Are you looking for the Martin 5 18 Guitar? If so, you’ve come to the right place.
Choosing the Martin 5 18 Guitar can be difficult as there are so many considerations, such as Suhr, Martin, Music Man. We have done a lot of research to find the top 20 Martin 5 18 Guitar available.
The average cost is $3000.16. Sold comparable range in price from a low of $439.12 to a high of $6299.00.
Based on the research we did, we think Martin OM-18 Authentic 1933 is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Martin 5 18 Guitar (20 Sellers)
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$4599.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- Martin om-18 authentic 1933 acoustic guitar with original case.
- No fret wear. only a couple of light strum marks on the pickguard and above the strings, opposite of the pickguard (way too light to photograph).
- The new martin vintage tone system (vts) uses a unique recipe that is based on the historic torrefa…
$2799.00
5.0
Reviewers Noted:
Visual appeal . Durability . Weight
Features:
- Martin 00-18 made in 2019 with little usability is available!
- The 00 size, one size smaller than 000, fits well and is easy to handle.
- Uses a pa taper that has a nut width of 44.5mm but does not spread much even in high positions.
$2799.00
5.0
Reviewers Noted:
Visual appeal . Durability . Weight
Features:
- Dovetail neck joint
- Gloss top with aging toner
- Modern belly bridge with drop-in saddle
$2799.00
4.8
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Used 2020 martin d-18 in great shape.
- Very minimal playing time on this one.
- Features a sitka spruce top, mahogany back and sides, and an ebony fingerboard and bridge.
$3599.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durability
Features:
- Newly designed dreadnought style guitar with ultra-modern features
- New for 2019
- Solid sitka spruce top with vintage tone system technology
Reviewers Noted:
Good sound quality . Well made . Attractive . Durable . Lightweight
Features:
- Butterbean tuning machines
- Solid sitka spruce top
- Solid mahogany back & sides
$6299.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- 6-string acoustic guitars
- Martin d-18 authentic 1937 vts acoustic guitar
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Craftsmanship . Durability
Features:
- Very good condition
- No frett wear
- Waverly tuners
$4199.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability
Features:
- Sitka spruce vintage tone system
- Impressive gold tuners and frets
- Fishman aura vt blend electronics system
$3999.00
4.7
Reviewers Noted:
Sound quality . Attractive . Well made . Durability
Features:
- Up for grabs is a near pristine example of an omjm martin.
- For a 2015 omjm, this martin is in near perfect condition and was only taken out of its case a handful of times.
- Its only flaw us a minuscule and hardly noticeable chip in the lacquer finish, located on the upper right hand side of the headstock (pictured).
$2799.00
4.9
Reviewers Noted:
Well made . Sound quality . Visual appeal . Weight . Durability
Features:
- Body type: 000-14 fret.
- Cutaway: non-cutaway.
- Top wood: solid sitka spruce.
$3999.00
4.7
Reviewers Noted:
Sound quality . Attractive . Well made . Durability
Features:
- I'm the original owner and this guitar is very clean condition.
- A little use(used only in smoke free environment) ,pickup and neck condition is no problem in playing.
- No claim,no return.
$2799.00
5.0
Reviewers Noted:
Visual appeal . Durability . Weight
Features:
- ***martin 00-18
- Ray mullin music
- Our instruments are tuned, cleaned, and cared for daily
$2199.00
4.9
Reviewers Noted:
Good sound quality . Visual appeal . Durability . Craftsmanship
Features:
- The body is cherry wood. lush and full sounding when paired with the classic om body shape.
- The fretboard is fsc certified ebony. the sitka top provides balance and power to this stunning tonewood combination.
- Modern features include a high performance neck shape for effortless play and a fishman matrix vt enhance pickup to bring all this tone to any stage!
$2200.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability
Features:
- 2019 martin d18
- Sitka spruce top, mahogany back & sides
- Standard 25.4" scale, standard 1-3/4" nut
$1599.99
4.8
Reviewers Noted:
Good sound quality . Attractive . Durability . Craftsmanship . Weight
Features:
- Martin molded hardshell case
- Martin closed back tuners replaced with gold gotoh locking tuners (originals included)
- Chrome strap buttons replaced with gold strap buttons (originals included)
$2799.00
4.9
Reviewers Noted:
Well made . Sound quality . Visual appeal . Weight . Durability
Features:
- Neck is perfectly straight
- Action is nice and low, but with great tone
- K&k pure mini pu installed
$1229.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight
Features:
- Martin's 15 series oo-15m, made in 2021.
- Oo-sized all-maho model oo-15m, which is a slender and thin shape, and has many users like the dreadnought shape represented by d-28.
- There is some usability such as threads, wiping streaks, dents on the body top, and fine picking marks.
$2849.99
Features:
- Martin 1967 0-18 acoustic guitar natural…
$439.12
4.8
Reviewers Noted:
Good sound quality . Well made . Attractive
Features:
- The little martin is big on tone, quality, and versatility and includes sustainable wood parts. new to the series, the lx1r features a solid sitka spruce top for warmth and…
1. Martin Om-18 Authentic 1933

Product Details:
Selling my martin om-18 authentic. i bought it new just over 2 years ago, and the guitar is still mint, looks the same as the day i bought it. neck is dead straight. i play finger style, and the action is nice and low, yet you can strum it hard and it won't buzz. guitar responds very well to strumming, very powerful, and surprisingly loud. has been played less than 10 hours, frets are perfect. no pickup installed, and the end pin hasn't been put in. comes from a smoke and pet free home, always properly humidified. comes with the original hard shell case with the green interior, also mint. still has the 'new guitar smell' when you take it out of the case.
Specifications:
Reviews:
Fantastic service from the team at Fanatic – happy to correspond in English. Order processed and despatched quickly and delivered to Gibraltar without any issues. Guitar arrived in perfect condition, well boxed. Was surprised that the guitar didn't have a strap button on the heel, but from research know that this is common practice for Martins – a bit of a shame, but no effect whatsoever on a fabulous guitar. Action is pretty high and the neck needed a slight truss rod adjustment, but easy to do with the right tool and experience of such maintenance (the allen key does not come with the guitar, but easily purchased). Width at the nut slightly wider than my previous guitar so a little technique change needed to avoid unintentional muting on the E string – that's not the guitars fault!
If you want the ARCHETYPE, the inspiration, the BEST, Go for a Martin. I have a Gibson Original Jumbo 1934 reissue, that sound like heaven, the Martin is another animal, a perfect pair for my Gibson, I'm not a professional, I love blues and fingerpicking in my home with a cigar and a whiskey and my two acoustics and my OMI Dobro Lilly Of The Valley are a treasure for me! The martin have a striped ebony fingerboard and bridge (I like it but some maybe preffer a black one, well are not black), the sound is clear and a joy! The craftmanship is perfect, the case is very nice, the martin strings sound very good (I bought 3 sets of the same), the rosewood is very nice paired, and the top have a beautiful aged tone. This guitar will be with me all my life. About Guitar Center of Miami Mr Mario and Ignacio are nice people!Alejandro
I'm a new guitarist and consider myself very fortunate to be able to afford an instrument like this. I am nowhere near good enough (yet) to get the most out of this guitar, but I will say that even as a beginner (and long-time music lover) I can really hear the difference between this and lesser guitars, and playing on an instrument like this makes learning more rewarding, and dare I say easier. Anything I hear wrong is clearly my technique, which this guitar rewards when you get it right, and makes obvious when you miss. From simple cowboy chords to picked or fingered individual notes this guitar just has tone to die for. Hit an E minor, hard or soft, and each string resonates with depth, clarity and sustain. Playing this guitar is really a dream come true. Oh, I said I'm a beginner and that means that as I write this I've been playing guitar for all of five months. I'm 52-years-old and take weekly 30 minute lessons, have dabbled in online lessons and practice about 15 to 30 minutes on weekdays and about an hour or two on Saturdays and Sundays. I recently sang and played "Nights in White Satin" by The Moody Blues for my family. Just me, my D-28 and beautiful, room-filling tone. There's nothing better.Andrew
2. Martin 00-18 Acoustic Guitar

Product Details:
A sonic partner for life. it's premium from headstock to lower bout, and it's truly timeless. there's simply no other way to describe the martin 00-18. and like all martin guitars, the 00-18 was hand made. because it matters. with martin having such a legendary, global rep, every luthier ensures each instrument is jam-packed with their passion for superior acoustic sound. the result – martin's 'perfect' tone. and that same tone is one that's inspired generations of musicians, and driven the success of many icons. so expect pure sonic class, nothing less. experience martin's plek process, high-performance taper, and silky-smooth finish, which provides performances at its peak – every time you play.
Specifications:
Construction | Dovetail Neck Joint |
Body Size | 00-14 Fret |
Top Material | Sitka Spruce |
Rosette | Old Style 18 Multi-Stripe |
Bracing Pattern | X Brace |
Brace Shape | Scalloped |
Brace Material | Sitka Spruce |
Brace Size | 1/4" |
Back Material | Genuine Mahogany |
Back Purfling/Strip | Style 18 |
Side Material | Genuine Mahogany |
Endpiece | Faux Tortoise |
Binding | Faux Tortoise |
Top Inlay Material | Multi-Stripe |
Neck Material | Select Hardwood |
Neck Shape | Modified Low Oval |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | Bone |
Headstock Shape | Solid with Square Taper |
Headplate Material | East Indian Rosewood |
Headplate Logo Style | Script Old Style Overlay |
Heelcap | Faux Tortoise |
Fingerboard Material | Ebony |
Scale Length | 24.9" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4'' |
Fingerboard Width at 12th Fret | 2 1/8'' |
Fingerboard Inlay Material | Abalone |
Fingerboard Inlay Style | 18 Old Style |
Side Dots | White |
Back and Side Finish | Gloss |
Back and Sides Color | Dark Mahogany |
Finish Top | Gloss |
Top Color | Aging Toner |
Finish Neck | Satin |
Neck Color | Dark Mahogany |
Bridge Material | Ebony |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated Bone |
Saddle Radius | 16" |
Tuning Machines | Nickel Open Gear |
Included Strings | Martin MA540T |
Knob | Butterbean |
Bridge Pin Material | Black Plastic |
Pickguard | Faux Tortoise |
Electronics | Optional |
Reviews:
The smallest acoustic I've ever owned, but a seriously big sound, especially when played fingerstyle! I've only had it a short time, but it's definitely a lifer as I've never played a guitar as responsive. It's definitely not one to get if you're focusing on strumming out big chords, but as an intimate little solo performing or recording guitar it can't be beat. It also has an amazing projection which allows it to cut through some bigger instruments in a way that a dreadnought simply can't which makes it a really great guitar to play lead lines on. It's for sure my favorite martin, and I've owned almost all of their standard series models!Desmond
Purchased a little over 2 months ago with no regrets. I have several acoustic and electrics to my name, but this D-18 just makes me want to play and play. I can't explain it. Couldn't be more thrilled with the appearance, workmanship, but most importantly the tonal quality this D-18 has. It has punch, bark and a sweet finger style as well. Martin did an exceptional job on this one. It is exactly what I was looking for in playability and performance. Already had a boutique D-28 style rosewood back and sides, but the difference in the tone of Mahogany is stark. It's a huge investment, but I have no regrets except I didn't do it sooner. Can't put it down and totally reinvigorated with acoustic playing. Shout out to Steven Segal who helped me finalize this purchase and went the extra mile to make my experience good.Joe
Having waited over 5months since placing the order and without any updates from Music Store, the guitar finally arrived. Lovely guitar with a great sound but unfortunately it was not the exact guitar that I ordered and paid for. Since the differences were cosmetic but significant to me and I did not wish for further delays or hassle I decided to keep the guitar. Music Store you need to get your act together and supply the goods your customers order. Very disappointed, not what I was expecting.
3. Martin 0-18 Acoustic Guitar

