my Go To!Rick
Back in 2008, I bought my dream guitar, a Martin HD-28. In the last 12 years it has been my baby. However, I only play for myself at home. Lately, I had been reconsidering it's large size and loud volume, and I started trying some smaller guitars. I decided to sell my dreadnaught, and used the proceeds to buy this 000-28 that was redesigned in 2018. Let me say that it is amazing. While the HD-28 had a beautiful deep bass-like response, this 000-28 is more shimmering and a chiming sound. It is extremely comfortable, and the fretboard seems a bit wider than my HD-28, which makes it very comfortable. I was concerned about how the aging toner would look, but it turns out looking very warm and buttery, and the top color will definitely age more on its own. I was also worried that it wouldn't be good for strumming, due to the shorter scale length. But this guitar sounds just as good strumming as well as finger picking. I've never tried an OM-28, but I can say that this 000-28 is also a great chord strumming guitar. This is a very intimate and lovely guitar, and I don't know if it will ever leave my house. If I were playing gigs or in a band, I would probably prefer a dread size, but this is perfect for my personal use at home. Also, the scalloped bracing seems to have been a massive improvement. I imagine this is very close to the Clapton model now, in terms of sound.Chachi
5. Martin D-18 Modern Deluxe Acoustic

Product Details:
Presenting the all new martin d-18 modern deluxe mahogany dreadnought. the d-18 modern deluxe is a new take on martin vintage. this guitar is packed with custom features and modern technology that you have to see, feel, and hear for yourself. the vintage appointments include a sitka spruce vintage tone system (vts) top, a dovetail neck joint, and natural protein glue construction that give it the rich, fully aged martin tone that has inspired generations. the look is unlike anything in martin's production line to date with east indian rosewood binding, stylish gold frets, gold open-gear tuners, and a unique 1930s style script logo inlaid in pearl on the headstock. some ultra-modern features include a titanium truss rod, liquidmetal bridge pins with red dots, and a composite carbon fiber bridgeplate that boosts volume without adding weight. and martin has included a new neck shape that is slightly asymmetrical for maximum hand comfort up and down the fretboard. this d-18 modern deluxe is anything but standard.
Specifications:
Construction | Dovetail Neck Joint |
Body Size | D-14 Fret |
Top Material | Sitka Spruce with VTS |
Rosette | Old Style 18 Multi-Stripe |
Bracing Pattern | Forward Shifted X Brace |
Brace Shape | Scalloped |
Brace Material | Adirondack Spruce with VTS |
Brace Size | 5/16" |
Back Material | Genuine Mahogany |
Back Purfling/Strip | Style 18 |
Side Material | Genuine Mahogany |
Endpiece | East Indian Rosewood |
Binding | East Indian Rosewood |
Top Inlay Material | Multi-Stripe |
Neck Material | Genuine Mahogany |
Neck Shape | Vintage Deluxe |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | Bone |
Headstock Shape | Solid with Square Taper |
Headplate Material | East Indian Rosewood |
Headplate Logo Style | Stylized Script Inlay |
Heelcap | East Indian Rosewood |
Fingerboard Material | Ebony |
Scale Length | 25.4" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4'' |
Fingerboard Width at 12th Fret | 2 1/8'' |
Fingerboard Inlay Material | Abalone |
Fingerboard Inlay Style | Old Style 18 |
Side Dots | Abalone |
Back and Side Finish | Gloss |
Back and Sides Color | Dark Mahogany |
Finish Top | Gloss |
Top Color | Clear |
Finish Neck | Satin |
Neck Color | Dark Mahogany |
Bridge Material | Ebony |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated Bone |
Saddle Radius | 16" |
Tuning Machines | Gold Open Gear |
Knob | Butterbean |
Bridge Pin Material | Liquid Metal |
Bridge Pin Dots | Red Acrylic |
Pickguard | Faux Tortoise |
Reviews:
I own two other Martins (1970 D12-35 and1971 D42) both of which have aged beautifully and sound incredible. Both guitars needed to be set up, as back then out of the box from Martin high actions seemed to be the norm. Took a Martin factory tour in PA a few years ago and was floored by a demo stock D28. I've wanted one ever since. Walked into a Guitar Center while in NJ on a whim (alone, wife would have dragged me off) and tried various D28's, and even a D45. When I got to the D28 MD, well, it was all over. Haggled over price, then purchased it – this was back in Feb 2020, pre-Covid. Loved it out of the box. Pleke'd for perfect action, (absolutely no setup needed), beautifully appointed and incredible clear and distinctive bass, treble mid-range, whether finger picked (using finger picks or just fingers) or picking. It's now August, 6 months later, and…the sound is still a jaw-dropper every time I play. If you want a premium sounding player, that is also visually satisfying without being ostentatious, and your budget can permit, this is the one.Steven
The Martin "Special OM-28 VTS" guitar is outstanding in every way. WOW! It arrived with a perfect set-up. Its case is also a small upgrade over Martin 15 and 17 series' wood covered cases, and good enough. I contacted Martin about the VTS top on the guitar before buying. I wanted to know that if after torrefaction the top was going to continue to age, albeit much more slowly that new wood? My question was answered promptly by a customer service employee at Martin who said he asked my question to Martin's head of Instrument Design. The answer was yes, the VTS top will continue to age, very slowly. So, it is not a dead top. Derek was my sales associate and he could not have been more kind and patient. After all, buying a higher-end Martin isn't cheap. My guitar is labeled "Special" on its wooden serial number plate and not "Custom." The sales tags say "Custom." Guitar Center/Musicians Friend ordered 100 a of these exact guitars as a "Custom" order from Martin. It sold out and ordered more. The extras, mine included are called "Custom." I knew this before I made my purchase. My "Special OM-28 VTS" guitar is of heirloom quality.Chris
I wanted a rosewood 000 or OM. Almost brought a used omjm a couple different times. MF has had some smoking sales lately and I missed a couple good deals because I didn't pull the trigger. When this beacame part of the FALL sale knowing the omjm and 000-28ec is based on this basic model and this model had VTS, I just did it, tossed aside self control, took the heavyest one they had and here it is. After a few self tweaks to the truss rod, lowering the saddle a couple mm, like tone wowsville, this sounds as loud and has as much bass response as my HD-28e retro. Even my wife noticed. You know how wives are, they let us have multiple guitars so we don't get multiple girl friends, and she noticed how good this sounded over an HD28e retro, an 000-18e retro, a gpcpa1 big leaf maple custom shop, a 000-15m, she never knows what I am playing until this guitar. Now if she knows and hears the difference imagine how much I and you will notice how fripping sweet this guitar sounds and plays. This sounds incredibly good and should be added to your arsenal of guitars. The neck is like butter. Adding Fishman AG series passive piezo for electronics. My top has red streaks going through it, says sitka but I've only seen Engleman red spruce like that. The VTS is amazing, Better get one of these before none are left! I think I got the next to last one.OttoMatick
6. Martin Gpc-16e Mahogany

