Martin 12 String Acoustic Electric Guitar For Sale (Jan 2023 Update)

I recently purchased my Martin DX2E 12 string from AMS and I love it. I purchased my Martin GCE16 about a year ago from AMS and I have never heard of them before this. I tried to order the same guitar from Guitar Center and it come in damaged, so I returned it. I then tried to order the same guitar from Musicians friend. The online site said it was in stock. I even paid for 2 day delivery, but it never showed up. After 2 weeks I called and they told me the guitar was out of stock. They also told me they should of called or emailed but they don't know why they didn't.(TERRIBLE CUSTOMER SERVICE FROM MUSICIANS FRIEND).This is when I found AMS. I called AMS and they were VERY helpful and easy to deal with. I ordered my VERY FIRST MARTIN GUITAR from AMS and have been very pleased. I have since ordered my second Martin guitar from AMS and will only use AMS for my online purchases from here on out. Thank You for all of the great service and merchandise.Bobby

For a 12 string guitar, the GPC12PA4 is very playable. The action is really low, and you can even play barre chords with minimal difficulty. I was amazed. The onboard electronics are very basic, and the built-in tuner helps keep the guitar in tune. It hasn't gone out much, but without it keeping any 12 string correct can be tough. Bottom line, it is a great and fun guitar to play.DH

I have a GPCPA1 rosewood that is perfect in every way. I already loved the performing artist series when I brought the GPC12PA4 condition two. There was no other considerations other than new or used when I wanted a 12 string. Out of box setup for my GPC12PA4 was terrible providing only open cording playibility. After these issues are corrected this is a very nice guitar. The Fishman preamp is good. I like the tuner, acoustically the guitar sounds wonderful. I have played this through a few PA systems, a Fender Twin, Supersonic Twin, Bassman, Egnator Renegade, it performed well in all environments. Plugged in I noticed the missing high end features of the Fishman Aura + preamp like feedback squelch. The GPC12PA4 is a nice complement to my PA1 6 string. With a new guitar correcting a few things like neck relief is to be expected. This was so far out of whack it was easy to understand why someone sent this one back. Truss rod just plain loose. Tuned with the truss rod tightened and neck relief adjusted the action was still exceedingly high. Measuring the distance from the bottom of the string to the top of the 12th fret was more than 4 mm. You could easily slide two .25 cent coins stacked one on the other in the gap between 11/12th frets and string bottom. Come on, this is supposed to be a Martin. Anyone at Martin ever hear of the action quarter rule of thumb? Action is good when a quarter(.25 coin) bridges the 11/12 fret and the strings just touches top of coin. It seems that for 1400 retail Martin could check and adjust the neck relief and action a little bit better. To lower the action I capo at the second fret to hold the strings in place while lose. Then mark the saddle with a line where it meets the body on one side with a pencil. Loosen the strings enough to remove the saddle(may require pulling bridge pins). Take out the saddle and do not mess with anything else found in the saddle slot. Measure saddle from line across down 2 mm on each end, drew a line across. Using 220 grit paper sanded from the bottom to my line being careful to keep the saddle flat and in full contact across the sandpaper as I sanded. When the saddle is re-installed the first line should sink 2 mm into the saddle slot beyond view. After tuning to pitch, checking neck relief adjusting if necessary, the action is now 2 mm at the 12th fret. No buzz, playable across the entire neck. I want a tad .4 mm lower and I'll catch that the next restring. I am very happy with my purchase. I have a 12 string Martin that plays most excellent, sounds good acoustically and through amplifiers and PA systems.OttoMatick-o23Xt

I'm confused by all of the rave 5 star reviews or maybe I just got a lemon. The workmanship appears to be flawless but the tone is absolutely terrible. The high notes are very sharp and piercing while the lows are way too quiet. I don't think this can be fixed with new strings so I'm just going to send it back and get the Takemine. Paid a lot more money to get an American made instrument but should have bought the Japanese Takemine. I'm done with Martin . Also the neck is very thin like my Strat.Pete the painter