Product Details:
Beautiful small body martin guitar with original hardshell case in near mint condition with only some fret wear seen. no modifications ever made to this guitar including never putting strap pin in heel in order to keep it in original condition. guitar has only been played in home and is stored in case, with daddario humidifiers in sound hole and headstock consistently. nut width is 1.750 and scale length is 24.9 inches.
Specifications:
Construction | Dovetail Neck Joint |
Body Size | 0-14 Fret |
Top Material | Sitka Spruce |
Rosette | Old Style 18 Multi-Stripe |
Bracing Pattern | X Brace |
Brace Shape | Scalloped X with Non-Scalloped Tone Bars |
Brace Material | Sitka Spruce |
Brace Size | 1/4" |
Back Material | Genuine Mahogany |
Back Purfling/Strip | Style 18 |
Side Material | Genuine Mahogany |
Endpiece | Faux Tortoise |
Binding | Faux Tortoise |
Top Inlay Material | Multi-Stripe |
Neck Material | Select Hardwood |
Neck Shape | Modified Low Oval |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | Bone |
Headstock Shape | Solid with Square Taper |
Headplate Material | East Indian Rosewood |
Headplate Logo Style | Script Old Style Overlay |
Heelcap | Faux Tortoise |
Fingerboard Material | Ebony |
Scale Length | 24.9" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4'' |
Fingerboard Width at 12th Fret | 2 1/8'' |
Fingerboard Inlay Material | Abalone |
Fingerboard Inlay Style | Old Style 18 |
Side Dots | White |
Back and Side Finish | Gloss |
Back and Sides Color | Dark Mahogany |
Finish Top | Gloss |
Top Color | Aging Toner |
Finish Neck | Satin |
Neck Color | Dark Mahogany |
Bridge Material | Ebony |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated Bone |
Saddle Radius | 16" |
Tuning Machines | Nickel Open Gear |
Knob | Butterbean |
Bridge Pin Material | Black Plastic |
Pickguard | Faux Tortoise |
Strings | MA540T Phosphor Bronze |
Electronics | Optional |
Reviews:
The smallest acoustic I've ever owned, but a seriously big sound, especially when played fingerstyle! I've only had it a short time, but it's definitely a lifer as I've never played a guitar as responsive. It's definitely not one to get if you're focusing on strumming out big chords, but as an intimate little solo performing or recording guitar it can't be beat. It also has an amazing projection which allows it to cut through some bigger instruments in a way that a dreadnought simply can't which makes it a really great guitar to play lead lines on. It's for sure my favorite martin, and I've owned almost all of their standard series models!Desmond
Purchased a little over 2 months ago with no regrets. I have several acoustic and electrics to my name, but this D-18 just makes me want to play and play. I can't explain it. Couldn't be more thrilled with the appearance, workmanship, but most importantly the tonal quality this D-18 has. It has punch, bark and a sweet finger style as well. Martin did an exceptional job on this one. It is exactly what I was looking for in playability and performance. Already had a boutique D-28 style rosewood back and sides, but the difference in the tone of Mahogany is stark. It's a huge investment, but I have no regrets except I didn't do it sooner. Can't put it down and totally reinvigorated with acoustic playing. Shout out to Steven Segal who helped me finalize this purchase and went the extra mile to make my experience good.Joe
Having waited over 5months since placing the order and without any updates from Music Store, the guitar finally arrived. Lovely guitar with a great sound but unfortunately it was not the exact guitar that I ordered and paid for. Since the differences were cosmetic but significant to me and I did not wish for further delays or hassle I decided to keep the guitar. Music Store you need to get your act together and supply the goods your customers order. Very disappointed, not what I was expecting.
4. Martin D-18 Acoustic Guitar – Natural

Product Details:
Specifications:
BODY SIZE | D-14 Fret |
FINISH TOP | Gloss |
CONSTRUCTION | Dovetail Neck Joint |
BACK AND SIDE FINISH | Gloss |
BRACING PATTERN | Forward-Shifted X-Brace |
SCALE LENGTH | 25.4" |
BRACE SHAPE | Scalloped |
FINGERBOARD WIDTH AT NUT | 1 3/4'' |
TOP MATERIAL | Sitka Spruce |
NECK SHAPE | Modified Low Oval |
BACK MATERIAL | Genuine Mahogany |
NECK TAPER | High-Performance Taper |
SIDE MATERIAL | Genuine Mahogany |
ELECTRONICS | Optional |
TOP COLOR | Aging Toner |
BRIDGE STYLE | Modern Belly – Drop in Saddle |
BINDING | Faux Tortoise |
BRIDGE STRING SPACING | 2 5/32" |
TOP INLAY MATERIAL | Multi-Stripe |
BRIDGE MATERIAL | Ebony |
BRIDGE PIN MATERIAL | Black Plastic |
PICKGUARD | Tortoise Pattern |
SADDLE | Compensated Bone |
ROSETTE | Old Style 18 Multi-Stripe |
SADDLE RADIUS | 16" |
BRACE MATERIAL | Sitka Spruce |
BACK AND SIDES COLOR | Dark Mahogany |
BRACE SIZE | 5/16" |
BACK PURFLING/STRIP | Style 18 |
HEELCAP | Faux Tortoise |
ENDPIECE | Faux Tortoise |
NECK MATERIAL | Select Hardwood |
FINGERBOARD MATERIAL | Ebony |
FINISH NECK | Satin |
FINGERBOARD WIDTH AT 12TH FRET | 2 1/8'' |
NECK COLOR | Dark Mahogany |
FINGERBOARD INLAY STYLE | Old Style 18 |
NUMBER OF FRETS TOTAL | 20 |
FINGERBOARD INLAY MATERIAL | Abalone |
NECK JOINS BODY AT | 14th Fret |
SIDE DOTS | White |
HEADSTOCK SHAPE | Solid with Square Taper |
TUNING MACHINES | Nickel Open Gear |
HEADPLATE MATERIAL | East Indian Rosewood |
KNOB | Butterbean |
HEADPLATE LOGO STYLE | Script Old Style Overlay |
NUT MATERIAL | Bone |
LEFT HANDED AVAILABILITY | true |
PLEKED | true |
Finish | Ambertone |
Year | 2018 – 2022 |
Made In | United States |
Back Material | Mahogany |
Body Shape | Dreadnought |
Finish Style | Gloss |
Fretboard Material | Ebony |
Neck Material | Mahogany |
Number of Strings | 6-String |
Right / Left Handed | Right Handed |
Sides Material | Mahogany |
Top Material | Spruce |
Reviews:
Overall: Original unopened uninspected by zZounds, in the heavy duty box from Martin. Mine was packed well enough, but still a little surprised how little bubble pack it had, or needed. The guitar seems perfect, no blemishes, straight neck, just beautiful. Rings like a bell despite needing a set up. Saddle has tons of room to sand down to most anyone’s preferred height/action. Nut seems like it’s in similar ready to set up condition. But even out of the box it sounds absolutely great and isn’t terrible to play. The little booklet that comes with it lists features, including “non adjustable” truss rod. I hadn’t come across this in my (limited) research into D18s. Martin guitar forums are divided on it, but I think the idea is “the old ones that people worship didn’t have adjustable truss rods, so we’re following the recipe”. Fine, but why not put that in the specs too? It’s not a cheap guitar. Taking a chance on it and seeing how it does. I’ll care for it properly and if it craps out and needs a neck reset or god forbid a new neck, I’ll rant and rave about it. But for now, let’s see how it sets up!Dan
I can't say enough about this guitar. For as long as I have been a guitar player (and a Pennsylvanian, for that matter) I have known Martin guitars. They are always prominently used and sold around this area. I looked up to my idols who played them, even older players like CSN and Neil Young and Clapton. I dreamed of owning one and as a kid, I loved the white binding on dark wood, seemingly drawing me in to a D-28, which is arguably the most popular Martin ever. As a kid, I almost got a Martin DM, but ended up with a cheaper Epiphone. After college, I decided to get my first Martin Custom D Rosewood – essentially a D-28 with a mortise and tenon neck joint and a D-15 A-Frame bracing and styling – sold exclusively here on MF (and GC). It's a great value for a guitar, but had to keep it constantly humidified because of the thin-skin matte finish. It can get really dried out and in fact, was in that condition when I received it (used). Great guitar, but I was always chasing buying a brand new Martin to call my own. I played some in stores of course and always A/B'd them, but it wasn't until a factory tour that I got a real idea of the breadth that the Martin line possesses. There is the 1833 Shop there with an adjacent players room filled with a good spread of Martins of all values and construction style. I was simply playing them to see which ones spoke to me, sonically and soulfully. I played the D-28, the D-35, the D-41, the D-15, 00-15M, the CEO, a 12 string, Eric Clapton model 000-28, etc. They all had their magic I'm sure, but when I landed on the D-18, I was simply blown away. It had a completely organic and natural sound – I could literally hear the wood. It's an absolutely lovely woody tone – this sounded better than the rest to me. I also LOVE the understand design and simplicity. It's a true working man's instrument – plus it features forward shifted X-Bracing which gives a lot more bass. The new improvements are all choice! 100% my fav. acousticIan from PA
I bought this guitar last year at a locally owned music store and was happy to do so as you don't find many of them stocked at large corporately owned brick and mortar stores. When I purchased it, I fell in love with the look and overall sound of the guitar and felt I was indeed buying a piece of history. The overall materials, finish and body construction are excellent and it produces a rich tone even with older strings. However that is where the positive remarks end. The more I want to love this guitar, the more it disappoints for the simple reason that it is incredibly difficult to play. Whether this is due to a poor set up or poor fretboard construction I really can't say, but I have to put this thing down after more than after five or ten minutes of playing – it is that bad. The same is true for the D-15 I spent a pretty penny on too. How a guitar maker that's supposedly been around since 1833 can produce something this hard to play is beyond me. Older D-18s I have played are not much better as they are incredibly hard to fret and buzz incessantly. So before you spring a couple of grand for this "piece of history," reconsider something that actually plays with ease. For this reason alone, I certainly would never invest in another one of these or a D-28, D-35 etc.. that costs even more. I can name several other major brands that put this guitar to shame due to their playability but won't to avoid embarrassing the manufacturer. But I will say that Martin's quality control folks ought to check these things out before shipping them out the door. Believe me, Martin's reputation and its chances of survival depend on it.Tom R
5. Martin D-18 Modern Deluxe Acoustic