Product Details:
This 16 series grand performance cutaway model is crafted with satin-finished mahogany back and sides for a loud sound with a bright treble response. it includes a sitka spruce gloss top for balanced tone and projection and a high-performance neck taper for ease of playability up and down the fretboard. the gpc-16e comes equipped with fishman matrix vt enhance nt2 electronics. strung with authentic acoustic lifespan 2.0 light gauge strings.
Specifications:
Edition Size | Open |
Construction | Simple Dovetail Neck Joint |
Body Size | Grand Performance 14-Fret (000 Depth) |
Top Material | Sitka Spruce |
Rosette | Bold Herringbone with Multi-Stripe |
Bracing Pattern | Forward Shifted X Brace |
Brace Shape | Scalloped |
Brace Material | Sitka Spruce |
Brace Size | 5/16" |
Back Material | Mahogany |
Side Material | Mahogany |
Binding | Brown Tortoise Pattern |
Top Inlay Material | Multi-Stripe |
Neck Material | Select Hardwood |
Neck Shape | Modified Low Oval |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | Bone |
Headstock Shape | Solid with Square Taper |
Headplate Material | East Indian Rosewood |
Headplate Logo Style | Script Old Style Overlay |
Heelcap | Brown Tortoise Pattern |
Fingerboard Material | Ebony |
Scale Length | 25.4" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4" |
Fingerboard Width at 12th Fret | 2 1/8" |
Fingerboard Inlay Material | Mother of Pearl |
Fingerboard Inlay Style | Style 28 |
Side Dots | White |
Back and Side Finish | Satin |
Back and Sides Color | Dark Mahogany |
Finish Top | Gloss |
Top Color | Clear |
Finish Neck | Satin |
Neck Color | Dark Mahogany |
Bridge Material | Ebony |
Bridge Style | Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated White Tusq |
Saddle Radius | 16" |
Tuning Machines | Nickel Open Gear |
Recommended Strings | Authentic Acoustic Light (SMA540T) |
Knob | Butterbean |
Bridge Pin Material | Black Tusq |
Bridge Pin Dots | Mother of Pearl |
Pickguard | Tortoise Pattern |
Electronics | Fishman Matrix VT Enhance NT2 |
Manufacturer Part Number (MPN) | 10GPC16E-02 |
Reviews:
Overall: I bought this guitar a little over a month ago. Guitar was in perfect playing condition right out of box. Usually first thing I do is change the strings as soon as I open. But I noticed they were very bright and had no sign of aging. Good thing I didn’t because the lifespan 2.0 strings it comes with are amazing. After 40 plus hours of playing strings still had no dirt or grime on them. I always thought all strings are the same. Probably got 3x the life out of these. So once I plugged it in I couldn’t believe how great it sounded. Every little note was so clear and it picks up all the little accents in my playing so well. You can really hear every note so clear. It is an expensive guitar but if you are a serious player and want the best you will not be disappointed with this guitar. The fishman pickup is great. So much tone. Unplugged sounds great too. Also I wasn’t crazy about how they put the electronics in sound hole. But now I kind of like it now they’re hidden and keeps it looking more natural. They’re in there pretty deep so you won’t hit them when playing. I am familiar with the Grover open back tuners also. They are great very smooth and hold in tune excellent. I must mention I chose this one for the neck profile also the modified low oval is easier on the hands then the performing artist neck. I got the low oval on my 00015M both are great guitars but I needed one with a cutaway and acoustic-electric.Anthony
I'm an amateur guitar player, but a lifetime musician (drummer)… been teaching myself guitar now for several months on a couple different low end guitars. I decided it was time to upgrade. After lots of research, I decide the Martin road series would be the best option for me. I was right… this guitar is amazing, I love the tone, the playability and the space on the fret board. I have little fat fingers and I need the space between the strings. The 1-3/4 nut allows good space for us fat finger dudes. Can't go wrong with the Martin… now I fully understand why Martin is one of the best… I won't be going away from Martin. Found my lifetime guitar!Eric
I'm a gigging musician with over 60 years on guitar. I play finger style mostly. I'm also a singer songwriter. I almost didn't even try this guy. Yes it's a model that's only sold by some retailers but it is still a Martin in every way. I ordered it shipped to store. When I went to pick it up, it was obviously a repack from a GC store and had a few nicks and dings and old nasty strings. The store had thrown a new set of strings in the box but didn't even wipe the guitar down before shipping. I almost refused it and left the store with bad feelings. Fortunately, my local GC offered to restring it and clean it up as a good faith gesture. I agreed to give it a try. Best decision I've made recently. It plays beautifully. Very balanced sound from low to high. Good factory setup with no buzzing anywhere, even when I dig in. Good response and feel from light and delicate finger style to hard strumming. This has become my #1 gigging guitar. The built in tuner and electronics work well and sound great with my Fishman Loudbox Performer. Thank you GC for saving a sale and making me a happy old picker.Thomas
7. Martin D-10e Road Series Sapele Acoustic-Electric Guitar

Product Details:
Martin's road series presents this great entry for players ready for travel and performance. between the sitka spruce top and sapele back and sides, this instrument produces instantly captivating tones to catch anyone's attention. the d-10e is also equally exceptional in its playability with a fsc certified richlite fingerboard and select hardwood neck. once plugged in, the d-10e comes with fishman mx-t electronics with a built-in soundhole tuner, ready to play at a moment's notice. visually, the d-10e is a knockout with its satin finish and rosette border. this road series entry has all the looks and sounds to take any stage.
Specifications:
Construction | Mortise & Tenon Neck Joint |
Body Size | D-14 Fret |
Top Material | Sitka Spruce or Sapele |
Rosette | MOP Pattern with Multi-Stripe |
Bracing Pattern | X Brace |
Brace Shape | Non-Scalloped |
Brace Material | Sitka Spruce |
Brace Size | 5/16" with 1/4" Tone Bars |
Back Material | Sapele |
Side Material | Sapele |
Binding | Black |
Top Inlay Material | Multi-Stripe |
Neck Material | Select Hardwood |
Neck Shape | Performing Artist |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | White Corian |
Headstock Shape | Solid with Standard Taper |
Headplate Material | HPL |
Headplate Logo Style | Script Ink |
Heelcap | Black |
Fingerboard Material | FSCA Certified Richlite |
Scale Length | 25.4" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4" |
Fingerboard Width at 12th Fret | 2 1/8" |
Fingerboard Inlay Material | MOP Pattern |
Fingerboard Inlay Style | MOP Pattern Dots- 28 Style Pattern |
Side Dots | White |
Back and Side Finish | Satin |
Back and Sides Color | Cherry |
Finish Top | Satin |
Top Color | Clear |
Finish Neck | Hand Rubbed |
Bridge Material | FSCA Certified Richlite |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated White Tusq |
Saddle Radius | 16" |
Tuning Machines | Chrome Enclosed Gear |
Recommended Strings | Lifespan 2.0 Auth Acoustic MA550 Phosphor Medium |
Knob | Small |
Bridge Pin Material | White Plastic |
Bridge Pin Dots | Black Plastic |
Pickguard | Faux Tortoise |
Electronics | Fishman MX-T |
Reviews:
I bought my fiancé and I a new Martin. I got her a Martin Dx2e and I got this one. I received mine first since I ordered from here which was wonderful. I got hers off of reverb because ams didn’t have sunburst which she wanted. I was not picky about color but I went with this one. I was super excited to say the least because this was my first Martin Guitar. I also purchased another guitar last year from Ams and I loved it. I digress and move forward to getting it. So I opened it up and I was super pleased with how perfect it looked. Then I started playing it. It was great until I went to play a D chord or anything that involved the high E string. It is cut way too low on the nut and the slightest pressure makes the string fall off the fret board. I thought maybe it was just me, however my father in law to be, which is a professional had the same issue. Also my fiancé had the same issue. Needless to say, I tried to make it work. I sent Ams an email. No response. I guess I’m stuck with this 1k dollars in a guitar that is going to need to be repaired at a shop when it’s brand new. So overall, if you want to take the risk, go for it. My fiancé got the Dx2e and it’s stellar. I would rather have one like hers than this one tuner or not. Hers sounds much better too. The looks and everything else is fine. Just the bottom string is way way too low.Brittany
Sound: Unplayable, neck is crap Features: Doesn’t matter what you do to adjust the neck , it is crap Ease of Use: I wouldn’t know , this guitar should never have been allowed to be released . The neck is unacceptable Quality: It looks pretty. If I wanted a pretty guitar to never be played then it would be ok . But you can not even play this $900 piece of crap. Extremely frustrating Value: Absolutely no. Buy another brand. Breedlove would be my best choice as I bought one and absolutely loved it out of the box . Best acoustic guitar I ever played Manufacturer Support: I have contacted Martin. No authorized repair shop within 100 miles of me in my state . Martin should be ashamed of this garbage The Wow Factor: Martin name sucked me in . Never ever again if they don’t want to fix this piece of junk Overall: I have been playing and working on my own guitars since 1975 . This is absolutely the worst guitar I’ve ever owned. The neck has an S shape to it . The relief is acceptable up to the 7th fret , after that it rapidly accelerates to an unusable 1/4 inch at the 12th fret . No matter how much you attempt to adjust it, it simply is unplayable. I am ashamed to even take it out of the bag . Martin quality control seriously blew it big time on this guitar. I own dozens of guitars and waited until my retirement to buy that Martin guitar of my dreams. This is a nightmare, not a dream. Stay away from this piece of crap . No matter what adjustment you do to the truss rod , it won’t help. Bass to treble side is extremely different. 1/4 inch on the bass side at the 12th but the treble side is marginally better. However, the S shape of the fretboard makes the guitar unplayable unless you like staying in the cowboy chord area . My Ovation, Breedlove,Fender , and Gibson acoustic guitars are brilliant examples of guitar playability. This Martin was to be my final guitar since I have only played them and never owned one . I can’t even play this piece of garbage. Martin has no dealer or authorized repair shop within 100 miles of me so I am stuck with a $900 piece of firewood. Never ever will I buy anything with that name again. That’s all they are, a name. How this got by quality control blows my mind. I have $200 acoustic guitars that are much better than this. Totally disgusted by my experience with this guitar.Gregory
Overall: So after playing guitar for more than 30yrs, this is my first Martin. Very weird considering my father sang and played with a Martin F-65 (rare semi-hollow body, only about 600 made) most of his life. I've lived all my life usually not more than 2 hours from the factory, and for most of that time less than an hour. I've taken the factory tour which was awesome. I've met many musicians that play Martins, endorse them, etc. I've been playing the last year or so on a Fender acoustic(not including my electrics that I own or play), which is a decent enough instrument, albeit a cheap sub 300$ guitar, when I purchased it over a year ago. I have owned a few other acoustics, a couple Takamines, Fenders, Ibanez, Ovations etc over the years. I won't say I have any considerable experience with 1k and up acoustic guitars, but I like to believe I have at least a decent ear. The sound is really the thing here, as this is not an ornate guitar with fancy inlays and stuff like that. Still, one of the main reasons I chose this model is because it's solid wood. I have no experience with Martins HPLs, but I also know Martin wouldn't put their name on anything if it isn't well made. I prefer solid wood, so that's a great reason to chose this model for this price point, and the reason I did. That being said, this is what a great guitar should sound like. I can easily hear the way every string sounds as clear and loud as the others. I'm pretty sure this has to do with bracing and the way they build their tops. it just projects the way a guitar should, not muddy on low strings and too bright on the highs. It sounds superb, plain and simple. Clear, bright, articulate. Martin has been perfecting guitar building for almost 2 centuries now, and while this is not their top of the line guitar, it gets all the benefit of their experience in the way they're designed and built. One thing I didn't realize about Martins until after getting this, and looking at their specs on most of their guitars is they have a wider neck (1.75" width) than I'm used to. My Fender neck was more like an electric neck, both width and thickness wise. I will easily get used to this though, and may enjoy it even more in time, as I have big hands. I also love the hidden controls for the volume and tone and tuner. I love that they didn't cut a huge hole in the body of the guitar for them, very cool. I haven't plugged it in yet, but I have no doubt it'll sound good. Fit and finish are fantastic, as is the soft case they include. I would rather it have had a gloss finish, except the neck, but that's just a personal thing. It's a beautiful, well made instrument, that you should definitely put on your short list of under 1k guitars.I would definitely recommend this guitar.
8. Martin 000-28ec Eric Clapton – Natural