I've played a fair amount of guitar – and guitars – over 30 years, but never a twelve string. Narrowed my choice (there are a few but not a ton of choices in this price range) to this Martin and Taylor's 150e. The Martin neck just accommodated my uncertain left hand a little better. Laminate sides, so yes, there are some tonal sacrifices a more sophisticated listener than I would recognize. But if you are dipping your toes in the 12 string pool for the first time, I highly recommend this Martin. Well built, easy to play and not a budget buster!msh6691

You won't find better action on a twelve string. Nice combination of woods. Great sound and playability. Sounds good plugged in, miked up and with no electronics. Went shopping for high end Martins, couldn't find one that sounded or played well, saw this gave it a try and immediately said this is it. Saved lots,of money that I can no spend on roses for my wife!Abe

Great affordable 12 string from Martin, Nice punchy tone and it stays in tune well! Great workhorse guitar! The sound is unmistakable Martin and the high pressure laminate back and sides look good and don't ding dent chip or scratch easy. Built in electronics are convenient and easy to use. keep in mind that these guitars still have plenty of solid wood used in the construction so you will still have to humidify these guitars during the dry months. The guitar has a comfortable body shape and a nice feeling neck. This is a hands on review, I am a staff reviewer for Sam Ash Music.JOHN @ Huntington

I've looked at a number of 12-string guitars over the years, this is the one that captured my interest. A very playable and great sounding 12-string, sounds even better when played through an amp using the internal pickups.Reviewed by Absolute Music custo

Great sounding Highs, Mids and Lows. Playability is great no buzzings and strings are nice low height. Really rings out.KB

If you want the ARCHETYPE, the inspiration, the BEST, Go for a Martin. I have a Gibson Original Jumbo 1934 reissue, that sound like heaven, the Martin is another animal, a perfect pair for my Gibson, I'm not a professional, I love blues and fingerpicking in my home with a cigar and a whiskey and my two acoustics and my OMI Dobro Lilly Of The Valley are a treasure for me! The martin have a striped ebony fingerboard and bridge (I like it but some maybe preffer a black one, well are not black), the sound is clear and a joy! The craftmanship is perfect, the case is very nice, the martin strings sound very good (I bought 3 sets of the same), the rosewood is very nice paired, and the top have a beautiful aged tone. This guitar will be with me all my life. About Guitar Center of Miami Mr Mario and Ignacio are nice people!Alejandro

I'm a new guitarist and consider myself very fortunate to be able to afford an instrument like this. I am nowhere near good enough (yet) to get the most out of this guitar, but I will say that even as a beginner (and long-time music lover) I can really hear the difference between this and lesser guitars, and playing on an instrument like this makes learning more rewarding, and dare I say easier. Anything I hear wrong is clearly my technique, which this guitar rewards when you get it right, and makes obvious when you miss. From simple cowboy chords to picked or fingered individual notes this guitar just has tone to die for. Hit an E minor, hard or soft, and each string resonates with depth, clarity and sustain. Playing this guitar is really a dream come true. Oh, I said I'm a beginner and that means that as I write this I've been playing guitar for all of five months. I'm 52-years-old and take weekly 30 minute lessons, have dabbled in online lessons and practice about 15 to 30 minutes on weekdays and about an hour or two on Saturdays and Sundays. I recently sang and played "Nights in White Satin" by The Moody Blues for my family. Just me, my D-28 and beautiful, room-filling tone. There's nothing better.Andrew

dream come true!! this guitar is amazing, set up out of the box perfect, only thing is sharp fret edges on the bottom of the neck.Sounds amazing and you know its a Martin when you hear it.very impressed with this guitarEric

I would of preferred to buy a solid top Martin for my son but he has an attic bedroom which fluctuates with the heat and we were worried about keeping it stored safely so at his request I brought him this one instead. I had previously seen and held the solid mahogany version and so when this arrived it did look different (not quite as nice) and there was a slight difference it tone and resonance however it still looked and sounded great compared with other guitars around and under the same price range (£500) we had tried. My son is 16 and an intermediate level guitar player and found it comfortable and fun to play and it is a really good sounding guitar (particular at the lower end) especially when amplified. He particularly likes the neck profile of this Martin which is tapered and neither too far or too thin. A good value Martin that should last him years without the worry of the extra care you need to take with solid wood Martins so a good middle ground for us. Would recommend.Mr F. c.