Product Details:
Presenting the all new martin d-18 modern deluxe mahogany dreadnought. the d-18 modern deluxe is a new take on martin vintage. this guitar is packed with custom features and modern technology that you have to see, feel, and hear for yourself. the vintage appointments include a sitka spruce vintage tone system (vts) top, a dovetail neck joint, and natural protein glue construction that give it the rich, fully aged martin tone that has inspired generations. the look is unlike anything in martin's production line to date with east indian rosewood binding, stylish gold frets, gold open-gear tuners, and a unique 1930s style script logo inlaid in pearl on the headstock. some ultra-modern features include a titanium truss rod, liquidmetal bridge pins with red dots, and a composite carbon fiber bridgeplate that boosts volume without adding weight. and martin has included a new neck shape that is slightly asymmetrical for maximum hand comfort up and down the fretboard. this d-18 modern deluxe is anything but standard.
Specifications:
Construction | Dovetail Neck Joint |
Body Size | D-14 Fret |
Top Material | Sitka Spruce with VTS |
Rosette | Old Style 18 Multi-Stripe |
Bracing Pattern | Forward Shifted X Brace |
Brace Shape | Scalloped |
Brace Material | Adirondack Spruce with VTS |
Brace Size | 5/16" |
Back Material | Genuine Mahogany |
Back Purfling/Strip | Style 18 |
Side Material | Genuine Mahogany |
Endpiece | East Indian Rosewood |
Binding | East Indian Rosewood |
Top Inlay Material | Multi-Stripe |
Neck Material | Genuine Mahogany |
Neck Shape | Vintage Deluxe |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | Bone |
Headstock Shape | Solid with Square Taper |
Headplate Material | East Indian Rosewood |
Headplate Logo Style | Stylized Script Inlay |
Heelcap | East Indian Rosewood |
Fingerboard Material | Ebony |
Scale Length | 25.4" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4'' |
Fingerboard Width at 12th Fret | 2 1/8'' |
Fingerboard Inlay Material | Abalone |
Fingerboard Inlay Style | Old Style 18 |
Side Dots | Abalone |
Back and Side Finish | Gloss |
Back and Sides Color | Dark Mahogany |
Finish Top | Gloss |
Top Color | Clear |
Finish Neck | Satin |
Neck Color | Dark Mahogany |
Bridge Material | Ebony |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated Bone |
Saddle Radius | 16" |
Tuning Machines | Gold Open Gear |
Knob | Butterbean |
Bridge Pin Material | Liquid Metal |
Bridge Pin Dots | Red Acrylic |
Pickguard | Faux Tortoise |
Reviews:
I own two other Martins (1970 D12-35 and1971 D42) both of which have aged beautifully and sound incredible. Both guitars needed to be set up, as back then out of the box from Martin high actions seemed to be the norm. Took a Martin factory tour in PA a few years ago and was floored by a demo stock D28. I've wanted one ever since. Walked into a Guitar Center while in NJ on a whim (alone, wife would have dragged me off) and tried various D28's, and even a D45. When I got to the D28 MD, well, it was all over. Haggled over price, then purchased it – this was back in Feb 2020, pre-Covid. Loved it out of the box. Pleke'd for perfect action, (absolutely no setup needed), beautifully appointed and incredible clear and distinctive bass, treble mid-range, whether finger picked (using finger picks or just fingers) or picking. It's now August, 6 months later, and…the sound is still a jaw-dropper every time I play. If you want a premium sounding player, that is also visually satisfying without being ostentatious, and your budget can permit, this is the one.Steven
The Martin "Special OM-28 VTS" guitar is outstanding in every way. WOW! It arrived with a perfect set-up. Its case is also a small upgrade over Martin 15 and 17 series' wood covered cases, and good enough. I contacted Martin about the VTS top on the guitar before buying. I wanted to know that if after torrefaction the top was going to continue to age, albeit much more slowly that new wood? My question was answered promptly by a customer service employee at Martin who said he asked my question to Martin's head of Instrument Design. The answer was yes, the VTS top will continue to age, very slowly. So, it is not a dead top. Derek was my sales associate and he could not have been more kind and patient. After all, buying a higher-end Martin isn't cheap. My guitar is labeled "Special" on its wooden serial number plate and not "Custom." The sales tags say "Custom." Guitar Center/Musicians Friend ordered 100 a of these exact guitars as a "Custom" order from Martin. It sold out and ordered more. The extras, mine included are called "Custom." I knew this before I made my purchase. My "Special OM-28 VTS" guitar is of heirloom quality.Chris
I wanted a rosewood 000 or OM. Almost brought a used omjm a couple different times. MF has had some smoking sales lately and I missed a couple good deals because I didn't pull the trigger. When this beacame part of the FALL sale knowing the omjm and 000-28ec is based on this basic model and this model had VTS, I just did it, tossed aside self control, took the heavyest one they had and here it is. After a few self tweaks to the truss rod, lowering the saddle a couple mm, like tone wowsville, this sounds as loud and has as much bass response as my HD-28e retro. Even my wife noticed. You know how wives are, they let us have multiple guitars so we don't get multiple girl friends, and she noticed how good this sounded over an HD28e retro, an 000-18e retro, a gpcpa1 big leaf maple custom shop, a 000-15m, she never knows what I am playing until this guitar. Now if she knows and hears the difference imagine how much I and you will notice how fripping sweet this guitar sounds and plays. This sounds incredibly good and should be added to your arsenal of guitars. The neck is like butter. Adding Fishman AG series passive piezo for electronics. My top has red streaks going through it, says sitka but I've only seen Engleman red spruce like that. The VTS is amazing, Better get one of these before none are left! I think I got the next to last one.OttoMatick
6. Martin D-18 Acoustic – 1935 Sunburst

Product Details:
This martin d-18 sunburst guitar with a 1935 burst finish upgrade, is a workhorse of a guitar, with a big sound capable of doing just about everything. this is the original 14-fret dreadnought that has inspired countless models and guitar builders throughout the years with its exceptional presence, sound and build. the new forward-shifted x bracing adds even more projection and the 1 3/4" nut width makes it an incredibly comfortable player. the neck itself has a slim 'performing artist' taper, too, and a satin finish, making this classic guitar even more of a joy to play. the sitka spruce top and mahogany back and sides give this d-18 beautiful, classic tone and volume, and excellent clarity in both the highs and lows. the 1935-style sunburst, set off so well by the tortoise style pickguard, is a gorgeous reminder of the company's early years that set the standard. this martin d-18 sunburst acoustic guitar comes with a hard case and full set up to your specs too.
Specifications:
CONSTRUCTION | Dovetail Neck Joint |
BODY SIZE | D-14 Fret |
TOP MATERIAL | Sitka Spruce |
BRACING PATTERN | Forward Shifted X Brace |
BRACE SHAPE | Scalloped |
BRACE MATERIAL | Sitka Spruce |
BRACE SIZE | 5/16" |
BACK MATERIAL | Genuine Mahogany |
BINDING | Faux Tortoise |
TOP INLAY MATERIAL | Multi-Stripe |
NECK MATERIAL | Select Hardwood |
NECK SHAPE | Modified Low Oval |
NUT MATERIAL | Bone |
HEADSTOCK SHAPE | Solid with Square Taper |
HEADPLATE MATERIAL | East Indian Rosewood |
HEADPLATE LOGO STYLE | Script Old Style Overlay |
FINGERBOARD MATERIAL | Ebony |
SCALE LENGTH | 25.4" |
NUMBER OF FRETS TOTAL | 20 |
Reviews:
Overall: Original unopened uninspected by zZounds, in the heavy duty box from Martin. Mine was packed well enough, but still a little surprised how little bubble pack it had, or needed. The guitar seems perfect, no blemishes, straight neck, just beautiful. Rings like a bell despite needing a set up. Saddle has tons of room to sand down to most anyone’s preferred height/action. Nut seems like it’s in similar ready to set up condition. But even out of the box it sounds absolutely great and isn’t terrible to play. The little booklet that comes with it lists features, including “non adjustable” truss rod. I hadn’t come across this in my (limited) research into D18s. Martin guitar forums are divided on it, but I think the idea is “the old ones that people worship didn’t have adjustable truss rods, so we’re following the recipe”. Fine, but why not put that in the specs too? It’s not a cheap guitar. Taking a chance on it and seeing how it does. I’ll care for it properly and if it craps out and needs a neck reset or god forbid a new neck, I’ll rant and rave about it. But for now, let’s see how it sets up!Dan
I can't say enough about this guitar. For as long as I have been a guitar player (and a Pennsylvanian, for that matter) I have known Martin guitars. They are always prominently used and sold around this area. I looked up to my idols who played them, even older players like CSN and Neil Young and Clapton. I dreamed of owning one and as a kid, I loved the white binding on dark wood, seemingly drawing me in to a D-28, which is arguably the most popular Martin ever. As a kid, I almost got a Martin DM, but ended up with a cheaper Epiphone. After college, I decided to get my first Martin Custom D Rosewood – essentially a D-28 with a mortise and tenon neck joint and a D-15 A-Frame bracing and styling – sold exclusively here on MF (and GC). It's a great value for a guitar, but had to keep it constantly humidified because of the thin-skin matte finish. It can get really dried out and in fact, was in that condition when I received it (used). Great guitar, but I was always chasing buying a brand new Martin to call my own. I played some in stores of course and always A/B'd them, but it wasn't until a factory tour that I got a real idea of the breadth that the Martin line possesses. There is the 1833 Shop there with an adjacent players room filled with a good spread of Martins of all values and construction style. I was simply playing them to see which ones spoke to me, sonically and soulfully. I played the D-28, the D-35, the D-41, the D-15, 00-15M, the CEO, a 12 string, Eric Clapton model 000-28, etc. They all had their magic I'm sure, but when I landed on the D-18, I was simply blown away. It had a completely organic and natural sound – I could literally hear the wood. It's an absolutely lovely woody tone – this sounded better than the rest to me. I also LOVE the understand design and simplicity. It's a true working man's instrument – plus it features forward shifted X-Bracing which gives a lot more bass. The new improvements are all choice! 100% my fav. acousticIan from PA
I bought this guitar last year at a locally owned music store and was happy to do so as you don't find many of them stocked at large corporately owned brick and mortar stores. When I purchased it, I fell in love with the look and overall sound of the guitar and felt I was indeed buying a piece of history. The overall materials, finish and body construction are excellent and it produces a rich tone even with older strings. However that is where the positive remarks end. The more I want to love this guitar, the more it disappoints for the simple reason that it is incredibly difficult to play. Whether this is due to a poor set up or poor fretboard construction I really can't say, but I have to put this thing down after more than after five or ten minutes of playing – it is that bad. The same is true for the D-15 I spent a pretty penny on too. How a guitar maker that's supposedly been around since 1833 can produce something this hard to play is beyond me. Older D-18s I have played are not much better as they are incredibly hard to fret and buzz incessantly. So before you spring a couple of grand for this "piece of history," reconsider something that actually plays with ease. For this reason alone, I certainly would never invest in another one of these or a D-28, D-35 etc.. that costs even more. I can name several other major brands that put this guitar to shame due to their playability but won't to avoid embarrassing the manufacturer. But I will say that Martin's quality control folks ought to check these things out before shipping them out the door. Believe me, Martin's reputation and its chances of survival depend on it.Tom R
7. Martin D-18 Authentic 1937 Vts Acoustic Guitar – Natural