Product Details:
Save big when you buy today! body body type: 000 cutaway: non-cutaway top wood: bookmatched quartersawn sitka spruce – back & sides: premium east indian rosewood back and sides – bracing pattern: standard x scalloped – body finish: polished gloss – orientation: right handed neck neck shape: vnut width: not specified fingerboard: ebony neck wood: select hardwood scale length: 24.9" number of frets: 20 neck finish: polished gloss – electronics pickup/preamp: no brand: not applicable configuration: not applicable preamp eq: not applicable feedback filter: not applicable tuner: not applicable other headstock overlay: solid indian rosewood – tuning machines: nickel-plated with open-geared tuners bridge: solid black ebony – saddle & nut: compensated/bone number of strings: 6-string special features: signature model – case: hardshell case accessories: info not available country of origin: united states
Specifications:
Construction | Mahogany Blocks/Dovetail Neck Joint |
Body Size | 000-14 Fret |
Rosette | Fine Herringbone |
Top Bracing Pattern | Standard X Scalloped |
Top Braces | Solid Sitka Spruce 5/16 inches |
Back Material | Solid East Indian Rosewood |
Back Purfling | HD Zig Zag |
Side Material | Solid East Indian Rosewood |
Endpiece | Grained Ivoroid |
Endpiece Inlay | Black/White Boltaron |
Binding | Grained Ivoroid |
Top Inlay Style | Fine Herringbone |
Back Inlay | Black/White Boltaron |
Neck Material | Select Hardwood |
Neck Shape | Modified V |
Nut Material | Bone |
Headstock | Solid/Diamond/Square Tapered |
Headplate | Solid East Indian Rosewood/ Large Old Style Logo |
Heelcap | Grained Ivoroid |
Fingerboard Material | Solid Black Ebony |
Scale Length | 24.9 inches |
Number of Frets Clear | 14 |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1-3/4 inches |
Fingerboard Width at 12th Fret | 2-1/4 inches |
Fingerboard Position Inlays | Diamond and Squares – Long Pattern |
Finish Back and Sides | Polished Gloss |
Finish Top | Polished Gloss with Vintage Toner |
Finish Neck | Polished Gloss |
Bridge Material | Solid Black Ebony |
Bridge Style | Belly |
Bridge String Spacing | 2-1/4 inches |
Saddle | 16 inch Radius/Compensated/Bone |
Tuning Machines | Gotoh Nickel Open Geared with Butterbean Knobs |
Recommended Strings | Martin MEC12 Light Phosphor Bronze |
Bridge and End Pins | White with Black Dots |
Pickguard | Tortoise Color |
Interior Label | CFM IV and Eric Clapton Pre-printed Signatures |
Reviews:
I decided to wait until the honeymoon period was over (4 mos) to write a review. I've now come to the realization that it's not going to end. I've been playing for about 50 years, and over the past 10 or so have thoroughly enjoyed splitting time between my Taylor and Washburn. No more! This Martin is easily the most amazing guitar I've ever played. The combination of sound, size, and playability make it very hard to put down. I've been primarily a flat picker all my life, but this guitar begs to be fingerpicked, and I'm happily obliging! Simply put, an outstanding instrument.Jeff
I have been wanting this model for a few years. I knew what I wanted from playing these in stores. I finally bought one from MF. When it arrived I unboxed it and opened the case. Wow these are beautiful guitars. As soon as I started playing I was disappointed. The guitar did not sound like the ones I had played in stores. This on had a muddy small sound. This is not what I expect from spruce and rosewood. Now I am out the shipping cost to return the item. I think I learned a few good lessons here. Always play the guitar you are buying in person. Each and every acoustic guitar has its own sound, no matter how well they are built.dillon
I have been playing guitar for over 40 years and have always loved the sound of Martin guitars. I prefer a "V" shaped neck which is rare these days. I decided to finally purchase a Martin, and decided on this model to get the modified "V" neck. The action and feel are outstanding, and the sound is everything I would expect from Martin. The details and finish are exceptional. I have several guitars, and this one just became my go to acoustic.Mike
9. Martin Sc-13e Special Acoustic-Electric Guitar