I had initially decided that I had made a mistake and purchased another guitar that I don't really need and was going to return the item. I contacted AMS and they made the process easy and I was ready to go. When the guitar arrived I of course could not resist opening and playing it just to check it out. This is an amazing guitar that is beautiful and has sustain for days. A high-end Martin at an affordable price? Obviously I'll be keeping it. Well played AMS.Chris

Wonderful sound and easy to play. Very much what you expect from a Martin guitar. I did find it $500 less after I purchased it, though.pauaver5

Just perfect! I had played several classical guitars and they all sounded pretty much the same – kind of hollow. Then I played the Martin. I could tell a tonal difference immediately. The combination of the Martin soundbox and the Magnifico strings is perfection. I was able to find a used one but even if you need to save your pennies – buy one!!Nathan T.

Chitarra veramente bellissima, ottime finiture è un suono bellissimo, bilanciato. Solo un piccolo aggiustamento all’action perché un po’ alta, un quarto di giro al Truss rod con chiave esagonale. Grazie a StrumentiMusicali.netLuca Armenia

The change of richlite to wood for the neck, fretboard and bridge made a huge change to the sound of this guitar. Much more sustain. The guitar sounds and plays great!Dean

Was the next best thing that I have ever got myself other than my truck. Ty love the way it sound and the way it plays……rosad-rober

Got this from Ithaca Guitar Works. Wanted to play it first. While it looks like a J45, it is a Martin. While the lower bout is an inch wider than a standard dreadnaught, it will not sound like a Gibson advanced jumbo. It is definitely a Martin and celebrates that pedigree. It is incredibly light. The light satin finish gives it immediate resonance and tone. And it will only get better. It is incredibly balanced string to string, but with a Martin bass. I own a Guild D20, which I prefer over Martin's D15 (it's close), but the spruce top on the DSS-17 adds a sparkle that is welcome. The Monel strings had to go. I can see why the late Tony Rice loved them for bluegrass. They are clear and don't overload a picker with overtones from earlier notes. I swapped out for a set of Daddario 12-53 Nickel Bronze strings instead. At times it rings and sustains like a 12 string. Can't stop playing her. The tuners are antiqued models from Stew Mac. They hold tune, but some creak and are not smooth. I am still deciding if noisy stability is preferable to smooth retuning. But they look the part of old tuners.Guild Lover

I've owned 2 Gibson J-45s. The first was a 2018 Sitka top, mahogany back and sides. The second was a Gibson J-45 with rosewood back and sides. Don't get me wrong, I love J-45s, but this Martin DSS-17 is killer! The bottom end reminds me of the 2018 45 I had, but more volume. The one I purchased had a hard case with it, so can't speak to the gig bag this normally comes with. I'd never buy a nice guitar with a gig bag. I'm too picky when it comes to humidifying my guitars, so a hard case is a must. I think this guitar had a great deal of thought put into it and they knocked it out of the park. This is my second Martin. The other that I own is a 000-15 SM, which is a great guitar as well. I'm still a Gibson fan, but let's be honest, a J-45 is a grand more than this 17. The 17 checked my boxes, so here we are.Randy C

The guitar plays great, sounds amazing and looks stunning. Real cool vintage vibe. The tuners seem very precise. I was disappointed that the guitar didn’t come with a hard case, but I have to say I’m really impressed with the soft case that came with it and it is far more robust than I would have expected. The set up is excellent nice and low but no fret buzz. My Gibson will be taking a back seat now this baby has arrived. Unbelievable tone and I definitely made the right decision to purchase this.Reviewed by Project Music custom

This Martin DC-X2E sounds nice and plays ok. Action was a little higher than I like but not too bad. Not a big fan of the very-wide neck. Sometimes the high E gets muted by my palm when reaching over the frets playing fingerstyle (lower area of the neck). So even with my fairly long fingers, having to stretch my fingers around the massive neck to avoid muting the high E gets tiresome quick. Basically, it's a bit difficult to play. In my opinion, it definitely does not play nearly as nice or easy as my Taylor 214ce or even my GS Mini. This Martin does sound great though. It's a great guitar overall.Johnny