Product Details:
This item was returned in great condition. it looks and plays like new, with only minor signs of use (slight scuffs, etc.). the martin d-18 authentic 1937 vts acoustic guitar is a replication of a 1937 d-18 that stays true to the original with hide glue construction and historically accurate detailing. 1937 was an excellent year for guitars with a perfect storm of craftsmanship, innovation and materials. the d-18 authentic 1937 features genuine mahogany back and sides, an adirondack spruce top and it includes an authentic circa-1937 bracing pattern. it has period-correct "18" authentic-style appointments, an authentic neck barrel and heel and, new this year, a more accurate body profile based on dreadnought shapes from the early golden era of martin history. the martin vintage tone system (vts) is employed to age the top and braces, which captures the tone from the 1930s era. comes with a hardshell case.
Specifications:
Construction | Dovetail Neck Joint – Hide Glue Construction |
Body Size | Authentic D-14 Fret |
Top Material | Adirondack Spruce with VTS |
Rosette | Old Style 18 Multi-Stripe |
Bracing Pattern | Forward Shifted X Brace |
Brace Shape | Scalloped |
Brace Material | Adirondack Spruce with VTS |
Brace Size | 5/16" |
Back And Sides Material | Genuine Mahogany |
Back Purfling Strip | Madagascar Rosewood |
End Piece | Brown Tortoise Pattern |
Binding | Brown Tortoise Pattern |
Top Inlay Material | Multi-Stripe |
Neck Material | Genuine Mahogany |
Neck Shape | Authentic 1937 |
Neck Taper | Standard Taper |
Nut Material | Bone |
Headstock Shape | Solid with 1937 Taper |
Headplate Material | Madagascar Rosewood |
Headplate Logo Style | Script Old Style Overlay |
Heelcap | Ebony |
Fingerboard Material | Ebony |
Scale Length | 25.4" |
Neck Joins Body At | 14th Fret |
Total Number Of Frets | 20 |
Fingerboard Width at Nut | 1 3/4'' |
Fingerboard Width at 12th Fret | 2 1/4'' |
Fingerboard Inlay Material | Abalone |
Fingerboard Inlay Style | Old Style 18 |
Side Dots | Grained Ivoroid |
Back And Sides Finish | Vintage Gloss |
Back And Sides Color | Dark Mahogany |
Finish Top | Vintage Gloss |
Top Color | Clear |
Neck Finish | Vintage Gloss |
Neck Color | Dark Mahogany |
Bridge Material | Ebony |
Bridge Style | Authentic Belly – Glue in Long Saddle |
Bridge Spacing | 2 1/4'' |
Saddle | Bone |
Saddle Radius | 16" |
Tuning Machines | Waverly Nickel Open Back |
Strings | Authentic Acoustic Lifespan 2.0 – Medium MA550T |
Knob | Butterbean |
Bridge Pin Material | Black Plastic |
Pickguard | Tortoise Pattern |
Reviews:
I've bought several guitars along the way, always knowing that I wanted a Martin 000. Somehow I found myself able to get the guitar I've always wanted and I'm so happy! Why did I wait so long? First of all, Martin Guitars are very nice. VERY NICE. The best. Especially once you get into the 18 series on up. The quality and craftsmanship lives up to the reputation. Of course, all of the hard work that Martin puts into their instruments results in breathtaking sound that only a Martin Guitar can produce. As soon as I picked up the guitar I could feel the power. My first chord was an open D, my go to key anytime I pick up a guitar to try. It's something you have to feel, but all I can really say is that the sound of this 000-18 is glorious. A very round classic sound, with a bit of chime on top. This 000-18 has a wide sonic range, but mid-range focused. The mahogany has that sweet tone which is great for all styles of play. This is definitely a finger pickers dream guitar, but can handle flat picking. I also like that I can lay into this guitar and the strumming remains crisp and not muddy. Drop tunings and capo up and down the neck is near perfect! This is my all around, do it all guitar! This guitar sings. Projection, sustain, volume when you need it, it's all there! Some guitars sound boxy and cheap. Not Martin. Not this one. It actually sounds like I should have paid more. The 000-18 does not come with electronics, but that's okay. You may not want any for this guitar. At least for a while. If you're a professional gigging musician than you could add a pickup, but there could be other choices out there suitable for gigging and amplified performance. The Sitka spruce top is gorgeous. Booked perfectly with silking that I can spend forever looking at. The neck is very smooth and modern feeling. I like it because it's not too thin, but allows me to play all styles. Satin finish makes me want to play all day long. And YES. I shallJay
This guitar is simply dreamy. Warm bass, chimey trebles, overtones all day long. Quality woods and finish, beautiful classic looks, great playability. Tone is everything I'd hoped for and more. Think Neil Young Harvest, Joni, acoustic John Martyn. After the disappointment of getting a very good-sounding but obviously damaged example from another supplier, I pre-ordered from Andertons, and received the HD sooner than expected. Ups and downs. Maybe it was the ghost of the first purchase haunting me – perhaps that first one had had time to open up more. But something didn't quite gel. No problem. Within the 14-day return period it was easy to arrange for an exchange for another of the same model. A few days later the courier came to picked up the guitar and hand over my third time lucky. Very quickly I realised I was Goldilocks in this tale, and this Martin was just right. It sounds just a little better every day and I love it! Not a cheap guitar, but a competitive price from Andertons for this iconic instrument.Reviewed by Andertons Music Co.
Overall: Once again zZounds has pulled through for me and allowed me to purchase a Martin HD28 and play it as I pay. I'm extremely grateful that zZounds has allowed me to participate in this program and it's for this reason and the excellent customer service, that I'll never purchase any gear from any other retailer. Thank you zZounds!The Martin HD28 that I purchased can be described with just one word, amazing. I've owned many acoustics in my lifetime from every builder you can think of and I'm convinced that Martin builds the absolute best acoustic guitars. My HD28 arrived in beautiful pristine condition with no issues whatsoever. Examining the inside of my guitar, you can see no glue drops and the Guitar is super clean. Great attention was given to this instrument in all aspects of the build. The wood is absolutely beautiful and the instrument is a true work of art. This instrument sounds absolutely beautiful. She has deep lows, articulate mids and crystal clear highs. The instrument is very well balanced across it's sonic spectrum. I might add that the Guitar is very loud without having to dig in hard. I'd say it's quite the cannon with tons of color and sustain. I purchased the Martin Liquid Bridge pins, installed them and I can certainly tell the difference. It's made the guitar a bit brighter and a little louder. I'm very happy with this purchase and I definitely have a keeper.Matt
8. Martin Ceo-7 Guitar

Product Details:
Save big when you buy today! construction: mahogany blocks/dovetail neck joint – body size: 00-14 fret (slope shoulder)top: solid adirondack spruce – rosette: single ring – top bracing pattern: standard ''x'' scalloped – top braces: solid adirondack spruce 1/4''back material: solid genuine mahogany – back purfling: none – side material: solid genuine mahogany – endpiece: none – endpiece inlay: none – binding: grained ivoroid – top inlay style: black boltaron – side inlay: none – back inlay: black boltaron – neck material: select hardwood – neck shape: modified vnut material: bone – headstock: solid/square taper – headplate: solid black ebony – heelcap: grained ivoroid fingerboard material: solid black ebony – scale length: 24.9''number of frets clear: 14number of frets total: 20fingerboard width at nut: 1-3/4''fingerboard width at 12th fret: 2-1/4''fingerboard position inlays: old style 18fingerboard binding: none – finish back & sides: polished gloss – finish top: polished gloss with autumn sunset burst – finish neck: satin – bridge material: solid black ebony – bridge style: straightline with drop-in saddle – bridge string spacing: 2-5/16''saddle: 16'' radius/compensated/bone – tuning machines: golden age relic nickel 2517 with cream plastic buttons – recommended strings: martin sp lifespan phosphor bronze light gauge (msp7100)bridge & end pins: white with black dots – pickguard: delmar tortoise color:case: 5434 geib style – interior label: signed by cfm iv – numbered in sequence without total
Specifications:
Construction | Mahogany Blocks/Dovetail Neck Joint |
Body Size | 00-14 Fret (Slope Shoulder) |
Rosette | Single Ring |
Top Bracing Pattern | Standard ''X'' Scalloped |
Top Braces | Solid Adirondack Spruce 1/4' |
Back Material | Solid Genuine Mahogany |
Side Material | Solid Genuine Mahogany |
Binding | Grained Ivoroid |
Top Inlay Style | Black Boltaron |
Back Inlay | Black Boltaron |
Neck Material | Select Hardwood |
Neck Shape | Modified V |
Nut Material | Bone |
Headstock | Solid/Square Taper |
Headplate | Solid Black Ebony |
Heelcap | Grained Ivoroid |
Fingerboard Material | Solid Black Ebony |
Scale Length | 24.9" |
Number Of Frets Clear | 14 |
Number Of Frets Total | 20 |
Fingerboard Width At Nut | 1-3/4" |
Fingerboard Width At 12th Fret | 2-1/4" |
Fingerboard Position Inlays | Old Style 18 |
Finish Top | Polished Gloss w/Autumn Sunset Burst |
Finish Neck | Satin |
Bridge Material | Solid Black Ebony |
Bridge Style | Straightline w/Drop-In Saddle |
Bridge String Spacing | 2-5/16" |
Saddle | 16" Radius/Compensated/Bone |
Pickguard | Delmar Tortoise Color |
Reviews:
First I should say this is my third Martin, the others being a D18 1934 GE and an OM-H28 VTS. I've wanted a 00-sized guitar and after having played several I chose the CEO-7. Boy, am I fortunate. I'm having more fun with this guitar than I really thought possible. First, it looks so cool. More Gibson L-00 than Martin (hence the "My Favorite Marti(a)n" nod in the title). But it plays and sounds just like a Martin–and that's a great thing. I've often said that if American history and culture had a soundtrack, it would be played on a Martin. And if I were doing the playing, it would be on my CEO-7. It fits like a glove and the sound rocks my soul. When played softly, it produces a sweet and delicate sound. But when you lay into it, it becomes gritty and bluesy. I've swapped the plastic bridge pins for bone and I'll probably upgrade the tuners at some point, but everything else is tops–addy top; mahogany back and sides; looks like a mahogany neck; ebony fingerboad and bridge; 1 3/4 bone nut. It's a lot of value for the price. Honestly, hands down THE BEST guitar I've ever owned. No regrets. I'll have this one forever.ScottyJ
I have been deliberating on getting a Martin D28 for a decade. I finally bit the bullet and spent the money but opted on the CEO 7. I couldn't be more happy. First off its gorgeous with the sunburst top and choice mahogany back and sides. The size drew me in because of comfortability and I play a lot sitting and lounging. To me it is way more comfortable than the dreadnot while not loosing any (or significant) volume. Plays like a dream. I shouldn't have have waited so long. I did opt to add an ivory arm rest and I think it just increases the big sound of this little guitar.Jon
This guitar is comfortable in my hands…it just feels good. Finger picking, flat picking, strumming…whatever style you prefer…it'll be fine. Clear and crisp and rings like a bell. Small but mighty. I've played (or tried to play) a bunch of guitars over the last 50 years. I'm a ham and egg player. Electrics and acoustics – Fenders, Gibsons, Martins, Gretschs, Epiphones, Guilds, Dan Electros and on…and this Martin CEO-7 is among the sweetest ever. This one makes me want to play it, and, most important, makes me want get better at playing it. This one makes me lose track of time.Hroogar
9. Martin D-18e Modern Deluxe Natural