Product Details:
The martin sc-13e special electro-acoustic is dreamy in playability and heavenly in sound. afterall, it is a martin, so you can count on premium quality. crafted from ziricote and adorned with a sitka spruce top, the body resonates with richness, dynamics, and clarity. every chord you play will be magnificent. plus, thanks to an exquisite ebony fretboard, you'll have a silky-smooth surface to fret upon, as well as luscious sustain carrying each note. whether you're practising at home or captivating your awestruck audience, pristine playability is a must. the sleek sure align neck system and handy cutaway allow you to waltz effortless across the frets, sliding right to the top of the scale with ease. it's a seamless playing experience you won't be able to get enough of. and when you're ready to plug in and amp up, utilise the lr baggs element electronic system – it is expertly designed to enhance your dazzling acoustic sound.
Specifications:
Edition Size | Open |
Construction | Sure Align Linear Dovetail Neck Joint |
Body Size | S-13 Fret Cutaway |
Top Material | Sitka Spruce |
Rosette | Aperture Design with Multi-Stripe |
Bracing Pattern | Tone Tension X Brace |
Brace Material | Sitka Spruce |
Brace Size | 5/16" with 1/4" Tone Bars |
Back Material | Ziricote Fine Veneer |
Side Material | Ziricote Fine Veneer |
Binding | White |
Top Inlay Material | Black with Multi-Stripe |
Neck Material | Select Hardwood |
Neck Shape | Low Profile Velocity |
Neck Taper | High-Performance Taper |
Plek | Yes |
Nut Material | White Corian |
Headstock Shape | Solid with Square Taper |
Headplate Material | Ebony |
Headplate Detail | Do Not Use |
Headplate Logo Style | Silver Script Overlay |
Fingerboard Material | Ebony |
Scale Length | 25.4" |
Neck Joins Body At | 13th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4'' |
Fingerboard Width at 12th Fret | 2 1/8'' |
Fingerboard Inlay Material | Ziricote Dot with Plastic Ivory Pattern Border |
Fingerboard Inlay Style | SC-13 Special Style |
Side Dots | White |
Back and Side Finish | Gloss |
Finish Top | Gloss |
Top Color | Clear |
Finish Neck | Satin |
Bridge Material | Ebony |
Bridge Style | Sloped Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated White Tusq |
Saddle Radius | 16" |
Tuning Machines | Ratio Nickel Open Gear |
Recommended Strings | Acoustic Custom Light S535T |
Knob | Butterbean |
Bridge Pin Material | White Plastic |
Bridge Pin Dots | Black Plastic |
Pickguard | Tortoise Pattern |
Electronics | LR Baggs Element |
Reviews:
I play locally for hire as a solo acoustic guitar / vocalist. My primary guitar is a Martin GPCP Aura. I purchased the Martin SC 13E in hopes of finding a guitar with better action and playability. My first reaction to the 13E was really nice and it did play with less effort / strength than my GPCP. The first issue I noticed was string buzz on the 1st and 2nd strings. It wasn't awful but noticeable. I played the guitar that weekend at two shows. I was still noticing the buzz. So, I started the set-up investigation. The neck relief, the slight bow forward that a guitar neck needs, looked really good, maybe could use a bit more to help with the string buzz. This is an easy truss rod adjustment; however, I didn't change the truss rod setting. The next thing I looked at was the distance of the string height, above the 12th fret. My thought was I would try to lower this slightly if I decided to keep the guitar. The next weekend I got the guitar out at home before getting ready for my show that evening, to run through a new song I was planning to do at hat nights show. I took the SC13E out of the bag and the 1st and 2nd strings were touching the guitar at the 20th fret. I thought the saddle had somehow pushed down lower into the bridge…. I exchanged that guitar for another SC1E. GC person was easy to work with and got the exchange handled quickly. About 3-4 days I had my second SC13E in my hands. It also had the same string buzz, even though the neck relief and action looked good. I played a couple of shows with this guitar and then I started noticing the buzz getting worse. If you are still reading, the reward is at hand. lol I have decided that the problem with this guitar, and probably the other guitar, is the neck angle is off. I will explain why I think it is off and explain how you can check your guitar. I have watched hundreds of youtube videos trying to learn how to set-up and care for my instruments. I have watched neck adjustment videos put out by fender, for their strat guitars, because I wanted to know how to adjust my Acoustasonic Strat. But what I am getting ready to sell you, I have discovered on my own and may not be accurate, but here it goes. If I put a capo, or hold the strings down with my hand. on the 12th fret, there is a space between the strings and the frets above the 12th fret. A pretty wide gap at the 20th fret. On the SC13E the strings are almost touching and the 1st string is touching. Wa La I believe that neck angle is off. I think it was off on both guitars. So check yours before missing your return date. If you check your guitar and it has this problem, don't totally freak out. The SC13E has an adjustable neck angle, so it can be made perfect. If you find what I described above, I suggest contacting Martin Guitar and GC. Another thing to be aware of, the three Martin guitars I have owned had the nut groves cut too narrow. I took my GPCP to an excellent luthier. He filed the width and depth to correct specifications and filed down my frets (I had two that where high) Both of the SC13E guitars needed to have the nuts filed. If you are trying to tune your guitar by making a very slight turn to get it just right and the string doesn't increase pitch and then jumps to a sharp pitch, the string is probably pinching in the nut grove. Both SC13E's were boogers to tune for that reason. One of them broke the B string while tuning up from dropping the pitch. I am returning my second SC13E tomorrow and I think I am going to give it a rest for awhile. Maybe look for something different. FYI: I love my Martin GPCP Aura, unfortunately they discontinued that model. The sound I get from the Fishman Aura electronics is the best I have heard. PS: part of the reason the SC13E plays easier is they use a lighter gauge string. I put a set of the MA535T Martin Lifespan strings on mt GPCP and even with the truss rod loose, the strings don't pull on the neck hard enough to give me the neck relief that is needed. The SC13E is a beautiful guitar to look at and the electronics onboard sound very nice. I learned, I'm not a big fan of having the controls inside the sound hole. A little awkward to get to while strumming and the phase reverse switch is way back from the opening. If you like using the hole covers to fight feedback, I'm pretty sure you would be out of luck. I think this price range of acoustic guitar should come with a hard case. I gave this guitar a 2 rating because it has potential BUT i do think both of these guitars suffered from poor quality control. My luthier could have made both of these guitars sing beautifully but I refuse to buy a new guitar and send it for repairs, even if the repairs are set-up issues. A new guitar on the north side of a thousand dollars should show up playing without string buzzing and the strings close enough to the neck that you hand doesn't feel like you just hung from the monkey bars during an entire recess.Dale
I ordered this guitar from AMS on a Friday evening and it was delivered the following Wednesday, so kudos to AMS for prompt service. Trust me when I tell you that the guitar looks even more stunning in person than it does in the website images. The grain on the koa back and side veneers is distinctive and eye-catching. The pearloid rosette and fingerboard inlays are also well done. I purchased a set of bridge pins from Martin's website that uses the same pearloid, and they look nice. The neck profile is quite comfortable, and of course the unique heel-less design of the cutaway gives you easy access to the entire fingerboard. I expect to see this feature turning up on other Martin models down the road. The asymmetrical body shape is visually unique and phenomenally comfortable to play sitting down, which is mostly how I play. The sound hole tuner is a nice touch, and the Fishman MX-T electronics sound fine to me, although I mostly don't play plugged in. This is my first Martin guitar, and it is true what they say: Nothing else sounds like a Martin! Martin has really done themselves proud with the SC-13E. Highly recommended!
This is a beautiful instrument with a stunning full acoustic sound despite the deep cut away and relatively small body size. The amazing design allows for unlimited access to the upper frets and the whole instrument feels very comfortable to play. I wanted an acoustic guitar with the accessibility of an electric and this new design from C.F.Martin delivers that in droves without ever loosing it's acoustic personality and sound. I own a super jumbo acoustic made by another company but the SC13e makes it sound dull and lifeless even before it is plugged in. The SC13e has that familiar Martin sound which is full and beautiful. The fishman pickup will then allow that sound to be delivered to anywhere from a gig in a noisy pub to full stadium if required. What a stunning instrument!Reviewed by Kenny's Music custom
10. Martin D-41 Acoustic Guitar – Natural

Product Details:
Experience premium quality. the martin d-41 has been meticulously designed to deliver exceptional sound that is rich in stunning acoustic qualities. crafted in a classic dreadnought shape, the d-41 emanates both beauty and gorgeous, even tone, as well as being superbly comfortable to play. such easy playing is also aided by the smooth ebony fretboard, which accommodates a range of playing styles whilst always producing a snappy attack. suitable for any guitarist, the shape and sound of this guitar is versatile, balanced, and truly exquisite. project every note with glistening definition and an even response. employing a magical combination of tonewoods, the d-41 delivers a tone that is resonant and clear thanks to the rosewood back and sides, whilst encompassing crisp articulation courtesy of a spruce top. the mahogany neck then brings robustness and a warmth of tone which teams perfectly with the brightness of the ebony fretboard. further strength and stability have been made possible by stiff and tone enhancing scalloped bracing mounted inside. from rich and immersive lows to sparkling highs, the martin d-41 is sure to deliver a mesmerising performance.
Specifications:
Construction | Dovetail Neck Joint |
Body Size | D-14 Fret |
Top Material | Sitka Spruce |
Rosette | Abalone with Multi-Stripe |
Bracing Pattern | Forward Shifted X Brace |
Brace Shape | Scalloped |
Brace Material | Sitka Spruce |
Brace Size | 5/16 inch |
Back Material | East Indian Rosewood |
Back Purfling/Strip | Style 45 |
Side Material | East Indian Rosewood |
Endpiece | Antique White |
Endpiece Inlay | Multi-Stripe |
Binding | Antique White |
Top Inlay Material | Abalone with Multi-Stripe |
Back Inlay Material | Multi-Stripe |
Neck Material | Genuine Mahogany |
Neck Shape | Modified Low Oval |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | Bone |
Headstock Shape | Solid with Square Taper and Diamond |
Headplate Material | East Indian Rosewood |
Headplate Logo Style | Block Inlay |
Headplate Binding Material | Antique White with Multi-Stripe |
Heelcap | Antique White |
Fingerboard Material | Ebony |
Scale Length | 25.4 inches |
Neck Joins Body | at 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4 inches |
Fingerboard Width at 12th Fret | 2 1/8 inches |
Fingerboard Inlay Material | Abalone |
Fingerboard Inlay Style | Reduced Hexagon |
Fingerboard Binding Material | Antique White |
Side Dots | Black |
Back and Side Finish | Gloss |
Finish Top | Gloss |
Top Color | Aging Toner |
Finish Neck | Satin |
Neck Color | Dark Mahogany |
Bridge Material | Ebony |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32 inches |
Saddle | Compensated Bone |
Saddle Radius | 16 inches |
Tuning Machines | Gold Open Gear |
Strings | MA550T Phosphor Bronze |
Knob | Butter Bean |
Bridge Pin Material | White Plastic |
Bridge Pin Dots | Abalone |
Pickguard | Faux Tortoise |
Reviews:
I really love this guitar! I purchased in a sunburst finish. There's nothing to dislike. Martin's come with the action a little high, this is to be expected. I took it to a tech to have the action lowered to my taste. Because it's plek'd from the factory, you can really get the action quite low. It's is now the best of my guitars. The sound is so balanced, it's beautiful to behold and to play. I never want to put it down. I've waited a bunch of years to commit…it is everything I wanted and imagined it could be. Martin standard series are all amazing. They Are the Martin sound defined, the reference point. They are not a cheap investment, but they are worth it. Whether you like a short scale hog (000-18), or a long scale Rosewood dread (D-28), you will not be disappointed. I love the long scale OM with rosewood. I wanted a sunburst with understated dark bindings to blend with the sunburst. This is my guitar…it is stellar in every respect. If you can acquire any model of the standard series of martins, you will be blessed with tone and beauty. It will be a lifetime guitar.GGC
I don’t like buying mid to high end guitars in the blind. Even if it’s a Martin, Collings, Taylor etc… but I was able to play 3 M36’s at a store in Nashville and they all sounded the same. I had to think about it because I have a Martin HD28 and it was very close. The thing about the M36 is that it having a OOOO (Jumbo) size body, I got bolder low ends. Finger style was easy and picking was bright and articulate. Problem solved not needing to bring more then one guitar to the recording studio and didn’t have to worry about gigging with it because of the affordability. American Musical Supply always makes it easy with the nice selection and 12 months interest free to get one. I installed (myself) a K&K pure mini pickup and this guitar sings. Thank AMS!T Galloway
11. Martin Gpc-11e Road Series Acoustic-Electric Guitar