I was looking for an acoustic-electric with a cutout. I didn't want to modify my existing acoustic to add electronics and I've started playing higher on the neck. I thought long and hard about buying a guitar under $400 knowing it would probably be "good enough", but I have a Martin X-Series 12 string that I absolutely love after being disappointed with a cheaper guitar. I also weighed "country of origin". I am so glad I didn't settle for less! This Martin X-Series guitar was set up perfectly right out of the box. The narrow neck makes it a dream to play and the SOUND! Nice deep sustained tones playing unplugged, and then when plugged in it's just awesome! I LOVE the soft rich tones!Harlan

Got this from Ithaca Guitar Works. Wanted to play it first. While it looks like a J45, it is a Martin. While the lower bout is an inch wider than a standard dreadnaught, it will not sound like a Gibson advanced jumbo. It is definitely a Martin and celebrates that pedigree. It is incredibly light. The light satin finish gives it immediate resonance and tone. And it will only get better. It is incredibly balanced string to string, but with a Martin bass. I own a Guild D20, which I prefer over Martin's D15 (it's close), but the spruce top on the DSS-17 adds a sparkle that is welcome. The Monel strings had to go. I can see why the late Tony Rice loved them for bluegrass. They are clear and don't overload a picker with overtones from earlier notes. I swapped out for a set of Daddario 12-53 Nickel Bronze strings instead. At times it rings and sustains like a 12 string. Can't stop playing her. The tuners are antiqued models from Stew Mac. They hold tune, but some creak and are not smooth. I am still deciding if noisy stability is preferable to smooth retuning. But they look the part of old tuners.Guild Lover

I've owned 2 Gibson J-45s. The first was a 2018 Sitka top, mahogany back and sides. The second was a Gibson J-45 with rosewood back and sides. Don't get me wrong, I love J-45s, but this Martin DSS-17 is killer! The bottom end reminds me of the 2018 45 I had, but more volume. The one I purchased had a hard case with it, so can't speak to the gig bag this normally comes with. I'd never buy a nice guitar with a gig bag. I'm too picky when it comes to humidifying my guitars, so a hard case is a must. I think this guitar had a great deal of thought put into it and they knocked it out of the park. This is my second Martin. The other that I own is a 000-15 SM, which is a great guitar as well. I'm still a Gibson fan, but let's be honest, a J-45 is a grand more than this 17. The 17 checked my boxes, so here we are.Randy C

The guitar plays great, sounds amazing and looks stunning. Real cool vintage vibe. The tuners seem very precise. I was disappointed that the guitar didn’t come with a hard case, but I have to say I’m really impressed with the soft case that came with it and it is far more robust than I would have expected. The set up is excellent nice and low but no fret buzz. My Gibson will be taking a back seat now this baby has arrived. Unbelievable tone and I definitely made the right decision to purchase this.Reviewed by Project Music custom

Just fantastic Well, how do I make this clear. First of all, an acoustic guitar is really just a mirror made out of wood;l in other words, whatever you can do, IT will do. I've been playing almost 30 years and can tell you that learning to play steel-string is an EVOLUTION. An evolution of your taste, your ability, but also it's a continued undestanding of what makes a guitar sing: Voicings and strings. Without all these things you cannot evolve. What a martin brings to the table (ESP the D-45) is the vehicle to make these expressions in my opoinion. For example, I play the same thing on 2 guitars and one of them is a D-45 — THAT is where we should begin the review, a comparison to a baseline variable. I've owned both old klunkers and nice steel string guitars. But it wasn't until late '07 that I had the dough to lay down on a Marty. I went with a D-42 for econ reasons (about 3400.00 at that time). She was a beut' … However, a few years later I went into the shop and test drove a new D-4 and let me tell you there was just NO comparison there…. NONE. The D-45, when put together correctly and set to go is about as close to driving a Ferarri Enzo as a working-class guitarist can ever get. She was so fast, and so bright, big, and loud it was jaw-dropping — not only for me, but for several others in the sound room, no kindding. I decided right then and there I would lay down the money to get her. And only this particular one, too. Each one is different. YOU MUST SHOP and COMPARE. This is the nicest guitar I've ever played in my life….. Endless enjoyment is hard to put a price on.Jon Mould