Product Details:
Martin d18 e electric acoustic guitarcomes in very good condition : plays great.a few usual traces such as micro rays on back and neck (no ding, no scratch, please check pictures)this guitar is around 10 years old. on a basis of a martin d 18, an electric system was mounted. that one is very discrete, can be piloted by 2 small pots inside soundhole (please check last pictures). preamp is included inside the body, so the guitar was not modified on own its body. the system can be taken off easily if needed. serial number is hidden by preamp inside body so i cannot communicate it. i have the guarantee the guitar is around 10 years old maximum. comes in original martin case. the case outside plastic protection is a bit damaged at one point. please check pictures too. case is still closing and protecting the guitar as it should.
Specifications:
Edition Size | Open |
Construction | Dovetail Neck Joint |
Body Size | D-14 Fret |
Top Material | Sitka Spruce with VTS |
Rosette | Old Style 18 Multi-Stripe |
Bracing Pattern | Forward Shifted X Brace |
Brace Shape | Scalloped |
Brace Material | Adirondack Spruce with VTS |
Brace Size | 5/16" |
Back Material | Genuine Mahogany |
Back Purfling/Strip | Style 18 |
Side Material | Genuine Mahogany |
Binding | East Indian Rosewood |
Top Inlay Material | Multi-Stripe |
Neck Material | Genuine Mahogany |
Neck Shape | Vintage Deluxe |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | Bone |
Headstock Shape | Solid with Square Taper |
Headplate Material | East Indian Rosewood |
Headplate Logo Style | Stylized Script Inlay |
Heelcap | East Indian Rosewood |
Fingerboard Material | Ebony |
Scale Length | 25.4" |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4'' \ |
Fingerboard Width at 12th Fret | 2 1/8'' |
Fingerboard Inlay Material | Abalone |
Fingerboard Inlay Style | Old Style 18 |
Side Dots | Abalone |
Back and Side Finish | Gloss |
Back and Sides Color | Dark Mahogany |
Finish Top | Gloss |
Top Color | Clear |
Finish Neck | Satin |
Neck Color | Dark Mahogany |
Bridge Material | Ebony |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32" |
Saddle | Compensated White Tusq |
Saddle Radius | 16" |
Tuning Machines | Gold Open Gear |
Recommended Strings | Authentic Acoustic Medium (SMA550T) |
Knob | Butterbean |
Bridge Pin Material | Liquid Metal |
Bridge Pin Dots | Red Acrylic |
Pickguard | Tortoise Pattern |
Electronics | Fishman Aura VT Blend |
Reviews:
After playing guitar for almost 50 years, I finally obtained a job that afforded me the opportunity to purchase, what has turned out to be, the best sounding guitar I've owned. She is so responsive to how you play, dig in for more volume, ease up for someone else's lead.. she does not disappoint. I'm in awe every time I play it. Even my picking buddies are blow away by her. Saddle was a little high, but after a good set up, she plays like she sounds…beautiful.Paul
The box arrived that was originally sealed with big copper staples by Martin. I carefully opened the box, removed the case with guitar. I open the case not knowing what to expect as it was bought sight unseen. I open the case and was immediately hit with the smell of rosewood while my eyes gazed upon a gorgeous flawless work of art. I removed the guitar, tuned it up and was swept away with the huge, harmonically-rich tone. The action was absolutely perfect out of the case (low). It was so comfortable to play I thought the strings were light gauge 11's, but a micrometer confirmed they were medium 13's. The only thing I will swap out is the bridge pins and end piece. They are plastic. I will replace them with bone or titanium. If you do the same, make sure that the taper is 5 degrees, size 2A. This is not my first Martin. I've had a D-28 and D-35S. The last time I owned one was in 1985. The great quality is still the same. What a great guitar from a great company!Mike McLenison
In 1974 a friend of mine got a '65 Brazilian rosewood HD-35 for Christmas. I have wanted one ever since. I have played for 50 years and owned many fine instruments, all the names you know. IMHO this is the BEST acoustic guitar made by anyone! It's drop-dead beautiful, sounds extremely deep and rich, plays like butter, and being all-solid-wood, ages very well. Truthfully it is also a source of great pride of ownership, always recognized by those who are "in the know" about fine guitars. It IS expensive (and how!) but worth every penny. I suggest waiting for the 48-month, no-interest financing.Clint C.
10. Martin Omjm John Mayer Signature Natural

Product Details:
What an amazingly resonant piece! no wonder martin's been the best in the game for 175 years. it's hard to find a better sounding martin for the money, especially being a 175th anniversary model. this thing has been played but it's in very good condition, with a few slight marks and scratches. it's fully functional and ready to be played for years to come. regularly maintenanced, no cracks, breaks or repairs. one owner, original documentation. low serial #. make an offer, motivated to sell.martin hardshell case included. contains original/stock case candy.
Specifications:
Reviews:
I have been really enjoying the OMJM. It actually feels quite similar to a shorter scale guitar, as the neck is so good. only you can properly strum it like a dreadnought if you want to, it feels great having the power and versatility to do so on a smaller bodied guitar. The neck plays great also for the bluesier things too. The sound of it is fantastic, so articulate, and it records so well, you literally don’t have to eq it in anyway, it is so balanced whereby no bass notes/treble notes over power the others even when fingerpicking. very inspiring instrumentReviewed by Project Music custom
I think this is a great guitar. It is a very specific guitar, though. Martin makes nothing else like this. It has a very similar body to the OM-28 and Clapton models, but the neck really sets the guitar apart. The lower profile neck makes it almost play like an electric guitar. I wasn't going exactly for the John Mayer tone, in buying this guitar, but it definitely factored into the purchase. What really sets the guitar apart are the specs. I loved the OM-28 V, and even liked the tone in that guitar a tiny bit more than in the OMJM, because it has a different type of bracing, but I went with the OMJM because the neck, because I couldn't live with the v neck, and the difference in tone is really negligible. I got this guitar as an impusle purchase. I was looking for guitars from the $1,000-$1,500 price range. I figured, though that in that range, especially with Martins and Taylors, I would not have ended up completely satisfied. I saw no point in buying a guitar in that range, especially, as it would be something I could see myself getting rid of after a handful of years. So, I ended up taking a risk with the OMJM and it really paid off. Everyhting quality wise that I was hoping for, and I can see myself keeping this guitar indefinitely. Moreover, just playing the guitar has inspired me and allowed me to reach a new level of playing. It is almost as if my job is to just release songs from this guitar, and they just write themselves. If you can afford it, I definitely recommend investing in this guitar. I can only look forward to it becoming more beautiful with age. The guitar comes with Martin's thinline + pickup system. I actually prefer this system for its simplicity. Though you cannot have complete tone control, all you have to do is plug and play. I have only had enough time to play one show with it, and I plugged it straight into the PA system. I was very surprised at how great the guitar sounded through the system, and found that the pickups reproduced a very accurate and clear tone. In purchasing this guitar, I was looking at a players' series model with the aurora system. Though the guitars do not compare, I was less inclined to purchase one of the players series. Though the features are great on that system, I was most nervous about out of warranty repairs. Though the thinline system in the OMJM is simple by comparrison to Taylor's ES, or the Aurora system, it won't be a huge cost to replace down the road if things go wrong with it. I also enjoy the system because the OMJM retains the look of a true acoustic, and the only thing that gives it away is the jack incorprated into the strap button. The quality on this guitar is up there with the best guitars I have ever played. Though the guitar looks stellar in pictures, you really have to see the guitar in person to appreciate the workmanship. Furthermore, the inlays and bindings are very tastefully done. They are not too flashy, and when included with the vintage toner and open gear tuners, they really make for a rich looking guitar. The guitar looks especially great in the case, as the maroon liner really complements the vintage toner and finish. The finish upon receiving the guitar was flawless and the aroma of the rosewood sides and spruce top really hit you when you first open the case. I have had the guitar for a couple of months now and that smell is still one of my favorite qualities of the guitar. Even the small things, like the pickguard which was perfectly flawlessly polished and was of a much higher quality than the printed tortoise shell pickguards of other similarly priced guitars. In terms of tone, I don't think anything beats this guitar. I am partial to rosewoods, but this guitar really sings, given that it is a narrower and smaller body. This guitar plays everything well from strumming to fingerstyle. I love how not only is the guitar loud and warm, but it gives more of a raw, masculine tone. I think a lot of people feel that you are paying for the name with this guitar, but it is based off of the OM-28 vintage, and that guitar is $3100 dollars. With the OMJM, you get not only the pickup system installed, but also higher quality inlays in the bridge pins and the paua rosette lining the soundhole. Is it worth the $200 dollar premium? More or less, yes. I was a little disappointed with the case. The black layer began to peel less than a month into owning the guitar. Also, the locking latch keeps jamming and when it pops out, the top slams back down. I don't think it is bad, but just another annoying thing. Aesthetically, it is a great case, but it has not up to the standards I was hoping for. Also, not a big fan of the "JMC" embroidered on it. Always face questions about whose initials they are.Mdn25
I both strum and fingerpick and this guitar just sings. It wasn't so out of the box, terrible action! A trip to my luthier friend and she came alive! Delivery was a bit late and nerve racking but all was good when i first opened the case… wow what a gorgeous sight and that smell… wow!David
11. Martin 000-18 Left-Handed Acoustic Guitar – Natural

Product Details:
This is the left-handed version. – carrying a distinct vintage-inspired design and updated like the d-18 a few years ago, the redesigned 000-18 offers many of the features found in martin's pre-war era guitars. the 000-18, which has a beautiful aging toned top in sitka spruce, is married with mahogany back and sides. the body is edged with tortoise binding and complemented with a polished finish. the 24.9" short scale model's neck features a modified low-oval profile with performing artist taper, with a width of 1-3/4" at the nut and 2-3/16" string spacing for easy playability. nickel open-geared tuners with butterbean knobs are found with a rosewood headplate, which displays a large old style martin logo. includes case.bodybody type: 000-14 fret cutaway: non-cutaway top wood: solid sitka spruce – back & sides: solid genuine mahogany – bracing pattern: standard x scalloped – body finish: polished gloss – orientation: left handed neck neck shape: modded low oval nut width: 1.75" (44.45mm) fingerboard: solid black ebony neck wood: select hardwood scale length: 24.9" number of frets: 20 neck finish: finished gloss – electronics pickup/preamp: no brand: not applicable configuration: not applicable preamp eq: not applicable feedback filter: not applicable tuner: not applicable other headstock overlay: solid east indian rosewood – tuning machines: nickel open-geared with butterbean knobs bridge: solid black ebony – saddle & nut: compensated/bone number of strings: 6-string special features: tonewoods – case: hardshell case accessories: info not available country of origin: united states
Specifications:
BODY SIZE | 000-14 Fret |
TOP MATERIAL | Sitka Spruce |
BRACING PATTERN | X Brace |
BRACE SHAPE | Scalloped |
BRACE MATERIAL | Sitka Spruce |
BRACE SIZE | 1/4" |
BACK MATERIAL | Genuine Mahogany |
SIDE MATERIAL | Genuine Mahogany |
ENDPIECE | Faux Tortoise |
BINDING | Faux Tortoise |
TOP INLAY MATERIAL | Multi-Stripe |
NECK SHAPE | Modified Low Oval |
NECK TAPER | Performing Artist Taper |
PLEK | Yes |
NUT MATERIAL | Bone |
HEADSTOCK SHAPE | Solid with Square Taper |
HEADPLATE MATERIAL | East Indian Rosewood |
HEELCAP | Ebony |
FINGERBOARD MATERIAL | Ebony |
SCALE LENGTH | 24.9'' |
NECK JOINS BODY AT | 14th Fret |
NUMBER OF FRETS TOTAL | 20 |
FINGERBOARD WIDTH AT NUT | 1-3/4'' |
FINGERBOARD WIDTH AT 12TH FRET | 2-1/8'' |
FINGERBOARD INLAY MATERIAL | Abalone |
BACK AND SIDE COLOR | Dark Mahogany |
FINISH TOP | Gloss |
TOP COLOR | Aging Toner |
FINISH NECK | Satin |
BRIDGE MATERIAL | Ebony |
BRIDGE STYLE | 1930 Style Belly – Drop in Saddle |
BRIDGE STRING SPACING | 2-5/32'' |
SADDLE | Compensated Bone |
SADDLE RADIUS | 16'' |
TUNING MACHINES | Nickel Open Gear |
KNOB | Butterbean |
BRIDGE PIN MATERIAL | Black Plastic |
PICKGUARD | Faux Tortoise |
Finish | Natural |
Year | 2014 |
Made In | United States |
Number of Strings | 6-String |
Top Material | Spruce |
Right / Left Handed | Left Handed |
Back Material | Mahogany |
Sides Material | Mahogany |
Fretboard Material | Ebony |
Body Shape | Auditorium |
Reviews:
Hi Its the Old Time Picker again, This Martin is perfect, I have a Martin HD35 three high end Taylors 810, 524, 562, and a Gibson J15, So I know great guitars and this Martin 000 18 is a perfect guitar, In the past Martin was a little off on the 18 line of guitars with the binding being a little ruff, But not anymore, They have really stepped up to the plate with this one, It is perfect on the fit and finish and the sound is everything you want a Martin to be.i recommend This guitar to anyone of any style age or level of playing. Give it a try MF will take it back if you don't like it. Give ex 3231 a call Dawana will get you taken care of, She's Great. I've Ordered over 60 orders from MF and give them a 10 rating, well its back to Picken and Grinin, My Little puppy, Mr. Snickers sings with me everyday he's great to, hahah,,,, The Old Time PickerOld Time Picker
I've bought several guitars along the way, always knowing that I wanted a Martin 000. Somehow I found myself able to get the guitar I've always wanted and I'm so happy! Why did I wait so long? First of all, Martin Guitars are very nice. VERY NICE. The best. Especially once you get into the 18 series on up. The quality and craftsmanship lives up to the reputation. Of course, all of the hard work that Martin puts into their instruments results in breathtaking sound that only a Martin Guitar can produce. As soon as I picked up the guitar I could feel the power. My first chord was an open D, my go to key anytime I pick up a guitar to try. It's something you have to feel, but all I can really say is that the sound of this 000-18 is glorious. A very round classic sound, with a bit of chime on top. This 000-18 has a wide sonic range, but mid-range focused. The mahogany has that sweet tone which is great for all styles of play. This is definitely a finger pickers dream guitar, but can handle flat picking. I also like that I can lay into this guitar and the strumming remains crisp and not muddy. Drop tunings and capo up and down the neck is near perfect! This is my all around, do it all guitar! This guitar sings. Projection, sustain, volume when you need it, it's all there! Some guitars sound boxy and cheap. Not Martin. Not this one. It actually sounds like I should have paid more. The 000-18 does not come with electronics, but that's okay. You may not want any for this guitar. At least for a while. If you're a professional gigging musician than you could add a pickup, but there could be other choices out there suitable for gigging and amplified performance. The Sitka spruce top is gorgeous. Booked perfectly with silking that I can spend forever looking at. The neck is very smooth and modern feeling. I like it because it's not too thin, but allows me to play all styles. Satin finish makes me want to play all day long. And YES. I shallJay
Overall: Bought this Martin, it is everything the 00018e is except I get to pick out the pickup I want. I like it much more than a Dred, it is perfect in my hands and very light. The sound is typical of a high-end Martin 000. The Dred is just too boomy and could not cut through the mix in recording or playing live. This guitar is great for strumming picking or lead. Bottom end is still great with the added bonus of sparkling high end and playing lead is a thrill. You got to get you one.Randall
12. Martin Omjm John Mayer Acoustic Guitar