Product Details:
Excellent versatility. exquisite playability. the martin gpc-11e road series electro acoustic provides everything the modern performer wants in an electro acoustic guitar. you'll have a stunning tonal range at your fingertips. a sitka spruce top brings a broad dynamic range, while sapele used for the gpc-11e's back and sides can easily accommodate any genre. so you'll never be held back in what you can play.having one of these in your hands is a complete joy. its cutaway body shape provides uninhibited access to the very top of the guitar's scale. this means you can play freely at the high end without restriction. and its smooth playing hardwood neck brings a speedy playing action. combine all of this with high-performance fishman electronics that give you clarity in your live sound, and you've got a sensational all-round acoustic that gives you everything you need. and much more.
Specifications:
Construction | Mortise & Tenon Neck Joint |
Body Size | Grand Performance 14 Fret Cutaway |
Top Material | Sitka Spruce |
Rosette | MOP Pattern with Multi-Stripe |
Bracing Pattern | X Brace |
Brace Shape | Scalloped |
Brace Material | Sitka Spruce |
Brace Size | 5/16" with 1/4" Tone Bars |
Back Material | Sapele |
Side Material | Sapele |
Binding | Black |
Top Inlay Material | Multi-Stripe |
Neck Material | Select Hardwood |
Neck Shape | Performing Artist |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | White Corian |
Headstock Shape | Solid with Standard Taper |
Headplate Material | HPL |
Headplate Logo Style | Script Ink |
Heelcap | Black |
Fingerboard Material | FSCA Certified Richlite |
Scale Length | 25.4" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4" |
Fingerboard Width at 12th Fret | 2 1/8" |
Fingerboard Inlay Material | MOP Pattern |
Fingerboard Inlay Style | MOP Pattern Dots- 28 Style Pattern |
Side Dots | White |
Back and Side Finish | Satin |
Back and Sides Color | Cherry |
Finish Top | Gloss |
Top Color | Clear |
Finish Neck | Hand Rubbed |
Bridge Material | FSCA Certified Richlite |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated White Tusq |
Saddle Radius | 16" |
Tuning Machines | Chrome Enclosed Gear |
Recommended Strings | Lifespan 2.0 Auth Acoustic MA540 Phosphor Light |
Knob | Small |
Bridge Pin Material | White Plastic |
Bridge Pin Dots | Black Plastic |
Pickguard | Faux Tortoise |
Electronics | Fishman MX-T |
Manufacturer Part Number (MPN) | MAT GPC11E |
Reviews:
I really like the size and sound of the Grand Performance Martin guitars. The low end has enough "boom" and higher end "sparkles." The construction of this guitar with solid sapele back and sides and a solid spruce top helps to bring out the sounds I like so well in Martin guitars. I've played a DRS1, DRS2, an 000-10e, a GPC-13e and this GPC-11e, and they are all consistent and well built. I really like the new pickup systems that they've added to the new series in as much as it includes the lighted tuner inside the sound hole. The fingerboard is smooth and fast; I like the Richlite. Sapele is a lot like Mahogany, so this is a very fine combination of woods. The tuners hold it in tune just fine. The bag it comes with is nicer than I had expected, it gives good protection. Not like a real hard-sided case, but good. And it's lightweight but with a strong zipper. Good tone wood is getting harder to source for these guitar makers. I'm very happy I could find a gem like this one with these fine materials.Boomer
+ I have chosen this type of guitar for fingerstyle, but this is also an excellent guitar for playing, both as a mediator and for strumming. Comfortable space between strings. Comfortable shape. Great sound. It's a real allrounder. Very comfortable neck (I'm used to a fender player strat, which I also love). Tuning machines are stable. – It is difficult to play right out of the box – very high string action. Taking a barre at the first fret was not an easy task. Wore to the master for tuning. Corrected the neck nut – now playability is excellent. Not visible to the eyes, but master told about frets irregularities. It seems that sanding will be required to align, but I don’t hear any problems, so maybe a little later. + The soft case isn't what I bought for, but it's a cool thing. Strict and stylish. Already useful. Overall, I am satisfied and would recommend the guitar.
Overall: I have bought and played so many electric guitars over the years and never really looked into buying an acoustic guitar for myself. I have an old epiphone acoustic laying around that was given to me by a friend years ago, but I never bought a decent one to play for myself. So I went about on YouTube of course to look at some reviews. There’s a lot of acoustic guitars out there so it’s very hard to make a decision based on them alone. I really did want a Martin so I knew that much. and, at that time thought they were very expensive. that they were really expensive.Then I found a really nice review of this Martin guitar and a Taylor. To me the Martin blew it away, and that had me sold. The only thing that bothered me was that I couldn’t play the Martin because I don’t have any music stores close to me. So I just decided to buy this, and boy am I satisfied! I’ve had it for a week now and I just love it. The sound is BIG and it’s a very, very light acoustic guitar. The setup is great out of the box and I think it’s a great guitar for the money. I know that maybe there is a guitar out there that may sound better and might be cheaper, but I just don’t have the time to go that deep into researching the internet to find one. And I have played Martins before, so I trusted the name. If you are looking to buy an acoustic for anything you are doing, this is a great choice of guitar to get. I’m very happy with my purchase, and zZounds makes it very easy to pay, I may add. Don’t hesitate on this guitar. It plays great, sounds great and looks wonderful! I’m very happy with my purchase! Also, it sounds great plugged in and the tuner right below the high E string is very nice to have in there. You don’t even notice it’s there when you aren’t tuning the guitar. I put 4 stars for manufacturer support because I’ve never dealt with them. And hopefully never will.Billy
12. Martin 000-15sm Acoustic Guitar – Mahogany

Product Details:
The 15 series 000-15sm mahogany auditorium acoustic guitar improves on a previous model known as the 000-15s. the 15 series 000-15sm shares the same all-mahogany body with slotted headstock as its predecessor but now comes with a morado fingerboard and bridge, real rosette, improved fretboard inlays, and nickel tuners with butterbean nobs. this small-bodied guitar harkens back to an earlier time before the invasion of the dreadnought. it features a 12-fret body design that offers up plenty of woody tone and volume, in spite of its compact size. this is a great guitar for fingerpickers or anyone looking to acquire an instant classic. includes case.
Specifications:
Mahogany body | Rich, warm, focused sound; added sustain |
Modified low oval neck shape | Thin, fast feel with even tapering towards bridge |
Solid East Indian rosewood fretboard | Deep lows, smooth mids, strong highs, long sustain |
Body Size | 000 12-Fret |
Rosette | Single Ring |
Top Bracing Pattern | A-Frame X |
Top Braces | Solid Sitka Spruce 5/16" |
Back Material | Solid Genuine Mahogany |
Side Material | Solid Genuine Mahogany |
Neck Material | Solid Genuine Mahogany |
Neck Shape | Modified Low Oval |
Nut Material | Bone |
Headstock | Slotted/Square Taper |
Headplate | Morado |
Heelcap | none< |
Fingerboard Material | Morado |
Scale Length | 25.4" |
Fingerboard Width At Nut | 1-3/4" |
Fingerboard Width At 12th Fret | 2-1/4 in" |
Fingerboard Position Inlays | Diamonds & Squares – Short Pattern |
Finish Top | Satin |
Finish Neck | Satin |
Bridge Material | Morado |
Bridge Style | Belly |
Bridge String Spacing | 2-1/4" |
Saddle | 16 in. Radius/Compensated/Bone |
Tuning Machines | Nickel Open-Geared with Ivoroid Buttons |
Pickguard | Delmar Tortoise Color |
Reviews:
Where do I begin. If you think this model and the 14 fret version are comparable, well they're not. Sonically this guitar soars. The sustain is incredible and the balance of low end bass, punchy mids and just enough sparkle on the highs is left desiring more. I own several spruce top/rosewood back and side guitars and lately since I bought this last year it has been collecting dust, respectively. The natural smooth finish is attractive and when I received mine it was so new it smelled like mahogany throughout the house. A year later the smell of the guitar in an open room still lures me to play more and more. The wide spacing is a fingerpickers dream.. But don't fret, this guitar can be strummed and not left wanting. It just really shines as a fingerpicking instrument. I bought it on a twelve payment plan and having that option was really a nice provision for owning the instrument sooner than later. if could use a setup but I haven't had the will to part with it to get it done. Nbd.
The Martin 000-17SM is a great guitar, all the way around. It is an absolutely fantastic fingerstyle instrument, but if you take a pick to it, it responds very well. It is very loud for a "small" bodied guitar. This may be due to the elongated 000, 12-fret body. The 000, 12 fret design also gives this guitar a very balanced sound throughout its entire range. It's not "boomy" like a dreadnaught and it isn't "boxy" like a parlor or travel guitar. The only "down" side for someone coming from a dreadnaught might be the wider neck. Once you start doing some fingerpicking on this thing, though, you'll fall in love with the neck. The slotted headstock does take a little practice and a little more time when restringing, but I just think of that as "bonding" time. After all, this is the kind of guitar you're going to want to keep forever and pass down to your kids.Bad Blues Player
Overall: Probably the ugliest guitar Ive ever owned. Beauty is in the eye of the beholder right? Under its homely face is the soul of a beautiful wood nymph. Crisp and clear, bold and bright with the earthy tone of Mahogany. This guitar is addictive. I tried 4 very good guitars before holding on to this one. Gibson J45, Breedlove USA Concert, Martin Performing Artist GPCPA4R, Larrivee LO3S. Gibson sounded great but had an uneven fretboard, Breedlove gorgeous design, super easy to play and along with the Gibson beautiful to look at, but this one had buzz problems and sounded dull on the bass strings, Larrivee sounded like silken tones but the huge neck was a problem, Martin Performing Artist was almost the one until I recorded with it and it just came out too bright. The ugly little Martin Hog sounded great, recorded great and played like a typical Martin. Good low action, no buzzing and clear deep and woody dulcimer tones. Its a keeper and Im not letting this one go.Daniel
13. Martin D-X2e Koa Acoustic-Electric Guitar