I also own a Gibson J-200, and the feel of this guitar is just so different and special. It plays so much easily and without effort. Having said that, I'm still playing with strings and determining which works best for me, but regardless of what I've used so far, I have not been disappointed. On top of the amazing sound, it is probably the most beautiful piece of art that I have ever seen. Not only does it sound better than probably any other acoustic you will get your hands on, but it will also leave you with a sense of pride that you own a work of art that will stand the test of time as you pass it down generation to generation.P-Dogg

99% of the tone of an all-solid guitar with the added durability and aesthetics of layered Koa. Should it be priced the same as the 000-13e? Debatable. Should it be judged as a "layered", "plywood" or "HPL" guitar? I don't think so. Essentially, Martin sandwiched two fine Koa veneers (not a cheap wood by any means) over a solid African mahogany core. How fine is the veneer? No idea. Does it affect the tone? Minimally. My guess is they're covering an aesthetically imperfect but otherwise perfectly fine piece of mahogany. My Koa B/S look great but I've seen others that are truly spectacular. If sustainability matters to you – this guitar hits the mark. The black tuners and headstock, black Richlite fretboard, and black pickguard contrasted against the mother-of-pearl rosette and fretboard inlays is just on another level. It's super comfortable to play, it sounds fantastic (again, a 1% difference in tone compared to the 000-13e IMO), it has added durability, and the solid spruce top will sound even better over time. I personally love the look and feel of the Richlite fretboard. The built-in tuner is super convenient. The electronics are tucked away and don't impact the look of the guitar at all. Do I wish it came with a hard case? Sure. The gig bag is great quality though. Unless you're bringing it on a plane or moving, the gig bag is more than enough protection. I originally wanted to sell it for a 000-13e (which was out of stock everywhere I went) but every time I get an offer, I can't seem to let it go. I do think it should be $100-$200 less than the 000-13e but still well worth the price, especially if you really want the Koa look. It's a keeper for me.Alex C

Owner/player of 2 1960's Martin D-18's,purchased to play in church praise band plugged in and avoid taking my vintage Martins to gigs in cold/hot weather & wild crowd extremes. Also moving to smaller guitars lately with shoulder pain issues. The KOA veneer back and sides are more beautiful than the pictures suggest up close. Love the familiar sound of the mahogany however which is the interior wood. Black tuner knobs add some nice contrast with the woods. Tremendously easy to play with nice low action/setup. Known as a fingerstyle size guitar but I'm more of a flat picker and it works great for that as well. Battery installation was a bit confusing and not clear in instructions but alas I wasn't familiar with this particular battery setup. I haven't plugged it in yet but expect it to sound great as I have some experience with Fishman pickups. Sounds like a guitar that should cost at least $1000 more. Very happy, I upgraded it to a hard shell case as I'm not a fan of gigbags but the gigbag it comes in is nicer than the usual gigbag. Highly recommended.Bill

Simply put this is a great guitar. I bought it because I also own a D18 E Retro and, with the price tag of the D18, I was always hesitant to take it out when I’d be playing a hot, humid summertime outdoor gig or something like that. The Richlite fretboard is incredibly stable, the guitar stays in tune, and the new Fishman Matrix electronics are outstanding. I actually reach for this one over the D18 the majority of the time. Price, quality, and outstanding tone … it’s all there.Jeff

Like others, I've always wanted a domestically crafted Martin but just couldn't fit it in the budget. I'm sure the X series are great instruments but I did not want to settle for something other than a solid wood US made Martin if I were to purchase one. The MF sale and their 48 month, 0% financing deal made the choice a no brainer. I would consider myself an experienced novice in that I've been noodling on acoustics for 35 years give or take but electric bass has been my instrument of choice. That said I find this guitar easy and a joy to play and keeps me wanting to come back to it. The sound is bright and pleasant even when getting into the strings some. The quality is top notch and I went over this thing with a fine tooth comb. The absolute, only "flaw" I could find was that the pick guard was off center perhaps be .5 mm or so and the only way one would notice is if you follow the very minimal rosette around the sound hole you can gauge the position of the pick guard by following the thin white center line. There is no way you would notice this unless your eye is within 15 or so inches of the sound hole. The tuners seem decent quality, are marked "Martin", adjust smoothly and hold tune very well. The neck is comfortable and intonation is perfect as one would expect with the use of their PLEK machine to aid set up. To top things off the hard shell case fits the guitar perfectly, looks great and seems to be high quality. There is really no downside to this guitar and I wouldn't hesitate to advise anyone to purchase this guitar.Josh