Product Details:
Martin and john mayer created something very special with the om-28 jm. it gets as loud as a dreadnought or as dynamic as a small bodied guitar depending on how you play it. the tone is classic martin but more responsive and sweeter than other high end martins. acoustic guitars don't get better than this. normal play wear. small ding on top near the edge (see pic). professionally setup with perfect action. this is the best guitar i've owned and not in a huge hurry to sell. low ball offers will be respectfully ignored. any questions just holler.
Specifications:
Construction | Mortise/Tenon Neck Joint |
Body Size | 000-14 Fret |
Rosette | Style 45 |
Top Bracing Pattern | Hybrid "x" Scalloped |
Top Braces | Solid Sitka Spruce 5/16 in. |
Back Material | Solid East Indian Rosewood |
Back Purfling | Hd Zig-Zag |
Side Material | Solid East Indian Rosewood |
Endpiece | Grained Ivoroid |
Endpiece Inlay | Black/White Boltaron |
Binding | Grained Ivoroid |
Top Inlay Style | Bold Herringbone |
Back Inlay | Black/White Boltaron |
Neck Material | Select Hardwood |
Neck Shape | Low Profile |
Nut Material | Bone |
Headstock | Solid/Diamond/Squaretaper |
Heelcap | Grained Ivoroid |
Fingerboard Material | Solid Black Ebony |
Scale Length | 25.4 in. |
Fingerboard Width At Nut | 1-11/16 in. |
Fingerboard Width At 12th Fret | 2-1/8 in. |
Finish Top | Polished Gloss W/ Vintage Toner |
Finish Neck | Satin |
Bridge Material | Solid Black Ebony |
Bridge Style | Belly |
Bridge String Spacing | 2-1/8 in. |
Saddle | 16 in. Radius/Compensated/White Tusq |
Tuning Machines | Gotoh Nickel Open-Geared W/ Butterbean Knobs |
Pickguard | Tortoise Color – Beveled & Polished |
Electronics | Martin Gold Plus Natural 1 |
Manufacturer Part Number (MPN) | 10OMJMJOHNMAYER |
Reviews:
I have been really enjoying the OMJM. It actually feels quite similar to a shorter scale guitar, as the neck is so good. only you can properly strum it like a dreadnought if you want to, it feels great having the power and versatility to do so on a smaller bodied guitar. The neck plays great also for the bluesier things too. The sound of it is fantastic, so articulate, and it records so well, you literally don’t have to eq it in anyway, it is so balanced whereby no bass notes/treble notes over power the others even when fingerpicking. very inspiring instrumentReviewed by Project Music custom
I think this is a great guitar. It is a very specific guitar, though. Martin makes nothing else like this. It has a very similar body to the OM-28 and Clapton models, but the neck really sets the guitar apart. The lower profile neck makes it almost play like an electric guitar. I wasn't going exactly for the John Mayer tone, in buying this guitar, but it definitely factored into the purchase. What really sets the guitar apart are the specs. I loved the OM-28 V, and even liked the tone in that guitar a tiny bit more than in the OMJM, because it has a different type of bracing, but I went with the OMJM because the neck, because I couldn't live with the v neck, and the difference in tone is really negligible. I got this guitar as an impusle purchase. I was looking for guitars from the $1,000-$1,500 price range. I figured, though that in that range, especially with Martins and Taylors, I would not have ended up completely satisfied. I saw no point in buying a guitar in that range, especially, as it would be something I could see myself getting rid of after a handful of years. So, I ended up taking a risk with the OMJM and it really paid off. Everyhting quality wise that I was hoping for, and I can see myself keeping this guitar indefinitely. Moreover, just playing the guitar has inspired me and allowed me to reach a new level of playing. It is almost as if my job is to just release songs from this guitar, and they just write themselves. If you can afford it, I definitely recommend investing in this guitar. I can only look forward to it becoming more beautiful with age. The guitar comes with Martin's thinline + pickup system. I actually prefer this system for its simplicity. Though you cannot have complete tone control, all you have to do is plug and play. I have only had enough time to play one show with it, and I plugged it straight into the PA system. I was very surprised at how great the guitar sounded through the system, and found that the pickups reproduced a very accurate and clear tone. In purchasing this guitar, I was looking at a players' series model with the aurora system. Though the guitars do not compare, I was less inclined to purchase one of the players series. Though the features are great on that system, I was most nervous about out of warranty repairs. Though the thinline system in the OMJM is simple by comparrison to Taylor's ES, or the Aurora system, it won't be a huge cost to replace down the road if things go wrong with it. I also enjoy the system because the OMJM retains the look of a true acoustic, and the only thing that gives it away is the jack incorprated into the strap button. The quality on this guitar is up there with the best guitars I have ever played. Though the guitar looks stellar in pictures, you really have to see the guitar in person to appreciate the workmanship. Furthermore, the inlays and bindings are very tastefully done. They are not too flashy, and when included with the vintage toner and open gear tuners, they really make for a rich looking guitar. The guitar looks especially great in the case, as the maroon liner really complements the vintage toner and finish. The finish upon receiving the guitar was flawless and the aroma of the rosewood sides and spruce top really hit you when you first open the case. I have had the guitar for a couple of months now and that smell is still one of my favorite qualities of the guitar. Even the small things, like the pickguard which was perfectly flawlessly polished and was of a much higher quality than the printed tortoise shell pickguards of other similarly priced guitars. In terms of tone, I don't think anything beats this guitar. I am partial to rosewoods, but this guitar really sings, given that it is a narrower and smaller body. This guitar plays everything well from strumming to fingerstyle. I love how not only is the guitar loud and warm, but it gives more of a raw, masculine tone. I think a lot of people feel that you are paying for the name with this guitar, but it is based off of the OM-28 vintage, and that guitar is $3100 dollars. With the OMJM, you get not only the pickup system installed, but also higher quality inlays in the bridge pins and the paua rosette lining the soundhole. Is it worth the $200 dollar premium? More or less, yes. I was a little disappointed with the case. The black layer began to peel less than a month into owning the guitar. Also, the locking latch keeps jamming and when it pops out, the top slams back down. I don't think it is bad, but just another annoying thing. Aesthetically, it is a great case, but it has not up to the standards I was hoping for. Also, not a big fan of the "JMC" embroidered on it. Always face questions about whose initials they are.Mdn25
I both strum and fingerpick and this guitar just sings. It wasn't so out of the box, terrible action! A trip to my luthier friend and she came alive! Delivery was a bit late and nerve racking but all was good when i first opened the case… wow what a gorgeous sight and that smell… wow!David
13. Martin 00-18 – Natural

Product Details:
A welcome addition to the standard series, the new 0-18 has a scallop-braced sitka spruce top with mahogany back and sides that serve as the foundation for this concert sized model. the combination of a short expressive 24.9” scale with a modified low oval neck shape and the high performance parallel taper allows for easy action and fast playability. open geared nickel tuners with phosphor bronze strings and an ebony fingerboard and bridge complete the look of this classic parlor guitar.
Specifications:
Finish | Natural |
Year | 2016 – 2022 |
Made In | United States |
Back Material | Mahogany |
Body Shape | Concert |
Finish Style | Gloss |
Fretboard Material | Ebony |
Neck Material | Mahogany |
Number of Strings | 6-String |
Right / Left Handed | Right Handed |
Sides Material | Mahogany |
Top Material | Spruce |
Wood Top Style | Plain |
Reviews:
The smallest acoustic I've ever owned, but a seriously big sound, especially when played fingerstyle! I've only had it a short time, but it's definitely a lifer as I've never played a guitar as responsive. It's definitely not one to get if you're focusing on strumming out big chords, but as an intimate little solo performing or recording guitar it can't be beat. It also has an amazing projection which allows it to cut through some bigger instruments in a way that a dreadnought simply can't which makes it a really great guitar to play lead lines on. It's for sure my favorite martin, and I've owned almost all of their standard series models!Desmond
Purchased a little over 2 months ago with no regrets. I have several acoustic and electrics to my name, but this D-18 just makes me want to play and play. I can't explain it. Couldn't be more thrilled with the appearance, workmanship, but most importantly the tonal quality this D-18 has. It has punch, bark and a sweet finger style as well. Martin did an exceptional job on this one. It is exactly what I was looking for in playability and performance. Already had a boutique D-28 style rosewood back and sides, but the difference in the tone of Mahogany is stark. It's a huge investment, but I have no regrets except I didn't do it sooner. Can't put it down and totally reinvigorated with acoustic playing. Shout out to Steven Segal who helped me finalize this purchase and went the extra mile to make my experience good.Joe
Having waited over 5months since placing the order and without any updates from Music Store, the guitar finally arrived. Lovely guitar with a great sound but unfortunately it was not the exact guitar that I ordered and paid for. Since the differences were cosmetic but significant to me and I did not wish for further delays or hassle I decided to keep the guitar. Music Store you need to get your act together and supply the goods your customers order. Very disappointed, not what I was expecting.
14. Martin Ome Cherry Acoustic Electric Guitar