Product Details:
Express yourself. and, take your music anywhere. the martin d-x2e koa w/ fishman mx combines renowned martin quality and a solid top with a smooth, comfortable feel, and responsive fishman electronics. so, whether you're ready to upgrade your instrument, planning your debut album launch, or simply crave a reliable, stage-ready electro acoustic for life on the road – martin's got you covered.smooth to the touch, and born to perform. this d-x2e koa features high-end details including performing artist playability. allowing you to run wild with your technique whilst reaping the benefit the d-x2e's immense comfort. it also features a solid top and koa-generated hpl body. resulting in an incredibly durable instrument with koa's head-turning aesthetic, and a sonic attitude that just keeps on giving. and, with a hpl body, this d-x2e is perfect for life on the road thank to its climate resilient attitude. plus, you can keep your d-x2e safe and sound from rain and potential scratches thanks to a quality martin gig-bag. spark your passion for performance and take your music to the next level with martin.
Specifications:
Construction | Mortise & Tenon Neck Joint |
Body Size | D-14 Fret |
Top Material | Sitka Spruce |
Rosette | MOP Pattern with Multi-Stripe |
Bracing Pattern | X Brace |
Brace Shape | Scalloped X with Non-Scalloped Tone Bars |
Brace Material | Sitka Spruce |
Brace Size | 5/16" with 1/4" Tone Bars |
Back Material | HPL |
Back Detail | Figured Koa Pattern |
Side Material | HPL |
Side Detail | Figured Koa Pattern |
Neck Material | Select Hardwood |
Neck Shape | Performing Artist |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | White Corian |
Headstock Shape | Solid with Standard Taper |
Headplate Material | HPL |
Headplate Detail | Do Not Use |
Headplate Logo Style | Script Ink |
Heelcap | Black |
Fingerboard Material | Katalox |
Scale Length | 25.4" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4'' |
Fingerboard Width at 12th Fret | 2 1/8'' |
Fingerboard Inlay Material | Mother of Pearl Pattern |
Fingerboard Inlay Style | Style 28 |
Side Dots | White |
Finish Top | Hand Rubbed |
Top Color | Clear |
Finish Neck | Hand Rubbed |
Bridge Material | Katalox |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated White Tusq |
Saddle Radius | 16" |
Tuning Machines | Chrome Enclosed Gear |
Knob | Small |
Bridge Pin Material | White Plastic |
Bridge Pin Dots | Black Plastic |
Pickguard | Faux Tortoise |
Electronics | Fishman MX |
Reviews:
Overall: Bought this guitar when it first came out. It's HPL so the finish doesn't really matter compared to other HPL back and sides but the neck feel and solid wood neck improves pliability from the previous earlier HPL models I have owned. From the first strum I knew I had a good one and I doubt you'll regret buying one of these. Big Martin sound for not a lot of money.Lewis
This guitar was in tune when it arrived, I highly recommend this to musicians who don't care about buying collectors art. My step-dad has over 30 k in 5 American Martin's. They are amazing, but i can take this work on the grip truck. The action is subperb.. buy this guitar, the help from ams was awesome go Glenn! This is probably best cheap quality acoustic electric for the 700 under marketConor
Excellent value guitar ideal for Open Mics.Reviewed by Andertons Music Co.
14. Martin Gpc-13e Road Series Acoustic-Electric Guitar – Burst

Product Details:
The martin gpc-13e burst electro acoustic is a premium design, martin manufactured masterpiece of an acoustic guitar, which provides a beautifully organic tone that can be taken with you wherever you play. featuring fishman mx-t electronics, you'll be able to easily translate your sound on stage – and it's a sound that you will want everyone to hear. built with a spruce top which provides a gloriously rich and well-rounded tone with a broad dynamic range across the board. martin have used only the finest materials to craft this guitar, providing a great-sounding and highly comfortable playing experience. the hand-rubbed gloss finish will have you gliding over the durable richlite fretboard with ease, and the cutaway body shape makes it easier to access those higher reaches of the fretboard. finished with a classic sunburst top, this guitar looks just as good as it sounds, and will comfortably melt into any setting.
Specifications:
Edition Size | Open |
Construction | Mortise & Tenon Neck Joint |
Body Size | Grand Performance 14 Fret Cutaway |
Top Material | Sitka Spruce |
Rosette | Mother-of-Pearl Pattern with Multi-Stripe |
Bracing Pattern | X Brace |
Brace Shape | Scalloped |
Brace Material | Sitka Spruce |
Brace Size | 5/16" with 1/4" Tone Bars |
Back Material | Ziricote Fine Veneer |
Side Material | Ziricote Fine Veneer |
Binding | White |
Top Inlay Material | Multi-Stripe |
Neck Material | Select Hardwood |
Neck Shape | Performing Artist |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | White Corian |
Headstock Shape | Solid with Standard Taper |
Headplate Material | HPL |
Headplate Detail | Do Not Use |
Headplate Logo Style | Script Ink |
Heelcap | White |
Fingerboard Material | FSC Certified Richlite |
Scale Length | 25.4" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4'' |
Fingerboard Width at 12th Fret | 2 1/8'' |
Fingerboard Inlay Material | Mother of Pearl Pattern |
Fingerboard Inlay Style | 28 Style |
Side Dots | White |
Back and Side Finish | Gloss |
Finish Top | Gloss |
Top Color | Clear |
Finish Neck | Hand Rubbed |
Bridge Material | FSC Certified Richlite |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated White Tusq |
Saddle Radius | 16" |
Tuning Machines | Chrome Enclosed Gear |
Knob | Small |
Bridge Pin Material | Black Plastic |
Pickguard | Tortoise Pattern |
Electronics | Fishman MX-T |
Reviews:
I've been playing guitar ever since I was a little kid, starting out on an old japan nylon, switching over to a taylor gs mini, and mainly playing a seagull s6 coastline through high school. When I was moving to college, I decided I wanted to get a good martin guitar and sort of jumped the gun on this one. However, I must've played every guitar that came through my local guitar center and I wouldn't have switched out my gpc-13e for anything else. It is the best fingerpicking guitar I have ever played where every string brings out the same perfect volume without the bass scoop I find common on the 000's. I would even argue this guitar rivals most of the Martin standard series for half the price. With this guitar and a Martin HD-28e, I see no other reason to buy another acoustic guitar in my life.Luke
Overall: Of playing guitar constantly and owning over50 guitars I have finally found the only acoustic guitar that produces the tone I have heard in my head since I started playing in 1962.Right out of the box the action, the feel, the tone, the resonance and sustain were perfect. Mine has the 0 kotei back inside and is it not only incredible to look at it also as the most perfect fit and finish I have seen on any guitar I have owned no matter the price. Mine has the ziricote back and sides and is it not only incredible to look at it also as the most perfect fit and finish I have seen on any guitar I have owned no matter the price.
Bought this guitar for church. I was hesitant on purchasing since. This was the most I’ve ever spent on a guitar and also not being American made but it’s worth every penny. This guitar sounds amazing, looks awesome, even better in person. Playing this guitar feels so smooth and easy. It is everything you would expect from a Martin. I would definitely recommend this guitar!
15. Martin Sc-10e Acoustic Electric Guitar