I've had mine for four months, so I feel that I can make an honest evaluation and I'm every bit as impressed as I was on day one. I'm primarily an electric player, but I owned a couple of mid-range acoustics when I got this. I've since sold them because I knew I would never play them again. After steak, hot dogs just don't cut it. I always thought Martins were rather plain looking and still do, but what makes them so impressive is the playability and unequalled tone. The Custom D ranks right up there with the best in those categories. The satin finish is nice and while it may be psychological, I think it may give it a more open sound. You can definitely feel a ton of vibration in your body when playing. It doesn't show fingerprints or require polish either. In fact, Martin doesn't recommend polish. The factory installed strings are of the highest quality and great for chording, but if you use the entire fretboard or do a lot of bends like I do, you may want to consider something lighter. I changed to coated 10-47 extra lights and was surprised to find little to no loss in the low end. Now that I'm a Martin fan, I've considered trading up, but I just can't justify the extra cost for binding and a gloss finish. I'm sure the cork sniffers will tell me there's a whole lot more to it than that, but I think they would be hard pressed to distinguish a difference between this and a higher end model listening blindfolded. I've been playing for 48 years and have bought and sold many guitars during that span (regretting a few), and the Custom D is one of the best guitar purchases I've ever made. Oh yeah, everyone comments on the smell and it's no exaggeration. Hits you as soon as you open the case.Terry T

I wasn't expecting a whole lot with this guitar. I just wanted a guitar that I could take out in the elements and not have to worry about it. I also have a Taylor 314ce and Martin 000-15. This guitar is super comfortable to play, it's solidly built, and it sounds like a Martin! I tried the Taylor 114 first and it felt and sounded a bit cheap. This one is so much better than the Taylor 114. It has sustain for days (sure wasn't expecting that)! The 1.75" nut width and 24.9 length make it perfect for me. The fretboard is also superb, the richlite feels like ebony (super smooth), and the fretwork is spot on!EC

This is another addition to my earlier post I still like the guitar as I mentioned before but when I just now went to record using the pickup system I was not pleased. At least to my ears it sounds like a very low end piezo under the bridge like the earliest kinds in the 80's buzzy and thick lacking in any of the subtle sounds I get playing it acoustically.Petros

This case is great! The quality is really good, super protective, deep front pocket fits everything youd need and more! Really happy with it. Straps are comfortable, zipper seems super sturdy and looks like it will last a while!stratant1

Up front I like brighter sounding acoustics (and electrics) and this model Martin was a real revelation. It feels like an electric neck to me so easy to play and the workmanship is outstanding. I was a little thrown by the bolt in neck but I get it now, it allows for owner adjustments (though I would still take it to a luthier) but what floored me was how singing this guitar is all the way up, even chords up at the 12+ frets sound full and loud. This is a pretty darn loud guitar. It has a nice deep penetrating low end but not a fat low end like a more traditional expensive Martins it has bite but a very appealing musical bite. (Think P90 as opposed to Humbuckers) (I'm speaking only played acoustic have not plugged it in yet) again I like it because it sings with a great sustain but not too much low end which can be difficult to record and sing against. Notes just seem to push tone out I was able to push this guitar until it seemed like the strings were rubber bands but it never quit it just kept the tone clear and ringing. Love the design of the bouts feels great to have on your lap. It sounded great flat picked finger picked nail picked strummed hammered pulled nothing did not sound excellent to my ears. I also tried a Taylor 214 CE K which I thought sounded great on videos but wow it sounded choked in many ways and chords that barked out and shouted on the Martin sounded muffled and pretty weak on the Taylor. That's when I decided this Martin was it. (In some ways this guitar sounds like a 12 string because of the bell like clarity and definition just what I was looking for).Petros

It arrived a day early. The setup and action were great right out of the box. Sounds great acoustically, but it really shines when it's plugged in. Fat low end with clear mids and highs. Martin really hit the mark with this guitar. Great price point and playability.Cookie