Product Details:
Crafted with all fsc-certified woods, including a sitka spruce top, cherry back and sides, a mahogany high performance neck, ebony fingerboard and bridge, and an african blackwood headplate, the ome-cherry is martin’s newest fsc guitar and is definitely worth checking out. the model includes gold open gear tuners, and arrives stage-ready with fishman matrix vt enhance nt1 electronics so you can rock out and sound as good plugged in as you do unplugged. as pioneers in sustainable guitar building, martin proudly partners with the forestry stewardship counsel (fsc) to bring the world a line of great sounding sustainable wood guitars. when you play this comfortable, classy orchestra model, you can be sure that mother earth will be cheering you on.electronics the matrix vt enhanced is unobtrusive, with no controls or holes cut into the side of the guitar. the easy-to-use volume, tone and enhance blend controls are mounted inside the soundhole for convenient access during performance. the resulting sound quality meets the martin standard of excellence with an unmatched sound and responsiveness to touch and playing. enhance transducer fishman’s enhance transducer is a bridge-plate transducer that is mechanically and electrically optimized to bring out the sound of the body, and the dynamic and percussive elements of guitar playing. the enhance transducer is specially designed to capture the longitudinal energy (dynamic and percussive attack) of the guitar top while being highly resistant to the transverse energy that manifests in string squeak, body handling noise, and parasitic feedback. it adds these body characteristics to the full spectrum audio performance of the aura vt enhance and matrix vt enhance to deliver a new level of sound quality and dynamic playing response. the result is a sound that is pure martin, with more responsiveness to your playing dynamics and touch.
Specifications:
Construction | Simple Dovetail Neck Joint |
Body Size | 000-14 Fret |
Top Material | Sitka Spruce |
Top Detail | FSC Certified Wood |
Rosette | Multi-Stripe |
Bracing Pattern | X Brace |
Brace Shape | Scalloped |
Brace Material | Certified European Spruce |
Brace Size | 1/4 inch |
Back Material | Cherry |
Back Detail | FSC Certified Wood |
Back Purfling/Strip | Style 18 |
Side Material | Cherry |
Side Detail | FSC Certified Wood |
Binding | Antique White |
Top Inlay Material | Multi-Stripe |
Back Inlay Material | Black Stripe |
Neck Material | FSC Certified Select Mahogany |
Neck Shape | Modified Low Oval |
Neck Taper | High Performance Taper |
Plek | Yes |
Nut Material | Bone |
Headstock Shape | Solid with Square Taper |
Headplate Material | FSC Certified African Blackwood |
Headplate Logo Style | Script Old Style Overlay |
Heelcap | Antique White |
Fingerboard Material | FSC Certified Ebony |
Scale Length | 25.4 inches |
Neck Joins Body At | 14th Fret |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1 3/4 inches |
Fingerboard Width at 12th Fret | 2 1/8 inches |
Fingerboard Inlay Material | Mother of Pearl |
Fingerboard Inlay Style | Diamonds and Squares Long Pattern |
Fingerboard Binding Material | Antique White |
Side Dots | Black |
Back and Side Finish | Satin |
Back and Sides Color | Dark Mahogany |
Finish Top | Gloss |
Top Color | Clear |
Finish Neck | Satin |
Neck Color | Dark Mahogany |
Bridge Material | FSC Certified Ebony |
Bridge Style | Modern Belly – Drop in Saddle |
Bridge String Spacing | 2 5/32 inches |
Saddle | Compensated White Tusq |
Saddle Radius | 16 inches |
Tuning Machines | Gold Open Gear |
Recommended Strings | SP Phosphor Bronze Light (MSP4100) |
Knob | Butterbean |
Bridge Pin Material | White Plastic |
Bridge Pin Dots | Faux Tortoise |
Pickguard | Faux Tortoise |
Electronics | Fishman Matrix VT Enhance NT1 |
Reviews:
Gorgeous resonance and crisp, clean highs, with an emphasis on a very centered midrange. Not as deep as mahogany, nor as resonant as rosewood, nor bell-like like granadillo or ziricote, cherry has its own earthy crisp sound. If you like that, this guitar is a beaut-incredibly playability and sound (and looks pretty too).JB
I have several guitars but none a good as my new OME Cherry Orchestra Acoustic-Electric Guitar. Action is low and is a dream to play. Sounds great as it is easy to play. I've always wanted a Martin but never purchased one. I would trade all my guitars for this one if I had too. Thank you SAMASH a sweet deaL.Dennis
A great feel and sound right out of the box. Beautiful cherry back and sides with a matte finish contrast with a high gloss spruce top. After a slight height adjustment to the saddle and nut (personal preference) this baby plays like butter. Deep resonant sound in an OM body and crystal clear highs. The electronics are spot on and easy to use. The hard shell case fits nice and snug. A pure pleasure to play. I can't wait to hear this one open up sonically with some age.Sofa Strummer
15. Martin D-18 Sunburst

Product Details:
Super nice martin d18 sunburst. made in 2020 according to serial number. i am the second owner. hardly a scratch on it. only some light finish marks on the top at the bottom bout and on and around the pick guard. you have to hold it sideways in light to see. otherwise minty. sounds and plays beautifully. comes with the original martin case. new daddario lights on it and new ebony pins w/abalone dots.
Specifications:
Reviews:
After playing guitar for almost 50 years, I finally obtained a job that afforded me the opportunity to purchase, what has turned out to be, the best sounding guitar I've owned. She is so responsive to how you play, dig in for more volume, ease up for someone else's lead.. she does not disappoint. I'm in awe every time I play it. Even my picking buddies are blow away by her. Saddle was a little high, but after a good set up, she plays like she sounds…beautiful.Paul
The box arrived that was originally sealed with big copper staples by Martin. I carefully opened the box, removed the case with guitar. I open the case not knowing what to expect as it was bought sight unseen. I open the case and was immediately hit with the smell of rosewood while my eyes gazed upon a gorgeous flawless work of art. I removed the guitar, tuned it up and was swept away with the huge, harmonically-rich tone. The action was absolutely perfect out of the case (low). It was so comfortable to play I thought the strings were light gauge 11's, but a micrometer confirmed they were medium 13's. The only thing I will swap out is the bridge pins and end piece. They are plastic. I will replace them with bone or titanium. If you do the same, make sure that the taper is 5 degrees, size 2A. This is not my first Martin. I've had a D-28 and D-35S. The last time I owned one was in 1985. The great quality is still the same. What a great guitar from a great company!Mike McLenison
In 1974 a friend of mine got a '65 Brazilian rosewood HD-35 for Christmas. I have wanted one ever since. I have played for 50 years and owned many fine instruments, all the names you know. IMHO this is the BEST acoustic guitar made by anyone! It's drop-dead beautiful, sounds extremely deep and rich, plays like butter, and being all-solid-wood, ages very well. Truthfully it is also a source of great pride of ownership, always recognized by those who are "in the know" about fine guitars. It IS expensive (and how!) but worth every penny. I suggest waiting for the 48-month, no-interest financing.Clint C.
16. Martin D Special Ovangkol Dreadnought Acoustic-Electric Guitar Natural

Product Details:
Martin special dreadnaught sitka spruce/ovangkol. this is a beautiful special edition martin full size dreadnaught (same as d18 and d28 just with ovangkol back and sides). the neck is extremely easy to play, even easier than my hd28. the ovangkol falls between the sonic range of mahogany and rosewood creating a beautiful warm and rich sound. it comes with the fishman matrix vt enhanced pickup installed that provides a very clear representation of how the guitar actually sounds while plugged into an amp. the guitar s action was professionally setup by a certified martin guitar tech locally to me. it plays wonderfully. it comes with the original case and documentation. the guitar was purchased in 2020 and kept in a consistent humidity/temp environment. 100% solid wood made in the usa. $999 open to offers. i am willing to video chat to see/hear the guitar!
Specifications:
Body type | Dreadnought |
Cutaway | No |
Top wood | Sitka spruce |
Back and sides | Ovangkol |
Bracing pattern | Forward shifted 5/16" scalloped X |
Body finish | Gloss |
Orientation | Right handed |
Neck shape | Performing Artist with High Performance taper |
Nut width | 1.75" (44.45 mm) |
Fingerboard | FSC Certified Richlite |
Neck wood | Solid mahogany |
Scale length | 25.4" |
Number of frets | 20 |
Neck finish | Satin |
Pickup/preamp | Yes |
Configuration | Soundhole mounted preamp |
Preamp EQ | 2-band |
Feedback filter | No |
Tuner | No |
Headstock overlay | Grenadillo |
Tuning machines | Chrome enclosed gear |
Bridge | FSC Certified Richlite |
Saddle and nut | White Tusq/bone nut |
Number of strings | 6 |
Country of origin | United States |
Reviews:
I am a singer, songwriter, quartet member and also perform some solo gigs around town. I own 2 other Martin guitars and have grown to prefer them over most other acoustic guitars. I bought this guitar as a Daily Pick from GC on line because the price caught my eye. For a U.S. Made Martin, you can't beat this guitar at this price. It arrived quickly and in good but not great condition. It was dirty and needed a new set of strings. I expected a brand new, in the original box, with all the case candy, etc. That was not what I got. I almost put it back in the box and called GC for a return. It was late in the evening so I tuned it up and started noodling around. Wow! This dirty repack demo of a guitar sounded great. I was really surprised. There was just a little too much relief in the action for my preference but very nice action and easy to play. Played like my other Martins, which I love but with a sound all it's own. It was begging me to sing along. That's what this thing is made for, in my opinion. Solo acoustic performance machine. I thought I'd try it plugged in just to see how cheesy the electronics were. Wow! The Fishman system in this guitar is better than any other guitar I currently have. It is so true to the actual sound from the guitar that I couldn't believe it. I must have played a couple of hours that night. Next morning I called GC and described the condition of the guitar and expressed my disappointment. The associate that I spoke with was very apologetic and set out to make me happy. I ended up keeping the guitar after an agreed upon credit to my GC Credit Card and some free strings. After a top to bottom cleaning, a new set of strings, and slight truss rod adjustment, I am a happy camper. I would definitely recommend this guitar to anyone.TMAX
I wanted to talk about some questions I had when I ordered this guitar. So, here goes! 1. It is an American Martin. Made in Nazareth, PA. 2.The gig bag that comes with this guitar is VERY nice for a gig bag. At the price point I got? I can buy a hard case later if I feel like I want to travel or ship the guitar. 3. The Fishman electronics are simple and discreet. 4. Based on what I am seeing? My particular guitar was built somewhere around 2018. So whilst it is new? This model came out a bit ago. 5. When the guitar arrived? I tuned it twice, and from then? It seems rock solid. 6. I don't know a ton about guitars, nor am I great musician, but I love the way this guitar sounds. Either plugged in or not? It has a bright rich tone. 7. It appears, at least to me, not to need any adjustment. I will keep an eye on this as the guitar ages. 8. I have friends with far more experience and talent than I. Both folks that played this guitar smiled and asked to take it home with them. I think that is a good sign. 9. There isn't anything "fancy" about this guitar. It has that classic simplicity to it. Zero flash or BS. I don't have any regrets about this purchase. It was birthday present to myself. I happened to get an email from GC, and it featured this guitar as a daily pick, with a substantial discount from the normal cost. I took a chance, and I am happy that I did! During the pandemic of 2020? GC and Martin gave me a lovely distraction from the drama and weirdness of daily life. Thanks!GOSTAZ
I have been looking around for a life long acoustic. From just having it and playing for a week I am certain this guitar will outlast me. It's absolutely perfect. The ovangkol is actually really beautiful but I understand some folks think it looks like "fake" wood, but it's not, it's absolutely real. The sound is full and deep. The highs are crystal bright, no muddiness whatsoever. This is a really great guitar. It's so simple. Just the basics, no bells no whistles, just a great guitar.Arnas, G
17. Martin 000-18 Acoustic Guitar