Product Details:
The martin sc-10e road series electro-acoustic is dreamy in playability and heavenly in sound. afterall, it is a martin, so you can count on premium quality. don't be deceived by its small size – not only is it great for taking on the road, but it also boasts glorious sound projection. crafted from koa and adorned with a sitka spruce top, the body resonates with sparkle, depth, and glistening clarity. every chord you play will be magnificent. plus, thanks to an exquisite ebony fretboard, you'll have a silky-smooth surface to fret upon, as well as luscious sustain carrying each note. whether you're practising at home or captivating your awestruck audience, pristine playability is a must. the sleek sure align neck system and handy cutaway allow you to waltz effortless across the frets, sliding right to the top of the scale with ease. it's a seamless playing experience you won't be able to get enough of. and when you're ready to plug in and amp up, utilise the fishman mx-t electronic system – it is expertly designed to enhance your dazzling acoustic sound.
Specifications:
Edition Size | Open |
Construction | Sure Align Linear Dovetail Neck Joint |
Body Size | S-13 Fret Cutaway |
Top Material | Sitka Spruce |
Rosette | Aperture Design with Multi-Stripe |
Bracing Pattern | Tone Tension X Brace |
Brace Material | Sitka Spruce |
Brace Size | 5/16" with 1/4" Tone Bars |
Back Material | Koa Fine Veneer |
Side Material | Koa Fine Veneer |
Binding | Black |
Top Inlay Material | Multi-Stripe |
Neck Material | Select Hardwood |
Neck Shape | Low Profile Velocity |
Neck Taper | High-Performance Taper |
Plek | Yes |
Nut Material | White Corian |
Headstock Shape | Solid with Square Taper |
Headplate Material | Ebony |
Headplate Detail | Do Not Use |
Headplate Logo Style | Silver Script Overlay |
Fingerboard Material | Ebony |
Scale Length | 25.4" |
Neck Joins Body At | 13th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4'' |
Fingerboard Width at 12th Fret | 2 1/8'' |
Fingerboard Inlay Material | Mother of Pearl Pattern and Black Sparkle Dot |
Fingerboard Inlay Style | SC-10 Style |
Side Dots | White |
Back and Side Finish | Satin |
Finish Top | Satin |
Top Color | Clear |
Finish Neck | Satin |
Bridge Material | Ebony |
Bridge Style | Sloped Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated White Tusq |
Saddle Radius | 16" |
Tuning Machines | Black Open Gear |
Recommended Strings | Acoustic Custom Light S535T |
Knob | Butterbean |
Bridge Pin Material | Black Plastic |
Bridge Pin Dots | White Plastic |
Pickguard | Tortoise Pattern |
Electronics | Fishman MX-T |
Manufacturer Part Number (MPN) | 11SC10E-01 |
Reviews:
This is another addition to my earlier post I still like the guitar as I mentioned before but when I just now went to record using the pickup system I was not pleased. At least to my ears it sounds like a very low end piezo under the bridge like the earliest kinds in the 80's buzzy and thick lacking in any of the subtle sounds I get playing it acoustically.Petros
Up front I like brighter sounding acoustics (and electrics) and this model Martin was a real revelation. It feels like an electric neck to me so easy to play and the workmanship is outstanding. I was a little thrown by the bolt in neck but I get it now, it allows for owner adjustments (though I would still take it to a luthier) but what floored me was how singing this guitar is all the way up, even chords up at the 12+ frets sound full and loud. This is a pretty darn loud guitar. It has a nice deep penetrating low end but not a fat low end like a more traditional expensive Martins it has bite but a very appealing musical bite. (Think P90 as opposed to Humbuckers) (I'm speaking only played acoustic have not plugged it in yet) again I like it because it sings with a great sustain but not too much low end which can be difficult to record and sing against. Notes just seem to push tone out I was able to push this guitar until it seemed like the strings were rubber bands but it never quit it just kept the tone clear and ringing. Love the design of the bouts feels great to have on your lap. It sounded great flat picked finger picked nail picked strummed hammered pulled nothing did not sound excellent to my ears. I also tried a Taylor 214 CE K which I thought sounded great on videos but wow it sounded choked in many ways and chords that barked out and shouted on the Martin sounded muffled and pretty weak on the Taylor. That's when I decided this Martin was it. (In some ways this guitar sounds like a 12 string because of the bell like clarity and definition just what I was looking for).Petros
16. Martin 000-10e Road Series

Product Details:
Any way you look at it, the martin 000-10e a great solid-wood guitar at an unbeatable price. the 000-10e features an all-solid sapele body, which produces a nicely-balanced warm sound. this guitar is soft and sweet—certain to inspire any songwriter, and it's a comfortable size that will fit nicely in the living room. its satin finish is understated and subtle, and with fishman mx-t electronics under the hood, the 000-10e is ready for any stage. deluxe martin soft-shell case included. as the name “road series” implies, here’s a great-sounding martin guitar that’s ready to go on tour.
Specifications:
Construction | Mortise & Tenon Neck Joint |
Body Size | 000-14 Fret |
Top Material | Sapele |
Rosette | Multi-Stripe |
Bracing Pattern | X Brace |
Brace Shape | Non-Scalloped |
Brace Material | Sitka Spruce |
Brace Size | 5/16" with 1/4" Tone Bars |
Back Material | Sapele |
Side Material | Sapele |
Neck Material | Select Hardwood |
Neck Shape | Performing Artist |
Neck Taper | High-Performance Taper |
Plek | Yes |
Nut Material | White Corian |
Headstock Shape | Solid with Standard Taper |
Headplate Material | HPL |
Headplate Logo Style | Script Ink |
Heelcap | Black |
Fingerboard Material | FSCÂ Certified Richlite |
Scale Length | 24.9'' |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4" |
Fingerboard Width at 12th Fret | 2 1/8" |
Fingerboard Inlay Material | MOP Pattern |
Fingerboard Inlay Style | MOP Pattern Dots- 28 Style Pattern |
Side Dots | White |
Back and Side Finish | Satin |
Back and Sides Color | Cherry |
Finish Top | Satin |
Top Color | Cherry |
Finish Neck | Hand-Rubbed |
Bridge Material | FSCÂ Certified Richlite |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated White Tusq |
Saddle Radius | 16" |
Tuning Machines | Chrome Enclosed Gear |
Recommended Strings | MA540T |
Knob | Small |
Bridge Pin Material | White Plastic |
Bridge Pin Dots | Black Plastic |
Pickguard | Faux Tortoise |
Electronics | Fishman MX-T |
Reviews:
This guitar is wonderful. I upgraded from an entry-level dreadnought that was really challenging for me to play. I love the beautiful tones this body produces, I love the look and feel of the 000 build, and I'm happy with my progress since investing. Very satisfied with my purchase.AMY
This is a very nice acoustic. I played it a few times before I purchased it. The volume and tone dials are a little awkward to get to since they are in the top portion of the sound hole. The tuner is nice in the bottom of it. I was really surprised by how thin the neck profile is. The soft side case is excellent! For the price is was really astounded! It is not a US made but it is made in North America and it's a Martin!Dave
Let me begin by saying that I've owned a number of Martins over the years – my first "good" guitar was a D28 many moons ago. In that time, I've never seen Martin's quality falter and this guitar is no exception. Tone, construction, and playability are all top-notch. Within the past couple of years, Ive found that a mahogany-topped guitar suits my singing voice and the 000 10 was chosen for that fact. This guitar has a darker, woody tone that sits well with the male voice (IMO). It's warmth and articulation work great for the fingerstyle playing I do (but it certainly holds up to a pick as well with no complaints). The 1 3/4 inch nut and performance neck are very comfortable over a long period. I enjoy small guitars (0, 00) but the bottom end can sometimes lack in those sizes. The 000 is a perfect compromise – a tight, comfortable waist but enough width in the lower bout to produce a pleasing bass response. What more can I say? All in all, 5 stars for this guitar!dawilcox
17. Martin Drs2 Road Series Acoustic/electric Guitar

Product Details:
A masterful electro acoustic. it's about time you experienced everything that a guitar should be. the martin drs2, natural is exactly that. martin have poured every drop of their guitar crafting ability into making this one of their best performing models yet. it offers terrific tone, amazing amplification, and perfect playability.embrace a tonal range that will never fail to delight. sapele, sitka spruce, and select hardwood in the drs2's construction give you brilliant tone at any pitch. you'll enjoy superb playing comfort thanks to a tapered neck. and you can plug in and play with tremendous clarity anywhere thanks to a fishman pickup. a fantastic instrument in every way.
Specifications:
Top Wood | Sitka Spruce |
Back and Sides | Sapele |
Construction | Mortise/Tenon Neck Joint |
Body Size | D-14 Fret |
Top Bracing Pattern | A-Frame ''X-1'' |
Top Braces | Solid Sitka Spruce 5/16'' |
Back Material | Solid Sapele |
Binding | Black Boltaron |
Neck Material | Rust Stratabond |
Neck Shape | Modified Low Oval |
Nut Material | White Corian |
Fingerboard Material | Black Richlite |
Scale Length | 25.4'' |
Number Of Frets Clear | 14 |
Number Of Frets Total | 20 |
Bridge Material | Black Richlite |
Bridge Style | Belly |
Interior Label | Paper Label |
Reviews:
I was very impressed with it. It is not a top of the line Martin, nor was my Maton, but I feel it was a step up for me. I found the neck,action,tone simply amazing. It is a fuller richer tone which is saying something because the Maton was pretty damn good. As it is a Dreadnaught, this may be partly responsible for the better tone, but I haven't stopped grinning since I got it home. I changed the strings, Elixir acoustics and that made it even better.bluestone5410
Having only played low priced beginner acoustic guitars I really didn't quite know what to expect. My decision to buy this came from reading nothing but good reviews and from a very well known reputation. When I opened the case my first thought was that this looks like any other guitar that I've had and I hope I didn't just waste so much money on yet another "gimmick lefty" guitar, as there are so many. Being open minded though I fine tuned the strings and strummed a chord for the first time, then another, and another and my jaw dropped down so low it bounced off the top of guitar. This guitar sounds amazing and is such a joy to play. It only took a few seconds to realize that this was indeed money well spent. I had no idea an acoustic guitar could sound like this without being altered in a studio setting, I am very impressed and totally satisfied.The Ghost
Martin has been known for having some of the best acoustic guitars out there in the market and the DSR2 is a great example that you don't have to spend over $1000 to get a good acoustic. Solid Maple top and solid Sapele back and sides lends itself to a gorgeous warm tone. A nice plus is that this is one of the few guitars under $1000 that comes with a hardshell case. If you can afford it, snag this up quick.Tim
18. Martin 00-28 Modern Deluxe Acoustic Guitar

Product Details:
The 00-28 modern deluxe is a contemporary take on martin vintage. this guitar is packed with custom features and modern technology that you have to see, feel, and hear for yourself. the vintage appointments include a sitka spruce vintage tone system (vts) top, a dovetail neck joint, and natural protein glue construction, giving it the rich, fully aged martin tone that has inspired generations. the look is unlike anything in martin's production line with european flamed maple binding, stylish gold frets, gold open-gear tuners, and a unique 1930s style script logo inlaid in pearl on the headstock. some ultra-modern features include liquidmetal bridge pins with red dots and a composite carbon fiber bridgeplate that boosts volume, and a neck shape that is slightly asymmetrical for maximum hand comfort up and down the fretboard. this guitar is anything but standard.
Specifications:
Edition Size | Open |
Construction | Dovetail Neck Joint |
Body Size | 00-14 Fret |
Top Material | Sitka Spruce with VTS |
Rosette | Style 28 Multi-Stripe |
Bracing Pattern | X Brace |
Brace Shape | Scalloped |
Brace Material | Adirondack Spruce with VTS |
Brace Size | 1/4" |
Back Material | East Indian Rosewood |
Back Purfling/Strip | Zig-Zag Authentic |
Side Material | East Indian Rosewood |
Endpiece | European Flamed Maple |
Endpiece Inlay | Multi-Stripe |
Binding | European Flamed Maple |
Top Inlay Material | Bold Herringbone |
Back Inlay Material | Multi-Stripe |
Neck Material | Genuine Mahogany |
Neck Shape | Vintage Deluxe |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | Bone |
Headstock Shape | Solid with Square Taper and Diamond |
Headplate Material | East Indian Rosewood |
Headplate Detail | Do Not Use |
Headplate Logo Style | Stylized Script Inlay |
Heelcap | European Flamed Maple |
Fingerboard Material | Ebony |
Scale Length | 24.9" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4'' |
Fingerboard Width at 12th Fret | 2 1/8'' |
Fingerboard Inlay Material | Abalone |
Fingerboard Inlay Style | Diamonds and Squares Long Pattern |
Side Dots | Abalone |
Back and Side Finish | Gloss |
Finish Top | Gloss |
Top Color | Clear |
Finish Neck | Satin |
Neck Color | Dark Mahogany |
Bridge Material | Ebony |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated Bone |
Saddle Radius | 16" |
Tuning Machines | Gold Open Gear |
Recommended Strings | Acoustic Light (S540T) |
Knob | Butterbean |
Bridge Pin Material | Liquid Metal |
Bridge Pin Dots | Red Acrylic |
Pickguard | Tortoise Pattern |
19. Martin Om-28e Modern Deluxe Acoustic Guitar

Product Details:
The om-28e modern deluxe is packed with vintage appointments, custom features and modern technology. a sitka spruce vintage tone system (vts) top, dovetail neck joint, and natural protein glue construction deliver the rich, fully-aged martin tone that has inspired generations. european flamed maple binding, stylish gold frets, gold open-gear tuners, and a unique 1930s style script logo inlaid in pearl on the headstock give it a look to match its sound. adjustable aura imaging technology included in new fishman aura vt blend electronics now allows more control over the voice of your guitar than ever before. the om-28e modern deluxe comes with a ply hardshell case and strung with authentic acoustic lifespan 2.0 light gauge strings.
Specifications:
Edition Size | Open |
Construction | Dovetail Neck Joint |
Body Size | 000-14 Fret |
Top Material | Sitka Spruce with VTS |
Rosette Style | 28 Multi-Stripe |
Bracing Pattern | X Brace |
Brace Shape | Scalloped |
Brace Material | Adirondack Spruce with VTS |
Brace Size | 1/4" |
Back Material | East Indian Rosewood |
Back Purfling/Strip | Zig-Zag Authentic |
Side Material | East Indian Rosewood |
Binding | European Flamed Maple |
Top Inlay Material | Bold Herringbone |
Back Inlay Material | Multi-Stripe |
Neck Material | Genuine Mahogany |
Neck Shape | Vintage Deluxe |
Neck Taper | Standard Taper |
Plek | Yes |
Nut Material | Bone |
Headstock Shape | Solid with Square Taper and Diamond |
Headplate Material | East Indian Rosewood |
Headplate Logo Style | Stylized Script Inlay |
Heelcap | European Flamed Maple |
Fingerboard Material | Ebony |
Scale Length | 25.4" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4'' |
Fingerboard Width at 12th Fret | 2 1/4'' |
Fingerboard Inlay Material | Abalone |
Fingerboard Inlay Style | Diamonds and Squares Long Pattern |
Side Dots | Abalone |
Back and Side Finish | Gloss |
Finish Top | Gloss |
Top Color | Clear |
Finish Neck | Satin |
Neck Color | Dark Mahogany |
Bridge Material | Ebony |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 1/4" |
Saddle | Compensated White Tusq |
Saddle Radius | 16" |
Tuning Machines | Gold Open Gear |
Recommended Strings | Authentic Acoustic Light (SMA540T) |
Knob | Butterbean |
Bridge Pin Material | Liquid Metal |
Bridge Pin Dots | Red Acrylic |
Pickguard | Tortoise Pattern |
Electronics | Fishman Aura VT Blend |
Reviews:
This is the first high end purchase that I have been satisfied with! It was brand new! 2 Heritage and 2 Gibson' s have been switched at the last minute after months of waiting and following updates of the newly manufactured item that had been ordered! Please send me the name and contact information of my Gear Advisor for this purchase.John L
A stunning build quality, beautiful tone & tonal balance. The 00 body size coupled with the high quality rosewood makes for a type of natural EQ & compression of the inherent bass characteristic of the tone wood. The trebles are very present & detailed in the chords & hauntingly beautiful played in single note runs. This guitar makes me wish it was my first good acoustic, for the money I have never seen anything close. Martin reigns.Mr. T
20. Martin 000-42 Standard Series Acoustic Guitar

Product Details:
The 000-42 standard auditorium acoustic guitar is a great example of the quality craftmanship that martin is famous for creating over their 185-year history. prized for its combination of the finest tonewoods and construction techniques, the 000-42 standard auditorium acoustic guitar has all the tone and sustain that you have come to expect from a hand-crafted martin guitar. the smaller auditorium body is well-balanced, while being versatile enough to cover just about any musical style. the hand-fit dovetail neck joint delivers a resonant tone with lots of sustain. a sitka spruce top with scalloped x-bracing tunes the sound of the guitar to have just the right amount of bass, mid and treble. adorned with a pearl top, pearl headplate and snowflake fingerboard inlays, the 000-42 standard looks as beautiful as it sounds. this is an instrument that you'll want to play for hours. this 000-42 guitar is a player's dream, with upgrades including a modified low-oval neck with performing artist neck taper and 1-3/4" nut. in final assembly, the instrument receives a computerized plek setup to dial-in the action for the best possible string performance for each instrument. the result is an instrument with the optimal sound and feel. you won't want to put this one down. case sold saparately.
Specifications:
CONSTRUCTION | Dovetail Neck Joint |
BODY SIZE | 000-14 Fret |
TOP MATERIAL | Sitka Spruce |
BRACING PATTERN | X Brace |
BRACE SHAPE | Scalloped |
BRACE MATERIAL | Sitka Spruce |
BRACE SIZE | 5/16" |
BACK MATERIAL | East Indian Rosewood |
BINDING | Antique White |
TOP INLAY MATERIAL | Abalone with Multi-Stripe |
BACK INLAY MATERIAL | Multi-Stripe |
NECK MATERIAL | Genuine Mahogany |
NECK SHAPE | Modified Low Oval |
NUT MATERIAL | Bone |
HEADSTOCK SHAPE | Solid with Square Taper and Diamond |
HEADPLATE MATERIAL | East Indian Rosewood |
HEADPLATE LOGO STYLE | Block Inlay |
HEADPLATE BINDING MATERIAL | Antique White with Multi-Stripe |
FINGERBOARD MATERIAL | Ebony |
SCALE LENGTH | 24.9'' |
NUMBER OF FRETS TOTAL | 20 |
Style | Orchestra (om) |
Reviews:
Erstaunlich leicht und wahnsinnig resonant. Der Hals ist speziell in den oberen Lagen mit Triads und Akkorden SEHR leicht zu bespielen. Ich habe noch eine D28hd und eine OM21Sp.. DieserHals liegt dazwischen und ist durch ein sehr schönes Stringspacing gleichermaßen für Single-line Spiel sowie Strumming geeignet. Durch die kürzere Maserung im Vergleich zur OM sehr leichtes Bending. Ich empfehle als PU System das Miniflex Model 1 in Verbindung mit einer Para Di von Lr Baggs. Über das Aussehen brauche ich wohl kein Wort verlieren…Ein KUNSTWERK VON HÖCHSTER GÜTE
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