Product Details:
Save big when you buy today! body body type: 000-14 fret cutaway: non-cutaway top wood: solid sitka spruce – back & sides: solid genuine mahogany – bracing pattern: standard x scalloped – body finish: polished gloss – orientation: right handed neck neck shape: modded low oval nut width: 1.75" (44.45mm) fingerboard: solid black ebony neck wood: select hardwood scale length: 24.9" number of frets: 20 neck finish: finished gloss – electronics pickup/preamp: no brand: not applicable configuration: not applicable preamp eq: not applicable feedback filter: not applicable tuner: not applicable other headstock overlay: solid east indian rosewood – tuning machines: nickel open-geared with butterbean knobs bridge: solid black ebony – saddle & nut: compensated/bone number of strings: 6-string special features: tonewoods – case: hardshell case accessories: info not available country of origin: united states
Specifications:
Construction | Mahogany Blocks/Dovetail Neck Joint |
Body Size | 000-14 Fret |
Rosette | Old Style 18 |
Top Bracing Pattern | Standard "X" Scalloped |
Top Braces | Solid Sitka Spruce 1/4" |
Back Material | Solid Genuine Mahogany |
Back Purfling | Style 18 |
Side Material | Solid Genuine Mahogany |
Endpiece | Tortoise Brown |
Binding | Tortoise Brown |
Top Inlay Style | Multiple Black/White Boltaron |
Neck Material | Select Hardwood |
Nut Material | Bone |
Headstock | Solid/Square Taper |
Headplate | Solid East Indian Rosewood/Large Old Style |
Heelcap | Solid Black Ebony |
Fingerboard Material | Solid Black Ebony |
Scale Length | 24.9" |
Number of Frets Clear | 14 |
Number of Frets Total | 20 |
Fingerboard Width at Nut | 1-3/4'' |
Fingerboard Width at 12th Fret | 2-1/8'' |
Fingerboard Position Inlays | Old Style 18 – Green Abalone |
Finish Top | Polished Gloss w/ Aging Toner |
Finish Neck | Satin |
Bridge Material | Solid Black Ebony |
Bridge Style | 1930 Style Belly w/ Drop-In Saddle |
Bridge String Spacing | 2-3/16" |
Saddle | 16" Radius/Compensated/Bone |
Tuning Machines | Nickel Open-Geared w/Butterbean Knobs |
Included Strings | Martin MA540T |
Pickguard | Delmar Tortoise Color |
Reviews:
Hi Its the Old Time Picker again, This Martin is perfect, I have a Martin HD35 three high end Taylors 810, 524, 562, and a Gibson J15, So I know great guitars and this Martin 000 18 is a perfect guitar, In the past Martin was a little off on the 18 line of guitars with the binding being a little ruff, But not anymore, They have really stepped up to the plate with this one, It is perfect on the fit and finish and the sound is everything you want a Martin to be.i recommend This guitar to anyone of any style age or level of playing. Give it a try MF will take it back if you don't like it. Give ex 3231 a call Dawana will get you taken care of, She's Great. I've Ordered over 60 orders from MF and give them a 10 rating, well its back to Picken and Grinin, My Little puppy, Mr. Snickers sings with me everyday he's great to, hahah,,,, The Old Time PickerOld Time Picker
I've bought several guitars along the way, always knowing that I wanted a Martin 000. Somehow I found myself able to get the guitar I've always wanted and I'm so happy! Why did I wait so long? First of all, Martin Guitars are very nice. VERY NICE. The best. Especially once you get into the 18 series on up. The quality and craftsmanship lives up to the reputation. Of course, all of the hard work that Martin puts into their instruments results in breathtaking sound that only a Martin Guitar can produce. As soon as I picked up the guitar I could feel the power. My first chord was an open D, my go to key anytime I pick up a guitar to try. It's something you have to feel, but all I can really say is that the sound of this 000-18 is glorious. A very round classic sound, with a bit of chime on top. This 000-18 has a wide sonic range, but mid-range focused. The mahogany has that sweet tone which is great for all styles of play. This is definitely a finger pickers dream guitar, but can handle flat picking. I also like that I can lay into this guitar and the strumming remains crisp and not muddy. Drop tunings and capo up and down the neck is near perfect! This is my all around, do it all guitar! This guitar sings. Projection, sustain, volume when you need it, it's all there! Some guitars sound boxy and cheap. Not Martin. Not this one. It actually sounds like I should have paid more. The 000-18 does not come with electronics, but that's okay. You may not want any for this guitar. At least for a while. If you're a professional gigging musician than you could add a pickup, but there could be other choices out there suitable for gigging and amplified performance. The Sitka spruce top is gorgeous. Booked perfectly with silking that I can spend forever looking at. The neck is very smooth and modern feeling. I like it because it's not too thin, but allows me to play all styles. Satin finish makes me want to play all day long. And YES. I shallJay
Overall: Bought this Martin, it is everything the 00018e is except I get to pick out the pickup I want. I like it much more than a Dred, it is perfect in my hands and very light. The sound is typical of a high-end Martin 000. The Dred is just too boomy and could not cut through the mix in recording or playing live. This guitar is great for strumming picking or lead. Bottom end is still great with the added bonus of sparkling high end and playing lead is a thrill. You got to get you one.Randall
18. Martin 0015m Acoustic Guitar Natural With Case, Natural

Product Details:
In response to suggestions from martin owners club members, the martin 0015m offers an authentic blues type guitar reminiscent of small bodied martins of the 1930's. favored by legions of blues players, these mahogany bodied guitars have a warm tone and clear voice all their own. the 0015m is further enhanced tonally by martin's a-frame sitka bracing. a single ring wood rosette is used in keeping with the old 30s tradition. the genuine mahogany 14-fret neck has the classic solid headstock with vintage style gotoh tuners. fingerboard and belly bridge are morado. nut and compensated saddle are bone. this beautiful, soulful guitar is finished in satin lacquer over a rich dark stained body. all you need to add is the blues. martin 0015m acoustic guitar features solid mahogany top, back and sides give warmth while maintaining clarity modified low oval neck shape is comfortable, allowing for easy soloing and chord changes. the 00 style body is small yet still produces a great full sound designed for fingerstyle and blues players includes a hard martin case.
Specifications:
BODY SIZE | 00-14 Fret |
FINISH TOP | Satin |
CONSTRUCTION | Simple Dovetail Neck Joint |
BACK AND SIDE FINISH | Satin |
BRACING PATTERN | X-Brace |
SCALE LENGTH | 25.4" |
BRACE SHAPE | Non-Scalloped |
FINGERBOARD WIDTH AT NUT | 1 11/16'' |
TOP MATERIAL | Mahogany |
NECK SHAPE | Modified Low Oval |
BACK MATERIAL | Mahogany |
NECK TAPER | Standard Taper |
SIDE MATERIAL | Mahogany |
ELECTRONICS | Optional |
BRIDGE MATERIAL | East Indian Rosewood |
BRIDGE PIN MATERIAL | Ebony |
SADDLE | Compensated Bone |
ROSETTE | Multi-Stripe |
SADDLE RADIUS | 16" |
BRACE MATERIAL | Sitka Spruce |
BACK AND SIDES COLOR | Dark Mahogany |
BRACE SIZE | 5/16" |
HEADSTOCK SHAPE | Solid with Square Taper |
TUNING MACHINES | Nickel Open Gear |
HEADPLATE MATERIAL | East Indian Rosewood |
KNOB | Butterbean |
HEADPLATE LOGO STYLE | Script Old Style Overlay |
NUT MATERIAL | Bone |
Reviews:
Absolutely love it. Sounds great. Feels great to play. Looks great.Reviewed by guitarguitar custome
Bought for studio work. Smokes! Guitar's natural eq is a perfect hi/lo cut for a mix with a nice mid presence. Very balanced with everything you need and nothing you don't. Wanted for more finger-style tracking. Have several other usual-suspect woods/brands/models but missing something in this 'space'/role. Was a perfect fit!.Daniel
19. Martin 1967 0-18 Acoustic Guitar Natural

20. Martin Lx1re Little Martin Acoustic Guitar

Product Details:
The little martin is big on tone, quality, and versatility and includes sustainable wood parts. new to the series, the lx1r features a solid sitka spruce top for warmth and projection, paired with stylish rosewood pattern hpl. as the first model in its series with a pickguard, it also includes a laser-etched herringbone rosette and comes with a soft gig bag for easy transport so you can take your music anywhere. the little martin is ideal for travel but also makes a great student guitar. available at ken stanton music.
Specifications:
Finish | Natural |
Year | 2019 – 2022 |
Made In | Mexico |
Back Material | High Pressure Laminate |
Body Shape | Travel |
Finish Style | Satin |
Fretboard Material | Composite |
Number of Strings | 6-String |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Sides Material | High Pressure Laminate |
Top Material | Spruce |
Reviews:
Needed a compact guitar with full sound (sailboat dinner cruises – tight space). Plugged in through the board with a chorus pedal sounds as good or better than the full sized guitar I had been using with a lot less passenger head bumping. Easy to play. Quick change battery compartment.Nick
I purchased this guitar to get back into playing during COVID, after selling off my HD-35 and an older LX1 many years ago for personal reasons. Even back then, the LX1 which is nearly the same as this one besides this one handing electronics and a rosewood “paint” job, I often would defer to my LX1 over my HD-35. Part of the reason is the ease of use while still offering a distinct Martin sound, and the design instills confidence that I won’t lose sleep if I ding it or I let a drunk friend play a few tunes. I had that original for many years, and have had this version for about a month. The guitar itself has a surprising amount of heft, and I think many will be surprised by its projection. The solid Sitka spruce top is the mvp here, and should be a must unless you’re concerned about humidity and/or purchasing this style for absolute travel readiness. The solid top will hold up well in changing climates and travel, but the HPL top of the standard LX may be a safer bet if that is a concern. I think most people will benefit from solid top, so that’s my suggestion, plus you get that Martin smell, albeit faintly, with the solid top. Playability-wise, the guitar is clear and punchy while playing fingerstyle or doing solo runs, and strumming offers a surprising amount of boom and clarity. The only caveat is the transition or light strumming to full strumming, as it seems the guitar needs to rev up a bit to get into its full potential. However that could be some of my cobwebs I’m still throwing off. I’ve only used the onboard electronics is few times and they are about what you’d expect from a guitar in this price range. The plugin is on the lower bout near where the guitar sits on your right leg, and is powered by a 9v. Two control dials are available through the sound hole, and overall reproduce the guitar well enough, but a secondary EQ will most likely be required for serious production/recording… works great for just throwing down a songwriting session though! To round it off, the guitar comes with an included soft gig bag, which can be worn as a backpack or hand carried. Which is something I love, it also has a large pocket for whatever small items you may need. And the guitar comes with a 1 year Martin warranty, which should be enough to weed out any manufacturing defects. Overall, I am proud to have this guitar back in my hands, and love the durability, ease of use, value, and most surprisingly the sound of this guitar. This is truly a great guitar and is a lot of fun to bring everywhere!Dan K
I bought this guitar on musicstore from France. First, it price was the lowest I found on the internet, and even if it was shipped from Germany, it was delivered to me very fast (2-3 days). The packaging was clean. I got a gig bag as expected, and I was surprised they gave me a Martin&Co strap ! This guitar is all I expected from it. I had already tried a LXK2 and I heard it had the same sound LX1 (same materials). When its plugged on a power amplifier, it makes it even better ! I bought it because Ed Sheeran had it, and I knew it was a good one, now I can make cover of him, and it sounds beautiful ! I recommend this guitar and this website ! Ps : Im not a professional.
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